#i think or at least hope i know an asshole main vs an unlikeable one??

[hotmess-exe]

ugh. it's so tedious when one of the main characters in a dating sim is just... not written to be likeable. i'm not talking about bastard love interests or enemies to lovers or etc. i'm talking about understanding what the narrative is trying to show me and it failing to make a character likeable enough to justify their behavior in the first chapters of the game. idk i love me an asshole. i love me an evil villain. i don't have the right words for this lol

[td-frog]

thoughts on dcas e10 (yes i know it came out 2 weeks ago)

merge

i stand by what i said last week- i think it would have made more sense to have one more challenge first. merge now gave the villains such a clear advantage.

that said, my theory was one villain gets cut and the drama becomes "the heroes all have to work together to win" and that did happen, it was just "to tie" instead.

mainly feels weird because i know the writers control everything but in-universe the decision to merge seems hugely biased in favor of the villains.

aiden and jake

this conflict is really funny to me because it really makes no sense. or at least not originally. so at this point the beef is really just they've been beefing so long they can't fix it.

(ultimately this is why the whole thing is tom's fault. if they'd addressed it earlier it could've been fixed, but he literally waited until the last possible second to try)

absolutely makes sense for the villains to use this to vote out ashley, since it's the only way she was losing. tdi bridgette "voted out for being liked too much" move.

jake and ally

honestly, i'm not sure how i feel about this one. the beef feels a bit more manufactured somehow, and unlike the beef with aiden it doesn't feel like it's been building long enough for them to not be able to put aside their differences.

also i'm disappointed we didn't get much of anything about ally re: tess leaving. i was really expecting something big there, especially with the whole thing about her being more okay with hunter gone than she'd thought. instead they just brought up hunter again?

idk i think this part fell flat to me. i think them continuing to fight doesn't really feel natural. but maybe we'll get more ally next time.

yulgrett

y'know i've seen a lot of people complain about the jake vs. aiden plot being way too drawn out, but for me that's shitty boyfriend yul.

i get that leaving abusive relationships is hard. and i get that grett doesn't want to accept that the guy she thought loved her is an asshole. but also every other villain is on record saying "that guy's such a shitty boyfriend and we hate him for it" and nothing ever happens?

like i'm not mad from an in-universe standpoint, because it does make sense why they'd keep him around for alliance purposes. but it's really frustrating as a viewer to have the show keep going "look how awful this guy is! he sucks! everyone knows he sucks! no consequences tho :)"

like i'm sure it's gonna be really cathartic when grett finally sticks up to him or whatever, and i'm guessing this is gonna be the spark of internal conflict that blows up the villain team and makes the competition viable again but like. it's not fun to watch?

predictions

i mean so based on the trailer it looks like the eliminated contestants come back and everyone gets a buddy. in which case i do get why they merged at 10 instead of 9, but i still don't love it.

i thought emily getting caught might affect yul literally at all but it looks like instead that's just motivating trevek plot which. fine.

obviously the main conflict here is villains vs. others, which is now a 5v4. so unless something changes with immunity or voting or whatever, i think the villain team internal conflict needs to finally happen (please please please).

i'm so looking forward to alec and fiore. i don't care what else happens i love them.

other than that i am hoping to finally get that tess/ally thing i was hoping for. the fact that (i think?) they're working together over hunter and ally is promising.

idk what else to expect at this point. i think it'd be really funny if jake and aiden manage to be friends all of a sudden now that their beef has had consequences. also curious how ellie returning affects gabby's villain arc.

yeah most of my thoughts are based around the trailer. i think post-merge it's harder to predict. or maybe this episode was just Not For Me.

[popculturebuffet]

House of Mouse: Max’s Embarrassing Date Review

Hello House Mouses and welcome back to the house of mouse. Another comission by Kev and my second House of Mouse for the valentine’s season. This time we’re not tackling a Valentine’s Episode necesarily, but a romantic one all the same as fan faviorite couple Max and Roxanne finally go on a date.  I always liked Max. Even as a kid when I wasn’t the biggest fan of “A Goofy Movie”, didn’t like the darker patches like the principals office scene or the Pete Hot tub scene.. though in hindsight both had legit greviances with Max... it just dosen’t make either less terrible as the principal still told an innocnet man who wasn’t responsible for what his kid did and was trying his best that his son was going to become a crminal because of one stupid but mostly harmless prank, and Pete.. is just an abusive, unlikeable and unlovable ass in both Goof Troop and Goofy Movie, and I hate how he treats his son, don’t blame his wife for leaving him or taking their daughter and dog, and am really sad he got custody of PJ somehow. And for the record this isn’t ALL petes, just this version. The rest are fine and just the right level of asshole. 

Point is despite my problems with the first film, I had none with the second and even now I like it due to having some really good ideas and concepts while also being gloirously rediclous due to the loveably dated X-Games element. While I do have a spot in my heart for the Dana Hill and Shaun Fleming versions, especially the latter once upon a christmas is awesome, Jason Marsden’s version is the best by the mile having the right amount of ego mixed with self doubt to make him likeable enough to brook him being an ass to his dad a lot. He’s a good character.. and it baffles me Disney NEVER uses him nowadays. No really, the last time he showed up was in twice upon a christmas and no one liked that because he was dating someone who wasn’t Roxanne just to rehash the same plot they’d already rehashed better in Extremley Goofy Movie. I REALLY need to rewatch that one. Hmm.... gonna see if I can squeeze that one into May or later in April. That’s for another time. 

But yeah while he’s at one of the disney parks, that’s it. The character just .. vanished, and hasn’t been brought back in any way shape or form. Though I could see either a Disney Plus reboot of goof troop or a goofy movie with max having his own kids. That could be intresting. Also bring Roxanne back as weirdly this episode i’m reviewing, a goofy movie and now her ducktales cameo are her ONLY apperances. 

Seriously I get she’s not the most fleshed out.. but then flesh her out. Like Max she’s crminally underused and while I get her absence as a character in the sequel, the plot really didn’t need her, he still could’ve been dating her off screen. Though clearly the two worked things out and tried again as this episode came out AFTER extremely did. But did this episode work out? Join me under the cut to find out. 

As i’ve decided is my standard for House of Mouse Episodes, shorts first, then wraparound, then Mickey Mouse live sex celebration. Though I will say i’ve picked up there are two kinds of formats for the show: They either use two of the longer Mouseworks shorts or just one close to 11 minute short, a medium one, and one of the little two minute segments. There might be a break from this in the future, we shall see but for now those ar ethe two standards. This time we have two longer shorts. 

