#i try to use what information i have from the source material and let it grow

[huntedspy2]

hello and welcome to my "why I love autistic Spy headcanon and why it makes sense to me" post. A lot of this is going off of fanon representations but I try to go off of canon as much as possible :)

I know people don't think of him as autistic because he's a spy! He has to be good at social situations and reading body language and etc etc. But I don't think this should disprove him as being autistic because these are the same reasons heavily masking autistic people are dismissed as well. There's many testimonies of autistic people who say that they knew there was something different about them in terms of the way they could communicate with others, so they would practice and learn how to communicate with scripts or by copying other people. I think this can be applied to Spy and it makes a lot of sense especially because of his career.

I think it's much more interesting to think of him as someone that's intensively studied how to communicate with others because of being autistic, and perhaps from the pressure of others in his childhood and teen years (parents, teachers, peers). He knows exactly how to say the right thing and when because of endless practicing, not because it comes naturally to him. Perhaps social behavior, communication, and psychology became special interests to him because of this.

Because of heavily masking however, I feel like he also has identity issues with some dissociation mixed in there. Where does his masked self begin and where does it end? I feel like he truly never feels like himself, always playing a role for other people. Always switching the scripts in his mind depending on who he's talking to. He has given himself over to being a spy and becoming so good at what he does that he never has a moment to be himself. He never has a moment to figure out who he even is, and man is it exhausting.

I would imagine that he never talks to people about himself either. Perhaps this was something else he learned from when he was younger, to not bother others about his interests or thoughts. Or maybe he feels vulnerable from it. Maybe even both. Sure he could talk about wine with others, but he would never share the fact he's really into a novel series a little too much.

However, I feel like working with the mercs is something that helps him start to unmask. Working with 8 others who are all crazy in some way (and also neurodivergent in my opinion)? That's gotta chip away at his mask. He quickly realizes that a lot of the skills he's learned along the way to fit in aren't quite working with his coworkers. He starts stimming again (for example, flipping his butterfly knife repeatedly). He's less exhausted in social situations because now he doesn't have to carefully choose what to say all the time. He can remove himself from social situations easily now without having to explain or say farewells (imagine how much of a gift his watch is now that he can simply Disappear and get away from people!). Those domination lines in game where he mocks people? He can finally let loose and be mean and silly because he no longer has to worry about if someone likes him or not!

Spy is always depicted as a private person who likes to keep to himself. He has his own private and dedicated smoking room?? Hello???? I could say so much more but it's so hard to put all my thoughts into words.

I also wanna highlight some specific examples from the comics that I thought were noteworthy :)

Spy infodumping! I know this can be interpreted as him being frustrated and "of course he knows the specific details of his suit, he's rich and rich people are just like that!" but. In my heart I know it's More Than That.

Also these panels stuck out to me because of Spy's bluntness here. This isn't him trying to be cruel or anything, he literally just doesn't realize him being matter-of-fact is gonna upset Ms. Pauling. I also think it's interesting how he handles her crying as it shows that he's not good at being vulnerable or emotional with others, and keep in mind that he's friends with Ms. Pauling too. This is supported by the fact that in order to express his pride to a dying Scout, he has to disguise himself as Tom Jones. Even in an important moment Spy has to use a disguise as a buffer between his feelings and his true self. Or maybe he's unable to identify his true feelings unless he's in the headspace of another person.

ok that's it for now, I feel like I lost a lot of my thoughts about this in the process and I know for sure that I haven't shared all my thoughts because I feel like this is too headcanon-y as it is or didn't know where to fit things, but yeah Spy is autistic too :)

[justwinginglife]

No One But You

Food for the @pixelcafe-network

Sylus lay in a pool of his own blood, clutching the gunshot wound you had carved into his heart, muttering about betrayal and deceit in his final moments.

You rolled your eyes.

“Yesterday’s death was a hell of a lot more creative, Sylus.”

He sat up straight, scoffing. “Can’t help if the source material is unoriginal to start with. The best you could do was a gunshot wound today? Really?”

“That’s because I wasn’t trying to kill you, stupid.”

He raised an eyebrow. “And what do you call plowing a bullet through my chest?”

You crossed your arms. “I call that trying to shut you up. Although, I suppose that didn’t work so well either, because then you prattled on about what a traitor I was and how you never saw this coming. Which, in my humble opinion, was laying it on too thick. You always see everything coming, don’t act like a victim.”

He chuckled and with a snap of his fingers, any trace of his blood or his wound had vanished. “What can I say, I like theatrics.”

“And I like my bosses to be less dramatic and less alive.” 

He stood to meet your gaze, tsking at you as he tucked a finger under your chin. “Now, now, kitten. We’ve been having such a grand time together the last few months.”

You waved his hand away but he caught your wrist. You knew once he had you in his grasp, you weren’t getting out until he chose to let you go so you stopped resisting. He smirked, pleased at your submission.  

Sighing, you grumbled, “Sy- you’ve got a 1 o clock meeting and I’ve yet to thoroughly vet them, so eventually you’ll have to let me go.”

He yanked you closer to him. “I highly doubt my favorite assassin would forget to vet anybody. I’m sure you already had him in your sights long before I made the meeting, am I correct?”

You met his brazen gaze with a fierce look of your own. “I suppose now that you know all my secrets, I really will have to kill you.”

He chuckled and kissed your knuckles. “Looking forward to it.”

Asshole.

He knew that you knew you couldn’t kill him if you tried, because you’d already tried. Many, many times. 

You’d met him months back when you’d attempted to snipe him from a rooftop. You were the best in the assassination business, but something about this cheeky bastard who had the nerve to grin into your oculars right as you pulled the trigger had you feeling like an amateur again. And when he materialized beside you right after you’d supposedly shot him, offering employment rather than retaliation, you knew he wasn’t taking you seriously at all. How could the head of Onychinus allow an assassin to walk right into his headquarters, to eat and drink beside him, to sleep in the room next door, knowing he had a hefty bounty on his head that she intended to collect, and not bat an eye? He was some other beast entirely and you weren’t sure how to react.

Of course it made you feel valued to know that he only entrusted his most important missions to you -he’d say something along the lines of “there’s no one else who can do the job but you” and you’d roll your eyes but oblige him- but he must’ve still thought you were somewhat incompetent if he willingly allowed you to take a shot at trying to kill him everyday. And then there was the matter of his obvious flirting. 

The way he always had your favorite wine laid out for you after a mission -you weren’t sure who he’d tortured for this information- or the way he always made sure to take you on missions with him that involved dressing up so he could admire your figure -not like he wasn’t already admiring it on a daily basis in your usual getup- or even the way he purred his little pet names in your ear, pet names that he didn’t seem to give to anyone else but you. 

Some small part of you even wondered if maybe he loved you. But the rest of you knew that he probably didn’t even know what love was. The rest of you knew that he was probably toying with you. But what was he waiting for? For you to no longer be useful? For you to fall for him? For you to give up on killing him? What did he want? 

The man had the most beautiful eyes you’d ever seen but you would never know what was going on behind them. 

And it killed you to admit that he was beautiful. Rule number one of assassination was to not get attached to your target, but here you were, toasting him over dinner every night, admiring the curve of his lips, admiring the broadness of his shoulders, admiring the way his fingers held a wine glass, like you hadn’t spent decades training to be the monster you were known to be, like you were just some school girl hanging onto some jock’s every word. 

He probably knew it too.

He liked to tease you; it was like his own personal form of entertainment. 

He liked to intertwine his fingers in between yours like you hadn’t just used those very same fingers to try and strangle him only moments before. He liked to tuck your hair behind your ear, pinch your sides, pin down your wrists, tilt up your chin, anything so he could touch you. He liked to murmur your name, your real name, the name you hadn’t been called in years, the name you weren’t sure how he’d uncovered, over and over like a prayer, until you had to excuse yourself from dinner because you weren’t used to the gentleness in his voice. And then he liked to repeat the cycle over and over again, until you weren’t sure how you felt anymore, until you weren’t sure who you were anymore. 

“Bastard.” You muttered under your breath.

“Trying to hurt my feelings?” Sylus snaked his arms around your waist. 

“It was never my intention to hurt you, dear Sylus, only kill you.” You responded innocently.

He chuckled, running his fingers through your hair. “That’s my girl.”

God, he couldn’t keep saying this shit to you.

“Not your girl, Sy.” You retorted, shaking him off of you.

“And why not? You could be.” His eyes gleamed mischievously.

In an instant you had a knife pinned to his throat. “Because of this. Because you’re nothing more to me than a target and I’m nothing more to you than a toy.”

He leaned in closer to you, allowing the metal to pierce his skin, drawing blood. “Well if it makes you feel better, there’s no one I’d rather have kill me  but you.”

You laughed at that, withdrawing your knife. “Should I feel honored? And how does one even respond to that- there’s no one I’d rather have toy with me but you? God, work on your lines Sylus, you’re so cliche. You have a 2 o clock meeting, so get to it.” You shoved him off of you.

Grinning, he sauntered off to his next meeting with you guarding his back like you always did. And when his 2 o clock tried to kill him, he kept that same stupid grin on his face as he watched you pin the man underneath you in a matter of seconds, cuffing his hands together so tightly they bruised. 

“Is it appropriate to say I’m feeling jealous right now, kitten?” He chuckled.

You scoffed. “No, Sylus, it is not.”

“And what if I said there’s no one I’d rather have pin me down than you?”

“Still not appropriate.”

The man underneath you groaned. “If you two are going to keep flirting or bickering or whatever this is, could you kill me already?”

You smacked his head with the butt of your gun. “Shut up, we’re trying to talk here.” 

“Feisty. I love it when you talk like that, kitten.” Sylus ran his hand through your hair, the way he always did, admiring the way the strands felt in between his fingers. 

“Funny, I love when you stop talking, Sy.”

The man squirmed beneath you again. “I’m serious, please just kill me already.”

“I said shut up, my god.” You tightened his cuffs. 

But this time the man was annoyed. “He’s toying with you, you’re toying with him, we get it already. A man like Sylus is never gonna truly love you so can you please quit flirting an ki-” 

You shot him in the head. “Did I not say to shut up?”

You had intended to keep him alive for information, but you had to admit his comment hit a little too close to home. You already knew Sylus was never going to love you, but was it that obvious to a random bystander? The thought pissed you off.

Sylus sighed. “And now I’m going to have to get the carpet cleaners in here.”

“You really should keep the company of quieter people.”

“And you should know when a man is baiting you.”

You scoffed, standing to leave. “And what’s that supposed to mean? I know when I’m being played, you do it all the time.”

“You’re so gullible sometimes, kitten. You’d really believe what a random hitman says?” He wrapped one arm around your waist, pulling you closer, and tucked one hand underneath your chin, drawing your gaze to him. 

“I don’t believe what anyone says.”

“Yet you’d kill him for saying I could never love you? Interesting way of showing you don’t believe him.”

You glared at him, anger flaring in your gut. You attempted to wrench yourself away from him but he only pulled you tighter against him. “Sylus, let go already. Enough of this. I’m tired.” You snapped.

“Haven’t I already told you? There’s no one else for me but you.”

“Sylus, quit saying shit like that.” 

“Right, you don’t like when I talk. Well then, how about this?” In a matter of seconds, his lips had found their way to yours, molding his passion and persistence into you. 

You bit his lip in annoyance but it only fueled him more.

He chuckled against your mouth and claimed your tongue with his. His hands rested on the small of your back, possessively holding you in place against him. After properly swallowing down your moans and devouring all your desire, he finally pulled away to allow you some breath.

“Fine.” You whispered, still dizzy from his kiss. 

He smirked, nuzzling up against your ear, as he murmured, “Fine what?”

“Fine. There’s no one else for me but you. Happy?”

“Immensely.” 

He kissed you again and didn’t stop kissing you all night.

Taglist: @tbaluver

[styxwanderer]

Fateful Encounter |

〖Twisted wonderland〗

[you are an exiled knight of king Hendrik, thrown away by your master as you had disagreed with his method of draining the mines out of magestones belonging to the fae]

TW: torture, implied sexual harrasment [by the human scums of course]

•❅──✧❅✦❅✧───❅��𓆩⟡𓆪•❅───✧❅✦❅✧───❅•

"OUCHHH that fucking hurts!"

you had no recollection of what had happened, but you suspect it was king Hendrik dirty play that had you beaten you unconciouss to wake up in a grass covered path surrounded by trees in the dead night. The Dawn knight had warned you about this. the last word you could hear was" if you are so adamant to defend those bandits then you should just go live with them." after years serving as the left hand for that ungrateful tyrannical king this is your payment?

" That jerk! Urgh...Where am i?"

you were in distress, a lady in distress, though that is broken as you decide that it is better if you had looked around and search for help than wailing in self-pity.

Not long you had seen a source of light from a distance. you decided to get closer, Afterall, it is better to die by the sword rather than starvation.

As you went closer and closer you begun to notice a hissing between the trees. You grown aware of your surroundings as you search around.

" HUMAN! state your purpose! How dare you try to sneak into our camp in the dead of the Night!! WAIT! IT"S YOU!! the left hand of that Bastard King! I shall have you dead!"

You raised both your arms up. " Bastard king, I kinda agree with that a tyrant too, well i don't mind, but first let me have some food first, won't you be so kind to give me a last meal?"

