#i think there's... a story behind this.

[theblisterdoesntexist]

the exact time to bring this shit once again- and wait. i spotted nonpoint's logo.

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[fisheem4mmal]

ミート・イン・ア・ドリーム

[boarwinds]

art vs artist

[ohitslen]

*Vampirizes your Vashwood*

keep reading for more :)

If there needs to be much closer close-up please let me know!

[worfsbarmitzvah]

there’s such an attitude among ex-christian atheists that religions just spring up out of the void with no cultural context behind them. like ive heard people say shit like “those (((zionists))) think they own a piece of land bc their book of fairy tales told them so!!!” and they refuse to understand that no, we don’t belong there because of the torah, it’s in the torah because we belong there. because we’re from there. the torah (from a reform perspective) was written by ancient jews in and about the land that they were actively living on at the time. the torah contains instructions for agriculture because the people who lived in the land needed a way to teach their children how to care for it. it contains laws of jurisprudence because those are pretty important to have when you’re trying to run a society. same for the parts that talk about city planning. it contains our national origin story for the same reason that american schools teach kids about the boston tea party. it’s an extremely complex and fascinating text that is the furthest thing from just a “book of fairy tales”

[salt-n-salt]

harvey’s worst patient

[drenched-in-sunlight]

*SoTE spoilers undercut

This is a continued discussion in light of Marika's newly discovered tragedy. It changes so many things about how we look at the story thus far but more importantly - the DLC story trailer, especially this scene:

think about how Messmer knows, very acutely, that at one point his mother could have been cut up and put in a jar. and that his other kins were not so lucky....... it gives that scene such a tragic edge.

he wasn't doing this just for the violence. this is his answer to Marika's love and all she has done for him. yeah it's not right, it's not justified, but as something done to avenge for the kind of pain she went through? it won't be logical nor right but it's something he will do again without hesitation.

the infirmary in Shadow's Keep shows that he's trying to care for and save whatever left of her people. their people.

the line he said in his armor set description hits different when you consider all that. he wants to be the heir to all her sorrow and all of her pain. wishing that he could alleviate even just a bit of the burden of her grief and survivor guilt.

i wonder if, when Marika hid him in the Land of Shadow, fearing people will judge him for the malevolent snake he carried, she raised him in her home village? this will explain why the Tree Sentinels guarding the village drop two Blessing of Marika - the blessing that specifically stated Marika made it for Messmer's sake and him alone. it will also explain how he knew of his Mother's tragic past and took it upon himself to carry out her wish of vengeance for her people.

(also if you wanted to get to Marika's village, you have to perform the O Mother gesture before her statue in his Shadow Keep, implying he's guarding the way to her home village as well.)

One other thing I like is that in the story trailer, the heroic music sounds like it's for Miquella. and it is, in a way. it is his boss music, but the lyrics has "Ave Marika Aeterna" (Hail, Marika The Eternal).

Given that the boss arena is where Marika - the sole survivor of a whole village, walked through to salvage the remains of her people, making them the symbol of her divine ascension, I wonder if that OST is actually for her - the God, the woman whose story is finally realized in this DLC, and those female voices singing in honour of her are the spirits of her fallen kins: cheering on their last hope for justice. Through this girl, those people who had been wronged and died there will live on eternally.

All this of course seems like such a charitable take on all this, after all Marika ended up being just like the oppressors who used to put her people in jars, but I think I just want to appreciate how the environmental storytelling of this DLC is simply amazing. and once you consider that this is, in the end, Marika's story, everything will make a lot more sense.

[aftg-and-random-things]

I saw someone at my university that had a sweater that said “Only Aaron could judge me” and I could’ve sworn it was an aftg reference. But then I looked closer and noticed there were baseball bats on it…the disappointment I felt god.

Now all I can think of is I need a sweater like that but with exy racquets. Like yes, only Aaron could judge me for reallll.

I FOUND IT

[moeblob]

So does he, Gallagher.