Pluto’s Penthouse Sweet: 

I’ve mentioned in the past I dont’ really get why Pluto is part of Disney’s sensational six along with Mickey, Minnie, Donald, Goofy and Daisy. And I stand by that: While he’s had his own cartoons they just aren’t as entertaining and creative as MIckey’s or hilarous and relatable as Donald and Goofy’s. He’s just an average cartoon dog. He works fine in tandem with Mickey, but on his own he’s just nothing and his spot should be taken by pete, who while not a goodie all the time, again the goof troop version needs to step on a rake and fall into a well.. somehow. i didn’t think my insult through. Point is pete is better.  And this short isn’t BAD .. but to me it’s what some fans THINK the disney shorts are: Bland, maybe one or two good jokes but almost nothing new or intresting. As I found out last year, that’s far from the case, as a lot of the Donald shorts are still hilarious today and a lot of the mickey shorts are shockingly creative, like Thru The Mirorr where he goes .. well thru the mirror into a wonderland like world where all the inanaimate objects are alive and he can shrink and what not via astral projection, or Mickey’s Mechanical Man, which I sadly didn’t know about when I did the MIckey Birthday Special and for some reason isn’t on disne plus. In it Mickey creates a robot and has it box a monsterous looking gorillia. 

How has Mickey piloting this thing but giant sized against various kaiju been a thing yet? And if it has someone tell me. Seriously with all the comics and animated series how. I’d even settle for a Wonderful World of Mickey Mouse episode. Just bring this guy back. Point is there was far more invetnion than it seemed.. at least at first as it slowly died out as they went by the late 50′s. But Pluto just seemed even in their hayday like your standard pet gets into antics thing without the creative slapstick of tom and jerry or the likeablity of sylvester who never could get that asshole Tweety Bird. This is just weak sauce and whiel I could forgive the older shorts, as their from another time and likely lead to say Tom and Jerry... I can’t forgive this which was made probably in 1998 and released in 1999 originally. Comedy had evolved a LOT by that point and unlike the Goofy how to shorts, which are a format that is immortal and still evolved to match the times and felt fresh, these just feel stale and boring and like the last Pluto short I covered this one was a chore to sit through though not nearly AS bad. 

Still though the premise is about the same, Pluto’s left to his own devices, and finds a female dog, though in this case she’s VERY intrested in him. I”m also not entirley convinced she’s a dog, but instead one of Jumba’s experiments and that Lilo and Stitch later had to journey to.. wherever these shorts take place to fetch him. Or more likely the house of mouse. I mean Proud Family, Recess, American Dragon Jake Long and Kim Possible all take place int hat universe, why can’t house of mouse? Also tell me you wouldn’t watch an avengers style team consisting of Kim, Ron, Jake, Penny, Probably TJ, Lilo, Stitch and Donald Duck. If you wouldn’t i’d call you a liar because you would be. 

Seriously the eyes give her away.... just look at them. Very experimenty. But before Pluto can do it like they do on the discovery channel he has to get past the guard dog.. though how he does produces the one great gag of the short, as he BUILDS A GIANT, TROJAN HORSE ESQUE PLUTO OUT OF JUNK. Just holy shit that’s awesome> It gets him inside, only for him to find his lady friend is a bit TOO affectionate and he has to escape, he does so, and MIckey wonders if he missed him etc lame button. This short was a vacuum of comedy outside of GIANT PLUTO. Seriously where’s my disney giant mecha series. YOu have five main characters, and Pluto among with MANY, MANY side characters, frmo scrooge to the boys to hopefully Della, to even possibly pete and mortimer who could have their own mech against the heroes but maybe join them in the last episode. Maybe max and pj could have some, have a father vs son thing with PJ and Pete. I”m just saying, i’d watch it. I know my nieces would watch it. I know my nephews would watch it. Greenlight it. Or i’ll make it.. somehow. 

How to Ride a Bike: Speaking of the How To Shorts, as usual for the House of Mouse era ones.. this was awesome, pretty much what you’d expect, some goofy, pardon the pun, gags about goofy riding a bike and then a fun climax of him in a bike race. Not a ton to add, other than that hamster bike above is genius. Just needs some tweaking. Really funny, really simple, and really good as you’d expect from a good Goofy Short. Easily the best part of the episode. 

Max’s Embarrassing Date: So this was a disapointment. Like i’d try to be nice.. but I had high hopes given this brought Roxanne back, and while the premise was stock maybe they’d do something funny with with it. 

But no the plot is pretty standard, very predictable and fairly obnoxious. Max has a date with Roxanne, and is playing it cool and what not, but is worried his dad will find out.. which he somehow did offscreen. Probably Clarabelle.. I mean they do go out sometimes in this one, wouldn’t surprise me. 

So Max pleads with the rest of the HOM staff to keep him away because he fears his dad will overdo things, which.. is fair and one of the few things I like> He dosen’t want him to overdo it on the mood because this is well.. a first date. He dosen’t want to pressure her or himself and just wants it to be nice and calm. The problem is it’s framed like him once again being embarassed by his dad and having to learn better.

At this point we’d had TWO movies do this already, one of which was only two years old at the time of this episode. This plot is stale as old toast even if it dind’t have goofy in it. And the twist is predictable: the HOM crew end up also overdoing it: Minnie comments on how cute they are and wants candles brought, Daisy gets them a bigger table forgetting how dates work,t hough we do get a great gag of hte 7 dwarves stacked, and Mickey while having .. some.. gopher? I honestly can’t tell who it was, usually i’m better at the cameos. Speaking of which they also have a runner of beast going on a date with Cruella Devile. 

I mean is he cheating on his wife? Is she holding his wife hostage? Is this before belle because we see a post transfomratoin beast too so maybe the House of Mouse is an intersection of space and time? That’s.. actually the most resonable answer I can think of honestly and when i’m focusing more on how the hell your gag works than how funny it is, you clearly failed somewhere along the line. 

