#i think there have been ups and downs with how often they're talked about? especially dependent on where you look

[2demondogs]

Hey! If you are still accepting requests, could you possibly do some Charles and Lenny friendship headcanons or one shot? An underrated duo

I am :D This was fun to write! A true "we are not enemies but I don't fw your vibes" to "excuse me Charles did not want pickles on his burger" arc.

Everyone does the LENNYYY joke but anytime I read his name I can only hear this one lyric I misheard as "KENNY!" from I Know You're Fucking Someone Else. (Worst discovery ever: it's "hickey.")

Their horses were friends first. Taima can chill with the best of them, and Maggie is much more reserved than her owner. They drift off now and then from the others to eat grass together. And ain't that darnedest thing? Charles thinks Taima is a decent judge of character, and that how well a man takes care of his horse says a lot about him. Otherwise, he'd probably not have entertained Lenny for very long.

It is a struggle to get to know one another. That first wall is always the toughest to tear a hole in with someone as reserved as Charles, so Lenny doesn't stop trying. He sees how the man gets along with Arthur and John, and he wants at least a hello out of him now and then, too. He also prefers to be on good terms with people, and he suspects Charles despises him for some reason he can't grasp. Unfortunately, he just kinda looks like he hates everyone. (Charles also isn't too fond of him, but that's besides the point.)

After the first genuine conversation, things get smoother. It was pure luck catching Charles on a chatty day — meaning he nodded a greeting instead of ignoring him — in which everything seemed to be going wrong within camp. Though he usually remains optimistic and lighthearted, Lenny's serious side is much more Charles' speed. They have a good talk about where things are going and where they've been, why exactly Miss Grimshaw is like that, why Swanson is like that, and where all the money in the world seems to go.

They're more like brothers than friends, and Lenny's age shows often, if you ask Charles. Every time they speak, he's shooting down some big idea or fighting for his life to understand a joke. It's tiring, but, well... it's Lenny. He isn't sure how or when he got to the point of dismissing things as that's just Lenny, but he's starting to feel a little protective of him. Worse, sometimes he feels proud to see him pulling off the stunts he does for the gang.

Lenny's youth does show, truthfully. Fresh off his teenage years, he's done believing that he has his head sorted out. Usually, he ends up talking to Hosea about worries like his future. Charles' general, on-the-surface apathy (read: fear) towards that big question is put in jeopardy any time the subject comes up, whether it's because something's happened or just an occasional nineteen-year-old crisis. After a few awkward trail offs, he finally admits he doesn't know what the Hell he's doing either, and Lenny feels infinitely better that he's not the only one. Without realizing it, he'd started looking up to Charles. Which, of course, he's going to balance out by poking him with a proverbial stick later. Or maybe a real one.

The first time Lenny goes hunting with Charles, the rest of their respect for one another falls into place. He pays attention and does it well, which shocks Charles a little despite his increasingly positive opinions of him. He's a fast learner, and he actually gives a damn about listening to him despite all the teasing he does day-to-day. Lenny finds himself enjoying getting more than a few sentences out of Charles, especially over a skill he takes pride in.

[neolithicsheep]

I've been meaning to write this down for some time because there are some fundamental errors that people keep making in crowdfunding/sales that shoot their campaigns in the foot. So here's a list of easy principles.

Who am I and why should you listen to me? I am a freelance chaos marketer who has raised well over $100,000 when totaling up various crowdfunding campaigns, mostly for aid to Afghanistan. In addition I've managed to successfully market everything from stuffed plush koalas to hydration salts. Why am I putting this out here for free? Because despite a years long track record of success in social media marketing no one will hire me because I don't have a college degree, so I might as well help people out who can't afford to hire full time marketing. 

If you'd like to hire me to help you evaluate your marketing and sales and teach you better skills on a 1 to 1 basis then hit me up, I am often willing to barter, esp with artists in a variety of mediums! 

Anyway on to HOW TO CONVINCE PEOPLE TO GIVE YOU MONEY:

TL;DR: use positive messaging that humanizes everyone involved and make it as easy as possible for people to give you money.

1. Shame and guilt are demotivators. They will not inspire people to give you money. “Why aren't people helping” “I guess people don't care” “This isn't getting enough shares/donations” etc etc. Online fundraising is often frustrating, heartbreaking, and will make you angry, especially when there's a humanitarian crisis involved. It is critical that if you are raising funds for someone else that you have a place to vent that is not the audience you would like to donate to the cause. 

2. Use motivating messages instead! “You can help!” “Even a small donation is important because it tells Recipient they're not alone, and people care” “We can't fix the whole world, but we can make this one thing right, and that means something”. Emphasize that this is a problem that the reader can help fix with even a small effort. With items for sale, tell a story. "I drew this thinking about how safe I always felt under a tree in my childhood backyard". "I chose the colors in this shawl to remind me of sagebrush and piñon pine in my favorite place."

3. Make it easy for people to give you money. Never talk about your product or cause without a link that leads directly to where people can give you money. They should be able to click one link on your post and land at the fundraiser or your shop. Every required click is going to lose people, so minimize the number of them required. This also means if you have a list of fundraisers for people to choose from the ones at the bottom will be neglected - people will hit the ones at the top. Be sure to take those off when they're met or periodically shuffle the list around to make sure everyone gets a chance to be in the first 5 spots. In online stores people will often only look at the first page or two of items so be sure to shuffle things around and remove out of stock items that are taking up prime real estate.

4. Humanize the recipient - this can be tricksy when raising charitable aid because you don't want to be exploitative. But to use my last Afghan campaign as an example, “We need to raise $500 for an Afghan family” is less effective than “This Afghan family's home was damaged in heavy rains that caused extensive flooding. They only need $500 to repair and rebuild so they can stay in their home and not become displaced.”  If possible, tell as much of the recipient's story as they consent to. Eg “Fred is seven and loves dinosaurs. His favorite is brontosaurus, and he carries a stuffed one with him everywhere. He wants to be a paleontologist when he grows up and discover a complete brontosaurus skeleton that he can give the same name as his stuffed friend. Unfortunately he's also a trans boy living in Texas and his family needs $1500 to rent a Uhaul and get to Colorado so he can grow up in safety and do that.”

5. If you're not the recipient, humanize yourself while you're at it! “I'd be really grateful if you all could share or donate” “This fundraiser really means a lot to me because…” “Thank you so much for any help, whether sharing or donating” 

6. Treat the audience like humans. Speak to them like they are people you're having a conversation with, not ATMs. This ultimately is the goal of not using shame/guilt and humanizing yourself and the recipient. 

7. Set low goals and bump them up when met. One of the weird things about people is they prefer to give to successful fundraisers. Yeah I don't know either. So you're more likely to get the full amount you need if you set a partial goal initially and then raise it when that's met. Raise it in small increments and raise it repeatedly as those goals are hit to keep momentum going. You can't always control this so if you're boosting someone else's fundraiser you can do it artificially via asks like “Hey y'all can we get together and put $500 on this?”

[parfaitblogs]

false god ❀ s. reid x reader

in which spencer (literally) cannot wait to show you how pretty he thinks you are tonight. 

pairing: spencer reid x fem!reader genre: smut (18+ mdni) tags: established relationship. public stuff. fingering. the team is there. readers wearing a skirt. he looooves you. they're at a bar. kinda soft dom!spence but like only if you squint. i have never posted smut before if im missing tags tell meee word count: 1.9k a/n: biting the bullet. posting smut (shudders). i have a singular roman empire and it is spencer reid plus fingering. i think about it sooo often. i do not think he would be the type to actually do this in public so yes it is self indulgent yes u can all call me crazy!! idgaf!!! i feel like the pacing in this is kinda weird pls forgive i never write smut :< if it's bad don't tell me let me be blissfully ignorant thank YEW!!

You were pretty sure there was something wrong with him (Spencer Reid). Something fundamentally broken in his brain, because he had not said a word to you that made sense from the second he picked you up from your apartment that evening. 

A lot of 'mhm's' and 'yeah's', which from maybe any other man would be normal, was not from him. He didn't speak incredibly eloquently, per se. But he did always respond to you in sentences. He liked to talk, so this lack of it was concerning you. 

He was seated next to you, in the booth Penelope Garcia had scouted out the second she stepped foot into the bar you were all meeting at. It was supposed to be a simple evening. Some drinks, some talking, winding down after the awful case you had just come back from. Spencer's lack of talking had you feeling anything but (simple). 

"Are you okay?" you had asked him when half the team stood up to go purchase the second round of drinks for everyone, and he wordlessly nodded his head, staring at the glass of water on the table in front of him, condensation sweating down to the wood. 

He wasn't. But there was only so much you could do for him when he was shutting down, especially in a public setting, so you nodded your own head, and settled into conversation with JJ instead. 

His hand found your thigh at some point during the conversation, and while you had flinched at its first contact, you didn't think much of it — he was never one for huge displays of affection, but he loved having his hands on you. An act as simple as a hand on your back had you swooning now, because you knew in his mind, he was thinking everything there was to possibly think about you. 

What you did think much of, was the way it crept higher as the team returned with drinks, and the noise from your booth got louder as conversations clashed with each other. 

Your head turned to the side, eyebrows furrowing, but he was still staring at his half-drank glass of water, with no real expression on his face. Frustratingly so.

He was never cruel, you learned. It was why his next action didn't occur until you had finished your sentence to JJ, as if to prevent what would've been your vocal chords tightening and lifting the octave of your voice as you spoke. 

It was such a featherlike touch it was hardly there, and you probably wouldn't have noticed it if he didn't do it again. And again. And again. One of his fingers brushing delicately over the centre of your underwear in a quick swiping motion, that had your head snapping to the side, meeting his jawline and his unwavering gaze with his glass of water. 

"Spencer," you muttered, and it was only then did he tilt his head down to look at you, raising an eyebrow. "What are you doing?"

His hand wrapped around the side of your inner thigh and tugged you across the seat, closer to him, his head ducking down to speak. 

"You're really pretty," he murmured, and your eyebrows only furrowed further at that.

"Thank you," you decided to say. "But what are you doing?"

"I just wanna touch you. Is that okay?"

You were silent for a moment. Maybe a moment too long, because he was already pulling his hand off your thigh, nodding his head.

"I mean, yes," you quickly say, catching his wrist before it could stray too far. "I was just confused where this was coming from."

"I really like the skirt," he explained, and your lips parted and an amused huff of air left them. Of course.

"Me too."

"Need you to wear it more often," he then said, his hand finding its way back between your thighs. "Please?"

"Maybe," you said, because it was all you could say, considering he was moving things along a little bit faster now that you had consented (not that you think you would've denied it). 

His ministrations were small enough that you could keep your voice steady as you kept conversation going with JJ, but firm enough that you squirmed every thirty seconds. He, on the other hand, was acting as though he was doing nothing to you, engaged in a conversation about the origins of pasta, with David Rossi. 

"I mean, in Greek mythology, it suggests that the Greek god Vulcan invented a device that made strings of dough. Which could be classified as the first spaghetti," he said, and at the same time, his fingers slipped beneath your underwear, brushing over your embarrassingly wet folds. 

You watched him stiffen, only because you had killed your conversation with JJ with one too many 'uh-huh's', and his jaw locked.

You were merely observant as he circled your clit a few times, until you were picking up your drink and forcing yourself to sip on it in order to keep your mouth busy — instead of releasing a moan that you really didn't want the team to hear. 

His gaze flicked to you for only half a second, and you met his eyes with an embarrassingly desperate look, and he laughed, oh so quietly, before a finger slipped into you. 

It was so gentle you thought you would go insane, and he rested the finger there for a few seconds as he responded to an argument Rossi had made about the Italian's inventing bolognese or whatever. You weren't really listening. 

The internal war you were dealing with; a pool of fiery butterflies in your stomach and the constant screaming to stay quiet in your brain was a stark contrast to Spencer's relaxed state. Because he had lazily began to move his finger like it was Sunday morning and he was easing you awake, and not in the middle of a Virginia bar with conversations amongst the team happening around you. 

You hated him for that.

Your hips squirmed when he crooked his finger, and your free hand bolted to his wrist, holding his hand still just before he could do it again, and elicit a sound from you.

The second Rossi had become immersed in something Morgan had said, Spencer's gaze was returning to you, an amused smile stretched across his lips. 

"You okay, honey?" he murmured, ducking his face down to kiss your cheek, heat blossoming on the spot. 

"I am trying so hard not to make a noise," you said, and he smiled, and you could feel it against your skin, wonderfully so.

"And you're doing an excellent job of it."

"You know, if you just took me to the bathroom..." you trailed off, eyes flickering up to him. 

"Not happening. Do you know how many germs are in public bathrooms?"

"Probably as many as the seat you're currently fingering me on," you hissed, voice hushed. 

At that, he pushed the heel of his hand against your clit, and you choked out a mewl. 

"I can stop," he said, though it didn't come out as a warning. You knew he only offered it because he would get the reaction of you violently shaking your head. "Right. No bathroom."

"No bathroom," you agreed with a flip of your stomach. 

His attention was captured by a conversation again, and with it, his finger began moving again. He was moving it with such an expertise that if this was any other situation you'd be impressed. Unfortunately, you were a little preoccupied with trying not to make a sound to appreciate how well he knew your body. 

Lazy pumps of his finger had you reeling and he was hardly doing anything, which was definitely going to be embarrassing to think about later on when he brings this up. Like you knew he would. 

Your A+ streak of making no noise was interrupted — quite rudely — by him slipping another finger in, the uncomfortable stretch that only lasted a second eliciting a whimper you couldn't keep to yourself. His eyebrows shot up and you were thankful Rossi had not been looking at him when his gaze rested on you again, and that the music in the bar was loud enough to drown out the sound to anyone who wasn't listening for it. 

"Too much?" he asked, but the second you felt him slowly pulling that second finger back, you were shaking your head, nails digging into the wrist that you still had captured. 

"No. It's not. Promise."

He smiled, and wordlessly nodded his head as he allowed the finger to straighten inside of you. Then, he moved them in and out of you a few times, achingly slowly. 

"Spencer," you breathed out, frustrated. 

"Yes, angel?"

"Can you please... just... go faster," you bit out, heat flushing your cheeks. Again.

"That would make it obvious," he answered, and you let out a huff of air. You knew he was right. "But," he added, upon detecting your annoyance. "I can do this."

He was once again proving how well he knew your body, because his thumb so easily found your clit, and circled it in a way that shot sparks up through your body.

"Yes you can," you agreed, nodding your head eagerly, and he breathed out a chuckle.

It seemed to be a lot easier to do that fast enough and hide what he was doing to you at the same time, because his fingers bent upwards at the same time he flicked his thumb over your clit, and whatever self-control you thought you had was swindled.

Your teeth bit down on the disintegrating paper straw, just to stop the moan that caught in the base of your throat from leaving it, and at that, he did it again. 

Spencer Reid was good at a lot of things. Making you come from the lightest of touches seemed to be joining that long list. Your head buried itself into the forearm of the hand that was touching you, at the same time he used it to push your hips back into the seat when they had begun to lift upwards. 

"You're making it obvious," he said to you, and what you're sure would've been a wonderfully eloquent argument died in your throat when he flicked your clit again. 

"I can't," you managed to get out, shaking your head as your fingers dug perhaps a little too hard into his wrist. 

"No?" he mused, though didn't stop his movements. You shook your head. He smiled. "So you want me to stop?"

"No."

"Mm, you're conflicting yourself, angel," he said, and you groaned for more than just how he was making you feel because you knew that. 

