#i thought i'd have a more confident answer about directors?? what happened

[elizabeth-mitchells]

for the film buff asks: 4 & 27 💕

thank you for asking!! 💖

oh god sudden panic realizing i do not have good answers. everyone look away pls

4. Top 5 directors?

Mike Flanagan, Guillermo del Toro (these two i'm confident in tho), Celine Sciamma, James Wan (the first 2 conjuring and 2 insidious movies? yeah), Great Gerwig (yeah i'm affected by rewatching barbie)

27. Top 5 actors?

like... men? :( let me pick random ones from my favorite movies or recent ones i've watched... Edgar Ramirez (just for being venezuelan he gets #1), Patrick Wilson (i just watched insidious 5 :D), oh Pedro Pascal (sure why not), Mason Gooding (idk i think he's fun in scream), uhhhh i recently rewatched bop so Ewan McGregor?

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[quinnfebrey]

hello! next to normal is basically the only thing i've thought about for the past month and i'm dying to talk about it with someone so i'm just gonna leave a bunch of questions here please feel free to answers as many or as few as you like :D

would love to know what you thought about the west end covers you saw

who is your favourite person who has played each role?

you mentioned in your review that you find the west end gabe less creepy than i'm presuming aaron tviet's interpretation? would love if you wanted to elaborate more on that cause personally the west end gabe is the first time i've ever found him 'creepy'. aaron's always had a distinct jockish confidence to me that made him scary because he felt powerful but still not creepy imo

what're your favourite songs? mine are i am the one (reprise) and didn't i see this movie?

do you have any strong opinions on a movie adaptation? personally i hate the idea. i think so much of the power of the show comes from the fact that it's happening Right In Front Of You and i also think no matter what they did they'd butcher how gabe appears

if this version goes to broadway, who is your dream cast? (pretty sure caissie levy's a lock in bc according to the director he wouldn't have done the show if she didn't agree to play diana, but dream big or whatever)

hello!! thank u so much for this omg. i just replied to an ask about the west end covers

favorite person in each role: jessica phillips as diana, brian d'arcy james as dan, meghann fahy as natalie, louis hobson as madden/fine but trevor dion nicholas could usurp that i think! random but there's this regional production that had a gabe i LOVED (landen starkman), and then of course adam chanler beret IS henry

re: creepy gabe, what i mean by that is the freudian aspect to original gabe (think the original blocking of i am the one). they really took literally "he's a hero a lover a prince" which works and makes sense for bway but in the west end one it doesn't have the abstract/dream feel to it and that's probably they removed that aspect of gabe, it wouldn't transfer well. he's just less physically close and touchy with the goodman family

ahh i don't even know what my favorite songs are, they change depending on my mood lol. but i think i always love light and i've been

nooooo movie please they already let riverdale butcher the show i cant take a dearevanhansification of it. and you're right, there's no way to make gabe on screen work well. it needs to be a live production

for a broadway cast i wouldn't be mad at caissie levy!! if it takes a decade or more to get it back on broadway i'd love meghann fahy to return as diana. ben tyler cook or josh colley could do a great gabe, jordan fisher henry?? let adam chanler beret come back as madden/fine?? and this is kinda random but i saw josh groban in sweeney and was like oh that's dan goodman

[hannahsplacementyearnz]

Hannah's Year Working Abroad

My name is Hannah and I am a psychology student at Bournemouth University. I came to Bournemouth through clearing, and although it wasn’t my original plan, I believe that it was the best thing to happen to me - everything does happen for a reason! I always knew I wanted to experience living and working overseas, although I never really thought I'd get such an amazing opportunity. I have been on holiday to many countries but never for longer than a week or two and never to live/ work. So this was always a dream of mine, to be able to fully immerse myself in a different culture and live among the people there.

I went to New Zealand for so many reasons. Many personal reasons, like self-development and growth, self-confidence, to meet new people, to experience living somewhere completely new. But also for career-based reasons, to network in the field I am most passionate about, to learn how to be more business-savvy, the enhance my employability and to adapt my knowledge and skills in more areas.

A friend of mine mentioned that there was a place available in New Zealand to be a tennis coach and work in a pro shop making sales and doing marketing and admin. As I had previous experience in playing tennis i decided to message the director, he got back to me relatively quickly to set up a call where he told me lots about the business, what my role would be in the business, and lots about New Zealand, he then told me to go and research all of these things myself, including the area I would live in, buying a car, finding a place to live, things to do around the area, the schools i would be working in, and many other things. After I researched all of this I decided to go for it. I thought it would be an amazing opportunity and a once in a lifetime experience where I would be able to grow massively as a person. I set up some more calls and before i knew it i was applying for my New Zealand Visa.

My placement advisor mentioned the Turing Scheme to me when I expressed my financial worries about the living costs in New Zealand. He said I might be too late to apply but I decided to apply anyway. The application process was relatively easy, I answered most questions with ease. Not long after i had applied, i received an email saying that i qualified and was being offered the funding, i just had to attend a call with all the information about the application process. Without the Turing Scheme funding I would not have had the experience I had. I had managed to save up a reasonable amount, but most of that went straight away when I arrived on a car to get around (a necessity for my job) and a deposit on a studio flat. After that I would barely break even each week after paying for rent, bills, petrol and food, this was mostly due to the 10 hours of shop work each week being unpaid. Without the Turing Scheme i wouldn't have been able to enjoy my weekends off, really see the rest of the country, or afford my flight home.

At first I was mostly a mix of excited, scared and unsure what to expect. I had lived away from home for 2 years already but I didn't live further than a 3 hour drive, let alone a 26 hour plane journey. When I arrived I felt quite alone. For the first 2 months I lived in a studio flat, this was quite lonely and wasn’t really working out for me, I wasn't feeling massively settled yet. So me and two other girls got a bungalow together, this was the best decision and all of our wellbeing went up massively, we spent everyday together after that including Christmas and New Years.

There are many differences and similarities between New Zealand and the UK. Both countries speak English, although the native language of NZ is Moari, most people will speak english. We managed to learn some Maori. The foods people eat are very similar, the lifestyles are also relatively similar. Differences are that New Zealand is a lot greener, the houses are not built up they are built out as there is a lot more land here, places are a lot further apart, there is little to no public transport, also people are a lot more social and friendly.

I went to some festivals in New Zealand with lots of the people that we met here, on my 21st birthday i participated in some of the traditions they have here, most weekends we would do something with our colleagues/ friends, we would often go to the rugby matches for the Waikato Chiefs and 7s where we supported the england teams. We also went to some cricket games and other sporting events.

Coming to New Zealand has always been a dream of mine, so everything about this place excited me. Most of alli was excited to actually live and work here, not just travel, to start a proper life where I could meet new social groups, experience the culture and travel the country on my days off! The most challenging part has been the distance between me and my family and friends at home, not being able to see them at special occasions like birthdays, christmases, easter etc has been very tough. Also the time difference is very hard, it makes it difficult to talk to anyone in the UK during the day as it's a 12-13 hour difference.

I would love to be a Sports Psychologist, and although a tennis coach isn't directly related to psychology, I feel I have gained more knowledge in sports psychology than I even realize. Most sports psychologists will work with teams and coaches and individual athletes. Having this coaching experience first hand has given me a great grounding for my future in that career and I know there will be times in the future where I refer back to my role as a tennis coach during my practices and studies.

I didn’t have many expectations for my placement. Having never been a coach before, I wasn’t sure what to expect. However, I wasn’t ready for the amount of planning and organising that came with the roll. Per week I would be doing at least 20 hours of coaching, this meant planning 20 lessons that are different and more advanced than the week before. I was expecting to have a criterion/ syllabus for each lesson given to me with tennis drills and what needed to be covered. I had to keep lesson plans of each lesson every week for each group and plan in detail for my next lesson, this was very consuming and difficult at the start as I had little coaching knowledge, but as the weeks went on, I started to build up a good set of tools to use

Throughout my placement, I developed my communication skills with kids and learned how to become a friend as well as a coach—someone kids could talk to besides their parents and teachers. Children would often confide in me about having a hard day at school or having a fight with a buddy. Although this isn’t my “job” on paper, I very much took it on as something that I felt proud of, to be that trusted adult. It gave me tools I needed to deal with players who would show up to my lesson upset and looking for trouble. Rather than allowing this, I could speak to the child privately and attempt to make them a little happier, which would ensure that my session went smoothly. Learning so much more about myself and really growing as a person. I am now so much more sure of the career i want and of myself, more eager and willing to explore a job abroad.

My greatest achievement during my placement would be when a primary school I had been coaching for a couple of months performed a Haka for me as a thank you for my time with them. The Haka is a very personal and cultural aspect of New Zealand that is greatly respected. I have linked the video that I took here https://youtu.be/2vQtKQDZG5U

I think I have shown a good level of confidence in this placement, coaching and business admin were completely new to me when starting this job. A big part of being a strong coach is to come into a lesson with confidence of own knowledge and skill to gain the respect of the students and parents. Having a good rapport is crucial. Knowing that I had little coaching experience made this quite a difficult task when I first arrived, however, by acting confident in what I was saying and doing, made it a lot easier to quickly become confident.