Point is Mickey puts his good friend in a pothole, and not only calls max little max, which while an understnadably close family thing to do is still embarassing, but also takes pictures while their eating the spagetthi.. which i’m 100% sure was Huey’s idea nad had Mickey not interrupted, would’ve been tied up down the middle for a lady and the tramp thing. It’s his signature move. Well that and having a panic attack. That’s also one of mine the others being lettterkenny refrences and sex jokes about disney characters.  But yeah this just.. dosen’t work. Them being as embarassing? that’d be fine.. if they weren’t wholly unsympathetic for not only keeping their friend from WELL INTEITONEDLY trying to help his son on his date, something his son shold have no problem with since ROXANNE’S MET HIM. AND IS FINE WITH HIM. AND NEVER CARED ABOUT YOU BEING HIS SON LIKE THE DICKHEADS AT SCHOOL. MINUS BOBBY WHO YOUR FRIENDS WITH FOR SOME REASON. My point is this plot bothers me a lot, and it makes the mickey crew come off like assholes for doing this to thier friend instead of just talking to him like a person. Especially since only ONE of them is a parent and Conviently donald is mostly absent. Likely because he realized this was going to end badly and just agreed to tie the spagetthi like huey taught him to keep his involvment in this shit show and gaslighting his best friend to a minimum. 

Eventually Mickey takes things a step too far and has Sebastian almost sing kiss the girl. Max cuts him off though yelling that he just wants them to back off, he just wants them to relax and he TOLD them this, which makes them come off worse as they KNEW he didn’t want this and did it anyway and never apologize becaue apparently the first rule of house of mouse is never apologize for anything, huh huh. Goofy naturally steps in, tells them off and agrees to serve them and Roxanne finds him entertaining and gives him a nose kiss for being a good dad. He’s a good guy that Goof.  Roxanne then whispers something in max’s ear at the end of the date... which gives him an audible erection. No really. And given his age is vauge here I’m suddenly super duper uncomfortable so let’s move on. 

So max tells them she liked it and wants to come back.. 100% sure that wasn’t what she said but what she said isn’t fit to print and you’ve seen what i’ve said and what I put in the we’ll be right back. Point is he’s happy, though Mickey says we’ll try to make it extra special next time. Mickey.. did you do a space mountain’s worth of pills and cokea nd just forget the entire evening? Did you take some of those hangover roofies/ Why would you do that? Was that pete’s new plan to steal the house of mouse? To drug you guys and make you forget you already paid the rent? Did PJ stop him? Inquiring me wants to know. 

Final Thoughts: Yeah this wasn’t a very good episode. Roxanne is wasted despite having a suitable replacment Roxanne voice in Grey Delise, with no real depth just to rehash the plot of the first and second goofy movies. And this one didn’t have an inexpilicable beatnik cafe, PJ getting laid and finally being happy for once, a standard college fraternity plot  surgeically infused with an out of nowhere obession with xtreme sports that was nowhere in the first film, Goofy in an afro, Goofy finding love, That disco sequence, and a climax in which Goofy carries Brad Garret out of a fire, then Brad Garret probably kills the villian of the film who certainly deserved it. My points are this episode was an underwhelming rehash only saved by some good shippy moments and a good goofy short. It was weak, not all that funny, and not all that intersting.  My other point is that an extremley goofy movie is awesome and also kinda insane and I love it for that. I’m glad I saw this one but i’m really disapointed in how bleh it was. Next time I visit the house of mouse is.. actually in a few days as Pete Does a One Man Show. So yeah already 100% better just by having THAT musical number in it, see you then and if not, there’s always another rainbow. 

[itsclydebitches]

The Crosshair stuff is a symptom of the lacklustre character establishment of it's main cast. Crosshair is the only Bad Batcher with a defined character to pull from, even if it's wrapped in the cluster fuck of the show being indecisive about the Inhibitor chips's abilities. The rest don't have a developed enough personality to draw from, they're archetypes who'll voice the position the plot needs them to occupy at the moment. What they'll defend in one episode they'll decry the next.

TBB characters are definitely archetypal, though I'm not sure I'd agree that this is inherently a bad thing and/or that it's at the root of the Crosshair messiness. Archetypes don't necessarily equal a lack of a character, just a character that we've seen many times before. Unless you prioritize novelty in your storytelling (which many people do), there's nothing inherently wrong with taking the "dumb," but emotionally intelligent brute, the socially inept genius, the stoic leader, and the "evil" asshole, cramming them in a small ship together, and letting sparks fly. The reason that dynamic works — as it has worked many times before — is because it pits such differing personalities against one another, resulting in both great teamwork and amusing conflict: such as when Wrecker is gleefully stuffing Lula in a pissed-off Crosshair's face. The contrast is fun and that contrast stems primarily from keeping their personalities simple and defined. Unless you really know what you're doing, the more you mess with those personality boxes, the less individualized your characters feel. See: the RWBYJNOR team who have, over the years, lost both their specialized skills and their distinguishing personality traits. The person who just blushed sweetly and awkwardly rubbed a hand behind their neck... was it Ruby? Oscar? Blake? Yang? Jaune? Even Nora? Could be any of them because at this point their core personalities have flattened. Though it's definitely not to everyone's taste, the black and white differences between TBB was kind of refreshing. Throw out a line of dialogue and you can easily figure out who said it. There's something to be said for that level of understanding about a character, even if the understanding itself is simple.

Personally, I'd say the problem lies not in creating another team where everyone has a distinct skill and a stereotypical personality to match, but rather in severely underutilizing the thing that shook that dynamic up: Echo.

Look, I ADORE Omega. I was cheering for my fictional daughter through every step of this season (quite literally during "Replacements"). But—but—if we wanted to push things in the character development department, I'd relegate her to season two. Omega's character serves as the audience surrogate/newbie/hopeful optimist archetype and that's great... provided that you ignore how Echo was already positioned to fill those roles. He became the newest member of TBB, but we skipped over his integration to instead introduce another new member. And, as much as I love her, Omega doesn't push TBB the way that Echo could.

TCW introduced a severe dislike for the "regs," something the first episode of TBB re-emphasized through the cafeteria scene, and then what do you know, the newest member is a former reg. I was expecting there to be a lot of tension stemming from that as the group worked to overcome their prejudice, a prejudice we now know is born of harassment and, interestingly, a sense of superiority. That's one of the few places where TBB does something unexpected: rather than suffering severe insecurity about being "defective," TBB is proud of their differences. (Or, at least, they've embraced pride to cover insecurity.) But unlike a reg's haircut, tattoos, or name, theirs isn't an individuality that they chose. The Kaminoans made them to be different. "I like to blow stuff up because I LIKE TO BLOW STUFF UP" Wrecker roars, but it's a moment that foreshadows his eventual fall to the chip: "No one controls me." Except, you know, he is controllable. There's a story there about characters trying to remain proud of skills and personalities that they know are engineered, trying to embrace individuality when they know they're controllable, who long for the stability and connection of their brothers, but reject the uniformity of "real" clones... and then there's Echo, suddenly on the scene, a former "real" clone who now is nothing like the majority of his brothers, whose differences were also forced on him by another, who should likewise be grappling with embracing his individuality vs. hating how it separates him from what he once knew... that's a lot. Echo could have — arguably should have — been the catalyst for a ton of self-reflection within TBB, mirroring his own development, and resulting in archetypal characters who nevertheless have a secondary layer of nuance.