You bit down on his arm through his shirt to silence another moan when he pushed his fingers in a little harder than before, and if it hurt, he didn't say anything. You decided it must not have, because he repeated that movement. 

You were fighting against the need to squirm as your stomach tightened. And he must've figured out what was happening, because he masked your incandescent need to moan by using his opposite hand to entangle within your hair, bringing your face into his chest, acting as a hug to anyone who could see you. 

"There you go," he murmured, awfully gently, in your ear, as your walls fluttered around his fingers. 

You weren't sure if you were imagining your hips jerking until he was slipping his fingers out of you and pushing them down into the seat again.

He wiped his fingers against his pants, and your lips parted, eyes staring at him, dumbfounded. 

"What?" 

You shook your head, regaining a little self control as you settled down. "Nothing. I'm wearing this skirt again, though."

"Good."

your reblogs and replies are always appreciated dearly ♡

[prael]

Chemistry

Jenna Ortega x male reader smut [Commissioned fic]

Masterlist word count: 9,196 Kofi(donations/commissions)

"You know that's not my thing, right? Why even bring this to me?" You throw the papers down on her desk and they spill over the wooden surface.

"Did you even look it over?" She sighs, holding out her hands for you to take them back, "This could help you break out of the R-rated mould you've found yourself in."

"Look it over? You know this isn't my genre."

She rubs her forehead as though she's stressed, "Look, we all have to make concessions, right? It's a few months of filming and a lot of money."

"It's fucking romance," you dismiss.

She raises her voice in response, "It's your fucking career."

"What's that supposed to mean?" You push back, and she's taking a glass from the shelf behind her desk and emptying the whiskey within it in one practised motion. She's keeping her cool and taking a moment to simmer down by cleaning up the papers. The silence tells you as much as her words could. She's trying to help you like she always has.

She says, "You know what it means. You're no George Clooney. You're no Vince Vaughn. One trick ponies are rare. You gotta work on your range."

You stay quiet, clenching your jaw because you can't argue. This is what she does: tells you what you need to hear instead of what you want to hear. She's tough love and always has been. Took you under her wing and at times carried you to where you are today, so who are you to question her judgement?

"Did you ever stop to think 'why'?" She asks before taking a drink. "Why would I bring you a part that I know you're going to hate?"

You cross your arms, remaining silent as you stare at her. She smirks before answering her own question.

"Because I know who they're eyeing for the leading actress. Jenna Ortega. You know she's all the rage these days. Netflix deals and music videos. She's fuckin' viral and she's fuckin' money. Her name is gold so I want you on her fuckin' hip." She takes another sip, watching you absorb the information she's feeding you with an unrelenting stare.

She always gets like this, all the foul-mouthed excitement is enough to convince you that she really believes what she's saying.

"Alright. Got a pen?"

-

Pre-production is... well, it's different. It all feels a little foreign to you, right from the off with the script reading, because it's obviously such a different vibe than anything you're accustomed to. It's all so light and breezy and a little comical. You don't do comical.

There's no deep-seated angst, or hatred festering below the surface of your character, rather he's kind, loving, funny, a little bit of a klutz. It's a long stretch from the characters you usually play—murderers, drug dealers, car thieves. Now the viewers are supposed to like you?

Most days on set aren't that far outside of your comfort zone though—you don't think. You go through the motions like you always do, take direction and talk to the production crew, and keep it cordial and civil with the cast, especially with Jenna. Up until now, your characters have had a few brief scenes. It's all coffee shops and public parks, pretty places with lots of wide shots and lingering looks in the script, and you aren't sure how comfortable you are with it.

"Camera two," The director calls and you and Jenna take up position.

You grab her hand, and her smaller fingers curl around yours instinctively, holding on tight. She smiles at you and says softly, "Just like we talked about, okay?"

You nod and rub your thumb over hers to ease her nerves. There was this awkwardness for the first few days that has gradually eased away, the two of you talking more often. Not work stuff, which might have been smart. Just small talk. About food and places you've visited, TV, and bands, it kept things light and amicable.

"Quiet on the set."

Silence falls, and your heart rate speeds up. Your breathing is a little laboured as you wait.

It's the first time you're supposed to kiss her and somehow it doesn't feel like just acting, not really. Acting for you is fighting with some rogue cop or soldier, all stunted rage and brute force. Or you're stalking someone through the dark streets at night, the cold metal of the gun in your hand biting at your skin while you focus on nothing but landing a kill shot. There was never anyone looking at you the way Jenna is right now.

She's biting at her bottom lip, hazel eyes peering through impossibly long lashes to stare at you. You've been told this scene is important because it's a bit of a catalyst for the rest of the movie. She's looking at you, you're looking at her, and then when they call 'action' it's supposed to be one of those moments where fireworks erupt and the earth moves. That's what they want; a connection.

"Action."

Jenna bites her lip and brushes a strand of hair behind her ear, glancing up at you nervously. She's so much more practised than you, so much more effortless with putting on her act. All you have to do is smile and lean down to meet her lips. That's all there is to it, as the director says: just like that, perfect. But you want him to call cut. To say it's too staged, or the lighting is bad, or that the location isn't right.

No such luck.

You move slowly like she needs to be savoured. Of course, you've been coached, there's stage direction in your head in addition to her hand on your forearm.

Your lips brush hers tentatively, once, twice, and you tilt your head a little further to bring her closer. Close, but still not quite... until she breaks character and giggles into your mouth.

"I don't think you're supposed to be laughing," you joke, and there's an eruption of frustration from the other side of the cameras at a ruined take. You aren't bothered though, and neither is Jenna by the looks of it. She's half hiding her face against your chest and grinning like an idiot.

"I'm sorry," she says weakly, pulling away. "It's so hot in here."

She fans herself and starts pacing, while the director calls out, "What the hell was that?"

You wave a hand, "Sorry, my bad." You try to take the blame. "Can I get five minutes?"

The director sighs and gives in with a shrug. "Five minutes!"

"Really, you don't have to—"

"It's fine," you explain quickly, before turning to the line producer who just happens to be passing, "Hey, can someone cool her down? Maybe some water?"

"I'm fine," she tries to argue.

"You're flustered," you tease.

"You were doing this thing with your eyes. I don't know how to explain it. It was kind of intense, I had to laugh," she laughs again, and it's an easy, airy sound, the kind that soothes, and you decide that you like hearing it.

"I was? Damn," you sigh, running a hand through your hair.

"I know this isn't usually you're thing, I'm guessing it's your first kiss on camera? Just relax. It'll be nice," she shrugs, clearly far more sure of herself than you.

-

You're deep into the filming now. You think you're selling it, this whole relationship thing, making it seem natural as well as making the people around you believe that the chemistry is there. The weirdest thing of all is that you really enjoyed kissing her. Or, at the very least, you haven't minded it thus far. You don't know if that's the right feeling to have, there's no guidebook for this—not that you've read.

Off the set, she's nice, she's friendly and eager to get to know you. Maybe it's weird that she's trying too hard, maybe she just wants to work as seamlessly as possible. Regardless, it seems to be helping, because now, when it's your turn for coverage, you're more than happy to lean in and capture her lips. She's gotten bolder and so have you, to the point where she runs her fingers through your hair and kisses you back, so when 'cut' finally comes and the mood is broken, it takes a few moments to reorient yourself to the real world.

It's easy, you decide.

Now, the two of you have been joking about today for a while. She's been running this rhetoric of how excited she is for the car scene.

You remember your first read of the script and how this part had you almost cancelling the gig. So, sitting here in the backseat, with cameras fitted all around you and Jenna in your lap, is just a reminder of the monumental shift from where you were then to where you are now.

"Just ignore them," Jenna instructs and kisses you lightly. "Do whatever feels natural." She's echoing the words of the director, though from her they're much more relaxing to hear. You kiss her, her body languid and warm, pressed flush against yours. The touches you feared come so naturally now as you put a hand on her waist and trace her ribs, dragging her shirt up a little bit more with each pull.

There's something rather enticing, you must admit, about putting hands on her slender waist, even if it's under the watchful eye and strict instructions of the camera. Especially when her tongue does that thing where it flickers past her lips and finds your own. Fuck, she's good at this. There's no other word for it.

There has to be a call for a 'cut' coming soon, right? It was supposed to be a brief make-out, so says the script, but they don't seem too interested in stopping either of you anytime soon. You've heard that it's normal, to feel aroused while filming, but it certainly doesn't feel right. The fear is seeping in the longer this goes on; fear that Jenna will feel exactly what you're scared she'll feel.

But those short jean shorts she's wearing while sitting atop your lap, hips flush with yours, tend to elicit some automatic reaction, whether you want it to or not.

"Alright, cut! Great work everyone. Break for fifteen!" The director yells, the tension snapping immediately as Jenna rolls away, giggling.

She says something to you, you don't catch what as you blink in her direction, but she's already climbing out of the car, bending forward ever so slightly to give you a tantalising show of her ass before shutting the door behind her.

A few minutes later you've made your way to the drinks trailer for some much-needed water, that's when there's a tap on your shoulder and the unmistakable strawberry scent that accompanies Jenna hits your nose.

"You look a little shocked, is everything okay?" She has this wry smile on her face that turns your stomach a little bit.

"Yeah, I'm fine," you respond stiffly, cracking open the water bottle and taking a long drink. You nod towards her and state, "Good work out there."

"I should say the same to you," She's closer than before, the tip of her shoe bumping against yours as you stand with the picnic table at your back. "You're a natural. And the boner? Nice touch," she mocks.

She's far too cavalier for your liking right now, and more than a little brazen.

"Don't look so freaked out. No one is going to say anything. It happens all the time, don't worry."

"Do you just have a thing for humiliating me, Ortega?" It's a thing the two of you have been doing for a few days, the fake sternness and the use of surnames, like you're pretending to be angry with each other.

"What if I do? Are you going to go file a complaint?" She sings, tracing her finger down the centre of your chest.

"Watch it, Ortega," you respond half-heartedly, and she steps a little closer.

"How about you keep the boners to a minimum from now on though. It's distracting." The smirk on her face grows only more devious before she winks and then turns away, vanishing into the crowd and leaving you alone and in need of a very cold shower.

-

On-screen chemistry is the single most important thing in a film like this. If you don't make the watchers believe that the two of you are madly in love, then it's all pointless. You're getting good at this, playing this game, this new facet to your role. You think about the warmth of Jenna's kiss and her fingers curled around the nape of your neck; the feel of her in your arms.

Each take gets harder to finish. Make no mistake, it's not that the kisses are a problem, in fact, they're actually a little too easy.

You're both laid in a bed, under the covers, you're on your back and Jenna is half-draped over you. Her hair is a purposeful mess and there's lipstick on your neck. The implication is clear, the two lead characters hooked up for the first time, and you're simmering in the morning after, caught by your character's phone ringing beside you on the side table.

Jenna is quiet, watching the sheets twitch every time you move. You can tell that she's thinking by the furrow in her brow and the way she bites on her lip. The cameras are rolling and you need to answer the phone. There's no one on the phone, of course, that gets added in post. For the purpose of the scene, it's your ex-girlfriend who can't quite let you go.

"Why do you keep calling me?" You look weary like your heart is about to give up. The line is silent, but you know the script. "I don't care if you're upset with me, it's over. It's done. There's nothing left to say."

Jenna props herself up on one elbow, facing you with her dark eyes, her tousled hair falling over her shoulder. She is, in a word, mesmerising, and it feels wrong to turn your face away from her, even to add more angst for the camera.

"I'm hanging up," you continue, staring back at her.

Jenna pushes her hand under the sheets and balls it into a fist. She hovers it right over your crotch. Her character is supposed to jack you off while you're on the phone until you manage to hang up. That's what's supposed to happen.

You fake a gasp as her hand begins to move. When she bites down on her lip in response, it's the hottest expression you've ever seen. You swallow hard and your cock gives an honest twitch that feels as though it catches her attention for a fraction of a second. Her eyes widen and flick to the source of the movement, her jaw clenches and it brings you an almost unwanted satisfaction.

Each fake stroke presses down onto the growing ridge of your hardening cock, but neither of you breaks character or even dares to break eye contact. You keep up with your lines, and the strain in your voice is all too real, "I don't care how torn up you are about this, me and you are finished."

The ache in your muscles builds heat prickling under your skin, setting you on fire. You tighten your jaw in response as a means to control yourself. Only for Jenna to do the unthinkable. She lowers her hand and glides it down the length of your hard cock before wrapping her hand around it.

What's she doing?

She grips tightly, and even though there is a pair of underwear separating the two of you, it's still her. For the first time in the duration of this shoot, you drop out of character completely, staring at her in utter disbelief. What are you supposed to do in this situation? You can't just say something, it's going to get you both in trouble.

She strokes you beneath the bedsheets in tandem with the scene, so no one else has a chance of knowing. So, you keep talking, murmuring some fake dialogue and struggling with every word.

"It's—mmh," you turn your head, squeezing your eyes closed and steeling yourself. This is madness, utter madness. The throb of your cock only worsens the longer her hand keeps sliding, stimulating. It's a hellish limbo. "It's not fair for you to harass me like this, delete my number will you?"

This is the point where the ex-girlfriend realises something is wrong. In the script, she's figured it all out. She recognises the whimpers in your voice, and you're supposed to deny it. But Jenna won't stop touching you, pushing down harder, applying more pressure and using the full length of your erection as her playground.

Your breathing is heavy and strained. You try to clear your throat subtly, "No, no I'm not with someone right now." You glance at Jenna who grips tighter and smiles devilishly. "You have no idea what you're talking about. If you think, for even a second—"

You try your best to focus on your performance, but with the physical distraction, all your carefully practised lines start to fall apart, coming out jumbled. Jenna is rubbing harder, stroking faster, and her hand feels so good around your cock.

This is the point where your ex shouts, and you finally hang up the phone and drop it onto the floor, kissing Jenna fervently.

"Cut!" The director calls. "Perfect. Absolutely perfect."

Suddenly, the two of you are apart. A rush of cold air floods the space between you. Reality checks in again, reminding you that this was not in the script.

"You good?" Jenna asks, and you nod back. She looks proud of herself, the cheeky little smirk that crosses her features is all too telling. A reminder of just how insufferable she can be.

"What was that?" You lean closer and whisper, trying to make sure that the rest of the cast and crew can't hear you.

"That was acting." She responds confidently.

The director interrupts by calling your name and saying, "Alright, next scene. Going to need you under the covers. Prepare the phone call."

Now it's this whole role reversal, Jenna's character gets her own phone call from her own ex. That's the concept at play here. Meanwhile, you're down between her legs. The script says to 'mimic oral sex' which sounds... so much easier than it actually is.

Aiming to ignore the whole ordeal, or at least your conversation and what it could mean, you duck down beneath the sheets to prepare. She's lifting them up and watching you get into position. She's spreading her legs, while a team of assistants adjust the sheets over you to dress up the shot.

Looking up at Jenna under the sheets, through the darkness and at the apex of her thighs, this feels so wrong. She's... pretty. No. You stop the thoughts in their tracks. This isn't a time to indulge. You're filming a movie, playing a role. In reality, this is your job. There's a script, there's a purpose.

Still, the whole situation just feels so strange.

"Action," the director yells.

As per the script, Jenna drops the sheet as the phone rings. Now it's just you and everything below her chest, trapped under a blanket. Your hands are barely hovering near her thighs, and revenge is on your mind. If she can toy with you, you can toy with her.

So you hold her spread legs, grip them firmly just as you hear her answer the call, "If you want to grovel, then go ahead and grovel. Just remember the last time." Jenna's voice is perfect for her character, and just as it's always been, full of attitude and feisty. She's passionate, especially when it comes to putting her acting on display.

