#i think it also came out at a really good time for me since i grad from hs earlier that yr

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push my heel into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[badnewswhatsleft]

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE  WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be? 

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails. 

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can... 

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band. 

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music. 

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special. 

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

[dreamsteddie]

AITA Steddie Au Part Three

Part Two

Hello! Sorry for the delay! This week was very busy with student conferences and my own midterms so I haven't had a lot of time to work on this. This is more of an interlude building up to bigger things, but I hope you enjoy it!

Also! Get in the comments if you have any ideas of an actual name for this series so I can stop calling it AITA Steeddie Au. I can't think of anything good 😓

------

Eddie takes Steve on that second date.

And then a third and a fourth and eventually he stops counting because he's seeing Steve as often as he can between their jobs and other responsibilities. He feels high off it, giddy with possibility and hope for this new thing that he's never had before.

Eddie has done relationships before, a couple of times. A small handful of boys and girls he took out on dates and tried his best to woo all went up in flames one way or another, but none of those relationships left him feeling so gone so fast. He felt like he was always holding himself back from giving himself up completely, too afraid of falling without a safety net to reach for that deep devotion he's always craved.

Steve makes him feel like they're plunging into that unknown together.

Still, no matter how much he's been trying to avoid it, the looming specter of what the hell to do about his friends is looming over his head.

------

"Are you fucking serious right now dude?" Eddie asks, a complicated mix of righteous anger, humiliation for himself and Steve, and complete disbelief at Gareth's unwillingness to back down from this making it increasingly difficult to keep his cool.

"Look man, all I'm saying is that Steve is like, the complete antithesis of literally everything we stand for. He's a nepo baby business major who's never had an original thought in his life! I would know! I've read one of his papers." Gareth says, forced nonchalance coloring his tone and riling Eddie up even more.

He rears up, shoulders pushing back and hands grasping at the air like he could pull down his frustration from the either and condense it into a solid ball he could lob at Garteth's head to finally knock some goddamn sense into his brain.

"Hey, hey, hey. Okay, Eddie, I'm really sorry about this. It was a fucked up idea, I don't know what we were thinking." Jeff interveins before the frustrated banshy noises Eddie is letting out turn into another yelling match that won't get anyone anywhere.

"I think we just got too caught up wanting to help you get out of this rut and it all turned into something completely insane. You don't gotta forgive us Eddie, but if there's anything we can do to try and make up for it, we'll do it. Isn't that right Gareth?" Jeff pointedly asked with a look that says agree with me right now or else.

Gareth doesn't say anything.

The thing about all of this that Eddie just can't wrap his head around is the why. Why would his friends, his sheepies, do something so cruel? He knows none of them have ever looked kindly at people like Steve. Too many traumatizing high school humiliations behind them all to trust when someone who looks so much like all the guys who bullied them in high school tries to reach out, but Gareth and Jeff have never tried something like this. In fact, it's used to be Eddie doing most of the anti-jock revenge planning back in the day, even if nothing ever actually came from it.

He thought, incorrectly it seems, that they had grown out of the worst of it by now. It's been three years since Garteth graduated, and five since Eddie made his final attempt, and leaving their hometown behind did a lot to heal old hurts.

So why this? Why now?

"Is this seriously how it's going to be man? You won't tell me what the fuck any of this was really about and you're not even going to try and apologize? Seriously?" The righteous anger is starting to seep out of him, leaving behind a bone-deep exhaustion.

Gareth just continues to stare at him defiantly, not saying a word.

Eddie pinches his nose and takes a deep breath, "You know what? Fine. Whatever. If this is how it's going to be then I'm out. Jeff, I'll talk to you later, probably not for a little bit though. Gareth?" The other man lifts his head from where he'd been looking down at his shoes. There were tears in his eyes, just a little bit but enough for Eddie to clock it. Face red from some unnamed cocktail of emotions Eddie doesn't have the energy or desire to interrogate right now. "Call me when you're ready to grow the fuck up. I've got a second date to plan."

With that, Eddie turned on his heel and made for the open garage door.

"What about the band, man?!" Gareth called.

Eddie kept walking.

-------

That was over four weeks ago.

He hasn't spoken to Gareth for most of that time. The first couple of days he blew up his phone with angry to half-apologizing texts that Eddie promptly ignored. After the second day, he sent a single text back letting him know he didn't want to talk unless he had a real explanation and apology to give both him and Steve and that he was going to block his number for a little while. He could let Freak know if he was ever ready to talk like adults. Eddie trusted him to tell if Gareth was being genuine.

In other news.

Waking up to strong arms secured around his naked waist is fast becoming Eddie's favorite way to start the day. He and Steve slept together for the first time last week, and since then it's like neither of them can get enough of each other.

"Hey, baby." Steve rasps in his ear, tilting his head down to smear sleepy kisses onto his shoulder. The hand that was resting against his ribs meanders its way down to the trail of hair under his navel, scratching just a little and making Eddie feel like a contented mutt. He's not sure if he should feel horny or like he could sink into the mattress and sleep for another full 8 if Steve keeps holding him like his.

"Mornin' sweetheart." he says deciding that a couple more hours of sleep is definitely the way to go. Steve, it seems, has other idead.

"What you thinkin' about this early in the morning?" He asks, hand continuing to scratch lazily at Eddie's stomach like he's not completely destroying Eddie's will and ability to focus on anything but the warm body behind him.

But it's been a long time coming, and as much as he doesn't want to, Eddie needs to start thinking about what he wants to do about his friends? former friends? estranged family? band and Steve deserves to be a part of the conversation.

Eddie sits up, bringing Steve up with him to rest against the headboard. "I've been thinking about the band. Gareth and Jeff, that is." He pauses, waits for some kind of reaction that doesn't come. Steve looks concerned, but not in the way he thought he would.

"Ok." Steve responds, waiting for more.

"I guess I just don't know what to do." He looks out into the middle distance of Steve's bedroom. Takes in the display of swim, basketball, and baseball trophies displayed proudly on a shelf, catching the early morning light. "I'm still so fucking mad. It's honestly kind of irritating how mad it makes me to think of what they did. It was so fucking stupid."

Steve hums a little, letting Eddie get it out.

"But at the same time I can't help but fucking miss them. Miss the music and the campaigns and everything else." It's honestly been eating him alive, the mix of anger and longing he's been feeling for his friends. The constant longing to go back in time and stop them from concocting this shit show but also, like, stalk Gareth to his 8 AM Business class so he can run into Steve and they can fall in love at first sight or some shit.

Silence.

Steve shifts. Moves so he can look Eddie right in the face. He looks thoughtful in a way that Eddie had to get used to. Sometimes when Steve is thinking hard about something, he scrunches his face in such a way that it makes him look like he's judging you. He isn't, it's just an unfortunate fact of life that his baby has a resting Judgemental Face™.

Steve heaves out a big breath, bringing Eddie back down to earth. "I mean, I don't want to, like, cloud your judgement or whatever but maybe you should try and talk to them one more time. Jeff appologized right?"

And, ok that's definetly not what Eddie was expecting to hear. It must show on his face because Steve is suddenly looking away, embaraced.

"I just..." He trails off, taking his own turn staring out at the dull shine of his old acomplishments. Eddie watches as his face once again turns pensive as he stares harder at the remnents of his high school acheivements.

"I used to be a pretty shitty guy. Did the same kind of shit your buddies did a couple of times." This isn't necessarily news to Eddie. They've talked a little about who Steve was in high school and how much work he put into himself before he decided to go back to college. It's still a bit of a shock to hear, though.

"So I get how someone can make a mistake like that, y'know? So if you want to try and talk it out, I won't be offended. I know we're in this together, now." Peace said, Steve reaches for Eddie's hand and gives it a squeeze.

It hits Eddie again, just how good Steve Harrington is. It hasn't been long, not really, since they got together but they've fallen together so completley, so easily, that it's easy to forget that there's still so much they have to learn, so many layers for Eddie to peal back. Behind every judgemental remark and complaint about the frequent phone calls he gets from chuldren he used to babysit in his hometown is a man who cares deeply and is capable of great forgiveness, even if it hasn't been earned yet.

Eddie squeezes his hand back.

"Are you sure?" Eddie asks.

"Yeah, it's not we have to totally forgive them, right? But I think you need to get a real answer from both of them about why it happened. Maybe you can find a way past it, maybe they'll say something that puts the nail in the coffin." He responds.

Eddie takes a deep breath, and thinks.

Steve is right. Eddie isn't satisfied with any of the answers he got last time, and he knows that there has to be more to the story than "trying to get Eddie out of a rut" and he's not going to be able to put any of this to rest until he understands.

"Ok, yeah. I'll call them." Steve gives him an encouraging smile at that, rubbing the back of Eddie's hand where they haven't let go yet.

"Good, I'm glad. And I can come with you if you want. Hit em from both sides." he says. Eddie think's he'll take him up on that offer, but right now he had more imporant things to do. Namely, tackling his sweet boyfriend onto the mattress and having a mid morning tousle.

"We'll see. Right now I've got more imporant things to do." He says in his best aproximation of a sultry voice. He doesn't know how good it really is, but it seems to work based on the way Steve's eyes get hooded and he looks down at Eddie's mouth.

Gotcha.

Before Steve can lean down and kiss him, Eddie snaps his hands down to his boyfriend's sides in a well executed tickle atack. Steve immedietly jolts and starts howling with laughter, yelling between breaths that Eddie is "a fucking asshole" as he continues his relentless atacks.

Eventually, Steve manages to regain his bearings and go on the offence, turning them over and trapping his boyfriend's hands beneath his knees so he can atack Eddie's equally ticklish sides.

Once the late morning has passes into early noon and they've both settled back into Steve's signifigantly more rumpled be, Eddie takes one more moment to think about the furute to come before he shelves it. He knows that whatever conversation is to come, it won't be easy, and even if things go as smoothly as possible with Gareth and Jeff, things will never be the same between them all.

Looking down at Steve, who is sporting the most outrageous bedhead in human history, laughing at the stream of reals Robin sent him in the middle of the night, he thinks he'll be okay either way.

Tag List

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[watchmegetobsessed]

UNMATCHED II.

A/N: soooo you guys were just as horny for a part 2 to this story as i was so here we are, giving in to the temptation. disclaimer, i know their behavior is giving red flag energy but lets just put that aside for the sake of the story now lol

WORD COUNT: 3.8k

WARNING: sexual content, age gap, student-professor relationship

SUMMARY: Harry has been trying his best to forget what happened with Y/N, he is set on never making the same mistake, but it seems like fate has different plans for him.