If you are considering a placement abroad, I think you should research the country well, you should have your accommodation sussed and you should go into the placement with positivity and confidence that this will be one of the best years of your life but also one of the hardest things you may have done as of yet and that being scared is absolutely norma! If you aren't scared then maybe something isn’t right..! I would recommend this experience to everyone, however, in order to really thrive there in my opinion you'll need to be outgoing, confident in yourself, willing to be on your own more, and have a decent amount of savings/ a fund to support you. With all of these things I think anyone would have a positive experience and one of the most amazing and memorable times of their lives!

[askjerrydandridge]

It's been bothering me since the first time I watched the movie. Jerry does have clothes, he has gray t-shirt, black t-shirt, dirty white wife beater... but WHY is he suddenly shirtless in the film's last segment? WHY is he wearing only some kind of black jacket open? Does he prefers it that way? I'm just trying and can't imagine what was happening in this guy's head when he thought that this is how he should go to the final round with his potential meal. Just why? I guess that's my question :)

(( I am sorry, but I love how something THIS specific has been on your mind ODLDLDLDLDL. I mean, I am going to give you the most honest and likely answer I could possibly give you from someone who didn't work on the film. I mean, when I saw it I guess I didn't think about it too much. --other than his ABS--*COUGH* AHEM ANYWAY

From a filming perspective, I would say the reason why was because *gestures to his entire body*

A great way to show off! Just gonna be honest and say sex appeal is what draws people in sometimes, whether they came to watch this movie for man tits or not LMAO.

I think it also presents how carefree Jerry is from a character based perspective. He went into the fight CONFIDENT he was going to win. It's funny, because animals in nature show their stomachs as a sign of surrender. Jerry does this as a taunt. He is opening his chest up to Charley. Which would be a great opportunity to fuck him up--Peter had shitty aim too so that didn't help. So, I'd say he was overconfident. That and he is obsessed with his own vanity, of course he would show off his figure to his enemies. Read it and weep.

He already had a small army in his walls, and he had Amy. He could use these things against them in their fight. I guess he just didn't expect Charley to set himself on fire and throw his entire body on him. Probably should have been more prepared.

I love to analyze films, it is something I enjoy a lot. I felt some of their choices in the film was questionable, but the reasoning behind it is interesting. An example being Jerry's eyes in this version. They go a solid black unlike that of Jerry in the original.

*gestures*

The director wanted to explore a more animalistic Jerry in the remake. He already had the original idea of Jerry being part fruit bat, hence the apples he eats in the original as well. This links back to his darker eyes and more predatory behavior compared to the more sensual Dandridge of the past. ALTHOUGH JERRY IS STILL EYE CANDY EITHER WAY..

Anyway! I love questions like these, I always like to dig deep into these things and discuss little tidbits of information. Thanks for asking! I hope this is satisfactory. ))

[retvenkos]

alright, Olive, I'm back with a weird question. (but first of all, I hope you're doing good! how awfully rude of me to not start my ask by that) because you're so good at psychoanalyzing people (and I adore your rambling thoughts), I was wondering if you could maybe help me? I've always wondered who my godly parent would be in the PJO universe - it's been the biggest mistery in my life since I was 8. I just haven't found myself in any figure of the Olympus, maybe because I'd be the child of a minor deity? I've thought about Apollo, and I genuinely like it, but idk, maybe I need a more thorough analysis. I've also gotten Iris and Hemera from other people? I just think your piercing mind could see right through me. anyway, this is weird lol, I hope you don't mind me asking this! and don't worry if you can't answer, it's totally fine. 💜

asdfgfddfgfd, when i get my two weeks off for summer break, i should just do placements for inquiring mutuals because honestly it's one of my favorite things,,,

also, before i get into it (because i have some thoughts™), i'm going to plug one quotev quiz that i think is better than the rest when it comes to these matters: this godly parent quiz.

now, clara, i am not nearly as versed in pjo cabin placements as i am in hogwarts houses, but i'm going to give this my best shot:

first, i think i would be remiss not to mention that you are a libra, and libra is associated with themis, (idk really what that means since i'm not into astrology, lol), but themis isn't mentioned as one of the gods with a cabin, so i'm disregarding that. if we are following this logic though, i think that aphrodite is also associated with libra, so perhaps you could fit into that cabin? personally, i don't see it as strongly as i see others, but you do have a hopeless romantic streak, and a strong sense of community, which could sway you in that direction.

as for apollo, i'm going to unpack that for a minute, because it's very interesting that you'd place yourself there, and i'm on the fence with that myself, lol. (this is very stream of consciousness, so let's see where this section takes us)

i definitely see the association with the arts - music and poetry - although in my mind apollo has always been the performer, and less of the creator. i always associated the muses more with the creation stages of music and poetry. like... the muses are the fashion designers and apollo is the model going down the runway. or the muses are the writers and collaborators in the writers room and apollo is the actor or director. so, while i see the association, i think it's a little weak, because you strike me as more of the quiet artist who's behind the scenes, rather than the bard singing in the pub, trying to get coins. but, you know yourself better, so maybe it's a good association.

and after that, what always strikes me about apollo is the volatile contradictions of his personality. i mean, he's associated with the sudden death of children (rightfully so, i mean he slaughtered all of niobe's sons), along with his sister, artemis, but he's also a healer. he's like that "i'm a healer, but..." meme, which is funny as hell but also a little concerning. like, in many stories he is that godly sort of intelligent strength, but also he's really volatile and has quite a temper on him. i don't really think this relates a whole lot to you, because i get the vibes that you are generally mild mannered, but when something pisses you off, you let is really simmer. i feel like you aren't one to fly off the handle - if you do, it's probably been stewing within you for a while, and whoever your anger is directed at really knows that you're upset, and they knowingly pushed you to that place. i feel like you're more of a grudge holder than hot-tempered (but girl, same).

and then, of course, we have apollo's prophecies. now, maybe this is me reading too much into your scientific mind, but i think you are concerned with the future, but also don't think too much of it is predetermined. i feel like you are more of a trailblazer than that, and might just be prone to ignoring or actively working against anything you saw in the stars, asdfghgfsdfggfdsdfggfd

oh, and, apollo just has so many unfortunate romances, and on one hand, i have you quoted that you are more of an eponine than a cosette, but also, no hate to apollo and his tragic affairs, but he's openly mocked eros, and that truly gives off the vibes of working off of one (1) braincell, and you are too good for that, clara.

and just going back to personality, i think you have a lot of flexibility that just doesn't fit with the apollo cabin.

tldr; kinda but no?

now, i'm gonna kinda hop back into possible theories.

one of my gut reactions was the say athena, but after thinking about it, i'm still a little unconvinced. you have the intellect and pride for this cabin, and i feel like you would get roped into helping a lot of heroes like athena, but you also just have a charm to you that athena lacks. part of athena is that she's unapproachable and her pride is excessive. you, again, are too flexible to be athena. she's staunch where you are willing, and i feel like the rigidity of her nature is too constricting for you. it's very similar as to why i didn't place you in ravenclaw.

i also considered nike because of your competitive streak, but this placement kind of takes away from the underdog vibes i get from you. the righteous fury... the glee in the moment... it's definitely there, but i feel like there's a level of unsurety to your psyche that you don't really get with nike.

which leads me to my final analysis, where i think you would do well as a child of tyche.

let me go through this. so, i mentioned your competitive streak with nike, and that is 1000% evident in tyche. tyche is all about luck and fortune, and i feel like competition is a shoe in. children of tyche like to dabble with the unknown or the novel - it makes life interesting. they like to go against another and see where the cards fall, and if lady luck isn't on their side.... well, tonight's just not their night. they have a secure base to fall back on, and that allows them to stretch their wings and fly.

furthermore, with nike, victory is expected and guaranteed. luck is far more fluid and unpredictable - it's harder to pin down. you can have a lot of luck and a lot of things working in your favor, but still, the desired end result isn't set in stone - it's likely to happen, but there's always risk. this risk leaves for an air of quiet self-assuredness that isn't overbearing. there's always uncertainty in the mix, and that leads to less overt confidence. it also adds to the thrill (or the anxiety).

plus, i think that the gap between fortune and certainty (a pitfall of risk) leads to a lot of checks and balances that i really see in you. there's a lot of clear headed logic that gets weighed against ambition and desire, and it makes for a kind of pragmatism that doesn't stomp out dreams, just looks at them realistically.

which means i feel like a lot of people ask you for advice, clara. it also makes you a decision maker for sure. you might falter for a moment, but in the end, you make a choice and you live with it.

also, i have a personal headcanon that children of tyche are really well rounded, which harks back to my gryffindor analysis of you, where i mention that you have many tools in your box. you are able to manipulate many different things, and you can look at them from many angles, and i love that for you.

i also think this is a good placement for you because luck is all about what-ifs. it's about actively manipulating the world around you. like i said when i mentioned apollo's prophecies - i don't think that you do very well with the predetermined. some things, certainly, but one (1) you are too stubborn to believe you can't change things (oh, the contradictions of a gryffindor and child of tyche), and there's also a level of desperation that things won't always be like this. luck can come to anyone in any place. this is definitely tied to your bleeding heart - you care for people who have fallen on hard times, and you can't help but pray that it's only temporary.

oh, and i headcanon that tyche holds grudges sO BAD. she is only outdone by nemesis and hades.

anyway, this was long and it winded, but TLDR; i hereby herald you a child of tyche. you are my lady luck, clara.