But none of that happened because Omega became the focus instead, a character who forced TBB to struggle with taking care of a child, not struggle with their own identities. I'd thought for a hot second that the conflict would be whether soldiers could raise a child at all — whether they'd have to change for Omega's benefit — but instead she rather quickly became a soldier of her own, despite how often the dialogue insisted she wasn't. Here's her weapon. Here's her memorizing orders. Here's her first mission alone. Here's her almost never struggling with the horrors that she's experienced; she's as emotionally sturdy as the men bred for war. Omega develops, which is fantastic to watch, but the downside is that everyone else, our title characters, remain pretty static. I think if we'd had a season of Echo joining TBB, perhaps taking place a little before Order 66, and then Omega came on the scene, we would have seen a bit more depth to their characters, simply by virtue of Echo being a character whose personality and problems would inevitably push them. Omega doesn't push them. She's wonderful... and from a writing standpoint that's kinda the problem. She's always optimistic, always compassionate, doesn't take long to get good at these complex skills, never wavers in being satisfied and happy with this life. TBB never had to change to care for her, Omega just did them the courtesy of becoming another elite-soldier capable of keeping up with their dangerous, crazy lives. Her presence is a constant joy and benefit to the team, adding only good things to the status quo they'd developed. Echo? His arrival should, theoretically, have shaken the status quo like whoa. Here's this traumatized reg trying to become a member of a four-unit team who have an Us vs. Them approach to life. That's a recipe for conflict and development.

However, just because I can see other possibilities for TBB doesn't mean I think what we got is wrong. Yeah, it's simple in many respects and as said, the comparative complexity of Crosshair's situation might not end well, but beyond that, simple isn't inherently bad. I found it a lot of fun to watch a found family of extreme personalities take in a wonderful child and go on adventures together. I don't need every show — particularly every Star Wars show — to be a deep dive into complex storytelling. It can be enough to just embrace predictability, especially since the predictable became predictable because lots of people liked those choices.

[awesomejustgotawesome]

So I wrote out a lot of my thoughts on Godzilla vs. Kong and it ended up quite long, so it’s under this keep reading thing. The summary is I liked it but there’s a few things including one major storyline I really, really, really, really, really didn’t like hahah. (spoilers for the whole film of course)

So while I enjoyed it, I think Godzilla vs. Kong was easily the weakest of the 4 MonsterVerse films. Rewatching the first 3 yet again yesterday, I just love how each one has it’s own awesome style that’s unique to the series, especially Godzilla & Kong: Skull Island. It’s just so good. And while GvsK had the same MonsterVerse vibe all the films have, it didn’t reallly have any style like the others. The action was great, some cool shots/moments, and it was quite colorful at times. But there was just a lack of something the others had. A big something.

On top of that, I do think it was also the weakest of the 4 in terms of story/characters. Again I still enjoyed it, but the biggest problem that really brought this film down so much lower than the previous ones was the fact that Madison, Josh and Bernie’s entire storyline was pointless. They did NOTHING the entire film. They were just there to discover Mechagodzilla, which they really didn’t need to be. It was quick to show us Bernie had no knowledge and was probably not going to do anything, and as the film kept having all three of them not be doing anything it just became infuriating. What they did at the end again could have been done by absolutely anyone. Josh says “if I can guess the password” and then constantly talks about how unbelievably incompetent he is, yet Madison or Bernie don’t leave the fucking room and get anyone, anyone at all, who works there to help. I don’t remember them showing the door behind them being blocked or anything. And it’s not like the employees are evil henchmen, heck the main guy would have helped to stop it once he saw it was not under their control and killing innocent people. But no, just let Josh guess a password and then pour a drink on it, like what the fuck was that.

Millie & Kyle’s characters 1000% should not have returned for this movie. I think if they did a film exploring the Hollow Earth a few years from now, that would have been perfect to bring Millie back when she’s older and can be working for Monarch on her own or something.

Speaking of Monarch, despite four characters who work for them being in the film it feels like Monarch wasn’t really there unlike the previous Godzilla movies. Like Lance Reddick was apparently a Monarch director but, if I remember, the film doesn’t tell us that and he has no role at all. Like why waste a good actor like that. Also Serizawa’s son is in this but it’s barely talked about, they could have been unrelated characters and it’s baffling they weren’t.

The storyline with Madison, Josh & Bernie 100% should have been replaced with one featuring Monarch and Military personal. Not sure why Bradley Whitford, Zhang Ziyi, Joe Morton, Aisha Hinds, O’Shea Jackson Jr, and David Strathairn weren’t in this film reprising their roles. All those characters were great. Also I think Aaron Taylor-Johnson’s character would have been perfect for a return here. Heck I still would have loved aged up versions of Brie and Tom. The post-credits scene of that film hinted they’d be more important but than I guess they did nothing.

This storyline should have been a bit more on par with something from the 1st film, or at least the 2nd, not three characters (two just for comedic reasons) doing ABSOLUTELY NOTHING. The other storyline with the new characters was fine, and great, like previous films. Those characters had purpose, and did SO MUCH. Nothing wrong there, but the fact this other storyline (not including the new bad guy with Mechagodzilla) added nothing really brings the film down. Again though, Millie appearing older working for Monarch in a future Hollow Earth film could have been a great return for the character. Not this though.

Then there’s the two main stars, Kong and Godzilla. Everything with Kong I loved, they nailed all that. Godzilla not so much, I feel like him fighting Kong just never felt justified. Like the previous films I could tell what Godzilla was thinking, but this just seemed to be done for no reason. Like Kong takes one foot off Skull Island and Godzilla beats the guy up? I know the film explains this rivalry legend between them but it still doesn’t work well, unlike Ghidorah who was actively trying to take over from Godzilla. Kong was just taking a trip. Kind of made Godzilla to feel like a bit of an asshole in my opinion. Like he’s so insecure another King is there he has to fight him? Kong didn’t show any sign whatsoever of wanting Godzilla’s title of KotM the way Ghidorah did.

So yeah overall I liked it, but it was the weakest one. And it is disappointing considering how easy it could have been better. Just replace a completely pointless storyline with one that matters and adds something besides comedic characters. Not the best ending to the series, but an okay entry. Really hope they make more though.