Alright, 'mimic oral sex'... first it's kissing. Lightly placed, right at the top of her thigh, little pecks to tease and taunt. You feel the slight tremble beneath your fingertips as she attempts to carry on the faux conversation. They said you shouldn't touch her. They said she shouldn't touch you.

But you feel the heat coming from her. You're mere inches away, and sure, there's the cotton thin fabric of her underwear blocking the way, but even still you catch the barest hint of her scent—sweet and musky. You grip her thighs more intensely and press your lips against the fabric.

"It was one kiss," Jenna continues, and her voice betrays her now. A subtle tremor that undermines how put together she had seemed moments before. It's enough to have you smirking.

You roll your tongue over the shape of her through the fabric, testing your limits. There's only so much you can get away with, but you'll push it. Push it as far as you can, this is the bed she made.

Jenna rolls her hips towards you, and, of course, the cameras can't see this, all they can see is her on the bed holding the sheets and pretending to talk to her ex.

"It didn't mean anything..." She tries again and fails, a breathy moan forcing its way out and revealing the growing pleasure, the need growing in her voice. She has to place her free hand over her mouth as you continue to taste her, your tongue working over her panties with no hesitation, all rhythm and no breaks.

You continue, running the flat of your tongue over her, flattening the damp fabric against her cunt, and you feel her throbbing. It's undeniable, the way she tenses under your grip and shifts ever so slightly, each slight movement an obvious clue towards her struggling with maintaining her composure.

It's not difficult to hear the change in her voice. The shake and strain of each breath only grow worse the more your tongue curls against her panties. Sure, you haven't yet come into contact with bare skin, but simply knowing just how enraptured she is by the teasing, is enough.

You can't help the slight chuckle that follows, and why would you? This whole performance is starting to become very personal, and when you squeeze her thighs, and apply pressure until it's enough to bruise, you can hear the soft mewl as she fights her way through a rather passionate phone call.

"Why don't you just fuck off?" She hangs up the phone and throws it to the side. In a moment, the same hands are wrapping around your head and dragging you close. As if there was any space left to separate you. "Oh god yes!" she moans out—it's all the script. The scene is supposed to continue until there's a fade to black. No one needs to know that the moan is real.

At the very least, she tries to contain herself. Though her hips swaying, and bucking rhythmically against your face say something very different. And the heat radiating from her core is undeniable. The cotton of her underwear sticks to her so heavily, clinging to the slight folds and wrinkles. Enough to get a good idea about what's going on behind it. That there is indeed a welcoming, quivering cunt that might benefit from an enthusiastic tongue.

Jenna's groans take on a noticeable tempo. "Don't stop, don't you dare stop. Fuck. Yes!" Her words are spilling out messily. For a moment, her responsibilities seem to vanish. She's abandoned her character and resorted to feeling your tongue against her pussy with such ferocity that, were it not for your hands pinning her down, she might have suffocated you in that tantalising heat.

As the cameras continue to roll, with filming still going on above the sheets, the pace only grows hastier.

You're aware of your heart rate spiking, the sudden realisation, the knowledge that someone might be onto the two of you, that you've crossed the imaginary line that exists between the bedroom scene. With the flicker of your tongue, that line gets a little more blurred.

And Jenna seems to be in no hurry to stop either. What was supposed to be just acting becomes a carnal need. Her hips wriggle frantically against your gyrating mouth.

"Cut!" Comes the much-needed command, and you rip away from beneath the sheet.

Jenna's chest heaves, her thighs tremble and her toned stomach tenses. You struggle, forcing back the burning desire to claim her, devour her, kiss her senseless.

It's just acting.

-

Filming goes late into the night, as it so often does. Jenna has a series of scenes with the supporting cast, and you're only there to support them. Still, you make sure to keep watch from the sidelines. She's beautiful when she acts, all passion and fire. That's another reason you're so drawn to her. Everything is so easy for her, flawless. Talented little minx.

Hours after sunset, you stop by her trailer to check in, like you so often do.

You knock, and seconds later she peeks out of the door, saying, "What? What did I do now? Oh, it's you." The harsh greeting melts away into relief, and you grin at the reaction.

"Damn, maybe I'll go then." You make a gesture to turn away, and Jenna grabs your wrist and pulls you inside with all her strength.

"Are you stupid?"

"Me? No, the very definition of sanity." You laugh and follow her further inside. It's bigger than your own, with a seating area and everything. Not that you can focus on the surrounding amenities. Because her black, lace thong is the only thing she's wearing, and, for a second, it leaves you speechless. It's impossible not to stare at the way her round little butt perks out behind her.

Jenna asks, "Like what you see?"

"What happened to your clothes?"

"My clothes are fine, I'm in my trailer aren't I? Nothing strange about relaxing like this." She says as she saunters off, the golden curves of her back highlighted by the single lamp she has lit in the corner. She stands in her kitchenette, bare back to you, pouring herself a glass of red. Her thong contrasts starkly with the honey colour of her skin. She stretches an arm back, and half glances over her shoulder.

"I can feel you staring, you know?" Jenna says, pausing for a moment while the cogs turn in your brain. After a while, there's no point in resisting. So, you close the distance between you, stand behind her, and embrace her thin waist.

"Am I bothering you?" you question, pressing closer.

"Only a little," she leans back into the touch. "But that doesn't mean stop."

An unseen force guides you. Perhaps it's those thoughts that came to mind when you were holding her, on set. What would happen if you just got to know her better?

Your mouth feels so dry from the nerves, but you drag a hand up the length of her waist, over her taut stomach, before cupping her breast. Jenna closes her eyes and hums in response, and when your palm rubs against her bare nipple, her mouth falls open.

You sink to her ear and bite it gently while catching her nipple between two fingers, which elicits a sharp gasp from her lips. You pull her firmly against your chest, and her back presses to your shirt. Fingertips brush her belly, stroking from hipbone to ribcage.

"I figured we had a little unfinished business. Remember?" You kiss her earlobe and grin, fully aware she can't see the expression.

"It did seem to me like you were quite close to being finished," she teases. Your fingers curl and squeeze the swell of her breast, earning a groan. "Tell me. How was my performance?"

"Could use some work," you mumble, kissing the side of her neck. Jenna's breath shudders when your teeth drag against her throat. She sets the glass down, freeing her hand to rest on your forearm. Holding, or perhaps holding on, you can't tell. Either way, it's an invitation to keep going.

"You think so? Looked to me like it was the best performance you had ever seen—ahem—felt."

You chuckle in her ear. All the while, her breathing becomes a little heavier. She even reaches a hand back, curling fingers in your hair to make sure your mouth remains on her. It sends an alarm bell ringing in the back of your head, a warning, a red flag, a stop sign. But what if you don't?

"I'm not like my character," she whispers. "She's all romance, nice dates and lovey-dovey shit."

"No?" you whisper.

"No," she says sternly. She twists under your grasp to face you. Your hand lands on her hip, and before she's looking up at you with her lips parted, she murmurs, "But I do enjoy being eaten out."

This time, Jenna pulls you down into the kiss. The sweet pout of her lips draws you in. She tastes sharp, like the wine, but her mouth is warm and inviting. You take her bottom lip between your teeth, and she moans, her painted nails scraping through your hair. You feel her hands fumbling, then the thud as your pants fall.

"Fuck me," she breathes the command when your palm finds the swell of her breast again. She's pushing you back, guiding you across the room, pinning you onto the arm of her couch. She lifts her knees and presses it between your legs. She pins you there and continues to kiss you, harder, rougher.

She grabs the collar of your shirt, and then the buttons begin popping. The air brushes your chest making you even more aware of the insanity unfolding in her trailer. As she unravels the rest of the shirt, Jenna pulls back, standing up with a cocky smile on her face.

There's not a chance to speak, or even comprehend, for that matter. She puts her palm on your bare chest and forces you back. You crash into the cushions, and the next thing you know, Jenna swings a knee over your head.

In an instant, she's hooking her thong to the side, then taking a handful of your hair and sitting on your face. Your hands move automatically, gripping her thighs, pressing thumbs into the soft, ample flesh. Your tongue brushes across her pussy, and the feeling of your tongue flicking across her makes Jenna let out a beautiful, quivering moan.

Her scent intoxicates. It's divine.

With strong hands, she leads your movements, grinding forward against your mouth. Daring, unashamed, desperate. She's just as much an animal as she is a woman, and that realisation makes your body tense. You part her tender folds with your tongue and taste the warmth of her nectar, causing Jenna to keen.

Her cheeks grind against your lips as she quivers atop you. Her sighs alternate between delighted huffs and breathless moans. As long as you're licking, the sounds keep coming. If anything, they grow stronger and more desperate. She won't hold back, and it makes your head spin, your focus becoming a singular, dizzy blur.

Her juices coat your mouth, slicking your chin and running down your throat. She tightens her grip on your scalp as if trying to punish you. But really, her actions only draw you closer. The taste of her makes you drunk, and not the kind that comes with a hangover in the morning, no. But the kind that makes the rest of the world and its expectations dissolve, leaving just the two of you in the remaining silence.

Jenna's pussy is a beautiful thing, you realise. Swollen and dripping, deliciously wet. It's a tempting treat just begging to be toyed with. You tongue her clit, rolling it back and forth. When you get just the right spot, a tremor passes through Jenna's frame, a hard squeeze of your scalp, as though it had been scalding her.

"Fuck, so good," Jenna groans. "Keep going. Just like that."

More noises pour out of her and splash into your ears, exciting you in a way you've never been before. And the little shimmies she gives you aren't unpleasant, or unwelcome, far from it. Those subtle dances send waves through you and make the motions of your mouth automatic. Your tongue can't get enough. Neither can your hands. You bring them higher, taking her firm ass, sinking fingertips into her plush, round cheeks and pulling her onto your face.

The movement makes her laugh. "Look at you, so excited. Hungry, are we?" You stroke your tongue up the length of her glistening wet cunt, and Jenna twitches on top of you. Her delight returns, a cry of joy and want. "Go on, eat it. Eat that fucking pussy."

The muscles in her abdomen tighten. Sore and taught, every part of her shivers and shakes, twitching and fluttering with your movements. She cries out in ecstasy, as driven mad by your tongue as you are by her taste.

Her thighs clamp around your head. You can feel her begin to writhe, twisting left and right as the pleasure rages through her. She can't control her hips, keeping them glued to your mouth and twitching violently.

Jenna cums, and her juices flow into your mouth. You drink the reward of your handiwork, as her words become hazy murmurs. An erratic pattern of curses and blasphemous platitudes. As if singing all her highest praises.

When she stands, her legs wobble with the aftershocks of an orgasm, but her posture says there are still things she wants, things only you can give her.

It takes seconds. Jenna's thong is on the floor and then she's pulling at your waistband, tugging them down until she has your cock free. Her nails scratch along the length of your length and her palm settles around it.

"Fuck, you're so hard."

Jenna strokes your shaft and gives it a playful squeeze. You watch the heat shimmer and roll around in her eyes as she sizes you up, and the way your cock gives a stubborn and needy twitch. She seems to like that, too.

When her eyes go lidded and she lowers her head down, opening her mouth and slipping her tongue across the head, you almost can't comprehend how good it feels. Your spine tightens, everything goes rigid, and you're left without a shred of control over your voice. That seems to matter not at all to Jenna.

"Hold on," she slips the head of your cock between her lips, just barely, and smiles around it as she smears your precum across her tongue. Before she looks up, meeting your eye, and then forces her head down further, wrapping her warm, wet mouth around as much of you as she can manage. You both gasp as her tongue sweeps along the underside, and you see her cheeks puff out for a moment, then relax once she settles into a rhythm.

It feels amazing, un-fucking-real. Jenna is bobbing her head up and down. Blissful moans leave her with every pass, and the lust-fogged look she gives you should be illegal. Wet sucking and slurping fill the trailer, drowned out by her hums of adoration. Each one sends vibrations shuddering through your cock.

You thread your fingers in her hair. It's a token act, your control as she moves means nothing. In a blink, she's sucking the length of you down to the very base. She struggles a little when you hit the back of her throat, but pushes through, going again and again, deeper and harder each time. Tears threaten in the corners of her eyes. Still, she won't stop.

"Jenna," your voice is thick and strained. "I'm going to—"

A few more passes of her hungry, slippery mouth have you finally toppling over the edge. If she has any intention of pulling away, the temptation or aversion isn't potent enough for her to react. She kisses and slurps, bobbing feverishly, drinking your spurts of cum and caressing your length with her soft, swollen lips.

Jenna stays with you in her mouth, breathing heavily, the look of satisfaction on her face intense and perverse. She takes her time to gently nurse the last pulses from your erection until you're twitching and overstimulated. Only then, and after a minute longer, does she finally concede and pops her mouth off your cock.

The emptiness it creates feels too much like a loss, and yet, all you can do is stare at her, heart hammering and unable to feel anything past the aftermath.

Jenna perches herself on the coffee table, her legs pressed together and angled to the side, letting her hair fall over her bare shoulders. With one hand, she cleans her mouth and smiles at you.

"I guess this puts a line through unfinished business, huh?" She laughs a little. "Long day tomorrow, best get some sleep."

Then just like that, you're half-dressed, watching her slip off to the tiny bathroom to clean up. A few minutes later the trailer door swings shut, clicking behind you.

Outside, the night air is cool and bitter. It snatches the warmth away from the memory of her touch.

-

They're saying it's going to be a success. Critics have reviewed the project already, including early screenings, and private showings. The reception is very positive. That's great, you know it is, and everything is piling up and coming to a close now. All that's left is one last night, the premiere itself, the main event. This will determine the fate of the film, whether it's a runaway hit, a fantastic start to awards season, or a straight-to-streaming disaster.

"Been a while," the voice behind you says and you turn to see Jenna at your shoulder. She looks exquisite, elegant, and alluring in her gown.

"Understatement." You take the time to look her over again. It was only a couple of months ago you saw her naked and had her on your face. It feels so distant, and almost like a dream. Maybe it is, given how quickly she went cold afterwards.

"Red carpets aren't really my favourite thing. It's... all overrated, isn't it?" She sighs.

"Yeah, you told me."

"I did?"

"At the party, on the last day of shooting. You said, and I quote, 'I hate red carpets, everyone is so fake.'"

She rolls her eyes and laughs. "I must have been drunk."

"You were very drunk," you confirm. "Remember? And you were doing that thing with your foot."

Jenna tenses. "I did, didn't I?"

It was a few hours into the party, and most everyone was way too drunk to even make sense. You found yourself sitting down, trying to stop your head from spinning the way it was. Then she came and sat across from you. Apparently, she'd been drinking more than usual, given the wide-eyed look she had when she'd approached.

"You're handsome," she told you and flashed a drunken smile.

"You're drunk enough to say that to anyone."

"You're smart," she leaned closer, and even in the darkness of the room, you were mesmerised by the way her tanned skin contrasted with the tight, white dress. "You're talented. I'm glad they cast you." She runs her foot from your ankle, along the inside of your leg.

Her toes met your knee. You think you stopped breathing as she traced circles on your inner thigh. You looked up at her face, and she was smiling, a devilish one that said she knew exactly what she was doing.

"You smell so good. Like coffee and mint. It's infuriating." Her shoe slid higher, pressing against the crotch of your pants, and she frowned. "No reaction. Maybe you're shy? Oh, wait."

She pulled her foot back and then bent to the side to reach down under the table. After a few seconds and a few confused expressions, as she fiddled with something out of sight, her shoe fell to the floor. Jenna slid the sole of her bare foot between your legs.