PART 1 | MASTERLIST | SUPPORT ME!

That skirt. That goddamned skirt. That’s gonna be the death of Harry. 

And also the fact that she went back to that asshole. 

Sitting in the busy school cafeteria Harry has zoned out of the conversation at the table a long time ago, precisely when he saw Y/N stroll in wearing that short skirt with that dickhead she should have ditched already or better, she shouldn’t have even dated him in the first place. But now they are moving in the line with their group of friends and he has his hand on her waist and it keeps inching lower, just a few more inches and his hand could be slipping under her skir–

“Harry? Hello?” 

Stella catches his attention and he is forced to move his focus back to his colleagues at the table. 

“Huh? Sorry, what did you say?” He clears his throat and keeps his eyes on his half-eaten sandwich in front of him. 

“What’s up with you? You haven’t been your usual self lately.”

“Just… tired. I’m behind with my research and have a bunch of papers to grade before winter break.”

“The joys of being a teacher,” Stella chuckles. “Don’t worry, it’ll get better with time.”

“Really?”

“No,” she smirks at him. “But you’ll care less.”

She soon returns to the conversation at the table and Harry finds himself looking for Y/N again. There’s no trace of her in the line, but he is quick to spot her at a table across the dining hall, sitting beside Dickhead who has an arm around her neck, keeping her close as he wants everyone to know that they are together.

And it irks Harry way more than it probably should. 

It’s been a little over a week since Stella’s Christmas party and also that very heated and very wrong kiss he shared with Y/N. That weekend was like hell, he kept beating himself over and over about it, cursing himself out for being so stupid and reckless. He still has no idea what came over him that let him make out with a student, but he knew one thing for sure: it couldn’t happen again. 

So when Y/N walked into the classroom before his first lecture early on monday he didn’t even let her speak before he got to the point. 

“It shouldn’t have happened. I’m so sorry for it, but I can’t undo it now. I suggest let’s pretend nothing happened, it’s for the absolute best. No one can know about it and it will never happen again.”

She seemed taken aback by his outburst, but after a bit of hesitation she nodded.

“Okay. Nothing happened. It must have been the wine.”

“Yes,” he agreed right away. “We both drank more than we should have and made a mistake.”

She flinched at his last word, but didn’t protest, only nodded, holding her textbooks tighter to her chest. She looked so sad, even disappointed that Harry almost wanted to take back what he just said, but he knew he couldn’t. 

“Are you… okay?” he dared to ask, but when she looked at him again, her eyes told nothing. 

“I’m fine. I’ll see you in class, professor.”

And she was out of the classroom before he could say another word. In class she sat in the back and not even once did she look at him. He knows, because he kept looking at her. 

He’s been trying his best to get her out of his head, but with not much luck. Not when all he can think about is how soft her lips felt against his, how insanely good she tasted mixed with the coldness of the night, how amazingly she fit into his palm, the curve of her neck, back, waist and hips… and how badly he wants to experience it again even though it’s the worst possible idea. 

Harry thinks he is going insane. Genuinely. 

He’s been burying himself into work, but his focus has been all over the place, so it’s been more like a waste of time. He is one of the last ones in the building today as well. Most professors left a long time ago, but the lights in Harry’s tiny office are still on as he is hunched over a stack of papers. When he has to read over the same line for the twentieth time he drops his pen with a tired groan and leans back in his chair. He takes his glasses off and rubs his eyes roughly, until he is practically seeing stars. 

“Fuck,” he huffs, staring at the papers that are still waiting to be graded. Checking the time on his phone he is surprised to see that it’s already past seven.

He stands from his chair and steps to the window. The campus looks quiet at this time, only a few students are walking towards the dorm that’s next to the literature department’s building. It’s a wednesday night, the semester ends next week so some lucky students who have no more exams left in the year have already left for the holidays. Harry will be going home right before Christmas, he plans to use those few days of the break to work on his research in peace. 

From his window he sees part of the parking lot next to the dorm, it’s quite dark there, he almost doesn’t notice the figures sitting in the car closest to him, but a few heartbeats later realization hits him.

It’s Y/N and the dickhead. 

They are pretty far, but Harry can tell that they are in a heated fight, judging from how Y/N is gesticulating. Obviously he can’t hear them, but if he had to guess he would say she is shouting, from what he can see. 

For a moment he tells him to just ignore the scene, it’s none of anyone else’s business, let alone his. But when he sees the asshole slap his hands against the wheel several times, making Y/N jump, Harry is moving before he could second guess his actions. 

He practically sprints down that stairs, already trying to figure out how he’ll interject without appearing like a creep, but he forgets all his plans when he is marching towards the parking lot and sees the scene unfold from up close. 

At some point they must have gotten out of the car, because Harry catches the dickhead getting back into the driving seat, Y/N is crying and tries to stop him from shutting the door, but he swings it with such force that she stumbles forward, holding onto the handle. When Harry sees her almost fall to the asphalt he starts running, just as the car comes to life and he drives away so fast, he almost runs over Y/N’s feet. 

“Fuck you, Charlie! Fuck you!” She screams after the car, tears streaming down her cheeks. 

“Hey, hey, hey!” Harry rushes over to her, grabs her by her shoulders and turns her away from the direction of the car. “Hey, what happened?”

She is gasping for air from the crying as she wraps her arms around her, those beautiful eyes that are usually filled with curiosity are now full of confusion and hurt. 

“Y/N, look at me,” he begs and she hiccups a few times before she finally looks him in the eyes. 

“H-Harry?”

He ignores how good it feels to hear her call him by his first name again and tries to focus on the situation.

“Yeah. Let’s get inside, okay? It’s freezing cold.”

She nods and lets him steer her towards the building and up to his office. By the time she sits in the old armchair in the corner of his office she has stopped sobbing, but her expression looks just as miserable as before. 

“I’ll make you a tea. Do you like tea?” he asks, stepping over to the tiny side table where he keeps his kettle and tiny tea collection with two mugs. She nods and he is quick to turn on the kettle. He grabs a chamomile filter and drops it into one of the mugs and while the water boils he hands her a box of tissues that she accepts with a quietly murmured thank you. 

When the tea is done he hands her the mug and sits in his chair, unsure what to say. He definitely did not plan to have her in his office anytime soon and definitely not like this. 

“Go on, lecture me about being with him,” she says at last, staring into the mug in her hands. 

“I wasn’t planning on it.”

“But you’d be right.” She looks up at him, eyes still red from the crying. 

“Why did you go back to him?” he softly asks, not wanting to make her feel even worse. 

“I don’t know,” she shrugs, looking away again. “He could be convincing, I guess.”

“Hope you won’t believe him after this.”

“No,” she chuckles bitterly before taking a sip from the tea, leaning back in the armchair. “Not even the sex will convince me to go back to him.”

Harry’s muscles jump at her words. Not because he is such a prude, but because instantly he is thinking about sex… and her… and his body reacts involuntarily. Clearing his throat he crosses his legs and looks anywhere but at her.

“I’m sorry, I shouldn’t have said that,” she chuckles softly, but she doesn’t seem sorry at all. 

“No, I… um…” Harry has no idea what to say. This feels like such an impossible situation, he is definitely walking on eggshells here and the fact that he is semi-hard does not help his case. 

While he is looking for the right words she places her mug to his desk and crosses her legs, a curious look playing in her eyes as she is looking at him. She appears calm and confident suddenly, like she wasn’t sobbing ten minutes ago. 

“I lied,” she then speaks up.

“About what?”

“I know why I went back to him.”

“Oh. Okay, why did you?”

She holds his gaze for one… two… three seconds before her lips part, then she hesitates for one more moment before answering. 

“Because I couldn’t go to you.”

A shiver runs down his spine at her words, his body is betraying him already, but he hangs onto the last bit of his rationality.

“Y/N, don’t.”

“Don’t what? Don’t tell the truth?”

“We agreed that we are not talking about it again.”

“I’m not talking about that night. I’m talking about how badly I’ve been wanting you, but knowing I can’t have you I went back to Charlie even though I knew I shouldn’t have.” 

“Y/N…” His mouth is dry and he feels ridiculously hot even though the heating hasn’t been working too well lately in his office. He is clawing at the arms of his chair, trying to keep the remains of his cool, though it feels like he is hanging on a thread.

“I won’t do anything about it, don’t worry. And I won’t bring it up again.” She sounds different this time, the confidence has turned into what feels like disappointment and it lurches something in Harry’s gut. 

Standing she smoothes her clothes before looking at Harry, a tiny sliver of expectancy glistening in her eyes. 

“Thanks for the tea. I better get going.”

She is already moving towards the door when Harry jumps to his feet, entirely lost about what to think, do or say. He strides after her and just when she is about to reach for the knob, he grabs her other hand, stopping her mid action. 

But he has no idea why he just did that. His rationality is screaming at him, but with each passing moment he spends holding her hand, the noise gets farther and farther away until it’s lost somewhere in the back of his mind. 

Slowly, she turns her head, eyes taking in the sight of their touching hands before her gaze meets his. He instantly stumbles back, letting go of her like she was on fire, but she doesn’t seem surprised. Instead, she turns around and just stands there, with a calm, but determined look on her face. 

“Careful professor,” she then speaks up. “I might take your actions as a hint.”

“A hint…” he breathes out, almost mesmerized with her, he is convinced she’s put a spell on him, because he can’t move or think straight, he just keeps staring at her.

“Yes, a hint,” she nods shortly. “That you want me just as much as I want you.”

He swallows down a moan that almost slips through his lips at her words. His whole body is burning for her, palms sweating and itching to touch her and he can almost taste her on his tongue again, desperate to pick up from where they left off not long ago. 

The tiniest smirk tugs on the corners of her mouth when she sees just how much he is struggling and she takes it as her queue to push her luck just a bit further. She takes a step closer to him, but still leaves some space between them, wanting him to close those last inches. 

“You know you can have me.” She cocks her head to the side, blinking up at him innocently. “Right here, on your desk or in that armchair. I want to be your good girl and take whatever you give me.”

“Stop it,” he manages to breathe out, but all his strength is gone, it sounds more like a plea rather than an order. 

“What if I don’t?” she sassily questions. “Will you punish me?”

Harry whimpers. They both know he is close to breaking and she is not stepping down now and she’s determined to push him over the edge. Slowly she reaches up, drags a finger across her lips before moving then down, tugging at her shirt at her chest, revealing more of the exposed skin there, then she starts playing with the top button, all while keeping her eyes focused on him. He sucks on his breath, his gaze keeps switching between her eyes and what her fingers are doing. 

