#i think that's part of why it's so incredible to me

[incognit0slut]

Permanent attachment

in which you’re far too comfortable to move from Spencer’s lap, and he doesn’t mind carrying you around

content: fluff, 1.7k, established relationship, lots of kissing, sex talk, kinda fade-to-black smut, reader being very clingy, and spencer’s tummy (my fav) a/n: i once told @mandarinmoons that i wanted to climb the man and not even in a sexual way and she said “like a koala?” and to that i answered YES! self-indulgent fics are the best

Spencer smells nice. Like, annoyingly nice. And it’s not the kind of nice that’s vaguely pleasant. No, this is the kind that settles into your bones. A mix of soap and something uniquely him that you can't quite name but would probably pay an unreasonable amount to bottle up.

Now that sounds like a dream. Imagine Spencer in a bottle, spritzed onto your neck, lingering on your skin. Imagine a personal cloud of him following you everywhere, with top notes of freshly brewed coffee and a base note of comfort that leaves you no choice but to lean in just a bit closer. You shift on his lap, pretending to get comfortable, but really, it's because you want to catch another whiff.

Your boyfriend catches you mid-inhale. "Comfortable?"

You don’t even bother pretending to be embarrassed. Who cares if he knows you’re borderline obsessed? Who wouldn’t be? He’s smart, handsome, and smells like heaven bottled in human form. So instead of pulling away, you double down, pressing your nose right into the curve of his neck as your answer.

"I'm starting to think you might be a little attached.”

You sigh against his skin, “Might be? Spencer, I'm practically grafted onto you at this point. You better get used to it."

A hand runs up your spine. “Not that I’m complaining, but my legs might actually fall asleep if I don’t get up soon.”

“So dramatic,” you tease, smiling as you press a soft kiss to his jaw. The subtle scrape of his stubble tickles your lips.

“I don’t think you’ve moved an inch in the past hour.”

“I don’t even want to move an inch,” you murmur against his cheek. "I just want to stay like this. Forever. If I could just crawl under your skin and stay there, that would be perfect.”

Spencer laughs softly, the sound rumbling under your lips. You feel the warmth of his smile as he tilts his head toward you. “That sounds sweet yet incredibly creepy.”

“You know what I mean!” You slide your arms around him, weaving them across his shoulders. “I just… I want to—ugh, I don't know… squeeze you so tight you’d become part of me? Like an extension of my arm or something."

“That definitely sounds less creepy.”

“Shut up.” Your lips trace the rough scratch of his jaw, brushing along the curve until you reach the corner of his mouth. "Don’t you want someone permanently glued to you?"

“You’re definitely making a case for it.”

“Oh I’d climb you if I had to.”

His hand slides up to cup the back of your neck. “Is this where I find out you’re secretly a koala this whole time?”

“Mmhmm,” you hum against his lips, “and you’re my tall, handsome tree.”

His laughter vibrates against your mouth, and you let yourself melt into him, breathing in that comforting scent you’ve grown addicted to. You love him so much. You love him too much that your heart feels like it’s stretching to make room for all of it.

When he finally pulls back, you can’t resist reaching up to smooth your thumb over his bottom lip. “See? Permanent attachment.”

His own thumb caresses the back of your neck in lazy strokes. You're practically dissolving into him.

"I don’t have much of a choice, do I?" The tip of your nose brushes against his as you shake your head. He steals another quick peck from your lips. "I really do need to get up though.”

You pout immediately. “Why?“

“Because my throat is actually starting to feel a little dry. I could use some water.”

“Water is overrated. Stay.”

“Honey,” he croons softly, his eyes squinting with that familiar crinkle at the corners. He thinks you’re cute when you’re clingy. “The kitchen is only ten feet away.”

“Ten feet too far. Do you know the kind of emotional damage I’ll suffer if we’re apart for too long?”

“So dramatic,” he mocks back, planting a kiss on your jaw, your cheek, and you giggle when his mouth lands on the skin between your ear and your neck. “All I’m asking for is ten feet. I promise I’ll be quick.”

“I might wither away from loneliness by the time you get back.”

You feel the ghost of his smile against your skin. “I’ll be back before you even have a chance to miss me.”

“I miss you already,” you sigh when he gently nips at the soft flesh of your neck. “Maybe you should just take me with you.”

You’re mostly bluffing, half-expecting him to laugh it off because Spencer has never actually carried you before. Not that you’ve ever minded—it’s not exactly the first thing you’d expect from him. But before you can even process it, he shifts beneath you, sliding one arm under your knee and the other around your back with surprising confidence.

And just like that, the floor seems miles away as he lifts you up.

“Wait! Wait!” you laugh, clutching at his shoulders. "Spencer!"

“I thought you wanted to come along."

“I didn’t think you’d actually carry me!”

You’re met with his steady grip, and to your surprise, he’s not struggling in the slightest. Apparently, those arms are stronger than you’d given him credit for, and it’s… well, very, very attractive. He strides confidently across the apartment, and you can’t help but let out an impressed, slightly flustered, “Okay, this is actually kind of hot.”

The corners of his lips twitch upward, but he doesn’t say anything.

“I did not know you were strong enough to do this,” you comment, then a thought sneaks into your mind, “Do you think we can try this position in the bedroom?”

He looks surprised and mildly amused. “Really? While standing?”

You loop your arms tighter around his neck. “You seem perfectly capable.”

“Wouldn’t I be doing all the work?”

“I thought you liked doing all the work.”

His chest presses against yours as he lets out another laugh. “If by that you mean spoil you, then yes, I do,” he says, casting a quick glance around the room. “Can I sit you on the counter, or are you planning to keep hanging on to me?”

“Tempting, but you can put me on the counter.”

With a gentle ease, he lifts you just slightly higher and sets you down on the cool countertop. “I can still carry you around if that’s what you want.”

“I know,” you reply, reaching up to brush a stray lock of curls from his face. “I don’t want to tire you out.”

“You’re not tiring me out,” he assures you as he reaches up to grab a glass from the top shelf, arm stretching just enough to give you a teasing glimpse of his soft stomach.

You can’t help yourself. You reach over and splay your hands over that warm skin, feeling the faint tickle of the fine hair scattered down his belly that disappears into his waistband. He doesn’t flinch—he’s long used to your hands finding their way to him like this—but he does cast a sidelong look in your direction. Behave.

If he’s expecting you to follow some sense of decorum, he should know better by now. You give his stomach a gentle, almost smug pat, and shakes his head as he moves to pour himself water.

“What do you want to do after this?” he asks, glancing back at you over his shoulder. You don’t give him an immediate answer, but he’s already suggesting a few ideas for the rest of the evening.

You can’t even pretend to pay attention. Is it normal to be this obsessed with your boyfriend? Because at this point, your focus isn’t even on the words coming out of his mouth. Something about a documentary, maybe. He’s probably rattling off the details right now, but you’re entirely distracted, your eyes shamelessly zooming in on the way his forearm flexes as he holds the glass. Even the soft hair dusting over his skin is doing things to you.

He catches your blatant stare and looks at you over the rim of his glass.

“What?”

“You are so sexy.”

He almost chokes on his water. The glass clatters against the countertop as he sputters, “What has gotten into you today?”

Probably ovulation. But you simply shrug, legs swinging idly against the cabinets beneath you. “I just love you.”

The answer is simple. Words spoken with all the casual sincerity you feel, but it’s enough to melt his astonishment into affection as he strides over and slips between your thighs.

“You just love me?”

“Yeah,” you reply softly, reaching up to brush over the delicious roughness of his stubble. “Like a ridiculous amount. Probably too much.”

His heart is swelling, so full it feels like it’s about to burst. “I love you too.”

“That’s it?”

You watch as his nose twitches, the smallest hint of a smile playing at his lips before he sighs, “I love you so much, angel."

"I think you can do better than that."

He huffs a chuckle, "I love you too much," he tries again, "more than I even know what to do with."