"That's better, right?"

She sat up straight and clicked her tongue. You couldn't believe it. Barefoot, hair down, smouldering gaze and curling her toes against your crotch. It was a lot for you at the time. She smirked, shifting again and sipping a glass of champagne before putting it to the side.

"So, how has it been? This whole romance thing?" She stepped closer with her toes and her heel pressed over your cock, digging in slightly.

"I hated the idea of it. Didn't want any part of it. But being here with everyone has made me change my mind. I've done well."

She started to rub the underside of her foot faster, creating an overwhelming amount of friction. And her smug, smiling face wasn't helping your cause at all. Then she leaned closer, so her chest was bunched up and exposed. She teased the top of your cock with her toes and rested her chin in her hand.

"I think you just have to accept it. Learn to enjoy it. It helps that everyone was so nice to work with."

"Was I?" she asks with a flirtatious lilt, pressing her toes harder against your stiffening cock. "Was I particularly nice to you?"

You choke out a laugh. "You don't need me to tell you that you're nice to look at. But you don't need me to tell you you're more than a pretty face either."

"Do me a favour, undo your trousers."

Now? Really?

"Seriously? Here?" You're sure your voice was shaking.

"Now or never."

The pressure in your loins was undeniable, and you went to work unzipping and undoing buttons. Discreetly you pried them open and pulled down your underwear. Your cock sprung free, and you sighed in relief.

She rested a hand on your arm. It was surprisingly comforting. Then she pressed her foot down to angle your cock against her instep, slipping her soft, warm skin up and down your shaft, barely rocking it back and forth.

"That's better." She smiled sweetly, teasing the head with her toes. "You were nervous." She circled the tip of your cock with her big toe. "That first day of filming, you were so worried about messing up."

"Well, yeah. New role, new movie, no way of knowing."

"Hindsight is always 20:20, but you worry too much. Don't spend so much time thinking about what can go wrong, focus more on the things that can go right."

"Like this?"

"Like this," she grinned as she spoke. Her foot pressed harder and moved faster, stroking you up and down and you did everything you could to keep a straight face as people walked by. Each with an innocent conversation, unaware of what was going on beneath the table. "Besides, you did alright."

Alright. Not great. Not good. Alright.

It's about as much of a compliment on your work that Jenna has ever given you verbally, though you wondered if the foot on your cock is indicative of anything.

"Thank you. I, uh, appreciate the feedback."

"We make a good team." Her eyes narrowed as she focused on getting you off and her top lip stiffened. "Solving problems. Improvising scenes." Her foot kicked up a gear, in a blur, up and down, faster and faster.

"Jenna, I'm—"

"Great on-screen chemistry. Great off-scene chemistry." She pushed you right over the edge with her sole on the underside of your cock. The look on her face said it all. A smile so wide as she felt you twitch against her, throbbing, shaking, and pouring cum right over her skin. "Though you are rather easy to manipulate, aren't you?"

She shot you a wink as she cleaned her foot with a tissue. "See you around."

That image has been burned into your head for a long time since then, though you work to shake it out of there while walking the red carpet. It's all camera flashes and the chore of being paraded in front of them. You follow her lead, and she meets the press with the very embodiment of what they'd want—grace, charisma, flair and passion.

You answer a few basic questions that can't reveal anything interesting or new. Something about keeping the magic, and hopefully breaking it when you win a bunch of awards. Wouldn't that be nice?

"Where do you think this opportunity takes you after the film is released?" one interviewer asks.

"Obviously, any opportunity to work with other amazing talents is an honour. I don't know when, if, or what the offer will be, but I'm certainly happy to be working again."

"And if you had the opportunity to work with Miss Ortega again?" It's a question that she overhears, and she throws you a look over her shoulder.

You try not to stammer. "Of course, if I was fortunate enough, I'd take it. She's... unparalleled."

-

This has never been your favourite part, it might even be the worst. Sitting through your own premiere, watching your own work, it's like a long, self-aware nightmare. It's a natural reaction, but that's little consolation, particularly when you know what scene is coming next. It's some over-complicated form of torture to watch yourself get a handjob on the big screen. Everyone's watching. Including Jenna, sitting next to you.

This is the cavalcade of self-humiliation.

To your surprise, Jenna reaches over to slip her fingers between your own. It's the gentle and comforting squeeze that's accompanied by a sly smirk from her when you glance in her direction. Her eyelids lower and an undeniable tension builds between the two of you. She leans in to whisper to you.

"About last time..."

You smirk. "Am I supposed to know what you're talking about?"

"The ending was abrupt, don't you think?" Her teeth catch on her lip, and those sinful eyes narrow.

"A little."

"Follow me."

Jenna stands up without waiting for an answer. Being in the back corner of the screening makes it fairly easy to slip out after her. When you reach the corridor leading to the bathrooms, Jenna looks you over and smirks.

"Tell me," she laughs out the words as she brushes a few strands of hair out of her face and pins you against the wall, "How often do you think about that night in my trailer?" She pushes up onto her tip-toes, wraps an arm around the back of your neck and pulls your ear to her lips. "Don't lie to me, I know you've thought about it."

Her tone is a familiar temptation, and you've missed it. The sensual inflexion in her voice winds its way through every bone and tendon until it's there, inside and immersing you in the raw carnality that Jenna makes you feel. "All the time."

"Me too." She pulls on your wrist, leading you again and heading for the bathroom. You let her, and she pulls you into a cubicle with her, closing and locking the door behind you. "And how many times have you got off imagining it, picturing it." Her hands stroke along the front of your trousers, and the button pops open in her fingers. You don't even get to reply before she says, "Yeah, me too."

There's something perverse about hearing her say that. Something lewd in the way she smiles at you and peels down your trousers and underwear and instantly slumps to her knees. There's no teasing, no showmanship, nothing but blunt hunger, naked and fierce.

"You're beautiful," you whisper, and her eyes dart up, and her lips pause just as she's about to take you. Her hot breath spilling over the tip of your cock.

"Shut the fuck up," she laughs. Her gaze narrows. She sinks her wet, warm mouth down onto your length, swallowing it bit by bit. When the head touches the back of her throat, she giggles as her eyes water.

A moan involuntarily slips out. Your hips buck forward. Jenna's tongue is like velvet, rolling around the tip of your cock, then enveloping your shaft. You can't help the thrusting. It's automatic, primal, a natural response to being encased in her intoxicating mouth.

Jenna looks up at you, cheeks hollowed, eyes wide with anticipation. She pops her mouth off your swollen cock with a wet noise, and immediately, her fist closes around it, jerking you. She smiles. "Wanna do it?"

"That's how you're going to ask?" You scoff, leaning against the cubicle wall, a slight grin pulling at your mouth. "Is the art of seduction really that dead?"

"Well, forgive me if I don't quote poetry at you and cover myself in rose petals," she says as she climbs back to her feet and places her hand on your shoulders. She guides you to take a seat as she jokes, "Poetry bores the shit out of me."

It's almost too fast when her slim hands lift her dress up to her waist. She watches your face, her teeth pin her lip as she reaches down to hook her panties to the side. She slips a finger inside her already dripping pussy. You throb, hard as a rock, when her hand withdraws and she's reaching up and pressing the gleaming digit against your mouth.

You taste her wetness, licking your tongue against it. "Fuck," you growl, the urge to have her, devour her, ravage her takes you.

"You want it?" Jenna sways her hips and bites her lip. Her tight little body was made for sinning, it's plain and simple. You can't resist touching her, teasing your hands up the back of her thighs and around the ample curve of her ass, then pulling her onto your lap.

"Want it," you breathe the words against her lips. Her hand settles around the base of your cock and drags it across her slick pussy. She sighs into your mouth when your thumbs dig into her hips. That's an invitation to slide inside her.

Then you fill her. Her lips seal onto yours, her eyes flutter closed, and a sweet, deep, hungry sound of satisfaction leaves her. It's a sudden rush, everything about this situation, here and now, is a euphoric madness.

She looks incredible above you, her round, firm tits straining against the dress fabric, beads of sweat at the hollow of her collar and the heat in her eyes. Perched on top of you, Jenna rolls her hips forward, grinding against your lap, coiling that hot, wet flesh around your cock.

"God, your cock feels so fucking good," she gasps as she rides you, the way she moves her hips, the wild shifts and squeezes of her tight cunt around you bring the knot in your stomach already. You buck up into her and a ragged cry tears from Jenna's throat.

You seize her hair and kiss her, swallow her cries and moans, her gasps and whimpers, drink every little sound she makes and lose yourself in the rocking grind of her hips. You're both animalistic now. Her with her bouncing, grinding and needy fucking. You with your digging fingertips and the pounding of your crotch against her. It's filthy, it's unhinged.

"This might be the last time we—"

"Shut up," you interrupt.

"Last time we do this."

"Shut the fuck up," your hands dig into her waist, pulling her down and plunging your cock deep.

"Tell me," she says breathlessly, slamming her hips to meet your thrusts. "If we end this right here, is that good enough?"

"Fuck no," you hiss the words. You reach up to pull down her dress, prying her perky, bare breasts free and enveloping one in your mouth. Your tongue traces the nipple and you draw it in deeper. Jenna slows to a firm grind, holding your cock tight inside her before she snaps forward, locking her arms behind your head. You feel the shudder inside her, feel her clenching on you.

It's a deep, powerful moan, straight to your ears, as she cums. Pulling back and grabbing your face in her palms, forcing you to look right into her eyes. The blissful, fucked-senseless expression on her face is priceless, so is the dizzying, tightening feel of her cunt. Jenna collapses, huffing and panting, while you still hunger for more.

You pick her up and slam her against the cubicle door. It rocks under the impact. She giggles and takes a handful of your hair.

"Go on, fuck me. Like it's the only time you're ever going to get the chance."

So, you do. What more could you ever do? Is there anything more rational than drilling Jenna Ortega against a door in a movie theatre bathroom?

"Good, yeah," she wraps her legs around your waist and curls fingers in your hair. "You're getting there." She tilts her head and you claim the side of her throat, biting her neck. "If I tell you that you can cum inside, will you fuck me harder? Is that it?"

You groan into her neck, grip tightens, and you draw her body right to yours.

"If I tell you how badly I want to feel you cum, that it's driving me crazy, would that make it better?" She tightens her thighs around your waist and huffs out the words as though the effort is too much. "Go on. Do it."

The door rattles on its hinges, but you hardly even notice. Everything is her. Her body, her eyes, her voice, her. Your fingers lock around her waist, hold her tight while you pound her. The sweat-slick strands of her hair hang across her forehead, her skin glistens, and you're mesmerised by how good she looks while you fuck her.

You sink your teeth into her shoulder as you fill her. You lose control, twitching, and buried to the hilt, a groan into her skin as you twitch inside her. Cum spurts, your body shakes, her sex pulsates and clenches. She milks everything, and the next thing you know, you're falling back onto the seat, her collapsed on top of you and heaving. Gentle movements of her hips keep the sensations alive until you have nothing left to give her.

Overstimulation sets in quickly, her fingers slowly entwine with yours as you sag back against the seat, trembling and spent. The pair of you stay there, sweat-drenched, messy and grinning, sharing the tangle of soft noises in the silence.

"So, that was..."

"Pretty fucking good," she cuts you off. She rests her head against your shoulder, her hands settle on your arms, caressing you.

"That's what I would have said," you tell her, as you run your hand over her thigh and palm her ass.

"Damn. We might as well get married and drive off into the sunset." She laughs, and you chuckle with her.

"Or maybe we could just do this again sometime?" you ask with a slight grin.

She considers it. Pouting her lips and twitching them side to side. Her expression takes on a knowing edge, something mischievous as she looks you over and replies. "I'll see you around, maybe."

Now that...

That's just cruel.

[kingsandbastardz]

So for basically my whole life I'd grown up with and was resigned to accept that the chinese concept of formal/nice clothing of my and the previous generation has been western clothes. So at any awards ceremonies or performances, entertainers would show up mostly in western suits/dresses and maaaaaybe you'll spot the occasional cheongsam if they're going for a Wong Fei Hong vibe. Which, you know, kinda sucks if you have any concept of western cultural imperialism in asia.

So when the hanfu revivalist movement started, I was waiting to see when it would enter the mainstream -- my hope was for fashion designers to integrate traditional/dynastic elements into their work and make it common place enough that I can buy this shit online for ME. Because I WANT.

Though some of the designs can be a bit hit or miss, I am LOVING what various stars and entertainers are wearing out and about now.

Anyway - here's a collection of Xiao Shunyao's modern hanfu inspired/hybridized stage outfits from the last couple years. For his MLC performances, his stylists seem to be borrowing inspiration from his Di Feisheng and possibly other character costume silhouettes.

I'd been seeing a few comments about how his outfits play with gender - and some of his outfits do! But I think the interesting thing to discuss is from which standard is he playing with gender? Because from a western perspective, the things he does with his western suit tops, belting on top of the jacket for a tightly cinched waist, and the addition of a trailing skirt = femme. But if you're talking from a hanfu-hybridized pov, that's just a modern take on hanfu and having any of those elements is not inherently femme and would often read masc to me.

So these things aren't necessarily gendered because they exist traditionally in chinese men's clothing or costume designs (ie video games, comics, historical fiction illustrations and film, etc, so therefore in the modern lexicon of masculine/acceptable for men):

presence or lack of a skirt

silky, velvety, gauzy or sparkly material choice, esp in formal or stage clothing

short or long length of skirt

embroidery

flowers/floral/bird designs

folding fans

certain styles of makeup

beading, gold, tassels, jewels

non-chunky jewelry

headbands

widely flowing silhouettes

What XSY's stylists are doing with some western clothing items are interesting. I'm convinced there have been one or two western jacket tops made of thinner material that they're folding over the front, and belting down instead of buttoning (which then matches with his other outfits that are designed specifically to do this). Then they're adding a skirt, cloak or bracer element to it.

The western portions often bring a military minimalist feel which they balance with a more gauzy material in the skirt or cloak portions.

Things I think are playing with gender:

row 1 - image 1: red di feisheng-inspired outfit

The lace-up girdle is there to match the bracers in both material and style. And it's positioned to be similar to the heavy belt that Di Feisheng wears. HOWEVER. That style of girdle/corset-like clothing item can't be divorced from the modern idea of sexy leather corsets. So imo, this waist piece on that outfit was a choice. Especially when paired with his allergic-to-collars-higher-than-his-sternum necklines. And if you take into context how masculine yet female coded his character is in the drama, the whole look evokes that.

row 2, image 1: black western suit with belt on top, hat, cloak, black boots and not-visible but also a black tassel fringe skirt

Hat and cloak moves the intention of the outfit from western toward a more Asian slant, because alone, it looks like a western black suit with western heeled boots, cinched waist with a lady's belt (seated photoshoot) and western style tassel skirt. The suit top consists of a vest and a shrug-like sleeve portion that appears masculine at first glance. But take the shrug and pair it with the tassel skirt (I can't find the red carpet photos but here is a better view of the skirt when seated), and I think you got a look that's both intentionally edging toward the femme in a western sense but also confusing matters by hiding within the parameters of both western and chinese traditional male styling.

row 2 - image 2 : white asymetrical western jacket styled in a front fold-over style, gauze skirt, trailing pearl embellishments

The more traditional leaning version of this is the white outfit in row 3 that he wears to the Hi6 Hello Saturday variety show -- the skirt portion on that outfit is one I'd consider non-gendered. Row 1, images 2 and 3 are examples of masculine/neutral uses of gauze that plays with flow of form but isn't inherently femme. This stage outfit is very western-appearing masculine suiting, until you hit the skirt which is giving me long ballerina tie-on skirt with the additional swan/mermaid pearl strings. Imo, another example of deliberately using traditional masculine styling but switching it up with the combination of material choice and make that is feminine.

row 2, image 3: black space military boots, black suiting, black -silver ombre sequin trailing skirt and white gauzy shawl with black floral design

The over all design is going for a masculine military-feel. (think this outfit for shen langhun) But instead of a thicker military cloak, it's replaced with a woman's gauze shawl and a skirt that trails behind him very much like the back of a woman's formal fish-tail gown when he moves around. If you take into context Wang Herun's outfit is a white-silver sequined dress cut in a way to also give a space-military-queen vibe, imo they both coordinated their outfits to balance out with both femme and masc qualities.