Then it pops open, revealing the delicious swell of her breasts and a bit of the lacy bra as well and he knows he is gone. 

“Close the curtain,” he simply orders and a sudden rush of excitement washes over her as she quickly moves across the room, drawing the curtains on the window and turning around she is expecting him to be in the same spot, but to her surprise he is right there and before she could say a word, his lips crash down on hers with such force she would have fallen back if he didn’t already have an arm around her waist. 

His other hand is quick to find its way to her throat first, then to her jaw, angling her head perfectly so he can devour her. 

He spins them around and she gasps when her ass meets the edge of his desk, still kissing her he pushes forward, blindly tossing everything on the desk aside to make room, something clatters as it falls to the ground but neither of them cares to even look. His hands are on the back of her legs and he helps her up until she is sitting on top of the desk. 

She eagerly opens her thighs and circles her legs around his hips, pulling him closer and when she feels just how hard he already is, pushing against her clothed center, she can’t help but moan at the sensation. 

“It’s a one time thing,” he pants when her fingers start to work on his shirt and his hands find the button of her jeans. 

“Sure,” she breathes out smiling.

“Just to get it out of our system.”

“Of course,” she nods eagerly, and a moment later she is tugging his shirt off his shoulders. 

Buttons come undone, clothes are thrown across the room and soon enough all of his focus is on her naked chest, his hands exploring the tender, heated skin before his head dips down and his mouth meets her hardened nipples. 

“Oh fuck,” she moans, head falling back as she has an arm around his shoulders, the other one planted behind her on the desk. All while his hands are tugging down her jeans, finally giving him the chance to touch her inner thighs, exploring the warmth and softness he’s been fantasizing about for so long. 

He gently bites on one of her nipples, making her back arch, burying his face between her breasts before he leans back to get rid of her jeans. She has a moment to admire his naked torso, all the tattoos he’s been hiding under his clothes, his pants are hanging around his knees and his erection is throbbing through the fabric of his underwear. She can’t help but smile at the sight, it’s surely one she’ll remember forever.

When her jeans are discarded on the floor he plants his hands on her thighs and pushes them wide open, revealing her drenched panties. He brings his thumb over the wet fabric, lazily drags it over her clit, making her tremble under his touch. Then keeping eye contact with her he pulls his chair under him, sits down and rolls closer so his face is perfectly lined up with her. With his eyes still locked on hers, he leans forward, moves her panties to the side and places a sloppy, open mouthed kiss to her throbbing clit, making her moan so loud, he digs his fingers into her thighs pulling back. 

“You need to be quiet,” he warns her and she just eagerly nods, watching him take her underwear off completely and go back to where he was a moment ago. 

Harry drinks up her taste, he licks, kisses and sucks on the right spots, making her see stars as her orgasm is building up. When she feels two of his fingers slip into her she grabs a handful of his hair, tugging on it. 

But right when she is about to tip over the edge he pulls back, leaving her in a heaving mess. Reaching into one of his drawers he grabs a condom and standing up he watches her lying on his desk, chest rapidly rising and falling while he rolls the condom on. 

To his surprise, she gets up and jumps off the desk, taking the initiative by pushing him down back into the chair and straddling his lap. His hands are quick to move to her ass as his cock wedges between her drenched folds. He hisses when she starts rolling her hips, making them both even more feral for what’s about to come. 

She leans forward and kisses him, her hand reaching down between them until it finds his cock. She gives him a few lazy strokes to which he hums lowly into her mouth. Then she stops her kisses, lips still brushing against his, eyes meeting again as she lifts herself up just enough to angle him underneath her and then slowly she eases down, letting him enter her inch by inch until she is filled entirely. She gasps at the feeling of her walls stretching around him and they both stop for a few moments, just savoring how perfectly they fit together. 

She plants both her hands to the base of his neck, kisses him again and starts moving her hips. 

“Fuck, Y/N, you feel so good,” he groans, locking his arms around her, fingers digging into her naked back and side as she starts to slowly pick up her pace, bouncing on him. 

When he starts thrusting upwards, meeting her movements, her head rolls back from how deep she feels him inside her, his tip reaching the perfect spot. 

“Yes, right there!” she gasps as he buries his head in her neck, kissing and sucking on the soft skin while keeping his rhythm. “I’m so close,” she breathes out, her hands raking through his messy hair. 

Wanting even more friction she adjusts herself and then starts moving faster and rougher, aching for the release. She looks down, her eyes meet his gaze and she just knows he is as close as she is. 

“Harry,” she moans and hearing his name fall from her lips is what pushes him over the edge.

Grunting, his thrusts get rougher and fall out of their fast pace, he pushes into her over and over again as he fills the condom and watching him fall apart helps her let go as well. He feels her walls tighten around him while he is still riding out the afterwaves of his own orgasm, her mouth hangs open, nails digging into his shoulders so harshly they surely leave marks. 

Then they both slowly come off their high and she leans forward, capturing his lips in a much softer kiss than the ones they’ve shared just minutes ago. He gladly returns, their lips melt together and his fingers gently roam her naked back while he is still inside her. 

They’re quiet when she moves off him and grabs a few tissues to clean herself up while he discards the condom. The clothes are picked up from the floor one by one and a sense of unsureness settles between them as they both get dressed. 

She was the only thing on his mind just five minutes ago, but now that the sex haze is gone, his thoughts start racing. What did he do? What will happen now? This shouldn’t have happened but still, he wants to do it again and again and again. 

As if she knew he was panicking inside, she steps to him, takes his face in her hands and pulls him into a long, passionate kiss that instantly makes him forget about everything else. 

“Don’t overthink it,” she whispers against his lips. “We’re adults.”

“I’m your teacher,” he hums.

“The semester is almost over. Grade my last paper and we’re done,” she simply says with very little care about his current status. But he is not that sold on it just yet, hesitation and worry is all over his face. “Did you not want it?”

“You know how much I wanted it,” he admits defeatedly. 

“Great. I wanted it too. And I want it again. So I’ll come by tomorrow again. You’ll bend me over that desk after I had your cock in my mouth, then tell me what grade I’m getting for the semester and we do it again after that.”

He is already feeling himself getting hard again. Deep down he knows he should say no, but he has no will left to fight with himself anymore. So all he does is nod and then kiss her. 

“I’ll see you tomorrow, professor.” She grabs her coat from the floor and then walks out of his office like nothing happened. 

Harry falls into his chair and assesses the mess on and around his desk, staring at the spot where she was sitting not long ago. He knows he is making his biggest mistake ever, but sinning has never felt this good.

And right now he is willing to take this risk.

Thank you for reading, please like and reblog if you enjoyed and buy me a coffee if you want to support me!

[midnightshard06]

Sonic

Sonic grinned proudly. “Well Tails and me have been family for a long time now. Practically raised the kid myself heh. We’re close as you might expect. We also help keep each other in check. He, usually, keeps me from doing anything too reckless and I make sure he actually gets enough sleep and eats at least two meals a day.” He put his hands behind his head before a contemplative look came over his face. “If I have any blood related family out there I have no idea where they are. Not that I really care to find them anyway.” He put his hands down and shrugged. “Plus Shadow, and I guess Eclipse too, is in the picture now. Me and Shadow are on really good terms.” He chuckled. “Spending all that time helping him adjust to earth and doing my best to undo everything he’d been taught to think about himself helped with that. We’re… really close yeah.” A fond smile slipped onto his face for a moment before it slipped into a more cocky grin. “Eclipse is ok too. Fun to mess around with plus he makes a decent game partner when I can’t rope anyone else into it. He’s about just as competitive as me which makes it fun.”

Shadow

Shadow looked down for a moment before sighing. “Well not long after I was created I suppose I only considered Maria and perhaps Black Doom and some of the Black Arms my family. No one else at that point mattered to me. With Maria gone now though… well I find my family has expanded quite a bit. I think she would be happy to know that.” He cleared his throat. “Of course there is what is technically my biological family with Eclipse and the Black Arms. Eclipse is… a lot, but I am happy to have met him. Without his help I fear the confrontation with the Black Arms would have ended in tragedy. The Black Arms now look up to me like a leader, but I believe our relationship is positive.” He crossed his arms and scowled. “As for Black Doom… well he’s dead now so I suppose there’s not much of a point in speaking about him.” His ear twitched as his expression turned into something more neutral. “There’s also the Biolizard, which I suppose in a way could be considered my sibling as well. I… am doing my best to help them. Going back up to the Ark is hard though.”

His expression softened. “Then I suppose there’s Sonic and Tails. The two who took me in and took the time to help me.” He glanced around as if looking for something, or someone. “Sonic and I are very close. I admit I’m not sure what I would do without him at this point. His steady presence has helped me adapt much quicker I think. As well as realize some things.” He sighed. “Tails I’m far less close with but I still appreciate everything he’s done for me. I believe some of my lingering unease with the fox may be due to his connection with science. It… reminds me of the Ark. It’s something I’m working on though.”

Silver

“Oh! I’m really close with my family. Especially my parents.” Silver grinned. “I’m really grateful Sonic and Shadow decided to take me in when they found me all those years ago. It’s a little hard sometimes to get them to let me do things that might be dangerous, but I’ve been working on getting them to downplay their protective steaks for a while now.” He puffed his chest out. “Clearly it’s been working since they’ve let me start going to the past with Mephiles on a regular basis. Plus even before that they’d let me go out and scout the nearby ruins.” He tapped his chin. “There’s also uncle Eclipse. I don’t see him too often but Shadow likes to call him a bad influence on me. I think he’s fun.”

For characters!

If any of you have family, what's your family relationship like?

More character questions!!

[octahyde]

Ok actually one thing that really really bothers me about how widespread people are negatively reacting to the anime just for the fact that anime onlys are going to be in the fandom is like

This is going to make TWST so much more accessible

Like… not everyone can sit down for several hours and read a visual novel. It’s very time and focus intensive. Not everyone can read logs of the dialogue on wikis, either. There are several people who are unable to enjoy this story based solely on medium. A good example is my qpp; he loves TWST. He loves the story. He loves the characters. But he can’t get past Book 3 because the format is completely inaccessible to him. He’s tried. I’ve tried with him. He just… cannot do it. The novels are a godsend because it’s a way he can finally read the story in a format that works for him. The anime will also help a lot because he’ll be able to hear the voice acting, which is a very important part of TWST’s story telling.

