#i think they mentioned that it was like a lot of work for the art department and it wasn't worth it?? or something

[ragana62]

This. This is also why (in combination with the whole 12 years in Azkaban thing) I think the characterization of him as “oh, pureblood character who actually knows muggle culture as opposed to Arthur “what is the function of a rubber duck” “how does the money work at the tube station” Weasley who thinks it’s neat but doesn’t fully get it” is also inaccurate.

Sirius didn’t have a chance of much if any exposure until he was at Hogwarts. Then he spent his entire 20’s in prison where he absolutely wouldn’t have time to keep up to date on the latest muggle music/fashion/etc even if he wanted to. Sure, maybe he took to it like a fish in water when he had it, but that’s still 10 years max of exposure, mostly from other 11-17 year olds, many of whom if they knew any muggle music probably did like the poppier end of things at least in part because that’s how the stats on it work.

Not to mention, he didn’t not have cultural exposure before then. Wizarding music seems to reflect muggle music a bit, but something tells me that even if there was a Weird Sister’s equivalent for the 60’s/70’s, it probably wasn’t something getting much play time at Grimmauld, at least not with parental approval. This is a kid who turned up at 11 probably most accustomed to listening to things on the classical/jazz/easy listening end of the spectrum. You don’t immediately go from concertos and Sinatra to hardcore, not without a bridge between them.

That of course doesn’t somehow make him less punk. Billie Joe Armstrong from Green Day has a musical theater/jazz background and that doesn’t mean it wasn’t punk as fuck that at early shows the band made a point of booking queer opening acts and then getting in the pit themselves to beat up the bigots turning up to give them shit. I’m not saying I don’t think he could have gotten into harder genres once he was exposed because I also had a classical background and have played in punk/goth bands. I just think odds are if he did it took a lot of habit breaking, and maybe, just maybe, he never quite took to the full heavy stuff as much as a lot of fandom likes to immediately assume because at the end of the day, while Judas Priest and X-Ray Spex and the like might piss off his parents the most, it’s an easier transition from listening to Celestina Warbeck at the most pop adjacent to liking ABBA/Cher/etc.

Actually, because of this, I think he probably took to goth/new wave/more art rockexperimental stuff better than punk. It’s a much easier adjustment going from Sinatra to Cher to Lene Lovich/Kate Bush/Yazoo, etc. It’s more melodic in a lot of ways as a general rule, there’s more obvious overlap. There was also a pretty solid British Blues scene (I.e. Dr Feelgood) that I feel like would be a logical transition point as well, not to mention I feel like Remus perpetually exists in the Mod side of things where he’d have at least some of it sitting around for it. Of the major British punk bands of his era, I feel like The Clash would be the easiest to adjust to, because again, they lean in on more melodic sounds, less intentional dissonance etc., particularly from London Calling on.

Then he goes to prison, hears nothing, experiences nothing, and gets out in the early to mid 90’s right in time for BritPop, for Pulp and Blur and Oasis and Black Grape, and I think that too would be an easy transition for him, though he’d still not have as much exposure because he’s in hiding and under what amounts to house arrest until he dies. So maybe Tonks brings him records here and there, maybe he steals an issue of NME off a newsstand here and there, but I don’t think he’s going to necessarily be more properly informed than someone like Arthur who actively has to work around muggle things, or for that matter someone like Kingsley who is actively working for the PM undercover at that time and almost certainly does have to be able to at least fake it convincingly enough to keep that up.

one thing that i haven't ever totally agreed with is how some part of the fandom portrays sirius as this character that was born good and who has been against his family from the second he learned how to talk.

the tragedy behind the black brothers is that one of them had a support system who helped him see how his family's beliefs were not the correct way to go and offered him a safe space to run to when it all came crashing down. while the other was stuck not only by his family's duty but everywhere he turned was also filled with the same beliefs.

i don't think sirius was fighting with his parents about muggles and blood purity until maybe a year after coming back from hogwarts. i think he had the same beliefs, actually, because that's all he knew. he might have doubted them a time or two after spending time with andromeda or alphard, but at the end of the day he was a child, and children do follow whatever their parents tell them to, especially when there's not a proper and constant role model teaching them there is another way.

sirius was the proper black heir until getting to hogwarts, but deconstructing himself didn't take a day. i've read how he feels free the second he gets into gryffindor, and how with a single chat with james, he's ready to forget about everything his parents have spent years telling him.

sirius was probably spewing the same pureblood things his parents taught him, he was probably not happy about getting into gryffindor in the first place, it's against everything he had been told his entire life.

that's where the marauders intervene, he is able to have his own beliefs and realize that his family was wrong because he had a whole group of people teaching him and allowing him to make mistakes along the way without fear.

while regulus has been stuck forever, first in his own house, then in slytherin, and then with the death eaters. he also learnt about loyalty and friendship and what was wrong or right, yes. but he didn't have the freedom to even talk out loud about it given the place he was in.

their own personalities doom both of them. when sirius learns that his family is wrong, he turns defiant and outspoken, that's how he is and even if he's aware of it or not, he has the liberty of having a place to go to when things go wrong. regulus is cunning and thinks everything through first, so even if he learns his family is wrong, he knows he can't say anything, his friends are tied in the same world, and his only "protector" is gone.

that's the tragedy between them.

they are both the same, no one wasn't born being "good", one just got lucky enough to be placed with the correct people

[theoldkyokodied]

Hello! I really love your art! I was wondering if you have any tips on how to capture the person the facial features of the person you are drawing so well?(!) Your Billy and Stu are is amazing! Although it is in your style (which I absolutely adore) you still keep their likeness/resemblance which is very hard for me to do when trying to draw them in my style! (Sorry if the wording is confusing, any tips?) Thanks!