Thoughts? I'm curious what others think about this.

While I wait for the CNY photoshoot for XSY's red and black look, here's him with his stage collaborators with a nice range of skirt lengths, period influences and material choices. The woman in the center is the one with the most military-fighter design out of the bunch. The dudes are all in variations of formal-wear-with-good-kicking-boots (and lots of crotch space).

[anothertimdrakestan]

Batboys Toxic Traits Headcanons

because no one is perfect, i wanted to get a little dirty with it and imagine what the boys are like when they're a little... too obsessed with you.

tw for romanticizing possessive, obsessive, jealous, aggressive actions haha xoxo

Jason Todd

- scary dog privileges wherever you go with jace, but he is ALL bite with one and only one warning bark.

- when a hand that isn't his brushes your thigh in a club, fingers get broken. when a cat caller thinks his compliment just has to be said to you, he most likely won't be able to speak again for weeks. And god forbid any villain try to use you as bait for jason, they've all learned if they value their life to never touch you. He's all for justice not vengeance until anyone tries to mess with you, then those words always get mixed up in his head.

- sometimes you cant even complain about people, they end up getting randomly harassed by a certain someone until they just move town

- jason is adamant as long as he's alive there won't be a problem of yours he can't solve with a little violence

- your biggest problem is that he struggles to let you have guy friends, obviously the ones he knows especially fellow heroes are more than fine, but he's been known to burst blood vessels when he sees you close and person with men he's never met

- he's proud of it too: "let another man try and touch y/n, it's been a slow night for me." or "i just don't get why you need him as a friend when you have me, myself, and i"

Tim Drake

- tim gets... obsessive.

- he tends to fall hard but with you he brought the house down with him

- before you were officially his he had hacked every security camera in the city to have eyes on you at any given moment

- both for your safety and his own maniacal flirting strategy: you admire shoes but frown at the price tag? tim's buying you the matching bag to go with the shoes he bought the second you looked at them.

- before you knew how insanely in love with you he was, you truly thought he was a mind reader

- well he kind of was, seeing as he scrolled through your search history every night to know which talking points to bring up with you

- once you finally fell for him and set some stronger boundaries he still occasionally found himself double checking your location when you weren't by his side, or lazily purchasing every item on your pinterest boards, he just can't help but dote on you

Damian Wayne

- damian doesn't really get close to people, but as always you were his exception

- however, this means his list of people to hang out with is extremely short, and he saw no problem in wanting to be around you wherever you went whenever he could

- like a kind of tall, dark, and brooding puppy, he quietly followed you everywhere, and when you strictly told him he couldn't follow along, you always noticed a perched shadow just a few building away

- eventually you got used to rolling over to damian coolly watching you sleep or patiently waiting to pick you up from your classes/job, happy just to walk you to your car

- just like jason, damian had a brutal and heartless style of problem-solving when it came to anyone giving you trouble

- too often you found yourself standing in between his rage a massive mistake whether it was nearly assaulting a friend of yours who tried to ask you out or threatening to buy out your entire workplace when you didn't get the promotion you wanted

- forever cooling his rage was worth having his adoration though, and you were happy to have your overbearing shadow follow you throughout your days

Dick Grayson

- for such a bubbly leader, dick often struggled with communication

- always used to bearing his problems alone youd spent too many nights tracking down your own boyfriend only to beg him to tell you what's wrong

- he never understood that you didn't always want to solve his problems, but hold his sadness or hurt with him

- it was the worst when he was upset with you, whether it was jealously or insecurity that crept into his mind

- he'd take off in a rush hoping you wouldn't notice but you always did, either hunting him down or simply waiting with open arms for him to come home

- it would take years to teach your traveling-circus-raised boyfriend that you weren't going anywhere, ever.

- but, this made for many heartfelt nights where he held you and promised you the world, as if you'd opened him up in a way no one else could, pulling forward the most magical and loving side of your sweet boy

[redr0sewrites]

s. sub vox headcanons please…. i need that tv man so bad its not even FUNNY

YESSSS MY INBOX HAS BEEN LITERALLY FLOODED W SUB VOX EVER SINCE I MADE THAT POST HAHA

🥀Cw: smut, dom!reader, marking, overstimulation, praise, degradation

🥀 Pt 2 Sounding Hcs Here

🥀minors dni

this man is a SPOILED switch

vox genuinely thinks hes a dom until he meets you, he's used to being dominant and has probably never tried being a sub

his ego gets in the way a little at first, he thinks it's embarrassing

however, once you begin to ease him into it, he's no longer embarrassed about the fact that hes subbing... hes embarrassed about how much he enjoys it

vox is so bratty, especially in the beginning

he has to trust you a lot to truly submit, and that takes time

he'll be very demanding, he'll try to touch himself without permission, he'll boss you around, he'll directly disobey commands, all in the effort of pissing you off

little does he know that you aren't giving up

PUNISH HIM. vox has a huge humiliation kink, fuck him in front of a mirror or in his monitor room where he can see himself from all anges, its so embarrassing to him and he'll probably short circuit

better yet, video tape it (w consent ofc) and play it for him later to fluster him

vox loves it when you talk dirty, hes def the type to have a voice kink

vox is also the type to be incredibly sensitive imo, and he gets overstimulated veryyyy easily bc of that

the easiest way for to you break down his bratty, bossy layer is to overstimulate him until he's sobbing

he has to really trust you tho

as much as vox likes your degradation, he LOVES youre praise

this man is constantly under stress, and is always hungry for control, so having someone else take it away from him can be very relieving for him

tell him how good he's doing, how good he's making you feel, and his mind goes all fuzzy <3

honestly once you slip into praise vox is practically GONE, he slips into subspace so easily when it comes to the overstimulating pleasure you're providing and combined with the praising? he's done for

vox always wants his hands on you, but he's so touchy and forgets how sharp his nails are, so you often have to restrain him

he likes seeing you covered in scratches tho, and also secretly likes it when you leave hickeys or scratches on his skin. ESPECIALLY when they're visible- it ties in with the humiliation kink ig, but if anyone ever noticed or pointed it out he'd prob cause a blackout with how flustered he'd get

speaking of getting flustered, vox glitches and whimpers when he moans, and his screen will often flush or grow static-y

the lights and electronics often flicker or go out when he cums, and he often cums so hard he glitches out and cuts the wifi (much to val and vels annoyance)

vox likes receiving more than giving, and LOVES blow jobs- it can be a little hard for him to give oral (lmao) but he loves bjs so so so much

theres something so pleasurable about just laying back and doing nothing but whimper and claw at the sheets as you suck him dry, and he cries from pleasure every time

VOX LOVES IT WHEN U SUCK HIM OFF WHILE HES WORKING, BUT HE NEVER ACTUALLY GETS ANY WORK DONE AND SPENDS THE WHOLE TIME SHAKING AND TRYING NOT TO THRUST INTO YOURE MOUTH

vox is also def a squirmer, like he'll shudder and whine over the gentlest touches. y'all also have to change the bedding like eveytime you have sex cuz he literally CLAWS at the sheets and moves around a LOT

simple solution? shibari

he loves/hates being tied up because its soooo humiliating and it gives you complete control

speaking of control, he finds it really hot when you're pissed or acting dominant outside of the bedroom

sometimes (alot of times) he'll try to intentionally piss you off just so you'll fuck him senseless

at the end of long work days, he either wants to be gently praised and taken care of while you both make love or fucked absolutely senseless until he can't even remember why he was upset and can only helplessly babble and whine

vox goes incoherent super easily and it only embarrasses him more that he can't get words out

he def owns a lot (and i mean a LOT) of sex toys and likes it when u use them on him

some nights he just wants to lay back while you try them all out on him

HES INTO SOUNDING AND YES I WILL ELABORATE IF ASKED <333

just the thought of u filling every one of his holes and overstimulating him from every angle makes him horny

he def will want you to use a remote control vibrator during meetings, he gets off on the humiliation

however with all of his baggage w valentino and shit, he def likes being treated sweetly too

some days he needs to get out of his head and be forced into submission and put into place, but others he needs to be pampered and praised and treated like glass

vox is much more emotional on these days and is a lot more clingy during these softer sessions

talk him through his orgasm, he'll probably start crying and let out the prettiest whimpers- he just cant help it, you make him feel so good :(

overall, he can be both super bratty and super submissive at the same time and is one kinky mf

humiliation is absolutely his biggest kink, followed in no particular order by bondage, a voice kink, praise, marking/claiming, DRY HUMPING (again i will absolutely elaborate if asked... hehe), and being put in his place

YALLLLLL IK THIS IS SO SHORT BUT I HAVE LIKE 6 OTHER SUB VOX REQS IN MY INBOX RN WHERE I WILL DEF BE GOING INTO MORE DETAILED SCENARIOS HEHE I LOVE HIMMMMM!!! I'LL PROB DO MORE IN DEPTH LIKE GENERAL HCS FOR HIM SOON WITH HIS DOM SIDE AS WELL CUZ THIS MANS THE WORLDS BIGGEST SWITCH- ANYWAYS HOPE U ENJOYEDDDD FEEL FREE TO SEND IN MORE REQS >:D

UPDATE: ELABORATION (basically pt 2 w sounding hcs) HERE

[elucubrare]

What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

[gemini-sensei]

Poly!Losers!Eli and Demetri x Shy!Popular!Reader Headcanons

Req: I saw your post about popular reader and was wondering if you could do a poly loser Eli and demetri with a shy popular reader headcanons please

CW: small amount of smut including voyeurism and a little bit of oral (male receiving), insecurity.

Tags: @phoenix062

✨️ Reader never wanted to be popular. She's just popular by proxy. She always hung out with Yasmine and Moon as a kids and as they got older they became the popular kids, bringing Reader along for the ride. She doesn't like the attention and herbfriends know that, so they kind of act like her protectors; especially when they can tell the attention and chatter are too much for her.

✨️ Eli and Demetri are total losers. They spend their time admiring Reader from afar and fantasizing about a relationship with her. They talk about her all the time, usually Demetri without a filter and Eli becoming embarrassed of flustered in response to whatever he says. They do not have the courage to walk up to her and actually say anything because the last time someone tried that, Yasmine bit their head off.

✨️ Their paths don't cross until one day in gym class, everyone is outside playing a game but it's getting hard to keep up. Eli and Demetri run off and hide under the bleachers, planning to stay there until class ends and they can all go change in the locker room. However, they don't expect to find Reader there with a book.

She looks up at them pleasingly amd speaks so softly, "Please don't tell Coach I'm here... I hate close contact sports..."

Demetri grins, seeing an opportunity to finally talk to the girl of his and Eli's dreams. "So do we," he laughs and they sit down. "What are you reading?"

✨️ They have a nice conversation, for what it's worth. Reader doesn't talk too much and Eli clams up because he's in the presence of the girl he's been crushing on for years. It gets quiet between them fast but it's not an awkward silence. Reader likes quiet more often than not and doesn't mind it, while Demetri and Eli like it because they get to admire her upclose and she's not asking them questions about it.

✨️ Just before the class ends, she's gets up so she can be the first person in the locker room so she can change into her normal clothes without others around. She waves bye to Eli and Demetri before she's too far away though. They wave back, too happy with how things played out to even speak.

✨️After that, they're even more in love with Reader. And to be clear, she didn't do or say anything special, she just sat and talked to them a little bit. Again, they're just pathetic losers lol.

✨️ Reader thinks they're cute. And now that she's seen them, they can't blend in anymore. However, just because she's popular doesn't make her confident. She's too shy to approach them. If they have a class together, lucky them, but it'd nothing special - well, Reader doesn't think she's all thay special in comparison to her friends, but Eli and Demetri think otherwise.

✨️ When they're alone, Eli and Demetri talk about her nonstop. It's a little embarrassing tbh but they don't care. Conversations will start off sweet and innocent but devolve into something more spicy. Especially if Reader wore a pretty outfit that showed off all of her curves and nice tits.

✨️ Those conversations usually lead to Demetri sucking Eli off to turn him into a whiny little loser. He doesn't say much of anything the whole time and just whines so pretty, maybe letting out Reader's name here and there but that's about it.

✨️ After many weeks of that, Demetri gets tired of moping about wishing they were with Reader. But what chance do they really have? After all, she's pretty and popular while they're barely ever given a second glance. Little do they know that Reader is aware of them, more so than they think - and it isn't because she wants to be mean to them like they think of her peers...

✨️ She wants them but has no idea how to approach them. So she asks her friends for advice. Yasmine and Moon are more than happy to assist Reader with her desire to ask out a cure guy (or two) and take her shopping. While out and about, they give her all sorts of tips and tricks to gain the confidence she needs to ask someone out and get a date.

✨️ Demetri and Eli almost think it's a joke when she approaches them one day and finally asks them out. However, that's outweighed by how cute she looks while doing it, shyly wringing her wrists and looking down at the ground while talking to them. Demetri lets out an enthusiastic "yes!" while Eli nods vigorously. She smiles at them and tells them that's great but that she's also never been on a date before, so she doesn't know what to really do...

✨️ They assure her that this will be their first date too because while Demetri and Eli are kind of together, they never made it official. They've played it off as being best friends for a long time but they both know they're more than that. Now they're going on a date with Reader and it's all they could have ever wanted.

✨️ They end up going to the arcade and showing her all of the best games that will give them the most tickets. She and Eli play side by side on the multiplayer games, sharing little smiles with each other while Demetri works on getting some tickets. At one point, Reader is struggling with one game and Demetri comes up behind her to help, putting his hands over her and basically playing the game for her. She's so fluttered but so happy about it at the same time, it's amazing.

✨️ By the time they're walking up to the prize counter so they can have dinner, Demetri has gotten enough tickets for a big prize and lets Reader pick something out. She gets one of the big stuffed animals from the top rack and it's perfect, Eli thinks so anyone.

✨️ The night ends in Reader's car; well, not really end because they sit in the backseat together to keep from taking them home. She doesn't want it to be over yet, feeling like it went by too fast. Reader put the backseat down so they'd have all the room in the back to sit together, putting a movie on her laptop for them. However, it's quickly forgotten about when Demetri decides he should make a move and puts a hand on her thigh.

✨️ Before they know it, they're making out in the back of her car, Eli watching and patiently waiting for him turn. Reader pulls away flushed and hot, only to turn to Eli and kiss him. She can't think about how shy she usually is because her other feelings (and hormones) are driving her to do these things she's never done before. She feels like she's on top of the world with Eli's tongue in her mouth and Demetri's hands wandering her body.

✨️ Demetri and Eli are feverish and sloppy with her, thinking that they'll never get this chance again. They pull little squeaks and moans from her as they feel her up and make out with her, only for her to stop them because she doesn't want to go too far. She shyly explains that she likes what they're doing but if they go any farther, she doesn't want it to be in the back of her car. That's reasonable and they get it, but they're also hard and horny.