" HOW DARE YOU DEMAND FOR A MEAL! YOU---"

" hold on a second, Baur. Look at her clothes. and she is injured"

You had now became aware, you had been stripped out of your armour left with the thin materials used inside of the armour, it too had been ripped from the branches. The logo of king Hendrik kingdom too had been forcefully ripped out of your body cloth leaving a hole on your left arm. You body blotched with black and purple spots you dont doubt you lips were splited and a smear of blood is apparent below your nose. with a topping of a left black eye of course.

" Oh aren't you the general of the right?"

"ugh.. enough with the name, you are king Hendrik famous dog aren't you, state your business.. on second look... heh.. the owner had gotten tired of his dog? what happened did you bark at your master? or did you bite your master?" the general with red stripped hair taunt you.

" Haah.. I wished I had mauled him to the death, then at least he can stop his grabby hand to take whatever he wanted like a spoiled baby."

" hmm.. no that would be a real inconvenient. afterall, we fae had a fair share of grudge toward your stupid king, Human or should i say Dog."

" Okay deal.. so when can i have my meal?"

" HOW DARE YOU ASK LILIA VANROUGE FOR A MEAL?! YOU INSOLENT FOOL!"

" a meal?!?"

" Aa.. well, I rather die with food rather than dying without a last meal, so before you kill me the previous left hand dog of king Hendrik would you be so kind to give me one last meal?"

"YOU!!! ---"

" hahahaha.. you are an intresting one. alright I will grant you, your wish, afterall, I have just finished making the food come come."

"But Lilia, they are a human..."

"don't worry, its their last meal afterall. khufufufu."

"eurgh! HUMAN, WHERE IS YOUR GRATITUTE, GENERAL LILIA HAD GRACEFULLY PREPARE A MEAL FOR YOU!"

" I give thee my deepest gratitude for your never-ending kindness." you performed a half bow with your right hand towards your chest.

You are guided toward the camp as Baur the green-haired guy kept an eye on you, feeling very suspicious of your presence. Meanwhile, Lilia was leading the group.

once you are inside of his camp several soldiers are to rise and hiss at you only to be informed than you are Lilia's esteemed guest making them shocked as they continue to stare at you and your tattered uniform.

you are seated in a big log as Baur sat neck to you armed cross, frowning. You have to say that this guy is quite attractive even when he frowned. You look around the camp to find that the camp is previously owned by the silver fox.

Your attention is diverted as Lilia placed a strange green? brown? goop into a wooden plate and handed towards you.

"Here you go! eat up before I can slice you up!"

" ..... What is this?"

" HOW DARE YOU QUESTIONED SUCH THING! THIS IS LILIA SPECIALITY SOLDIER SOUP!"

" it is filled with nutrition if you must asked. its a tradition for a fae." Lilia smirked

you took a sniff at your bowl reeking of whatever foul thing on the planet, you then take a bite deciding not to be rude to the host and also it is you whom had demanded for food, you need to eat it despite it's appearance, it might be good regarding of its look just like a few dish that you had tried before.

Your mind turned blank as you froze. Once the food had enter your mouth you could feel your gag reflex acting up. Not wanting to spit it out you hold your mouth shut. You could feel your skin turning into a shade of green. your check. you forced yourself to swallow like a good girl you are.

" What is in there?!"

" hmm.. well we have lizard tail and foot, a cow's liver.."

" BLerghhhhhhhh....urp.." you try not to let the spoonful of the goop rise up your throat.

" DO YOU DARE TO OFFEND GENERAL LILIA'S COOKING??!"

You stare at this green haired guy dead in the eye, you had lost your fear for your live. " Is this seriously your traditional food? did you eat this everyday?"

" Quite human! this is very healthy! it is too very convenient!"

" That is true you know, I don't have time to do whatever gourme chef do, this is just enough to feed my troops."

" As beautifulas you faes are you are quite horrible with foods, ah how terrible, I feel so bad for your troops."

" HOW DARE YOU OFFEND GENERAL LILIA!! RAISE YOUR SWORD HUMAN!"

" If you rather die in hunger then be my guess." the general spoke.

" Haaa..." You placed the bowl on top of the log as you look around for wa mound judging by the state of the camp, the previous troop had rushed off in a hurry, there is bound to have unlooted item or burried goods around, afterall most of hendrik's troops are insufferably and idioticly selfish like their master.

"AH there it is.." You walked towards the mould as you started to dig.

" WHAT ARE YOU DOING HUMAN!!"

" Baur Let them be.."

you pulled out a big chunk of pork meat from the ground.

" ....Lilia... i didn't know meat can grow from the ground like that.. Did you human invent whatever this is?!"

" I had no recollection in history of whatever this is. it must be a new invention?"

" HAH! i wished it is, some greasy soldier just decided that they want a whole meat for themselves and hid it here. nothing special at all."

" HAH! AS EXPECTED OF YOU HUMANS! ALWAYS SO GREEDY! EVEN TO YOUR KIND, HAVE THEY NO SHAME?!"

General lilia just sighed. You walked to plants you found around as you picked few leaves and search for salt and pepper around the pouch, since there is bound to be. You started to prepare a skewered pork. Baur who was planning to interfere was stopped by Lilia as he let you do whatever you want.

" All done.." the smell of roasted meat filled the whole camp making the troop's mouth watered.

" Nutricious, convenient, and delicious! Won't you have a try." you picked a stick for yourself and one you handed in the direction of both Baur and Lilia.

" WHO WOULD WANT YOUR FOOD?! for all I know you might've put poison in it."

" Bruh.. I literally cooked right in front of you."

" Hmmm.. Then don't mind if I do.. if I found you to have put strange things into this meal I will have you chopped. we fae have sensitive tongue especially"

" geez you saw me eating this grilled meat too.. I didn't put anything alright! it would be a crime for the food itslef to have been used as a killing method. also do you really have?"

" huh?! what is that supposed to mean?"

" ah no it's just that you have been eating that good for the longest time, so i assumed your tastebuds are dead.... or something."

" Huh?! how brazen of you! it is not that bad." Lilia took the stick form your hand as he tried it.

His tongue instantly boomed with flavour, he stayed quit not wanting to admit that your food had exceeded his food and his expectation.

" not bad.."

" Is it really?"

" I had enough for your whole troops, I don't eat that much, so please have it. That greedy bastard had actually managed to hide that big chunk of meat.. i even have left over" you offered.

" Whoa.. how kind of you." Lilia said as he called on his troop who had been staring at the group for quite some time now, mouth watering.

" Baur you too have some, we will have quite a long journey after all."

" ABSOLUTELY NOT! I rather die than have a food made by humans. I am not hungry at all any way!" He huffed arms still crossing around his large chest.

Suddenly a loud roar boomed. A loud roar from the belly of the green haired soldier

Silence ensue as a hue of pink started to appear on his cheek.

" PFFFTTT... "

You cannot hold your laughter any longer as you laugh out loud. Lilia follows.

" you are hungry right?, have some come one."

" No way!"

You then have a good idea, " Fine! then i can have your portion!!! thank you for the extra food!"

" YOU.. YOU GREEDY LITTLE DOG! fine i will have it! MOVE!"

You laugh as you shoved the skewered pork to his mouth rendering him speechless and you laughing,

" Whose the dog now" you mischievously taunt.

The meat is ripped forcefully from his mouth as he chewed aggressively, " Just watch your back human! I will tear you to death!" he screamed still mouthful as you just chuckled.

" You are quite an interesting human, it's been so long since I had this much fun, rather than have you die, why don't you become our personal cook from no on? he chuckled.

" HUH me?"

" ABSOLUTELY NOT! Lilia!! but she is a human! What if she is sent as a spy for our troops?"

" Then I assign you to keep a close eye on her, simple."

" BUt --- eugh.. Yes, General Lilia."

and from then on your life from a left hand dog of the king had shift and roll and become the personal chef of General Lilia troop, the bane of King Hendrik troops. you had quite enjoyed your new role to be honest, the days are spent with teasing the stiff green haired guy. You had gotten quite close to him as he grew less weary of you overtime. even when he speak so harshly you had realized that Baur had actually cared for you and his troop. especially after that incident.

"OUCHH!" you had managed to trip yourself over a poking branch spraining your ankle.

" Y/N! What happened?!"

" ah it's just i didn't see that branch peeking out.."

" HUMAN! how pathetic a previous knight could go?! tripping over a measly branch?! "

" Hey its covered with leaves I cannot see them."

" HA.. What am I to do with you come!." He crouched down in front of you positioning himself. you are frozen shocked of course.

" HUMAN DONT MAKE ME WAIT!"

" o.. alright..." you are being carried by Baur in piggyback as he lead you back to camp earning a snicker from Lillia of course.

ever since then you had tried your best to show your gratitude towards him by giving him more meat or more food on his portion, when he commented that you are wasting the troops food on him you pushed through convincing him that he needed to have more food fae to reasons that is never disclose of course, a pride of a woman wont ever reveals her secrets Afterall.

You are unaware of the shade of pink that decorated the crocodile man's face. At the end of the day, He too got his own secrets to keep.

•❅───✧❅✦❅✧───❅•

On a normal evening you had found Lilia struggling to apply the wound on his back from the previous clash with the iron clad. You decided to step in.

" Lilia I am coming in." you said as you enter the camp.

"H-hey, What is the meaning of this? i never agreed for you to enter. have you been stalking me?" his top is still on the side and he struggles with the bandage.

" Hahaha what if I am? anyway, please let me address those wounds."

" Haah? as if I need help from a ---"

"Hey I told you I don't need help!" the head strong stubborn fae huffed.

But of course, you hadn't listened taking the bandage out of his hand you grabbed an ointment, smearing it onto his back before wrapping the wound with the bandage.

"All down." he then turned towards you as he pushed you back towards the wooden cart, your escape route blocked. both hands placed on the both side of your face in a kabedon manner. is this how you die? well at least you died in an honorable way.

" How brazen of you? do you know what i can do to you? a man without his shirt to a defenseless little girl."

" huh.. beat me? either way you need to address that wound properly or it will get horribly infected Also i am not a defenseless little girl i got teeth to bite don't i?" you Feigh ignorance.

"Haa.. sometimes I wonder how you managed to reach this age, you got 0 survival skills."

" Hahaha luck I guess?" you shrugged.

Lilia chuckled as he let you go. He was a bat fae, he was always the babysitter, the one taking care of, so it surprised him so when you had taken care of him in return. He then turned around to leave you.

" From now on, I will come to you if I had any other wound, so you better be ready at all time, human." he looked back at you smirking before he left the camp. a tint of red are shading his tipped ears.

" Yes sireee."

You had become Lilia's personal medic, though to his annoyance sometimes you had also assisted other fae in his troop and Baur. making him all annoyed, " her hands should only touch my bare body." Unaware of his feelings.

•❅───✧❅✦❅✧───❅•

The winter is coming, the lake had started to froze. Your tattered fabric uniform had little help to keep you from the cold, but of course, you do not dare to tell a single soul. what would be of you if you had complained you were too cold. All the soldier's clothes are too big on you anyway and you do not want to burden your companion with your unnecessary complains, they got pesky people to remove from harvesting the mountain dry afterall. So you push trough.

Until in the dead end of winter you had woken up shivering as your body shake and teeth clatter. The fire was flickering from the wind and do little to keep you warm, You decided to just take a run to warm yourself up. Before you can properly stand up a large hand had gripped your arm.

" Where do you think you are going y/n" his deep morning voice rang through, thankfully not as loud as his normal voice is.

" Oh me,,, I am going for a run.."

" Hoo... so you are running away?"

" NO.. I was just... warming myself up."

" Is that so.." Baur sit up and pull you back to the ground making you sit still, he pulled and extra uniform as he throws it at you.

" wear that before i changed my mind."

" OHH really?! Thank you so much!" you quickly wear the large piece of garments.

" then I will be going back to sleep." you got back to lay down.

" alright." he scoot over next to your horizontal body.

" uhm..."

" i figured a close body contact would make the hat to circulate around, it would make the both of us warmer, Dont think of futile stuff human! This is just a soldier conduct to take care of each other!."

" Yes and warm each other hohoho."

Unbeknowst to you two, Lilia who had slept in front of you both had been awakened by the shuffling as he saw the scene in front of him. Chucking to himself at the turn of event. Of course, he was going to stalk you if had went on that run and maybe force you down on the ground as he demanded your purpose on running away, but Baur had managed to caught you before he do. He felt upset but at the same time relief because you are now stuck between his fingers unable to leave him or his troop.

" ah to leave me out! such a sad guy I am. I too am very cold." he decided to break.

" Lilia you could join too.." you chuckled

"well don't mind if i do."

Baur huffed as he lay next to you, arm wrapped around your smaller body as you curled into his embrace, with Lilia on your other side spooning you, you are thanking God because not only could you sleep warmly at night you too got to be in the embrace of the hot crocodile man and the bat fae.

•❅───✧❅✦❅✧───❅•

It was a normal day, as you enjoyed your taunts and conversation with your fellow troops, you had been accepted by the troops as their personal chefs, sometimes they even made a request of course not within the ears of Baur since he will give them an earful for being fussy and troubling you though he would never admit. You too had exchange your skill to Lilia and Baur, exchanging tactics with Lilia as you teach them the human way and them the Fae way.