Ah thank you so much and sorry for taking so long to reply, but I needed to figure out how to answer this.

I have put some general tips together, but I need to point out that none of these replace the time investment of learning art. It is merely a suggestion of direction for practice, and I don’t want anyone to feel discouraged if any of these tips don’t immediately make them into a master of arts. Art practice is not easy and it can be frustrating to not be up to your own standards yet, but you will get there! :) In the meantime: be kind to yourself!

That said, let’s get to the tips I can share:

1) Use references!

I usually create a reference sheet for any character I want to draw more often, with their face in lots of different angles. Being able to know how, for example, someone’s nose looks like from the side and from the front can be essential when it comes to recognition. You basically want to be able to create a 3 dimensional object with these references. I tend to need the references less the more I draw the character, after a while i just memorise their key aspects for drawing them from most angles :)

2) Figure out key-features of a person

Try to figure out how to simplify someone in a drawing. What are their most striking features that NEED to be included? Sometimes it helps when you try to think of what features a caricaturist would accentuate in a caricature of them. Here you have some features that I personally try to focus on when I draw billy:

As mentioned in the bottom right corner, the placement of these key-features is also important. Try to figure out where things are placed in relation to other facial features and mind their size as well. this becomes easier the more you do it!

If you struggle to find out what features are important you can also look up other fan-artists stylised work you like and try to see what they chose to highlight :)

3) Do studies!

4) focus on values and contrast before considering color

doing a study without a sketch by blocking in shapes can help you figure out the planes of a characters face

as you can see here, stu’s eyebrows kind of blend in with the shadows of his brow bone, which is why I usually draw his eyebrows pretty light/in a color that doesn’t have high contrast with the skin tone, it makes him instantly more recognisable in my opinion

5) Draw (a lot)

I have been drawing basically every day since I was a child, but my ability to actually draw someone recognisable has only developed in the recent years. And I don’t think I’m done with learning. In the undying words of Bob Ross: “Talent is a pursued interest. In other words, anything that you’re willing to practice, you can do”.

I hope my tips can help a bit and and perhaps lend you some motivation for the never ending practice that every artist has to face :’) <3

[marciaillust]

hey, i hope you're doing great! i feel this may be unorthodox, but i really wanted to reach out to extend my engagement?— awe?— solidarity?— (some variant of those, anyways) with your most recent "workposting" art. i don't normally do this. I've maybe sent 3 asks in my whole life. there's no pressure to respond to this, as i mostly just wanted to cheer you on. also, I'm really sorry this is so long.

i only just recently landed my very first freelance art job, at a start-up company dedicated to making comics + DND inspired art content. I've always felt that "Its nothing to call home about", and so i really resonated with your feelings regarding your work for Brawl Stars. I felt kind of ashamed of my job, that its just a small start up— that I'm not enough and that i should be trying harder, or something like that. Specifically i resonated with your comment of "presenting brawl stars art feels like showing my anime girl oc to an art teacher" and i don't think i could have solidified any better.

Anyways. all's to say. I really found your work quite jaw-dropping. I was shocked when i read it was for Brawl Stars. I didn't know anything about it, but when i did some research i was even more amazed. they're really, really compositionally beautiful... i mean, i know its just "work" to you ultimately, but it really does feel lively, and everything about it makes it feel like you care. I think sometimes you're just able to tell when an artist genuinely cares about their work; about its end outcome. there's so many intricacies. and a lot of attention to detail. you kept the style that was necessary of you but i also can feel the warmth and the care of the artist behind it— its not corporate, or stale, it doesn't come across as "just work".

since you mentioned League, i genuinely do think it serves an equal purpose and weight to what League of Legends would produce. from a biased standpoint, i would actually value your work more. Its not even that its "more obtainable"/"more realistic" but that there's genuinely more feeling to it. Compositionally/artistically, yeah, League makes great stuff, but occasionally, the feeling or the sense of warmth and care from the creator of the art is lost along the way. I value seeing the artist within their own art a lot, which is why I've admitted to a degree of bias. either way. what you put out there is really gorgeous, and crazy impressive.

I know a stranger with a dumb, fandom-oriented art blog cant solve the self-indited art elitism (you and me both, man💀) and that you've already received plenty of love/reblogs saying similar things, but i wanted to extend my feelings anyways. Its really heart-warming, i guess. It brings me hopefulness, and deep adoration for the craft. I'm not very good with words. Anyways. don't undersell yourself. seeing your work meant more to me than you can imagine. I'm obviously nowhere near your skill level, but it meant more to me as an aspiration. i think that regardless of who you work for, your work is really valuable and downright incredible. because you bring that sense of warmth, care, time, and patience regardless of the media it portrays. and you're able to do that while being objectively talented— utilizing great compositions, colour pallets, shading, characterization, mood, etc. That is more valuable. That is much much cooler than working for Riot. imo.

Initially, i also wanted to ask you some questions about how you assembled your portfolio, if you went to school, (if so) what it did/didn't provide for you going into the art field, and just how you landed the job in general. But i respect you and your time, and wouldnt want to be a burden or anything. If you ever have time for it, i would love to ask them, among others, and we can chat in DM if you'd prefer. Absolutely no pressure. Im happy just watching from the sidelines. I dont anticipate anything from you to begin with! I just hope youll know how influential your post was to read & see, to someone like me!

