#i thought I wasn't that upset

[anaranjadanaranja]

Really out here today experiencing first hand the situation of "Are you being attacked right now or is a woman with more experience and knowledge than you being direct and specific?"

[wormpool]

Kyle MacLachlan's appearance as himself on How To with John Wilson (2020)

[the--highlanders]

you know what ben is so good actually. he's so empathetic he apologises to a cybermen before killing it. he's so loyal he breaks through brainwashing to protect his friends. he meets jamie and is immediately like yeah, I've got to look out for this guy. he decks a guy who hits on polly when she isn't interested. he and jamie have a routine they often do where they pretend to fight to throw the bad guys off. he's a short king. he's even bisexual. what's not to love.

[yossibutnossi]

Tomorrow is October 7th. I have had multiple family members tell me to not start anything about being Jewish, don't discuss it, if I feel unsafe just go, etc;

You get to wear that keffiyeh, make a poorly researched post and chant with your "friends" and stop the next day to go back to whatever you did before you didn't unite with people based on antisemitism.

The day after October 7th, I will have to live with the fact that multiple family members told me not to start anything about being Jewish because of people like you.

[poisonousquinzel]

they deserved better idc 😐

[lazylittledragon]

i'm going to scream i got accused of being a transmisogynist by someone on twitter because of this specific part of my t4t steddie art

[sergle]

(re: sssniperwolf and jacksfilms) It's laughable that she escalated it that hard. Don't get me wrong, I'm pretty sure stalking him like that is illegal and it's terrifying regardless, but Jack said in a stream (can't remember which one) that he wasn't about bringing up past controversies of hers or cancelling. And now she shows up outside his house (wtf!!!). Like he was willing to only call her out for stealing and freebooting but she's gone and stalked him and Jack doesn't seem like the type of guy to take that shit. Actual WTF moment from her part. wild

omg long post below bc apparently I have opinions: YES!! THAT'S WHAT'S SO INCREDIBLE ABOUT THIS... Jack has been genuinely diligent about keeping things on-topic in his streams, and hasn't brought up any of her other Stuff, or anything Personal. Despite the fact that she kickstarted the whole thing by making it INCREDIBLY personal and attacking his physical appearance... His goal has been to call out and bring attention to content theft, and he's stuck with it. Dude's also cared about this for years, and she's not the first content thief he's criticized. He just hates the way that freebooting has become so accepted-- to the point where youtube praised her for "coming up with such creative video ideas"? Hey! Ew! Dude wasn't trying to get her cancelled though, there was no smear campaign of her character. He's been rallying to get her to CREDIT the creators that she relies on for all of her content. It would set a precedent for all other "react" channels on the platform for one of the biggest channels on youtube to actually give credit where credit is due. Or, god forbid, get permission first? It's not hard. It's already done the job of making some other people who do "react content" self-analyze whether or not their content is transformative, and to maybe care about crediting the creators they rely on for their genre to work. There is a way to make this kind of video that isn't so slimy. And making fun of her lackluster-at-best reactions is so far from even being a big deal. Bc she literally does just sit there and say nothing. Plus, his goal has a clear End built into it: if she started shouting out the creators she takes content from, and put links directly to their pages in her video descriptions, the job would be done! That's what he's asking her to do. Real bare minimum stuff. It legit would have been easy to steer away from the content theft and to also talk about her history of lying to her audience! her ghosting a dying kid with cancer who was a big fan of hers! the fact that she's been arrested for armed robbery! her history of transphobia! He would also get more clicks that way, which is what she claims is his sole goal- to get more clicks. I'll bring it up though! She's been a terrible person the whole time, and has kept a steady course of manipulating her audience of young children and/or, let's be completely honest, simps- into thinking that she's a Wholesome creator. (And now, into thinking she's an innocent victim.) All of the actual effort put in by her has gone toward optics, not the content she puts out. A carefully constructed online persona, for one, but also literal appearances. Jack totally can't say this, bc she already went off the handle and said the only reason he doesn't like her is bc he Hates To See A Woman Be Successful. But I can! That was a cheap shot for her to use that argument when, for once, it's not applicable! Much the opposite, even! Dudes online wouldn't go to bat for her if she didn't look the way she does. And it weakens any case she'd have against him by making baseless claims like that. She banks hugely on being an attractive woman to get her clicks/following. A massive amount of effort is put into her appearance. The makeup, the lip fillers, putting her hair in little pigtails, the chokers and tube tops, the big non-prescription Nerd Glasses, the thumbnails where she has her mouth open in That Expression?