The both of them had found out why you had been exiled to the wilderness, they felt enrage as to what they had done to their dog whomst had just choose to speak their opinion, even in Briar Valley, their princess is not as henious as to not let her subordinate speak their different opinion.

Both are enraged of the previous living conditions. You had been born by a prostitute and were taken to be raised as a soldier, you had managed to rise up to the king's left hand with your own strength and determination and hence your treatment is worse than that of a dog especially with the king himself treating you like his dog. You had told them that sometimes you were summoned to his chambers at night despite having a wife, though you had managed to escape or gain assistance with the kind golden haired man as he covered for you.

That story had enraged the faes, how dare those people had regarded you so lowly despite your achievements, it is simply digusting. How dare those people who are far than worthy of your presence with and a power far lesser than yours decide to grope you and mistreat you. You are a knight, always second to the Knight of dawn, Although you explained that the Knight and his father had been the only person to show kindness towards you no matter the origin of your birth. You had thought of leaving, but they had given you comfortable place to sleep and food, there is fate much worse you thought. The whole conversation had made you wonder of how the knight of dawn is doing with his duty, you hoped your brother well.

Both, Lilia and Baur, had shared a deepen felling towards you, a determined brave girl. You had managed to snuggle yourself comfortable in their hearts. So you have to worry no longer for mistreatment, The fae had deemed themselves your new owner and will treat you accordingly, such a good dog is meant to be showered in praise and gold, not thrown with a rock. Such a rare find you are, an interesting human girl, a gem. The king had let his most precious gem slipped out of his pocket and faes are quite attracted to shiny objects, the king wouldn't mind you them stealing this one will he? Afterall, he had stolen many of their magestones.

Baur surprised you with his patching skill as he sews the holes of your uniform and made them more presentable, he had done that once he found you removing the extra clothe the given you in the morning. When he enquired why you had told him that the clothe are too big and it would hinder your movement. He agreed with your point, but he would not let you dress in tattered uniform for the rest of the journey, so he had you hand over your uniform and changed into his oversized one while he patch your onesie uniformed up. He insisted you keep the cloth of course in case you had felt cold.

Lilia had sometimes assisted you with cooking as well, although it had ended with you pushing him away from the pot so as to not let him put any wierd ingredients into the pot. though you had enjoyed your time cooking as he told you tales of his adventure and his childhood. In return you told him of your past, and goals in life, you had list of stuff you wanted to try such as walking in a garden full of flowers and not those who are filled made from metal. You had shared your distaste with Lilia over their destructive inventions.

•❅───✧❅✦❅✧───❅•

"IRON CLADS!!"

You had gone through your chores and food prep before you heard a shrill of high-pitched hiss. A fae soldier had shouted warning the camp over an incoming siege. you hurriedly abandoned your station picking up a spear given to you to defend yourself. you looked around to see Lilia and Baur now already on their mask as they ordered the troops around as they fought Hendrik's man. In a distance you could see one of the ironclads sneaking up on the crocodile masked guy, preparing to take a blow straight toward the unsuspecting crocodile.

" BAUR! LOOK OUT!" you had shoved Baur's body with yours, pushing him out of the path of danger. only for the danger to be directed to you.

"URGH!" you hurl as you your torso had taken a strong blow, knocking you down as you writhe on the ground.

"Y/N! HOW DARE YOU!" he quickly went after the perpetrator as they ran away, having failed their mission.

"Y/N!" Lilia wanted to check on you but he was preoccupied with his own fights.

More and more iron clads keeps coming by. they are throwing nets to unsuspecting fae or injured ones, You could hear Lilia telling the troop to retreat, Baur trying to get to you but unabled to as you feel a net had wrapped around you as well dragging you closer to the iron clad.

" Y/N!!!" both are trying to get to you defeating the ironclads in his way, but it is for naught as you were pulled towards the troop, they were outnumbered. They watch in desperation as they saw your injured and immobilized body being dragged, helpless to your own fate. and unable to help you, even when you had helped them.

"Hey isn't this the previous left hand knight?! The dog knight?"

" i had thought they died when she ran away from the castle?!"

'Run away? whatt ??' you thought unable to speak.

" she must've sold her body to those fae that must be why she is still alive."

" What a true bitch... must be nice to be able to use her body Hahahaha. We should take this traitorous bitch back of course, we might get a huge sum."

' no...' your consciousness fades as you no matter how you tried to wake up.

•❅───✧❅✦❅✧───❅•

The room was dark and cold, you could feel your hand chained to your back. both your feet and been chained down at the ankle, both with a medium lenght chain connecting to the ground, enabling you to do just a few motion but on the ground nonetheless. You had been put in the castle's dungeon.

" click" the door had opened as you saw both the king and knight of dawn entered. Seeing your frail battered body the knight could only clenched as the king sneered in amusement.

" HO.. so the unfaithful dog had come back to it's owner." He sneered.

Both you and the knight had known that his words are full of bull, you are the one that had been exiled. though you are unable to speak, to tired to even lift a finger.

"ANSWER WHEN YOU ARE SPOKEN TOO!" the king throw a fit as he begun to kick you, stomping on you over and over again, pressing the purple wound on your body.

"Sire.. please, you do need to waste an energy for this one" the knight's eye widened as he tried to find a way to save you from your faith. Ah he is stil as you remembered him to be kind. how kind of you.. brother.

" I would have had away with your body, but unfortunately ofr you, those fae might have left some disease on you, such a shame. Your fair skin are no more, How is it being a toy for those bandits?" he went to grab you by the jaw forcing you to look at him, you are wincing as his grip is crushing your bone.

" But thanks to that, she might have a few information of the fae and their strategy, we should take it out from their mouth, you stil have some use afterall, GUARDS! if i am unable to use your body, then i might as well see it flogged, HAhahahha."

you had been set to be flogged until you had given them any information about the fae. But one thing the king is mistaken about; is that you are a true loyal dog. You would've rather die than to give any information to the king. Their kind had shown you the most kindness and respect towards you than your own. You could see the knight tried to reason with the king to no avail, the stubborn fool is too full of himself afterall.

•❅───✧❅✦❅✧───❅•

It was shameful, to have your uniform thorn at the hands of the knight of dawn in command of the inspecting king. Your scarred back, a memories to your past, were shown to both of them as they begun to carve one after the other,

' Just like old times, you tried to remind yourself. You had been an orphan and a homeless, flogged daily to feed those who share the same fate as you and for yourself. Your skill had been recognized by the father of the knight of dawn, whom had trained you along with his son, Your bond is thicker than those of aristocrat siblings, having been adopted by his father you are technically his sister and he your brother. He was always concerned about you and disapproved the discrimination against you for your origins. He tried his best to dispel these acts but what can one person do? He cannot change other people mind as long as the king himself had treated you as if you are a prostitute, He was furious on his own incompetent, what kind of brother is he, unable to save you from such fate.

He was heartbroken when the new of your disappearance spread, leading to him found out about what the king had done. It sickens him that he had to serve a dirty king such as he, but it hurts his heart more to see you trying to hold in your wailings as you slowly break.

Your eyes had grown to those of a lifeless corpse as you bite your tongue bloody as to not give the satisfaction to the Idiot king.

"Hurry and tell me what they are planning their strategies!" The king who had grown impatient stomp over to your side pulling you by your hair.

You spit a mix of your blood and saliva on to his face, eyebrows furrowed. You would rather die than to sell out your friends like that.

" You bitch ! have it your way! guard bring in the iron rod!"

Your torture was far from over, the night is going to be long for you and your brother who are forced to watch as he watches your face contorted, screeching in pain from the hot iron burning your flesh.

•❅───✧❅✦❅✧───❅•

"Urkk!."

" please my dear y/n, please drink this, it is a healing remedies."

You had lost consciousness as the third iron pressed against your skin burrning your flesh away. you felt a liquid vial being pressed towards your mouth. You frail awake as you tried to get away from the perpetrator like a scared dog.

" Shhh.. Shhh.. it's me.. your brother... please.. i will never harm you."

He went to hug your bruised body, careful with your injuries. Your body laxed as you limped into his hug. you could feel his body trembling as drips of tear fall unto your bare shoulder.

" I am sorry... I am so sorry, dear sister..." he cried. you wished you could pat him on his back but your hands are chained and you are too tired.

" brother.. Please,.... it is not your fault..." you tried to croak out words after word, as to deliver your message.

" I am unable to protect you, it is a duty as your brother, and i have failed... i am sorry.."

He had brought you warm food and the vial of healing potion and had placed your head into his lap as he smeared an ointment to your bruised. Patting your head in reassurance. The two of you conversed just like old time, catching up, afterall it had been months since you last seen your brother. it was nice

" it is time for me to go, dear sister, i was requested to accompany Lady rose this afternoon." he gently lift your head and placed them down on the ground.

With one last look , his heart clenched once more seeing your worn out and battered body. " I will see you tommorow same time. please stay strong sister."

and you are once more alone in the cell.

•❅───✧❅✦❅✧───❅•

Days turns to week, and week turned to two, as everything had been a blur to you since you had fade in and out of your consciousness, King Hendrik is relentless, no matter how much your brother had begged, he would come to see you with your brother of the torture he had command his guards to do to you. but no matter how many time he flogged you, how many minutes you are under the water, no matter the beatings that came after and how many hot metal rod being pressed onto your flesh, you had refused to relay any information to the Spoiled king.

Your brother had begged you at, some points,to just let him know whatever he wants to know, but you ignored him, much to his concern and headaches.

You had grown to wish for your death as you refused the vial your brother gives you, begging for him to just let you be, he would have none of your nonsensical blabber of course forcing the vial down your throat. But over time he too had started to think if what he is doing is for himself or yours, beating himself for not being able to help you at all.

•❅───✧❅✦❅✧───❅•

"My king!"

In the dead evening during one of your torture time, a soldier came barging in and whispered something to the king.

" WHAT?!! Knight you come with me! And you continue to pry information out of her, if she still had refused by dawn, cut of her tongue and present her severed head to me, a dog's head might work as a decoration." much to your brother's distressed as he stares as you with concern filling his eyes as to communicate with you before leaving, begrudgingly to follow the king.

You tried to listen to your surrounding to figured out what is happening, but all for naught as all is drowned by your screaming voice. The guards had continued to mercilessly torture your body with the metal iron, sometimes deciding to beat your body with the hot piping iron instead of just pressing it onto your exposed skin.

Is this how you will die? you haven't finished your goal yet, you haven't told Lilia how you love his kindness and that you are grateful of the day he had allowed you to join his camp, You haven't told Baur on how much you loved his passion for justice and reciprocate his kindness towards you, As bad as it sounds both of the fae had found a place in your heart as well, but it is bound to never make its way to the light of day as you were about to die. The thought had riddled your thought throughout your torture, tear stinging your eyes both from the pain and your thoughts. You could see the dusk revel into dawn, as the sun slowly raised up from its hiding place.

you had surrendered yourself to death and had chosen to die in an honorable way. If they are going to kill me then i would rather go down with my pride rather than begged for my life.

"Heh, would you look at the time, such as sad time for you, it's time to get that fiesty tongue of yours chopped of hahaha." he taunts as he grabbed a tonsil to pry your tongue from the cave of your mouth, it hurts.

he raised his knife up high as to chop your tongue.

Ithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurtsithurts..

You brace for the impact as you clenched your eyes shut..

But it never came..

"Y/N!!"

you saw a flash of green as you felt the knife dropped as the head of the guards too roll on the ground letting you tongue go from the tonsil. Confussing you, eyes wideded, you tried to move your head but you are unable to as you are too tired so you fall immobilized to the ground.

You felt a hand reach under your head gently lifting you up and turning you around to face him. His normally stern eyes grew teary as he cradles you in him arm placing his head to your shoulder.

"Lilia..?"

" They will pay for what they did. I will make sure of it. They will pay a hundredth times over!" His hand now cupped your face gently, snapped his watery eyes turn deadly as he furrowed his eyebrows. his expression riddled with anger as he turned to slashed the chains bounding your hands and feet using his magearm before he princess carry your bruised and weak body in his arms, resting your had to his shoulder. The smell of a burning fleash assulting his nostrils

" STOP RIGHT THER--" the poor guards were chopped into pieces by the merciless fae and his last bit of patience towards humanity has left his own soul.

The fate was shared to many other soldier standing on his way until you had felt the breeze of the dawn, finally out of your confinement after many days. You took a deep breath.

Baur upon seeing the two of you rushed towards Lilia and upon closer inspection he saw the extent of your injuries. the boisterous man had left speechless and in shock as he too become riddled with rage.

"How.. dare them.. HOw dare theyyy!!! this kingdom is out to be blown to dust! this is Unforgivable!"

He gently went over you as to inspect, Lilia handing you towards Baur. grunting as your tattered back is moved around.

" It's time for us to go home now." Lilia who had caress your cheek once more turned to grab his large magearm and readied himself to plunge to bawttle once more, making way for hima dn his troop to go as he had claimed back his prize, his gem.

The king having heard of the news forced more guards to secure around the castle to prevent you from escaping. Your brother wished you a safe journey as he thanked the fae silently in hid breathe, feeling tears of relief starting to water his eyes behind this mask.

Baur tried as gently as he could not to cause further harm as he cradled you, tears were threatening to spill from his teary eyes. But he shall do that later once you are safe and secured, now he needs to focus on bringing you to a safe place and maintainning you alive.

