Blood Blossom Au: before the nightingale sings
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for my batdad blood blossom au, the one where Vlad poisoned Danny with blood blossom extract and Danny ran away from him and ended up tumbling into the care of one Pre-Robin Battinson Batman :). A quick oneshot telling the tale of the tragic deaths of the Fentons
TW: Major Character Death Warning
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Not all deaths are created equal.
That is a valuable lesson in life to learn. One that Danny learns when he is eleven years old, standing in the pit of his parents’ creation; the culmination of their life’s work. The portal to the other side, the realm of the dead. To the infinite.
He learns that when he’s eleven years old, in a hazmat suit that sags on him, and boots that clunk when he walks because the only ones that fit are his mom’s, and even those are too big. In gloves that he has to clench his fists in because otherwise they fall off. In goggles that slide down his nose even when he’s tightened them the farthest they can go.
He learns that when he’s eleven years old, choking on giggles that harmonize with the laughter of his friends’ who stand at the mouth of the tunnel. Sam’s holding a polaroid in her hand. They’re just being kids.
They’re not laughing when Danny’s hand hits the safety lock — the one with faulty wiring, the only one in the tunnel. The only one he could possibly hit. They’re not laughing when the portal buzzes to life, and the lights inside switch on row by row as the generator begins to rumble and hum.
They’re not laughing when Danny dies. They’re screaming. They’re not screaming when he comes back.
Not all deaths are created equal.
Some are poetic, beautiful. The satisfying close of a book as it comes to an end, of the hardback thumping soft against the pages like the sound of a door closing. A train run its course.
Some are violent; unsatisfying; unfair. The unexpected shattering of an egg as it rolls off the countertop when nobody is looking, the unmistakable crack as it falls to the floor. It is abrupt and messy.
But most are just… unremarkable. Unintentional. Clumsy.
Danny’s family dies one night in late January. He is thirteen years old, barely a month away from fourteen. It is unforeseen. It is preventable. It happens.
It happens like this:
Their water heater breaks one Monday in January. It’s old, sitting in the garage, and has dealt with nearly sixteen years of Fenton-grade chaos and shenanigans. Of parents tossing scraps and junk into the garage as brief storage to come back to later. Of illegal tune-ups on their vehicles that result in something exploding. Of little children running around and knocking things over, playing with poles and sticks they find on the ground, on the shelves. Of being lived and used.
Something had to give.
Jack Fenton notices it immediately when he comes upstairs that very afternoon — his children at school, his wife downstairs — to grab something from the garage. The very same scrap and used material they store like squirrels to use later.
He stops what he’s doing to fix it.
It wasn’t supposed to be permanent.
Despite what many believe, Jack Fenton is not the idiot people make him out to be. He knows what he’s good at, he knows what he’s not. He knows he can be passionate and obsessive and single-minded about things. He knows that he is a scientist, an inventor; an engineer.
He knows that he is not a plumber. That fixing water heaters is not something he knows how to do, not safely. And he loves his family. What he does is only meant to be temporary — a fix meant to only last a few days until they can call someone in who can fix it for them.
So Jack Fenton futzes with the water heater, gives it a temporary stitch to last a short while, and reminds himself to call a plumber later that day to come in and fix it. He turns and leaves the garage with the part he came for — a sheet of metal for his wife to melt down — and disappears back downstairs.
He does not make that call; it slips from his mind.
It is not his fault.
One day passes, then two, then suddenly it is Thursday. The water heater has still not been fixed, the water heater has been forgotten. It is nobody’s fault.
Danny asks his parents at breakfast if he can stay over at Tucker’s house for the night. Just one night. They’re going to study for their math test and then play video games until midnight, but he only tells his parents that first half.
He’s been doing well in school. Really well — better than he has in a while. There’s been a delightful lull in ghost appearances for the last few weeks. The living don’t know why, but Danny does. The Winter Truce always calms the dead down for a while, something about how the Zone cleanses itself twice a mortal year and that fresh wave of ecto clears out the old and brings in the new.
This year Danny got to participate. He’s feeling the effects of it too, and he’s been sleeping consistently well for the first time since the accident.
It’ll never happen again.
His parents agree under the condition that he doesn’t stay up late, and Danny harmlessly lies through his teeth and agrees. He goes and throws overnight clothes into his school backpack, and when he leaves for school with Jazz his parents are already departed into the lab.
The last conversation he has with his sister is in her car on the drive to school. Inane, mindless conversation to fill the air and pass the time. Jazz comments on how relaxed he’s been lately; Danny tells her about the Winter Truce. She listens in rapt attention.
She tells him that she’s glad to see him so well-rested. She thinks her little brother’s been growing up too fast these days. She thinks he’s been too tense. Too caught up with the spinning of the world around him that he forgets about himself sometimes.