Oh man. I. How. Where do I even start except

This is one of the most uplifting, touching and encouraging messages I received in my life. I read it thrice. And I still can't believe how full of love it is. This is such high praise, I want you to know I will cherish it and carry it with me for a long long time. It's not often that an artist gets to learn how their art is perceived, not to mention in such a positive light. It really means a lot to me.

It makes me so happy to hear that my work illustrations retain a piece of me that is visible to others. I myself can't see it, but I imagine my closeness to the matter at hand heavily impacts my ability to see objectively at all. There was a time where I was worried that work was overriding the me that makes my art mine, that I was becoming a corporate rendering machine and that what I did at work (the shape language and style) was bleeding into my personal art. There is a part of me that is now breathing easier after reading your message. I would love to answer any questions you have, it's the least I can do to repay you! Feel free to send an ask or even an email, I'll try to be as thorough as I can be with my answers. I wish you happy holidays! Take care! And again thank you so much for taking the time to write this message!

[alexanderwales]

This is someone demonstrating the use of a rope dart. It's a blade on the end of rope, and you swing it around as a weapon. The woman demonstrating it probably put a lot of time into a bunch of awesome moves and a little choreo, and that's a skill worthy of saying "wow, cool!" about.

But I go to the comments and see a bunch of people saying "I didn't know this was a real weapon!" or "wow, amazing to see this forgotten historical practice".

And ... no. Sorry. This is a performance art. It's cool, but it's in the same class as juggling. I'm a juggler, I think juggling is cool, I have a lot of respect for people showing their routines, but I'm not (implicitly or otherwise) making claims about its combat effectiveness or its historical use by military or private individuals.

Did the rope dart ever actually exist? I have read just about as much as I can on the subject without talking to an expert and/or learning Mandarin. This was one of those irritating research questions where everyone keeps showing the same four pictures over and over, and in a quest for ad revenue, the same text has been copy and pasted hundreds of times all over the internet, usually without a citation.

Did people ever use a rope with a weight on the end? Yes, absolutely. Grappling hooks are great for boarding enemy vessels, and something like a bolas is great for entangling the legs of a horse; the Chinese have pretty well-documented use of both.

Are there records of a rope dart? I mean ... kind of. But there are "records" of lots of things, and if we can look at a video of something like the above and think "man, that's dope as hell" then I think we should assume that people have been thinking that for basically all of human history. People have also always loved talking about their blorbos. They like cool shit, they like grandiose characters that are divorced from reality. Most of the very scant sources are approximately on that level. There's a bit more evidence for something called a meteor hammer (or comet hammer in some translations), but that had a weight on the end of the rope/chain, not a blade, and there's also very little evidence its historical use.

So unless there's some killer source unknown to the people whose research I was reading, I am willing to say with a reasonable level of confidence that rope darts have pretty much always been a performance art in one way or another, a fun little skill toy, or something used for martial arts busking.

(I should mention that the research question is complicated by the impact of the Cultural Revolution on Chinese martial arts. The Red Guard wanted to transform martial arts to align with Maoist doctrine, and a lot of the traditional martial arts were seen as religious and anti-proletarian, bourgeois and decadent. In practice, this meant that a lot of martial arts masters were persecuted, imprisoned, tortured, forbidden to teach, or killed. Additionally, a lot of primary source documents were lost, and by "lost" I mean intentionally burned and destroyed by the Red Guard. So it's possible that (in addition to me poking at a pretty intense language barrier) there were better historical documents chronicling the dubious history of the rope dart which no longer exist.)

Anyway, if you go to read up on the rope dart, you'll see a lot of people singing its praises as a weapon, and fundamentally, physics and practicality are working against it. The best argument I've seen for a similar weapon is a claw on the end of a rope to grab someone on horseback and pull him off, but that's a claw, not a dart, and I'm still somewhat skeptical. I don't think I need to get into why a rope dart is a bad weapon when compared to most other options. It shares most of the weaknesses of throwing knives, which themselves are much more sport/performance than of practical use.

There's such a deep desire to root cool shit in history and authenticity and practicality. There's this burning need, I think, to see a performance routine like this and say that it's a useful skill. I get it, it's a fantasy, but trying to make that fantasy more real by dressing it in the garb of reality is just ... I don't know. Sad, I guess. Like we can't see a cool thing and accept it as a cool thing, like it's got to glom onto something else, take on the power of truth.

That said, am I going to include a villain with a rope dart in my next book? Probably, yeah. It's undeniably cool.

[nose-rice]

OH MY GOD YES. YES YES YES. I mentioned this in my og post but with the whole Nuru being raised differently, I mainly focused on her being a girl and royalty. But being a black girl also plays a huge roll with the whole "you're either the mom friend, or sassy". I've seen her portrayed as straight up mean before which is personally infuriating to me.

And with Yong!! Like you said he's a pre-teen! While I certainly wasn't matured, I wasn't thinking surface level thoughts. You start to overthink, find yourself, and your rose-tinted glasses start to fade just the tiniest bit. He's more than just "wow.. ypu guys seem really sad," or "wow! I'm so happy my fireworks worked!" And him being the fat asian kid leads is also troubling like you said. He's never taken seriously beyond the surface level "I don't wanna bother you guys" It's just really sad to me because I see so much of myself in Nuru, and I absolutely ADORE Yong and his absolutely vibrant personality. I feel like he holds immense power when it comes to shifting the tone of the story since he's the main source of optimism in the group, which could also set up a character arc that deeper than one short little moment of introspection.