The blood lost had made you drowsy as you surrender yourself to the Crocodile fae's embrace.

" c'mon y/n Hold on a bit longer, we are near.."

" Pleasee.. don't sleep now. DONT YOU DARE FALL ASLEEP HUMAN!!"

His tears are flowing freely as he fastened his pace towards the camp before your weak body had grown still. He is now filled with rage and concern so does lilia as they make haste towards the camp to give you emergency medic care, They had given you emergency first aid, but they could only work as much as they could.

Your eyes are growing heavy and heavier.

" Lilia! we must make haste!!" he raced through the forest faster than he had ever ran, The Other fae had also catch up.

"Y/N STAY AWAKW! AS YOUR COMMANDER I COMMAND YOU TO STAY AWAKE!"

" y/n.."

"Y/NN!!!"

•❅───✧❅✦❅✧───❅•

The birds are chirping loudly as the drip of the waterfall is loud and clear.

A ray of light assaulting your eyes as you pried them open. On your right you had seen the tired bat fae sleeping soundfully beside you, and to your right the green-haired crocodile man fusing and sorting out ingredients, You had seen the blood-soaked towel in the watter filled bowl beside you. You saw your body had been covered by bandages as you are wearing an unfamiliar clothes. you shuffled around.

The green-haired man was alerted as he rushed to your side abandoning his previous job.

"Y/N!!! Lilia!! Y/n had woken up!!."

"y/n.. Y/N!." Lilia was startled awake.

you tried to sit down but their hands had swiftly prop you back down. Baur handing a glass of water to Lilia as he feed you gently.

feeling no longer parched you spoke.

"How long have i been asleep?"

" around a week."

" A week?! no wonder i was so thirsty you licked your lips."

Lilia sigh " Do you know how worried i am? must you come tattered everytime i meet you? and whats with your nonchalant attitude?"

" DO YOU KNOW HOW MUCH LILIA AND I ARE CONCERNED ABOUT YOU! WE LOOK AFTER YOU DAY AND NIGHT AND YET... and yet you wouldn't wake up..." The green haired guy seems to abandoned his strict personality as his eyes watered, Cradling you into his embrace once more.

" We thought we had lost you..." he cried.

" im sorry." you placed your hands as you rubbed his back, Lilia too joined the hug, He might seem calm and uncaring but with how much grip he had on you, you thought otherwise.

" Geez how troublesome this pet is, i should get you a collar so you don't jump into danger on the first sight of it."

" MIGHT BE FOR THE BEST."

"ahahaha.. i'm sorry." you to had felt tears falling from your eyes as you clung to them. Of course you do not know how serious Lilia is with his previous comment. You had missed this. You thank whatever diety is there that had allow your fate to rekindle with your friend, Enabing you to experience this once more.

" I am home."

" welcome home"

"Welcome home.."

[6885 words]

<< The End >>

[ i made this because bruv the hotness and handsomeness of Sebek's grandpapa and lilia younger days are freaking blinding me and playing with my heaed!! EVEN TO MY FUCKING DREAMSS HAA?! also this is also for those who had the same resentment towards their shitty boss or those who had mistreated you, Let General lilia and Baur zigvolt nurse you back and be the cure towards that rage and depression. hope you enjoy this one, darlings!]

( :̲̅:̲̅:[̲̅:𓆩♡𓆪:]̲̅:̲̅:̲̅:̲̅)

[ Here a bandage just for you]

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[anipgarden]

Adding To or Starting a Garden

AKA, the beginning of the Plants-Related section of this series.

This is my third post in a series I’ll be making on how to increase biodiversity on a budget! I’m not an expert--just an enthusiast--but I hope something you find here helps! 

Got an area of lawn you’d like to convert to a wildlife haven? An area you can stick some hanging baskets in? Want to know how your garden of tomatoes and zucchinis is already putting in a lot of work? This is the section for you!

It would be dumb of me to not acknowledge that the act of gardening can come with a lot of costs. Buying seeds, buying plants, buying soil, raised bed materials, mulch, etc. … it can all get a bit daunting, let’s be honest! But there’s quite a few ways to get seeds and plants for free or extremely cheap, which I’ll be addressing in this section! The next section will be all about addressing the other Costs in gardening and how to mitigate or eliminate them entirely.

Also, do keep in mind; there’s no need to try and convert a whole area from lawn to garden or unused to garden at once. In fact, it could actually be extremely beneficial to do it a little at a time--maybe four or five square feet to start out.

Front Lawn (or Managing Principles)

If you live in a place where you’re required to have a grass turf lawn (HOA’s come to mind…), try replacing it with native grasses instead! You could even possibly use a low-growing ground cover plant like clover to a similar effect! Reseeding/replacing an entire lawn can be a big upfront cost, but even just letting the lawn be a little messy and tall helps. If the lawn gets patchy, leave the bare spots for a little while and something different will likely pop up! Pioneer species will fill the gaps and provide benefits to other plants around them, support animals, and more! If you want to take the guesswork out of it, you could always research what the pioneer species are in your area and plant the ones you like most. 

Obtaining Seeds for Cheap or Free

The cheapest way to start a garden is by far via seeds. However, seeds can be a bit complicated to grow, and some sources make them… way overpriced. Fortunately there are ways to get seeds for little to no cost! 

Some places sell seeds for as low as a dollar, 50 cents, or 25 cents! The packets may not have a lot of seeds, but it’s definitely a good start for a low budget! I’ve personally bought cheap seed packets at Walmart--the Ferry-Morse and Burpee brands are not what we’re looking for here. Typically the cheaper ones I’ve found are American Seed (which is owned by Green Garden Products, which also owns Ferry-Morse, Livingston Seed, McKenzie Seed, and Seeds of Change. Do with that information what you will), but they’re rarely stocked near the Ferry-Morse ones in the Formal Gardening Section. I’ve most often found them on end caps near the gardening section, so you may have to weave through a few aisles to find them, but once you do there’s an array of flower and vegetable seeds to select from! Alternatively, I’ve found seeds at Dollar Tree sold 2 or 4 for a dollar in Spring as part of their seasonal product; however, when they’re out of stock, they’re typically out of stock for the year. Try to check them out early in the year!

Otherwise, other seed companies like Urban Farmer or Botanical Interests will often have semi-frequent sales in spring and fall, when people are stocking up on seeds--joining their email lists can help you be the first to know when a good sale is going on!

Some foods from grocery stores will provide seeds that you can use in the garden as well. I’ve had the most luck with store-bought bagged beans, peppers, and tomatoes. Some people have had luck with watermelons, apples, citrus, squash, and more. Do keep in mind that you likely won’t get the same variety of fruit/vegetable as the one you bought--the resulting plant may look different and taste different.

Give it a shot! Pick some beans you like--if they don't grow well, at least you can eat the rest!

If you live in the US, food-producing live plants, bare roots, and seeds can often be purchased with SNAP benefits. But what does growing fruits, veggies, and herbs have to do with boosting biodiversity? While food crops aren’t typically native, they still provide valuable shelter for native insects. Some plants even have intricate relationships with native fauna--like the squash bee, a solitary bee which exclusively pollinates cucurbits like pumpkins, squash, and zucchini. And we get to benefit more directly as well! If you’re planting a diverse range of foods in your garden (as opposed to the swaths of single-plant farms that typically produce what’s sent to grocery stores), you’re supporting high levels of biodiversity by providing a variety of plants for creatures to live and hunt around.

Most of the time, when we think of boosting biodiversity with a garden, we think of a colorful flower garden teeming with pollinator species. However, if we’re striving to use native species, it can be a bit difficult to find some species in stores. I can say from experience that trying to find any wildflower seeds other than butterfly weed, purple coneflowers, and black-eyed-susans is… challenging, if you limit yourself to stores like Walmart, Home Depot, and Lowe’s. You might occasionally get lucky with an ACE Hardware or a local nursery, but even then sometimes it can be hard to track down who in your area is selling what--let alone if you live in an area where no one really is selling native plants or their seeds. Not to mention, even once you find a local or online store selling the seeds you want, they can sometimes cost a pretty penny. So what do you do?

If you have the option to, consider gathering native seeds yourself! Get good at identifying the native flora and fauna--or at least, a few target plants and their lookalikes--and get ready to go! Learn where they tend to grow, when they’ll be seeding, etc. Try to identify the plant before it goes to seed (for most plants, it's easiest to identify when flowering), then check back regularly to gather seeds. Typically, if I want to learn how to collect seed from a specific plant, I just search it on Google or YouTube--oftentimes, I'm lead to the GrowItBuildIt Youtube page, so it may be a helpful resource for you as well! Of course, make sure to leave plenty of seed behind so the wild population can repopulate, and seed can feed other creatures in the area. A good rule of thumb is to take no more than 1/3rd of what's available.

Buying seed in bulk is an option if you can afford the upfront cost. Try teaming up with a few friends to buy some bulk seeds and split them amongst yourselves--you’ll get tons of seed! Prairie Moon is a popular site that'll sell seeds by the pound if you can afford the price--though they're in the US, and I believe they focus on Midwest and East Coast natives.

If you want to cheat the system, don’t buy bulk sunflower seeds--buy bags of sunflower seeds being sold as birdseed. They’re typically all black oil sunflower seeds, but they’ll sprout, and they’re fairly cheap for the amount you get!

However, beware generic wildflower seed mixes! Many brands like to sell wildflower seed mixes in big box stores like Home Depot, Target, or even Dollar Tree, but they’ll often include flowers that aren’t native or possibly even invasive in your region! Before you make any purchases, double check to make sure the contained seeds won’t do more harm than good! A quality source of native seeds will provide English and Latin names for all seeds included, and will be native to the region or at least non-invasive. 

See this? I don't trust this.

There’s a good handful of programs online that’ll send you free seeds if you’re planning to start a native habitat project! Poke around online and see what you can find; you might get lucky! The best time to start looking for these is fall and winter, I find--by early spring, many of them are either done or beginning to wind down... though some also start up in spring. Ultimately--just check regularly! You never know what you can find!

Other Ways to Get Plants

Don’t want to start from seed? That’s fair! You can try cuttings! Just be sure not to take too much of the plant while you do so. Make sure you’ve gotten a few leaf nodes on your cutting, and cut any flowers you may have gotten. Make sure to leave some blooms and foliage on the original plant for the creatures in the current habitat--you don’t want to destroy one habitat to make another in your garden. There’s tons of methods of rooting cuttings, many of which have different efficacy rates for different plants, but that’s a topic for another post.

If you find seedlings growing in a place where they won’t be able to sustain themselves long-term, or are in danger of being destroyed, consider relocating them! You may be able to gently dig up and transplant the seedling to your garden. Don’t do this if they’re in a place where they can easily survive--ideally, you’ll be taking plants from sidewalk cracks, heavily maintained public gardens, roadsides, etc. Do be careful while doing this--ensure your safety first!  

You’re totally allowed to join gardening communities like clubs, facebook groups, and more before you’ve even put a trowel to the dirt. These are great places to learn information and advice! Many gardeners are more than happy to help out a new gardener, and will eagerly provide seeds, cuttings, or even baby plants! Talk to some people about your gardening journey and what you’re hoping to do, and you just might find some kindred spirits--or at least get more people interested in the topic! 

Seed and plant giveaways and trades happen all the time in gardening clubs, as well as online! Just poke around and see what you can find! Some are explicitly trades, meaning you’re expected to send something in return, but once you get your feet on the ground with some plant knowledge you’ll be stellar! You may be able to explain you’re just starting out, and someone may send you seeds without expecting a trade, but I’d suggest trying giveaways first. 

Poke around online and see if there’s a local chapter of your state’s native plant society. From there, you’ll likely be able to find a calendar of events--many of them will host plant sales in the spring, with a bunch of native plant seedlings ripe for the pickings if you can make it out and have some money to spare! Fair warning, though, you’ll want to get there early if you can. If they say they’re starting at 10, try to get there by 9:45. Year after year, there’s always record turnout, and they sell out of plants faster than ever. Just trust me on this. I’ve been let down; hopefully you won’t have to be.

Some libraries are beginning to host seed libraries! Check around and see if your library has one! Ideally, the system works best if you also have seeds to contribute in return, but if you’re just starting out I’m sure they won’t mind you taking some seeds! Just consider saving some seeds to contribute in the future and pay it forward. If your library doesn’t have a seed library? Consider asking if they’d be willing to start one! Community interest is a great way to get the ball rolling on projects like these, but they’ll only know the community is interested if the community tells them they’re interested!

Volunteer to Garden for/with Someone Else

Maybe someone in your area wants to garden, but is struggling to find the time/energy. Many elderly people who used to garden simply can’t anymore but still would like a garden. Other people may love to have a helping hand in their garden. You might even find a few people in your area interested in renting and sharing a community garden plot with others, so they don't have to handle it all on their own! They may be interested in increasing biodiversity right now, or may be willing to if it’s brought up to them. You might be just the kind of person someone needs! Since it won't be your garden, you’ll likely need a bit of permission and collaboration to get anything in particular going, but it’s worth a shot and a way to maybe even make friends! 

Again, your mileage may vary with some of these. You may not know where there's a bunch of wildflowers growing in your area, or maybe your local library doesn't have a free seed library. That's okay! Do what you're able to, find what you can find, get what you can get! And there's never any shame with starting small--in fact, starting small can make the project easier to manage and expand when you're able!