✨️ So she sits back and watches them as Demetri fucks Eli in the back of her car. It gets her all hot and bothered, but she just watches, though she'll take care of things later on her own because she's just not ready. She can't deny that they're super hot though. Demetri makes Eli look at Reader the whole time he gets fucked until he's whining about needing to come and he asks her to help him finish. She does and swallows, making Demetri finish inside Eli.

✨️ She drives them home and asks them if she's they're girlfriend now, to which they happily tell her that she can be whatever she wants to be. She giggles and tells them she'd like to be theirs and they're more than happy with that response.

✨️ It was a bit of an awkward, wild date, but it ended a lot better than any of them could have anticipated. They can't wait to go on another...

[grison-in-space]

I'm sorry? Pigeons have to coo to ovulate?

okay, okay, I left this one out in the tags without elaborating the other day and you were not the only person who asked-- @nanavn and @corvus--caurinus were also curious. I did not have a ton of time yesterday when my brain was not leaking out my ears, so here I am today.

First, I apparently misremembered my grad school teachings: the best-documented case study of doves being required to hear their own coo in order to ovulate is that of the ring or Barbary dove (Streptopelia risoria), not the rock dove which gave rise to our domestic pigeons (Columba livia). They look like this:

They're the domestic doves you see sometimes that aren't domestic pigeons.

But yes, I was completely serious: hens need to very specifically hear their own nest coo to ovulate. The way it works is this: these doves have a very specific courtship pattern, where courting males at different stages of the nesting process perform first a "bow" coo, then a nest coo. Then the hen makes a nest coo back, and the pair goes on to build a nest together in which the hen will lay fertile eggs.

If you prevent the hen from producing this coo--and the first paper I've linked does this in several different ways with both neural lesions and also mechanical blocks of the synrinx--she will not ovulate. Then Dr. Cheng tried rescuing the effect for doves who could hear but not produce their own coos by playing back recordings of devocalized doves' own nest coos, recordings of other hen's nest coos, recordings of male nest coos (their own males, I think, for preference?) and no recordings at all. Hen nest coo recordings, especially the recordings of the hens themselves, were enough to rescue ovulation effect... but deafened hens who could, themselves produce nest coos weren't able to make ovulation happen half the time even when the male was right there. The male nest coo and his mating display is really important, because his coo stimulates the female to make her nest coo, and that's where ovulation starts.

In 2003, a little over a decade later, Dr. Cheng wrote a whole book chapter about auditory self-stimulation as a phenomenon in neuroendocrine shifts. It makes for pretty interesting reading! I'm going to really enjoy it this afternoon. Stimulated ovulation is actually a pretty common phenomenon in animals--often it makes more sense to only bother ovulating if you know there's a partner around to use whatever eggs you yield up--but this one is one of the most interesting and elaborate systems out there, and definitely the one that offers the most options to a given female dove to potentially consciously control her reproductive output.

But grison, you might ask, what about the doves outside my window? Is this just a function of this one dove species, or are lots of doves doing this to make ovulation happen? So I went looking to find out whether anyone has checked. The thing is that the heyday of pigeon behavioral research has faded somewhat in the intervening decades since Dr. Cheng's discovery, so there's not as much as I might hope where people sat down to investigate the question. I did, however, find a neat study on Columba livia demonstrating that auditory stimulation is more important to courtship displays and success than visual displays are, although of course the multisensory courtship is stronger than either sensory modality alone. So yeah, the cooing back and forth really loudly is part of a display that is functionally necessary for successfully producing offspring, and the auditory component is important for basically every pigeon that has been studied in this respect (albeit that number is pitifully small).

I also found this really interesting review of known uses of birdsong to set internal emotional states in birds (either for the self or for a partner or flockmates) that I want to look into with more detail, plus this really thoughtful review from Dr. Donna Maney talking about how "incentive salience" can use learning and experience to make certain cues bring up neuroendocrine changes in state over time, which helps individuals control how their endocrine system is reacting to stimuli in the world they've been shaped by. Clearly I have some reading to do...

[writingsfrombeyondthegrave]

An Accidental Haunting

Astrid Deetz x Ghost!Reader

Summary- After your daily stroll through the cemetery to pass the time, you overhear a conversation between Astrid and her mother. Fearing that she would do something terrible to herself, you follow her home and make sure to keep her safe.

Warnings- Reader was m*urdered, specifics about readers death and markings, Su*cide mentions, mentions of death and the afterlife.

Your afterlife had been relatively uneventful since your death. It had been 12 years since you died, and you had a pretty good routine down now. After you check on your parents you would go to the cemetery and talk to the wandering spirits there. Often times you were a comfortable distraction to their sorrows.

Currently there was a funeral going on and you pretended to blend into the background, hiding behind the group of living people. Your outfit stuck out more than you'd like. An old AC/DC shirt and green flannel overtop of black ripped jeans. Thinking back, you should've dressed nicer for your final moments alive.

The funeral in question was for a "Charles Deetz", which you had heard of before, having been a part of the family that lived in the famous Ghost House. He had been eaten alive by a shark, which seemed pretty gnarly. You were only partially listening to his widowed wife Deelia droning on about how much she couldn't live without him. By the end of the speech, she was pulled aside and talked about how she couldn't wait to form an art piece around her suffering. Thats when you decided you had heard enough and began to roam around the cemetery again.

Astrid sat far away from the group after the funeral had dispersed. Her head was tilted towards the dirt, and she had a deep scowl on her lips. Clearly this man had meant a lot to her and her family, so naturally you felt bad and walked a bit closer.

Lydia came over to comfort her daughter and sat beside her. She looked over at Astrid in silence before speaking up quietly. "Death is hard"

Astrid responded emotionlessly, not making eye contact with the woman beside her. "Yeah, sometimes I think life is harder"

Your eyes widened and you took a step back, shocked by her response. It's not that you didn't agree with her to some extent, it was just different hearing it from someone else. After a moment of the world moving without you, you finally snapped out of it to see them both walking back home and quickly followed.

Their house was crowded with people, all talking to each other with frowns. Mourning had always been an odd concept for you to understand. It was even odd during your own funeral. Comforting people was easy enough because they all wanted to hear the same things. "You'll be alright, this sadness will pass", "They're in a better place now, it's good that they're not in pain anymore". It was all a routine you used to comfort people both in life and death.

Being a psychic yourself, you felt as if it was your responsibility to help people both living and deceased, even after you had died. Now was your mission to help Astrid. She was a stranger, yes, but you just couldn't help yourself for some reason.

Astrid sat at one of the tables away from the crowd, mindlessly twirling a tassel on the end of the tablecloth. She clearly didn't want to hear the routine speeches you had on the tip of your tongue, so you stood away and just simply watched to make sure she was alright.

A frown graced your lips as time ticked by seemingly without change before she finally made her way into the kitchen. There was luckily no one hanging around in there when Astrid eyed the knife on the countertop. After a deep breath, she reached out to grab it. This certainly wasn't how you expected her to end her life, especially since there was a crowd outside.

Without thinking you leaped forward and swatted the knife out of her hand. It imbedded itself into the plaster and you smirked, proud of your work.

She stared at it with wide eyes before groaning, clearly more annoyed than spooked. Her day was already hard enough and now she was imagining things. Prying the knife out of the wall proved futile and she closed her eyes, plopping down in the chair with defeat. All she wanted right not was to make a simple meal, but the world seemed to be against her.

A short laugh echoed through the room and her head shot up, searching for the source of it. Was she hearing things now too?

Days had passed with your attempts to save her life.

Astrid grabbed a rope to hang the skeleton for Halloween and it kept falling from the rafter 'mysteriously'.

Another time, she went to the attic to grab a box of heavy photo albums, piled up so high that she couldn't see past them. You graciously knocked the top ones off so she could see better. Yet another inconvenience and strange occurrence in this house, but Astrid continued to ignore it and just picked up the books after she had placed the box on the floor.

One time the gas on the stove kept turning off whenever she would turn away to grab an ingredient.

Eventually she had had enough of the house, her mother getting remarried, the death of her grandfather. She felt stifled and had to get away, so she went to the only place that felt normal to her anymore. She had a date with Jeremy that night anyway.

You watched her leave with a groan, tossing your hands in the air to no avail as she still couldn't see you. "Him, really? He's a murderer!" you cupped your hands around your mouth to yell, only gaining the attention of an elderly deceased lady walking by the end of the street. you laughed awkwardly and returned to the house. Thankfully you couldn't show embarrassment with no blood rushing through your veins.

You had decided not to follow her on her date, not wanting to be seen as some sort of stalker. Sadly, you soon regretted that as time ticked by. It felt like years as you waited in the house for her to return. The nicknacks on her desk kept you entertained for the time being, but you were quickly getting bored again as you walked to her bookshelf.

Halloween used to be your favorite holiday. Yet looking outside now and watching the trick or treaters smile and live their lives made you grow more depressed than you'd like to admit.

You could go out there, but you had a mission to save Astrids life and you needed to be here when she returned. You could never forgive yourself if she died.

If you were alive, your feet would have ached with how much pacing you were doing. The book you had taken from the shelf was about morbid and unsolved deaths throughout the United States, which did pique your interest at least.

The door to her bedroom swung open and Astrid stood in the doorway wearing her Marie Curie dress which was absolutely covered in dirt and decay. You couldn't help but smile at seeing her alive still, while her eyes widened comically and raked over your entire figure meticulously. Your smile soon dropped as you finally noticed the state she was in.

"I could've told you he was bad news" You shrugged your shoulders, trying to ease the awkwardness with conversation. The silence between you two loomed on for minutes before your smile returned. "So, you can see me now, huh?"

All the response she provided was a small nod, barely moving. You looked down to see your shirt, having momentarily forgotten the state you were always in. There were several stab marks in your stomach with blood covering the lower half of your shirt where it was torn. Quickly covering yourself with your flannel, you tried to turn away. "It's not a pretty sight, I know. But by now you know it's not exactly a Halloween costume" You joked, wanting her to say anything at this point to ease your ever-growing anxiety.

Astrid walked further into her room and shut the door behind her. She sat on her bed and her dress billowed out around her, kicking dust up around her. You laughed, not being able to help it. "I'm guessing you've been to the afterlife? I must say, you're the prettiest corpse I've seen in years" Her eyes lit up, just barely at your comment and she cracked a small smile at that, patting the spot beside her for you to sit.

You obliged but kept your distance, afraid to scare her more after the clearly traumatic experience she had.

Moments went by in comfortable silence before she spoke. "Why... did you get killed?" The words were soft and barely audible, but you picked up on it from a mile away, turning to look at her.

"People fear what they do not understand" You replied simply.

"Isn't that from To Kill a Mockingjay?" She smiled widely, having gotten over her anxiousness a bit more now.

You laughed. "Actually, I was quoting Batman Begins, it was one of my favorite movies as a child." A beat passed before a smirk grew on your lips. "But let's go with your idea, it makes me seem deeper and more mysterious"

You both laughed together, smiling brightly at the other.

Part 2

A/N: This was partially written when I was sleep deprived at 2am, so if there are a lot of mistakes I apologize. Not sure if this was platonic or romantic so you guys get to choose that. I also kept the reader GN but if you'd specifically like a female or male reader, specify when requesting please!

Please like/comment/repost and let me know what you think! Constructive criticism is always encouraged and appreciated. If I left out any important trigger warnings let me know and ill add them.

Credits:

Graveyard and Ghosts Dividers- @animatedglittergraphics-n-more

Header- Me

[victoria-grimesss]

2 ideas!

One, I loved your soap w secretary girlfriend! What about something similar for ghost and konig?

Two, what about a COD fic where the lights go out and you are stuck in the dark together? 😘 any character you want!

masterlist

->Paring: Simon "Ghost" Riley x Fem!Reader & König x Fem!Reader

->Words: 0.8k

->A/N: MDNI! These are so fun to write!!! Also adding that wonderful 'idea of the stuck in the dark' fic to the list ;)

Sure, Ghost and König are both big strong military men. They're intimidating and stoic. Tall and broad but they both love their secretary girlfriend differently.

Ghost:

He's a brute. Large and broad and dark. How you became accustomed to him was more comical than anything. One complaint report landed on your desk for him to pick up, which he never did. His training methods were.. less than desirable.. which you can imagine just looking at him and how he just stands and stares, barking commands.

34 total complaint reports from the newest training group landed on your desk, making a rather annoying pile. None of the complaints would ever be resolved, Ghost's training method is foolproof. So, you walked down the hallway, papers in hand and a scowl on your face straight to that man. You slam the door open to the training yard your heels sounding extra loud. Your stocking covered legs and short skirt is the view of the century out here.

"Lieutenant Riley, your complaint papers have occupied an annoyingly large space on my desk. Please be better about picking them up from now on." You shoved the papers into his chest and storm away. Simon was putty in your hand from then on.

--

He would stand arms crossed in your doorway as you helped the others. Waiting patiently, his stare dark and unwavering.

He loves to watch you work. Your soft hands filing the papers expertly you know every little place where everything goes. He sees how the guy you're helping out checks out your ass as you stand. He shoulder checks him on his way out and then he stands at the front and center of your desk, and you look up through your lashes at him.

"Can I help you Simon?" You ask him in a sultry voice as you reapply your lipstick.

"Yea. I can think of a couple things."

--

Your panties are around one ankle, your heels barely hanging on to your feet as your legs are wrapped around his hips and he's ruthless with his thrusts. You're on lunch and he took you to the file room, you're on a dusty old desk that's only used for storage. All the contents thrown to the ground as Simon couldn't wait any longer to be inside you.

"Fuck, you love this yea? Fuckin you right here panties round your ankle you can hardly focus on me."

He's right your head has been long spinning and your eyes struggle to stay focused. He drives himself into your wet heat so hard and rough your hair has become a half up half down mess in the process.

"Grippin me so fuckin tight love, maybe I start coming down every day, feed you my cock on your break. Would you like that, look at me when I'm talking to you."

Simon frequently rips your stockings when he's gripping your thighs, especially when he cums.

"Fuckin hell love you're a fucking mess dripping on me like this, going to cum deep inside you then you'll go back and sit all pretty at your desk with me dripping out of you. You want that love? Yea you do."

Simon is a ruthless lover, he can be sweet too. When he's not confined by a 30-minute lunch break window of course.

--

König:

König is top dog, the big guy on the ground. So you see him often. You'll keep track of his appointments and meetings, bring him food and coffee when he works late nights and eventually, he invites you to share a meal with him. After that he keeps calling you back to his office.

König is an older guy and his knees aren't all that good honey so be a doll and help him out. You'll get down on yours and wrap those pretty lipstick coated lips around him and his mouth is watering just watching you take as much as you can.

He's found that he has a certain fixation for the lipstick you wear and sometimes requests you wear certain colors for him when you go down on him. He loves the way it leaves rings around his cock and he'll stroke your hair as he speaks to you.

"Taking me so well mein liebling, you see that last ring of lipstick you left on me? Let's try to get even lower this time, you're a good girl I believe in you."

You'll take as much as you can, and when he finally trains his little secretary to take all of him he cums as soon as your lips meet the base of him leaving red lip marks on his skin.

And when he's feeling especially needy he'll call you into his office and have you straddle him. He'll kiss your neck as he takes off your heels, he knows how expensive they are, I mean he did buy them for you, so he undoes the little straps with care and sets them on the floor.

He'll caress you with his big hands and have you ride his thigh hiking your skirt up your hips so he can rest his hands behind his head and watch you moan and sob on top of him.