[crustyfloor]

SUA LORE (I'm going to die one of these days fuck)

When Sua was younger, among all the sisters she had grown up with, she had one older sister, but seemingly, unlike their other sisters, that woman didn't treat Sua with hostility, in fact, she looked like she doted on Sua and looked out for her.

Translation (Creds to: @/greenbean1467 on yt in the comments section):

1/2 ?: You should take care of your hair. (Woah, careful) ?: So immature… 2/2 ?: Alright, it can’t be helped. Sua has to be punished! Tickle tickle! [ At that time, you were my only person, and for that reason, you also made me afraid. ]

"You were my only person, and for that reason, you also made me afraid" Is just...All her life, Sua had been an isolated individual, by choice, and because she had been shunned by her family, avoided due to her cold nature, and during those times she's only had two people to who she could really show herself too, this woman and Mizi, this woman being the only person Sua had in her life I can only imagine how afraid Sua was of losing her sister, and just how much her sister terrified her at times.

1/2 SUA: Mhm, so mother said, it’ll be time to leave after ten more nights. And mother seems happy, and I too… SUA: And that pink-haired kid could be there too, so… ?: Didn’t I tell you it’s uncouth to wiggle your toes like that? 2/2 SUA: Oh… I won’t then. ?: Ugh, so cute! ?: But you know, big sis is worried. ?: Worried that our immature little Sua could just up and die in that hellish place.

This woman and Sua look to be close; they are affectionate, and Sua almost seems to look up to this woman as if a sister figure, but the detail here I'm interested in is how worried this woman is about Sua and her remarks about Sua, she cares about Sua. Still, it shows that she looks down on Sua to some degree, whether this be in a teasing tone or not, I'm unsure. But there's an obvious obsessive fixation on Sua's innocence. And even in this relationship, cruelty was reinforced as a means to an end.

1/2 ?: You’re already so stupid, what if you just up and die in that place? ?: You poor thing, Sua. [They say that corpses fall from the sky in that place. When a weak kid like Sua just up and dies, They burn those kids in a hot, hot fire, And then they open the sky lid to sprinkle them over the living kids Like snow raining down. ] 2/3 ?: Even if it's not, I'm not smart, but I've gone so far ?: Pick--If you die. What should I do? ?: It's so cute Sua.

Growing up under the same guardian, Nigeh, who valued quality and beauty in her pets, it becomes obvious why Sua's sister was criticizing her appearance. She'd grown up hearing the same criticisms from the harsh and cold Nigeh who didn't care for their pets beyond their value, and what all they could bring to the plate, I could imagine just what kinds of things Nigeh would say to a pet human with "abnormalities".

Sua, however, was the perfect pet human, she was pretty, obedient, and acted obediently for Nigeh as a manicured doll to meet their expectations. She was attached to Nigeh like a daughter to a mother, looking to their validation to feel as if she was more valuable than she truly was even though the love wasn't reciprocated. For these reasons, she was treated differently from her other sisters, of course, there would be a level of envy and projection from Sua's sister.

Sua's sister is shown to be anxious about Sua, she seems to have been attached to her in the way a hurt child needs a security blanket to rest at night, Sua is so childish, naive, and stupid, it is reassuring to her sister to have someone to care for, as if there was still hope in this world, so without Sua, her sister's worries wouldn't be soothed, her sister was so scared that she even threatened Sua with fear, expressing how frightening and horrific this environment would be (Like, "Pick, if you die" I read it as "If I lose you, what should I do?)

In this way, Sua seems to parallel mirror woman because Sua had this same dependency on Mizi, again, in the way a hurt, lonely, scared child needs a security blanket to rest at night, Sua wanted Mizi to remain naive and stupid, willingly kept her in the dark so that Sua could feel a sense of peace and security through her, her sister was the same way with Sua, she wanted to keep Sua from the hell she would be subjected to very, very soon, but in the end, telling Sua ugly truths, about the snow, and all, had to have been fueled by bitter feelings, to rid Sua of that type of innocence, could have been any kind of love, perhaps in a twisted way she wanted to protect Sua.