That's the end of this post! My next post is gonna be about ways to start growing plants cheaply--low cost seed starting set ups, essentially. There's a lot of good options, many of which I've used myself even! Until then, I hope this advice is helpful! Feel free to reply with any questions, success stories, or anything you think I may have forgotten to add in!

[karereiko]

Hello, everyone from Yuumori fandom.

Guess what, because of Concert that will be held in July all parts of Moriarty the Patriot Musical (op1-op5) are available to rent and watch online. With my Morimu fanarts or other talks about it I often get asked where you can watch it, often my answer is that you have to buy DVD or Bluray to watch this wonderful adaptation of Moriarty the Patriot manga. I know it's a big cost and hard to get for some so Streaming like this is a great opportunity to watch Morimu.

Official twitter posted few days ago about this possibility and here is the post with all information about it:

1600 yen is great amount to check if you will like it and wach it because I think it's worth any money, director who made morimu clearly loves manga, he treats source material with care and even makes it batter at some times, there is also a lot less cuts than in anime, like a lot. May be little spoiler or not, but Baskerville arc is there and Durham date too, as well as many Sherlock and John stuff that was cut in anime, some things from Moran arc etc. this is already big selling factor, right?

Actors are amazing and they love and care for characters they play. I wasn't into any actor adaptations before Morimu, I was ok with musicals but not caring too much about them and Morimu sold me since first part and it only got better and better each part even if you think that's not possible. Songs are there to make emotions and moments deeper or to have real fun with plot they show, they are not there just for song to be there. So yes high recommendation for you all to check Morimu if you didn't saw it yet. The most amazing thing is that you don't need VPN to buy those streams.

I was going to write about this few days ago and was busy, good I didn't because I talked with friends in Yuumori fandom who knows morimu and we were troubled to recommend this stream to people who doesn't understand Japanese. Morimu is faithful adaptation so almost like 70% lines comes from manga and you should understand what's going on if you read manga. Still, with subs it's a lot easier.

Kana did amazing job in creating English translation for Morimu Op1-Op4 at this point, all who bought DVD/Bluray versions of Morimu are using those subs and if you decide to buy own copy after seeing stream then those subs works great with DVD/Bluray versions.

So we talked over the stream matter and from what we checked with this plugin to Chrome it's possible to play subs with Morimu stream after you rent it (It works only with Chrome but if you know other program like this you can try it on different browsers, we only checked Chrome and this plugin) :

The only matter is that Kana saved subtitles in .ass file format, but you can easily format them to .srt file format that this plugin plays with this site:

You just open subtitle file and save it as srt, and open it with plugin to your Morimu stream. If you will have any more problems with subs them write me a message and I will try to help as soon as work let's me.

I think this is the easiest option that creators gave us now to watch Morimu, it was never so easy to buy or rent it until now, you had to use crazy VPN programs and other stuff to just check on it. So this is best option since for sure it won't last forever. Such promotional streamings are only around when new part is coming up, currently Concert I mentioned.

So for other things I wanna to say. If you get your copy of Morimu then please don't share it, don't post it to any social sites. Company that makes Morimu is quite strict with that matter and they do search who uploads those musicals and strikes them down/ deletes files even on places like google drive. Even without it, it's a matter of love for Moriarty the patriot. As much as fandom wants more people to watch those musicals, any piracy might destroy our chances to get Op6, possibilities for future streams and other stuff. Currently with Op5 we reached end of Final Problem arc and there is hope that maybe one day New York arc will be done in op6. Any piracy, sharing and messy stuff might destroy such chance, so please if you hold dear MTP then respect those rules. Watching streams with your friends in closed groups after you buy it isn't bad but please hold from any public sharing (they would be taken down anyway, but it would still put us fans in very bad light).

I know end of this post was not nice but it had to be told. I hope this possibility will help you see Morimu and fall in love with it like I did. I would recommend at least seeing OP1 and OP2, it should hook you and OP3 is where everything hits even more than op1-2, more hits from songs, more hits from sherliam stuff.

Hope to see you in Morimu cult :D... ehem... fandom. May you have "wind" (for some Great Detective) in your heart like William....

[caffeinec0rpse]

20 day challenge for beginners to witchcraft

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

***this challenge may be valuable to experienced witches who wish to brush up on their basics

there are a few things to understand before we begin:

⛥you will need a journal to record your findings each day. this can be physical or online. i recommend physical because you remember things better when you are writing them down, but either is fine.

⛥it is of utmost importance that you understand the difference between good sources and bad sources, and are able to locate the original source where your information is coming from

⛥ this challenge involves lots of self-guided research as well as applied practice so be prepared to put the work in

⛥this challenge will not teach you everything there is to know as a beginner, but i think it will be a good jumping off point.

⛥don't worry about it if you miss a day or take multiple days to complete one of the prompts. you can take this challenge at your own pace, or do it for 20 days straight. however, i do not recommend that you attempt multiple days activities in a single day. take it slow so you can dedicate the time to fully learning, and aren't overwhelmed.

⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆

okay! let's begin :D

**remember to write everything down in your journal!!!! dont worry about "getting things right" just try your best!!!

Day 1: Find 3 different spells (online, in a book, anywhere). Try to figure out why the creator decided to use the materials they chose. Why are certain colors, tools, or herbs being used in the spell, and what do they represent/mean? What symbolism is being used in the method/steps of the spell to represent attaining the desired effect?

Day 2: Research meditation. What cultures practice forms of meditation? What are some different types, techniques, and purposes of meditation? Why do witches use meditation in their practice? Attempt a basic meditation technique based on your findings. Meditate daily if you can for the strongest benefits.

Day 3: Find a plant or crystal. Try to feel for its energy. Write down what you sense. Research methods if you’re having trouble sensing energy. Once you feel you have everything you’re going to be able to sense from it written down, try to research current spiritual uses + historical folklore/mythology surrounding the plant/crystal. Does it match up to what you sensed? Are historical connotations important to you or do you feel your personal intuitive sense of it/personal experiences are more important to you? Or do you value them equally?

Day 4: Research grounding and centering. How are they performed? What purpose are they used for? Why do people find them important for spellwork? Attempt one or both.

Day 5: Research closed practices, cultural appropriation, and spiritual bypassing. What harm can they cause? Why is it important to avoid these things?

Day 6: Research self-love spells. What are they for? What are some ways people do them? Attempt to perform a self love spell.

Day 7: Research shielding and warding. What do they do? Why are they important? Attempt one or both.

Day 8: Research shadow work. What is it? Why do people find it important for practicing witchcraft? Does it seem like something you would benefit from? Why or why not? Find a shadow work journaling prompt that calls to you and journal freely about it.

Day 9: Research the moon phases. What intentions does each phase assist with? What does each phase represent? Think about the symbolism of waxing and waning. attracting and repelling.

Day 10: Journal freely about the following questions: Why do you feel drawn to practice witchcraft? Have you always felt connection to nature or to the spirit world? What do you think your practice will do for you or help you with?

Day 11: Research item enchantment. What that is, why someone would want to enchant an object and methods of doing so. Attempt to enchant an object.

Day 12: Choose an herb and research its current spiritual uses and historical folklore surrounding it. Look into whether it has any scientifically verified medicinal properties. Be wary of pseudoscience. Find any other information about it that interests you. Try to draw it if you feel inclined to do so.

Day 13: Try a meditation technique or guided meditation you have never attempted before. Write about your experience and how you felt before, during, and after.

Day 14: Research altars. What are they? What are they used for? Do you think you want to use one? If so, what would you put on it? Why? If you have the means to, create an altar inside or outside your house. Be mindful that if your altar is outside, what you place on it may affect the environment. Be responsible.

Day 15: Journal freely about the following questions: Do you believe in human spirits? Do you believe in non-human spirits? Do you believe deities exist? Do you believe in house spirits, land spirits, spirits of bodies of water, and/or elemental spirits? Do you believe in demons? What experiences do you have that you feel impact your answers to any of the above questions?

Day 16: Research divination. What is it for? What are 5 different methods people use to divine? What are the origins of those methods?

Day 17: Choose your own path for today! Choose any topic relating to witchcraft that you're interested in and write down as much as you can about it! Dive as deep as you desire

Day 18: Research folklore about the seasons in your region. What do the seasons represent to you? What sort of symbolism do you attach to them?

Day 19: Choose an intention and perform a spell purely based on your intuition. Don't plan anything. Just do what feels right. Feel the vibe and act.

Day 20: You did it ! Reflect on what you learned, and what you wish to learn next. Which days were challenging for you? Which days were easy? Which day did you enjoy the most? Did your findings meet your expectations?

[sha-n-dowbannedlol]

Alhaitham — Nothing ever goes according to plan

It is no secret that Alhaitham is a man of many talents and extreme knowledge—however, one thing that he is willing to admit that he knows little to nothing about is the Art of Romance. Which is why when he caught wind of the budding feelings that he had for you, and when he realized that he actually wants to do something about said feelings, he turned to the one thing he knew he could trust; books.

(No matter how much Kaveh claims to be an expert on the topic, Alhaitham would much rather eat his own shoe than to approach his roommate for advice.)

Which lead to his situation now. The book in his hand was surprisingly quite heavy, a few inches thick with red leather as covering. He almost lets out a scowl as his gaze traces the gold lettering spelling out the title of the book.

Introduction to the Psychology of Love and Attraction.

"Give them a bouquet of flowers"

"Which flowers would be optimal for a confession?" The forest ranger's ears twitch, looking at Alhaitham with a raised brow, quoting the gray-haired man's words, "What's gotten into you, Alhaitham?"

The Scribe inwardly cringes, he knew he should've just went into the House of Daena and researched himself, but when he managed to catch the sight of a certain former botanical scholar turned forest ranger, he couldn't stop himself from approaching him and asking the question. Tighnari furrows his brows to think, before turning his back to Alhaitham and tending to one of the many flowers planted in Pardis Dhyai.

"Red tulips declare love, begging the recipient to believe in your confession. Gerbera Daisies shows desire for a relationship. Sunflowers can be used to tell someone their presence brightened up your life. Garden Cosmos may mean to cherish the one you love. Geranium can send the message that they make you happy, and daffodils can represent self-love or a plea; 'please respond to my love'. Or you can just go with the usual red roses." Tighnari responds without a moment's pause, his voice leveled and neutral, just stating facts and information for Alhaitham to absorb, "Though, these messages may vary depending on the source material you've read, but these are the first ones that came to mind."

"Thank you," The gray-haired man no longer sees any reason to prolong this conversation, "I would appreciate it if no one hears of this conversation,"

"Don't worry," The forest ranger didn't turn to face the scribe, but he did wave Alhaitham goodbye, "I don't think anyone will care enough to ask."

Alhaitham didn't waste any more time and headed to the nearest florist, and with the florist's expertise, it didn't take long before they created the optimal bouquet that he could give you to wordlessly clue you in to his feelings. Sure enough, the florist was quick to notice the language that the bouquet was trying to send and teased Alhaitham about it which he pointedly ignore, giving them the payment for the arrangement and acquiring it from their hands before he headed off.

Much to his dismay, however, he couldn't find you anywhere. As it turns out, you left town earlier in the day for your research, the scholar that informed Alhaitham didn't comment on the obvious disappointment on the Scribe's face as he was informed of your whereabouts. But he eventually shrugged it off, you'll be back soon enough. He can just place these flowers in a vase at home (Kaveh would be sure to have one of those laying around) and give them to you when you come back.

Unfortunately, at the day of your return, Alhaitham was greeted with the horrifying sight of a blank vase.

"Kaveh, have you seen the flowers in this vase?"

"Oh?" Kaveh glances up from his plates he's working on, taking quick look at the vase before looking back down at his work, "I threw them away."

Alhaitham almost exploded.

".....What?"

"They already wilted, what, was I supposed to keep it?"

The architect looks up again, mouth still open and was about to give another jab at his roommate but said roommate has already rushed his ay to the door, and the only thing Kaveh caught sight of was the door closing.

"Weird."

Alhaitham looks on with horror at the sight of the closed shop of the florist, and he fell into even more despair at the sign written at the front of the shop, indicating that they will be closed for quite a while.

To rub even more salt to the wound, you actively sought him out that day because a certain scholar couldn't keep their mouths shut about him searching for you, and here you are now asking him as to why the Scribe of the Akademiya was searching for you—outside of his work hours, even.

"The record you borrowed last time," he lied, "It's already past its due date."

"Ah, of course!"

"Know more about their interests, try to indulge yourself in them"

"the main lead from that romantic novel... I love him! He's definitely my type! My ideal man!"

Alhaitham didn't mean to overhear your private conversation with someone else, but it's not like he cares. It doesn't interest him if a fictional character has managed to catch your eye, at the end of the day, that guy is just a figment of imagination anyway. Just a character made up by a bunch or words written in a page.

He truly doesn't care.

Besides, an ideal is just that. An ideal. Nothing more than a fantasy.

He made his way to the House of Daena, eyes sharp as he examines the spine of various books arranged in a neat fashion, keeping an eye out on certain book he's looking for. It took him half of the day before giving up and leaving the library, the book he's searching for still nowhere in sight. The sun is no longer as scalding hot as it was in the noon when the Scribe exits the Akademiya, making a quick trip from one store to another to search for his book but to no avail. The sun was already setting by the time he finally makes his way home, the book he looked so hard for now in his hands.