Also this is a more personal thing but as a mixed poc, I am STARVING for literally any fun cool story I love with MAIN poc characters with complex thoughts and arcs. And I mean the MAIN. STARS. I'm a little tired of seeing the white lead with their poc friends that serve them in every way, and if we're LUCKY, perhaps a poc love intrest, which we didn't get here lol. Ofc I still love them. I just have been craving more diverse characters that can be seen in a complex light, which is what started my whole Nuru rant (i love Nuru soso much)

And i do agree that part of it is the way the story was set up fundamentally, with there being almost no info on Nuru and Yong, and being centered more on the main white couple. But I think it's great that it was just a first draft, and Anna and Kay have said they enjoy seeing different interpretations and chages. It's just unfortunate that most people tend to grasp onto what we're given a little too much, and not exploring so many possible concepts. The whole point I feel was that it was an idea thrown out there to whoever wants to add on to it or simply just enjoy what's already there, but the fandom pretty heavily tilts toward the "enjoy what's given" side.

Not to mention DONELLA AND ULLA?? EVEN CYRUS!! I personally am biased towards Donella but I feel a lot of the things with her can be said for Ulla too. I feel that a lot of the time they serve as plot devices for Varian and Hugo respectively. Obviously they're all very important to eachother, but I wanna see more of THEM. Just Ulla. Just Donella!! There are some good fanworks and art out there that do dive deeper into them, at least a big chunk more than Nuru and Yong which is a little sad. But I feel like I never see any fanworks that focus on their backstory aside from the library and "sons". What about THEIR parents, where they grew up? Their little quirks and their cultures? I especially find the way some Donella redemptions feel half hazardly taped on for the plot infuriating because to get to her state, you have to be pretty set in you beliefs!!

And to be fair Cyrus is very much less involved as he is Don's "side kick" sort of? Bodyguard? It's up to interpretation. But I really like seeing people giving him a bigger role in stories. Like. PLEASE. This is more just me asking for things I personally wanna see but I sorta wanna see a found family dynamic between Cyrus, Hugo, and Donella. The "villain trio". I think it would be super fun! Love seeing people rant about this stuff because I never see it talked about!!

Guys I NEED to rant about my thoughts on Nuru because i love her <3 ramblings ahead

Like I feel like in almost every fic i read, she's just like, a side character that's there to make whitty remarks to Hugo and be the levelheaded one. If she has an insecurity or problem it's usually pretty surface level and solved quickly, or only mentioned once or twice. I think there are SO many aspects of her character that are so cool.

Okay first, I think we sometimes forget that she's a nerd just like the rest of the gang. Yes, on the outside she's definetly the most 'normal' one, but I think we should concider the fact that she's the only girl in the group, and she's literal royalty. She was raised with a completely different set of standards than the other three. I don’t think I've really ever seen anyone cover that. I feel like she would get called "mature for her age" when she's only 15/16, and almost always gets critisism when she talks back with her own ideas (like her concerns about the meteor shows for example). I feel like out on her journey, she would finally get the freedom to just be herself, and be a kid and be able to rant on about her intrests with the rest of the group. It could be a struggle at first, but it would be awesome to see her getting more comfortable with the group the longer they spend together! Nerds encouraging nerdy rants lol

Since she is a kingdom figurehead, you could also argue that she always has a lot on her hands (especially since she's very proactive when it comes to science and solving problems). This could bring up a need to be productive, or always feeling like she needs to make the right decision, even for the littlest things.

I also feel like a lot of the time she's potrayed as the "right" one, who is 100% right when it comes to stuff like arguing with Hugo. Since they're opposites when it comes to class, they often are compared through that lense. I think it's cool just having Nuru tell Hugo off for judging a book by its cover, but I feel like they have a lot more in common than they realize. I think it would be interesting to see Nuru judging a book by its cover too. Maybe not to the degree that Hugo does, but I feel like calling out both their judging would not only call out character flaws, but it also enforces that even though they hate eachother and would never want to be like the other, they have a lot of the same flaws.

Also, being sheltered in a palace her whole life, I think she might think kind of black and white sometimes, and while she knows when people are just being mean as an act, she might struggle when it comes to people like reformed criminals.

Maybe she's able to be meaner to Hugo because she justifies it by telling herself he's criminal, and therefore bad, possibly glossing over the reasons he might be like that (maybe it crosses her mind, but she tells herself it's not a good enough reason, because stealing is still stealing, and he literally steals EVERYTHING. Even little trinkets and stuff he definitely doesn't need!). When they find out about Varian's criminal history, maybe she reexamines her views on morality and how she used to see people, because by her standards, Varian is a 'bad guy' who's caused harm to SO many people, but he's also the kind, caring, helpful friend that she's been traveling with who would never willingly hurt anyone.

Moving on to Amber x Nuru, I honestly never find myself liking the ship because Amber isn't developed enough which is fine. I don't think every character has to be a magnificent work of art. Side characters are side characters, but their romance is usually written like: "wow that girl is cute! I have a crush now!" Which is cool, but then that's about as far as it gets, then timeskip! Or offscreen they're a couple now. I know it's a side couple so it won't have as much devlopment as something like Varigo, but I never really see their dynamic play out in different situations. Like I don't know how to explain it, but it feels like they solely exist to be a couple? Amber sometimes just feels like an extention of Nuru, and their relationship feels surface level a lot of the time.