You smile in satisfaction, a little triumphant over his exaggeration. You’ve taught him well. “Say it again.”

The wide expanse of his palms settles on your waist.

“I am madly,” he presses a kiss to your cheek, “deeply,” another finds its way to your jaw, “hopelessly,” he murmurs as he grows even closer to your lips, “in love,” he’s a breath away from yours, “with you.”

The space between you shrinks to nothing. You swallow his last words, letting them dissolve on your tongue like the sweetest confection. What begins as a delicate melding of warmth and breath quickly intensifies, as though he’s determined to steal every bit of air from your lungs. And before you know it, his hands are sliding under you.

A surprised squeal escapes your lips as he lifts your weight, and an even louder gasp follows when he carries you toward the bedroom.

You know exactly what he plans to do for the rest of the evening.

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[solselah]

Off rip I see you carry the energy of duality super heavy , You could be Bi sexual specifically or in general apart of The LGBTQIA+ community! people are shocked about what you’re attracted to if you choose to express that , it’s always a shock factor towards it.

(which you never understand) I can see people are generally shocked when they come across your energy being that you truly just give

“you were made for me” vibes

&

“Match made in heaven energy”

it's shocking to come across an energy like yours! (Mini 18+ warning ) For my Ladies, people love love your boobs its something about your chest area!! There can also be a tattoo that you have in the middle of your chest that's a staple and ultimately shocking once revealed. you can be real freaky pile 1 & those you were intimate with are still shocked to this day about how freaky you are. You just don’t give that energy from the outside looking in. For a handful of you your ex is super shocked that you literally fell of the face of the planet , it’s like they had so much access when you were together but currently they are incredibly “shocked” that you are a bit difficult to contact , They definitely feel surprised / confused that you aren’t friends anymore. They at least thought you both would be cordial! You chose to fully separate which on your part was best & healthy for YOU.

You either seen them recently or will & they are/ Were SHOCKED to see you ! Like you look GOOOOD pile 1 you really ARE that BITCH , THAT GIRL , THAT MAN !!!

I purely channeled for this pile so you definitely have an

“Off the record”

vibe to you that shocks people.

Channeled song :

PERFECT - Dave East ft Chris Brown

444

You are so loyal and it can kind of be in insult if someone ever said to you in your face that they thought you wouldn’t value loyalty in life. you are the ride or die friend & in retrospect your so protected in friendships definitely more than you think. For this pile you could truly be a “loner” , people are pretty shocked that you don’t have a whole legion of friends!

People are also shocked to know you have the ability to not freak out if that makes sense , you can stay calm in the most intense situations and circumstances! You can literally just vibe out & that alone was birthed from all the hurdles and lessons you endured. You learned & mastered the art of not giving af and people find this not only shocking but attractive it’s like a gift you don’t usually see in everyone. People are pretty shocked to find out that you have hella skeletons in your closet but you hide it so well & with you it doesn’t present in a toxic manner.. you know your dark side . You don’t just scream all your fuck ups out loud. If asked , potentially but on a General level yea its a NO!

I feel heavy Scorpio energy as well for this pile 🦂

I see a visual of a Strip club and a pole and I loveeee it ! So you may be heavily into the night life in your city , or you entertain professionally in your city but people are shocked to see you outside of certain environments! Unfortunately in this world people judge strictly off looks and it seems you’ve been a victim of that at some point pretty heavily & your 360 is SHOCKING to people who knew & resonated with the “old you”. People are shocked that you really put your mind to this and started to hustle for your own ! You got some individuals who are shocked that you are humble with your money , it’s like you could be shitting on bitches but you’re super humble about it. Thats shocking to those who felt like the old you would be “obnoxious” about your success! This pile gets MONEY And idk why people are in YALLs pockets, but that’s so shocking to people It’s scary. People want the formula babes … it’s shocking but it’s the pure interest for me.

You could really pop your shit if you wanted to , And you’re super independent!! definitely keep beating the odds that arise against you while effortlesly shocking these h*** ;)

Random Side bar : The way you ride , you always shock whoever has the pleasure 🍆😗

Y’all are such lovers im talking hopeless romantic and that’s shocking to the outside world like you don’t come off as that “type” whatever that means ! Maybe you just aren’t as mushy with those around you but when it comes to that one person or the person (s) you choose to trust your… a dream! It’s Mesmerizing and shocking to those involved . This pile could be undeniably intuitive and that’s a shock value to pretty much everyone you meet , you may not sense when your intuitive nature kicks in but it’s like watching something unfold exactly how you want , it’s so satisfying.

People are shocked that you turn hate or challenges into powerful trophy’s ! You are a true Transmutator you can pretty much bend a lot of things to your will , lol this can truly go a lot of ways but I can see you TRY to keep this asset as positive as possible

I can see people are usually shocked when you tell them the hobbies you're into , I can clearly hear "streaming "or "gaming" !

I also pick up on loving cosplay and it’s shocking when you like magically transform ! It’s pretty cool :) 🧚

Hope you enjoyed ;) 💗

[beausling]

pov: you’re jensen ackles’ controversially young gf (alt!musican!reader) part iii

read part i here, read part ii here

youruser 12m

jensenackles

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jensenackles Fun morning in NYC. Thanks @/goodmorningamerica and @/livekellyandryan for the chat. Sorry for the explicit spoilers 🤭!!!

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theboystv Hope the coffee was iced

gibson_g1rl i think i know what’s going on hereee🤭

pearlzier i think we’re thinkin the same thing🤭🤭

youruser you did so good superstar🌟🤎

jensenackles Thank you, honey. I’ll see you soon☺️🤎

caswh0re @/jensenackles @/youruser music stuff??👀

gibson_g1rl @/caswh0re don’t be delusional

caswh0re @/gibson_g1rl 😭😭😭😭😭

vamps4y/n @/caswh0re @/gibson_g1rl nonono she’s right, they’re probably abt to fuck nasty

pearlzier @/vamps4y/n BYEE☠️

j2texas OMGG why tf is #She here😭

gibson_g1rl girl why don’t you #kys

youruser

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youruser *taps mic* is this thing on? resurrection coming out october 13th🐈‍⬛🧙‍♀️🦇🧛‍♀️

(note: absolutely no graves were defiled, and not a single dead soul was woken, in the making of this project !!! and big shoutout to st. louis cemetery no.1 for existing and being so cool n morbidly beautiful🤞)

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jensenackles So fucking proud of you, sweetheart. I feel incredibly honored to have been apart of this beautiful project, and I really hope that the world loves it just as much as I do.🖤🖤🖤

youruser hey bro wtf !!!!! you’re abt to get a very tearful phone call here in a minute😭😭 thank you so much for everything, i love you🖤🖤🦇

vamps4y/n AWWW JENSEN THATS SO SWEET !!! OKAY NOW SAY “vamp life til i die”

hrtsy/n @/vamps4y/n NOT THE TIME GIRL😭😭

gibson_g1rl @/youruser YOU GUYS ARE SO DISGUSTINGLY CUTE !!!! ITS NAUSEATING !!!!!

jasvtsc ANYONE ELSE CRYING AND THROWING UP AND BANGING THEIR HEAD ON THE WALL RN😭😭😭

suicideleopard i see that mausoleum we used to always make out behind

youruser you tryna run it back??

suicideleopard @/youruser Pause…

youruser @/suicideleopard nah nah nah it’s good dw i got socks on😼

gibson_g1rl @/youruser @/suicideleopard ?????😭😭😭

vamps4y/n @/youruser @/suicideleopard you guys are fucking insane, just make out already

youruser @/vamps4y/n i Really wish i could thumbs down instagram comments…..

suicideleopard liked your comment

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vamps4y/n @/youruser 😭😭 you literally started this

youruser @/vamps4y/n blaming everyone but yourself…

hrtsy/n OMGOGKFMFO NEEWWWWWW ALBUMMMMMM ON THE FUCKING WAYYYY OMGGGG😭😭😭😭😭😭

gibson_g1rl WE USED TO PRAY FOR DAYS LIKE THESE🙏🙏

y/ngirlies MOTHER IS FINALLY FEEDING US AGAIN

archiveofvirtue THE DROUGHT IS FINALLY OVER😭😭🙏

pearlzier WE ARE SO FUCKING BACK YOU GUYS!!!!!

jasvtsc THE SUN HAS FINALLY COME THE RAIN IS GONE🙌

youruser

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youruser when you gon’ fly me in private so i can land on that dick🧎‍♀️ #oldpics

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gibson_g1rl i beg your finest fucking pardon⁉️

pearlzier THE SECOND PIC?????

jensenackles Hey, nice coat!☺️

youruser OH THNX😸 yeah i actually stole it from this random white boy, he was super chill abt it tho

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archiveofvirtue @/youruser you two aren’t fooling anybody anymore, just hard launch already so we can be crazy in peace

y/ngirlies @/archiveofvirtue @/youruser RETWEET !!!

jackleswife that should be me

vamps4y/n we should take you out back and shoot you like a deer with chronic wasting disease

deanluvr i’m obsessed with seeing you guys in this era, i don’t ever want it to end🙏

jasvtsc this might be their best era yet

deansluvr @/jasvtsc it is fr

hrtsy/n mama y papa liked🙂‍↕️🙂‍↕️🙂‍↕️

caswh0re @/hrtsy/n iktr they’re just like us

youruser

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youruser CHICAGO I HAVE SO MUCH TO THANK YOU FOR

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yourbffsuser baby came back home for awhile guys😸😸

youruser you can take the girl out of the midwest, but you can’t take the midwest out of the girl fr🙁

hrtsy/n the sixth pic is so real, like i felt that🤞

youruser we revisited the trap that day☠️☠️

hrtsyn @/youruser OH?????

youruser @/hrtsy/n ☠️☠️☠️☠️☠️

gibson_g1rl your silly ass was getting more train flattened pennies huh😭

youruser you know it babe🤭🤭

jasvtsc i love it when y/n in chicago🫶

pearlzier ykyk we always get some of the best music when she goes back🙂‍↕️🙂‍↕️

jasvtsc @/pearlzier EXACTLYYYYY

archiveofvirtue WELCOME BACK JUNE ADVENTURES !!!!!

youruser I FINALLY GOT TO FLICK THE BEAN AGAIN!!!!!

y/ngirlies @/youruser excuse me???💀

youruser @/y/ngirlies the giant stainless steel bean in millennium park☠️☠️☠️☠️☠️

y/ngirlies @/youruser OHHHHH!!😭😭😭

vamps4y/n @/y/ngirlies @/youruser tf did you think she meant😭

jensenackles Hope you had fun sweetheart!!😊

youruser i did lovey, thank you🫂🤎

pearlzier @/youruser SWEETHEART AND LOVEY?????????😭😭😭😭😭😭

jasvtsc @/youruser LOVEY??? THATS SO FUCKING CUTE OMG????😭😭😭

gibson_g1rl @/youruser YOU GUYS ARE SO ADORABLE IM THROWING UP!!!!!!

deanluvr @/youruser PLS JUST GO CANON ALREADY OMFGG😭😭

caswh0re @/deanluvr @/youruser “go canon” 😭

youruser 3m

꩜ thank you so much !!! i hope you guys enjoyed reading this😸 all feedback, likes, and reblogs are greatly appreciated 💟

꩜ SOOO much happening here, this part didn’t go the way i originally planned but i still like it🙏🏼

꩜ tags : @gibson-g1rl @pearlzier @jasvtsc @archiveofvirtue 🎀 lmk if you wanna be tagged and/or featured in the next part !!!!!

[chaifootsteps]

It is honestly incredibly sad that Medrano refuses to even acknowledge the Pilot’s original team or voice actors. Like. At all. It shouldn’t be shocking to me, but it is, because I just can’t fathom being close, or acting close, to a group of people who worked to make my dream a reality—many of them for free or as volunteers, and to not say one public word of thanks to them. I think about that, and all the fundraising the VAs did, and I just. I can’t imagine stabbing so many people who helped me in the back like that. Especially the people who brought my characters and stories to life. It makes me genuinely so sad, and reading the playbill I couldn’t help but notice all the times Viv said “I or me”. The very first WORD in the playbill is “my” from Viv. I obviously can’t know this, but based on her interviews and how she presents herself online and in the playbill it really does seem like the only thing that matters to her is herself.

I can’t help but look at the playbill and compare it to Rebecca Sugar’s forward to the first Steven universe art book—it starts with “the crew makes the show” and repeats it like three times with the last one in caps. It’s so clear throughout her interviews and behind the scenes content that Rebecca Sugar cared deeply for her team and that their efforts meant a lot to her. She’s gone on record talking about how the writing of the show was a group effort and that many of the members added something special to her characters. I’ve noticed in interviews Rebecca often says “we” when talking about the story and planning. She makes it clear all the time that while she is the shows creator, that it was very much a group effort, and that her crew is what made the show what it was

No one is perfect, but I don’t understand why it is so hard for Viv to acknowledge the people who lifted her up, and I doubt I ever will.

Anyway, shout out to the Hazbin pilot cast and crew, and all the artists who were mistreated by Spindlehorse. Yall are more talented than the SH higher ups wanted you to know, and you deserve awesome careers in whatever field you want.

In the midst of a situation that comes dangerously close to constiuting an outright scam? That really is the ugliest, most shameful part of it all.

[leresq]

Finally watched Deadpool and Wolverine. First of all I was not coming into this with high hopes because even though everyone was talking about how good this movie is I've never found the Deadpool movies funny. To me they're just different variations of "You haven't seen this in an Iron Man movie" stretched into two now three feature length films. But honestly I liked it at the end.

- Why are Logan's ears and one of his eyes not decayed when no other part of his body is intact? Why does he have a beard on his jawbone?

- I'll bite, the Bye Bye Bye is a fun idea. The wintery forest setting is cool.

- I can't enjoy that opening fight scene because it's not how anything works. You don't get bludgeoned with a dull object, have your body armour completely give way, and have a pint of blood splash out. I understand the whole point of Deadpool is that it's over the top, but this is just so overly gratuitous it's insane. I feel like Marvel Studios felt like they had to make it so unrealistically violent to try and separate it from the mainline MCU to get the people who have Deadpool funko pops to guffaw in the theatre. It's "You haven't seen this in an Iron Man movie" with zero words spoken. Honestly incredible.

- The CGI is better than it's been recently but it's still noticeably bad

- Peter Parker's Iron Man mask is on the desk in the background! How did that even get there.

- Why is Tony's ARC reactor on the table, I thought that was pushed into the river at the funeral

- The timeline is just so incredibly fucked. I still don't understand how the X Men timeline reboot works, or how Logan fits into it; if Logan dying means Deadpool's universe collapses, that implies the Logan movie is in the X Men reboot franchise, but Patrick Stewart is in that and James McAvoy plays him in the reboot making me think it's a one off... Augh my head...

- Something looks up with John Favraeu. I don't know if his wearing a wig is supposed to be obvious, I don't know if he's just under a lot of makeup or it's CGI, it's just weird.

- Deadpool is never going to be an Avenger because Marvel Studios would rather execute everyone working for them than give up the licencing deals from making PG13 movies, and Deadpool wouldn't feel the same in a PG13 movie.

- I think any brand would let Ryan Reynolds walk all over them in muddy boots, for some reason he gets the pass to slander anyone he wants to and he gets paid by the companies to do it.

- 'I don't have a lot of v*ginal sex' 🤨 that has numerous connotations. Also can we not do sex jokes in front of 12 year olds

- I was not expecting a Deadpool movie to contain any hints of character development because the previous two instalments seemed to be hellbent on making sure I understood nothing of emotional value would ever be allowed to appear without being undercut by a sex joke.

- "I've never been a natural bottom" 🤨🤨 I thought Poolverine was just the average two male leads naturally gets shipped together thing but no they're sowing the fields

- If that Thor crying over Deadpool never comes back I will say something about it

- If they didn't want me to know Paradox was going to be a villain why would they make him British

- The 'Suck it Fox' cut to nothing being there is the only time I will accept something raising more questions than answering them at this level as funny

- "Your tailor is a predator" caught me so off guard I started coughing

- Wow I wasn't expecting them to pull the Paradox is actually evil card not even a third into the movie. Honestly a good subversion of expectations.

- How is Deadpool's universe going to evaporate in 74 hours, I thought time doesn't exist at the TVA?

- Are they going to explain why Deadpool's suit can just fix itself now. It used to keep its holes.

- Finally, I think the first time we ever hear Deadpool is from Canada in the movies! I wonder if Ryan Reynolds only wanted to play him in the first place because they're both Canadian...

- "You two gonna fuck or fight?" 🤨🤨🤨

- I actually understood the Honey Badger reference

- the FF floating platform thingy is another reference I'm surprised I got

- The Human Torch CGI is actually really cool

- "Not all of you was asleep" after waking up on his shoulder 🤨🤨🤨🤨

- Too many cameos in Cassandra's little alcove so I'm not even going to bother looking for them all

- I'm not sure if Johnny Storm's death was supposed to be played for laughs or just shock value, either way I'm not laughing I loved those movies ;(

- How does Cassandra know she's Xavier's sister if she was sent to the Void before she could walk?

- Wolvie being nice to Johnny post mortem is cool

- Nicepool having a stronger Canadian accent is a good joke, and Deadpool looking on in disgust as Nicepool talks about his dog's 'G-spot' is good. At least that's not played off as just a normal thing to say even if it is a joke

- "I identify as a feminist" could easily be misconstrued as an 'anti-woke' joke but all of the jokes of a similar calibre in this movie seem to be made ironically. Example: Nicepool is a creep

- "Where's your mask" and Nicepool points to his face actually implying his nice guy attitude is a facade for being a shitty person is actually really good

- Why is Nicepool's car surrounded by untrampled corn, how did it get there? Who grew the corn?

- Deadpool includes Colossus in his world 🥺

- Wolverine is nothing if not an excellent shit talker, and it's actually very out of character for Deadpool to actually get affected by insults

- I wish The Greatest Showman soundtrack was incorporated for more than just a third of a second

- 'Close up magic' ant man reference?

- 'There's only ever gonna be one Blade' about that...

- I think that's Apocalypse's throne in Cassandra's room? Or Thanos's

- I never thought about how both Cassandra and Xavier's powers radiate from their heads until the Juggernaut helmet scene

- Finally some real actual genuine character development that's not thrown away for a joke!!! The best part of the movie to me was Cassandra's redemptio-. Oh. Nevermind. Anyway I like it better than if it were just shoved away for a joke then she died

- Deadpool waiting for the 'extras' to clear was, to me, a good indication that he's a hero now. Caring about civilians is #1 on my makes you a good guy requirements

- "You smell something?" "Yeah you" 🤨🤨🤨🤨🤨

- And there it is. Nicepool's death is probably the most predictable death I've ever seen on film.

- Eastside Pharmacy?! Agatha All Along reference???

- Wolverine's helmet looks like a rubber playground ball

- Will Marvel Jesus come back in three days however?

- Staring at Hugh's abs? Same, but 🤨🤨🤨🤨🤨🤨

- That hand holding ending was actually impressive, I wasn't sure what was going to happen and it actually kicked ass

- Is the guy with the mug who stared at Deadpool in the beginning Marvel's first gay character

- The introducing Logan to Blind Al is so unbelievably 'the parents meeting the boyfriend' I could die there's no fucking way that wasn't on purpose

[sufferu]

I think Subaru just feels that if he was born a girl life would have been easier since he wouldn't have to deal with the expectations as the first son

The thing is: Subaru gets a genuine sense of joy out of dressing as a woman. His entire presentation undergoes this massive shift. He becomes more confident, he thinks he’s prettier, he’s outwardly flirtatious — and even when he’s not, uh, “in uniform,” he genuinely loves making dresses, and styling hair, and playing with makeup. It gets to the point where, before he learns ANYTHING else, Rem remarks that his sewing skills are “top notch” — simply because he enjoys it so much that it’s where he dedicated all his time. Plus, there are all these little hints in the LN about how he misses being a cute, androgynous child who could be easily mistaken for a girl (even saying that the years have not been kind to him, which is a very strange way for a totally cis guy to reference puberty), and how he cried when his hair was shaved off, and how he prides himself on the old nickname “Princess of the Ice.” And even when basically nobody wants him dressed as a woman in Arc 7, he keeps making excuses to not change clothes, and EVERYONE takes it that way. And also he refers to Natsumi as his ideal self. This isn’t just him doing what’s easiest: he LIKES this.

Plus like — if you want to talk about characters leaning into an opposite gendered persona due to feeling that they can’t live up to their gender’s expectations…Ferris is right there. And Ferris very specifically foils Subaru in ways that are incredibly pointed. Ferris presents as a girl specifically for Crusch’s sake, while every time Subaru dresses as Natsumi he’s like the only one who actually enjoys it (sans Emilia, who has been very pointedly left out of the reveal that Natsumi == Subaru, and who uniquely shows pretty much zero contempt for his crossdressing habit in the one failed loop side story where she does find out about it). Ferris has to go through this entire morning routine of “getting into character” every day in order to be Crusch’s Cute Little Ferri-chan, Subaru slips into Natsumi’s persona so easily that he has to actively fight AGAINST it. Ferris dresses almost solely in a singular outfit that’s basically his Ferri-chan uniform (complete with a collar and a bell), Subaru has this whole love for styling different outfits practically every time he dresses as Natsumi. Hell — symbolically, Ferris is a nickname for a very traditionally masculine given name (Felix) while Subaru has been referenced many times as having a name that is explicitly androgynous (the implications of this can be debated but as it is I’m pretty certain it was intentional on Tappei’s part). It’s like a Whole Thing.

(And also — we already Had the whole “Subaru struggling with the pressures of being Kenichi’s son” thing. It’s what the whole First Trial was about him overcoming. So why is Natsumi becoming More prevalent as the story goes on, if it’s just an extension of that?)

(And if it really IS an extension of that prior problem, why do we STILL very pointedly not know what happened that day when he got found out? With Subaru going out of his way to shadow it as “a very traumatic event for me that I have spent a significant amount of time processing and struggling to overcome” while never revealing what actually went down — it’s be kind of anticlimactic for something like that to be revealed as just — an extension of a conflict that already got revealed and resolved ages ago.)