Entering his home, he basked in the silence from the absence of his roommate, crossing his legs and opening the book in his lap. He can finally read in peace.

"Which physics book are you reading now?" Alhaitham sighs at the familiar voice that rang, followed by the front door closing as the roommate finally made his appearance,

"It's called 'None of your business'."

"Oh, really?" the sarcasm heavily dripped from Kaveh's words, "What's it about?"

"It's a fictional story about the light of Kshahrewar finally minding his own business for once and not bothering his roommate."

"You-" Kaveh's words die down in his throat in shock, his crimson gaze landing on the book being held in the scribe's hand, the words written at the cover catching his attention, "Wait.. I know that book.."

Alhaitham took that as a sign to leave, snapping the book shut in his hand before getting up and turning his back towards the architect.

"Alhaitham," Kaveh's words were of disbelief, the architect glued to his spot near the doorway,

"Are you reading a romantic novel--?"

"If you're going to be hammering things tonight, do it outside."

He slams the door to his room shut with a scowl.

He can't even read in peace.

He just wanted to know what you like so much about this male lead and he can't even do that with that man around.

"Make sure to look out for them"

thump!

A bag was dropped in front of you, prompting you to look up only to be met with the face of the one and only Alhaitham. You confusion must have been showing because he was quick to answer your question without you even voicing them out.

"My roommate made too much food this morning and he asked me to drop it to you." he lied. He figured there wasn't a need for you to know that he woke up extra early today to gather the best ingredients just so he can cook something he deems to be perfect enough as a gift for you.

All of it was worth it, he concludes, as he sees the glint of pure happiness in your eyes at the sight of free food. You were quick to pull the bag towards you, opening it up to take a peek inside the bag.

"Thank you, please send my re-" you were suddenly cut off, and Alhaitham frowns in concern as the excitement in your features was washed away and replaced with disappointment instead. He blinks as you close the bag once again before pushing it towards him.

"I'm sorry, Alhaitham, but... I can't accept this."

"Why?"

"I'm.... allergic to this."

For the first time in his entire life, he suddenly felt the need to slam his head against the wall. Repeatedly.

How- how in the world did he overlook your allergies?

"I see, that is unfortunate." He didn't allow even a drop of his emotion to seep through his words, picking the bag up once again, "I'll be sure to let him know."

"And of course, go on a date."

"Ms. Nilou has a performance at the Grand Bazaar tonight, Care to join me?"

"Are you... talking to me?" The look of disbelief on your face made Alhaitham sigh exasperatedly.

"Is there anyone else within earshot around here?" He responds, a deadpan look on his face.

"I would love to!" you exclaim in response,

Once again, he is graced by the sight of your wide smile, an excited glimmer in your eyes that never failed to make his heart beat rapidly. His breath hitched in his throat as that beautiful smile was finally aimed towards him, and his thoughts has gone haywire. But of course, you were none the wiser, you never could know what he's thinking with that emotionless look on his face.

However, your smile immediately turns to a frown when you seem to have remembered something, and Alhaitham squeezes his eyes shut as he braces himself for another rejection.

"But... I have an exam coming up, I can't slack off." You sounded so disappointed that he couldn't fault you for cancelling even before plans were made,

"Nothing ever goes according to plan.." he sighs, muttering under his breath. He turns his head away from you, his gaze looking off into the far distance.

You frown at the sight. It occurs to you that you weren't the only one disappointed with not being able to go see Nilou's performance with him. You can't help the guilt that start to well up in your chest at the sad look in Alhaitham's eyes.

"Haitham.." you call out to him, and he turns to look at you with a hum. "Why don't you help me study instead?"

His eyes widen for a fraction of a second in surprise at your suggestion, and you almost blurted out that you were just joking and you couldn't possibly waste his precious time. However, his surprised look morphed into one of soft fondness, an almost unnoticeable smile etched on his lips as his usually sharp eyes now look gentle.

"I guess I can do that."

[gremoria411]

How to get into Gundam

Because fuck it, I was gonna do one of these sooner or later anyway.

So you want to know what this Gundam thing’s about, maybe you like the mecha design, maybe you caught part of an episode one time and want to catch up, or maybe you saw a nice piece of Chamuro fanart and want to go to the source.

But there’s so many shows and timelines that it can be quite daunting on first look, so this guide is intended to give a rough overview.

I would however like to stress two four things beforehand however:

This guide is not intended as “The One True Way” or anything. There’s no harm it coming into it a different way, and these are only my own opinions.

There’s nothing stopping you from just watching one show and leaving it there. You don’t have to watch every single show going, even I’ve only seen most of these, not all. Gundam typically has variations on similar themes - it’s very nice watching multiple shows because they complement one another, but it’s not necessarily required.

I am very much an insider looking out here, so let me know if there’s any details I’ve missed.

I’m not gonna recommend these on a “if you like X, then watch Y basis”, mostly because I don’t personally find genre recommendations helpful, so I’d recommend picking based on promotional material (vibes, if you will).

I’ll be using this chart, supplied by the excellent@l-crimson-l, to illustrate everything.

Gundam as a whole can principally be divided into three sections: Universal Century (or UC), the Alternate Universes (AU’s) and the Build Series.

The AU’s are below the light blue line, near the bottom of the Chart, the Build Series is within the bright green line at the top-right corner of the chart and UC is the big line in the middle. We’ll talk about each of them individually.

The AU’s

The Alternate Universes were conceived as a way to get away from the continuity-heavy nature of Universal Century and provide an easy jumping-on point for new fans. The AU’s are standalone and require no prior knowledge, and are thus an excellent place to start. Honestly, I’d recommend quickly searching some promotional materials (like posters) and just going with the one you find most appealing based on that. They are (in production order):

Mobile Fighter G Gundam (1994)

New Mobile Report Gundam Wing (1995)

After War Gundam X (1996)

Turn A Gundam (1999)

Mobile Suit Gundam SEED (2002)

Mobile Suit Gundam 00 (2007)

Mobile Suit Gundam AGE (2011)

Gundam: Reconguista in G (2014)

Mobile Suit Gundam: Iron Blooded Orphans (2015)

Mobile Suit Gundam: The Witch From Mercury (2022)

There’s side series and movies and other things besides, but these are the mainline shows, if you will. I have specific notes on a few of them:

Witch From Mercury - It’s of a shorter length than is usual for mainline shows, so consequently it’s a much smaller time investment than the others.

Mobile Fighter G Gundam - While undeniably rad as hell, I would recommend watching another AU first. G Gundam differs from its stablemates in a few key areas, and I find it helps to have a contrast to fully appreciate those differences.

Gundam AGE - is probably the only one I wouldn’t recommend. I didn’t like the art style and the technical explanations just got on my nerves, so I stopped watching.

Turn A and G-Reconguista are technically part of UC as well, but it’s not really crucial information so don’t feel like you have to watch UC first (I’m only including this detail for completionism).

I’ve found all the AU’s I’ve seen to be pretty good, so I’d say that which one you start with really just comes down to personal taste.

The Build Series

Is just kind of doing its own thing. The Build series is basically Buy Our Toys: the series. It’s got a far lighter tone, and I’ve had cause to compare it to pokemon prior. It’s also chock full of references and in-jokes to the other series.

Build Fighters and Build Fighters Try are the ones I’d recommend - they’ve got actual stakes and the fight scenes are really good.

Build Divers and Build Divers Re:rise I can’t recommend - I just find Build Divers aggressively boring. Build Divers Re:Rise is just okay - neither standout good or particularly bad. Its main flaw is that it’s a sequel to Build Divers.

The OVA’s are pretty much bad across the board - I’d particularly recommend avoiding Gundam Build Metaverse.

Universal Century

Universal Century is the big main timeline of Gundam, and is the timeline the original Mobile Suit Gundam from 1979 takes place in. There’s a tendency among certain fans to place UC as the one-above-all of Gundam, but I wouldn’t really go that far. It’s all pretty good, but I wouldnt really say one timeline is better than another (save personal preference, anyway).

Because UC is so big, it can be subdivided a couple times. The primary division is “Mainline” UC versus everything else. Basically there’s four-five shows in Universal Century from which everything else flows. As long as you know roughly what happens in these shows, then you can watch basically anything else in UC and have a good idea of what’s going on. These are (in order):

Mobile Suit Gundam (1979) - sometimes called Mobile Suit Gundam 0079.

Mobile Suit Zeta Gundam (1985)

Mobile Suit Gundam ZZ (1986)

Mobile Suit Gundam: Char’s Counterattack (1988)

With Mobile Suit Gundam Unicorn (2010) as a nominal fifth (honestly I feel like you could argue either way).

The rest of the shows are:

Mobile Suit Gundam 0080: War in the Pocket (1989 Three-Episode OVA)

Mobile Suit Gundam F91 (1991 Movie)

Mobile Suit Gundam 0083: Stardust Memory (1991 Thirteen-episode OVA)

Mobile Suit Victory Gundam (1993)

Mobile Suit Gundam: The 08th MS Team (1999 Twelve-episode OVA)

G-Saviour (2000 Live Action Movie) - nobody ever talks about or acknowledges this one, it’s just here for completionism.

Mobile Suit Gundam MS Igloo (2004-2009 Three OVA’s with three Episodes each)

Mobile Suit Gundam: The Origin (2015 Six-Episode OVA, adapted from the Manga of the same name)

Mobile Suit Gundam Thunderbolt (2015 Eight-Episode Series, adapted from the Manga of the same name)

Mobile Suit Gundam: Twilight Axis (2017 episode, adapted from a light novel of the same name. Later rereleased as Gundam Twilight Axis Red Trace, with additional footage)

Mobile Suit Gundam Narrative (2018 sequel movie to Gundam Unicorn)

Mobile Suit Gundam Hathaway (2021 ongoing movie series, very much adapted from the novel Hathaway’s Flash)

Most of the other series relate to events in the aforementioned “mainline” shows in some way, but a lot of the sidestories set during the One Year War require very little introduction (Thunderbolt, 0080 and 08th MS Team). Similarly, works set in “Late UC” (F91 and Victory Gundam) carry on from the other series thematically but don’t have any plot connections, so they can all be watched without any background knowledge of the rest of the Universal Century.

Compilation Movies

Just a quick note here - many of the Gundam series have compilation movies, where either a whole series or part of one are compressed down into a movie. While each movie compares differently, they usually boil down to this: Compilation Movies usually have worse pacing, but really nice animation.

One of the great things about Gundam is that different shows offer variations on themes, so seeing how different characters react to similar situations, or how different settings change their approaches can make it incredibly rewarding.

I haven’t seen enough of SD Gundam to make any sort of recommendations there, and Manga is something I might touch on another day.

EDIT: Oh hey also: You can watch a good chunk of these on YouTube, for free, officially. The Official Gundam.Info YouTube channel rotates the series shown on its channel periodically. I think it’s got F91 and SEED on there currently? But it’s had Wing, 00 and Witch From Mercury before. Also all of the Build Fighters series are there.

So yeah, that’s a thing.

[4dkellysworld]

Tip on chatting to AI

I used ChatGPT for this so it works super well, I recommend it!

Anyway, say you've been reading particular spiritual points that resonate with you and you really want to expand on it and use those principles to apply it to whatever you want, here are the steps you could take:

Gather each text that you want to feed into ChatGPT. I don't think there's a limit but try to keep them to a similar theme (and you can repeat this whole process for the other texts later).

Feed it to ChatGPT: "I want you to create an overall combined summary of each of the following paragraphs, listing out what were recurring points/themes and which points were mentioned only once by a particular text. Text 1 _______, Text 2 ______, Text 3 ________- etc". ChatGPT will then provide an analytical summary of it which can be useful too

Tell ChatGPT "Can you create a summary paragraph of the recurring points in the writing style of conveying a teaching (but written like a person talking rather than an essay or book) rather than a summary analysis?"

Then you can start chatting to it on the material and how to apply it to whatever your intention is "Using those sources and the teachings from them, can you "channel" that wisdom and give advice on how that would apply to say, manifesting ______?" (or how to let go of ego more? These are just examples ofc, you can ask anything but the answers are going to based on the texts you just fed it so it should be relevant to those texts)

Then you can even ask questions on any "problems" or "concerns" you might have with applying "What if this happens or I can't do it? (please use the source texts and current conversation as the base of your answers)" And it will respond based on the texts and it's basically like you got your own guru :D I find the responses are pretty reliable and concise to the source texts compared to normal chats with AI because you've given it a clear foundation to base its answers from. Even having it rephrase the information from the sources and tailor it to your situation can be helpful imo. Enjoy! :)

Edit: if you find it starts straying from the sources and talks about things that are in opposition to it, then simply tell ChatGPT "please stick to the source information. I prefer responses strictly aligned with the sources provided, please avoid any contradictory or additional elements." and it will update its memory so future responses will be aligned to this

[waywardcrow]

Haircuts and coffee.

Summary: A little story about how Fairy and Bucky meet and how far Fairy could go to protect someone.

Pairing: Bucky Barnes x F!Reader.

WC: About 1600 or something.