I feel like too often she's just watered down to the nice, smart, grounded friend, and I don't know I just think there’s so much more to explore with her. She’s not just some side character. She's literally part of the main cast! Even in fanart I feel like she doesn't really get a lot of stuff besides funny art and just like, pictures meant to look pretty. Unlike something you get a lot with characters like Varian or Hugo.

And honestly I get it. Some characters you just don't take an intrest in. I know I find Varian, Hugo, and Nuru more relatable than I find Yong, but I feel like part of that is developing their characters rather than just seeing them on a surface level. Ofc there are exceptions and there are some stories that dive deeper into Nuru's character out there! I just happen to see this A LOT.

Wow i said "surface level" a lot didn't I 😭😭

Anyway thank you for reading my rant i wanna know what you guys think!!

[audioroleplayconfessions]

Some general VA opinions I have that are in the back of my mind:

• Escaped Audios has a friendly ass voice. I've only ever heard him speaking OOC like once, but he sounds like he's nice to people. AND IK THAT SOUNDS WEIRD BUT THATS HOW MY BRAIN ARTICULATES IT.

• I frequently think about how gagged I was to realize ZSakuVA is English. I think I found him through Elias or something, and I only ever binge one character at a time so I was none the wiser until I started Noble Trials. Even the, my initial thought was "Damn, I've never heard an American hit an English accent this hard". Either way, great range. Also I like his sound design or whatever it's called a LOT, super emersive.

• The way Yuurivoice responds to some of his asks makes me giggle. Also, audios aside, I think he's done a great job branding his channel, especially aesthetically. I know he has a team and stuff, so props to them too. I could have my phone brightness set extra dim, glasses off, half asleep, and I could spot a YV video from like, a mile away.

• The Stroke Of Midnight seems like a damn sweetheart 😭 I'm not gonna lie, I rarely listen to the ends of videos, but I always listen to his. He's always thanking his editor and the script writer and idk, he just seems so sincere. Also he's mad slept on.

• CastleAudios has one of the most believable self-collabs I feel like. Obviously, she plays all of her characters in her muti-listener collage, but I think aside from the subtle changes in performance, it's her characterization of them. You can TELL when someone knows their OCs, and I feel like she does.

• Mr. Laveau has suuuuuuch excellent song choices in their audios. And honestly, my absolute favorite character designs full stop. The kind of audio you put in 1080p so you can examine the art properly.

• Not a VA, but specifically Lupin-Stole-My-Heart and ItsEsmeJones, I fuck with y'all HEAVY. They have carried some of my favorite series on their backs, MAJOR shout-out to them and anyone who writes scripts. Genuine respect.

• Can't mention writers without bringing up artists too, especially as an artist myself. Those of y'all who make these beautiful designs for VAs, and the VAs who draw their own art, MAJOR PROPS. I think especially right now, I want it to be made known that your contributions are appreciated. Thank you :]

Uhhh idk I think I'll cap it here, since if I went on about every VA I've ever watched, we'd be here forever. Generally though, to all of the VAs, ASMRtists, creators, whatever label fits you best, thanks a bunch. I caaaaaant even put into works how much joy, comfort, and true wonder your stuff has brought me, and others I'm sure. So thank you.

- 🩵🌟 (ps if you guessed who this is from how I type, NO YOU DIDNT).

.

[cravingpepsimax]

i think a lot of the reason why antishippers have been so much more of a problem recently is bc everyone assumes that if you say something sucks or even just voice personal dislike, it has to be because it is somehow Morally Bad, or else you’re being an asshole. and that means a lot of people end up relying on disgust as a moral compass, which is a terrible way to define one’s morality!

like, obviously, i’m not saying people should harass people or make cringe blogs or whatever. but i think someone should be able to like. joke with their friends about seeing something and going “ew” without having to do the seinfeld “NOT THAT THERE’S ANYTHING WRONG WITH THAT” bit. or say they think some kind of art is bad without having to be like “it’s ok if you like it!! it’s just not for me”

because it’s not that the sentiment being expressed is bad, being able to think something is bad or gross and not deciding no one should like it ever is good and important. it’s the fact that it’s even mentioned in the first place. when someone says “x is bad/gross”, the default assumption should be “they are expressing their own opinion/reaction to it”. you should have to SPECIFY if you are doing some kind of moral analysis of the work, or the fetish, or the ship, or what-have-you, but that’s assumed to be the default meaning! why??

if i say “alice x bob is a bad ship”, and you respond with “there’s nothing wrong with alice x bob!”, you are Not making an argument, and you are assuming that i am assigning some kind of moral judgement to alice x bob. something being of poor quality and something being evil are two different things

[illuminatedcomics]

My next endevour is finally wrapping up a 14 pages story I first posted in 2023 but never got around finishing for semi-stupid reasons. CAPTAIN DAMAGE, my personal little legally distinct OC based on a favorite character of mine and my take on her. I want to finish both because I want to make an effort not to abandon stuff anymore, and because of the collection of my shorts I'm organizing. I think writing wise this is one of my funniest shorts, I love writing these characters, the snappy scenes etc, but in terms of the art, there was a lot I'm unhappy with. It's a good rule of thumb that you shouldn't waste time redrawing old stuff you made, because that becomes a neverending process, as you continously mature and improve as an artist, but there were just too many little things I hated about it. Here three big ones.

Missile kick, I liked the scene but I was profoundly unhappy with the way I drew her, the anatomy is all screwed up, the pose didn't convince me, it was all wonky and I regretted settling for it. New version, I cannot be sure the anatomy is THAT much better, but I'm happier with the overall momentum. I got a comment telling me the kick looks better because the power seems to be coming from the hips, so I'm glad it's working.