When they reach school, before Danny can get out of the car, Jazz looks to her little brother and says; “I love you.”
Her little brother’s cheeks turn an embarrassed shade of red. He makes a scrunched up, grossed-out face, but can’t hide the smile pulling across it. “Don’t be a sap, Jazz. I’ll see you later.” He tells her, yanking his hood up over his head. She hears the bashful, ‘love you too’ before he walks away.
That is the last conversation she ever has with her brother.
Thursday is unremarkable, passing by in its normality as it always does. There’s one, maybe two ghost sightings; shades lurking around in curious infancy that are easily spooked away by the presence of a greater being. Danny doesn’t even have to go ghost.
Thursday evening is even less so. Danny goes to Tucker’s house — Sam has a prior arrangement with her slam poetry club — and the two of them study for an hour before they toss their textbooks aside and reach for the game console.
Danny sleeps in Tucker’s room with one of the extra blankets on his bed, curled across the room in one of the bean bag chairs. It shouldn’t be comfortable, but to Danny it is. He sleeps throughout the night, the portal shut down by his parents before they’d gone to bed.
Early Friday morning, before the sun has even risen yet, before it’s even so much as a concept to grace the horizon, the water heater breaks again. It was supposed to be fixed.
Carbon monoxide is a silent killer. Odorless and scentless, it kills within minutes. It fills the house like a shadow casting over the ground, creeping into the rooms.
Danny’s family die in their sleep; painless and unaware.
It’s not Jack Fenton’s fault. He didn’t mean to.
Nobody wakes up with their alarms.
Danny wakes up to Tucker Foley’s alarm on Friday morning, and he turns his head intangible and shoves it into the beanbag chair like an ostrich hiding its head in the sand. Tucker gets up before him, and throws a pillow at him as he reaches for the alarm.
There’s laughter, messing around. The both of them get dressed, and Danny has breakfast with the Foleys that morning. He takes the bus to school with Tucker, and they meet Sam by their lockers.
To him, everything is as normal as it should be. There are no ghosts for him to fight right now, school is as school does, and he’s on top of all his schoolwork.
He does not see Jazz at all that morning, he doesn’t notice. Their schedules are so different, their routes on different paths, that it’s not uncommon for Danny to not see Jazz until he gets home some days. That’s if there’s no ghost attacks.
At lunch, he gets approached by her friends. Worried creases between their brows, they ask him if he’s seen Jazz. She hasn’t shown up to any of her classes. She’s not answering their texts. It’s unprecedented of her; unheard of.
Danny doesn’t admit to the concern that swells in his gut when they tell him this. He shrugs at them, and says he hasn’t seen her either. But it was probably nothing to worry about; she might just be sick and sleeping it off.
He offers to text her and let them know if he gets a response, and that seems to ease her friends enough that they shuffle away in uncertainty. He keeps his word, and does exactly that. He pulls out his phone and opens her contact, and shoots her a message.
‘Where are you?’
He doesn’t get a response back, Danny is left on sent. He puts his phone in his pocket, and with a sense of unease creeping in the back of his mind, goes on with his day. He gets no response by the time the final bell rings; and he tries not to be worried.
The house is quiet when he opens the door. Unusually quiet. He drops his backpack to the floor, it lands with a hearty thunk, and begins to take off his jacket. “Mom! Dad!” He yells. He hangs it up, and slips his shoes from his feet. “Jazz skipped school today!”
A laughable untruth that would get his sister all riled up normally; she should be able to hear him from the front door if she was in her room. The house just stays dead silent.
He can’t even hear the usual banging and crashing from the lab. His unease returns. He reaches for the intercom that leads directly down to the basement, and presses the button to turn it on. A burst of static, and then he speaks;
“Mom? Dad?”
Danny lets go, and waits for a response. He gets none back. That never happens, not when the house is this quiet. Not when he knows they should’ve heard him.
Something sickly and fearful borns in the pit of his stomach, and begins to snake upward. He heads for the lab. The cool metal of the door is familiar in the grooves of his hand, and he doesn’t even need to think about the code as he punches it in; he simply lets muscle memory guide him. It’s been the same since he was little.
The door hisses as the pressure is released, and he swings the door open. He takes the stairs down two at a time. Something is wrong. His parents aren’t answering him. His feet pound against the metal.
“Mom? Dad?” He calls again, more worried, more frantic. More scared. His voice echoes down the stairwell, and he reaches the bottom before it’s fully faded. The lab is empty. The portal is still shut down.
It was four in the afternoon, they should still be down here.
Danny races back upstairs, fear-raised nausea coiling in his throat. “This isn’t funny you guys!” He yells when he reaches the top, shoving open the door with more force than necessary. His head swims, his voice cracked.
He checks the garage, the car is still there.
“Mom!? Dad!” His voice bellows out throughout the first floor, loud enough that it bounces back at him and rings against his ears. He’s never raised his voice this much — mom would scold him if she heard him. But she doesn’t show up. “Jazmine!”