Or even just in general, I don’t think I need to post about how I Like Horror, but I am unable to read anything longer than a short story. In particular, I am almost fully unable to read King because of how incompatible his writing style is- despite really wanting to. I have tried and failed to read Pet Sematery more times than I can count. The 80’s movie, though? I love it. It lets me experience a very important work to the genre in ways I would otherwise be completely unable to. Same with Misery.

Like… it’s super frustrating to see people advocate for story accessibility in things like video games, only to turn around and say “except for things I LIKE, they’ll get my favs wrong!!!” Especially when it’s in a fairly inaccessible medium.

I especially have a bone to pick with Idia fans I see on Twitter doing this. There’s a lot of fear “normies” will be ableist about their favorite cartoon character, while… in the process being extremely ableist to actual human beings. It’s extremely frustrating and upsetting to see people prioritize their (heavily mentally disabled, I might add) favorite fictional character over actual irl disabled people. I don’t think people, especially autistic people who can’t do VNs, should be limited from a beautiful story just because other people you can block Might Make Incel Jokes.

(My qpp? He’s autistic. And schizophrenic. And has CPTSD. He relates a LOT to Idia just from what I’ve told him about her and her arc.)

Like… get your fucking priorities straight. I was hyperfixated on Danganronpa when the DR1 anime came out. I was hyperfixated on Persona 4 when the P4 anime came out. Ace Attorney has been one of my absolute favorite series since middle school, and I was going through my obligatory hyperfixation phase I have every few years when the AA anime came out. I massively prefer the YuGiOh manga to the DM anime.

Anime onlys are EXTREMELY easy to avoid and are not the fucking end of the world.

Especially in a fandom with so many autistic people. Have some empathy for disabled people who have different symptoms than you do.

[sir3n-s]

Since Eddie came to live with him, Wayne has seen him bring home many things.

Mainly bugs or hurt animals.

One time he brought home a skunk. Sometimes Wayne thinks he can still smell it.

But this? This is something else.

"Wayne I can explain" he says standing in the doorway with a jar.

A jar that has a pixie in it.

"That jar better have holes in it, Edward.'" He's praying that his nephew didn't hurt the pixie.

Pixies have been around for centuries and helping them will bring good luck. As in the pixie will most likely bring you gifts.

Hurting a pixie though?

He has heard some stories that would be labeled as horror if they were movies.

"Of course, it has holes in it!" Eddie says like it was ridiculous of him to ask, "I'm not stupid" Wayne thinks that is debatable but now is not the time for that.

"Yet you have a pixie in a jar" he sighs, wondering why this kid can't give him a break, "knowing what they are capable of."

"I know, I know!" Eddie says, looking down at the jar. "I just wanted to say hi, and then he attacked me! I didn't want to hurt him, but he wouldn't leave me alone!"

"So you thought putting it in a jar would make it like you," he says while getting up.

"Well no but I tried runng but he followed me"

He's going to need a beer after this. 

"Give me the jar," he says standing in front of his nephew. 

Eddie doesn't hesitate to hand it over. 

Wayne walks out the door of the trailer and starts opening the jar, "I apologize for my nephew, he doesn't think before he acts. He's a good kid, please don't hurt him" he takes the top off and lets the pixie fly out.

It flies in front of Wayne’s face for a moment before smiling and nodding at him, then zooms off.

Wayne walks back into the trailer to grab a beer and start lecturing his nephew.

-

Over the next few weeks, Eddie sees the pixie, who he learns name is Steve, come by the trailer to give gifts to Wayne.  

Eddie has tried to get close enough to apologize but Steve always files away the moment he sees Eddie. 

But he also doesn't do anything to Eddie so he guesses that Steve likes Wayne enough to leave his nephew alone. 

Which is good because pixies can be terrifying. 

"Give him some fruit," Wayne suggests after hearing Eddie complain about Steve leaving once he saw Eddie pull up to the trailer. "He really likes peaches." 

So Eddie cuts up a peach and puts it on a plate. He takes it outside to the bench close by and waits. 

Steve does eventually show up but Eddie can tell he's still cautious of him because he doesn't immediately go for the peach like he would if Wayne was the one offering it.

Eddie smiles at him and pushes the plate towards him hoping to encourage him to eat it.

Steve must have decided to trust Eddie because he dives for the peach slices.

He watches Steve eat a really small amount of the the peach, but pixies are so small it was probably a lot to him.

Once it seems like Steve had his fill of the fruit Eddie sets a napkin down next to the plate.

Steve wipes his hands and face with it. Then he just sits there and stares at Eddie for a moment.

"Thank you" the pixie says. And honestly Eddie is surprised, he didn't know they could communicate with humans.

"You're welcome" he responds, tapping his finger on the table, "I am sorry about the jar thing, I really didn't mean to hurt you"

Steve reached for Eddie's hand and placed his tiny hand on top of his finger, stopping its movement.

"Its okay" Steve smiles at him.

[jambalaya-enthusiast]

Just had another Jimmy thought...

If Curly had a daughter he would definitely introduce Jimmy as an uncle of sorts... Cutting it short once shes of age Uncle Jimmy about to get a whole lot creepier.

First he pulls you on his lap while He and your dad Curly are watching football or something, and you feel something but you dont say anything... but your dad needed to run to the store to grab some more beer. -Cupcake anon

Your own age.

Uncle! Jimmy x Curly's Daughter! Reader.

warnings: age gap(reader is an adult),toxic relationship themes, jimmy is a major creep, non-consensual touching. curly is an oblivious single father.

a/n; cupcake anon, you're a fucking genius. love you for sharing this prompt with me,hope I was able to do it justice!

It wasn't fun being a well respected captain's daughter. Especially after your mom left, your dad would leave for shipments for months on end,and you had to spend a good chunk of your childhood with nannies rather than your parents.

But that was when he came along,Jimmy... Or Jim,as your dad would call him. He was your dad's closest friend since childhood,and now he was gonna be... Living with the two of you? Your dad said that it was due to the shortage of leases on the market currently,but you know damn well it was because that jimmy person was just a broke guy.

"hey,so you're the daughter I keep hearing my friend talk about,huh?".

"uh yeah,my name is y/n".

"y/n huh? well that's a pretty name for a pretty little girl".

you did think it was strange as to how,Jimmy... or well,uncle jimmy as your dad advised you to call him, was so Frank and open minded with you,but you realised that's just how men in his situation were. Open-minded,and careless.

Uncle jimmy... was an interesting man to say the least,you hadn't really had the luck of having any fun 'relatives' for that matter so you thought this was the best as it was gonna get. Jimmy would offer you cigarettes. Something that your father had clearly mentioned in front of him was off limits for you.

"C'mon aren't you a big girl now? some rules are meant to be broken y'know?

"but dad would kill me if he ever found out..."

"it's alright,it will be our little secret".

All in all you started warming up to him,you thought that hey,this guy is already down on his luck,and he's also so fun to be around! wouldn't hurt to be friendly with him.

It didn't matter how unnecessarily long his hugs were,or how suffocating they were. he would always hug you so tight that you had to physically wriggle your way out of his grasp. on some occasions you could've sworn you heard him say something under his breath.

It didn't matter how he would stare at you for long periods of time if the two of you were in the same room,you thought maybe it's just a middle aged man thing

It didn't matter how during road trips,he would sit in the backseat beside you instead of sitting beside his best friend in the front. How somehow his hands would always find it's way to be on your thigh.

He was a fun guy after all! He lets you drink,smoke,and sneak out. Do all the things which your dad would have crucified you for.

Seeing both of you so close would have your dad asking you—

"wow you sure are having fun with uncle jimmy,huh? you guys seem to be close".

"yeah he's so cool! it's super fun to be around him".

"fun huh? Well im hoping it's a good kind of fun,honey".

But curly shouldn't be worried! His best friend was just taking care of his daughter... Right? He wouldn't do anything,wrong... Right? That much faith curly should have in his best friend... Should he not?

Your dad and uncle had a habit of watching football games during weekend nights,and you decided to join them one such night.

While watching the game,jimmy suddenly turned to you,and said.

'oi y/n, c'mere and sit" as he motioned towards his lap,he turned towards curly and said. "For old times sake,eh? You remember how I used to carry ya around? I'm feelin nostalgic".

Curly was already feeling tipsy from the 3rd pint of beer he was chugging,so he just laughter and said "haha,you guys are so adorable!".

Albeit,a strange request,you decided to do as your uncle asked anyway,and you went to him and plopped on his lap. No matter his lanky figure,he was still strong enough to carry your weight. So he had no problem in adjusting himself to have you sir on his lap while still getting a comfortable view of the ongoing game.

everybody was focusing on the game,but you,your focus was on something else entirely,all the while you were sitting on his lap, you could feel Jimmy's hot breath on your shoulder,how his left hand was rested at your side,firmly placing a grip, you could feel his heart beating, and you don't know what got over you,but you decided to do something risky, somthing vulgar which you hadn't even properly processed in your mind.

You grinded against him just a little,and that was enough to get his heart beating 10 times faster,you could practically feel his breath hitch,and him letting out the quietest groan. And you felt something hard between you legs,you realised that you had just gotten him rock hard. you felt accomplished for some reason. But that's when your dad decided to drop off the bomb.

"wait,fuck we're out of beer,jimmy look after y/n while I make a quick trip to the store to get few more".

"you got it boss".

You knew that it was wraps the moment your dad walked out the front door and closed it behind him. You blinked and suddenly you were pinned down onto the sofa, your uncle had both your hands pressed firmly above your head,he stared at you like a wild animal on the prowl, hunting its prey.

"damn,I didn't know that you were so dirty, grinding against me like that,you know how 'fuckin hard it was for me to keep from moaning?,you deserve to get punished for it don't you think?".

• you intently stared him,not knowing what to do,excited yet scared of what he was going to do next.

And then without a warning,he smashed his lips against yours,into a rough, messy, hungry kiss. he tasted like liquor with a hint of cigarettes,the cheap brand which he smokes all the time. His tongue was wildly exploring every inch of your mouth, he felt like an animal in heat.

then in between the kiss he said, "you don't know how long I've been wanting to do this,kid".

you already knew that this was going to be quick as your dad would be back from the store in no time,but you also knew,that this was the beginning of something,very long, something very vulgar. and even though it might be wrong,you felt eager,you felt excited. you were looking forward to whatever was going to happen next.