[ylizam]

[picard through 1.6: my disjointed feelings vs. my disjointed thoughts]

I guess the tl;dr is that I love (most of) the characters, and I do not trust the writing? which, fine, par for the course, especially as a Voyager person, but still. I’m enjoying it! I don’t think it’s actually good! I keep having feelings! I am really confused about what they’re doing in re Picard the Character! anyway!

the positive (give or take):

LARIS <3 <3 <3 my Picard’s my Romulan wife! traumatized and her whole world is gone and ex-Tal Shiar (!) and Irish and sweater-wearing and honestly Star Trek: Laris is the show I want in the world. 

I’m this.close to changing my user icon thingy to Laris. I mean I love Caroline and her wine but what if. (the main reason I haven’t yet is because what if they kill her off for more Picard manpain and I’m too angry about it, etc. like I said: I do not trust the writing/writers/whatever, especially with Duff on the staff.)

honestly, there are so many stories one could tell about Laris and Zhaban and home and rebuilding and loss and spies and family and you know what, I don’t trust the writers at this point, so maybe I’m the tiniest bit relieved they’re not telling it (but, oh, for writers who COULD)

Romulan secret names? sure, I can accept that. plenty of cultures have family versus public names, etc. Romulan secret names they only tell their lovers? eh, no, that’s a myth they sent out to the universe for a laugh / to see who believes it / because they could.

Romulan Warrior Nuns. the entire concept. all of them. absolute candor. swords. give me more. 

give me Laris formerly of the Tal Zhiar and members of the Qowat Milat having an awkward meal together I am just saying.

relatedly, Elnor needs a cat. 

Seven. Of. Nine. with pockets. 

continuing trauma because of course! (and look I love Janeway but I do cringe at the way “humanity” was thrust upon Seven in a very limited and forced way and that can’t have been great for her longterm and give me more Seven learning that she is “human” enough there’s no one definition but also she’s fucked up and that’s okay too except where it’s self-destructive and not okay and) 

although seriously they tiptoed riiiiiight up to the line of confirmed queerness and then swayed a bit and hope that was enough and it’s not? (I wonder if they were so paranoid about Kill Your Gays-itis and what it would mean for Seven to kill an ex that they didn’t want to skirt that fallout, but come on.) (I also wonder if, when Seven comes back, they actually go there or if this is as far as it will go.) 

Raffi. Michelle Hurd as Raffi. Raffi.

Raffi deserves better. Better writing, better writing, better writing.

so that was her ex-girlfriend Picard bribed her with wine to contact, right? 

Hugh. That hug. Hugh. 

the negative (give or take):

the casual racism problem. 

stop killing characters of color! if you colorblind cast and then only/largely people of color die that’s not good! not to mention Indiana Picard (see next point) and the Romulans of color all swarming around him and yeah. stop it.

don’t dress Picard up like a colonialist unless you actually mean it—like, if you want to get into the issues with the Federation and colonialism rah rah flags and all that, do it, but I just feel like they’re not actually going there (too much emphasis on conspiracies and people infiltrating the Federation rather than, oh, maybe the Federation itself is an issue?). 

this is where my trust of the writing really comes into play because I just don’t know that they know what they’re doing. 

the writing can be pretty clunky. why did they make someone with basically no tv experience the showrunner again? (it turns out that maybe television and novels are different media! with different rules and etceteras!)

no really why is this show being made in 2020 so straight (and so 1990s coy about any hints of queerness)

I don’t care about Narek. At all. He bores me. 

this is obviously a personal thing, as I’ve definitely seen people out there who enjoy him. but yeah. he does nothing for me personally.

and his sister is just. cartoon villainry.

if you’re going to keep intercutting to scenes with the bad guy and his sister sexually choking him and all either actually explain the reason they’re doing all the bad stuff and actual justifications, etc. (we don’t need it to be a surprise to be interesting, yo! why do you care about the android homeworld or whatever it is you’re searching for? have you shared your secret lover names with each other yet or naw?) or just don’t. the baddies should be their own heroes! 

I would definitely prefer the story about how the Federation and Starfleet aren’t what their PR says they are and digging into how flawed they are and colonialism and all that to the one about the conspiracy and infiltrations into the Federation and Starfleet that sort of just skim over the parts where whatever the conspiracy managed to do depended on the flaws in the Federation and Starfleet. 

look, maybe we’ll get it? but, again, trust issues with the writing.

I really, really, really wish they hadn’t gone the addict route with Raffi

it feels a little lazy? very plug-and-play characterization? idk! I think she’d be more interesting without it! 

(also to be fair I have my own issues with addiction stuff in general so even if I trusted it to be done well and all that it still wouldn’t be my favorite.)

is there any trauma care in the future utopia times (the Borg Reclamation Project seems to suggest that there may be at least, on some level, an attempt at it)? has Picard received any mental health care at all post-living-on-a-ship with Troi who sometimes tried but also maybe was too much of a friend to be an effective therapist for him no really what is the status of mental healthcare in the future utopia times I want to know.

(I mean the PTSD stuff makes sense, I’m not denying that and that’s not the stuff I find myself disliking in the character. but it does lead me to wonder about the state of mental healthcare and the like, not because I think he should be “cured” or anything like that, but because I wonder.) 

Is Picard meant to be an asshole I no longer like? 

is the bit with the doctor who is not Beverly telling him about his brain whatever issue meant to be a hint that he’s going senile or something? is that why the worst parts of his nature keep being thrust front and center?

do the writers know how unlikeable he can be in this? is that the point? is there a point to it? do they have any idea at all what they’re doing? (giving alcohol to the addict so she’ll do what you want, Picard? really?)

in conclusion: I just don’t know what they’re trying to do in re Picard the Character on Picard the Series and I worry that the people in charge don’t know either. (also, I want to continue liking Picard the Character so.)

anyway I left out a bunch here (I largely like the crew of the La Sirena but also don’t have anything I really want to say about them) (my eh-reaction to Narek has affected how much I really care about that storyline, but I do in fact like Soji and hope for more interesting stuff for her because I was really bored with her adventures in sleeping with a bad guy) (anyway this is already very long, but yeah, hopefully the rest of the season will return some level in faith in the writings having a Plan but I’m not super confident in that oh well).

[holdharmonysacred]

All right, now that I’ve finished my two-day binge read of The Case Study of Vanitas and given myself time to think things over, here’s my Dank Thoughts on this series, which I’ll be putting in the tags For Once unlike the first time. Hope all of y’all in the Vanitas fandom are ready for Long Posts From A Newbie, because boy have I got one for you guys:

Noé is still an adorable dumbass and extremely good boy and I love him. I am getting a bit of a case of “Anime Ages Are Fake” from him because he looks 25 but is actually 19, what the hell. I do think he’s going to wind up having some skeletons in the closet that he has no idea even exist or are there, either because of his Teacher or because he’s the last known Archiviste, but overall he’s a very very good boy whom I love.

Also Noé reads as being really fucking gay for Vanitas but is oblivious about it. He feels like a gay ace or something who does not know what he’s feeling for Vanitas is Gayness so he just assumes it must be a really petty loathing for him. Very much an “I love you but I hate you but I love you” kind of thing.

Vanitas is still a Rat Bastard who feels super slimey and scummy, but like, I can see where a lot of his Rat-ness comes from, even if it makes me have a serious love/hate relationship with him. He reads like a super complicated protag overall, definitely a big enough asshole that it is hilarious and wonderful to see it backfire on him or watch him get dunked on, but still sympathetic. I wish he would please stop being a misogynistic creep though, it just makes me go “Hrrrrghghhhghhhhhh” at all his scenes with Jeanne, and if this has to be the direction the series goes in I hope Noé and Jeanne are able to give him the ol’ Vincent-and-Ada treatment and make him Stop Being An Ass.

Watching Vanitas get dunked on by the story is absolutely hilarious though, I’m glad the story is absolutely willing to punish and clown on him for his dickery. The hostage scene in the catacombs arc was fantastic.

Also I do not think Vanitas will actually die at the end, as much as the series wants to insist he will. Something smells fishy to me on this, there’s probably going to be some kind of twist involved wherein it is revealed that either Vanitas didn’t actually die, or he did die But Can Get Better. It just feels super suspicious that the series would tell us right off the bat in chapter 1 that Noé will kill Vanitas, it feels like a misdirection of some kind to me. I do think Noé really does think he killed Vanitas, but it feels like there’s gonna be more to this story than what Noé’s immense guilt is telling us.

What’s up with Vanitas’s gloves? Why do they take his nails into account. His nails don’t even look that sharp when his gloves are off. Does he...... Does he have fake nails on his gloves?!?!?!?!

also. his lab experiment number really had to be 69 didn’t it. it really had to be that number huh.

Jeanne is still an extremely good girl and I love her and want to hug her. She’s an absolute sweetheart and a doofus and I desperately hope she’s able to get a happy or at least bittersweet ending.

Like I said earlier, I’m still super super “hhhhhrhrgrhghjghgh” at her current relationship with Vanitas, mainly because Vanitas is such a goddamn rat and creep and i do not trust him to be in a romantic relationship with her, but as of the current arc it seems like their relationship could potentially evolve into something..... better? Vanitas seems to at least actually care for her now in an I-am-not-nice!-meme kind of way VS his behavior at the start. I’m on the fence on this one.

Also we all agree that there’s almost definitely something more to Jeanne’s parents turning traitor in the backstory right? Right. For sure. Something smells here too, I feel like the series is gearing up for a plot twist in this area at some point too.

Luca is Babie and I wish he’d get to do more in the story. For someone who’s probably supposed to be the fifth main character he sure is getting Sharon’ed a bit. His brother is almost definitely going to end up being important in a later arc though, there’s no getting around that.

I’m still very very gay for Dominique, Mochijun is targeting me and me specifically with her. She’s just peak Aesthetic no matter what outfit she’s wearing and I love her. Mochijun please let her back into the narrative when the next arc hits.

Dominique and Noé read like more like WLW and MLM solidarity than they do a pairing honestly. I want the two to eventually sit down and have tea with each other and have Dominique talk about her crush on Jeanne I desperately want her to have while Noé complains about his own crush on Vanitas. 

For the sake of people on mobile who would potentially get slam dunked by read mores on there I’m splitting this into multiple posts, part 2 with More Thoughts is coming Soon.

[popculturebuffet]

Ducktales Reviews: The Battle for Castle McDuck!

How to sum up how I feel about this episode.... 

Yeah that’ll do it. This wasn’t a BAD episode. It flowed nicely, had two great new additions to the cast.. but after weeks of really good episodes, warts and all.. this one was just.. okay. Part of the problem isn’t the episode’s fault as I went in expecting the answers to scrooge’s immortality, the answers to hortense we didn’t get last week, and you know donald and della actually getting to interact with their grandparents. I got.. pretty much none of that, though I did get some answer as to how Hortense lived long enough to have donald. But we’ll get to that. Point is part of the episodes baggage is on setting my expectations too high, the same happened with “Astro B.O.Y.D.” earlier this season and in hindsight, that one is really excellent even if it wasn’t the fenton episode I was hoping for, it’s still really damn good. THis one... even if it’s not what I was hoping ofr, while not bad it’s still pretty medicore. Let’s get into why shall we? ------------------------------------------------------------------------------- We open at Castle McDuck, where Webby’s narrating for people who didn’t see the last episode set here and aren’t obsessive about watching the show like you or I. And also because this time she’s not so starstruck that she can’t actually speak or function, so she can actually get all the lore she wants in. The family is here because while the Druid stones seem to be working, the mists protecting the castle, and keeping it out of lockstep with reality every 5 years, have suddenly vanished.  Naturally Fergus blames Scrooge for that. I’m mixed on this version of Fergus. While i’m fine with chanigng things up from life and times, having him live and having him resent scrooge on some level, it worked better last time as there was emotional weight and a reason behind it: Scrooge and him didn’t get along becasue Fergus missed his boy and resented that his sucess lost him a son and made him cold and bitter like Fergus himself. It fit both men to just be too damn proud to talk it out. So while Fergus being a bit crotchety still isn’t ENITRELY out of character him still being a dick to his son for no real reason and given no new one for being an asshole to him just annoys me. The character last time was three dimensional, understandable and likeable. This one is just a bitter old man constantly yelling at his son and doting on his daughter. More on that bit in a bit. 