She obviously had to have been mentally unstable (understandably) to say these kinds of things to a child, no less, the way she stares at Sua like she's desperate and broken, really, it's not loving, it's just desperate and cruel. Really, the fact that Alien stage can bring a person to this kind of insanity is a horrifying concept. Still, I believe she was trying to teach a lesson to Sua at this time in her life when she was growing up, making attachments and being susceptible to impressions, it was purposely harsh to frighten her, to project her fears onto Sua, and those words from her sister stuck with Sua for the rest of her life.

From that day on, all Sua could think about was death, all she could do was worry and worry until she met Mizi again.

Meeting Mizi, in all her optimism and bright smiles, was like a healing balm on Sua's wounds, or in other words, her "Cure" .

1/2 SUA: Big sister, your words then made me, as young as I was, all the more afraid. I imagined “just up and dying” so many times, even more than before… 2/2 SUA: But if I meet you again, I want to tell you this. That you were wrong. The one to be pitied was probably you.

1/2 SUA: If this is hell… 2/2 MIZI: Found you! You're that snow doll!

Interestingly enough, Mizi calling Sua a "snow doll" may be a foreshadowing of Sua's death, as now it's semi-confirmed that dead children are cremated and sprinkled down onto the Anakt children's faces, but they only think it's snow. (THAT IS JUST FUCKING SICK. someone kill me)

And a parallel to the MIZISUA video, their first meeting. (The nickname is just--telling of how Sua is perceived, as a little dressed-up doll.)

(And that fact just gives this piece a wholeeee darker meaning. of course. It somewhat disproves the theory that the dead are instead fed to the Wagyein, but I don't know which is worse. Then again Sua's sister could've been going off on a psychotic rant, so I'm not taking it too seriously. It's a weird coincidence though)

1/2 SUA: Where else could you find such a paradise so wonderful? 2/2 SUA: So you're wrong.

(Some nuance may be lost in translation. I died)

So this comic, like Ivan's comic after ROUND 6, Cure, Heavenly Garden, was Sua's reminiscing during her final moments, and her only thoughts were the words of her sister, her face, haunting as it was, and Mizi, her universe.

Sua's sister pitied her for her inevitable fate, she had known the life of being a pet-human, used, abused, and hurt, she feared death and still had her instincts intact. Knowing Sua would go through the same cycle and then meet a terrible fate on that hellish stage...tasted bitter. It was frightening, but it was one small liberty for Sua to make it something of her own.

But for Sua, it was far from hell. Sua's sister references Anakt garden and Alien stage as a whole as hell because it's a one-way ticket to your demise, there is no true life once you're in, that's why it's so frightening, but being found by Mizi in that garden--Mizi was wonderful, Mizi made Sua feel like a child, to feel warm in her bright, gentle light, feeling the tranquility of feeling freed and loved in the comfort of Mizi's gentle song, Sua didn't want to be pitied, she didn't even regret making it this far, she didn't care about death as long as she wasn't without Mizi, Because to be able to be with her, and sing with her...everything was all worth it to meet Mizi. For Sua, there is no fate more miserable than living a life without Mizi and dying that way. Living a life of loneliness and anxiety was pitiful.

Side note, the title of this comic, Heavenly Garden, maybe a religious reference and, more specifically, a reference to the Garden of Eden. The themes here that connect to "Return to the Great Anakt", all children, in ashes and all will eventually return to the great Anakt, it gives me the idea that after Sua's death, her "Heaven", was returning to Anakt Garden and returning to her paradise, Mizi.

[mickedy]

Wanted to try more abstract designs for whatever this is im doing

[cnl0400]

Why Solomon doesn't like the ocean?

(Honestly, surprised that the answer Is behind an event Devilgram. Feels like something you would put in the Main Story, or at least on a card in a permanent gacha)

... He was prisioner in the ocean :( It makes me sad that everyone considers him so dangerous that they feel the need to trap him... Reminds me of the story about Solomon & Nightbringer in S2... Solomon Magic Is really destructive...

[screwsfall0ut]

Tim Drake Befriends a Bee Minific

When Tim was young and very lonely, he befriended a bumblebee. 

Back then, he was curious in a way that teased wonder on every rusted fire escape. At 9 years old, even Gotham’s grimiest streets sparkled under the right light and perfect Summer days were for adventure, not dread. 

It had been one of those perfect days - balmy, sunny, fresh, and crisp - when Tim almost stepped on a bee. He paused, one leg raised, light up sneakers still flashing, and hopped to the side. 

He carefully picked it up. The poor thing didn't have wings. It was so delicate. Its tiny legs tickled Tim's palms.

Tim was stricken with fear that it would die on the hot pavement, alone and scared. It needed to be protected. It needed a chance.

An eyedropper of sugar water and 30 minutes later, the bee was moving - crawling all over the table and, eventually, over Tim's hands. He brought the bee out into the garden, letting it examine the roses, the lavender, the yarrow.

Tim couldn’t leave it out there, defenseless, with no one to watch over it, to make sure it wasn't eaten or crushed or lonely. 

He named the bee Sisko, after his favorite Star Trek character, and because it was an onomatopoeia of the strange buzzing sound Sisko would make while traveling up and down Tim’s arms.

Day after day, Sisko and Tim would make new sugar water, then go explore every flower and bush and stone on the Drake property. Sisko’s favorites were the yellow roses, which had bloomed brighter and taller than anything else that season. Sisko would always crawl back to Tim’s hands in the end, or his arms, sometimes even up Tim's neck and into his bushy hair to keep Tim company while heating up chicken nuggets or peeling open protein bars or chowing down cold pizza. 

At night, Sisko slept in the ratty, soft stomach of Tim’s favorite stuffed animal, a bunny his Mom had given him when he was too young to remember. Tim moved the stuffy from his bed to his dresser (he was nervous about rolling onto Sisko in his sleep) and every night checked that Sisko was safe and sound before turning out the lights. 

They were friends - best friends. 

With Sisko, Tim lost the urge to wander off in Gotham proper for batwatching. Instead, he’d re-learned every step of Drake property, fell in love again with the flowers and trails, the old, old trees, and the pond out near the property line. 

Tim knew Sisko was on borrowed time (of course he did) but against all logic, Tim was certain that Sisko wasn’t any normal bumblebee. How could he be? Not when he’d chosen Tim, not when they'd made a home together. Anyway, why should it be so ridiculous to think that Sisko might be a witch's familiar or a companion like Jiminy Cricket. Magic was real, and there were stranger things on Gotham's streets every day.

Tim started to believe, actually believe, that one day he and Sisko might slip into Narnia or Wonderland or Middle Earth. Every day was an adventure.

Eventually the cold began to creep back, hardening the ground, taking the flowers, and turning the leaves. It was a chilly Sunday afternoon when Sisko crawled into Tim’s palm, fell asleep, and never woke up again. No matter how much Tim begged and begged and begged.  

He'd died so quietly. So unceremoniously. Tim wasn't ready. It wasn't fair.

Sisko was just a bee, and Tim was just a boy, and there were no magic wardrobes waiting for them.

Tim buried Sisko under the yellow rose bush, long gone spindly and brown. He cried so much that he'd thrown up in the dirt. 

Later that week, Scarecrow broke out of Arkham. For the first time since June, Tim pulled out his black clothes and his camera bag to watch Batman and Robin save the day. 

The click click of his camera shutter, the smoggy sky, the sweet rot smell of the dumpsters: that was familiar. Tim was a shadow again. He could lose himself: in the dark, in the night. 

Tim tucked his bunny stuffy into the back of his closet. He stopped waiting for magic to find him, at least, not the kind you'd read about in storybooks. Magic may have been real, but it was for people like Robin, people who swung from rooftops and laughed loud and made the world brighter. It was never meant for someone like Tim.

[poorly-drawn-mdzs]

Bonus 9: So that's where the turtle came from!

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[dykepaldi]

why is there such a big thing in dw fandom that people think the companion needs to be relatable to the audience. do u not sometimes want to see someone in completely different circumstances/with different traits and flaws to u. personally i would find it incredibly boring if i could relate to every single companion