"You look so beautiful like this mein liebling, you're leaving quite the wet spot on me this time. How many times should I make you cum like this before I let you ride me."

He's cruel when he wants to be but it's all in good fun. He's spoil you afterwards.

[starcurtain]

I wish everyone collectively understood aventurine’s character like you…things would be so much easier! I genuinely don’t understand how people keep getting his motivations wrong??? Could it be because some of the most popular Aven fanfics were written prior to his release? That could have contributed to some of the takes we tend to see about him…thoughts?

I struggled all day to come up with a concise way to answer this and couldn't think of one, so here, have a long-winded ramble:

I don't think early fic writers have much impact in the situation with Aventurine's character now, since most people can look at when a story was posted and go "Oh, this was before we had ____ information."

I think that Aventurine's problem is being a male character in a gacha game. Gacha game characters are designed to sell. Hoyo can sell female characters very, very easily. Give her huge tits and a visible underwear strap and you're good to go. I love all my guy friends, but I'm not gonna sugarcoat it: straight men are not the hardest audience to please. Hit a particular fetish (feet, spandex, dommy mommy), and you're gucci.

Nah, we all know why Jade's trailer is Like That.™

Male characters in gacha are harder to sell because women as consumers are a little harder to predict. Does every woman want a tall, ripped hunk? Shit, no, small cute boyish models like Aventurine are selling better now? Why?! Would a bad boy be more popular than a nice guy??? It's harder to account for women's tastes, especially because they are often (a little) less visually-oriented.

Hoyo is good at what they do though, and they've figured out that male characters sell very well when they possess at least one of two specific traits:

Endearing vulnerability/helplessness

Gay ship tease

Give a character both, like Aventurine? They might as well be printing money.

That sound you hear is Hoyo's stock prices rising.

So, from the very beginning, Hoyo is incentivized to create a character that appeals to people, a character people will want to crack their wallets open for. And they achieved this, first and foremost, by giving Aventurine traits that female players (in particular, but men too), find especially appealing: emotional and physical vulnerability.

We see Aventurine's pain. We sympathize with his grief. We identify with his struggle to make meaning of his difficult life. He's our woobie, blorbo, babygirl, whatever the hell they're calling it now.

He can't hide his suffering anymore. He's on the very edge. He's a dude in distress. He's surrounded by enemies! He misses his mama! He's been betrayed! No one understands him like you do, dear player!

The ultimate feeling evoked is: He needs to be saved.

When people talk about male power fantasies, I think they forget that women can experience them too, and "Emotionally vulnerable man that only I (or my favorite character) can fix" is actually a female power fantasy.

And from there it's really easy, right: the people who shell out cash to buy warps for their harmed-husbando feel like they've saved him; the people who are into mlm ships look for the nearest hot dude to be the savior Ratio was waiting for his time lol.

Morally and intellectually, this type of deep-down-golden-hearted, emotionally-wounded male character is very easy to digest. There is nothing to dislike about this type of character or role in the story: this character is a good guy who has just gone through so many terrible situations, whose victim status makes him endearing, and whose lack of agency means that any of the questionable or downright bad things he does are always the result of someone else forcing his hand, and never something he would have chosen himself.

His motivations are always clear and consistent: get free, heal, and live happily ever after.

Insert the Wreck-It Ralph meme: "Do people assume all your problems got solved when a big strong man showed up?" But to be fair, a big strong man did kind of solve Aventurine's problem, so--

Anyway, it's simple. It's straightforward. Morally, it's pretty cut and dry, black and white: Aventurine is our hero, which means everyone dictating the course of his miserable life is evil.

Hoyo is not remotely discouraging people from literally buying into this emotional appeal.

And trust me, I get it. I'll be the first to admit that hurt-comfort is its own entire genre in fandom because it is so appealing. People eat up Aventurine's tragic backstory like candy! The idea of watching a character go through hell at the hands of bad guys just to finally find a happy end is like the definition of everyone's favorite story.

In fact... people love Aventurine's suffering so much, they have invented whole new ways for him to suffer that aren't even in the game.

This is where we get all the headcanons that Aventurine was a sex slave, every single person he meets hates him because of his race, the Stonehearts are executioners holding knives to his throat, Jade enslaved him to the IPC with a lifelong contract, his material possessions belong to the company, the IPC is forcing him to take only the most dangerous missions where he is being required by his evil jailers to continually put his life on the line... You name it and I promise you, I can find a fanfic where Aventurine suffers from it. 😂

Bro can't even sleep in on his day off; life is so hard for this man.

Being serious: if the game is telling us that Aventurine is a victim... Why not make him the perfect victim?

Why not envision an Aventurine with no freedom, who bears no responsibility for any of the horrible situations he is in or any of the dubious things he does?

It's so natural to like that version of Aventurine, so appealing to see a totally powerless underdog use his own wits and charms to claw his way up to freedom. Or, if you're the kind who really relishes angst: It's even appealing to see Aventurine lose more. To delight in fics where he loses his wealth, where the IPC punishes him for past crimes while he's powerless to stop them... (I assure you, this is many people's cup of tea and the fanfics prove it!)

Ultimately, there's nothing wrong with liking characters who are exactly this straightforward! It's completely fine to embrace characters that are intentionally written to be morally above-board, whose primary role in the story is to generate angst by being a good person who suffers, or those characters who never show unlikable traits, bad decisions, or contradictory actions.

The problem is that that's just not who the game is telling us Aventurine is.

Hoyo may be capitalizing off people who love to envision poor Aventurine still living his life as a slave... But the game also needs to tell a complicated enough story overall to appeal to people who don't care about this specific husbando--Aventurine's role in the actual game's plot has to be interesting enough for almost everyone to appreciate it, not just Aventurine's simp squad. (Don't get mad, I'm in the simp squad with you.)

So his character doesn't stop at just being a pure-hearted victim who is still waiting to be saved.

Aventurine is not that easy to label, and I think the biggest struggle in this character's fandom right now is between people who prefer the even-more-angsty, still-a-slave Aventurine versus people who want a morally grey, self-destructive character instead.

To me personally, while I greatly understand the appeal of fanon!Aventurine and the joy of a really juicy angst fic where characters lose it all, I think that missing out on the depth that canon is suggesting would be a real loss on the fandom's part.

The character motivations that Aventurine shows in the game are complicated. They cancel each other out. They're basically self-harm! He makes almost every situation he's in worse for himself--on purpose.

He is a good person, but also a person who has done unspeakable things. He does have morals, but he's not above allowing those who don't have them to use him to their advantage.

He's both the victim and the victor. He's his own worst enemy. He's a lost little boy who's been making terrible decisions for himself since he was like eight years old, and a grown ass man who is barely managing to fake his way through an existence that destiny is not letting him quit.

This kind of character is a lot harder to embrace. He's done things that most people would find appalling--like willingly joining up with the organization that let his entire race be massacred. He's invented a whole new peacock persona to frivolously flaunt riches he doesn't even care about (Poison Dart Frog Self-Defense 101). He actively plays into racist stereotypes about his people to manipulate others through their preconceived expectations. He's made a mockery of his mother's and sister's hopes and dreams by endlessly trying to throw his own life away.

He has flaws! He bet everything he had on a ploy without doing his homework to find out if the people he was risking his life for were even still around. (Maybe he already knew, and couldn't bear to admit it, even to himself.) He's intentionally off-putting and obnoxious to everyone he meets (Poison Dart Frog Self-Defense 102). He terrifies everyone who gets close to him by (seemingly) carelessly throwing himself into the jaws of death without the slightest provocation.

He knowingly allows the IPC to exploit his power and talents for profit. Did everyone forget that his role in the Strategic Investment Department is asset liquidation?! Like, his actual day-to-day job is ruining people's lives. Canonically, Aventurine kills people when his deals go bad.

His motivations change off-screen in two lines of story text. We're told in one line that his biggest reason for joining the IPC was to make money to save the Avgin, then in the next line we find out that's impossible. And... then what? What motivations does he even have now? The whole point of his character arc from 2.0-2.1 is that he was on the edge of giving in to utter despair and nihilism because he couldn't even perceive a single reason to stay alive. He has no purpose in life before Penacony, and that didn't start with the Stonehearts at all??

People keep saying Aventurine was held in the IPC by golden handcuffs, but how do you tie down someone for whom profit is meaningless? What can you offer to a man whose only desire is to bring back something already lost forever? How do you imprison someone whose only definition of freedom is, canonically, death?

Working for the Stonehearts is obviously not healthy. But that's why Aventurine was doing it--because taking dangerous missions allowed him to put himself at risk. The job that he originally pursued hoping to save his people became a direct means to self-harm, and the IPC's only real role in that was just happily profiting off the results.

The journal entries for Aventurine's quests are there deliberately to tell the player what is on his mind, and none of it has to do with escaping from his job:

Like... Work is the least of this man's problems.

At really the risk of rambling on too long now, he's also just a massive walking contradiction:

Aventurine is among the most explicitly religious characters in the game, yet he's one of the only people in the entire game that we have ever seen actively question his people's aeon.

You might be tempted to think Aventurine's risky gambles with his life as an adult are a result of giving up after finding out about the Avgin massacre... Butttt no, Hoyo makes sure to tell us that even at knee-high in the Sigonian desert, Kakavasha was already willing to risk himself in a fight to the death against monsters because even back then he found his own life to have less value than a single memento.

He's the "chosen one" who will lead his people to prosperity... except they're all dead.

He's explicitly suicidal... andddd also a pathstrider of Preservation.

He wants to die... He doesn't want to die. He wants to make it end, yet goes to staggering lengths to continually survive. (Every plan risks his life on purpose--but every plan's win condition is also to live.) He life is the chip tossed down, but his hand is trembling beneath the table. When faced with an otherwise unsurvivable situation, Aventurine literally became a winner of the Hunger Games. He beat other innocent people to death with his own chain-bound hands just to come out alive.

He knows the IPC failed the Avgin and left them to die... and he still willingly sought out a position of power in their organization. Maybe he really is after revenge... but maybe not.

He starts his journey in the IPC with a truly noble goal in mind: to help his people using his newfound wealth and power. He's a good guy who did genuinely want to save the Avgin and repay all those who helped him. But once it became clear he was too late, once it was obvious he would have no use at all for that monetary wealth and power he risked his life to get... What did he do with it? Unlike Jade, we don't see him over here donating to orphanages. (I'm not that heartless; I'm sure he does actually do a lot of good things with his money on the side, but the point is that the game does not show us that--it shows us, over and over again, Aventurine putting on a wasteful, over-indulgent persona toward wealth. We've supposed to feel how meaningless money is to him, how meaningless everything is becoming to him.)

He outright refuses to use underhanded tactics or to cheat at gambles, which is meant to show us that's he's more morally upright than his coworkers. There's an entire exchange where he says that he'll never stoop to using manipulation the way Opal does. But... he doesn't have any issue fulfilling Opal's exact agenda. He was never remotely morally conflicted about denying the Penaconians their freedom by dragging Penacony back under IPC control.

He's willing to risk his own life, which is one thing--but he's also willing to risk other people's well-being. Topaz accuses him of constantly egging their clients on into dangerous situations; we've actively seen him shove a gun into Ratio's hands and pull the trigger with no care for how Ratio would feel about that on their very first meeting... Dragging the Astral Express crew into the entire Penacony plan in the first place was exceedingly dangerous...

To me, I just think it's vital to understand his character through the lens of these contradictions because they demonstrate the extreme polarity of Aventurine's life: from rags to riches, from powerless to empowered by multiple aeons, from willing to kill to survive to killing himself... He has quite literally lived a life of "all or nothing," and while he is the victim of many terrible situations out of his control, his arc as a character involves facing the truth of himself and the future his own actions are hurtling him toward.

Frankly, the Aventurine that canon is suggesting is a little annoying. You want to grab him by the shoulders, shake him, and say "Why are you like this?!" And he won't even have an answer for you, because he doesn't even know why he's still alive.

In the end, to me, this is so, so much more interesting. I can read an endless supply of hurt-comfort fics where Aventurine escapes the evil IPC and Ratio is there to fill the void in his life with the power of love and catcakes and be a perfectly happy clam online, but I want canon to continue to serve us this incredible mess of a man who constantly takes one step forward and two steps back.

Who is fully aware of his role as a cog in the grotesque profit-wheel of cosmic capitalism and still manages to say he never changed from the rags-wearing desert rat of the Sigonian wastes.

Who over and over again flirts with nihility but, ultimately, even if he has to wrest it from the grip of the gods themselves with bloody, chain-bound hands, chooses life.

[machveil]

First things first: *deep inhale* AAAAAAAAAAAAHHHHHHHHHHHHHHH So so so so good! Mentally framing my wedding certificates to these silly lil men! Screaming, crying, throwing up, frothing at the mouth, flailing on my beg, kicking my legs and feet! Amaaaaaaazing! Something my daydreams cooked up when I was half-awake this morning: Imagine the rest of TF141 catching Simon on his phone more even during meetings and out in the field, seemingly checking his texts and when possible calling someone regularly, making a point to be away from the guys when talking. When they ask, he answers them casually, dismissing it as him checking in on the house-sitter he hired because of how often he's gone and how he hates coming back to dust and expired food. Naturally, given that Simon is the type to hate anyone in his space, especially someone he doesn't know, the boys (read: Johnny) are very curious. This leads to them (read again: Johnny) sneaking around trying to eavesdrop. Whether or not they catch him sounding softer while he listens to the person on the other side, him humming and chiming in while he goes about scrubbing his boots or inspecting his knives, is up to you. Is the reader actually his house-sitter? Yes, but Simon's also asking how their day was, how they're doing, things that are not even remotely related to his place that he may or may not be letting them stay in full-time because they were living in a shoddy apartment with poor plumbing and bugs and he just can't have that. He thanks them when they say they cleaned the windows, asks if they like that book they mentioned buying last week, how's their latest hobby going, etc. Simon Riley is a domestic man, and anyone arguing otherwise can pry it from my cold, dead hands! -🐸 Also I hope I never make you feel pressured to respond or write something, I just want to share my brainrot

ough, no no, keep them coming lol your brainrot is top tier! in fact, I implore people to send me CoD brainrot - the English student me yearns to write

Someone at Home

it’s normal for someone to make calls - Simon “Ghost” Riley isn’t just someone though. reserved man that he is, isn’t it suspicious that he keeps reaching for his phone? Johnny thinks so CW: gn!reader but Johnny says ‘lass’ once as an assumption, shenanigans

no one notices at first - it starts slow. Ghost’s phone is set to vibrate, his incoming call ringtone is barely audible, but Johnny picks up on it. reserved Lieutenant that he is, for as long as Soap has known Ghost, as long as Johnny has been friends with Simon, Ghost doesn’t pick up calls on base

his new habit caught Soap’s eye, at first just receiving calls, but when Ghost starts calling someone? oh, Soap knows when something is up. “Got a lass at home, L.T., someone keeping ya bed warm?”, it’s teasing, tone lighthearted when Soap asks. it catches him off guard when Ghost looks him dead in the eyes, “Housekeeper. Jus’ checkin’ in, yeah?”, his voice was a little more stern than Soap would have imagined. a housekeeper, huh? he had his doubts, but he’d rather make it a game, try to figure it out for himself

Ghost used to have his phone completely silenced, only rarely turning notifications on when he was on leave - rarely, because even then he might just not feel like it. but now? this supposed housekeeper has Ghost leaving meetings when he can, ditching the gym to go out into the hallway

this housekeeper, apparently Ghost’s flat is high maintenance. daily calls at least once, Soap’s keeping track, most he’s called was five times. Ghost would always brush him off, mumble something about his air conditioner or a door hinge. always so vague, the first month had Soap scratching his stubble trying to piece Ghost’s life together - his life on the other end of that phone

it doesn’t help that Ghost is extremely secretive while texting. phone held down to his lap, his back hunched as he types with both thumbs. it’s very guarded, his gaze locked to his screen. he’s practically dead to the world when he’s doing this, mumbled words leaving his lips when he hears ‘Ghost’ or ‘L.T.’