Evil alien ship approaching a planet, the original is an overt Star Wars reference, and I thought to myself "Why?" What's the point, thematically this has nothing to do with Star Wars, so I changed it up and went for a flying saucer look. While a lot of the stuff I do is often a parody of something, I try to avoid being overtly obvious with my reference, and I have a strict rule against mentioning memes or anything meme adjacent. I've changed dialogues and jokes when I saw people commenting with memes or stuff I didn't know about.

Spooky villain reveal shot. Eye is much bigger to mantain it consistent with how I'm drawing the guy in the new pages. On the teeth, first time around I was trying to do something weird and new, so I gave him bifurcated fangs, but now every time I see it, it just looks like he has braces on, so I went for something more conventional. Also, I bought a new fancy font to give the evil aliens some more spice to their dialogues. I love the trope of giving characters a differente "sounding" voice by changing fonts, or making letters and speech bubbles a different color.

[teatraps]

I don’t really know how to put this into words, but imma try. I feel like ppl focus a little too much on Ella and Mrs. Valden’s deaths as personal experiences. And what I mean by that is it feels like they sometimes get treated as the sole cause of any of Edgar’s troubles and worries while kinda skimming over Sarai’s abuse. And I mean actually breaking down all that Sarai’s abuse implies, not just jump cutting to when Edgar kills him. Granted I think that also comes with how idv’s storytelling works, no time for slow burn. There’s little mention of the trust Edgar did have for Sarai before Sarai started to become more blatantly abusive/exploitive which is part of what made his abuse all the more insidious.

Furthermore, I feel people treat what happened to Edgar too much like a personal tragedy. Like it was removed from everything else around him and the family deaths and Sarai’s abuse were just unfortunate events that just so happened to happen to Edgar. When in reality, at least based on what his 3rd letter is implying, all of those things happened BECAUSE of everything else around him. Ella’s death, Mrs. Valden’s death, Sarai being able to get away with abusing Edgar so long; all of that only happened because the culture of the aristocracy allows it. In Sarai’s case, even rewards it. The environment Edgar grew up in plays a major role in what led to the tragedies in Edgar’s life, but I feel it’s one of the more under talked about aspects of his character. He doesn’t just hate the aristocracy to hate it, he also recognizes that the aristocracy’s culture enabled basically every major bad event in his life.

That’s another reason why his 3rd letter is so important, it’s because it marks the point where he tries to get away from it. Killing Sarai was not the “fix-all” to Edgar’s problems, leaving the aristocracy was. This is why he still has art block even after killing Sarai. He’s still stuck with the same aristocracy either way. By not acknowledging the way Edgar’s environment was part of the reason things ended up the way they did, it makes his bitterness at the aristocracy seem unfounded and like he’s just angry at the other people around him for no good reason. It negatively affects a lot of his storytelling by not acknowledging this part since it’s not only the root of his problems, it’s also a key theme for game 5’s plot line. Everyone in that group is dealing with an unhealthy family situation which affects them in many different ways. This theme doesn’t hold up as well if Edgar’s example of this gets skipped over. And that’s not even covering how his example is arguably the MOST important because it’s the only portrayal to show cutting off the unhealthy family dynamic and trying to push forward past them.

I’m just kinda sick of Edgar’s disdain for the aristocracy being treated like a random add-on to his character and not a deliberate character choice made to further his and the overall narrative.

[aspiringtrashpanda]

My Nightbringer Season 3 Thoughts

Alright. Here we go. I have so many thoughts and I needed to write them all out. Please do not proceed past the cut unless you have completed Nightbringer lesson 60, for LOTS of spoilers lie ahead.

FIRST OFF, I want to acknowledge that this is being written prior to reading lesson 60 HARD because I have to finish lesson 59 HARD first and I need to yap.

SECONDLY, I want to say that I am not hating on the writers here AT ALL. Nightbringer has always been a slow burn. It was set up that way. The writers were absolutely forced into a corner here and had to wrap a long story up speedy quick and they did what they could in a short period of time. As someone who loves long fics and slow burns, I like to think I understand where they were trying to go with the story, and I do genuinely feel like the overall point of the Nightbringer season 3 art makes perfect sense, but the execution leaves more to be desired for a multitude of reasons. 

So, let’s get into it.

WHAT WORKED

THE RAD SCIENCE FAIR

This may be a controversial opinion, but I believe the Science Fair was a great inclusion as it mirrors the progression of the human world over the years. Hear me out: considering we are spanning thousands of years here, it’s worth looking at the mentality of the human race over history. For a long time faith in your chosen religion was considered the answer to most troubles, and only in more recent history have we seen a shift towards a reliance on science and modern technology. 

It is important to note that I am an atheist, though I strongly believe in freedom of religion. I’m drawing from basic observation here, and am not well-versed in the details of religion and science, but I do think it’s fair to say that we as a species have gone from believing illnesses to be due to demonic possession to looking for a more scientific reason why we’re coughing up blood. THUS, I think the Devildom Science Fair is a cool way to show this progression, but it leaves one problem: We don’t know the Celestial Realm’s views on all of this. See the next section on WHAT DIDN’T WORK for more on this. 