[chasedeys]

some shit i have to say about this particular thing from the frankly insane ass article sorry:

GH: Why Miami? JC: I love it. Just for me to get away sometimes. That's where I was working out when I came out of college. I don't see myself living there, but it's a nice spot to stay sometimes. GH: You seem to be New Orleans through and though. That's where you would live, I imagine. JC: I don't know. I haven't really decided on what I want to do when it comes to living in places, yet. GH: Do you see yourself being with him the rest of your career or a good part of your career? JC: I see it for a long time right now. We've been together for a long time. We enjoy each other's company. I don't see anybody leaving.

not to be an insane joemarr girlie YET AGAIN but -> ja'marr adores the shit out of nola that much is obvious: choosing to stay in nola for lsu, the way he speaks of it and how he never lets go of his accent even if people struggle to understand him, the shout outs, the fleur-de-lis pads tattoo big ass new chain etc etc so loud in his love AND YET he doesn't say that there's where he would end up in the end. he hauled his ass to cincy, stayed there and made it clear he doesn't plan on leaving (cincy and joe), has a condo in miami with all the beaches and waters he loves but he doesn't see himself living there, etc et-fucking-c AND JUST!!! not to be insane its like he knows that joe is for ohio. joe always comes back to his roots–wanting to go to nebraska like his fam, choosing osu, leaving osu to lsu and choosing to go back to ohio in cincinnati and just not leaving he has shit to prove there he loves it there it's where his family is it's where he grew up it's where he's loyal to and ja'marr just. follows him. 'i don't know' on whether he'd stay in nola where he spent his childhood and college years. 'haven't decided' like there's a place in his mind but he's unsure if he should or if his welcome is for forever or what the boundaries and lines of that forever is and if it's just a wolf-howling-at-moon-never-to-meet shooting-himself-in-the-foot kind of situation. like do you feel me??? i feel crazy like do you get what I'm trying to word out 😭

and like ugh if i can just mention about joe's fondness and love for all the things he's been a part of is so 😔❤️ still wearing all those silicone bracelets to this day the lsu one, covid days bengals one, etc. his ohio state, geuax tigers, athens etc sweatshirts and hoodies that he wears to this day that are in near pristine condition but also looking worn in a way that shows he wears them often and cares for them deeply so they last to this day. showing his love and appreciation in such in your face ways like the burreaux senior day name change, ja’marr’s jersey, etc other examples i can't think of bc my brain is fried :(((((( and so it's like.......maybe that is something that ja'marr notices and wants him to keep you know?? so if he stays in ohio for joe it isn't even remotely a hardship because the city has embraced him so readily and lovingly and he's repeatedly said that he loves the city even if the chili is shit so :(((( just incredibly loyal to a fault these two aaaaa

[glisten-inthedark]

I’m rewatching some of Mike and Will’s smaller scenes in season 2 ‘cause when I first watched season 2 I think it was really easy for me to fall into the trap of thinking all of Mike’s behavioral issues stemmed from missing & grieving El

And I still truly believe that’s a massive part of it because I think he has a form of survivor and almost caretaker’s guilt from El’s supposed death. He took care of El and then she singled him out in a goodbye and seemingly died protecting him and his friends. That is a helluva weight to carry around and he’s experiencing PTSD as the anniversary effect kicks into gear.

But in s2e1, before Will has to go into Hawkins Lab, Will is clearly down in the dumps in class because of the Zombie Boy note he got in his locker. We don’t see Mike notice, but later he says “He’s quiet today,” which shows that he did in fact notice his mood. Which is a really nice subtle parallel to Rink o’ Mania where we don’t see Mike noticing Will’s mood but then Mike himself reveals that oh yes, he has been incredibly aware of Will’s mood, attitude, and behavior.

I also just love how the camera focuses in on Mike when the boys are watching Will leave. The creators are screaming at the audience, “HOW MIKE FEELS RIGHT NOW IS YOUR PRIORITY,” and yet it’s so easy (at least it was for me, on my first watch) in Mike’s very next scene to take his moodiness as missing El, because we find out from his parents that he’s had behavioral issues all year, so my silly little brain went, “Oh, because of losing El.” But when the scene starts, before Karen even brings up the two boxes of toys for the yard sale, Mike is sullen and picking at his food.

And again, this is Mike’s next scene after they very intentionally focused on Mike being concerned for Will going to the lab. So he’s not picking at his food because of El—it’s because he’s worried about Will. (Contrasting Dustin & Lucas going to the arcade to watch Max, most of their focus on her.)

Then this dinner scene is followed by Nancy & the Holland’s dinner scene, which ends in Nancy experiencing her own guilt over losing her best friend….and only then do we get an El-focused scene for Mike. Directly after a deep display of grief and guilt from Nancy over her platonic best friend. In Mike’s scene with the toys, he sets aside Rory the dinosaur, which he and the audience associates with El…..except…..she showed zero interest in this toy in season 1. He also picks up the Millennium Falcon, which Dustin tried to get her to fly, but Mike never witnessed her actually levitating it. He associates it with Dustin’s attempt to make her fly it, but not her actually engaging with it.

And all the while, hovering over his head and shoulder, are Will’s drawings. After he picks up the Millennium Falcon, he’s framed between two of Will’s drawings.

Of course Mike misses El; he cares for her and he’s seen firsthand her communicate through the radio, and we’ve seen that he was able to sense her presence like Will did when he was in the UD, and he tells Will that he feels like he keeps seeing her, so I think El visiting him really heightened that need to keep reaching out, and also the guilt that would come with stopping reaching out. After all, in the scene in s2e1 when he uses his radio to reach out to her, it is absolutely Eleven whose voice we first hear, not Dustin. It sounds exactly like her. And then before Mike starts talking, we hear Dustin say “Mike?” and it sounds completely different. So imagine him experiencing that on and off for a whole year! The poor boy would struggle to move on so incredibly badly.

But before the basement scene, it was Will on his brain. Not El. Will was the reason he was sullen at dinner.

Idk I just think it’s so interesting how even though I’d rewatched season 2 a ton of times before season 4 and now, I had M*leven on the brain and so let that color how I perceived things and the assumptions I made.

Hello! Oh this is why I love getting asks, I didn't even notice all of this.

To be honest I also assumed his behavior change was due to El at first, but thought better of it not due to the things you noticed but because after I watched I thought about it and realized it was most likely a situation where there's a lot of trauma from what happened to El and what happened to Will intertwined.

I've talked about this before very on a surface level because no one here needs a psychology Ted Talk, but I truly believe El and Will are very enmeshed in Mike's brain due to trauma coping mechanisms.

Will disappears, he gets El. El gets Will back but disappears and he thinks she dies and she gets her back, connect this with Mike's internalized homophobia/biphobia and we have a recipe for his behavior down the line.

[hyperdramas]

aftermath (act two) | lee seokmin

part: 2 of 3 (part 1 here) | warnings & playlist are mentioned in part 1

word count: 2.1k words (lord bless)

Seokmin was starting to think he was incredibly drunk on something or finally going insane, but he couldn't stop watching you as you slept on his couch, face pressed into his silky white pillow as drool fell from the side of your pretty, parted lips.

It wasn't like him to wake up early on the weekends, but here he was, sitting in silence with nothing but a pair of sweatpants on as he watched you fast asleep on his couch. He was worried about you overnight, even going as far as to wake up from his own sleep to quietly make his way downstairs and check on you, adjusting the thermostat or covering you up if you were to push your blankets off of you.

Seokmin was caring too much, and he knew it. He cringed at himself as he watched the sun start to peak out from the clouds, basking your sleeping face in a warm glow. Even though you looked like you had fought a ghost in your sleep, your hair was delicately spewed over the pillow, falling in waves down the side of your face.

As the sunlight hit your eyes just right, you squinted them open, taking in your surroundings before you sit up in a jolt, surprised. You had forgotten that you had accidently crashed at MLB's star pitcher Lee Seokmin's million-dollar apartment for the night.

Not mentioning that you didn't actually mean to do it, either.

You slowly scanned the room, too surprised and embarrassed to take in the beautiful view or sleek white that was the pristine living room you were sleeping in.

"Good morning." Seokmin said softly, and you nodded, averting your eyes to the warm, white blanket on top of you. ".....Oh, um—Good morning." You replied back, and Seokmin stood up moments later, cracking his neck without flinching as he made his way to the kitchen.

Your eyes traced over Seokmin's back as he walked, taking note of his broad shoulders, study, muscled arms, and sculpted waist. He really took time to work on himself, and you could see it more and more as you watched him.

"Are you uh—are you gonna stay for breakfast?" Seokmin asked awkwardly, pulling out a pan from a cabinet as he opened the fridge door.

This was so weird—you had (somehow) found your way into a popular celebrity's apartment, and not only was he not being rude to you or making you feel lower than him, but letting you spend the night, sleep on his couch, and offering to make you breakfast. Seokmin wasn't like the other self-centered celebrities you had heard about before—he was down-to-earth, real about what he said and did. It was admirable to you.