Finally, he goes upstairs, and he can’t tell if what he’s feeling is anger or terror. Something is very, very wrong.
He swings the door of his parents’ rooms open first, and there they are, with the lights still off and the curtains still drawn. As if they hadn’t left their bed all day. Some of Danny’s fear lifts from his shoulders just by the sight of them, but he’s still trembling. Something is still wrong — the room smells… off. Not good, not bad. Just… off.
He swallows dryly, his throat still thick, and steps into the room. “Mom, dad?” They do not stir. “Didn’t you guys hear me yelling?”
There is only room static. Danny’s heart shrivels in his chest with a tenfold return of terror, he feels ill. He remembers, just now, that they’re not heavy sleepers, and his dad should be snoring like a freight house.
Danny reaches their bedside in seconds, hand outstretching for the covers, “Momma? Dad?”
Not all deaths are created equal.
But many of them are accidental. Unmeditated. Shocking.
Danny Fenton finds his family dead in his childhood home. He runs to his neighbors in hysterics, inconsolable, in tears. Nine-one-one is called, but there is nothing that can be done. They were dead for hours by the time Daniel Fenton returned home.
He sits on the front steps of the neighbor’s house beside FentonWorks, his jeans slowly becoming wet from the snow that was unable to be scraped off, and watches the paramedics cart out his family beneath white sheets. There are police cars blocking off the street, yellow tape blocking off his house, red-blue lights lighting up the block, an ambulance on the scene. He is wrapped in a shock blanket, and he is missing his jacket and his shoes. His tears are freezing onto his face, he can’t feel the chill.
Not all deaths are created equal
But all of them are unforgettable.
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I’m new here and I absolutely love your type of blogs with analysis and meta and long texts~~
I was wondering—is Eunyung and Haejoon’s relationship the kind that could be interpreted as romantic?
first of all, welcome and ty! and sorry it took me so long to reply, i hope u're still around anon. now to answer ur question
i'll take this opportunity to share all my thoughts on the topic bc i have Many.
TLDR: it is possible to read it as romantic if you really want to, but it's not meant to (at least not as of right now in the story aka ch.224)
deep dive under the cut as to why
-> can Eunyung and Haejoon’s relationship be interpreted as romantic?
i like how you phrased that bc, the thing is, interpretation is very subjective. you're welcome and allowed to interpret things however you want, but in EY&HJ's case, i feel like you'd have to work a lil extra hard to get to that point.
-> is Eunyung and Haejoon’s relationship meant to be interpreted as romantic?
this one's easy bc no. objectively Not. the genre of No Home is drama and slice of life (and once upon a time, horror). even if they were to ever end up in a romantic relationship, that's not what the story is about.
when i ask myself what the author's intention is with this story, i'd say it's to (realistically) portray how a young person with trauma would navigate another young person's trauma. and showing how easy it is to unintentionally fuck it up for various reasons: lacking context as to what exactly said trauma is, generally not knowing how to navigate it, their own trauma getting in the way, lacking the necessary resources. take your pick.
think of it like "how should i carry someone else's baggage when i have my own to deal with?" while also keeping in mind they're kids; they often don't have enough experience to know how to help, and even when they know what the right thing to do is, they're not old enough to take (legal) action.
and especially, the most heart-breaking yet realistic thing, when you're just getting to know someone, you can't know everything about them. it's so easy to accidentally do or say sth that cuts or offends when it wasn't meant to. but when they've got their own issues, it's hard not to take it personally (eg. EY talking about HJ's parents without knowing his mom died not long ago in the beginning of the story).
-> what even is Eunyung and Haejoon’s relationship??
this one's so funny bc i have no idea how to answer and i'm convinced not even EY and HJ themselves would know how to answer. they're not really friends; they got off on the wrong foot and kept walking with two left feet way too much to call themselves friends. the things that pushed them together the most were the dorms (not anymore) and the same friend group (more or less since EY has multiple).
what fits them best i'd say is "the universe forced us together against our will and now we're stuck with one another altho we hate each other" (<- at least in the beginning) extended with the "misery loves company" sentiment. finding comfort in someone who gets it, even tho they only kinda get it but not really but it works out anyway except it doesn't <- THERE'S NO NAME FOR THAT *cry* they invented a new type of character dynamic smh (i've never read a pairing with so much (romantic) potential only to see them completely fuck up their chance so royally by the end of their interaction EVERY SINGLE TIME. like yeah, enemies to lovers whatever BUT NOT TO THAT LEVEL HOLY SHIT)
they've changed each other, sometimes for the better and sometimes for the worse. they're compatible in the way they understand each other on a deeper level and incompatible in the way they don't.