I don't even have to say anything. But making a weird facial expression and putting your hair in pigtails aren't moral failings. Showing up at someone's real life home (whose address you shouldn't even have access to), filming the front of their house at night, doxxing them to your audience of millions of people? Because you were mad at them online? That is fully scary! Yeah girl I'm pretty sure that Jack can press charges! There is absolutely no way to take the moral highground now that she's literally stalked him, and doxxed his home. She tried to goad him and Erin (Jack's wife) out of the house, also, which creeps me out even more-- because what was she planning to do? The fact that she's been arrested for violent crime before does pop into my mind! lmao! Jack was streaming a game at the time that she was outside his home, and these clips of him, his friends, and Erin reacting in real time to what is genuinely a scary situation have been taken down in case he needs to use them in legal action. Shit is legitimately serious!

[saline-coelacanth]

I will forever be so upset that the Ice Chapter didn't give us a Kai VS Ice Emperor fight like come OOOON!

And I'm not even coming at this from an oppo angle. Like yeah, I love oppo, everyone knows that, but it just feels like such a missed opportunity to have Kai have to fight Zane and have him be the one to get him to snap out of it. But no, it has to be Lloyd because he's Lloyd.

And another thing that makes me so upset regarding the missed potential here is the fact that in the Fire Chapter, the big bad villain is Aspheera. And at the end of the Fire Chapter, Zane is the one who defeats her, you know, the master of ice. So then in the Ice Chapter, it would make sense that the one to defeat the big bad would be Kai since he's the master of fire and it would make for good parallels or whatever. But no we don't get that.

At the very least we get that awesome, badass scene where Kai defeats Boreal and saves the others. That scene was amazing, I just with we got a little more from Kai, you know?

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[rosiesriiveters]

Keep thinking of Rosie allowing everyone else to experience the trauma of war around him in any way they need to. Whether it be after listening to his crew member choke through the Munster story, reaching a hand out to comfort him, making sure the replacements are all settled and feel comfortable with him - establishing that he's someone who can be trusted with any issues - and listening to Crosby tell him he's scared he's becoming a monster and reassuring him, and yet refuses to give himself the same grace.

Thinking about how he doesn't tell Crosby about what he saw after he was shot down, what he witnessed in that camp. He's never really the one telling any stories in the series. He listens and watches, lets others say whatever they need to, all the while keeping his cards close to his chest.

Thinking about Rosie smiling while watching his crew and the other airmen enjoying themselves at the flak house, and yet not allowing himself the same enjoyment. Thinking about how the doctor at the flak house got Rosie to look after himself only when he framed it that looking after himself is looking after his crew.

Thinking about Rosie re-upping, choking slightly on his words as he explains he can't bare the thought of sending some rookie in his place to only get himself and his crew killed.

He won't give himself the grace or patience he deserves, but by god he'll take care of everyone around him.

[dani-luminae]

His face during the meeting, the moment he first says "No." As he realizes what has just been said and decided, not just his dream being shattered right in front of him but also the chance they're taking away from all those kids just because Auradon is scared. The camera glosses right over it in the moment, but if you get a good look: he's reeling from it, literally backing away. The horror, frustration, and heartbreak is sinking in, and not even his own fiancée is on his side.

And the movie somehow wants me to believe he agreed with Mal and everyone else on this decision.

[byjovewhataspend]

Todoroki thinks he and Izuku have been dating since the sports festival. He knows that they are not very demonstrative and there were no specific big declarations of love or official 'asking eachother out', but they didn't need that. It was obvious. There is no reason to question it and so he doesn't. He's very happy and secure in this relationship and feels very fulfilled

During 2nd year someone is talking in front of him about 'We all know Deku is in love with Bakugou. Its so obvious.'

Todoroki thinks about this for a little bit before announcing to Izuku (very casually, while they are doing homework) That its okay with him if Izuku wants to date Bakugou

Izuku: (is very moved by his best friends support and uses his encouragement to finally confess his feelings to Bakugou)

Todoroki: (now thinks he is in a poly thrupple with Izuku and Bakugou)

"but wouldnt he be able to tell once they leave school?"

NO because they are all roommates

"But wouldnt he notice Izuku doesnt kiss or have sex with todoroki but he does it with bakugou?"

NO because todoroki believes that the relationship is asexual on their side (but highly romantic and passionate) and hes cool with that.

"Wouldnt izuku notice?"

izuku has never known how normal people interact a single day in his life

"wouldnt bakugou get jealous?"

Bakugou ALSO thinks they are all poly

"why would he think that???"

because he ALSO thought todoroki and deku started dating during the sports festival

"oh so todoroki and bakugou have talked about it, thats why they are both so convinced!"

no. never. not once

"But wouldnt he notice that he sleeps alone?"

NO because todoroki is the perfect sleeping partner and he sleeps in the middle

"does Izuku ever find out?"

Yes, when hes like 25. A stranger mentions that hes well known for being in a poly thrupple and Izuku thinks they are insane. He goes home and realizes that apparently HE is the insane one and vows to never let on that he didn't know. 10 years after he started dating todoroki they finally have their first kiss. Todoroki is completely chill about it.

[karfild]

Ben hargreeves come here I will save you. I will undoom you.. I will give you a satisfying conclusion and a better more impactful death scene(s) that actually matters in the end i promise.. sparrow ben I will write you as a character and not a plot device I swear

[kismetconstellations]

@sockdooe I first encountered this supposed explanation in the comments section of a fanfiction, so it is to be taken with a grain of salt, but I read that Shiro's design was primarily based on what the showrunners thought "looked cool". This includes the prosthetic grafted onto his person by his captors, the scar across his face, and the shock of white fringe in his otherwise naturally dark hair. And, I won't lie, his design serves its purpose. Shiro immediately draws the eye, and not just because of his usual placement front and center in the standard team line up.

It's reasonable for the sort of space soldier, G.I. Joe type of character the staff intended Shiro to be to have these sorts of physical characteristics.

It's also completely reasonable in a Sci-Fi/Action show for a villain as menacing and ruthless as Sendak to have a similarly distinct, eye-catching design. Such features as a sinister, gleaming, red bionic eye, and massive prosthetic arm powered by a core of glowing, magical electric energy pulsing in a line from shoulder to forearm stand out, are easily memorable, and make him instantly recognizable as a really Bad Guy.

The idea of Shiro being a sort of "light, heroic mirror" to Sendak, which the show introduced and continued to attempt to enforce all the way up to Sendak's death, sits incredibly uneasily with me, however. As I've made explicit several times, before.

Content Warning for discussion of sexual assault/rape.

We're shown the recurrent imagery of Sendak looming over and behind an incapacitated Shiro.

Shiro's instinctive response to seeing Sendak heading toward him is to back away out of fear before steeling himself and resolving to fight, if only to protect the Castle and an unconscious Lance.

The very first thing that Shiro says to Sendak is, "You're not getting in", to which Sendak replies, "Yes. I am".

Coran suggests that the Galra might keep him and Hunk as, "some sort of creepy pet to play with how they please", in an appeal to Shay and Rax for assistance concealing their presence on the Balmera.

There's genuine contempt in Shiro's voice when he asks Sendak, "What do you want?", prior to his torture at Sendak's hands.

Sendak delivers a stomach-churning gloating little speech after torturing Shiro via electric shock.

And, Rolo refers to Sendak as a, "real nasty bugger", a term that has an exceptionally crude colloquial meaning.

Now, maybe I'm a cynical weirdo who is reading far too deeply into this, and connecting dots that aren't there. But...

Shiro bears a much stronger resemblance to Berserk's Guts than the Takashi Shirogane from the original Go Lion! that he's named after. Guts is a famous survivor of childhood sexual abuse, having been sold by his adoptive father and purchased for use as a sex slave by an ugly hulking pederast.

There were obvious Neon Genesis Evangelion fans working on this show, and Rei Ayanami, the character that Shiro's story seems to reference with the sheer excess of clones created using his DNA, is also a victim of sexual abuse.

(There's even, arguably, influence taken from The Legend of the Blue Wolves, a relatively obscure yaoi OVA largely set at a military facility which trains soldiers and pilots for combat missions in deep space. It features an extended scene with a virtual flight simulator, and one of the two male leads is-- wouldn't you know it? Raped by an ugly hulking monster.)

Correlation does not imply causation, and perhaps the similarities are entirely superficial, and we're not meant to think too hard about them.

Yet, with the amount of scrutiny that a series as utterly wholesome and innocuous as Bluey is constantly under, I cannot buy for a minute that a series Netflix gave a TV Y7 rating to didn't undergo some level of screening to ensure that its content was appropriate for the intended child audience. Someone had to have asked the staff if bugger was the term they meant to use, aware of the disturbing, far less than child-friendly implications, and was met with a resounding confirmation.

Beyond that, extended proximity to even an imprisoned and inanimate Sendak sends Shiro spiraling into a psychological break down.

Shiro's intensely traumatic experiences in captivity, which his brain seems to have largely repressed in order to protect him ("It's all a blur.") would, by themselves, be enough to convince him that he's been broken and reshaped into something monstrous. His bodily autonomy was, unquestionably, brutally violated, and his innately altruistic, self-sacrificing nature was violently challenged when he was forced to kill or be killed for his captors' entertainment. His right arm was taken from him and replaced with a weapon, and he has the blood of who knows just how many innocents on his hands. He was, indeed, broken down in an attempt to reform him into the Galra Empire's "greatest weapon", and likely very much wars with himself over what he had to do to ensure his own survival, believing himself to be a monster.

What really stands out to me, though, is that this intense, primal terror and the accompanying feelings of "brokenness" and "monstrousness" only surface around Sendak. Despite also being associated with and direct causes of his trauma, neither Haggar nor Zarkon rattle Shiro to his core the way Sendak does.

Neither of them are insistent on drilling into Shiro's head how "broken" he supposedly is, as Sendak is shown doing over and over again. Including taunting Shiro over the non-consensual modifications to his body.

Harboring a deep sense of shame, and viewing themselves as something dirty, ugly, disgusting, broken, or even monstrous is an experience common among survivors of sexual abuse.

Having Shiro's physical condition repeatedly mirror his personal tormentor's would be sick and twisted enough.

Adding the context of rape or sexual abuse to Shiro's torment makes the creative decision to intentionally model his arm after his abuser's outright sadistic.

No one deserves to have a constant physical reminder of their abuser and rapist permanently attached to their person. And, attempting to paint Shiro as a "heroic mirror" to Sendak fails entirely when Shiro doesn't so much as get to best Sendak in combat once.

All of the points you've raised about the function and structure of prosthetics are amazing, informative, and highly appreciated. (The comment about Shiro's abominable floating arm looking like it wouldn't be able to support the weight of a grocery bag makes me laugh.) Sadly, there's a faction of the fanbase who are all too quick to fetishize that arm, like everything else surface-level about Shiro. I've seen a number of fics where its ability to be propelled a great distance with a single thought is used to pleasure a partner while Shiro, himself, is in a different room, where the arm is equipped with a vibrating function for use as a sex toy, and, of course, where the thickness of its fingers is sexualized for... the same reason the bulge in the crotch of Shiro's pants is.

(I beg this fandom to stop reducing this man to a seme stereotype because of his physical build and height. Nothing in his personality suggests that he would be anything even approximating that cursed archetype. Let him be a pillow princess, for God's sake, like he deserves.)

This reply took me forever, and I am sincerely sorry about that. I hope you find something worthwhile in this haphazard collection of thoughts.

And, "Sendick" is how I'm going to be mentally referring to that creep from now on.

[hyacinth42-blog]

“You know, if you break up with Sveta, meet a gorgeous girl and break Sveta’s heart again, I’m obligated to throw you into the center of the Atlantic Ocean.”

....What does this mean Vicky? He's not allowed to date anyone pretty ever again???

[hells1nfern0]

Everyone whos saying they pulled a 5 hour long bait and switch on people just for the hl2vrai trailer. It wasn't just a bit for that it was so much more than that. Everyone is switching on a dime calling it such a good joke or staying stuck mad and pissy about it. Genuinely it was a fun stream. It was something the RTVS team clearly had a lot of fun making, they put 3 years of work and planning into it. There is more to them than HLVRAI. They never directly said it would be HL2VRAI.

But honestly though. I can't blame them for teasing it as such. If YOU put 3 years of effort into something would you allow it to just get ignored by everyone because it isn't what everyone cares about you for. Or would you want to make sure all the people started liking you for it initially would see how you grew.

BrBaVRAI was the same thing that HLVRAI was supposed to be. A fun stream with friends.

It isn't just for you man. It's supposed to be something fun and if you genuinely threw a shitfit about it or if you gave up on it called it unfunny, mid, or even bad. Only to turn around once you got what you Wanted.

You do not deserve what the RTVS crew will make.

You do not deserve HL2VRAI

EDIT: Honestly I don't care about most of the shit people are upset about. Yeah its fine for them to troll you they're known for that. Don't treat their work like it was always shit up until the point they gave you the shit you were waiting for. Just because you wanted a Twix doesnt mean a Snickers doesn't taste just as sweet. They aren't morally bad people for a prank that upset you.