You were attracted to that, you wouldn't lie. Lee Seokmin wasn't just a good looking baseball player with raw pitching talent, but an admirable person with a strong and dominant, yet sweet disposition.

"If not, you're free to go. I don't mind." Seokmin had added, and you remembered what he asked you, clearing your throat as you nodded shyly. "No, no—I can....I can stay."

Seokmin let out a quiet sigh of relief, surprising himself in the process. Why? He had a faint idea as to why, but didn't want to say it to himself or even think it to himself. That was the furthest thing away from the truth. There's no way that could be the reason. Right?

After twenty minutes of stiff chatting from you and Seokmin, the food is ready, and you sit on the couch, trying not to gorge yourself on the delicious eggs and bacon lying in front of you. Seokmin watches you as you eat, biting back a smile as he senses you trying to hold back.

"You can eat however, okay? I'm not going to judge you." Seokmin let out a little chuckle, and you looked up at him, deflating a bit as you matched his laugh and you took a bite of egg.

Not only was Lee Seokmin sculpted by the gods, with his sharp features and strong body—but a great facial expression reader.

"I'm sorry if I came off as weird yesterday for asking you stay the night with me. I had no intentions of doing anything..." Seokmin trails off, face betraying him as his cheeks start to warm you. You stare at him, slowly but surely getting the memo as he continues. "Anything that you wouldn't want to do. I just, shit, I—"

"—don't want to be alone." You finish for him, remembering what he had said last night. Seokmin nods once, looking back down at his nearly finished plate. "Yeah...uh, yeah."

You shake your head, looking up from your plate as you meet his gaze. "No, it's okay. You didn't come off weird at all."

"You're a really bad liar." Seokmin jeers playfully, and you can't help but laugh, nodding as you tuck your hair behind your ear. "Ouch."

The table falls quiet again as the scraping of plates can be heard, and you finish your plate, fork down as you look at Seokmin. He's on his phone, frown evident as his eyes scan something. You've never seen him frown before, at least in the time you've known him (that being a singular night), but you could automatically tell you hated it.

"Hey, what's wrong?" You ask, and Seokmin looks up at you, eyes hard as he doesn't say anything for a while. The air around him is thick with a certain feeling you can't seem to describe, and it makes you feel small, insignificant to him. "Ah, I'm—I'm sorry. It's not my business."

"No, no." Seokmin says hurriedly, phone hitting the glass table as a heavy quietness filles the dining room. "It's nothing. Don't worry about it." Seokmin lies straight through his teeth to you, and you don't catch on, nodding as you finish your cup of water.

The thing that "wasn't your business" was a text from Seokmin's PR manager. He was due at a photoshoot almost thirt minutes ago, and she was livid that he wasn't ready to be dressed and filming the video ad.

Seokmin didn't want to go—there were a million other things he could be doing rather than sitting in a stiff chair for hours on end as staff spent their time doing nothing but retouching the smallest little smudges of his makeup and hair while Seokmin was stuck posing endlessly for a tiny, four-page spread.

He had never skipped out on something planned like this, but he was going to do it now. He deserved to feel good for once—free, unbound by any time-constricting schedules that he wasn't interested in.

"Are you doing anything important today?" Seokmin asks, standing up as he takes his plate from his seating spot. He walks over to you as well, cologne wafting over you as your plate is stacked on top of his. "No?" You answer, although it sounds like a question—what is going on? Why is Seokmin so invested in you? It wasn't a bad thing, necessarily, but you were beyond confused and surprised.

"Do you want to—uh, wanna stay over for the day? I mean—I don't have anything better to do, and I still don't want to be alone." Seokmin couldn't believe the words coming from his mouth, but he couldn't stop talking. You were making him nervous.

"Seokmin...." Boy, were you getting mixed signals from this guy. He had just met you yesterday, and here he was, asking you to stay the day and keep him company. It was a miracle you had come into his apartment, and now he wanted you to stay longer?

You didn't want to believe it, but your gullible, love-sick heart sat there thinking this was a sign that he was into you. There were so many things that screamed absolutely not, some being the fact you and him just met yesterday night, every conversation you have had with him was a mess of awkward sentences, and the simple fact he was a celebrity, for God's sakes.

"Sure. Why not?" You shrug, and Seokmin smiles, eyes lingering on your body for a bit longer than usual before he makes his way to the sink. You squirm in your seat, chest on fire as you watch him scrub away at the dishes. What was this feeling burning deep in your chest? Why were you feeling it now, while being with Seokmin?

"And that's how I got that knot on my head." Seokmin chuckles as you run your finger over the picture in the photobook. His eyes glance at you as he gages your reaction, and he feels his heart jump a little when your hand brushes against his.

One thing led to another, and here you were, sitting on Seokmin's bed as you looked through photo albums he had stashed away in his scarily neat closet. You would have never thought you've been able to say that you've sat in a celebrity's bed before and looked at their baby pictures, but here you were.

"It looks painful." You muse, noticing how Seokmin's eyes still squint like they do now, when he laughs. "I mean, you're crying," You laugh, and Seokmin just shakes his head, ghost of a smile on his lips as he answers with a simple, "It hurt back then, yeah."

You close the photobook, handing it back to him as he takes the rest of the stack you've already looked through and returned it back to its rightful place.

Seokmin shut the door to his walk-in closet, coming back to sit on the bed as you stared out the window, having a perfect view of the pristine pool down below. Seokmin's hands were sweaty, and his hands were clammy, but he couldn't stop the words that were bubbling through his chest and to his mouth.

"Would it be weird if I told you that I loved you?" And there it went. Seokmin had talked without thinking again, and threw you for a loop.

None of this was normal—you and Seokmin had created a bond over today, even if you started out as strangers just last night. He knew you now, and you knew him, as if you two had been long-lost friends who had just rekindled their old memories and started off again from where they had stopped before.

Seokmin had made himself more than just a popular, talented baseball player to you—he was just a normal person, having fears and struggles just as the rest of the human population did. He wasn't this untouchable, closed-off celebrity who just smiled and did everything perfect all the time. He was just like you—lost, confused, and alone, lacking in all the departments he thought he should have been ahead in.

"A little, yeah." You answered after a while of thinking, and Seokmin nodded, looking away as he let out a sigh. "Yeah, you're right. I'm—I'm sorry. I got caught up in the moment."

"Seokmin, I want to stay in this moment forever. With you." You muttered, and he turned back to you, eyes raking over you slowly as he took you all in. He looked at your sparkling eyes, warm cheeks, and small voice.

"As insane and ridiculous as this whole situation is, I think I love you, Seokmin." You whisper, and he moves towards you as you follow his lead, now just inches away from each other as he makes the first move. His hands are slow, slender fingers coming to move your hair from your face as he tucks it behind your ear.

Seokmin's too far into you to back out now, and he goes all the way, kissing you slow as you melt under him. All the tension between you two melts in the matter of a few seconds, and you cling to his shirt, sighing under him as his hands dance across your waist.

"I—fuck." Seokmin's words are beyond broken as he pulls away from you, and he doesn't even try to fix them, staring at you in your soft, breathless glory. You're still reeling from the kiss that just happened, mind somewhere else as your lips still tingle with the feeling.

"Are you still with me?" Seokmin questions softly, hand on your thigh as he looks at you with those eyes—those sharp, hungry ones you see when he's strategizing with his team or preparing to pitch.

"Yeah, I am," You breathe out, eyes meeting Seokmin's as you blush. You're in heaven, you think, because the feeling that you feel right now is something you'd never want to give up.

You'd never want to give Seokmin up.