Downy meanwhile is just as lovely as last time: Since she lived long enough to see her grand children this time, I love seeing her as a wonderful doting grandmother to her great grandbabies. She’s wonderful and I’m thrilled to see her again. It does however bring up one of this episodes biggest issues: Donald and Della are absent and this time for no good reason. Last time, it was fair enough to exclude Donald as there was no real space for him in the narrative, and he likely , even if he loved grandma and grandpa, didn’t want to have to explain his estrangment with scrooge to them and break his poor gram-gram’s heart. That’s fair.  This time though? Their not there because.. frank didn’t want to use them. That’s.. literally it. They could’ve fit fine into the family fued narrative epseically since we’ve seen them sibling squabble, and unlike other adventures they’ve been absent, where they clearly just wanted scrooge to have time with the kids, or in the case of rumble for ragnarok scrooge had valid reason for not using them, this time? There’s no good excuse. Della would want to see her grandparents, Donald would get drug along. They only appear every 5 years. WHy the hell wouldn’t they be here?! I get trying to have character ballance but we’ve had several episodes this season of just scrooge and the kids. We DIDN’T need it this time and the lack of characters dosen’t really change anything. It instead wastes plots like getting to see what Donald and Della’s relationships with their grandparents is like, or their aunt, or finding out how their mother died or at least fucking MENTIONING hortense outside of one word and a photo. YOu think the fact their sister is dead would be important to Scrooge and Matilda but it just.. never comes up. Their niece and nephew never come up and my patince comes up short. I’m fine with character ballance but i’m not fine with wasting a golden opportunity for character interactions we haven’t gotten. I get we just had two weeks of donald and della I do, but it dosen’t make this any less frustrating or nonsensical. Having characters appear two episodes in a row dosen’t magically make them irrelevant or we’d be seeing less of Huey or Louie or Dewey and outside of last week, we REALLY haven’t. If they can show up once an episode why can’t their parents?

Point is a mystery’s afoot, and so is THE PHANTOM BLOT.. to no one’s suprise as he was both in the episode’s description and frankly magic being drained is his mo, this time using a portable generator. Webby dosen’t catch on to this.. but  I let it slide as while she’s the only one to have really met and fought the blot.. she’s also busy with mc duck family stuff and frankly while a missing mystery is here, given how deep the mcduck rouge’s gallery goes, it’s not a stretch to say it could be any one of them. Especially Glomgold, who while not magic is willing to pay for rediculous shit why would “dispersing scrooge’s family castle’s mists to bug his parents” be any diffrent. Or possibly replace them as their son because he’s kind of nuts and entirely made of stupid and that’s why we love him. And Magica has the obvious motives of revenge on scrooge, as this isn’t her first set of dead parents, and a castle full of mystic wonders. It’s plausable to wait and see who it is first instead of just assuming it’s one guy. 

And yup there’s a mysterin town:A set of mystical bagpipes of the clan mcduck that can bring life to where there is none. We don’t know if they can raise the dead but they can bring inanimate objects to life so there’s that. But seriously Donald should take them to his parents graves just to be safe. But before we can get to duck necormancy we have to find them so we get... (checks notes) a Louie and Huey team up again where Louie is an abrasive jackass to his brother for planning ahead, despite the fact he’s been proven wrong on that front twice now, and is entirely insufferable and has learned nothing about trying to find a quick and easy way of doing things depsit elearning this lesson 80 times already. 

As you can tell I hate this subplot and am getting it out of the way NOW because it’s not good and treads ground we’ve tread THREE TIMES ALREADY. and you did it right the first time, you did it okay if sloppiily with let’s get dangerous. Why this ? Louie learns nothing, Huey learns nothing and it’s not funny.The two just search for the mystery, and Louie is impatient. Though talking with a friend in a ducktales server, i’m in one now and it actually really helps with these, did make me realize that Louie’s character development has stalled like I thought... it’s simply a Marco Diaz situation. Like the third season of star vs the forces of evil, it’s basically a coin flip if your getting a well developed verison of the character that’s been built up over multiple seasons.. or a jackass whose learned nothing and treats other people badly. Their different FLAVORS of jackass but jackass still tastes awful no matter who it is. It’s not as BAD as it was there as while it’s not helpign the character, it’s not actively having him do the worst things possible, but it still makes Louie’s plots a chore to sit through at times as when he’s not well written like with split sword, rumble for ragnarok or tickening, he’s just a 2 dimensional greedy jerkhole and I don’t want to spend time with him. And the other brothers have had times of being written one dimensional, not going to lie, but all I get from Louie in these plots is this:

After almost getting his family killed, after getting scrooge’s fortune overnight with minimal effort and having everything he wanted only to learn, suprise, it takes a lot of work to maintain.. and he still just dosent’ get that the easy way isn’t always the way, and after the trickining and let’s get dangerous hasn’t learned his brother is usually right when he’s being anal retentive. This was fine in the last 2 seasons but too much has happened for him to get away with this shit and not come off as obnoxious. It just drags any episode it’s in down with it. I”ll leave the rest of the review under the cut. 

One more subplot before we dig into the main one: The Phantom Blot and his new partner, Pepper! If you don’t remember her it’s fine as she wasn’t named but she was the egghead voiced by Amy Sedaris who showed up for one scene back in the Blot’s first apperance and who frank said they had more plans for. Well we see those plans now as Pepper has been paired with the Blot for this mission as Bradford’s policy for missing mystery missions now is the buddy system. No going solo, despite the Blot really not liking any of this. Which honestly both fits Bradford, as he’s endlessly practical, and is just a good idea: most of his agents are kind of wild cards and have their own agends so forcing them to work together not only gives them better odds with scrooge, but prevents them from working their own angles against FOWLS better instrests. IN this case having the peppy, energetic and talkative pepper go with the closed off and dogmatic blot keeps him from going overboard, as Castle McDuck is basically one large magical nightmare for him to destroy and Blot keeps pepper on task and on stealth since, as we learn now we get to know her, she’s a bit overly excitable and not all that subtle, if not to dewey or della levels. She can stealth when necessary. She’s also DETERMINED to get the blot to bond with her and work with her, and is delighted to work with him, getting the job because.. no one else wanted it becasue the blot scares people and puts them off with his intensity, which he’s shocked about but really shoudln’t be. 

IT’s just a nice dynamic, he helps her be a better agent and she helps him realize he can’t do EVERYTHING alone and that blindly destroying all magic in his path, as much as he’d like to isn’t the option, using some runes to track them. Sure pepper makes their presence obvious once or twice, btu she’s also essential to the mission more often than not and by the end, even if they loose, we’ll get to that, Blot has fully accepted his partner. It’s.. honestly heartwarming when you think about it: The blot’s probably closed him off from personal relationships of any kind because A) his family got brutally murdered by the person he’s hutning and B), he has a mission he can never rest in. He likely wanted to work alone because it’s how he rolls nad i’t sonly through seeing someone who genuinely WANTS to be around him and wants his missiong ot succeed that he realizes he dosen’t have to push everyone away and allies are more useful than none. It’s a warped way of thinking but for someone with as much baggage as blotty, it’s progresss and it’s a really sweet story. HOpefully this relationship will go farther.. I mean strange relationships have happened than a dogmatic dog who hates magic and a peppy go getter both working for an obliviously evil businessman. 