[msilwrites]

(A 3AM Update) A True Gentleman, Chapter 21 - A jealous husband?

A/N: Chapter 21 is up! Isaac confronts Diana, like a jealous husband! By the way, Henry, Diana's cousin face claim is 'Henry Cavill', and Sam McLean's face claim is Sam Heughan.

Oh, before I forget, if you don't like the story, please do move on to others, the internet has lots of them. Please don't hurt writers, ya? Good! so without further ado...

TWENTY-ONE

A jealous husband

"Diana!" her cousin, Henry approaches her. "That was a stellar performance!" he compliments.

Every time Henry and she are seen together, people often mistake them for siblings. The blue cold eyes, thick eyebrows, strong jawline, and dark hair were the signature that belonged to their family.

"Thank you, Henry!" was her grateful reply. "But I know why you are here for, go and lead the way!" she says, as he leads her to where her father sat. She knew what Henry approached her for. It was time for her father's interrogation and lengthy sermon.

Francis watched Henry, followed by Diana, approaching him where he sat.

"Relax Uncle..." Henry says, as he taps his uncle's shoulder, telling him to listen instead of scolding Diana. He then walks away to give the two space.

He took a deep breath before turning to his daughter. " Why don't you take a seat..." he offers, patting the empty space beside him, which she took.

"First of all, why are you singing at a wedding?" he tried to sound calm instead of being confrontational.

" I was trying to earn money to buy a 3D Printer," was her direct answer.

" Why?"

"I'm trying to build a small workshop studio, and I need a 3d printer..."

"Oh..." Francis was taken aback, he didn't expect his daughter to have such plans. "But what happened to the money you got from the sale of your old penthouse with Jesse?"

"That, I'm keeping it to the side. I plan to use it to buy real estate and most probably have the place rented for passive income. If not, I'll turn it into the workshop studio. I planned to save money, but I think I'd earn more if I were to rent the place out."

His eyes widened in disbelief, was this still the same Diana whom he met a few weeks ago? No! This Diana has ambition, plans and direction. She was actively taking charge of her life. "Wow! I did not expect that... That is actually a good plan"

Diana smiled and just nodded.

"Do you need help?" he offers, sincerely this time, without a hint of being condescending.

"Maybe? From time to time, Thank you! Da!" Diana says gratefully. "Your advice and input would be helpful from time to time" she adds.

"That was a stellar performance by the way!" Francis complements his daughter. " Those wedding songs reminds me of a time when I was..." he said trying to find the word.

"Hopeful? Yes, I did feel the same..." she admits to her father.

Francis sighs. " You know, I really did love your mother. It may have not gone well for the both of us, but not once did I regret loving her,"

Diana looks at her father, surprised at his sudden confession. Not once did her father open up to her about this issue.

"Why?!"

"Why what?"

"Da! She hurt you!" she exclaims.

"Yes, she did... and I may have done things that I shouldn't have, but what happened to us in the past, is what makes us who we are now. We grow and become wiser,"

"I guess you do have a good point..." she agrees. It made her think about her past abusive relationships, and what it thought her. Though it was terrible, it made her learn and it made her wiser.

"So how did you exactly end up here?"

"That's a really long story..."

" We have a lot of time,"

She began her story (omitting some parts of course) and told him about the music director Aedan looking for an alto-soprano which led her to where she is now.

"I see... I am glad you're able to use your classical training, anyways, when is the date of your performance?" he inquired.

"Why?"

"I want to see it of course!" he declares.

**********

"I see trees of green. Red roses too, I see them bloom. For me and you. And I think to myself, What a wonderful world..." Diana opens the dance floor for everyone, with the song 'What a wonderful world'. The strings followed, in harmony with her voice.

Couples, young and old, approached the dance floor and began dancing to the sweet tune.

The night was about to end, and she was grateful that her performance went well. Hopefully, she would also perform well with the orchestra at the outdoor theatre.

"I see friends shaking hands, saying how do you do They're really saying I love you..."

She scanned the area and saw her cousin, Henry, being surrounded by girls. She stopped her from rolling her eyes, knowing that he was a known ladies man, even since they were young. On one side was her father who seemed to be enjoying himself, chatting with others. The atmosphere felt jolly that she swore she'd try to catch up with Henry or talk some more with her father after finishing the song.

"I hear babies cry. I watch them grow. They'll learn much more than I'll ever know. And I think to myself... What a wonderful world Yes, I think to myself... What a wonderful world. Ooh, yes I think to myself... What a wonderful world..." and with the last verse, Diana closes the song and the audience applauded. She smiled and thought, that it was still somehow a wonderful world despite everything she had gone through, there was still things she was thankful for.

With a sigh, she gives a toast to the newly married couple, and then turned to the quintet and thanked them, which gained her another set of 'Thank you's coming from them.

She looks around and found the bar, wanting a cold drink, preferably a beer. It's been weeks since she had anything cold and gassy. It wouldn't hurt from time to time to have an ice-cold beer after a long day of singing.

Wasting no time, she requested a pint of ice-cold craft beer on tap from the bar-tender, and he quickly poured her one large pint, its surface bubbling.

"Good job out there, you earned it, enjoy!" the bartender says, before moving to other requests.

"Thanks!" was her response.

She looked around trying to find Henry or her father in the crowd, whilst drinking her glass. However, before she could even make a move. Her father had already gone up to the podium, about to start his 'godfather' speech and before she could even look for Henry, a handsome guy had already sat beside her and tried to engage her in a conversation.

"Hello..." was his greeting, his voice deep. She looked at the colour of his kilt's Tartan, and immediately knew which family he is from.

"Wait! your name is probably something McLean!" she declares.

"Oh! wait, are you a Scott too?! Well, I am Sam McLean..." he said, stretching his hand for a handshake which she gladly took. She felt a little confident today, and talking to a handsome man isn't so bad thing to do to pass the time. Unless he actually is an asshole otherwise. She already has an escape plan.

"You may call me, tonight..." was a flirty yet witty reply from her, causing Sam to laugh. "Or you may address me as, Diana"

"Well, Diana, that was a stellar performance throughout..." he compliments.

"Thank you! I'm glad you like it,"

"You have a very nice voice! So... may I buy you a drink?!" he offers.

"Of course! Or you could get me food since I haven't had my fill yet..." she said sheepishly, not having eaten anything yet.

"Oh! of course! what do you want to eat? I'll get it for you!" he offers.

" Cake" she implores, placing both her hands together as if praying.

"Of course, I'll be right back!" he said, immediately taking a small slice on a plate for her.

"There you go! Enjoy!" he says, pushing the small plate to her.

"Thank You, Sam!" she chuckles at the mention of his name. It was the same as the pseudonym she used when she wrote those 'love' letters to herself. "Thank you. I'd say 'God Bless you!', but it looks like He already did." was her flirtatious reply followed by a wink.

Sam bit his lips and laughed. He didn't know how to respond to that. "Thanks... I guess..." he holds his laughter, and clears her throat, "So Diana, what do you do? Besides singing? "

"I am independently impecunious..." was her answer.

Sam throws his head back laughing, knowing that he had found a hilarious person and the night will definitely not be boring.

"Enough about me, Sam! Let's talk about how attractive you are!" she adds.

Sam takes a deep breath but ended up laughing once again. " You're too funny for words!" However, before he could even say more...

"Sammy, laddie, hands-off! that is my daughter you're flirting with!" Francis chastises Sam from the podium after he finished his speech, causing everyone to turn their attention to Diana and Sam at the bar, upon finding out that she is Francis' daughter.

"Well, nice to meet you Diana!" he says. "Yikes..." and slowly backs away from her. It didn't matter how beautiful she is to him, she was Francis's Rutherford's daughter and there is no way she would want to incur her father's wrath.

"Sam? wait!" she says, perplexed at his sudden change.

**********

"Sam is an international playboy, he isn't the ideal man to date!" Henry says as he fiddled with his phone. Seated beside him inside the car is his cousin Diana, whom he ended up sending back home instead, as his Uncle, Francis, still had to stay at the wedding reception.

"Oho! You're one to talk Henry! " Diana chuckles, knowing her cousin's reputation.

"It can't be helped..." was his response.

"Should I tell the girls who chase after you, the same thing you told me?"

"It won't work... they'll chase after me more!" he declares, and both of them erupted in laughter, including their chauffeur in the front seat of the car, at how true the statement was.

"Well, aren't you afraid I'd chase Sam more?" she asks.

"You won't" was his quick reply.

"Because life has already knocked some sense out of you..." was his confident statement, aware of what Diana had gone through, all those years.

"I guess you're right," she sighs and smiles at herself, turning her attention to the view outside the car, whilst a classical piano rendition of 'Moon River' played inside the vehicle, making it a relaxing atmosphere.