Johnny tried to hover over his shoulder once, “Who’s that? Ya wee housekeeper, Ghost?”. before he could see anything, Soap let out a startled noise when Ghost’s hand pressed against his face - a quick shove was all it took for him to stumble back. “Mind ya business.”, was all Johnny got from Ghost, voice gruff and low as he turned his phone off

it was so alien to Soap, not the guarded nature of Ghost’s actions, just the fact someone was able to take Ghost’s full attention. and full attention isn’t an understatement, Soap could swear Ghost was smiling under his balaclava. he’s seen the crinkle around his eyes when his phone buzzes, how fast he is to check a notification now

maybe that’s why Soap turns to stealth - tailing Ghost when he steps out into the hall, or standing outside a door to listen to him. sure, Soap can only hear one end of his conversation, but that alone is fascinating. he’s used to Ghost’s gruff voice, a man of few words

but with his housekeeper? Soap’s a little awestruck at how often Ghost— Simon laughs. because, maybe it’s just Soap, but this isn’t the Ghost he’s familiar with, he’s being personable, a tad more talkative. his voice doesn’t carry weight to it, unburdened as he talks into the phone. that’s Simon Riley, a rarity on base

and then he hears Simon refer to them, this supposed housekeeper. “Love— no, I told you. You can’t use the window in the bathroom, it sticks. No, I know— bloody hell, when I get home I’ll fix it.”, ‘love’, such a sweet endearment coming from his low, gravely voice. it has a smirk tugging on Soap’s lips, eyes gleaming with amusement

oh, he’d love to tease Ghost over this. he does have someone keeping his bed warm, someone he cares enough about he’s using pet names. he hears Ghost say his goodbyes, about to turn around and leave when he freezes. “Get a good earful, Johnny?”, Ghost’s voice coming from behind the door, Soap’s shoulders falling

all he can do is sigh and peak into the room, Ghost standing with his arms crossed as Soap sulks in, “Aye, I did, L.T., I did… but I was right.”, he chuckles, walking up to Ghost, “Gonna introduce us to your ‘love’?”

[astrologylunadream]

How Your Person Would Describe You🍨🗣💭 (Pick a card/Tarot love reading)

Hey it's Lunadream🖤 In this reading you will find how your person would talk about you/describe you to others.

Omg and I just realized my current number of follows is 888 so powerful energy up in here. (thank you all so much for that💞) hope you find your message🌸

Notice: Only take what resonates because the most important thing is your own judgement!♡ If anything doesn't resonate, don't worry! It's not your message right now <3 (Entertainment purpose only. All rights reserved)

Now, shall we begin~? ^w^ Think of that beautiful person on your mind, and pick whichever pile that fits the energy you're feeling drawn to~💭

Pile 1🧁

Pile 2🍨

Pile 3🐈‍⬛

Pile 4👛

Take your time and choose carefully with the heart~♡

On to the readings —> 👀

Pile 1🧁

Sign energy: Water, Fancy, Hair, Avoidance, Options, Chiron, Pisces, 8th house, Vertex, Mercury,🙅‍♂️🏚🟧🧖‍♀️

🖤Your person's energy: I'm sensing that this is an emotional individual, even if they don't show it. They might be more serious to others, but they have feelings themselves. Dominant energy of Pisces, Scorpio, Virgo and Gemini, for some of you pisces mercury or chiron conjunct mercury is significant. I feel like they have a closed off demeanor and some people may expect them to be cold or in a bad mood. This person likely changes their hair a lot, could be drastically like the color. Their hair may be very attractive to you😍 Your person may often avoid things they aren't ready for, not necessarily indecisive but just very avoidant. This could be because they have been through a lot of damage in the past, they have a lot of emotions built up and they have been hurt with others words.😥 They may not enjoy classy events or that could be a regular thing for them that they can't stand. Because I'm picking up for some of you this person is higher class. The color orange may be significant. For some of you this person is avoiding you, I'm hearing they're running out of options take what resonates whatever that means for you. You have a deep attraction and infatuation with this person, but I'm getting that they are more so reserved when it comes to intimate relationships. So they push back a bit if you approach them, They're a heavy thinker and may expect issues to occur if they get involved in a romantic connection. They get lost in their thoughts sometimes, but they have a really aesthetic voice.💗

💬How they would describe you: Energy, Mindfulness, Decay, Lilith, Tears, Fire, 1st house, 2nd house, Virgo, Pluto, 🟩🫂🥱🎸 Okay so your person would describe you as someone who has a very bright and youthful vibe to them, and there's a spark of determination in your eyes. They would say you also have a witty and sharp mind, they feel as if you outsmart them. They're kind of jealous of you for it. But they think you are too hard on yourselves, and it tears them apart on the inside. Maybe you judge yourself too hard? They would say they want to give you good vibes and recharge your happiness.🤗 When you enter the room, your energy just radiates to them. I feel like they would tell others how sweet you are.💓 They would like to say you seem really smart, actually. They bet many people are jealous of your abilities. To be honest, they would say the way your mind works scares them a little, but it also makes you very attractive.😳 they would feel like your words could pierce into their soul, and get kind of intimidated. They don't know for sure, but something about you is just captivating. They would describe you as someone you would want to hug, especially when you're feeling down or low on energy. That you have a strong approach to the world, and put your best foot forward. They don't know what to expect from you at the moment, not exactly warmed up to you yet. Your person might need more time to analyze you, and see what you're truly all about.🔍🩷

💌Messages from your person: You need me now, They know, We were meant to be, Again and again, Let me adore you (How sweet🥺💞) Extra cards: Abandonment, Soft spot, Tight, Vent, Love song

Thank you my pile 1's! If you feel this resonated, you may tap the heart to claim this message!🩷

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 1 with the cupcake emoji~🧁 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🌸

Pile 2🍨

Sign energy: Outfit, Harm, Swim, Closed, Fake smile, Uranus, Venus, 9th house, 1st house, Jupiter, 🎭🦴👰‍♀️💭

🖤Your person's energy: For this pile I am sensing someone physically bigger, they have an outward vibe to them. I feel like your person just fills the room with their aura, they could be charismatic or seem that way to you. Dominant signs are Aquarius, Taurus, Libra, Sagittarius, Aries and Pisces energy. They dress very individually, I'm hearing no one in your circle dresses the way they do. It's definitely something thay catches your eye, they have a very specific style that's unique and fresh😎 Your person may be very drawn to foreigners especially females from a different background from them, maybe they wish to marry someone from a different country or language?💍🫢 Your person has a pretty smile, they smile a lot and many people adore their smile. Swimming could be a hobby for them or maybe their field of work for some of you. I feel like this person puts on a social face, they could be really good at hiding their emotions. You may imagine yourself with this person a lot, but they get a lot of female attention.👀 Physically they are attractive and well dressed. Your person is very social, they may not necessarily want to be but since they recieve so much attention it is hard to avoid.💬💫 For some of you this person is more of an introvert with a lot of friends. Your person has a very broad selection of clothing styles, they like trying out new things. Very expirimental person, they also have great bone structure I'm hearing.💪

💬How they would describe you: Rise, Surface, Focus, Queen, Danger, Uranus, Aries, Jupiter, 5th house, 9th house,👸⬜️🧣🙃 Ohh okay this is very interesting, so your person would describe you as someone very attractive😆 It's not like they're flirting about it but they do see you as someone very romantically magnetic, you have charms about you that they think many people would adore. So your person would also describe you as a unique and empowered person, but I definitely think if you asked them what they think of you the first thing that comes to mind would be your physical traits🫦♨️ Yesss your person would think that first when it comes to you. But also they would say you have a lot of drive and determination for enhancing your experiences in life, they would say you are fun-loving and unpredictable.❤️‍🔥 Also that you put a lot into your love life, some of you may want to date around and explore your possible romantic adventures and your person sees that as a part of your personality and who you are. They would describe you as a creative and entertaining person to be around, someone who knows how to enjoy themselves.🥳 You are a huge focus to this person too omg, they're really interested in you I'm hearing. They would say that they're curious and you, and willing to see what you're about. They also would say that you're a little wild and untamed, but also untouchable in a powerful way.👑💗 Your person would see you as your own queen/king, someone with a sense of self worth and achievement.👏

💌Messages from your person: Stop thinking about me, I'm so into you, Whatever works for you, Anything for you, I'm desperate (Omg whaaat😢💞) Extra cards: Last, Creativity, Hate, Medication, Alice in wonderland

Thank you my pile 2's! If you feel this resonated, you may tap the heart to claim this message!🩷

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 2 with the sundae emoji~🍨 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🌸

Pile 3🐈‍⬛

Sign energy: Long, Girlfriend, Perfect, Intellectual, Reach out, Cancer, Mars, South node, Saturn, North node,💆‍♀️♎️😭🧩

🖤Your person's energy: Oh so someone is definitely on their toes in this connection, like holding onto it so much😫✊️ Prominent signs are Cancer, Aries, Scorpio, Capricorn and Aquarius. Libra may be significant, that is the sign of relationships too.😮💞 Your person has a very soft energy to them, but also very capable like they are not a helpless or dependent kind of person. This relationship could feel somewhat out of reach to you or them, like there is just so much going on right now for you both. You may view them as an ideal romantic partner, or they have many traits you want in a lover. Definitely a more feminine and sweeter energy.💌🌸 Some of my pile 3's are dating this person, because I'm definitely getting this mutual loving and romantic interest from both sides. You may be madly in love with this person or they may be madly in love with you.😍 The intimacy from them could be the best you have had if you've been intimate with them. Your person is so caring for you though, like they want to protect you and give you comfort and love.🫂😇🥰 Your person is quite smart too, they are clever and think things through. Someone in this connection is trying to reach out or has been for a while, not giving up I'm hearing.😢 My pile 3's and their person are so cute togetherrr. They just fit with you in every way, feeling like your other half. The perfect boyfriend/girlfriend I'm hearing, it is likely this is the person you will start a family/share a home with!!

💬How they would describe you: Decision, Fashion, Surrender, Bedroom, Punish, Sun, Lilith, 1st house, 4th house, 12th house,👥️❤️‍🩹😘💭 Wow I was not expecting this, my pile 3's your person is just omg🥵 They would describe you as well dressed and hot, like you look good in your clothes😳 They would see you as someone more submissive and delicate, especially if you two are alone together. Your person would call you cute and hot at the same time (other things too I won't go into all that in this reading😭). They would say that you're good at like choosing the best options for yourself, lol maybe they think you made a good decision by choosing them?😂 Haha that's cute and I feel like your person would say you know right from wrong pretty well, you have a good sense of justice. But omg they would say you are physically attractive like they want to pin you down that's how attractive you are to this person🫣❤️‍🔥 Your person would say you're like home to them, a safe place for them to turn to. They want to punish you in a romantic sense (only if you want that I'm getting), I'll leave it to Interpretation but yeah a lot of intimate descriptions about you🔞 They would call you a dreamy and spiritual person and they really like that about you too. You are someone soft and so lovable to them, they would say you are theirs omg. They love the way you dress, you are someone they want to hug and hold aww. They would say you're someone they think about a lot, omg I'm hearing "this is the person I love" like that is how they would describe you my pile 3's!!🥰💗

💌Messages from your person: Let's listen to music together, Thinking of you, Anything for you, Keep going, With you. (So much thinking of you lol so sweet🥺💖) Extra cards: Poker face, Throne, Extreme, Alice in wonderland, Cold (Maybe some of you guys are somewhere where the temperatures are really low rn since it's winter during this reading.❄️)

Thank you my pile 3's! If you feel this resonated, you may tap the heart to claim this message!🩷

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 3 with the black cat emoji~🐈‍⬛ Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🌸

Pile 4👛

Sign energy: Love song, Surprise, Desperation, Bad habit, Gossip, Juno, Mercury, 8th house, Taurus, Mars, ♀️💄🤦‍♂️🫱

🖤Your person's energy: Okay there is a lot of talk centered around this person, my pile 4's your person is on many people's minds I'm getting.💭👀!! There are main energies of Gemini, Virgo, Scorpio, Taurus and Aries. I feel like this person is kinda like a forbidden fruit to you guys, like you shouldn't take the bite but you're really tempted. Maybe they're said to be bad or dangerous, like you may just get this vibe from them that's like bad news. Your person may wear makeup or you tend to wear a lot around them.💋💄 Omg I feel like your person is the type that others think they are wearing makeup even when they aren't, their bare face is really attractive to you.😳 You may have a habit of falling back into this connection, there is definitely a cycle happening with this person. Particularly feminines are talking about your person a lot, and masculines are like talking bad about them that's what I'm picking up on. There may be gossip about you and this person, I think a lot of people are jealous of your person and the way they think and communicate themselves in a powerful and magnetic way.🖤 You may be desperate to talk to them, some of you want to marry this person. I can definitely feel that they are tired of what everyone is saying about them, there may be some gossip going around about you too. Your person is actually really genuine, if they like you they won't be fickle about it. They may be very honest or direct in their romantic relationships. Also they don't like gossip and rumors I'm hearing.

💬How they would describe you: Happiness, You, Dating, Worthy, Warm, Lilith, 12th house, Cancer, Aquarius, 1st house,💥🤫🗿🤤 So they would describe you as someone they care about omg🥺🩷 You make them happy and feel safe. They would say you are a good friend (maybe some of you are friends with this person) and also good to your friends. They would say you radiate a warm caring energy, some of my pile 4's are dating this person on the low🫢🗣 Your person would say you have the most comforting hugs, so warm and loving. They would describe you as a very spiritual and intuitive person, diving into the darkest depths of unknown and somewhat taboo or strange topics. Your appearance is comforting and sweet to them, and they would say you are so worthy of their time and love.💗 They would call you a unique and soft individual, something about you is so special to them. They would say you are someone they want to date, and stay with for a long time.😍💋 Your person would also say you confuse them in many ways too haha, you have a mysterious allure they can't seem to figure out.🧠✨️ Your person would describe you as friendly and sweet. They would say they can count on you with whatever they need, because you're reliable to them. Your presence alone would make them feel safe and at ease, omg you really just make their day I'm hearing.☀️ They could probably list a thousand positive traits of yours, that's how much they enjoy your existence lol. I just love your person's opinion on you guys, it's so supportive and loving😭💖

💌Messages from your person: You're ready for me, My one and only, Please don't love anyone else, Why so serious? I knew you would feel this way. (For some of you in this pile, this person definitely knows how you feel about them!! Any of my pile 4's date this person?😘 Cuz like they know you love them🤣🤣) Extra cards: Comfort, Escape, Locked, Money, Habits

Thank you my pile 4's! If you feel this resonated, you may tap the heart to claim this message!🩷

I hope you enjoyed your reading! ʚ(｡˃ ᵕ ˂ )ɞ If you did be sure to let me know pile 4 with the handbag emoji~👛 Thanks for scrolling through, Hugs hugs hugs!! See you in the next reading🌸

Wanna see more readings like this? Check out my tumblr for accurate readings for you!💗🌊🌸

Thanks for reading! \(*^w^)/💌 -Lunadream <3