[heartlesscorpse]

AHH HII!!! saw the mr crawling fic u posted and it's adorable :(( can i please have a mr crawling x reader where they have a condition that makes them sleepy? andAND because of this, sometimes they do strange things like, for example, talking non coherently, sleeping in weird places and having tics while sleeping!! i really want some fluff with this man...... *holds my hands out like a poor victorian child*

As always, take your time!! your aesthetic and work is genuinely really good!! you are great at this <3 mwahmwah. 🐁

Mr Crawling and Narcoleptic!reader

A/N: *shakes you violently* OMG ANON YOU'RE A GENIUS you just made my day with this btw — ask and ye shall receive >:)) As for the condition I think you might be asking for a Narcoleptic reader or something of those lines but YEAH I can totally do that, here you go, mini oneshot for you 🫵🏻🫵🏻

Summary: Mr Crawling’s been noticing some weird behaviours from you lately for the past few days and it’s both funny and worrying, are you okay???

WARNING: This is set after the Blissful Love Life ending, if you don’t want spoilers then keep scrolling!

It’s been little over a few days now since you and Mr. Crawling escaped his world, and the two of you were perfectly settled together at your place. Mr. Crawling so far’s been pretty happy overall, getting to stay home with you in your world and has grown pretty attached to you. But, as of lately, he’s been noticing some…'strange' behaviours from you.

You seemed to be more sluggish when moving around the house and sleepy, he even found you crashed in the bathroom, at your desk, and other places in the house. He found the sight to be cute but at the same time it was also getting a little worrisome.

Were humans always this sleepy?? He’s never seen you this sleepy when the both of you were still in his world. Well, maybe he did a few times without realizing it, but he failed to pick up on it.

He even caught you mumbling incoherent things and twitching in your sleep while the two of you were cuddled up in bed. He thought you were hurting somewhere whenever he felt you quivering in his arms, which made him hug you tighter and run his fingers through your hair, trying to soothe you. It was another day done of hours of work when you came back home, had food, and shortly went to bed with Mr. Crawling following after you like a lost puppy. Considering how exhausted you were from work, you passed out in seconds the moment you flopped onto the bed.

Later in the night, Mr. Crawling was curled up under the covers, with you spooned in his arms, the bedroom completely pitch black with the curtains drawn closed and there was a comfortable silence that filled the room. His arms were wrapped securely around you in a comforting squeeze, he nuzzled his face into the back of your neck, inhaling your scent for a moment and he instinctively squeezed you a little tighter. Relishing in the warmth your body radiated...

The silence then was suddenly broken when he heard you mumbling things in a slurred tone, (unfortunately he picked up little words he could understand considering he still had a lot to learn with your language), and he could feel your muscles twitching once in awhile. Mr. Crawling however grew worried again, he lied there uncertain if he should try to wake you up or not. He didn’t want you getting cranky or annoyed for waking you up, but this was really starting to bug him and he wanted to help.

Mr. Crawling began to shake you gently to rouse you from your slumber, but you weren’t budging much, so he shook you a tad harder. “Human? Wake?” He murmured quietly. It took him another few tries until you started to stir from your sleep and you shifted in his arms to your discomfort.

“Mmn?… Mr. Crawling?….” You mumbled out quietly, your words sounding slurred in your half-asleep state.

Oh, good, you’re not mad. “Human hurt? Why twitching in sleep?” Mr. Crawling questioned, his fingers curled into the fabric of your night shirt. “Me worry, me want to help.”

You shifted under the covers again and you turned over to face Mr. Crawling, stretching your legs in a sluggish manner and your muscles relaxed. “I’m okay bud, I’m not hurt,…” Your words trailed off for a moment, straining back another yawn and your fingers found their way into Mr. Crawling’s hair, gently patting him. “It’s just my narcolepsy acting up, nothing to worry about…”

Narcolepsy?

Of course the term sounded unfamiliar to Mr. Crawling’s ears, “Narc-lep-see?…” He repeated, confused. As you could feel yourself slowly slipping in and out of unconsciousness, you did your best to try and explain your condition to Mr. Crawling. Mr. Crawling failed grasp much of it (in complicating terms-wise), but he seemed to understand it was something that made you very sleepy throughout the day. He also had the look of disappointment when you mentioned it was incurable, surely it could be fixable. If Mr. Silvair was here he might’ve found a way!

Before Mr. Crawling could even ask more questions about it, you were now unresponsive and had drifted off to sleep. He couldn’t be mad at you (not like he would anyways), he did abruptly wake you up after all. So he decided to keep quiet and save the rest of his questions for the morning, his arms fastened around you again and he rests his chin on the top of your head. Intently listening to your soft breathing and the dark noise of the bedroom that filled his ears. From this point on starting tomorrow, he’ll do the best he can to help you out…

[writingredrose]

for a good cause | Rollo x reader

summary : While having fun at the festival with your friends, you're oblivious to your own guilt and grudge. Luckily, he's here to show you the truth.

warnings : reader is Yuu and she's implied to be a girl ; swearing

a / n : HAD LOTS OF FUN WITH THIS ONE Y'ALL WO!!! Yuu betraying the NRC my beloved. Also I was definitely NOT writing this AND watching the event at the same time and that's definitely NOT why is it so short haha...

A TOAST TO @pomefioredove FOR INSPIRING ME!! Hope you like it <3 🫶🏻🩷

P.S : maybe some grammatical mistakes or weird wording, sorry, English ain't my first language :')

The horrors, the stress, the neglect about every single thing involving your mentality and your body... all of these curses that came upon you when you first set foot in the halls of Night Raven Collage could never be cured, could they? That's what you thought before you met him. He said he can save you...

Can he? Please, you have to let him save you...

The beautiful scenery in the main hall of Nobel Bell Collage never failed to catch your eye. The way the light of the sun illuminated the beautiful stained windows could never not be pretty. Compared to the dark halls of NRC, this school was twice as pretty, that's what you thought since coming here, but you'd never dare tell anyone, you didn't need another reason for people to look down on you as they always do.

“Something must've caught your eye for you to stop in your tracks like that, no?” The voice coming from behind you was as calm and neutral as ever. You caught with the corner of your eye the figure stopping right next to you, looking where your eyes did just a moment ago. “Well, you're never wrong are you?” You let out a silent laugh, at which the figure moved his eyes in you. “The glass...is beautiful. It never fails to amaze me. You don't see this at Night Raven” Your eyes went up to look at the glass again, the one next to you looking in the same place you were. “Hm, your comments make me think that Night Raven Collage isn't that amazing of a school that everyone would die to go in” You snorted at his snarky remark right before covering your mouth. You'd think he hates everyone from that school, but again, maybe he is, at how is looking at them, who can say he doesn't? “Didn't take you for the humorous type, Rollo„

Ah there it is again. Ever since you came here, Rollo can't seem to get tired of the way his name rolls off your tongue. He's heard about you, the magicless prefect who's came from another world. And goodness, you're... perfect. Everything about you, is absolutely perfect. Your face, your voice, your silhouette, everything about you... and on top of all you're so... pure. So pure, he can sense it, the essence of it right in your soul, he wishes to keep it to himself forever, he'd never let anyone touch something so pure and beautiful. Stain it with their dirty magic.

He looked at you again, your form snickering oh so close to his body. “Was it really that funny? I was simply saying what is on my mind...” Your laughing came to a stop, now having your attention fully on him. “I know, it's just the way you said it is all. It was funny. And I mean, you are kind of right. Sure Night Raven is a big school, no denying that. But! I guess you could say the inside is a bit... boring” At your words Rollo let out a laugh himself. “Hmph! Boring? I've known you for a day and I'm sure you can find a better word than boring„ “Meh, I don't wanna be mean is all” Your kindness was also something Rollo adored about you. He can see who you are under all that fake kindness you put on for your little friends at NRC. Right under all of that, the essence of your soul is naked under his praying eyes. He knows you're tired, tired of that school. Maybe he can use that for himself.

The songs and happy voices of the many people surrounding you were loud but not entirely unwelcome. After each group that was made earlier today finished their stroll through the busy streets, it was now time for everyone to gather in one place for the big show. You were currently sitting next to Rollo, watching from far away the boys who were having fun creating fireworks for the townfolk.

You couldn't help but scowl at the sight. It was so irritating, but why exactly...? “Are you alright?” Rollo's voice snapped you out of your thoughts. “Judging by that scowl on your face, I'd say you're ready to rip everyone's heads off” You looked at him, he was looking at you from the corner of his eye, and just for a second, you caught a glint of amusement in them. He was joking. How is it that he only does it when he's with you? You've been observing his actions ever since you came here and he seems to be a totally different person when he's with you. The handkerchief that always seems to be present when he speaks with other people, he never has it when he's with you.

Isn't it weird?

You gave him a reassuring smile. “I'm ok. I just...well...” The silver haired boy turns his head to fully look at you, waiting for an answer “I just... don't like the loud music, at all. It always gives me the biggest headache” Rollo let out an almost silent hm, and looked in front of him again. A minute passed before he spoke again.

“Who are you trying to lie to? Me or yourself?”

...what?

The weight of his glace almost crushes you. You could feel his sharp emerald eyes looking at you, no... looking through you, you knew damn well that right now the one called Rollo Flamme was looking straight into your soul, ready to burn it to ashes at any moment.

You turned your head away from him, unable to return the gaze. “I... don't know what you're talking about, Rollo. I'm not lying to myself at all. I told you the truth” He didn't stop looking through you. “Is that so? Because when your eyes are directed exactly to your little friends over there, it's hard to think that it's just the music that's bothering you” You were at a loss of words.

He was right wasn't he?

He knew

Of course he did

After all why bother hide it anymore?

You hated their guts...

You HATED that school

You hate THEM

YOU HATE IT

YOU HATE THIS DAMNED WORLD.

This time, you looked him straight in the eyes. And he knew, Rollo finally realized he got it. He was almost shocked at how easy it was to crack your fake facade. You were like him weren't you? You hated magic just like he hated it. You loathed the evil-doers of this world, the magic users. He knew he was right, he knew he was right to fall in love with you.

He couldn't help but smirk when he saw your eyes. So much hatred. My, how he loved that look of yours. “And what do you plan on doing now?” Your voice took a much more serious tone than earlier. He simply let out a laugh. “Me? Why nothing at all. All I need you to do — Rollo fully turned his body to you, slowly leaning to look into your eyes — is to listen to what I have to say”

The music of the festival could be heard even from the depths of the wall of the waterway tunnels. Rollo was guiding you, with a lantern in his hand, through what seemed like an endless darkness. And after what seemed like an eternity, you were the first one who spoke. “So what exactly do you plan on doing? You haven't explained anything to me at all Rollo” He kept walking, not saying a word. More minutes passed and you were getting more and more annoyed, when was he going to- “Why is it that you hate your friends so much? When I first saw you I could hardly tell you hated their guts” You fell silent at his question, why is it that you hate them? After all ever since you came here- ...oh, that's right. You know don't you? “You want the truth? I'll tell you. I simply hate their guts. Ever since I came here I have been nothing but an obedient little dog to them. Cleaning all the mess they did after every overblot I was the one to clean the mess. Trouble? That idiot Crowley has me going to solve it. Students fighting? Of course, I'm the one to blame. I'm fucking tired, I'm so damn tired of all of them. No one, not a single one at that school has ever cared to check on me, because who cares?!? I'm a magicless student aren't I? I don't have feelings or anything right? I'm just a damn MAGICLESS HUMAN WHO LISTEN LIKE A FUCKING DOG!”