"Lady Rutherford, we're here..." their chauffeur announces, and he gets out of the 'Ghost' to open the car for her.

"Thank you, Higgins!" she says, referring to Henry's chauffeur who opened the car door for her.

Henry followed after, alighting at the other side of the car. "Let me send you to your door..." he offers.

"Yes, walk me there," she says, as Henry walked beside her.

"We should have lunch sometime, eh? It's been a long time since I caught up with you!"

"Yes, we should do that" she agrees.

" If you don't mind, Mum wants to catch up with you too, can she come along?"

"Of course Aunt Minerva is more than welcome! How long has it been?!" she realizes suddenly that she had met her immediately family for years now since she started her relationship with Jesse, that was no longer the case now.

"It's set then" he declares, trying to find a spot inside his phone's calendar. "I'll set the time next weekend..."

"Alright! Well here's my door" she says turning to him to give him a quick hug.

Henry gladly returns her embrace " I'm glad you're in a better place now!" he adds, giving her shoulder a squeeze as an affirmation. "Well, I have to go, I have an early day tomorrow!"

However, before Henry could leave, the door opens to reveal Isaac, glaring at him.

"I'd normally say get a room, but this isn't a hotel" was the first thing Isaac said, the moment he opened the door, and 'caught' Diana, and some man, embracing each other in front of his door.

Henry looked at him puzzled, and when he realized that Isaac got the wrong idea about them, he released Diana from his arms. "Eww..." he grimaced and quickly turns around and gave a two-finger salute before he left "See you, Diana!"

Diana took a deep breath and suppressed the urge to burp before entering the house. She had four large pints of beer and 2 slices of cake which made her feel bloated, which made her feel regretful going on a drinking spree.

"Diana?" Isaac called, which she almost didn't notice because she was busy nursing the bloatedness.

"Mmmmm?"

"Remember you had 10 things you have to do for me?"

Diana just nods and covers her mouth, trying to burp as silent as she can. "Yes..."

"Well, I'm gonna use 1, let's have a talk..." was his stern reply.

"Dr Skovgaard? can we do this tomorrow?" she pleads, as she was bloated and tired.

"No, because I don't know where you will disappear to again..." he reprimands.

She sighs as she follows him to the dining room where a long session of scolding and preaching awaits her.

She sits down, resigned to her situation and prepared herself for Isaac's long preaching.

"Diana, you often disappear and reappear to I do not know where to, it's like I'm living with a Ghost. And when I message you, you do not respond..."

"But I do respond!" she reasons.

"Yes, two days later..."

"Oh... hehehe... I'm busy, sorry, please don't be mad at me" she apologizes, and laughs softly, struggling to also hide her drunkenness.

"Busy with what exactly??!!" he inhales sharply.

"Uhhh.... you know, things? work? earning a living?" she says a little sluggish. "You know, I gotta earn my keep..." the Scottish accent of hers, starting to come out.

"Men!?" he adds.

"Ahahaha yes... men" she giggles. "I'm not really busy with them, they're busy with me, which in turn... takes up a portion of my time, they're handsome, eye candies! So I guess it's worth the time..." she laughs.

"Unbelievable!" he throws his hands up in the air in exasperation.

"Dr Skovgaard, what are you really scolding me for?" she says, trying to suppress another burp.

He sighs " First, you disappear to who knows where and then reappear a few days later! You leave my message on 'read' and respond to them a day or two later as if I'm a weird guy you have been avoiding, and then you came home late, drunk! In the arms of another man! Do you know how I felt, do you know worried I was?!" he stressed out.

Diana stares at the tall ceiling and then laughs at the realizations " You make me sound like a stray cat who just comes home to eat!"

"I never said anything like that." he shakes his head in disapproval.

"I know... I'm just visualizing..." she adds, waving it off.

"Diana, you're not taking any of this seriously-"

She didn't know if it was drunkenness, but she felt a little brave, and without warning, got up from her seat and wrapped her arms around Isaac. "Alright, my love... I'm sorry, so sorry, I promise not to do it again!" she says, as her arms tighten around his waist.

Isaac, caught off-guard, stood there, frozen, unsure of how to react. "Diana?"

Diana just laughed, as she brought her hands to his cheeks. If anyone were to see them right now, it would look like they were a couple making up, after having a banter. "Oh, Dr Skovgaard... you sound just like a jealous husband!" she exclaims and laughs at his face. "You know I'd normally kiss you, but I'm not your beau..." she adds, tapping his cheek. "So, let's end this argument, and call it a day! I'm sorry, alright?! Good Night!" she says, kissing his cheek.

Isaac jolted in surprise due to her actions. He felt his cheeks, starting to get warm.

She releases Isaac from her embrace and sluggishly walked back upstairs, to her room, whilst singing a funny Scottish folk song and laughing halfway.

He sits down for a moment to collect himself and tried to process what had just happened. Trying to make sense of the feeling he currently has in his chest.

A/N: I have most probably made some grammatical errors, here and there... so I'd do some soft editing. I hope you enjoyed this one! I would also love to hear from you in the comments below.

[giorgiastastes]

버닝 / Burning (2018)

"It's too close, you might not see it"

What to say about this movie...

The film itself is quite simple, even too easy at first sighting I'd dare to say, but the meaning behind, the interpretations and smart details is what makes it unique and pretty much a masterpiece.

I'm sure that most people, or at least those who usually watch unchallenging to elaborate movies, won't like it. If you're looking for something what will be "explained to you", for the director to give you that big plot twist or long monologue, you won't find it here. But if you want to watch a work of art that'll make you think, reflect and crash your minds, you have a good journey in front of you.

I remember that as soon as I've finished watching it I went online to look for theories, to see if someone else had the same idea as me, if I got it right and what I've missed, and then I planned to write here my thoughts on the real explaination, but after rewatching and searching I've figured it out BURNING doesn't really have a "true" explaination in my idea, or better, the director definitely knows what he believes is the so called truth, but the strength of it is how free of interpretations it is. I've read hundreds theories and honestly all of them could fit just right, so for once I've decided to do something different.

In here I will summarize all the theories, under layers and explaination that I've read, figured out or found, and I will leave to you, the reader, to believe your own "truth"

This will be full of spoilers, it's actually a summarization of the after watch, so read at your own risk, and since I'm taking for granted that you've watched the movie and remember it quite well too, I won't always repeat the plot when not necessary.

• Ben sells organs on the black market. That's how he gets his money and Haemi is aware of this, and decided to sell her own organs to pay off her debt. She even says I'D SELL MY ORGANS IF I WERE YOUNGER. She could also be unaware of this and that's why she dissapears.

• Ben is a serial killer. He seduces fragile women who are very easy preys to such an handsome and carismactic young man, and then gets rid of them after he gets tired. This happens about every couple of months, which corresponds to his journey in Africa timeline. They are the greenhouses he burns, because he knows nobody will look for them, and in fact the police does not care about the greenhouses, just like they don't care about missing women nobody knows about.

Ben also owns all the qualities of a maniac sociopath who's keen on control and feels no emotion or empathy. He never cries for example. He also feels pride in his crime and he's almost tempted to confess them to show how good he is. That's why he says to Jongsu that he will burn a greenhouse close to him, but he didn't mean it in a special terminology, but more like in an emotional sense. He will kill the the closest thing the other has, which is Haemi. He also states that she dissapeared like "smoke".

This would also be justified by the creepy call the protagonist receives by Haemi before she dissapears. The biggest evidence placed by the director to prove that this theory is the most correct one is in the last scene, where Ben is putting makeup on a new girl. For a non Korean speaker it's quite hard to get the reference but Makeup and corpses' cremation are spelled in the same way in the hangul language, therefore the movie showing us Ben doing the girl's makeup is the alternative way to say he's killed her and is now cremating the body, hence his obsession with fires.

He's the one who cleaned Haemi's room and took her cat. He also keeps his victims personal objects as a throphy of some sort.

• Ben is a pimp. He's the trainer for these beautiful, young but poor women who are ready to sell themselves when he convinces them to do so. This is shown as Haemi also become less and less shy as the movie goes on, as seen in the undressing scene, while being more bold and provocative too. He changed her drastically, or maybe only let her discover a different, more free, part of herself. He also applies makeup on them how he would do to a doll, playing dress up for a woman who's now becoming just an object of desire that can be bought.

• Ben is a human trafficker. He sends women into slavery while promising them a life of luxury and happiness. That's why he shows off his idyllic lifestyle, and then sells them in Africa (where he goes frequently), where they'll never be found.

• Ben is a life guru. He teaches unsecure and frustrated women to feel liberated and less oppressed, to leave it all behind and start from scratch. They pay him, that's why he's rich. He also keeps a "souvenir" of every woman he has turned. This could explain why he shows up to the meeting with Jongsu in the finale. If he actually killed or sold these women he wouldn't fall into the other man's trick.

• Ben doesn't exist. He's just the symbol of everything Jongsu is not but aspires to be. He's rich, confident, cultured and attractive. Every flaw and layer of insecurity Jongsu seems to have, Ben lacks. And in the end, when the protagonist finally becomes brave enough to mature, to actually chase the woman he loves, he's able to kill the shadow of himself that only reminded him of how miserable he was.