TW: Very poor science kwnoledge by me, a pair of assholes talking shit, language, references to Bucky’s past as the Winter soldier and the abuse he suffered at Hydra's, physical violence (don’t try this at home), goofiness, someone trips and falls, fluff and feels, reader it's pictured to don't be above 5'3 but I try to don't specify too much, let me know if I missed something.

Disclaimer: English is not my first language, please tell me if I make grammar mistakes.

Everybody talked about “the incident” for a while.

That’s what Tony decided to call when his favorite lab tech decided to blast a not tested powerful weapon at some jerk agents.

In your defense, he had it coming.

Agent Smith was rude, obnoxious and misogynistic, he smelled like instead of water he used his awful cologne to shower and he made the mistake to be rude to Sergeant Barnes in your presence.

Three weeks ago Sergeant Barnes was found innocent of all charges against him and Captain Rogers took him to the Avengers compound so he could start living there while he finished his recovery, you remembered how happy he was that morning, not even Tony’s teasing could get under Steve’s skin and you were so happy for both of them, obviously not everyone shared the feeling.

There were some people whispering, not very enthusiastic about having the former Winter Soldier living there, free, but you decided to don’t engage with them, Agent Hill made very clear you couldn’t keep getting into fights with your coworkers even if they never were physical.

You weren’t a violent person but also you weren’t one to stand and watch something happening when you knew it was wrong.

So you focused on your work.

A simple weapon that could be camouflaged like a normal glove but it had all the power of Tony’s blasters, it was a delicate experiment because the material wasn’t resistant enough to the power source so it ended on fire or the blast wasn’t powerful enough, firing some sparks that only will scare you and no one else.

Tony told you over and over again to don’t pressure perfection which was bullshit because the man survived on caffeine and impostor syndrome most of the days, just like you. You continued to work until you were sure it was good, that’s why you decided to try it in a safe environment and, it was then when it happened.

You heard a couple of agents talk on your way to see Tony, they were watching Sergeant Barnes from the hall without an ounce of shame while he poured some coffee for himself in the kitchen, what you heard made your stomach drop.

“I don’t know why they let him out, he’s a fucking freak” Agent Smith said with a vicious smile in his very symmetrical face.

“Yeah man, they should never left him leave prison” the other, Jameson, agreed.

“They actually should send him back to Hydra, so he gets what he deserves”

At that, you saw Sergeant Barnes flinch and you realized he could hear them even if he was a very good distance.

It broke your heart.

He was so polite when Steve introduced you, he had such a kind smile when his best friend told him he would take him to the best burgers in the city that night as celebration and you read some of the files years ago when Nat put out all of SHIELD and Hydra’s information, you knew things you wished that could get erased from your mind and specially you wished the man in front of you never would have to suffer them, ever.

So yeah, you threw Hill’s advice through the window and went to agent jerk and agent douchebag.

“Take that back, assholes”

You were well aware how you looked, a small nerd with very big glasses and a very short skirt facing some six foot something idiots who could kill you in a heartbeat. Your mother always told you to stop being too impulsive but your father always smiled about it, calling you a troublemaker.

“Don’t get your nose in things that doesn’t concern you, lab rat” Smith didn’t like you, not so much after you declined his offer to go out which was predictable from someone like him, beside him Jameson let out a laugh that made you see red.

“I said: take it back and apologize”

Smith got too close to you for your liking, enjoying being able to stared down at you, like you were nothing.

“Or what? Are you going to cry? Or would you ask your new friend to kill me like he used-“ you didn’t let him finish, with a flick of your wrist, he got send backwards alongside his buddy, making both of them fly across the hall to the empty conference room to end in the garden, a floor below.

You looked at your hand, the good news was your experiment worked, the bad was Maria would not like this.

That was how you ended in disciplinary action, thankfully Tony and Steve interceded for you, watching with Friday’s help the footage of the incident, Smith and Jameson had to apologize to Sergeant Barnes and you didn’t have to do the same with them. When they presented a complain, Tony swore the footage of the incident was gone and there was no way they could prove you hurt them. Also he promised them they would have nice assignments waiting for them after their recovery… in Alaska.

Maria was not speaking to you, tired of cleaning everyone’s messes. Yelena gave you lots of high fives that made you want to hide when someone else watch you both, and Steve, he was thankful for your intervention and you didn’t regret it but his friend couldn’t look at you in the eyes anymore.

It wasn’t that obvious because as part of you punishment, you had to spend a lot of time in the training facilities with Nat, Maria was convinced that it was perfect because you hated exercise and she was right, you were in hell.

Even if Nat was one of your best friends, she was a relentless trainer, tough and disciplined, all you weren’t when it came to run in circles.

“Come on, Fairy” she yelled at you from her position, very ahead of you “I need you to run like Pedro Pascal is waiting for you!”

The sweat was blinding you, your lungs felt on fire and still you managed to scream at her like a suffocated turtle.

“Don’t you dare use Pedro’s name in vain!”

The redhead laughed, running backwards like it was easy, for her it probably was and then you saw him.

Not Pedro Pascal, of course, although you were sure he was friends with Pepper and she didn’t want to tell you.

You saw Sergeant Barnes coming towards the run track, it wasn’t strange since he and Steve used it a lot but his hair, it was different. He had cut all his long locks leaving only a very modern haircut that make his cheekbones more evident.

Before you could think about closing your mouth, your foot got caught in something and you fell.

It was so embarrassing being in the med bay for this.

Sam would never let you hear the end of it, Yelena got the footage and made a tik tok reel just for you, Morgan was the only one who took pity on you and left you a bag of Sour patch when she went to see you.

You were fine with all of that, the teasing of your friends and even your sore wrist but your literal high school celebrity crush saw you hit the dust, all because you were so busy staring at him. It was a good thing he was avoiding you.

Because life loved to make fun of you, he went to see you at the med bay.

“Hi miss, Fairy, I mean miss Fairy” he wasn’t sure he could get to call you by the pet name everybody used with you even if Steve had introduced you like that. Bucky knew your real name, of course, but you seemed to like being called Fairy and if he was honest with himself, it suited you.

“It’s everything ok, Sergeant?” your first instinct was to check on him and it didn’t went unnoticed by Bucky.

“Yeah, I am” he put a cup pf coffee in the bedside table and looked at you like he wanted to run from there “I came to see how you are, it was a very bad fall”

Your cheeks burned, why did this have to happen to you? If seventeen year old you could see you right now, she would slapped you for making this impression on Bucky Barnes, your favorite Howling commando, the reason you wanted to join SHIELD and even when you couldn’t, you still tried to do something good with your life.

“Yeah, it wasn’t- I mean, I’m fine” you smiled but it looked more like a grimaced gesture.

He wasn’t convinced, your arm had scratches and your left cheekbone was red, Bucky felt bad for waiting until this happened to talk to you.

“I brought you some coffee, Steve told me you like it like this” he lied, Bucky had observed you enough to know how you liked it, which was natural since you drank it like it was water. He fought the urge to hide his gloved hands on his pockets “I didn’t get to thank you”

“What for?” you asked before taking a sip of your cup, it was perfect.

“For standing for me, that day”

His voice sounded small even being this close to you and he hated it.

He hated you heard what they said, he hated that you felt bad for him and that he found you so beautiful when he had no chance with you.

Biting your lip, you left your drink and looked at him in the eyes.

“I didn’t want you to think they represent us, they don’t, there’s a lot of douchebags but there’s also a lot of good people here and we will support you” it sounded so cheesy but it was true, what kind of superheroes organization they would be if they don’t take care of their own people?

Bucky stared at you, not wanting to believe you were real, why were you being so kind with him? And why did he wanted more?

“Thanks, Fairy” this time, your pet name sounded sure on his tongue and it made you smile.

“No need to thank me, Sergeant”

“Please, call me Bucky”

Hello! I wanted to write this so bad and I didn't care if it was very self indulgent and silly, I needed this, I love Fairy and Bucky so much and I hope you love them too, let me know what you think.

Love, Lily.

[transmutationisms]

ok i still haven't seen the video du jour so i'm not casting aspersions on it, specifically, but i must say i am baffled by seeing responses to it on here that seem to be written under the presumption that newspaper journalism is somehow immune to the economic forces that cause digital creators to churn out endless streams of low-effort, plagiarised content. have we not all had the experience of trying to find information about an event and clicking on a few different news stories from 'respectable' outlets, only to discover they're all using the same three quotes and just paraphrasing the copy around it, and then clicking around more and determining that those three quotes all turn out to have been sourced from a local paper that broke the story last week but has a circulation of approximately ten people and was mostly ignored, and meanwhile critical details of the situation have now been distorted or omitted in a game of lazy newsprint telephone?

this is more of what i mean when i say that plagiarism is not a bug of capitalist knowledge production and circulation; it's a feature. newspapers and academic articles and youtube video essays are all products and they all exist to sell themselves. individual writers and journalists and editors may be more or less invested, personally, in what they're making, but regardless they are all subject to the same forces incentivising more content and shittier source attribution: it's good for your bottom line if you can continually present yourself as some brilliant thinker who is coming up with wholly original ideas and bestowing them upon the masses. it is much less beneficial to you, economically, to direct people openly and honestly to others' work by crediting them and presenting your own output as part of a larger collaborative social endeavour.

this sort of knowledge production is therefore prone to plagiarism as an expression of the contradiction between the idealist pretense to knowledge circulation as a beneficent activity of social enlightenment, and the material reality of knowledge circulation as a capitalist activity both productive of and dependent on structures of exploitation and inequality. it's not a problem that's unique to individual bad actors, or to any specific medium or professional credential or lack thereof. let's be serious

[thegreatwicked]

Writing Resources Part 2

My first list was so long I decided that I reached the character limit! So we have a part two! I'm going to try and keep them a bit more organized too! Hope these help you all in your writing endeavors and if you happen to use any of them try to give the original source some love!

Also, apologies if I've tagged you more than once and it's annoying! If I reference your material more than twice I will just link your whole Tumblr. I really do want to make sure everyone gets their credit and spotlight!

General Information and Research:

The Fantasy Guide to Royal and Noble Marriages or anything by @inky-duchess Her blog is extensive and is a wealth of information regarding things like royalty/nobility/Period social politics and is a fantastic resource, go check her out! Ink I do appologize I might be tagging you more than once!

@type1diabetesinfandom This blog is an amazing resource if you are interested in writing about characters with any form of diabetes or similar health issues. It was ana amzing find when I was writing my character Belladonna Black from Shadows of Deception who is hypoglycemic. What an amazing source!

How to Cook in a Medieval Setting: by @alpaca-clouds Food is the best way to know a culture and this particular blog post is a trove of information for your fictional foodie set anywhere in this spectrum of time or a great find for a fictional setting! This post obviously gets a chefs kiss!

The Symbolism of Flowers by @novlr Yeah! Leopold knew what he was talkign about, every flower has a meaning and it is entirely possible to send some a bouquette that translates to 'Fuck You' btw it consists of geraniums (stupidity), foxglove (insincerity), meadowsweet (uselessness), yellow carnations (you have disappointed me), and orange lilies (hatred). it would be quite striking! and full of loathing. THE MORE YOU KNOW. This blog is also a fantastic source for writers.

Writing About Body Pain by @slayingfiction I just came across this gem of a blog and if you're one who likes to make your characters sufffer than look no further, also, how ya doing? You ok? Just checking. This blog is also a fantastic writing resource.

How to Accurately Describe Pain in Writing by @hayatheauthor kinda piggybacking off the previous source but nevertheless lets make sure we make these characters suffer realistically? I'm ok too, if you're wondering. This is another great blog that focuses on the aspect of being a writer.

How to Use Canva to Make Mood Boards by @saradika I did not know much about mood baords but I'm telling you they are a gaem changer! They bring a life to your story in a way that is just so stunning and saradika has been so lovely as to make this helpful guide! She's also a very talented writer and is quite the Star Wars Fan! GO check out her stories!

Researching as a Writer by @so-many-ocs Research is a tricky topid to delve into and sometime sit hard to know where to start, this blogger has been so kinda as to make a bit of a roadmap to help you narrow down what you need to research and how. Wonderful blog! Very helpful!

Resources for Writing Deaf, Mute, or Blind Characters by @thecaffeinebookwarrior THIS! This right here is a gem and the only reason I don't write these types fo characters is because I've never known how to do so respectfuly and realistically! Not a problem anymore! Also a wonderful artist!

How to Write and Research a Mental Illness another gem from @hayatheauthor again if you're going to wrote a character with a mental illness lets make sure we get it right!

@namesforwriters It's little but a wonderful source of unique names for your story! Including mythology and music themed names!

Nightmare Disorder vs Night Terrors by @redd956 Some great clarification from a blogger who is diagnosed! So happy I found this as I was wondering about the distinction myself for a little while!

Types of Gemstones by @blueboxbeagle and brought to my attention by @keffirinne

A General Cane Guide for Writers and Artists by @deoidesignand brought to my attention but @cripplecharacters I was so excited to find this fantastic little gem recently and I look forward to using it! I'm keeping an eye out for more material in portraying characters with disabilities and disorders maybe it'll get it's own post!

@cripplecharacters linking this amazing blogger if you are wanting to expand your characters and write them with disabilities or diaper fees, this is a wonderful source of how to do it and stay respectful!!

@writingwithcolor use that painters pallet and write diverse characters and when you’re not sure what or how to write something check this blog out! Such a wonderful source for all questions concerning ethnicity, race and diversity!