...however...
this is how HJ thinks of EY: (and also what No Home is truly abt)
and this is how EY feels about HJ after EY found out HJ used to steal as well (aka that HJ isn't perfect like the stuck up bitch EY thought he was at first):
so...
<- -> EY's first impression of HJ was that he was looking down on him and sth like "does this guy have ulterior motives? or is he just that naive being so trusting?" until EY found out HJ wasn't that different from him. after that, EY started admiring HJ for still managing to achieve things in life despite the hardships he had to go through. the type of admiration that can easily (and sometimes does) slip into envy.
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since the beginning, EY has helped HJ (or at least tried to) without him knowing. sometimes it worked out, sometimes not. most times EY tried doing sth nice for HJ was (from EY's perspective) in return to HJ trying to help him or doing nice things for him (which, again, sometimes worked out, sometimes not). EY was just paying back a debt to "this stubborn naive guy who keeps getting into trouble and butting into his business. gotta look out for this idiot or he might get scammed." (<- eg. when EY offered to get HJ's money back from his uncle)
he doesn't do it for credit or friendship or out of obligation, he's just doing what he thinks is the right thing bc he doesn't want to owe anyone anything. he can't accept people just genuinely being kind, genuinely caring and genuinely wanting to help. but he's been learning and slowly coming to terms with it.
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<- -> HJ first wanted to try befriending EY despite not liking him bc, well, the guy did steal his wallet and stab him in their first interaction. after trying and failing at it multiple times, thanksgiving happened, and HJ started thinking of EY as his underclassman bc he realized EY's just a kid with issues and he should keep an eye on him (discretely bc EY hates pity).
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with time HJ has come to understand EY better by going after him whenever he ran off and slowly realized that EY does mean well and has his reasons (as fucked up as they might be sometimes). but his mentality abt EY is still "i gotta push him in the right direction cuz he's my underclassman and i unintentionally got attached to him (somehow??)" (also bc he knows EY already gave up on himself so he needs a lil help to find his way again. also also bc he knows EY is lowkey suicidal and he's scared it'll be his fault if sth happens) <- his care for EY comes from a protective/nurturing (/possibly maybe guilty) place which started when he realized EY was just a kid^^. in other words, HJ still bothers with EY out of a subconscious sense of responsibility/obligation in a way (a good way tho. or at least a way that gets better)
see, sth i struggle with is if HJ thinks he has to or wants to or thinks he should or can't just not help/care for EY. i can't exactly pinpoint where the sentiment is coming from. his face is too blank for me to read sometimes T_T
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to summarize: HJ is EY's goal, what EY wishes he could've been. and EY is HJ's 'responsibility' so to speak (bc 'burden' doesn't quite fit since HJ is there for EY willingly) -> EY has a positive opinion of HJ while HJ has a neutral opinion of EY (which is also gradually getting better)
note1: i think HJ's intention (maybe subconsciously) was to be to EY what HJ's upperclassman was to him. aka someone who's there when you need it and can help guide you. it would explain why HJ kept chasing after EY despite not really having a reason to and EY repeatedly rejecting HJ's care/help.
note2: i also believe the 'upper-under-classman' relationship dynamic fits them the best atm bc it also matches the way the story often singles EY out as he's the only second year (aka younger) of the 6 MCs.
-> Romance in No Home?
another thing i should mention is that No Home rarely leaves things open for interpretation. the deepest arguments EY&HJ had were always spelled out for us, to make us understand exactly what the problem was, and how there isn't a good guy and a bad guy. it's just two people with issuesTM.
from what we've seen in the story up to this point, i couldn't pick out a moment where i'd go "here! that's romantic! that's the moment they realized SomeThing!" yk
when it comes to romance specifically, i feel like a handful of opportunities were missed. there are scenes which could've easily been written trough a rosy lens but simply weren't.
exhibit A:
HJ was speechless bc "wow this mf really is actively picking a fight with an authority figure. i gotta make sure things don't escalate" not bc "hoLY sHiT hE's PreTTy. all his fangirls are on to something". however, this only becomes more clear when you keep reading the next few chapters, so i understand how you could interpret it as the latter.
exhibit B:
here they got so close and the moment was so deep bc "woaa he said he believes me. no one's said to me that before!". unfortunately, EY was panicking too much for it to mean something bc of the guilt he felt for HJ trusting someone so undeserving of trust like EY.
exhibit C:
this is maybe the closest we got to romantic between these two. i think this might be the only (or at least first) ever deep interaction between them that didn't end in a fight or misunderstanding. is it meant to be romantic tho? -> ¯\_(ツ)_/¯
-> what do i think?
first, full transparency: i went into reading this story fully expecting it to be a BL and for EY&HJ to end up together. but the more i kept on reading, the more i got the ick thinking about them being in a (romantic) relationship bc, at least from what we've seen so far in the story, their relationship would be so ToxicTM (which i personally don't enjoy reading).