• Ben and Jongsu are the same person. Much Fight Club like, they're the same human being, just different, extreme sides of one. Jongsu could have a personality disorder or maybe we're just shown two sides of him that prove his mental health issues. That's also why Haemi seems to be involved with both of them without choosing a side, because one is the gentle but insecure fraction, the other the bold but arrogant one. And then, in the end, when such division is making him go insane, he decides to kill his alter ego.

• It's just a love triangle. One of my favorite songs of all time had a similar topic. There's the main character, a shy and quiet boy, who falls in love with a girl who feels foreign and unreachable to him. But he's not the only one in her life. She also has another lover who's much more attractive and manly in a way, and all three start to share this peculiar poliamorous love story, mostly platonic. She's very pretty and feels as free as Venus, torn between two men. Then one day she leaves, and she'll never come back. But while the second boy easily moves on with his life, figuring out it was just a näive fling, the singer remains stuck, obsessing over her day and night, trying to find answers and solutions just not to deal with the realization of her not loving him enough to stay.

• Every character represents a social stereotypes and criticism of modern South Korean classes. I think this is very straightforward, especially Jongsu's jealousy of Ben's wealth, and Haemi's attempt to RISE in the social pyramid, surrounding herself with high class people like Ben or his friends, even letting them make joke of her, to mock her, all of it just to feel part of their group and reality.

• It's all in Jongsu's head.

• The disappearance of Haemi, whether it happened or not or HOW it happened are not the main focus on the movie, which instead is the characters dealing with such loss and lack of knowledge on what happened. Much like the Russian movie Loveless (2017), where the event is only used as an artistical device to let the story progress and the characters' grief culminate. Maybe we really don't need to know what happened to her, maybe she's dead, maybe she's alive and better than ever, but to the movie's intent such information is superficial, it's just the human need to fill our curiosity when were too afraid to deal with the pain of remaining unaware of it. Jongsu is sure she's been killed and that brings him to his next move, but the viewer, he doesn't need to know, because he doesn't need to act, to keep the story going.

• Haemi might have killed herself. Ben is the only one who knows about this and that's why she gives him her cat. She also shows multiple signs of advanced depression, for more than half of the movie is almost like she's not there, like she's already just the memory, the ghost of a girl who once was there.

• The movie itself is just a metaphor. The metaphor is many times used by the characters and maybe not only as a word, part of a dialogue, but the overall film might be A BIG, CRIPTIC METAPHOR.

• Everything is hereditary. From family's fortunes and richness to behavior and inner rage. Jongsu was born poor and will die as such just like his father, and even though he seems like the most innocuous being, he's able to take out his rage on other just like this father. I guess it's in the genes.

• Jongsu is the calf. The calf represents Jongsu's pureness and naivety. And when he sells it, he's also selling his soul in a way.

• Haemi represents South Korea, Jongsu North Korea, Ben is the new Korea, the one always more and more Westernized.

• We're just reading the plot of Jongsu's book. When Haemi leaves for Africa he has plenty of time to write the story he's planning to put into words, and that's what he does. Everything we see after she comes back from her journey is just the plot of the book, and the creation of Jongsu's imagination.

• A modern reinterpretation of the Great Gatsby. Yes, obviously a VERY liberate view of the novel, but many details seem to be quite evocative.

• A criticism to how South Korea treats women. Even the movie itself does this, probably on purpose. The one who disappears is a woman, but the ones who are the main centre of attention are men. She's only a story device, never the real protagonist.

• Ben wanted Jongsu to discover his crimes so he could reach fame if the other ever made a book out of it. He's so full of himself he'd rather be punished for his crimes than never showing off how good he was at covering every proof. That's why he dies almost peacefully, and shed a tear, which he claimed to have never done before.

• The well Haemi reference to, symbolizes falling into prostitution. That's why Jongsu's mother knows about it too, since it's quite obvious she's now an escort. But she states the well is dry, as a way of saying that it's not how easy and fun it might seem.

• This is just the tragic story of a boy who's lost every possible source of love. From his father in jail, his mother who abandoned him, to the only girl that ever showed him affection disappearing, and a new friend who he decides to kill.

• Ben is Death or maybe the devil personified. He helps Haemi get the courage to end it one for all, and even pushes Jongsu to kill, cursing his soul.

[movienotesbyzawmer]

April 10: Rocky II

(previous notes: Rocky)

When this movie came out I was a little kid living in Northern California, and we used to go to huge drive-in movie complexes that had like six screens. No matter what movie you were watching, you could see other movies from your lot. I don't remember which movie we were watching at the time, but I remember being distracted by a nearby screen showing Rocky II. I totally watched the ending in suspense. It was eventually on cable a lot so I was able to see it for real, but still like 40 years ago.

Anyway, I wonder if this movie will have the effect of dulling the charm of how the first movie ended, so climactically and with appealing suddenness.

Also, is this the only one of the first four movies that doesn't have a rollicking hit song emerging from its soundtrack?

Stallone famously wrote each of these movies all by himself, and starting with this one he is the director of a bunch of them as well.

Same kind of intro with the fanfare, except the music sounds very clearly, to me at least, to not be playing on real horns. I think it's synths. "Modern".

We're now just watching the end of the first movie. We get to relive the intense experience of seeing Adrian's face in closeup closing her eyes for one and a half seconds. The drama.

The whole first five minutes is the whole last five minutes of the first movie. That's weak. Cheap.

Then the whole opening credits follows, and it's following the ambulance that's taking Rocky to the hospital because of all the punchplay. Not a good use of this time. But more importantly: are they going to address the eyelid situation.

Rocky and Apollo confront each other in wheelchairs in front of the press at the hospital. They're still fired up.

After Rocky gets out of the hospital he rambles a lot and it's like an amateur improv scene where he's figuring out on the spot some things to say about where they are. He gets the idea to have Rocky propose to Adrian, then when she accepts he does a Tarzan wail. What a cheeky clown that Rocky is.

His eye seems fine now.

0:18:20 - the a cappela street musicians are still at it, still not very complex with the harmonies. Isn't Sylvester Stallone's brother a singer named Frank, and does he look like the guy in this scene? I bet it's him.

I'm pretty bored of this movie so far. It's like the people were clamoring for an answer to the question, "what happened after the fight", and Stallone's enthusiastic answer was "just regular stuff like you'd guess!!!!!"

Oh my. It's their wedding night and they talk like dumb, uninspired newlyweds and then kiss, and it's like the director, who remember is Stallone, directed the two of them, one of whom is also Stallone, to perform slow, exotic lip dancing and no one told him that's a thing called kissing which is normal and common.

Rocky has some money now so he and Adrian are looking at buying a house. The realtor is all "this whole place is supported by solid steel" and Rocky is all "yo Adrian that would be a great spot for a radio". It's like porn stars that have been told to ad lib for a few minutes in the beginning of the scene. Except that we aren't about to be rewarded with porno.

0:28:05 - Adrian is pregnant! They talk about it. They talk about it in small talk. "What if it's a girl" "Oh a girl I didn't think about that can you imagine".

So one of the adventures of post-the-first-movie Rocky is that he gets to do a commercial. They show the filming of that and that it doesn't go well because of his Rocky personality. And the next scene he has realized that he needs a white collar job so he's at an employment agency office and asks for a job where he gets to sit. But he's not a good fit there. So he goes and gets a job at a butcher place. He promised Adrian he was done with boxing so now we have this boring part of the movie which isn't short enough.

Okay it's definitely going in a direction of not-boxing-is-sucky-for-Rocky, because he lost the butcher job and had to sell his car to Paulie. He said "it's a great car, buckle up for safety!" Do you think Stallone actually scripted that line or did he improvise it and the director, who you may recall is also Mr. Stallone, thought it was really good and kept it in

0:46:30 - He goes to visit Burgess Meredith at the gym. BM is not helping Rocky's morale, tells him he's washed up POI-manently. He begs for a job doing menial tasks at the gym and BM tells him everyone will think he's a loser but okay. Stallone does okay looking humble about that.

When he comes in to the gym everyone is laughing at a very stupid editorial cartoon in the local news publication, it shows Apollo doing harm upon Rocky-as-a-chicken with the ingenious caption "APOLLO CREED VS THE STALLION CHICKEN". It was clearly "STALLION CHICKEN". That does not make any sense.

BM was easily persuaded by Apollo's cockiness and so he then shows up at Rocky's nad easily persuades him to accept the rematch deal. Feels like movie formula but at least it's about to be less boring.

I like BM's voice.

They're doing a thing going back and forth between Rocky training and Apollo training. Apollo's is going better, partially because his facility is kind of luxuriously spacious. Then they stuck a scene in the middle of that of Adrian working at the pet store all preggo, but having trouble lugging a weighty thing and listen my friends, I think Talia Shire acting is not good acting.

We're in a long sequence that's about how Adrian had the baby prematurely and she slipped into a coma or something, and it's made clear that she had health problems because she was stressed out and overworked because of the heavy things at the pet shop and the husband who went back to boxing. Big old guilt trip taking up a lot of the middle of the movie. Adrian is in a coma. They don't show the baby. It's all just sadness about comatosity of Adrian.

But! She eventually wakes up! And after the first ever conversation they've ever had about what to name their newborn son, Adrian inexplicably changes her tune and tells Rocky she wants him to win. "Win!" That's what she tells him. Then she says it again. Stallone writing, Shire acting, what more could you want.

Now an upbeat training montage that's more hopeful and he's obviously high energy. He must be hitting the punching bags better because just look at how confident he looks.

1:29:35 - It is the sequel to the famous running montage from the first movie. The inspired updates include a new recording of that same song but with children singing "flying strong now" or whatever, and also children following him on his majestic dash to the steps of that municipal facility. Someone probably said "do the running scene again just exactly like in the first movie", but no. Stallone was not satisfied. "We will change it a little," he proclaimed. And lo.

Oh I hope there will be a sequel to the shot of Adrian closing her eyes for considerably longer than a blink. Do you think when people stop her on the street they're like "do the eye close thing do the eye close thing! My friends will all ask if you did the eye close thing and I need to tell them yes she did I saw it and it was even better in person"

We're at the fight now. It's about to start. It's all going as expected. I truly believe that everything will be okay.

Before it starts, Apollo tells Rocky, "you're going DOWN". So maybe it will NOT be okay after all…

Seems like the shots of this fight are not as varied or interesting this time, and they're relying more on the announcer commentary telling us what to think compared to the first movie.

Now the obligatory montage to show us the rounds moving forward and them still going at it. Not the same style as the first movie, but whatever it's working fine. I'd maybe watch a boxing match if it were shot and edited like this so that it's just ten minutes.

I swear I remember seeing this imagery from across the drive-in way back in the 70s, I don't care if you believe me or not it's the truth.

Look, I know I don't know nothin' 'bout boxin' but it seems like you're supposed to use your forearms as shields kind of, and Rocky doesn't do that like at all.

The dialogue is telling us that Rocky is maybe losing going into the final round. I wouldn't have thought so… thanks dialogue!

"YOU'RE GOING DOWN" repeats Creed. Such writing I tell you. Rocky II - A Film By Sylvester Stallone.

I will never forget the carefully choreographed climax of the movie. They both crumble onto the floor and the one-to-ten countdown all slow-like as they maybe try to get back up and Apollo doesn't and Rocky barely does so he is the new world champion. Then the last couple minutes of the movie is the same basic energy as the first movie. It's like the first movie's ending was a template and they just replaced a couple of things.

They kept making more of these movies! I'm going to keep watching them! I'm going to do this notes-about-them thing!

(next: Rocky III)

[snowbarrywatercooler]

While I love Grant Gustin to pieces, I'm not looking forward to watching an hour long comic con involving him and Kevin praising WestAllen. Though I can't help but be curious about his forced answered and body language. If it's not too much trouble, could you pinpoint some of those moments in the video? I know it's on YouTube so I'd have no problem finding it. I'd just rather not watch the whole thing. Thank you in advance!

Here’s what I can sum up from the video.

VIP is $311. x Grant looks and acts tired from shooting Season 4 overall. David Rappaport knew him from 90210 and casthim in the role. David is also responsible for casting Candice too.Andrea was there. Right behind him at his signing booth.

Kevin moderated the interview, he compares Grant’s work ethic to Matt Damon’s. Grantkeeps smiling and waving at his fans, he’s genuine even though he looks tired.Fame and wealth make Grant nervous, that’s why he doesn’t do many cons.Kevin keeps praising Season 4 over and over but he doesn’t mean it in histone. Grant is just nodding along. Praising the show along with him. Especially because they know what it’s leading up to. These questions are pre-screened, nothing is said on the air that Grant is not prepared to answer.On how he was cast: he tested the same time as Carlos. He claims theonly person he did a chemistry read was with Candice. I notice how he spokethere, he was lying because we would have seen it by now in some way, leaked or on a DVD. He neglected to bring up his screen test with EBR,which was on Season 1 DVD, his “chemistry test” with Candice was not, “so much chemistry.” Why can’t we see it then?12:46 is where the WA talk begins. The “drama for the sake of drama comment.” Even with the small cheering Grant’s face saysit all…his body scrunches up, his shoulders are held back and tight,his face is holding something that looks like a forced smile but he isn’t smiling,he’s acting, trying to sell WA. Kevin in spite of having the question already memorized looks down.

Kevin ignores the that fact of WA are step-siblings and insteadcalls them “childhood besties” no mention of incest at all going right into “nowyou guys are married.” Grant during all of this was holding a fist and fidgeting a lot,why he is so uncomfortable? If he has chemistry with CP, why does he giveoff so much discomfort whenever WA is brought up? Grant also says “if we canstay on the air long enough” and “I hope everyone saw the finale” which indicates he isn’tconfident in the show anymore. He doesn’t know what will happen. He triesto sell us WA but he can’t help being honest in the same answer, he can’tlie but he can’t piss off his bosses. When Grant mentions “I guess we’llsee…a kid? In the future.” A small crowd cheers but when the camera pansto the crowd nobody is smiling. 

I’ve counted, maybe 4-5 WAs in a sea of 8,000, andeveryone is just as serious as Grant. These are not WA stans, they are superGG fans. Nobody cares about WA.

14:16 is where it ends. Grant is relievedthe discussion is over. His curt laugh at the end points that out.6-23 was the date of the panel, Grant hasn’t gotten the script yet, but will receive it on that weekend. When this is posted Grant will have already gotten the script.On Monday the 25th was the meeting with HELLbing.Season 1 Grant was reading The New 52 to learn about BA and TF. Season 2he stopped doing that so he can focus more on the acting. He also said “as someone growingup with superheroes you don’t want to get sick of it.” Grant’s energy really picked up when Kevin started talking about the firstepisode he directed. You can tell Grant loves working with him. Kevin feelsthe same way. When they are just talking Flash, it looks natural, less forced,less promo salesman, it looks like two friends talking as opposed to Viris or WA awkwardness. 

22.56 is where Kevin brings up “in every episode there is always a WA peptalk scene” it seemed they just glazed over it and Grant just nods “yup” in a repeated manner agreeing that it’s monotonous to do. 

Grant praises Jesse L Martin, being a fan of his because he bonded with himfirst and he was in Rent. Tom Canavagh is brought up and Grant says he ishis favorite actor to work with. Grant talked about Tom and Grant, the moviewas based on their real on set unfunny gags, Tom wrote and directed the shortmovie. After wrapping up Season 3 Grant had plans to do a movie and Tom filmedthe short movie in 2 days. The movie Grant was supposed be a part of “fell through”it could be referring to a recast because he wasn’t available at the time.Grant says he likes Time Travel and fans will ask him questions but he alwayssays he is confused. If the writers knew what they were writing about, I’msure Grant would have a clearer answer for the fans. He clearly likes it whenBarry time travels but when it’s used the right way.He loves Captain Cold and Wentworth as a “frienemy.” Big cheers for thatone and pan to the crowd to see smiles. Weather Wizard was brought up ashis favorite rogue. Mark Hamill as The Trickster.Kevin said his favorite season is the first one and that his favorite episodewas 1x15 where Barry time travels for the first time, Danielle was mentioned. He quotes the show as “Dawson’s Creek with capes.” Greg Berlanti wasa head writer on Dawson’s Creek. 28:17 is where Grant demonstrates how he does “the run” on the show. They don’tshoot his legs in frame. At the beginning they did with a treadmill.Grant is aware of what people are saying about his physic, body frame andKevin states “you have a runner’s body.” Grant agrees, “I have more of a runner’sbody than any other type.” Grant’s favorite episode is the Season 1 finale. Grant is very proud of theepisode and Kevin agrees as he brings up his infamous crying video he postedon youtube that gave him the opportunity to direct the show.Fan Q&A was around 30min mark. First question was: What is going to happenwith Nora Allen? Grant’s response is “she’s trapped in our time. We’re probablygoing to see Barry help her get back to her time.” Second question was about Grant’s education. He never graduated from ElonUniversity but was made an Alumni. He left after hisSophomore year to go on the road for “West Side Story.” Grant didn’t believehe would end up on TV, he thought he would be on the Broadway stage.Third question was about how they shoot each episode. Grant says they prepfor a week prior with table reads of the script, then shoot an episode for8-9 days. The network and studio watch it and make notes and cuts, during that time the SFX are added in. Every time an episode is finished it is 2 months agoso the show has a lot of time to omit, re shoot, polish what they want interms of what will make the cut. I don’t believe at all the show runnersare avoiding the feedback. They could easily incorporate so many things for future episodes it’sthat they choose not to. Do not tell me this is hard for them to do. Thisis how TV is run, especially a show like this. Grant says his favorite crossovers to shoot was possibly the last one inEarth X, but it was the hardest one, the Supergirl crossover was highlightedbecause of the location in LA. Grant lives in Venice Beach, Ca. Brandon Routhis his favorite actor to work with aside from Melissa and Stephen.Grant says working with Tom is a blessing and a challenge. He lovesbeing directed by Tom almost as good as being directed by Kevin. Flash has made him want to be a director but he doesn’t see it happeningwith the show. He calls it “impossible” but he mentions being interested indirecting an episode for their last season if “they let him.” The amountof control these show runners have is disgusting. Grant is a decent person and the star.He shouldn’t feel apprehensive if he wanted to direct, it’d be an honor if he did.He understands the character better than anyone. Kevin snuck in “before itall ends, who knows it might go on forever” Grant responds with “notforever.” At 38:10 the question is: how many more seasons do you think the show isgoing to do? He said at least 3 more, that takes it up to Season 7 but he saysanything could happen. Kevin adds “it’s strong in the ratings forThe CW.” Meaning if it was on a real network, it would be already cancelled.2 million viewers is not high. Right now with the adjusted they are at 3.0,with a demo of .6 thanks to the horrible Season 4 disaster Viris WA obsession. Kevin also added which surprisedme “the show will go on as long as Grant wants it to go.” Grant said he knew Kevin was gonna say that. Kevin says back it could go on for 26 seasons. Grant says sarcastically “imagine that?” Grant’s favorite musical is “Singin in the Rain” which got him interested in performing. The best part of being Flash is they give him his own superhero suit. Hementions wanting an authentic version of Christopher Reeves Superman suit.He likes wearing Star Labs and CCPD sweatshirts. The guy who asked the questionstarted asking Kevin a question and Grant was all “wtf wasn’t this supposedto be about me”? Everyone in the crowd laughed.His most difficult scene to film which was also his favorite was the scenewith Barry and his mom at the end of Season 1. His other most difficultscene was in Tom Canvanagh’s directed episode 3x19 where EmoBarry was. Kevincalled Grant with the wig “My Chemical Barry.” Grant said it was hard to shootbecause of the two conflicting emotions of playing Present Barry and FutureBarry wearing “a stupid wig.” Kevin compared EmoBarry to a “Hot Topic Employee.”Grant’s favorite Season is the first one, mainly because of how well the finale was constructed “so perfectly.”46:18 is where the question about which he prefers: his fictional WArelationship or his real relationship with Andrea. His exact words are: “Ienjoy my real relationship much more. Nothing against Candice, love to d-greatly.Yeah, it’s obviously very different. One is scripted for me and fictional.One plays itself out and I love her very much in real life. So, I think thoseare probably the biggest differences.” He doesn’t know what to say, the questionitself was lame, obviously there are huge separations from fiction and fact something the delusional doesn’t comprehend.Grant feels uncomfortable answering but he was polite and humored the guywho was obviously a huge Gr*ndice and WA stan. One of the 5 stans in there.When Grant does cons he doesn’t know how much it means to people and he’sgrateful for everything the fans give. He loves what he does. Grant loved filming the musical episode. No WA mentions. Especially singing “Superfriend”because he got to tap dance again. The crowd wants him to sing the song andGrant says he won’t. He thinks the heroes in real life are the troops, his mom because she was a single mother and supported his dreams.A fan asked “will we get a Run Nora, Run from Barry?” Grant credits Tom formaking that line iconic. Kevin agrees. Kevin says he did versions of theline in “The Runaway Dinosaur” because he loved it so much. Kevin said it is the show’s version of “May the force be with you.” No mention of “we are the flash” I wonder why….Grant answered what he has learned being The Flash and Grant credits Season1 again. He learned a lot from Barry’s empathy, his humility. He is a betterman than Grant is. 

Grant got another fan request shout out but in the videohe said “Are we ready? You’re not here but 8,000 other people are.” Crowdwent nuts. The same fan asked him if he wanted to play a Marvel superhero,which would he play. He said Spider-Man. Grant comments on what it’s like to be the star of a TV show. Even thoughhe knows he is the star in truth, he is very humble in saying it’s an ensembleshow. No mentions of CP or IW or WA. Hear that stans who stalk this blog? Grant is too much of a gentlemen to bait you demons.Grant’s most embarrassing scene was when he slide across the floor in 4x02“Mixed Signals” paying homage to Risky Business. He says because he has “chickenlegs.” He also says in the finale when Wally comes back he dropped 6 champagne glasses in 2 takes. It’s included in the bloopers. He says if he goes to the Vancouver Con he will bringhis dogs. Grant says he watches when people on set run and walk and compare it to howhe does it unintentionally. He’s met people in life that want to race him.He feels like he is a fast runner in real life, but he admits out loud hedoesn’t like running. When they are using science jargon, Grant doesn’t know what they are talking about unless he googles it. Grant loves playing the villain more than the hero. Savitar was a lot of fun for him to play. It could be because he loved working with Danielle more closely but the show will not allow any Snowbarry mentions, he’s there to plug WA, it would destroy WA as a whole and he knows it.The last couple of minutes they were talking about Grant’s famous slide into scenes, he does it at the last minute of the interview. Do with the information as you will. Grant has highs and lows here. Whenthe lows are pretty low it’s jarring when they are high it’s obvious wherehis heart is. He is a good guy that doesn’t deserve the bad treatment he’sbeen getting. Whether it’s about his character, CP’s repeated abuse of him and body shamming. Grant is nothing but friendly and takes the punches with thepraise. I hope he does more cons in the future, maybe when he is more rested and less fatigued.

[felassan]

David Gaider on Shale, under a cut for length:

"Oops! I realized I'd moved on from DAO but missed one of the companions I'd written. Which checks out, honestly, because I almost didn't write Shale and, even after I'd written her, she almost didn't happen anyhow. Then she did. Prepare yourself for... PIGEON QUEST. 🦤 So... I'm wracking my brain, but I don't recall how Shale began. I have this vague memory of us wanting a "weird" party member who didn't conform to the normal classes (this was back when Dog didn't need to be in the party), and I think my mind drifted to an old indie comic character named Concrete."

"Now, your reaction to that is probably "who?" That's OK. When I explain that HK-47 in KotOR was inspired by an old Canadian TV show called the Littlest Hobo I get the same perplexed response. 😅 In short: Concrete was just a regular dude. Who happened to also be a walking hulk of rock. Cue hi-jinx. The problem here is I don't remember whether the Concrete thing was part of the original inspiration or something I thought of at the point when I started writing the character. Because I didn't, at first. That was later. Shale was initially taken on by Jay Turner, then one of our junior writers. Jay had an idea to make Shale more of a robot, an emotionless automoton killer... think HK-47, but without the layer of sarcasm. I was leery, and told Jay he'd have to be very careful. "Emotionless" can very quickly turn into "boring", after all, unless you're VERY careful. But Jay was determined. Sigh. This was a fail on my part, as his lead. There's been a couple of times in my career when I've let a junior convince me with their enthusiasm to take on something my experience said they shouldn't. And then watch their confidence crumble despite every effort I made to reassure them it was OK. This was one of those times. Jay, no idea if you'll read this but: I'm sorry. Even an experienced writer would have found that a daunting challenge. Tonia, my other Big Fail on a similar situation in DAI: I'm sorry. Both times, I should have known. You did your best, but I set you up to fail. 😔"

"Jay did his best, and this version of Shale was certainly interesting... but, when he was done, it was one of those peer reviews where every writer had that look of "I'm REALLY sorry to say this..." It felt flat. Jay tried numerous revisions, but the issue wasn't his ability - it was the concept. I only allowed my writers a certain number of tries before I take it away. This hearkens back to an earlier time at Bio when writers would hack away at something that wasn't working 6, 7, 8 times or more until finally their soul was dust. Mike Laidlaw can attest. Revision isn't always the answer. So I moved (a much relieved, I think) Jay onto something else, and the question arose: what do we do with Shale? Do we cut it? It was already very late. Then Shale dropped in my lap. I don't remember if it was me refusing to let it go or maybe Brent (Knowles, Creative Director) giving it to me. I suspect it was the latter, because I recall being a bit bitter about the whole thing. WHAT am I going to do with this character? At the time, they'd moved me out of the writers pit to instead be in a big office with the other leads. I had this corner desk by a window (yay) with an awful view (ugh) What was so awful about it? It looked out onto the neighbouring roof, where there was only an HVAC unit to see. In the winter, pigeons would gather around it. They pooped all over everything - there was this alcove around the access door, right? The pigeons roosted there and it was POOP FAUCET city."

"Not only that, the pigeons used the HVAC like some kind of sex den. Angry, ugly pigeon sex. The only respite was when a hawk would appear and the pigeons scattered. Then I'd get maybe a day when there was a single pigeon corpse, like an exploded ball of down, to act as a scarecrow. Good days, those. What does any of this have to do with Shale? Well, there's me, staring out the window trying desperately to think what I'm going to do. But I CAN'T stare out the window because, gross. But what else am I going to stare at while I think? It was making me furious. I hated those pigeons SO SO MUCH. And then it hit me: Shale is basically an animated statue, right? Something that pigeons are rather notorious for also gathering on? And so I wrote. I wrote like the angry, angry wind. I had zero time to do this so it was basically me vomiting all my annoyance at everything into a single character. Not that it helped much. There was a battle going on over Shale - first, as I recall, it was the art team. They were going to make every doorway in the game EXTRA HUGE because they were worried that Shale was too large and might clip. So, yes, let's alter the whole world to fix that. Good idea. 🙃 Eventually, they compromised by making Shale smaller. Sten-sized. Or Brent went Akira mode, but I don't really know. This was a battle happening above my level. Yet Shale got cut anyhow. There wasn't time to do her abilities and we were short on cinematics time. There was never enough time on DAO."