But would he feel the same way about you?

feedback & reblogs are so so appreciated! let me know what you think lyrnation

[yandere-daydreams]

AYO. TOILET BOUND HANAKO KUN IS YOUR FAVORITE??? WHY DIDNT I KNOW OF THIS IMMACULATE TASTE BEFORE

no because such a great fucking manga and i just,,, never have an excuse to bring it up T-T nene is definitely one of my favorite heroines from literally every series ever, and the whole vibe is just so,,, wow. i will always respect a 'the world works this way because it feels right emotionally' approach over a 'the world works this way because the author wrote down a list of rules ten years ago and can't break them now' approach to world-building. and the art blows my mind every time i pick up a new chapter ofc.

and as far as i'm concerned, NO ONE is out here doing queer pining like tbhk!!! i'm really not much of a shipper, but kou and mitsuba send me into fucking hysterics every time they share a panel. are they ever going to kiss? probably not. do i think about that part in the picture perfect arc where mitsuba cuts his hand and kou longingly thinks about how this is the only time his skin has ever felt warm? constantly yeah. every other character is just,,, so incredibly well-written too. there's no pair of characters i wouldn't pay ungodly amounts of money to see in a room together fr fr.

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[cpvnksabm]

hey RTC fandom, i wanted to talk about disability erasure in RTC, and how the fandom (and potential future productions) can do better than canon has done so far!

What is disability erasure?

Disability erasure is, basically, finding ways to avoid acknowledging or depicting disability because of how it makes people uncomfortable. One example of this, and the most common thing that pops up in discussions of RTC, is taking a character that is canonically disabled or usually depicted as disabled, and depicting them without that disability.

When this happens in general, it is a problem because it deprives disabled people of a chance to see themselves represented in media. In theatre, it also often means that an abled actor gets a role that could have gone to a disabled actor - and this is already a problem even when the character is being depicted as disabled on-stage, due to ableism in the hiring/audition process.

We already have few enough disabled characters as it is - we don't need any less. Ricky is an important character to me and to many other disabled people. That's why I, like most of the fandom, do not support the 2022 script changes that made Ricky able-bodied and replaced his physical disability with a psychological trauma.

I won't discuss the script changes much here. Many other people, including Yannick himself, have already explained it better than I can. But suffice to say I think the new script is incredibly, inherently ableist.

But that's not the only example of disability erasure in RTC.

Disability erasure doesn't just mean taking a disabled character and making them completely abled. In fact, many people have correctly pointed out that Ricky still has a disability in the new scripts, because being unable to talk due to psychological trauma is a disability. And this is true, but it doesn't change the deliberate erasure of Ricky's physical disability.

Because all disabilities are different, it's possible to erase a character's disability even without making them fully abled. If a character has one disability, and you remove it to give them another - that's still erasure! Disability rep is not all interchangeable, and it does matter what disability or broadly what type of disability a character has.

I hope most of the fandom can understand that, for example, it would be a problem to make Noel bisexual. Even though bisexuality is still part of the queer community, it's erasure to do that for Noel - because he isn't just generic queer representation, he's specifically gay! And the same sort of principle applies to Ricky, because he isn't just generic disability representation - he is specifically a person with a degenerative disease, and a mobility aid user who cannot speak.

With the canon info that we have on Ricky's disability, based on the 2016 script, here are some examples of things that might not be making him fully abled but are still erasure:

Depicting Ricky not needing mobility aids, even if he can't talk

Depicting Ricky talking out loud, even if he still needs mobility aids

Depicting Ricky being a person who cannot speak & needs mobility aids, but having this be due to two unrelated disabilities that affect his speech & legs only (for example nonverbal autism & arthritis in his legs). Ricky canonically has a rare degenerative disease that affects both his speech and his mobility; it is very likely (all but stated outright in canon) that this is a neuromuscular disease which affects his whole body.

Removing the fact that Ricky has a degenerative disease specifically, and explaining his symptoms with a disability that will stay at the same severity throughout his life, when he canonically has a degenerative disease that he outright says will lead to an early death (even if this makes you sad to think about, which is 100% valid and understandable, it is not appropriate to erase outright)

But what about in the afterlife? What if Karnak allows Ricky to remove his disability or specific parts of it?

Pretty much every production of RTC involves Ricky, upon death, gaining some abilities that he didn't have in life. In most productions he discards his mobility aids, though there are some where he keeps them during most of the musical and only throws them aside for choreography, and some where he keeps them throughout choreography. To my knowledge every production of RTC also has him talking out loud after his death. This is all pretty easily explained by some sort of afterlife magic, or by Karnak actively choosing to remove (parts of) Ricky's disability.

And I'm sorry to say that it's still erasure.

I'm not saying this because I want to file RTC away as bad rep. I love RTC, and I love Ricky! I think Ricky is extremely valuable disability representation for so many reasons, and I also think there are some things that it could have done better.

I think having Ricky as an explicitly disabled character who becomes able-bodied due to magic later on is much, much better representation than simply writing his disability out of the canon entirely. It's a different level of erasure, because it still acknowledges him as a disabled character, and still acknowledges that as part of his backstory.

But using magic as a way to remove disability is lazy. It's a quick way to avoid having to depict a character as disabled for the entire length of a musical. And that means that the disabled fans who see ourselves in Ricky, don't get to see a character depicted as disabled or using mobility aids on-stage for the whole length of the musical.

Now, I understand that whenever you're making fanworks for a flawed piece of media (and every piece of media will have some flaws), there's a balance between being canon compliant and improving on canon. I don't think fans should be instantly labeled as ableist, or canceled, for writing canon compliant fic where Ricky's disability is erased in some way in the afterlife. I don't think it carries the same harm or weight - for one, it doesn't have the same reach as actual musical productions do, and on top of that, disabled people in the RTC fandom are already aware of the flawed parts of RTC's disability rep & we tend to be prepared for this when we go into the fandom.

I do think people should consider making Ricky disabled in the afterlife in fanworks. Many other parts of canon are changed in fanworks, so this one can be too!

And more importantly than that, I think more RTC productions (on the off chance anyone involved in a production of RTC is reading this post) should work to continue depicting Ricky as disabled on-stage throughout the whole musical. As I've said before, to my knowledge, there isn't an existing production of RTC that doesn't engage in some level of disability erasure, and that's something I'd like to see change one day.

But wait, if Ricky still couldn't speak out loud in the afterlife, wouldn't that mean cutting his song?

Actually, no!

I get this response a lot when I bring up the disability erasure inherent in Ricky consistently regaining his ability to talk upon death. I understand the concern - I think it would be awful if a production simply cut SABM in order to avoid depicting Ricky talking/singing out loud, and that doing so would also be a form of erasure in the sense that it would inevitably involve minimizing Ricky's character and removing parts of what made RTC such valuable disability rep in the first place (especially so if some of ricky's speaking lines, such as his post-SABM speech, are also cut with SABM).

But the fact is that you simply don't have to cut Ricky's song for this to work. There are real people who have performed in musicals without speaking/singing out loud, and still had major roles!

One way of doing this is with an interpreter. Ricky's actor would perform SABM in sign language, and another performer would sing the song as he signs it. It's important to note that when this is done, Ricky is still the main performer and still the focus of the song, and the interpreter is just that - an interpreter.

This method has been done in musical theatre before. One example is Joshua Castille, a Deaf actor, playing Quasimodo (an originally deaf character) in the 5th Avenue Theatre production of The Hunchback of Notre Dame. He performs in ASL, with singer E.J Cardona acting as the voice of Quasimodo. There are some clips online if you'd like to look it up!

There's another idea that I've thought of myself, though I don't know of any examples or if it'd been done. If Ricky was depicted using an AAC device on-stage, that would mean he talks using a synthesised (text-to-speech) voice. And we already have the technology to create singing with synthesised voices - it's called Vocaloid!

Of course, real world AAC devices generally can't sing, and programming a song into a vocaloid inherently takes a lot of time - you couldn't do it on the spot. But the whole premise of a musical is people singing on the spot when they wouldn't normally be able to! In RTC specifically it's explained as Karnak's doing, but pretty much every musical involves characters perfectly singing in contexts where they couldn't have possibly memorised/rehearsed the lyrics, harmonies or choreography in advance. I don't think it's that out-there to stretch this to Ricky singing using a vocaloid-like voice in a context where he couldn't have possibly programmed it into his device in advance.

I don't think these are the only ways it can be done, either - they're just some obvious examples. I just wanted to make it clear that it is possible to depict Ricky as a nonspeaking character throughout the musical, and this wouldn't have to involve cutting his song or removing his singing roles. I'd really like to see productions start to come up with creative ways of doing this!

Conclusion/TL;DR

Disability erasure is a problem in all existing RTC productions to varying degrees, and it's a problem in the fandom as well. Disability erasure isn't just taking a disabled character and making them fully abled - many cases of disability erasure in RTC involve Ricky still having a disability, but it's still erasure if aspects of the disability he canonically has are erased.

Contrary to popular belief, Ricky's inability to speak being erased in the afterlife is not just a necessary evil of the musical genre. Nonspeaking characters can be represented in musicals, and this wouldn't have to involve cutting his song!

Thanks for reading!

[ahappydnp]

Oh!! What are your thoughts on dinok? I missed that and I never wanted to know something so badly your takes are the best

personal opinions/rambling under the cut/ reblogs turned off for fear of bringing back the discourse

my thoughts are i love daniel very dearly and think he is an incredibly talented writer and storyteller but that this particular story didn't/doesn't need to be told by him

from my personal perspective- i do want to preface this by saying dan revealed the plot of dinok shortly after i personally came out as a lesbian to my long term male partner which resulted in me losing quite literally everything (my job, our shared home, our pets, some friends) smack dab in the middle of lockdown

so for me, i was a bit upset and apprehensive of dan's interpretation of what having a breakdown and coming out as an established (and regular) adult in a het relationship would be like? because the plot was specifically "what if dan howell was never famous and finished his degree and stayed with his high school partner but then had a complete breakdown because he hated his life" (which was LITERALLY exactly my life)

and it's not that i don't trust him with a narrative, it's that i was confused as to why it had to be about him and not an original character. but also let's be honest, dan doesn't know what it feels like to not be financially secure and weighing the options between living your truth or having a roof over your head. he doesn't know what it's like to try and process something so life changing completely alone and the absolute crushing devastation of hurting someone you love in the process

like the concept of dinok would be incredible for late in life queers, but i would absolutely want it to be told by someone who's keenly aware of the emotions and trials that come with it. dan has OBVIOUSLY been through hell, but not this specific kind of hell.

i guess it's just like...if he wanted to make something naval gazey about himself that he was also going to be the star of, why not do something you know? it was just an interesting choice i guess and i would like to know why he chose it. i kind of assumed he'd want to go fully fictional for his traditional media debut?

anyway like i said it's not because i don't trust him with that kind of story or that he'd be malicious or purposefully ignorant, it just would have been a really hard watch for me personally. dan doesn't know what it feels like to come out when there's no celebration or support, he's never sobbed alone in the guest room of his own house because his now ex can't even look at him feeling like the world just ended (for which i am so so grateful, because it should be a celebration and he deserved every single ounce of love he got!!!) ((also i do want to say it is totally worth it and i am so much happier now and genuinely do not regret it, but sometimes it IS the hard part))

ANYWAY dan switch gears and maybe write about anything else that's not "what if my situation was bad lol that'd suck"

[theanticool]

Watch Women's Boxing: Katie Taylor vs Amanda Serrano 2!

In 2022, we were treated to the biggest women's boxing match of all time (in the US at least). Ireland's pride and joy Katie Taylor faced off with one of Puerto Rico's greatest fighters of all time Amanda Serrano in front of a sellout Madison Square Garden crowd in NYC. It was a historic night for the sport that has yet to be matched. You can watch the fight on YouTube.

It has taken two years, but we are finally getting a rematch. This Friday (Nov. 15), Taylor and Serrano are set to meet again in Texas as part of the Mike Tyson-Jake Paul (stupid ass fight) card on Netflix. And to help emphasize why this is so important, let me lay the careers of both fighters.

Depending on who you ask, Katie Taylor is the reason women's boxing got added to the Olympics in 2012. The Irish star actually participated in the first ever sanctioned women's fight in Ireland at the age of 15. A standout amateur, she was a multiple time European Games, European, and World Champion as well as an Olympic gold medal in 2012. All together, I think she's won 18 amateur gold medals. While her efforts came up short at the 2016 Olympics, she took that drive to the pro ranks. She quickly racked up wins before winning a world title in her 7th fight. She then proceeded to unite all 4 major belts to become the undisputed champion at 135lbs and climbed to P4P #1 in the sport. A last second change of opponent back in 2023 led her up a weight class to 140lbs. There, she faced off with the undisputed champion Chantelle Cameron. The fight was Taylor's first ever as a pro in her home country of Ireland. She would lose but was given a rematch for later in the year where she picked up a controversial decision win. She now has claim to being a two division undisputed champion.

Puerto Rican sensation Amanda Serrano is a long time veteran of the women's pro scene. Her career started in 2009. She has plugged away at this sport methodically for 15 years, picking up an insane 47-2 record. Most impressively, Serrano has been a world champion in 7 divisions. There is only one other boxer in history who has that many divisional crowns, Manny Pacquiao (8). She also is the only Puerto Rican boxer to have the title of undisputed at a weight calss (featherweight) in the four belt era. She is a truly generational talent in women's boxing and it's been incredibly gratifying to see her finally get the big paydays and media recognition she has deserved.

With both Serrano and Taylor getting up there in age, we do not have many chances left to see them compete at a high level. So we shoudl all definitely be tuning in to watch them fight now while we still can. I can honestly say this is arguably the most important women's fight boxing has ever seen and I'm excited to see these two square off again.

[unavailableapple]

Okay but like… “Knock it off” is not what I mean and you know it. I mean the radfems who are way too hard on women who wear makeup or are forced to spend time around men or shave etc. Not every woman has been exposed to feminist ideas before and we as feminists should be kind and empathetic to them. If their first exposure to feminists is feminists being assholes, no wonder so many young women move away from feminism.

The message of “YOU SHOULD BE KIND TO WOMEN AROUND YOU” seems to be a really hard pill to swallow and I honestly don’t know why. Self proclaimed feminists on here still message me saying I deserve to get assaulted for having male friends. I do think my desire for male friendship is driven by internalized misogyny but I also think I’m a human woman entitled to basic respect and empathy and it’s extremely disheartening when other feminists treat me this way.

I feel like it’s very tantalizing to critique women because men just don’t listen when they’re criticized by women…because they don’t care. Women do care and will listen so it’s easier to critique them. But too often feminists fall into the trap of just hurling more hatred towards other women, especially online, and I think it’s an incredibly toxic part of online feminist communities and it needs to end.

Empathy towards women is part of feminism.

I wore a dress recently (rare occurrence for me) and one of my friends was like, “Honey you look great but would you like some tips on shaving your legs?” And I explained to her that I don’t really like shaving my legs so I just don’t do it. And she asked if that’s why I usually wear pants and I said no I wear whatever is comfortable to me, shaved legs or not. And it was like I literally blew her mind.

This is what I mean when I say you should have empathy for women with internalized misogyny. I don’t mean having empathy for women who are abusive to you for being a woman. I mean empathy for women who genuinely don’t know that what they’re saying is sexist. I don’t think my friend even knew it was sexist of her to say that at all, she probably just thought it was a little rude (sometimes, when you’re close with someone, it’s okay to be a little rude because you know you love each other). These ideas were not things she had previously been exposed to at all. Instead of telling her to kill herself for having internalized misogyny, WHICH ALL WOMEN HAVE, I introduced her to feminist ideas. And you know what? I’ve noticed she stopped shaving her arm pits recently. And she hasn’t said anything about my legs again. 🤷‍♀️