Rollo didn't flinch at the sudden punch you landed on the wall next to you. You stopped walking a while ago, fully turned to you, Rollo watched your actions carefully, seeming to enjoy how you slowly became a victim to your own hatred, sinking deeper and deeper into the dark hole you made for yourself ever since stepping into this world. Stepping closer to you, Rollo raised your chin to look him in the eyes, the light of the lamp allowing you to see his beautiful yet empty emerald eyes. “See now? That's exactly why I guided you here. Your hatred for them is exactly what I need. So beautiful and so dangerous it is” Moving closer, he grabbed your waist and pulled you closer to him, burying his face in your hair. “What are you?-„ “So pure and so beautiful you are” You widened your eyes, your face growing warmer at his somewhat bold statement. He let go of you, grabbing your face once again, this time his being closer than it was before, the lamp illuminating half of his face as you saw the look in his eyes.

Predatory admiration. You could see it in the way he looked at you. Eyes burning with an intensity that sent shivers down your spine. Raw hunger that felt almost otherworldly.

“Tell me now, Y/N. I can save you, get rid of all those dark thoughts from your head, give you a better life. I can protect you. All you need to do, is give me your word. Let me be your sanctuary” Your breathing became heavy...can he? Can he truly save you? You'd wished to escape this for so long, you're so tired. You'd let him-

“Please, Rollo... — you grabbed onto his clothes, afraid that if you'd let go he'd abandon you just like the others — I'll- I'll let you. Please, be my sanctuary” Rollo's eyes flickered with raw desire. “Very well then”

The lamp in Rollo's hands dropped on the floor as his hand held your chin so you could look in his eyes. His other hand entangled into your hair, finally pulling you for a long awaited kiss. The moment his lips touched yours, every ounce of self control disappeared. He'd been waiting for this longer than he dared to admit. If only you knew what you were doing to him. You eagerly returned the kiss, your hands diving into his hair, careful to not let his hat slip off his head, lips moving in perfect harmony as you've done this hundreds of times before. And when you parted for the first time, your panting echoed through the dark halls.

You looked at him with red cheeks, and before you could stop it you let the words “I love you„ spill from your mouth. You knew your confession came out in a trembling voice, even if you didn't know why. Rollo looked at you and once again he kissed you, this time harder and urgent. He knew you knew he was telling you the same, that what he can't put into words he'll put into this kiss.

A long while passed until you two parted. Damned oxigen, you thought. The silver haired in front of you brought you closer to his face so that your foreheads touched. “How can you be magicless when I can swear that you bewitched me somehow. I'm not myself when I'm with you, did you know that? The things you do to me...” You giggled at his remark, kissing him once more which he happily returned. “Yeah? Well, I'm glad it's me. I'm glad you chose me Rollo” He smiled softly at you, placing a kiss on your forehead.

Picking up the lamp from the floor, he took your hand and guided you now towards the light that shot up at the end of the tunnel. “Come now my dear, I'm sure you'll like what you're going to see”

The many candles in the Nobel Bell Collage hall illuminated brightly. The students who came for the symposium were all gathered in the hall, waiting for whatever was to come. Suddenly, the loud sound of the bell echoed through the whole school. “The Bell of Salvation? At this time of the night?” Silver looked around him surprised by the tolls of the bell. “If I recall, we were told that the bell tolled there times a day no? Once in the morning, then evening and night. And I'm pretty sure we heard the toll for the night some hours ago. So what could the reason for this one be? Riddle's face twisted in confusion, his brows furrowing trying to figure out what's going on. “U-uhm, am I the only one who's seeing t-that?” Upon hearing Idia's voice, everyone looked in his direction.“What's that? A flower??” In front of them, growing from the ground, there was a beautiful crimson flower, one that had its petals beautifully colored just like wild flames. “What's a flower doing in the middle of the-” *crack* Another one made its way through the floor, cracking the tiles in the process. And then another, followed by thousands slowly covering the whole hall. “WHAT IS THE MEANING OF THIS?” Sebek's voice echoed through the hall now full of crimson flowers. “Evreyone! They-they passed out!” In the blink of an eye, every single student who got close to the flowers had passed out cold and they couldn't be woken up.

Fire Lotuses. Dangerous yet beautiful flowers that supposedly went extinct centuries ago. These flowers grew by feeding themselves with magic, sucking it out of people leaving them with no ounce of magic to live with. The methods of extinction were not revealed, therefore there was no way to stop them.

“Standing in this hall while everyone else is passed at your feet is quite pitiful. Don't you think?”

Fighting and fighting, the students tried but there was no end to those flowers, if they can't use magic then they can't do anything. “Y/N! Make sure you stay beh-...what?” Deuce had called for you, but he now realized...you were nowhere to be found. “Y/N?!? NO! SHIT! WHERE ARE YOU?!” Hearing his calls, the others looked around them, you were nowhere in sight. “GRIM! Did you not see where she went?!?” Sebek picked up the panicked cat, who had thought you came back with him, your quietness being a normal thing at school so he didn't bother checking if you were truly there, blaming himself for your disappearance. “I-I don't know! I thought she was behind me I swear!” On the verge of crying he started shaking in Sebek's arms, the boy putting him down taking pity on him. “WE NEED TO FIND THE PREFECT NOW! AND SEE TO WHAT CAUSED THESE FLOWERS TO APPEAR!” Next to the loud green haired boy, Malleus was looking up the stairs in the hall. “Hm, perhaps, we should ask him” Sniffling, Grim looked in the direction of Malleus' eyes. “Him? Him who?” And just after, steps could be heard on top of the stairs, indicating who was watching from afar.

And there he was. The students looked at the stop for the stairs that now revealed Rollo's steady figure stepping out of the shadows. “YOU HUMAN! DID YOU DO THIS?” Sebek's voice boomed once again in the halls, at which Rollo merely laughed. “Why? Well it's quite simple. I did so I can rid this world from this magic of course” “Riding the world of magic? THAT'S ABSURD!! You damn wicked villain!” “SHUT IT! — the first time Rollo's voice was raised, the halls trembled at the sound — ME?! I'M THE WICKED VILLAIN?? What about you? You mages tricking the world with your stupid little magic tricks?! You mean nothing but trouble! But I!- I will rid this world of your kind, making it a better place!” He laughed as he talked, the looks of the ones amongst the flowers now flaming with anger. “You're a coward! Come the fuck down and face us if you're so determined of getting rid of us!” “No time for that Deuce! — Riddle grabbed the first year's shoulder — we need to find a way to get rid of these flowers before their thorns find a way into the soil” Another laugh from Rollo could be heard. “Too late for that! Just as we're speaking, the whole city is getting covered in flowers, and soon enough the whole island! You've got nothing left to do!” The flowers slowly started getting closer to them, leaving them helpless, just then, Deuce had realized what was missing from Rollo's speech. “You- WHAT THE HELL DID YOU DO TO Y/N?!” Rollo's calm and collected eyes met Deuce's angry ones, smiling at his expression he let out a silent laugh. “Hah! Ask her that yourself won't you?”

Step step step

One by one, the expression of the students went from anger to shock. You. It was you who was now next to Rollo standing straight and looking down on them from the stairs, the same flowers that were now surrounding them, was present in your hair. “Y-... Prefect...?” Deuce couldn't believe it, what were you doing, what-what are you doing with him? “Prefect?! What do you think you're doing?!” Sebek's voice boomed once again. “You're with the enemy you filthy traitor?!” Looking right back into Deuce's eyes seeing his despair, that didn't sit right with you, Deuce has never done anything wrong, but again, did he really care...?

“I truly am so sorry Deuce. You did nothing wrong, really. But I'm so tired you know?” “W-what is that even supposed to mean Y/N? Is it me? Did I do something wrong? I'm sorry if I did I'm sorry! But why would you do such a thing?” “Because I can't take it anymore. I'm done, Deuce. I've been treated like a damn dog every second I stayed at that school. No one, not a single person has ever thought of checking up on me, seeing if I'm ok, not even you did. I needed to be saved, Deuce, and Rollo, Rollo told me he'd save me. And he did! I feel so much better now that he did” Empty eyes were staring into scared blue ones. Deuce understood, in a way. And the fact that he hadn't even thought about checking on you earlier... maybe if he did none of this would've happened. “Grim. I really am sorry. This time I can't accompany you anymore. Seems like you'll have to become a great mage without me” Shaking next to Deuce's legs, was a crying Grim. “Hench-human...”

This time, the looks you gave to the ones left was boiling through them. “You all deserve this. You all are some egoistic monsters you know that?” Malleus' steeped forward trying to reason. “Child of man this is not the-” “QUIET! You don't get to talk Malleus. You're just like them after all, you've always been haven't you?” Rollo was enjoying this too much. The expressions those idiots Night Raven Collage students had on their faces was priceless. But as much as he'd love to stay more, you both had work to do. “Now now Y/N. I'm afraid we have to go. We have work to do, remember” He put a reassuring hand on your shoulder, which you responded by putting one of yours in his. “Enjoy your last moments”

And with that, the floor around them was gone, leaving them to fall in complete darkness.

[asrielinfected]

New Victim

Paring: Wednesday Addams x Reader

Summary: Enid tells you about a new student that arrived to nevermore. You can’t help, but tease Wednesday, to get a reaction out of her.

Warning: Profanity

Authors note: Reader kinda likes to tease people, and I haven’t watched this show since 2022🤕

Enid(your bestfriend), and you were currently eating lunch together. You listened to Enid as she spoke about her new, odd, roommate called, Wednesday Addams.

“So, Y/N! I have this new roomie, and well, she’s quite interesting if I do say so myself,” Enid chuckled as she took another bite out of her lunch.

“What do you mean by “interesting” Enid?” You said as you made quotation marks in the air.

Enid sallowed the bite she was chewing on, and looked at you. “I mean, she’s not ordinary. And there absolutely nothing wrong with that! We all aren’t ordinary, but she’s just different in some type of way.”

You listened intently, “I somewhat understand. No need to explain any further. Also speaking of Wednesday, where is she? It’s lunch time”

“She’s probably in her dorm! She always eats in there.”

You smirked deviously

“You know what would be funny?

Enid smirked along with you

“Y/N, whatever you’re planning I’m all in for it.”

Enid was like your partner in crime.

“I should totally go and annoy, Addams!”

Enid’s smile slightly faded. “You sure that’s a good idea? Wends, is kinda intimidating,”

You rolled your eyes at your friend’s statement, “How bad can it be? Your roommate might need some company, don’t you think?”

Enid sighed “Yeah, Y/N, I’m not so sure about this.”

“Finee. I guess I’ll just do it by myself. Have fun talking to Yoko, or Ajax, or something,” You said as you got off of her seat and threw away your trash as you headed to, Ophelia Hall.

You already knew where Enid’s dorm was since you been there before, but you never had met this “Wednesday Addams” before.

You finally arrived in front of the door room. You took a deep breath in, and opened the door.

You were met with a room clearly decorated differently since the last time you been here.

You saw a short girl with braided pigtails, sitting at the black side of the room. You can’t really tell what she’s doing, but she didn’t even care to look of who just walked in.

“What is it exactly that you want.”

Wow. Enid wasn’t kidding. She was intimidating. Her voice sent shivers down your spine, but you talked to people like this. You can handle it!

“Ah, you must be the ‘Wednesday Addams’ everybody’s talking about. I’m-”

Wednesday cut you off, “I didn’t ask for a whole speech. You are yet to respond to my question.” She said with a cold voice

This bitch. How rude.

“Okay, asshole. To answer your question that you so much wanted, I was only here to be nice, and welcome you. At least I’m not the one isolating myself.”

Wednesday finally turned to look at you.

“Was your use of profanity really necessary. I also wouldn’t call it “isolating.” I prefer to be alone.”

You laughed, “Yeah, yeah whatever makes you sleep at night.”

“Actually having thoughts of people suffering makes me sleep at night. I find it quite calming,” Wednesday said without any hesitation.

Okay now you fully understand what Enid meant by, “not ordinary roommate.”

“Thanks for oversharing that even though I didn’t ask for it.”

Wednesday turned back around to her desk, and there was silence for a few minutes.

The smirk you had before when talking to Enid came back.

“You’re quite interesting, Addams. Also quite the cute one too.”

Wednesday looked back at you with an confused expression

“Was that your attempt to try, and flirt?”

You giggled as your eyes never left hers, “Perhaps. Is it working?”

She groaned out of annoyance, and got up from her chair as she stood closer to you.

“You think too low of me. Why is it your mission to go bother me.”

You took a step closer to Wednesday Addams.

“I just find teasing someone like you, entertaining.”

Wednesday would be lying if she said that the proximity of yours faces didn’t make her whole entire body turn hot.

She was usually cold

Lunch time ended some time ago so Enid walked into the room. Seeing you and Wednesday standing close to each other.

You with your signature grin and Wednesday having always that icy expression on her face.

“Guys? Is everything alright?” Enid said tilting her head.

You both went ahead and turned your heads to Enid.

You decided to speak first, “Yeah I was just heading out. I’ll catch you later, Enid and Wednesday”

You looked at Wednesday, and had a grin on your face as you left their dorm to head back to yours.

Wednesday couldn’t help but walk back over to the desk and finish whatever she was doing before she got interrupted by you.

But unfortunately, you didn’t leave her mind. Why would you even want to tease her like that. Did you not find her scary like other students do?

Feelings are Wednesday’s worst enemy.

[macaiv]

Source: Sky Sports F1 Pre-Qualifying Show Las Vegas GP 2024

Esteban: Yeah it's definitely been awesome to just being able to have such a result after difficult season. Yeah it's been fantastic and also coming back here last year we had almost a podium, finished fourth. It was a very good race so there's a good momentum at the moment going on and obviously a big fight with the other teams until the end of the year. So it just brings more spice and more interesting things for us until the end of the year.

Transcript:

Rachel: So Esteban we're back in Vegas, it probably feels like a long time since Brazil but those memories must still be pretty good.

Rachel: What did it mean to the factory and to everyone who works in the team to have both of you up there because as you say it's been a really difficult year. Everyone's had to keep their heads down and keep working hard and try and get something out of this season.

Esteban: Yeah I mean there was a huge buzz inside the factory. It meant the whole world for the team. Everyone, everybody was working so hard you know to try and get a good car this year. Unfortunately we don't have the the car that we expected but it's a good reward for everyone and a very very nice one you for me and Pierre for sure to to be on the podium together. It's a special story for us and yeah definitely a moment that we will forever remember.

Rachel: Last three races with Alpine. How are you feeling? Is it weird?

Esteban: Yeah it's going to be emotional for sure especially the the last race but I've spent five years with this team. It's been a hell of a ride some good times some times a little bit more difficult but five years in formula one terms is a long time.

Rachel: You're making me feel really bad man.

Esteban: You've been here for a long time Rachel. But yeah no it's been nice obviously to get that last good results. I hope that we can get some good ones as well for for the rest of the year but it will be more tricky to be realistic to be honest. It won't rain for for the last three but yeah as I said it will be emotional but I'm looking forward to finish the story on the high.

Rachel: I mean this place is quite distracting, isn't it? This actual I mean the city itself have you been out what have you been doing and and I mean look at all this this is crazy.

Esteban: Yeah this is crazy and you know the sunset, the scenery and how it is you know the whole week. It's a standout race I would say compared to the rest of the year. It's a race that we've got really good surprises from last year. I think you know we were expecting something to be very different to actually how it is but it's a really good racing circuit. It can feel like it's warm because I'm wearing very thin jackets but I'm actually freezing for it.

Rachel: But I'm really warm that's the thing I'm really warm right now but I've got about 10 layers back in the office ready for it.

Esteban: Yes exactly just before you take them off and when we do the interview but no it's actually freezing so that brings opportunities because you know the tires the way they work you know it's not usual it's quite extreme so it should be interesting.

Rachel: All right, go well this weekend. Enjoy your last three races with Alpine. Thanks for talking to us.

Esteban: No problem. Thank you.

Bonus Part:

Simon: Well, it was a nice way, isn't it, to end his Alpine career. Great scenes up there. They're not always been the best of friends. We know that. Great rivals himself and Pierre Gasly. But I mean, what an enormous moment for the team, Jenson.

Jenson: Yeah, that was massive. That came from ninth in the championship to seventh. Right. Yeah, sixth. So they jumped three teams. That's massive. But this is a nice way to see out their championship. Well, they they're time together as teammates, as we know, they haven't seen eye to eye always. But to hug it out and stand on a podium together, it's pretty awesome.

Simon: Such similar careers that they've had as well.

Danica: I mean, it's a small world. You never know when you might run into each other or the or a team again or the team personnel within. So I think it's a really good thing to sort of be on this being this in this in this feeling at this point in the season as this comes to an end for Alpine with him. And, you know, he still has a chance to make some really great impression in their these last few races. Here last year, him and Pierre had a great race against each other. So, yeah, it's good to see good to see smiles.

Simon: Is he destined, though, do you think to be one of these drivers that last a long time in the sport, but perhaps doesn't get to one of the top drives, Esteban?

Martin: I think there's more potential in Esteban than he's showed. He fascinates me actually, because he is the nicest person you'd ever want to meet. And then when the helmet goes on, a little switch just behind you here that we've all got goes down and he turns into, with all due respect, a bit of a monster on the racetrack. And I think that energy is wasted in a way. I think there's more potential in him than he's delivered so far. But there's still time.

[emin-folly]

(@ftl-faster-than-life HI THIS TOOK A HOT MINUTE WEH Also thanks Tumblr for eating my asks again smh) oH BOY, WHERE DO I START Oh Barry, Barry, Barry, my sweet babygirl, how you've been so incredibly villainized by this fandom I'm going to take this opportunity to address and debunk as many misconceptions about Barry's character that I can remember, in the case if someone who doesn't really know Barry all that well is reading this or to hopefully change some people's minds~

* "Barry is boring": Well, yes but actually no. That's the beauty of Barry--he is designed to be your average, unassuming everyday kind of guy. Problem is, a lot of people think that's all there is to him, but that's really only just the surface.

He has flaws. He's prone to making decisions without consulting his family if he thinks it's for the greater good. You need to explicitly tell this man if you wanna be his lover because he absolutely can NOT read romantic cues to save his own life, he's a guilt sponge, he's weird, he LOVES science and comics and is a huge nerd!! He gets jealous!

Guys-Guys?? He's aN ELDRITCH HORROR??? HELLO????? He is CONSTANTLY living in sheer and utter denial and is desperately grasping his extremely thin veneer of being human, and yet, because of this, he actually puts his family in more jeopardy. Do you even realize how fascinating that is

Barry is a character who also deeply craves companionship/people. He struggles with depression and suicidal tendencies ever since being resurrected. He tries so hard to be what everyone else wants him to be and meet their expectations while failing to take care of himself in the process. He's so much more complex than just "Wally's nice father figure who died in Crisis". People also tend to equate "boring" with "being good/kind" which, you know...I very much disagree with but that's just my opinion * "Barry is racist!" LOL This one is just so wildly incorrect. The origin of this misconception comes from an out-of-context panel Justice League of America #173) of Barry being angry about Black Lightning joining the JL. If you read the whole page the panel comes from, you'd see that in actuality Barry is NOT angry about a black man joining the League but rather, he's angry that that seems to be the only reason Oliver wants him and Barry is (rightfully) calling Oliver out on that. There has been no other time where Barry has a problem with people of color

* "Barry is a Republican" I don't even know where this fanon came from. I think this may have originated from Wally's run where Wally was a conservative and he just assumed?? Barry was the same??? Which is SO laughably wrong (Wally bby, stop projecting on your uncle challenge) For the major part of Barry's original run (and honestly, the majority of the Flash runs after that), he remained largely apolitical . People see a white guy from the 60s and automatically assume he's right leaning /shrug * "Barry's a cop!" Yeahhh, not quite actually. He's a CSI, a forensic scientist, not a blue collar badge sporting cop. He's the behind-the-scenes guy, the one who studies the crime scene and tries to piece together the evidence and bring the culprit to justice. There IS a difference. But people don't really care about the technicalities, tho, they just want to hate Barry and him being "basically" a cop is a fast and easy excuse to do so. And DC certainly isn't helping matters with them constantly pushing the cop agenda for him (thanks a lot DC) * "Barry is sexually-repressed": This is a headcanon I seen a fair amount of and--okay, I get it. Barry is shy and reserved and blushes up a mad storm when someone compliments him. I can see how that might lead people to interpret that as him being sexually repressed/being a prude. But like....Buddy. Homie. Amigo.