""Oh well," I thought. "That's that." I did what I could, but cut content is almost never resurrected. The idea was floated of making Shale into a DLC but I scoffed. Yeah, right! But... it happened. That's why the "almost" is there. Enough of the team liked Shale they made it happen this one time. This meant I could finish up the writing once we'd more or less wrapped DAO, and the rest of the team (cinematics, in particular, who were pressed the hardest for time) could move onto the Shale DLC once they were ready. It was supposed to come out well after release, but you know. Shenanigans. This particular shenanigan was EA deciding to sit on the finished DAO a few months in order to delay the release. Why? Again, not my level. To get closer to Christmas, maybe, or maybe for sim ship. It did mean Shale ended up being ready for release day. Unexpected confluence of events, honestly. Cue some fans getting upset that "cut content" was sold to them separately, which... fair, I guess? The alternative would have been that Shale was simply cut, period, and it just worked out this way but... yes, fair. This was back when DLC was the main beef of hardcore gamers. Oh, the good old days. Overall? I have a soft spot for Shale. She has no soft spot for anyone, being... you know... made of rock. It's why I put her in Asunder, and why she was also going to be in the - apparently now notorious for its Fenris murder - cancelled fourth DA novel. Also, if you're a pigeon fan: not sorry. 😇"

[source thread]

[zirawrites]

Hey I really like your blog! I got quite a few questions from the questionnaire I'd like to ask, you by no means have to answer them all if you don't want to! Questions 2, 4, 5, 8, 10, 13, 20, 24, 26, 27, 29, 31, 43, 47. Hope that's not too much, okay love you bye

FALLOUT OC QUESTIONNAIRE

I’m honestly so glad someone wrote me with questions about my OG/OC Fallout 4 character! I only have one playthrough because I feel like I’m cheating on my character when I make another one. Her name is Zelda Draper (goes by Draper) and she sided with the Railroad. She romanced Cait, MacCready, Hancock, and Gage (though she killed him), but I like to pretend she’s really married to Deacon.

2. Which faction(s) did they join and which did they destroy? Why?

Draper initially joined all the factions, but she ended up choosing the Railroad. After seeing how terrible humanity treated itself after the bombs fell, Draper had little faith in other people. She rather help innocent synths that were a creation of the same species that killed her family than “waste time” building up settlements.

4. Give us a summary of their backstory.

Draper was a double-agent who played both the Railroad and Institute. On one hand, she couldn’t imagine taking down her own son. Shaun was her entire life. She dreamed of building a family with Nate. But after the bombs fell, Draper couldn’t care less about the fate of humanity. She almost wanted the Commonwealth to suffer because of how bitter she was.

She found solace in both the Railroad’s mantra of saving innocent synths and her partner Deacon. The more missions Draper went on with him to help escaped synths, the more she was falling in love with the organization. Draper felt that the synths were being abused in the Institute, so when she found out her son was dying, it solidified her position that the Institute must be stopped before they looked for a new figurehead. She didn’t think the other scientists would give her the Director title without a fight.

5. What’s their full name and does it have a meaning? Do they have any nicknames and how did they get em?

Her name is Zelda Draper, but everyone calls her Draper (or Charmer, of course). Draper comes from an affluent family that avidly enjoyed the gossip surrounding the Fitzgeralds. 

In reality, I found out Codsworth could say Draper and got super pumped. If it hadn’t had been for that aspect of the game, I would have simply called her Zelda. I thought you had to choose a name he could say (I was new to video games, give me a break!).

8. Do they have any medical conditions? Is medicine/ treatment available for them?

Draper is extremely healthy. Though she sometimes struggles with an on-and-off relationship with chems (especially Mentats and Buffout), overall she is perfectly normal.

EDIT: I’m adding this as an extra blurb. Draper is extremely mentally withdrawn. She obviously is suffering from PTSD after the trauma of losing her family and being thrown in to a post-apocalyptic wasteland. Instead of feeling anxiety, Draper is very detached from her emotions. This may be depression, or just a mental break. She actually joined the Children of Atom as a way to filter through her grief and animosity towards the nuclear fallout. She knows the fanatics are full of lies, but it makes her feel better treating the bomb as fate.

10. What do they fear the most?

Losing people who are close to them. Draper used to be warm and outgoing. When she lost Nate and Shaun, she refused to let her mental health slip any further. Draper rarely interacts with her settlers, or even the synths she saves. She keeps to her close companions, figuring if she has less of a chance of being hurt if she only has a handful of people to lose.

13. What Wasteland threat do they fear the most? (ex. Deathclaws, super mutants, raiders)

Draper hates running in to rouge Institute scientists or remnants of the Brotherhood. It reminds of her of the atrocities she’s committed to secure the Railroad’s success. She is also extremely uncomfortable by feral ghouls, especially because they remind her of what just a few more rads could do to Hancock.

20. Do they have any hobbies? What are they?

Draper loves collecting things from her travels. She has an entire shelf dedicated to trinkets. Among those are toy collectibles of different General Atomics robots and gifts her companions give her. MacCready’s wooden soldier sits proudly in the middle.

She also keeps a lot of clothing from her enemies. After freeing the slaves from Nuka World, Draper brought back all different sorts of garbs. For weeks all of Sanctuary was dressed as raiders. Preston didn’t appreciate the particularly pink and colorful outfit she saved just for him from The Pack.

24. Do they express their emotions freely or hide their true feelings?

She is stone fucking cold. The only emotion Draper lets you know she is feeling is annoyance. If she’s upset, Draper usually gets sarcastic. When she knows she’ll feel particularly upset about a certain mission, she wears duplicates of Deacon’s sunglasses. Draper raided the entire Institute wearing aviators so Shaun wouldn’t see her cry.

26. How do they come off to others? What first impression do they usually make?

Draper is a woman of many trades. It’s extremely hard to read how she’s feeling, especially because she’s always wearing shades and long, dark clothing. If you meet her through the Railroad (people like escaped synths or new agents), she is actually friendly. Draper tries to put her allies at ease, and doesn’t mind asking you about yourself.

If you meet Draper as regular Commonwealth folk, she is more reserved. She won’t be outright rude to you, but Draper likes to make sure you know she’s the most fearsome in the room. She’ll usually let her companion do most of the talking.

27. Do they prefer to travel alone or with company? Who have they traveled with if any? Current companion if any?

Surprisingly, Draper rarely travels alone. She has no problem being by herself, but bring along friends makes the time pass a little quicker. If she is visiting settlements or doing any positive work, Draper brings Nick or Hancock. Both of them are quick enough to keep the conversation interesting, and appreciate her helping other settlers.

In most other cases, Draper brings along Deacon or Cait. Her choices most align with causing a little trouble and not always doing the right thing. Neither of them seem to mind.

29. What do they find most attractive in others? Name at least one psychological and physical trait. (doesn’t have to be romantic attraction)

The best way to catch Draper’s attention is to have a sense of humor. She tends to be cynical, and anyone even more dramatic would bring both of them down. Quick wit and sarcasm will always catch her attention and gain her admiration.

Draper isn’t too picky about physical traits. However, she’ll never turn down a warm smile or bright eyes. It’s more about how confident you present yourself versus what you aesthetically look like.

31. What’s their love life like? Are they interested in anyone or in a relationship?

Draper had been in several relationships with companions before marrying Deacon. She was first involved with MacCready and even exchanged Nate’s wedding ring for his wooden soldier. Additionally, Draper wears his hat everywhere she goes. I mean, it’s a pretty great hat. She eventually had a fling with Hancock because their sense of humor is the most similar. He also didn’t judge her for her occasional stint with chems. Draper was briefly involved with Gage before destroying Nuka World. Luckily she didn’t physically kill him, it was Curie who shot him when he became hostile. Probably to spare her anguish.

Draper’s only bisexual experience has been with Cait. She had never been involved with women before the war, and hasn’t been with another woman since (though Piper often makes constant advances… I haven’t shut down her final affinity speech yet). It was only after securing Nuka World and going on a few more missions with Deacon that Draper realized she was in love with him.

43. What weapon(s) do they always carry with them?

Draper has heavily modified the Deliverer that Deacon gave her on their first mission together. She rarely uses it, but it’s always a sweet memento and she feels like he is with her when they’re apart. 

Draper also always has some kind of radiation gun from the Children of Atom. Since joining the cult, it just feels natural to have something like that if she ever runs in to her brethren. 

47. What’s their favorite radio station and song? (post-apocalypse)

You can’t beat the classics in Diamond City. She usually listens to “It’s All Over But The Crying” because that was the first song that played when she left the vault. It makes her think of her first day in the Commonwealth when she seemed to be the only one mourning an event that happened 200 years ago.