@writinglgbtq I was looking for this blog!!! Your source for all things concerning writing the LGBTQ community respectfully and believably! So happy to ah e found this!!

@macgyvermedical I have been looking for a blog like this for some time and I'm so happy to add it to my writing resources list as tehre are far too many great and helpful posts to pick just one. Check out this amazing blogger who offers medical beta reads and asks for fanficiton!

Make it Pretty! My own contribution to help make writing a bit prettier! ꧁☽✶☾✶☽꧂ Enjoy!

Adding Page Breaks & Art to Your Stories Another of my own contributions for adding in nice clean page breaks to your stories as well as how to upload art to AO3, FFN and Wattled.

More will be added to this post as I find it and if you find anything that fits the general research on broad topics or specifics please let me know so I can continue this collective writing resource! And make sure to give some of these wonderful writers and bloggers some love!

[mitskicodedwukong]

✨ REDSON, SIX-EARED MACAQUE, & SUN WUKONG WITH AN ADHD S/O ✨

» three-thirty (AJR) « 0:45 ─〇───── 4:07

╔⏤⏤⏤⏤╝🍑╚⏤⏤⏤⏤╗ AUTHOR'S NOTE ╚⏤⏤⏤⏤╗🍑╔⏤⏤⏤╝ ➤ This is reposted from my old account, @nothyenlowz :3 ➤ These are headcanons. ➤ This is romantic. ➤ Reader is afab & uses she/her! ➤ I don't think I went as in depth as I could have been I still hope it's accurate and you enjoy it! ➤ TRIGGER WARNINGS include profanity, a little bit of angst, and minor violence. ➤ Word count: 1,361

───── ⋆⋅☆⋅⋆ ─────

❝ You wanna skip it if it's wordy, but fit the whole song in three-thirty .❞

╔⏤⏤⏤⏤╝╚⏤⏤⏤⏤╗ REDSON 🔥 ╚⏤⏤⏤⏤╗╔⏤⏤⏤⏤╝

➤ before he finds out you have ADHD, i imagine he's confused by your behavior at best and frustrated by it at worst.

➤ your daydreaming and procrastination can be annoying for him, someone who's always about work, work, work. when you're talking to him about your fixations, he gets irritated because either he 1.) has no idea what you're talking about or 2.) thinks you're making fun of him since he often rambles about his inventions in a similar manner.

➤ he just doesn't understand why you're doing those things and neither do you. it causes a lot of struggles for you both initially, leading to shit communication and hurt feelings.

➤ when you're finally diagnosed, redson listens very closely. now your quirks are starting to make sense, but you still don't have as much information as he'd like. he researches ADHD in AFAB people rather meticulously on his own time (sometimes interrupted by his own anger at the lacking information for females), and by the end of it, he has a much improved understanding.

➤ and boy does he feel shitty. hindsight is 20/20 or something.

➤ the idea that he blew up at you for things out of your control makes him feel ashamed, especially when some of those things (like info-dumping) are signs of affection. so you don't see him for a while, partially due to some unhealthy self-punishment on his end, and also because he's trying to come up with a solution—that being a way to make it up to you, of course, not "fix" you.

➤ when redson stops avoiding you, he takes you out on a date with all your favorite activities and thoroughly apologizes to you. he promises to adjust his behavior to accommodate and support you.

➤ (which might have made you cry, considering you've always been treated like you're the problem.)

➤ true to his word, redson changes a lot. he leaves little notes for you as reminders, sets alarms for you, helps you finish or do tasks you don't have the energy for, etc. he even starts prompting info-dumping, reading up on the source material so he can ask questions.

➤ he also does his very best to educate himself on masking and burnout so he can a.) keep you from going there or b.) recognize the signs when you are there and help you. i like to imagine he made a sensory room for you that has all your favorite things and you can just go there to chill and unwind.

➤ he's also super protective over you. if people make fun of your stims, say you talk a lot, undermine your sensory issues, etc., he will DESTROY them. no way in hell is he letting you be disrespected like that. verbal smackdown, here we come.

➤ ultimately, it's a learning process. but it's one he's more than willing to thoroughly explore for you.

╔⏤⏤⏤⏤⏤╝╚⏤⏤⏤⏤⏤╗ SIX-EARED MACAQUE 🔮 ╚⏤⏤⏤⏤⏤╗╔⏤⏤⏤⏤⏤╝

➤ HONESTLY i headcanon macaque as autistic, so i feel like he had a feeling that you were ADHD before you did.

➤ probably made jokes like "it's the ADHD lol" for certain behaviors until you decided to do some research on it and were like "🧍‍♂️ yeah so—"

➤ not surprised at all when you're diagnosed, obviously. he uses the opportunity to show you coping mechanisms he's learned (though some have to be tweaked for your needs since autism isn't ADHD), and even begins to unmask more around you (which was inevitable anyway tbh, but it's easier now that he doesn't feel so different from you).

➤ since macaque thrives under routine/structure, he often handles reminders. he also keeps you on track, verbally and physically, if you have things to do. ALSO is super on you about eating, since he likes cooking.

➤ macaque's experienced dozens of burnouts in his long life, so he knows how awful they are. he can sniff out a burnout a mile away so i'd like to think that you don't experience many while with him because he's really good at pacing the both of you/being aware of your emotional and mental state. the dojo's pretty chill like 90% of the time due to his own sensory issues so it's a good place to unwind and relax.

➤ you guys have picked up so many phrases from each other. he'll be working on a script for a shadow play while you're cleaning and he'll just hear you laugh and go, "wow, didn't see that one comin'." it definitely flusters him that he's included in your echolalia.

➤ macaque rambles to you about theatrical pieces from various cultures. if you introduce him to new ones, tell him something he doesn't know about a piece he's already familiar with, etc. he'll kiss you istg. anyway this is to say the feeling is mutual and he probably ends up getting into some of the media/hobbies you tell him about!

➤ you guys mutually bully each other lmao. you'll be trying to do some work, get to talking to him about whatever comes to you, and then suddenly it's three hours later. you're like "FUCK" and he just laughs at you (you get him back, of course, and it's all in good fun).

➤ he barely thinks beating anyone who talks shit about you is an overreaction, but if you don't like it then you'll just have a clone stick around in your shadow or something to scare the shit out of anyone who decides to open their mouth to you.

➤ in summary, macaque is very helpful and teaches you coping skills when it comes to sensory issues + overload.

╔⏤⏤⏤⏤╝❀╚⏤⏤⏤⏤╗ SUN WUKONG 🍑 ╚⏤⏤⏤⏤╗❀╔⏤⏤⏤⏤╝

➤ first off, i headcanon Wukong as ADHD, too.

➤ with that said, i feel like Wukong just... assumed you knew you were ADHD and rolled with it.

➤ like you guys constantly quoted/repeated each other/shows and stimmed at/with each other. you'd get in loops. you'd adapt each other's phrases/stims. neurotypicals don't do that.

➤ it's genuinely amusing thinking about you two just repeating the same things at each other. it's such a serotonin boost and it makes you both laugh. same for when you stim together, especially hand-flapping and jumping up and down.

➤ you're both trash at remembering stuff but fortunately you seem to have an awful lot of capacity for the other—meaning you remind wukong he has a session with MK today because he forgot, and he reminds you that you agreed to make noodles with pigsy today because you forgot.

➤ i don't think remembering to eat or drink is a big problem for you, since wukong is a big comfort eater and shares his snacks with you so you kinda just... roll with it lol.

➤ wukong has a bunch of homemade stim tools. once he sees that you're interested, he makes some more for you. even after your diagnosis, you don't try "professionally" made stim toys—you just don't need them when wukong's work so well.

➤ you guys spend hours talking about your interests, ping-ponging off each other. like: "OH, did you know x?" "NO, but did you hear about x?" x1000.

➤ you guys also bully each other. "Hey Great Sage you forgot do the dishes again, you crusty bitch"; "says the dumbass who started folding laundry and then did a fashion show with the monkeys".

➤ like macaque, wukong's had his fair share of burnouts. unfortunately, he's not super good at preventing them or even realizing he's in them until it's been a few months, but you guys take care of each other if the other is struggling. you're also very aware of the other's limits so if one of you is pushing it, you can help each other step back.

➤ wukong learned a great deal of patience and mercy from his journey, so people being unkind to him doesn't really bother him. plus, he barely leaves his mountain as is—but if one of those times, someone doesn't to be a dick while you're stimming or something? best case scenario, he has some very choice words—worst case scenario, bro's taking it upon himself to remind the public why you should be more considerate of who you're snarking to.

➤ basically, nothing changes after you get diagnosed lol. you and wukong are very happy ADHD gremlins who are celebrating your neurodivergency :)

❝ I thought I had the ADHD, but that's a real thing (and I'm just lazy) .❞

[wingsoverlagos]

Today, I’d like to share one of Mark Lewisohn’s most entertaining fucked-up citations. This citation, Tune In 13-23, contains a rare example of Lewisohn almost saying something correct/insightful about Paul McCartney before hopelessly fumbling, as well as a far-less-rare example of Lewisohn correcting Paul on a bit of trivia while simultaneously mangling the source material. Here’s the text of the endnote itself:

In pink, Lewisohn lets us know that Paul, reflecting in the ‘90s on the events of 1960, did not correctly remember the name of the host. This is fine—I don’t take issue with Lewisohn correcting things the Beatles misremembered—but it’s very funny to see him correcting a bit of minutiae in the citation for two quotes he altered or misrepresented.

In yellow, we have what seems, on the surface, to be an actual insight about Paul: “Paul sometimes says ‘we’ in interviews when he means ‘I.’” This isn’t a paradigm-bending revelation—I’m sure my mutuals are all very aware of this habit of Paul’s—but it’s an insight nonetheless.

Or it would be, if this wasn’t said in relation to a quote where Paul clearly means himself and another person. So close, Mark! From Tune In:

Teenage Paul, out of his depth at a college party, pretends to be a singing Frenchman, creating ‘Michelle’ in the process. The first quote, the one where Lewisohn asserts Paul is using “we” in the singular sense, is from the Anthology (2000, p.198):

Do y’all see the problem here? “It was very sophisticated for me and George, so we were trying to hang in there and pretend we knew what was going on.” Emphasis added by me, just in case Mr. Lewisohn is reading and needs a little help.

This is not Paul saying “we” but meaning “I.” This is Paul explicitly stating how he and George felt. And like?????? The “clarification” Lewisohn provides in the endnote is completely unnecessary to begin with. There’s no reason to say Paul means just-him in this quote, unless Lewisohn is worried John will get lumped in with Paul’s loser teenager behavior. In that case, instead of lying and saying Paul actually meant just-Paul here, why not mention that George was at the party and out of his depth as well? Why do this??????

Onto Many Years From Now (1997):

The quote itself isn’t too altered. Lewisohn fails to mark the omission after “It was” with an ellipsis, but that’s small potatoes for him. The Irritating thing here was brought to my attention be @mythserene: even though Paul mentions three specific influences on his wannabe French style (Sacha Distel, Juliette Greco, and Maurice Chevalier), Lewisohn invokes an entirely different Frenchman, Jacques Brel.

With Lewisohn’s phrasing, he’s not incorrect. If Paul said “Joey Fatone and Justin Timberlake were huge influences on my choice to get frosted tips in 2001,” it wouldn’t be wrong to describe his appearance as “Lance Bass-esque.” But if you’re writing a musician’s biography, and that musician has named specific influences on their music or presentation, why would you not invoke those influences when the opportunity arises? Isn’t it more work—and less informative—to dig up some fourth French guy to slot in here instead?

Lewisohn thinks it’s worth the readers time to know that Paul forgot who hosted a party he attended as a teenager, at the same time putting in effort to avoid mentioning Paul’s stated influences.

[noris-stoneward]

So I'm a gamer yeah?

One of the things I tend to do with games I play is... I think it's a form of metagaming? See based on information we are given in game or from other source material you can extrapolate other things that have to also be true.

So for example in the game Destiny you fight a bunch of different aliens.

Well one of those Alien species is canonically insectoid (they're called the Fallen/Eliksni)

And going off of our Insects we can learn a few things.

One: since the Eliksni are very big they probably had high concentrations of whatever gas they primarily breathe.

Seeing as they need this substance called Ether (which comes as a gas of some kind) and the more Ether an Eliksni has the bigger it gets I think we can safely say that this follows true.

2: we can see what Ether looks like. Precision hits have a chance to cause an explosive decompression of their breathing apparatus (not a fun way to go poor guys, but they are trying to kill you first) and as such we can hypothesize some of the components of Ether. It glows this pale teal color when subjected to an electrical current, and can be mined.

Guess what? We have gasses like that!

Specifically Argon fits that bill. Which means we have anywhere from 0.9% (unlikely due to the glowing effect) to 78% in their Atmosphere composition.

3: we can extrapolate different fauna from their home world based on their technology. And let me say some of their beasties sound very scary.

And so on.

So I'm going to be occasionally posting a little snippet of stuff from games I've played and what extra information we can either A uncover from what they give, or B come up with wholesale because the explanation they gave us was terrible.

Next time I'm doing Anthem which I'm shocked doesn't have more stories about it, it's almost as easy to make a crossover for it as Familiar of Zero which is saying something.