This man had more canon sex than Hal Jordan. He and Iris were getting it on FREQUENTLY in the Silver Age and that's not me exaggerating. Just look at Flash #197 where it was Barry's birthday and he and Iris made out and stayed in bed practically the whole day together. Maybe you could say they just did that in the morning and they did other things later buuuut I don't believe that for a minute lol. Or! In Flash #195 where Barry was late to a ceremony of a submarine departure because (you guessed it!) he was too busy exploring his wife's mouth. Just because Barry doesn't make sexually-charged remarks or cop a feel from Iris constantly doesn't mean he's opposed to sex. I see it more as him just being way more private and reserved about it, but he IS very much down to fuck as she is (or Hal! Whichever your ship may be~)

While we're kinda on the subject, I'm really not a fan of the whole Barry being "shojo-fied/uwu-fied" thing, if I'm being honest?? Like, yes, if you give him any kind of compliment, he will blush furiously and stutter. But that's different from him being totally ignorant on what sex is/being a weak, delicate little flower who needs a "Big, Strong man" like Hal to save him (also, like...can we stop treating Barry as the "girl" of the ship just because he's skinnier and smaller than Hal pls and thank you). He is an mid-20-30 year old adult man. And a forensic scientist who probably seen a lot of sex-related crimes in his line of work. I'm pretty sure he knows what sex is, guys (in fact, he would be the guy who actually hosts Sex Ed classes bc the misinformation out there is staggering lol)

"Barry is weak/one of the weaker superheroes": Ok, I've never seen anyone say this persay, but it is very evident in how people portray him a lot of the time. They see his smaller frame and the fact that he runs fast to mean he's a glass cannon (Honestly they do this to a lot of the other speedsters as well) which hi! Wrong again! Speedsters are actually INSANELY durable little dudes. He could tank a punch from Darkseid. He can drag MASSIVE SHIPS behind him!! Wally once punched Eobard with the equivalent force of a dwarf star. Yeah. Now I get whump, I personally love it, I do, but I also enjoy seeing Barry being the absolute powerhouse he is. He can vibrate through solid matter, he can manipulate frequencies, and he's incredibly smart with how to use his powers, always thinking up on the spot improv strategies and techniques! Please stop nerfing him, guys, speedsters get too much of that from the writers OTL * "He's conservative because of his buzzcut!" Ok this one actually had like, a whole article?? On it?? And it truly is so wild lmao. When the only thing people can find to hate a character on is his haircut, you know they have no basis for their argument lol * "Barry is abusive!" Nope. Not even close. People love to pull this as a "gotcha" to Barry fans, regarding the panels of "Barry" beating up Wally and verbally abusing him (The Return of Barry Allen). Except....that wasn't Barry, that was Eobard disguised as him. You know...if you read the full run, you would know that lol You literally couldn't find a more least abusive person than Barry lol. Which actually leads me into the next one... * "Barry was an example of toxic masculinity!" AH yes, of course, with how he's so openly kind and compassionate, how he loves kids and animals, how he openly cries and shows emotion, how he's super respectful of people regardless, how he chugs Respect Women juice all day everyday, how he's contributing to fundraisers to help impoverished people and further medical progress, how he's so concerned about the state of the environment and is firmly against consumption of fossil fuels, how he constantly tells his son nephew he's so proud of him and that he's his hero, how he runs home after work bc he's genuinely so excited to see his wife, how he loves her SO much and smothers her with kisses every chance he gets UGH. How does Iris stand him /s And since we're talking about Barry and how the fandom treats him, I can't not talk about the elephant in the room--Flashpoint To start off, lemme preface this real quick:

FLASHPOINT WAS NOT BARRY'S FAULT

He DID NOT intend to trade the lives of his family for his mom He DID NOT run back in time because he was jealous of Wally (uhh lmao what???? Yeah, I can't even begin to explain how wack that is) He DID NOT run back in time because he was "selfish" and "wanted his mommy back" (unfriendly reminder that Nora is a separate character and shouldn't be treated as just an appendage of a male character <333) Some actual context for non-comic readers: Eobard killing his mom is actually an aberration of the true timeline. It was PERFECTLY REASONABLE to assume that it would restore itself to its original version!! Barry had also traveled in time before in the comics without any repercussions or ill effects, so there was NO CONCEIVABLE REASON FOR HIM TO THINK ANYTHING OF THE SCALE OF FLASHPOINT WOULD EVEN HAPPEN If people had read the issues preceding Flashpoint, they'd see Barry did all of that for Nora!! Because he despised the fact that she had to pay with her life because of a villain of his!! That it wasn't right for her to die for his sake!!

"But Eobard said Flashpoint was Barry's fault-!" EOBARD is A BITCH ASS LIAR who purposely twists the truth to hurt Barry as much as he can!! Of COURSE he would say that!! What ACTUALLY happened is that Eobard is the one who somehow made Nora's death such a critical and important fixture in time to the point of just tempering with that can cause a catastrophic domino effect. Flashpoint is EOBARD'S FAULT and HIS ALONE (and Idk, Doctor Manhattan's too ig if you wanna include him)

Barry loves his family and cares so, so, SO EXTREMELY MUCH. He could literally not be any prouder of Wally if he actually tried!! Everything he does is for his family, even sacrificing his own mental health and happiness for them and it makes me SO sad to see everyone cling to this butchered version of him in their minds (though it's not entirely their fault, DC is also definitely to blame)

[ckret2]

I'd been meaning to do this since I found your account but today I read through the entirety of your Goldielocks fic (or at least, what's available) and all I can say is WOW !!!!!

You're really fucking good at writing these characters, capturing the lighthearted-yet-somehow-serious tone of the show, and the stuff you make up for worldbuilding fits right in with canon stuff. As a lover of making things canon-compliant and in-spirit-of-canon, this fic is like a dream come true. You're an amazing author !

I really look forward to your post-TBOB edits of the eclipse arc and the flatworld arc, I can already kind of guess where you're gonna go with it, but it's still exciting to think about what direction you might take things.

I'm also wondering, are you planning on changing anything about the Death Valley girls, what with the info we got about ciphertology and the like ? Or keeping them relatively the same ?

(I stayed up till almost midnight reading this - I'm so glad I don't have to be anywhere early tomorrow)

Thank you!! I've discussed my TBOB edits of the eclipse arc already, you can see some of them here if you want.

For the flatworld arc, I actually think basically nothing's going to change. Spoilers, but: Bill's world was never gonna be like Flatworld. It was gonna be a big reveal late in the fic ("big" for the characters, not the readers lmao) that Bill's world was actually pretty okay—like yeah, a few flaws, but not "barely-exaggerated satire of Victorian-era ableism/sexism/classism" flaws—and everything the kids read in Flatworld that made them pity Bill was 100% bullshit. It was going to turn out that Bill's world is actually...

... pretty much fucking exactly like Euclydia ended up being in canon—up to and including baby Bill getting medical trauma over having a super-rare cool-ass eye mutation that lets him see the stars of the third dimension.

I was gonna have Bill go "oh yeah, that's why I drove the author insane, I was that pissed at him for making my home world look that bad. I didn't correct you guys because I thought it'd be useful if you pitied me."

I did this because, before TBOB came out, I knew that no matter what I wrote about Bill's home dimension, probably a good 20% of readers would just push it to the side and automatically assume that his dimension was exactly the same as Flatland—like, occasionally readers were making comments about my fic talking about how triangles ***ARE*** oppressed in his home dimension like it was a canonical fact and taking it as a given that I was writing that. For that 20%, it seemed to me like the best way to ensure it got through to them that whoa, this isn't Flatland would be to have the characters assume his dimension is exactly the same as Flatland so that I could say, in story, "no that's totally wrong."

Post-TBOB, a lot fewer readers are gonna make that assumption. But having the characters assume his dimension is a lot worse than it really is is still a part of the story—it ties into the narrative of them slowly growing to expect him to be something more sympathetic/heroic than he actually is, a la Dipper's assumption that the Axolotl poem is a prophecy about how Bill will help save them—so there's no reason for me to take it out.

So yeah, tl;dr: Flatworld doesn't need to change because it was always going to be wrong.

I'm only gonna change the Death Valley girls a little bit. Everything I've currently written about them stays the same; except I'm also gonna mention that, yes, they are a Ciphertology sect, and yes, all the girls in the cult are Cipherwives.

So now I also get to crack jokes about Bill being both flattered and a little creeped out that even after he mostly ditched the cult they just kept inducting new recruits as "cipherwives" whether he showed up or not, like wow, you're just gonna marry him off in absentia to some lady he's never met??? What if he doesn't wanna marry her? What if he doesn't like her haircut?? Every time he shows up he finds out he's got a new wife! He loves the attention, but jeez, girls! At least send him a letter with his new bride's picture and wait for him to mail back an "OK" or something!

[ganondoodle]

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[nicholaswantslove]

It's been 10 days since I came out...and well, everything is the same and I can't tell if that's a good thing or not.

I wanted to buy a binder with this check but with the mail on hold because of the strike here in Canada. It's going to have to wait.

I have no gender affirming clothing, like none at all and it's driving me insane. Also, my dad is with me like all the time, and I know he doesn't accept the fact I'm trans... so I feel like he's judging me for shopping in the men's section and it makes me feel awkward.

The other day, he called me a woman for the second time this week. The first time I told him that I'm not a woman and he looked at me like "really?" and I said "I have female body parts, yes..." and he goes "see?"

Ugh, it makes me so frustrated. He's never going to respect my decision... if you can even call it a decision...

It makes me want to move out but I can't afford to get my own place... at least not for a couple of years... maybe when I get a student loan when I go to University, I might be able to but right now, it's out of the question.

I love my dad but I'm starting to really not like him. I'm glad he's going back to work soon... maybe I'll feel more comfortable being away from him.

I've been thinking about what I want to do moving forward with my transition. I'm not sure if I want to start the process of changing my name and gender marker first or start the process of getting HRT.

I think a good place above all that is actually buying masculine clothing and a chest binder...

I can't worry about what my dad thinks and I need to start sticking up for myself with him.

Anyway,

I made cookies today... they were pretty good.

- Nick