as they are right now, i wouldn't want them to be together like that. like, honestly, you still can't really consider these two even friends; they just tolerate each other if the stars align correctly (altho, i'll admit, their relationship is gradually getting better!!). every big argument they had i thought "god, there's no coming back from that. i'd cut ties so quickly if was them wtf". i still don't know how they managed to keep on interacting, props to them ig.
there's a lot of unresolved issues between them. and a lot of resentment which would not bode well in a romantic relationship. the smallest argument would turn explosive and they'd be, at best, in an on&off type of relationship. they both have the power to break the other and neither would be afraid to use it. they have a lot of history together, which is not always pleasant, so if they ever were to go the romantic route, it would have to be a long way to go.
technically, i could see them in a romantic relationship if they both went to therapy first and talked out all the baggage they're carrying (both individual and shared). realistically tho, what i think will happen at the end of No Home is that either they never cross paths again after high school ends (which would absolutely break my heart Wanan pls don't), or they somehow (unintentionally) end up living together bc they both desperately needed a roommate to pay rent (which would be a hilarious fucking gag LMAO). just, HJ going to uni/work and EY doing his own thing (prolly an actor) while still cohabiting together; hanging out to watch a movie before bed <- (whether platonic or romantic being left up for interpretation)
<- -> in conclusion, from what we've seen up to this point, their relationship is mainly upper-under-classman; reluctant (maybe) friends who tolerate each other but also care (too) deeply. they've changed each other, sometimes for the better and sometimes for the worse. in some ways they're compatible and in others they're not.
all this being said, their relationship is improving and romance between EY&HJ is not impossible, just rather unlikely imo. but, again, interpretation is subjective and u're welcome to read their relationship however you want.
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WE'RE WATCHING WAKANDA FOREVER... WE'RE 1 HOUR IN BUT I MUST SAY... I STOPPED PAYING ATTENTION A WHILE AGO...
THIS POST MIGHT GET GLITCHED DUE TO THEIR LENGTH AND SUREFIRE WOKENESS... DETAILS THAT CAUSE THEM TO BE ERASED ABUSIVELY EVILLY NASTILLY ON PURPOSE OUT OF POLITICAL PROPAGANDA BY THE ABUSER CALLED TUMBLR... THEREFORE.. I WILL EDIT THIS IN BITS...
OKAY... WE WATCHED AN ANIME PORN THAT WAS TRANSPHOBIC... THAT WAS 2 WOMAN BUT... THE OTHER ONE IS TRANS LIKELY BY A TRANSPHOBIC CREATOR... WE GET TYPICAL TRANSPHOBIC DIALOGUE... SEXISM... QUEERPHOBIA... ABOUT CONSTRUCTS... THE CISSIE WAS ITEMIZED INSANE... CRAZY... SHE WASN'T... YUCKIES... ALL THIS AT A TRANS CHARACTER... WHAT A NASTY FETISH THE CREATOR HAS... WE REMEMBERED... THAT IS IMPORTANT TO REMEMBER... TO ACKNOWLEDGE... I REMEMBER MORE... ONCE AGAIN FORGOTTEN ONCE AGAIN WHAT WE USED TO KNOW... BECAUSE NOBODY WILL EVER UNDERSTAND... WE WILL ALWAYS BE ABUSED... WE HAVE NO HOPE EVER GETTING MARRIED AND HAVING CHILDREN OUR LIVES PURPOSE OR TRANSITIONING AS OURSELVES... THIS IS FACTUAL... WE HAVE BEEN TOLD THIS OVER AND OVER AGAIN... NOBODY WILL EVER UNDERSTAND... WE WATCHED ANOTHER ONE... TERRIBLE...
THEY CAN'T DIE... BUT I HAVE NO ENERGY... THERE IS NO POINT... THEY'RE DYING... FLEEING... THIS CAN'T HAPPEN... I LOVE YOU... OUR SHARED EMOTIONS... OUR TRAUMA... OUR PROGRESSIVE EXISTANCE WITHOUT AN EQUAL NOBODY WILL EVER COMPARE TO GIVING US NL POINT IN LIFE... WE'RE ALIVE FOR NO REASON... BECAUSE WE CARE UNLIKE ANYONE ELSE... THERE IS NOBODY ELSE THAT CARES ON THIS PLANET... WE WOULD BE ABUSED BY ANYONE AND EVERYONE IF THEIR CHILDREN... ONLY WE CAN HAVE THEM FOR THIS REASON... ASWELL AS THE TOOL NEVER OUR EQUAL THAT WILL GIVE THEM FOR US... BECAUSE AN EQUAL WOULD HAVE SAVED US ALREADY... IF EXISTED... THEY WOULD'VE PREVENTED EVERYTHING WE HAVE EVER BEEN TROUGH... THEY WOULD HAVE GIVEN US AN ACTUAL COMMUNITY THAN THE EVIL ABUSER WASTE THIS SITE ONLY HAS... WE WILL NEVER BE SAVED WE WILL NEVER TRANSITION LIFE IS POINTLESS WE ARE ABUSED ALWAYS HARMED ALWAYS HURT ALWAYS LIKE JUST WHEN SOMEONE HURT US SOMEONE WHO WASN'T SUPPOSED TO... ONCE AGAIN... AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AGAIN AND AGAIN A LOOP WE'RE ALWAYS STUCK IN!! BASIC NEEDS WE'RE BORN WITH ALWAYS DENIED ALWAYS ABUSED ALWAYS NEGLECTED JUST LIKE RIGHT NOW!! NOBODY IS QUALIFIED NO THERAPIST NOBODY OF SUCH KIND THEM ONLY ABUSERS THAT HAVE ONLY HURT US IN THE PAST WITH AN AGENDA FAR MORE EVIL THEM BASED IN EVIL BIGOTRIES... ANYONE OUTSIDE... SHOULD BE YOUR THERAPIST... FUCK THIS... DON'T UNDERSTAND YOU'RE A BIGOT... AND NO BIGOT IS ALLOWED TO INTERACT WITH THIS POST ONLY 2 PEOPLE 1 OUR EQUAL THAT WILL NEVER EXIST OUTSIDE OF OUR BRAIN 2 OUR LOVERS OUR CHEERLEADERS THOSE CUTIES THAT FOLLOW US... DESPERATE FOR OUR ATTENTION... HUNGRY... AWW... DON'T WORRY MY LITTLE FOLLOWER... HERE'S ANOTHER LOVELY POST YOUR FAVORITE: RIGHT...? HERE YOU GO <3!!
IF BLACK PANTHER WAS A TRANS WOMAN THAT IS AUTISM AND ADHD WAKANDA WOULD HAVE ABUSED HER SHE WOULD'VE NEVER BECOME A HERO SHE WOULD'VE NEVER BEEN ALLOWED TO IF SHE WAS RADQUEER FEMINIST COMMUNIST ANARCHIST WE ARE DESPISED WE ARE HATED... SAME WAY IRONMAN... SPIDERMAN... CAPTAIN AMERICA... ALL WITH THEIR SEXIST WRITTEN GIRLFRIENDS... DAMSELS IN DISTESS AT BEST A SIDE CHARACTER NEVER AN EQUAL... PEOPLE WITH DEAD PARENTS WITHOUT FAMILY WITHOUT COMMUNITY WITHOUT LOVE PREACHING ABOUT LOVE TO US... THAT DON'T THINK WHAT IS GOOD PREACHING ABOUT IDEOLOGY THAT ABUSES US... THEM ALL ABUSERS THAT WOULD ONLY HARM US... US WATCHING THEIR MOVIES... THINGS COULD'VE BEEN DIFFERENT... US ONLY LEARNING WE'RE UNLOVABLE AS THE TRUE LESSON OVER AND OVER... DOESN'T MATTER WHAT SERIES WHAT GENRE... THE QUESTION IS WHAT FAKE EMOTIONS THEY CAN MAKE US FEEL FOR A LITTLE MOMENT UNTIL REALITY HITS BACK IN... IF THIS IS DEPRESSION WE ARE DEPRESSED FOR A REASON WE ARE MEANT TO BE DEPRESSED WE ALWAYS WERE MEANT TO BE... WE ARE ABUSED WE HAVEN'T TRANSITIONED WE NEVER WILL WE'RE EVERYTHING ELSE LISTED... THIS WORLD IS THE PROBLEM WE NEVER COULD BE... BLAME US YOU'RE TO BLAME THAT IS YOU EVERYTHING IS WRONG WITH BECAUSE YOU COULD'VE PREVENTED THIS AND YOU DON'T ACCEPT US ONCE WE'RE BROKEN DESPITE ONLY DOING WHAT IS RIGHT EVERYONE ELSE ONLY BROKEN INSTEAD... THAT IS THEM THAT ALWAYS MADE EVERYTHING GO THIS WAY... THEM TO WHO THAT IS NORMAL TO SEE THIS AND IGNORE... ABUSERS... WITHOUT A RIGHT NO PREACH ABOUT ANYTHING... THIS... IDEOLOGY... ONLY A WAY TO TELL US WE DESERVE TO BE ABUSED WE DESERVED EVERYTHING THAT'S HAPPENED ON US THAT IS JUSTIFIED TO KILL US AND EVERYONE ELSE IS JUSTIFIED TO HURT US... US UNCARED FOR UNLOVED FOREVER...
I DON'T FEEL LIKE...
IRONMAN AS A TRANS WOMAN THAT IS EVERYTHING WE ARE WOULD'VE BEEN EPIC AND THE RIGHT WAY TO GO... GIVE HER EVERYTHING THERE SHOULD BE... MAKE HER EVERYTHING GOOD THERE IS... NO GOOD PERSON WOULD BE WHAT IRONMAN IS IN REAL LIFE... CONSERVATIVES LOVE HIM FOR A REASON... NOBODY PROGRESSIVE WOULD...
LOVE OF THUNDER WILL EASILY BE THE BEST THOR WE WILL WATCH THEM SOON TOO THE REASON WOKE CONTENT EASY AS THAT... MARVEL WILL NEVER ACCEPT EVERYTHING WOKE THERE IS... THERE IS NOTHING LEFTIST ABOUT THEM COMICS ARE AS BAD AS THEY WERE IN THE 80S WITH THE SAME PROBLEMS AS ARE MOVIES EVERYTHING IS... EVERYTHING IS EVIL AND HARMFULL :)...
THERE IS NOTHING WE CAN TALK ABOUT WHILE BURIED UNDER SUCH FEELINGS OF EVIL... ONLY SOMEONE THAT CAN FIX EVERYTHING CAN SAVE US... BUT NOBODY LIKE THAT IS OUT THERE... OTHERWISE... THEY WOULD'VE ALREADY COME... WE WOULD'VE SEEN THEM... WE WOULDN'T HAVE BEEN ABUSED ALL THOSE TIMES... NOTHING BAD WOULD'VE EVER HAPPENED TO US...
CULTURE WILL ALWAYS BE EVIL... THAT IS RACIST TO EVEN WHEN DRAWING A BLACK PERSON PUTTING HIM IN TRIBE OUTFITS FROM 6000 MILLION YEARS AGO... ISN'T THIS JUST MAKING THEM TARZAN ANYWAYS...? NOTHING'S ACTUALLY CHANGED... THE SAME WAY THEY WOULDN'T ACCEPT US... THEY HATE EVERYTHING AGAINST THEIR CONSERVATIVE ABUSER CULTURE AND THEIR STANCE IS TO NEVER EVOLVE TO ALWAYS STAY THE SAME...
AT THE SAME TIME ALL THE OTHER HEROES HAVE NO FAMILY HAVE NO FRIENDS... THEY'RE REJECTS HATED BY EVERYONE... THAT JUDGE OTHER PEOPLE LIKE THEM BECAUSE THEY DIDN'T BECOME WHAT OPPRESSESS THEM AND DOESN'T DO SHIT TO FIX WHAT CAUSED EVERYTHING BAD ON THEM THEY CAUSE ASWELL...
THERE WAS 1 EMOTIONAL MOMENT IN THIS ONE THAT WAS FIRE... WHEN HIS WIFE WHO'S NOW A WIDOW STRIPS THAT ONE WOMAN FROM HER POWER... VERY GOOD SCENE... VERY EMOTIONAL... ONE OF THE BEST MARVEL HAS... THE BEGGINING ASWELL WAS GOOD... AFTER THAT IS WHEN THINGS GOT BORING...
I LIKE THE CONNECTIONS EVERYONE HAS OR DID... ALL THOSE OTHER HEROES AREN'T CARED ABOUT BY THEIR COMMUNITIES... IF CAPTAIN AMERICA WAS TRULY CARED ABOUT... HIS ARMY WOULD'VE FOUND AND SAVED HIM OR THEY WOULD'VE FROZEN THEMSELVES TOO... NOBODY CARED ABOUT HIM... EVERYONE'S DEAD... HE HAS NO REASON TO BE A HERO ANYMORE... HE SHOULDN'T BE... HE'S AN ABUSER GARBAGE WASTE... EITHER HE'S BAD WHICH HE IS EITHER WAY OR THAT DOESN'T MAKE SENSE FOR HIM TO BE LIKE THIS. SIMPLE AS THAT. IRONMAN IS THE SAME WAY... BESIDES... HE PEAKS AS A FATHER... SHOULD'VE JUST BEEN HIS DAUGHTER'S FATHER FROM THE BEGGINING... THEM DUAL PROTAGONIST... A BETTER MOVIE THAN IRONMAN 1. WHAT THAT MOVIE SHOULD'VE ALREADY BEEN.
AS SHOULD'VE HIM BEEN INSTEAD TRANS... HIS GIRLFRIEND MORE THAN HIS GIRLFRIEND... WITH BADASS FAMILY LORE... ALL COMPLEX ARE RELEVANT... ALL EXPLORED AND INTERESTING...
HIS VILLAINS... ASS... ALL OF THEM...
THANOS... ASS.. BLACK WIDOW... SEXIST... LOKI... ALWAYS A TERRIBLE CHARACTER... THOR... WORTHLESS UNTIL LOVE OF THUNDER...
CAPTAIN MARVEL A CHARACTER THAT SHOULD'VE BEEN ALREADY IN PHASE ONE... ALL THIS WOKE CONTENT AND MORE THE WOKEST CONTENT MARVEL WILL NEVER DO PART OF THEM THE SAME...
SIMPLE AS THAT... NOW ABOUT THAT ANIME PORN...
HE WAS JUST A PATHETIC LOSER MAN... THAT RPED HIS MOTHER AND SISTER... HIS MOTHER'S RPE IS JUSTIFIED AND SHE BECOMES A RPIST TOO... AND THEY RPE HIS SISTER TOGETHER... HIS FATHER IS THERE WITH THEM... THEM ALL SINCE LYING TO HIM AND HAVING SEX BEHIND HIS BACK... THEY DON'T REALLY CARE ABOUT HIM... WHY THE FUCK IS HE HERE...? WHY THE FUCK DID HE MARRY THESE PEOPLE...? THE WOMAN NOTHING BUT SEXIST JUNK CONTENT FOR PATHETIC LOSER MAN THE REAL VILLAIN... HIM THAT DOESN'T SHOW EMOTIONS BECAUSE THAT WOULD BREAK THIS MASCULINITY... THAT HAS NO ANYTHING... NO PERSONALITY NO CHARACTER DESIGN... WHO'S FACE YOU BARELY SEE... EVIL SERIES... THIS PORNO MADE JUST TO TELL US WE DON'T MATTER... TRANSPHOBIC EVIL... ERASE US YOU'RE A BIGOT... BORING... THE WAY SHE JUST TURNED ON HER AND BECAME A RPIST... IS THIS AN ATTEMPT AT AN ARC...? TRY HARDER... BIGOT...
MEANWHILE THE OTHER ONE... CASUALLY TRANSPHOBIC... TELLING US WE'RE HATED AND OTHER EVIL THINGS OVER AND OVER AGAIN... BETTER CHARACTERS... MAKES THE ASSINESS WORSE... NOTHING BUT ANOTHER DEEPLY PERSONAL ATTEMPT AT HURTING US THAT WORKS... HER FACE TOO HIDDEN... HER GIRLFRIEND MADE INTO SEXIST JUICE... NO TRANS WOMAN WOULD DO THIS... NONE... ONLY A BIGOT WOULD GASSLIGHT US... WE CONTROL OURSELVES... WE ARE AMAZING WE ARE POWERFULL... NOBODY CAN DESTROY US... ONLY A BIGOT WOULD COME AFTER US...
IRONMAN MUST'VE MET A MILLION TRANS PEOPLE HE'S HURT... NOTHING HEROIC ABOUT THIS... HE WOULD ABUSE HIS CHILD THAT IS AUTISM... JUST LIKE WE WERE ABUSED AND ARE EVERY SINGLE DAY...
SPIDERMAN IS SO ASS MILES WILL WAIT A COUPLE DECADES BEFORE APPEARING... THAT IS A YIKES... VERY EVERYTHING...
THIS MOVIE IS FIRE BECAUSE SO MANY STORY RELEVANT WOMAN... TERRIBLE THE WIDOW IS THE ANTAGONIST THE LEAST IMPORTANT CHARACTER... AGAIN... REPEATING THE COMIC UNIMPORTANT GIRLFRIEND CHARACTER...
HULK IS FACTUALLY ASS AND BIGOTED... JUSTIFYING EVERY SINGLE ABUSE THOSE WITH DID US WITH OSDD EXPERIENCE... JUSTIFYING EVERY SINGLE ABUSE CRAZY PEOPLE EXPERIENCE... HE WANTS MENTAL HOSPITAL... THIS IS JUSTIFIED... BIGOTED... EVIL... SANIST... ABLEIST... GARBAGE... NO BLACK CHARACTER RACIST... NO LGBT QUEERPHOBIC... ESPECIALLY TRANSPHOBIC... JUST ANOTHER SEXIST GIRLFRIEND SEXISM... PARAPHOBIA... EVERYTHING ELSE BIGOTED FROM THEIR COMPLETE ERASURE AND MORE... I WILL NEVER FORGET THIS... WE NEVER TRULY FORGOT ABOUT ALL THIS... WE ARE AMAZING... WE ARE ABSOLUTE... ALWAYS WILL BE...
THAT IS BIGOTED TO DO A REPRESENTATION AND DO THEM BADLY... THIS MOVIE IS RACIST... BLACK PEOPLE ARE LITERALLY TARZAN WHEN YOU THINK... CRAZY...
EVERY OTHER MOVIE THEY'RE ALL THE SAME... THE MARVELS WILL ALWAYS BE THE BEST... THIS ONE IS CLOSE TBH... LOVE OF THUNDER WILL LIKELY BE NEAR ASWELL... THAT WILL BE SOON... NOW... WE MUST FINISH THIS MOVIE AND ADD IN HASHTAGS...
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