The Science Fair did present numerous opportunities for light shenanigans with the cast that hint to other things going on, which has been Nightbringer’s modus operandi since the beginning. There is absolutely an issue with pacing here, however, but I will cover that later and again, not the writers’ fault. Regardless, the Science Fair started off strong. We had a great brotherly moment with Asmodeus and Leviathan, Mammon managed to win by still doing things his own way, and Satan shone in Beelzebub’s arc (RIP Beel, I’m so sorry.) Not to mention the slow reveal that something is going on with MC’s powers due to the time jumps and that there is unrest in the Devildom by those who don’t agree with Diavolo’s values and projects as the stand-in leader of the Devildom. We got a lot of information in between the lines, which is what Nightbringer does best.

On top of that, if the goal of the Science Fair was to a) introduce the biology component with the genes to aid in returning Simeon to exclusively a human, and b) culminate with the whole power imbalance that has the moon wanting to… fuck the MC or whatever, idk, changing the order in which the subjects are presented would have been beneficial. See the next section on WHAT DIDN’T WORK for more on this. 

SIMEON'S ARC

It was clear from the moment it was revealed that the MC was returning to the original timeline that Simeon would be in the spotlight in Nightbringer season 3. Simeon’s corruption arc (or redemption arc) was executed well for the most part. Simeon’s motives and desires were in line with his character, and there was growth in his decision to try and work towards becoming an angel again, because he would still be part of the group regardless of his species. 

Simeon saying “To me, it’s not so much ‘what I am’ as ‘who I’m with’ that matters” is a great way to summarize his little character arc. We’ve seen him thrive in caretaker roles (with Luke, of course), but it’s important that we acknowledge how badly he’s always wanted to be a part of the family the brothers have made for themselves. By refusing to become a demon, he’s fulfilling a caretaker role by providing company for Luke and Raphael, but he’s doing it on his own terms, understanding that he is loved no matter what. 

It was cute watching the cast worry so much about Simeon, and really give their all to try and help him. The explanation in Lesson 58 that the Ring of Light purified the demonic energy from Simeon was very important, because at first I was just like… Simeon, you can’t just say you aren’t going to be a demon anymore and be cured. It doesn’t work like that, honey. BUT THEN AGAIN, we don’t know that because we have no idea how ideology in the Celestial Realm has changed over the years. This ties in perfectly with one of the main goals of the Science Fair, and how it would have worked well if executed better.

RAPHAEL'S ARC

Oh, sweet Raphael, you were absolutely supposed to be integrated into the intimacy system at this point in the initial planning. I’m sure of it. I don’t have too much to say on this, other than that it was some nice exposure on how lonely the Celestial Realm is. Which makes you wonder: is the Celestial Realm pretty empty or is Raphael simply mourning the loss of his closer friends? Again, there have been thousands of years since the brothers fell to now, and yet Raphael hasn’t made too many important new relationships in the Celestial Realm? Is there a lack of angels? Is this because of science being considered treasonous to Father and it’s increase of relevance in the modern world? 

Questions aside, it was really nice to get a spotlight on Raphael and how much the rest of the cast mean to him/how much the rest of the cast care about him (lookin’ at you, Mephisto). 

WHAT DIDN'T WORK

PACING, FORESHADOWING AND CHARACTER SPOTLIGHTS

Big sigh. Let’s talk about the devil elephants in the room right now, shall we? The last 5 or so lessons in this season were SO RUSHED, it was laughable. Multiple characters got completely bulldozed by the looming end of the season, and it was so frustrating as a Leviathan fan to get hardly any quality time with him (sorry to Belphie fans too, my goodness). Again, this is not the fault of the writers at all, but I would like to present that the season should have ended with the fallout from Raphael’s breakdown in Babel. 

In my personal opinion, the main goal of season 3 should have been to return Simeon to human status, and the main goal of season 4 should have been to address the power imbalance due to the time jumping. As I mentioned earlier, Obey Me! has always excelled at providing information and foreshadowing between the lines. If the Devildom Biology and Devildom Studies competitions had been held earlier in the season (ideally after the Devildom Information Science finals), with outcomes indirectly related to Simeon’s genes and the magic of the moon, it would have noted something like genetics and historical magical surges in a manner that would foreshadow what is to come, hinted through shenanigans like with the trip to Meowcao. Then, season 3 would end with Raphael’s meltdown, Simeon deciding he doesn’t want to be a demon, and the Science Fair being put on hold momentarily for everyone to catch their bearings. Starting in season four, we could add so much more about MC’s protective magic surges, with Belphie and Satan inching closer to the truth about the time travel, and the magic balance being thrown off in the Devildom. Then, the entirety of what happened in lesson 60 would make much more sense and wouldn’t feel like it was just thrown at us out of nowhere. Not that the writers had any control over that, though. If only we were able to get one more season 😭

CELESTIAL REALM POINT OF VIEW

Someone in one of the servers I’m in mentioned that it’s annoying that we’re being given scientific solutions for moral consequences that were emphasized in the original game, and that’s why I think it’s possible the writers were trying to show the progression of science over many, many years. However, having no insight into how this progression is affecting the Celestial Realm creates confusion instead of intrigue. We are not given any clue to believe that “He” or “Father” has changed his stance on what is considered treason to the Celestial Realm. So to go from more ethical and moral reasons to cast beings out of the Celestial Realm, to sciencing away demon genes seems bizarre. Why would Simeon be welcomed back into the Celestial Realm because they forced the genes from his body? If he’s still being punished for a lack of loyalty to “Him”, then he hasn’t atoned for that at all. 