So onto the main plot: Turns out Scrooge wasn’t the first person Fergus called this episode as we meet the DT17 version of Matilda! Horay! She’s voice by Michelle Gomez who like David Tennant and Catherine Tate before her is a doctor who alumnus.. though this time she’s past my time watching the show. I really gotta get on catching up. She played Missy, the female regneration of the master. Gomez is spectacular in the part here, and while I have no past experince with her I certainly want to see more of her work as she’s a delight.  Matilda is Scrooge’s sister. In the comics she was the duitful sister who looked up to her big brother as he left Scotland to make his fortune, sending money and mementio’s back she scrapbooked. She eventually went with Scrooge to america with him... but this didn’t end well as Scrooge took advantage of his sisters as help and when he finally did take them along on an adventure, it was his lowest point, going from an honest buisness man to a cruel robber baron for one moment and left him and his company. She and Hortense TRIED building a bridge with a suprise party.. but by that point while Scrooge had backed away from being a monster, he was still such a dick things blew up. As far as we know he never saw hortense alive again, and he only saw matilda in her old age with the two reconcliing. I’ll get more into ALL of this when I get to those pieces of life and times obviously. Point is she’s a good character.  And so is her reboot version.. but the reboot version did catch me off guard as, much like her dad she’s not really much like the sensible sweet woman from the comics. But given DT17 tends to really play fast and loose with previous versions of characters, and it often works out i’m not going to gripe about it: what  they did here works. As for what EXACTLY they did here, this version of Matilda is more flighty: not incomptient or lacking in charm, but due to sort of bouncing from one improable venture to the next and staying at her parents between ventures. She’s sort of a female version of Jubal Pomp, an itallian duck comics character who modelded himself after Scrooge, but dosen’t have the common sense or work ethic scrooge does. That’s really matilda here minus the looking up to scrooge part: she dosen’t seem untalented, just a bit footloose. She also likes needling her brother and is unsuprisingly her dad’s faviorite since she’s around more.  The two naturally get under each others skin, and we get our main conflict... not just because of their fighting.. but because Webby can’t help but mettle. She’s what makes this plot work: Webby can’t help but try to interfere because she dosen’t get siblings sometimes fight and have long standing resentments, something I relate to, and that stepping in or trying to end it sometimes just makes it worse. Granted sometimes’ it’s necessary, but in this casey Dewey, whose trying to inch her away is right on the money and after the awful plot with these two in SPlit Sword, it’s nice to see Dewey be in the right, but for actually good reason instead of just because the episode says so. Here he’s right that her getting involved will only escalate and her attempt to do so only reveals Matilda kidnapped scrooge’s pet hair clump and died it. She also has something resembling an emu.  This only makes things worse and starts to escalate tensions leading to some between both sides, as Fergus takes Matilda’s and Downy takes scrooges. Again REALLY could’ve used the twins. We do get a nice bit where Webby coaxe Dewey, who understandably dosen’t want to help her further spiral into her own issues by helping mend family issues she really isn’t qualified to solve.. because she’s you know... 13. I mean granted Steven Universe did this sort of thing at her age.. but given he eventually repressed his issues so much he had a mental breakdown and turned into a giant angst monster, and only got better with therapy.. maybe get some therapy instead Webby. Just saying. Therapy everyone? Therapy? But yeah she coaxes Dewey with a statdew, and yes she says that exactly.  This gets the family breifly united, as Dewey fakes an injury.. but finding out it’s fakkkke combined with Huey and Louie coming in just causes the enitre family to spiral into squabbling and webby to shut down a bit, with Scrooge planning to form his own clan after bickering iwth his parents and sister. Oh and it only gets worse when Pepper accidently brings some statues to life, and they get in on it too while Webby’s convinced the families over and she just wanted a place in it. And even if this isnt’ the BEST episdoe the show’s ever done, i’ll get to why in a second, I do like this. Webby’s nearly LOST this family once, way back at the end of season 1 when no one but beakly thought of her feelings about her best friends and surrogate uncle all leaving her after her other surrogate uncle you know.. said some pretty unforgivable things. She’s trying SO hard to force it to fit, so hard to fix things because she can’t stand them being broken, something I PAINFULLY relate to given my own personal issues with not being able to stand people being upset with me. She just wanted a family and i’ts gone.  Of course it isn’t and webby’s sad words coupled with some house crashers get the clan mcduck statues included to kick Blot and Pepper out and get the bagpipes back, while Scrooge points out it’s the good families that can withstand a squabble. So the mystery’’s gotten, Scrooge and Matilda are squareish... and this episodes thankfully over. Happy day! Final Thoughts: This episode is okay. I very clearly have my problems with it.. but it’s a fine half hour of television and funny enough to bounce through it with some good character stuff. It’s just after the last few weeks, and really this whole season.. I expect more. There was no real emotional core besides webby this episode and her issues wer eboiled down to “Families fight but it’s fine”.. which itself is a pretty uncomplicated message when family dyanmics can be complciated messy and painful. My family is thankfully fairly stable, if not without issues because hey no one is, but given other people watching might come from far worse homes where the bickering is far worse and far more toxic.. yeah maybe have some nuance here.  And this is from a show that usualy does that WELL: We saw it with Fergus last time before he was hollowed out for this episode and reduced to an angry dick. We’ve seen it with Donald and Scrooge’s estrangment or Donald and Della’s relationship: Family is complicated , messy and even good ones have problems. That should’ve been the message: family can squabble or even have serious issues but they come back together. Instead we just got a bunch of bickering for a cheesy message that dosen’t quite fit with what the series done. It fits for thanksgiving: family , the good kind, can last arugments and is there for you regardless.. and I know my family is. I just feel they could’ve done the message better. Basically the episode was fine... it just wasn’t up to the high standard this season has set even in it’s down turn and is easily the weakest epseically since Matilda really dosen’t feel all that fleshed out even though what we got of her was great. Basically not a BAD episode.. but it could’ve been a great one, and i’m disapointed the series didn’t try harder.  NEXT TIME: regular coverage for the year concludes as we go back a few months chronlogically to find out why Santa and Scrooge hate each other. IT’s christmas time ya’ll! Until then if there’s an episode of ducktales or another disney series you’d like me to take a look at, suggest it in the comments or comission it outright for give bucks via my direct messages on here or send an ask for my discord. Until we meet agian, there’s always another rainbow.