And then, if it was alluded to that the Celestial Realm was willing to incorporate science into their forgiveness system, that still opens so many more questions regarding the reason the brothers fell in the first place. Would they be cast out of the Celestial Realm now? Of course, they would absolutely choose to remain in the Devildom if given the choice, but if both Simeon and Lucifer and co. were punished for acts of love (familial or romantic or platonic, just love in general) and Simeon is welcomed back while still standing by his choices, some sort of acknowledgement of how things have changed for the better would help tidy things up. We all live and learn, so if that’s the argument that the Celestial Realm wants to make, it needs to be a bit more clear. 

Of course, Simeon does not officially return to angel status by the end of lesson 60, but he is invited to return to talk to Michael, so that’s kind of a big deal. Who knows what will happen next (if we continue on this story in another way, or something).

LOOSE ENDS

It’s time to talk about Nightbringer. I have… so many thoughts on who Nightbringer is, but there is no point in going into that because we will never, ever know, apparently. Leaving things vague is cool and all, but there’s a difference between “vague enough to theorize” and just “so vague it’s irrelevant”, and unfortunately the end of Nightbringer drifts into the territory of the latter. It no longer matters why MC was sent to the past to create a power imbalance (because isn’t that something–was MC sent to the past to make the pacts again and therefore cause a power imbalance that would draw the moon in and help a nameless demon usurp the throne/another realm gain an advantage over the Devildom?), because nothing ever comes of it, which is super unsatisfying. 

There are other loose ends of course, too, but I’m too tired from writing all this to think about that right now, so feel free to talk about it in the comments. 

FORCED LUCIFER KISS

Listen, I groaned so loud at this. I like Lucifer as a character but I cannot stand him as a romantic interest, and I’m sure I’m not the only one who feels this way. Yes, the game absolutely supports polyamory and that’s cool and all, but I don’t wanna kiss Lucifer, okay. He is not part of my polycule and he never will be smh. 

(sir why did you have to smooch me right in front of Levi?! His little hummingbird heart can’t take it and we all know I only wanna be with him.)

ANYWAY, thank you for coming to my TEDTalk. I needed to get this all off my chest. I love Obey Me! so much and I believe this IP has so much potential. I truly hope we can be optimistic about the future, but I know that’s hard to do right now. I’m here if anyone needs to talk about Nightbringer ending, and I still intend to create content for these silly characters 💕

[necroliberty]

This rambling is for someone entirely different now. And because I like the idea of broomie turning into Onyx. The creator of this art, the amazing @lenainris , said Onyx appears when Ink doesn't take care of broomie. So For The Forgotten Ones fan, we are safe.

So first, I am going to use gacha art to show what I think they would look like. At least in my multiverse. I based Ink on the art of making Ink Stones and how in Mushi-shi, one mushi was in an ink stone, another one who is actually sealed into the kanji characters (which is super cool) and the other ate old scrolls, lol. Though the last one is more of a pet because he eats scrolls that will no longer be able to hold onto the second mushi mentioned. I mainly used those 3 ideas for my Ink called Stone (because Ink Stone). Stone is way more logical leveled. Normally, Ink is kind of a chaos gremlin that needs vials to feel any emotions. But for Stone, it's more like a weekly dose to keep his soul from shattering on the spot. I generally don't like using the more mainstream idea because it generally feels randomly tacked on especially when mentioned by name. So, I decided that instead of using the Kintsugi technique, I would try to find something else. Mainly, the Shinemawa use in shrines and sacred sites. I mainly thought his soul could be seen as sacred and meant to protect it from dangers. Also he could be seen as a Kami based on this video the title is clickbaity though (it's mainly because Kamis like most polytheist dieties are representation of events so they are generally dangerous and flighty while also warm and protective. They serve a role but aren't characters like we would use them now.) This is Stone Ink by the way took me a while.

Okay, so for Onyx or at least my portrayal of the cute little been. Is that well? As said before, Stone would have mainly used broomie as a tool, not even calling it that. It's just a broom with chisel at the end. Nothing more, nothing less. He cares a lot for his favorite tool, but that is it. So when a creator gives the chance for the brush to come alive, it does. Wanting to feel what it is like to be loved and be seen as more. Also while Stone Ink represents Canon and rules. This Onyx would more represent the Fanon and wild side of creation. The what I am doing right now. So I am calling him Yokai because if Kamis are worship, Yokai are the unknown element of it all. Though in my multiverse, I guess Stone just did an eyelight roll and started to work on Yokai Onyx. Is role might be less open-minded than normal Inks. But it is needed. You need to put boundaries and limits to make a more lived in world. And this is Yokai Onyx, I made him more fluffy animal like. Because animals don't care for humans made up rules.

Meet my Oc Onyx. He's literally Ink's paintbrush that was turned into a monster skeleton by a Creator.

Finally after so much time I feel motivated and have the courage again to publish things related to him. So expect a lot of content with him.

(For those who know him. Yes, he's back.)

Onyx belong to me

[mrtequilasunset]

I've been thinking about Kim and Harry in their mid twenties again. Sighs

[demonir]

I like them a whole lot 💜

[cozylittleartblog]

idk if I've said it before, but your portrayals of both Rouxls and Queen are among my favorites, and the way they are when you combine the two is the sole thing that got me to say "yes" to queenkaard. When I first saw it in the game and it started catching on as a ship, I was like "nooo I hc him as gay," but then after seeing your stuff I was like "oh nvm I totally see this now."

i think hearing "i didn't see this ship before, but after your art i understand it and/or even ship it myself" is one of the nicest compliments i get, because it makes me feel like i'm representing something meaningful and sweet about a pairing and having people understand what i think is so great and captivating about them. i've gotten a couple asks like this and sometimes i forget to respond but i always really appreciate them :) thank you very much

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever