#i think he has the potential to be wholly devoted or at least possessive lol
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rexscanonwife · 2 years ago
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OUGGGGHHHHHHH I was doing some talking with Hirasol and a little with Ruby about...HYPOTHETICAL s/is...
I was thinking that she could potentially be a bounty hunter! I'm thinking she might have even met Nai before the events that kick off the series, I think that'd be kinda interesting bcs both Nai and Vash have been around for so long but I'll probably decide on that later when I've watched more of the series!
The point is its...possible that he would have attempted to utilize her bounty hunting skills to go get Vash for him, and I'm thinking things get VERY unprofessional very fast lol. My s/i is probably very world-weary, a little tough on the outside from surviving in the wastelands for so long, similar to Eurydice from Hadestown. Except instead of an Orpheus she gets like The Worst guy sjjfkg like
I was a little hesitant bcs Knives...has problems ajfjf normally I'm all for people shipping with villains, it's no big deal. But idk hating humans and wanting to wipe them from the fucking planet seems like it'd make the relationship a little awkward but I also think it'd be fun if I was just his One Human. They're all awful and should be purged except for this one she's mine! Not sure it's love, but tbh I think my s/i would go for it despite him being a walking red flag cause she's just so Tired. It beats sleeping outside and keeping your gun under your pillow thats for sure ._.
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theholycovenantrpg · 4 years ago
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CONGRATULATIONS, PHOEBE! YOU’VE BEEN ACCEPTED FOR THE ROLE OF SALOME.
Admin Rosey: This was incredibly difficult. Both applications were stunning and shined in the limelight - but there were these small details, Phoebe, that you included that had us absolutely captivated. Salome, I think, is a difficult character to encompass so wholly while not overlooking the details. But you managed to do that, to tie her all together while not putting her in a package. The application was such a joy to read from beginning to end - the way that you tied so many different characters into her, into her future. It was an absolute thrill to read because I was able to see so much while still being tantalized by possibilities. I can’t wait to see how Salome shines on the dash! Please create and send in your account, review the information on our CHECKLIST, and follow everyone on the FOLLOW LIST. Welcome to the Holy Land!
OUT OF CHARACTER
Alias | Phoebe
Age | 22
Personal Pronouns | She/her
Activity Level | Pretty active (6/10?) due to a national lockdown, but I’m a postgrad student so some days are busier than others.
Timezone | GMT
Triggers | REMOVED
How did you find the group?  | I check out the ‘new rpg’ tag a few times a year & your graphics and then everything drew me in
Current/Past RP Accounts | Masha Vetrova @ ProchnostRPG
IN CHARACTER
Character | SALOME
What drew you to this character? |  Typically I tend to go for characters who have a fundamental moral alignment of ‘good’ (even if it’s been a bit corrupted) so at first I was really drawn to Gabriel/Abaddon/Isolde. I even brainstormed them a bit before moving onto the demon bios.
But then I read Salome’s bio, and I really couldn’t get her out of my mind. There is something so delicious about her, so dastardly poetic. In a way, she’s as pure of heart as many morally good characters - patient, steadfast, true to herself. It’s just that her heart is a blackened one. A nature so rotted that even eternal damnation in Hell’s Abyss was not enough. The only fitting destiny was a demonic one, and the wings tore out of her body as if they’d been there, dormant, all along.
I know the story of Salome (thanks Oscar Wilde) & I just adore the way in which the bio weaves the biblical story into this world and this character. Salome the Temptress, unflinching as she demands the head of John the Baptist and damns all around her to Hell. This one line in particular from Rosey really, really captured it all for me:
No, the minute her mortal heart stopped beating and she opened her eyes to the fires of Hell, there was only laughter to be heard – pouring from her lips as melodic as a lark’s song, a stark contrast to the wailing and grinding of teeth.
Salome feels young and charming and spoiled and light and warm and content and this image - her descending into Hell, disrupting it with her peals of laughter - sums it all up. She is arrogant and uninhibited with her sins plain for all to see. But she is also clever. She is a girl who dances with the dead; demon through and through. She lets them openly see it so that they do not think to look closer. For if they did, surely they would see Salome was more damned than they’d ever envisioned? See that the open delight she projects - the laughter and fevered dancing, - all distract from a mind capable of cold, calm strategy? See that her hands are beautiful because they are stained with the first blood of this new world?
…All of which is to say that Salome the Temptress has worked that tempting magic of hers on me too - hook, line and sinker.
Are you comfortable with killing off your character? | If it serves your guys’ plotting vision then absolutely! I’d just ask to write the death scene/have some say in the way it went down. (The person killing her off better be prepared for the fight of their lives).
FUTURE PLOT IDEAS
• (small) PLEASURES •
Grand plans and power grabs are all very well, but day to day (on the dash lol) Salome is ruled by small pleasures and indulgences. What was the point of forging this new world if not to luxuriate in it?
01. I’m very curious to see how her relations with all the other demons play out. Salome is by and large a solitary creature - the natural result of her arrogance - but I think there are some demons she favours more than others. I could see a potential friendship (or the lesser version of that bond) with ORIAS, for one. There were those who saw something akin to witchcraft in Salome too. There had been envy, when Orias was hailed the Original Witch, but even Salome has come to recognise the ungodly power that resides in them. They are one of the only creatures that Salome has any real respect for. She understands that there is value to learn in what Orias can teach.They call them the false prophet - it seems poetic that Salome is drawn to her. (So ! Much ! Potential ! Witchy ! Power !)
02. So too can I imagine Salome having a particular curiosity towards MAMMON. Hungry and dark and empty, Mammon is probably Salome’s demonic ideal. With mortal origins herself, they represent a different kind of demon – one she thinks is utterly beautiful. Their future ambitions could align, both with a deep, aching appetites, but I can also see her purely enjoying the unique company of them. Salome does not treat her ability with any real respect or caution; she sees the dead as a game. think she’d genuinely delight in Mammon mimicking her gift and the amusements that could follow. (Ok not to say I’m suggesting deal body party games but it’s very that)
03. Salome gets equal pleasure (if not a great deal more) from less-than-friendly relations. She pushes purely because other people’s irritation amuses her. I think her relationship with AZAZEL in particular could be very, very fun. Of all the demons, I can see Salome having a particularly petty dislike / jealousy of Azazel for a few many reasons.. A) they are both products of indulgence, daughters of parents (literally and figuratively) who spoiled them rotten. Similarities repel and all that. B) Azazel is part of the de facto royal family, favoured by JUDAS.. and DAMIEN .. and ABADDON .. and Salome has not ever handled that well. She watched on as they, along with the rest of hell, fell for her and thus a time-old grudge was born. C) Azazel forms part of the Holy Land’s rulership. A land that was won because of Salome (in her mind) and one she feels has rights of ownership too. I imagine that Salome genuinely despises that the role was given to Azazel of all demons. I - I just sense so many great opportunities for both bickering and battling.
04. Salome draws great pleasure from her own magnetism. Devotion has followed her throughout the stages of her life, but it too has come to wax and wane. It is there in BASTIEN though, and it’s one of the connections I’m most excited for. He satisfies her addiction, and in return she is both doting and cruel. There is some value in him politically, bu it’i more of a .. personal connection. That could change though. Or, perhaps a genuine fondness might develop, in the same way that other celestial beings seem to be fond of their animal companions. A muted form of possessiveness over his gaze and his wonderment (which may well manifest in Salome having a particular resentment towards EVANGELINE) . If he were to share out his devotion, or if it was curtailed by any harm coming to Bastien himself, Salome would not be happy. Perhaps his attentions have come to somewhat satiate her appetite and tentatively restrains her darkest needs - a fact that neither of them have realised. (!!!!!)
• (medium) OPPORTUNITIES •
05. There are some things she keeps to herself - at least for now. There’s a lot of potential for self-paras or connections with the wider RP plot. To me, Salome has something akin to true addiction inside of her. It was there from the moment of her mortal birth, and it worsened with each hit. Essentially, I think an inescapable plot point is that Salome is a lil’ bit bloodthirsty. I think this would largely be developed through my own musings and mortals who are just ‘extras’ to this RP, but I’d love to deal with the intricacies of Salome having to cover this habit. Maybe she continues to use others as scapegoats; maybe she chooses her victims with careful attention so that they go unnoticed; maybe she does it in such a way that implies the presence of a beast or daemonium.
( In fact, the concept of the DAEMONIUM is verrrrrrrrrry intriguing. Creates who inhabit corpses and do nothing but feed their hunger? Sounds like a character I know. This is a potential plot point that relies on your guys’ vision and some collaborative world-building, but I think there is definitely exciting potential to explore these creatures through Salome. Imagine the carnage of her trying (successfully or unsuccessfully) to out-possess them.)
06. I think Salome would take any opportunity to poison Infernum’s highest-ranking. This isn’t so much be her political ‘end-goal’, but an opportunity for some real entertainment. It would be a game, try and crack the kinship that exists among  AZAZEL, JUDAS, DAMIEN and ABADDON; injecting a few words here, a few doubts there, and see if their loyalty lasts.. She knows Judas from a past life and has watched him oh so carefully overtheir many entwined centuries - I imagine she is a gnat to him, pushing all the right (and thus wrong) buttons. It would a sport to try and make his familial dynasty crumble. Perhaps she might attempt this by throwing doubt on to Abaddon in particular, whose aura contains a flatness that Salome cannot read. Salome doesn’t know of the goodness that lies in her, but perhaps she might find out. Regardless, I think Salome’s worst imaginable fate would be being locked in the Black Cells, unable to dance and revel in the world, so she harbours dislike for Abaddon anyway…
07. EPHEMERA is an opportunity that Salome had not anticipated. And let me tell you, boy do I adore this connection. It strikes me as a true clashing of teeth and spirits, but not as simple as one born from pure malice or hatred. Salome feels many things towards Ephemera, but she certainly doesn’t hate her - even if the ferocity between them implies otherwise sometimes. There’s a thin line between love and hate, as they say, though perhaps neither of those terms sum up Salome an Ephemera. It seems to be pure passion and temptation. I can’t say where this could lead without the thoughts of a possible Ephemera writer, but I’m sure it will be nothing short of explosive. I think this connection is the most Salome has ever felt towards another being, and that in itself is curious to her.
• (great) AMBITIONS •
The possible destinies of Salome. The following are all ways in which her story could play out, and all of them are quite dramatic. Who’s afraid of the big, bad plots….
08. Infernum technically has no throne. In order to thus claim it, perhaps one first has to be built? Salome would have no qualms choosing a side in another demonic cvil war. Why, if DAMIEN were to stake the claim of his birthright against JUDAS, he could count on Salome for support. If Judas were to live up to his title and betray the antichrist, he could count on Salome for support - if he got there before the other. Salome will happily help them consolidate a throne through bloodshed and betrayal. In fact, it will be her pleasure.
For through it all, Salome will be the demon who has thought to use MICHAEL. They are insufferable and righteous and (quite literally) archangel incarnate - really, if she had the chance, she knows that their blood would be the most utterly divine to spill - but they are useful. Undeniably powerful. Salome knows she must be careful here, but she enjoys the undisguised exasperation on their face. As if they have not yet thought to recognise the ambition that lies in both of them. If they helped her ascend to the throne of Infurnem, she would be a far more acquiescent to Caelum’s interests than the current leadership. Why? Because Salome would not act - would not even pretend to act - on behalf of demonic interests. If the best chance of her claiming ownership of the world depended on sharing it with Michael, then perhaps she would be willing.
09. But power can manifest in more than one way. She could follow such dreams, or she could become the world’s nightmares. And wouldn’t that be more indulgent? Where others hold power or peace as their prime ambition, Salome would get equal pleasure from the simple decay of all things. The world could rot and she would laugh - the dead are often better company than the living. Ultimately Salome would start another war without hesitation; she would sacrifice everything and everyone for the beautiful carnage of utter destruction. It had been so easy with the War of the Last Rites, but she had been disappointed when it ended in peace. That will not happen again; she will be ready next time. When all factions are suitably engaged, she will raise her own force and strike them all down together. — Such are her thoughts anyway. Thoughts that started developing when she met RYUK. To her, the power Ryuk holds is breathtaking. There is no other ability she desires quite as much. For if she were to contain both of their powers within herself, she would have dominion over a force so great that no living creature - mortal or immortal - could ever hope to defeat. The dead. It is a delicate strategy, but she has the patience for it. And if there was any who would spill the blood of a horseman just to see what happened, then it would surely be Salome.
10. Where there are mortals, there is faith. The relationship between Salome and the faith of the HUNDRED-EYED GOD intrigues me. In her mortal life, faith was an amusement. Its believers has been her playthings - perhaps they are again in this world. ISOLDE is as all prophets are; tempting. I think that Salome could potentially decide to join the faith – or give the impression to do so. Such a deceit would be fun and far from difficult - already she joins in on their rituals, her feet unable to stay away from any form of rhythmic movement, even ones more gentle than her usual tastes. A demon of relative influence, perhaps her faith would be welcomed amongst those most holy, perceived as a positive development in the faith’s recruitment. Perhaps she finds a currently unknown fellowship in the form of ESTIENNE, whose manipulation of the shadows surely speaks of some rot in his heart.
And all for one simple reason. Where there is faith, there are the faithful. Where there is the faithful, there is the potential for bloodshed so rich - so intoxicating - that she would play this long, patient game just to taste a singular drop. She has never been able to recreate the electrification of that first diabolical deed, when she claimed a saint’s head as her prize. She had danced and damned and thirsted ever since; the blood of an ALL-SEEING PRIESTESS might just quench such a need.
• (potential) DOWNFALLS •
Ah, but all of the above are just potential ideas. It is just as likely that Salome would be subject to some downfalls and some .. rude awakenings. I adore the fact that both MICHAEL and RYUK have such different perceptions of their connections. They are both far smarter than she gives credit. Michael is, ultimately, more powerful than Salome on more ways than one - they will surely outplay her as they have everyone, though she might be of some use to them too. In Ryuk, Salome has started a war she might live to regret - one she hasn’t even realised she’s fighting. She has perhaps been a little naive here, and it will be quite something when she realises.
There are other possible connections that could prove Salome’s downfall – or at least a be a hindrance. In my mind, it is GABRIEL, ZADKIEL and CAPHRIEL that she is most weary of. They each have a light to them that she does not care for, along with the arrogance present in all angels. I say in the following section that Salome has no fears; they represent the closest thing she has to possible concerns. I don’t think she yet knows any of them particularly well outside of the War, but she has thought of their powers. The latter two in particular harbour gifts that could, potentially, expose Salome, and thus she has developed a specific distaste for them. And of course, she probably finds them particularly fun to antagonise.
IN DEPTH
Driving Character Motivation | [TW: Implied suicide in section I ]
I think a large part of my attraction to Salome is that she isn’t really driven by an external force. Partly she is driven by the deep appetite within her (which I’ve mentioned more in other parts of this application) but I also think her motivations stem from her own intrinsic nature; she is pushed by her own heart towards ambitions that are mere extensions of her character. I think there are three central aspects of her character that best explain her motivations and actions: a complete lack of fear, an overwhelming self-adoration and a deep, petulant intolerance of monotony. Together, they’ve created a woman - a demon - amply motivated to do any of the above listed plot ideas.. One who simply does as she wants for no reason other than want itself. Below I’ve given three early examples (set in BP) of these traits taking root (and rot):
I • For what use is fear to those who are damned?
It was said that Jesus’ tomb lay empty. Through the wind Salome heard whispers of women who’d gone to mourn and found nothing - only stone and airwhere a pierced and bloodied body should have lain. It seemed the proclaimed child of God had evaded corporeal death yet again; that the words of the old, tiresome preacher whose head she once cradled had proved true. Their claims and their preachings were not false as her father had accused - but really, had not Salome always known that? Was it not she who had delivered John’s salvation, cast him up to his venerated Heaven? And as it happened - as both the head and the soul of John his body - had not she felt her own moment of pure, divine bliss?
It brought clarity; there was no hesitation in her now. She stood alone, looking out upon the depths of the Galilee Sea with an unconfined grin spread wide upon her face. She had known, always known, that the boredom of this life was only temporary. The adoration she received on earth had grown dull, she sought new, greater opportunities for her talents. There had existed a deep craving inside for as long as she could remember, one that had become increasingly difficult to satiate. It told her that her destiny lay outside of Heaven, that both the prophet and her father the king had been right to look upon her with fear. For if John and Jesus had ascended upwards, could she not leap down into her own descent? The idea of it felt so simple, so natural, so potentially powerful. Neither death nor the the promise of damnation brought her anything but intrigue. She thought of the wicked and the cruel, of the infernal depths to which she was bound, and felt only satisfied.
Mortal though she was, Salome was not afraid. Why should she fear her own destiny? Why should she fear for those she left behind? Fear had no place in a heart without hope. With a simple step, she threw herself into the icy water and waited to reach the blackest depths below.
II • For what use is love to those who are satisfied?
Where there was Salome there was laughter - her own, that was - sharp, loud and melodic. When she first opened her mouth it had sliced through Hell and turned all of its eyes onto her. Rightly so, for she she had laughed as she’d evaded Abaddon’s grasp, clawing herself out of the Abyss of mortal souls and claiming a rightful place in the depths of Hell. The Morningstar, sat above all, had not yet even spoken when Salome had started to dance.
She could feel Hell’s eyes on her, and what better way to greet such attentions than with that she did best. She had reaped rich rewards for it before, and she would do so again. A fleeting glance at her naked body showed her this realm had not dulled her beauty but made magnified it, her skin aglow with the fiery light of hellfire. And so Salome danced, feverishly but deliberately, losing herself in the spirit of the moment. What could anyone do but simply bask in the splendor of her new existence? As she raised her arms above her head, a pair of wings cut through her flesh and slowly tore out of her. Iridescent, they unfurled as if they too had felt the call of her movement.
A feast of celebration had followed. Salome could only laugh in delight as she looked upon demonic faces of adoration, gazes more alike than different to those she had received on earth. Seated at the left-hand of Lucifer himself, she had slotted into the natural order of Hell as if it had been her descent that had been prophesied on earth. How many in Hell, with all its angelic origins, had the blood of a true holy man on their hands? Perhaps just herself – and, she supposed, the man sat to the right of the Prince. Judas Iscariot. The Great Betrayer. A man she had known of in her mortality, a follower who’d wrought a downfall more entertaining than any Salome had otherwise witnessed. He looked on at her with a hard glint in his eyes and she merely smiled back - for Salome understood why. Here she was, a fellow mortal in Hell with infernal wings protruding from her back where Judas had none. It all made such perfect sense; Salome was truly different. Truly transcendent. Made and marked by forces darker then most of Hell could stand. In that moment (and all moments thereafter), Salome was acutely aware of the true power that resided within her, spilling out through her beauty, allure and wretched talents. Why, she was utterly glorious.
III • For what use is peace to those who are bored?
Eternity stretched out in front of her; memories of the wouldn’t fade. Of all the differences between immortal and mortal existence, it was only the nature of time that had ever frustrated her. To Salome, the centuries had passed by in both unfathomable speed and agonising monotony, the linearity of earth dead and gone. It seemed that in the face of an infinite future, even Hell could drag. It operated in a stasis that had begun to suffocate her and, gradually, had awakened once again an appetite that had only been temporally satiated. Lucifer dictated balance and moderation where Salome saw no reason for restraint. He had given her duties like none earth had ever dared, and she didn’t care to fulfil them. She had even grown tired of her puppetry, tired of dancing amongst such frustratingly passive bodies. There was, in a place of corruption, nobody left to actually corrupt; no opportunity to taste innocent or holy blood.
Over time she came to sense the quiet seeds of unrest in Hell, and she was gladdened by them. Once again a wicked smile graced her face, once again she twirled around the pits of Hell in anticipation. There was no better cure for boredom than chaos, and once she’d caught the scent of it her hunt could not be stopped. It had proven easy to have the whispers diverted and delivered to her ears - so many were under her spell, either terrified or infatuated. So Salome came to learn of plans of razing Hell against its master, ripping through worldly divides and claiming the earth she once lived on. At last - she could have wept from delight. And most entertaining of all, Salome had snatched the dice into her her hands.
How easy it would be to join the dissenters, to war with them against the order of Hell that had shackled her. How tempting it was, to dash their plans by raising her own blade to the Morningstar and plunging the world into carnage without warning. How fun, the thought of taking all she knew to Lucifer and laughing as he rained down revenge on the demons he had been foolish enough to trust. Impatient with monotony; patient in the face of action. Salome did not yet know what she would do, and she found utter delight in the potential of it all.
PARA SAMPLE
The Holy Land was not suited to revelry. It lacked the vitalityand decadent excessthat a true celebration required. And really, wasn’t this her domain? Nobody got more unadulterated pleasure from a celebration than Salome - she doubted that even the festivities of the Stygian Moon would be of renown without her inputs. This particular affair was proving even more tiresome than she’d foreseen. Every year she stands under the Triune Moon and watches as solemn vows are sworn; every year she wonders why they could not just be done so in private, sparing them all this tedium. She had said as much to Damien before as they had departed the comforts of the Black Palace, and had received little more than a scowl in response. But she knows her point has more merit than they’d care to admit. How long before these promises of harmony are exposed as a farce? At least that year promises some true entertainment.
Salome thinks all this as she watches the stage in front of her, eyes lazily switching between the three figures who stand upon it. The Sun, the Moon, the Stars; every pair of eyes in the sweeping crowd are trained on them. Salome can feel them. Or rather, she can’t feel the usual warmth of infatuated gazes on her own skin. Here she stood amongst hoards of mortals and beings more lowly than herself, and none were paying her their usual bouts of attention. The only thing that prevented a quiet tantrum was the knowledge that she was far from alone in feeling this agitation. Her stare flickered from the stage towards the figures of both Michael and Judas, and she could not help but smile. To eyes that had repeatedly examined them over centuries, the rigidity of their bodies betrayed them. She was far from the only one who felt the absence of centrality, and that, at least, brought her some pleasure.
Still, she only has so much patience for ceremonies not directed at her.  Yet no sooner did she shift to exit the crowd than did words delivered on the stage give her pause. Azazel’s voice, suitably haughty, repeating the typical sentiments of the Holy Land. This was the ‘Age of Peace’, Salome hears her say. Only the ‘cooperation of all factions and the formation of the tridium’ had rendered them ‘triumphant against the heretics who would cast all into darkness.’ This time she cannot hold in the delicate laugh that ripples through her. If only the annual repetition of such statements made them true. If only they knew of the true origins of the War that brought this so-called peace, of where the credit should rightfully lie. Though she knows it would be foolish - more than foolish - Salome can think of nothing but how simple it would be to stand above all and confess. She’d let them savour the details of her sins and her glories. She would laugh as they wilted under the weight of her revelations.
‘I’ve never seen you look so engrossed off of the battlefield.’
Her imaginings are cut off by quiet words from behind her. She needs not turn to identify the voice of Ephemera, familiar as it has come to be. Salome had, of course, seen her across the crowd - when did her eyes start to automatically seek her out so? - but marked her presence as an occupation for later. That Ephemera sought her out first is not necessarily unexpected, but certainly thrilling. There is no other presence that can so easily bring Salome out of a petulant mood, just as there is no other who can so easily put her in one. But she has found that where there is Ephemera, there is entertainment to be had.
“You have not seen me do many things,” she replies easily, as if they had long been having this conversation, “though I do believe I’ve offered.” And she has, more than once, tried to entice her with offers of dancing and hunting and enjoying all the vices of the world they fought for. She turns her head slowly to meet the watchful gaze of her once fighting-partner, a smirk on her lips as she widens her eyes in faux-innocence. They are two alike; mortals once but mortals no more, the first of their kinds. She knows Ephemera will not rise to her bait within the presence of other Angels, which only heightens her simpering expression. Salome has no such qualms about the thoughts of her own kin; their talk excites her, their gossip only confirms how many pay her heed. She has found no simpler joy than that of walking into the Black Palace and leaving excited whispers in her wake.
“I’m sure you’ll agree that celebrating won wars is less fun than waging them’, she continues, amusement ringing clear through her voice as she returned her gage purposefully to the stage. “I asked Azazel if she might add some zeal - perhapsmake those hounds do some tricks - but she seems to have ignored my good wishes”. Salome can feel the rolling of Angelic eyes next to her without even looking. It was so easy, so predictable, and yet anything but boring. That was the real curiosity of Ephemera, so easy to reel in and yet so resistant to truly jumping off the edge. She seemed halfway caught between accepting Salome’s allure and running from it, and the resistance only increased her desire. “Though your one is the more dull, I believe. So earnest - it’s quite exhausting.”
It is clear that Ephemera is acting advisor and strategist rather than - what? Friend? Enemy? Something in between? - whichraised the question as to why she had approached her in the first place. She thinks to ask, but when she opens her mouth to do so the crowd erupts in an applause more loud than she thinks the show was worthy of. Still, she brings her own hands together for the sheer relief that it is finally over. Her feet ache from standing bored for so long, her wings want to stretch open and wide. She wonders if a large enough quantity of alcohol might loosen Ephemera a little, but when she turns to declare this she finds that her companion has disappeared in the movement of so many people. A pity, but no real matter. She has never needed the company of others to create her own sport.
EXTRAS
[ My (WIP) pinterest for Salome can be found here. ]
Salome keeps no animal companion, for she has never felt much love for the nature of the earth. She finds it amusing that some Angels and Demons belittle themselves by keeping one. However, it is not an uncommon sight to see Salome walking with crows flying above her. Only on closer inspection would one realise those animals are but corpses, a puppetry Salome (alone) finds humorous.
Like all parts of herself, she harbours great love for her wings, and not only for the damnation that they represent. They are formed of what resembles a netting of fine, golden spider’s web. They seem to constantly change in the light, appearing to be more transparent than they are solid. Regal and beautiful, they are as Salome sees herself.
She is a fierce fighter and a connoisseur of bloodshed. Her weapon of choice is a trailing point blade, forged on the day of her arrival in Hell. She uses it exclusively for more.. intimate situations, and favours instead a simple longsword on the battlefield. She is however, proficient with most weaponry, as the corpses she can make fight use the same weapons they died wielding against her.
Though Infernum is the home she helped carve out, Salome spends a great deal of time in Sanctus Terra and travels to Caelum whenever the opportunity presents itself. Both locations amplify an itch deep within her soul, worsening her desire and thereby bringing greater satisfaction when she finally acts on the urge. She has not spilled any angelic blood in Caelum, though the temptation is strong, for she knows Michael has become astute to her presence. She has left a fair few victims in Sanctus Terra, a pursuit which has become less satisfying overtime. Still, Salome is careful. For all their talk of kinship, she is not sure that her fellow demons would refrain from locking her in the Black Cells if they had just cause.
[ aaaaaaand I leave you with the last verse of ‘Salome’, a poem by Mary Lamb. I honestly can’t describe it as anything over then *chef’s kiss*. I don’t know if Rosey read this when she was writing Salome’s bio, but I thought the writing style and tone and vibe and all beautifully mirrored each other?? Stunning. On that note, regardless of whether of not you think I’m right for Salome, thank you for the obvious amount of time/thought you’ve all put into this because it’s been really (really) fun to explore. ]
When painters would by art express Beauty in unloveliness, Thee, Herodias’ daughter, thee, They fittest subject take to be. They give thy form and features grace; But ever in they beauteous face They shew a steadfast cruel gaze, An eye unpitying; and amaze In all beholders deep they mark, That thou betrayest not one spark Of feeling for the ruthless deed, That did thy praiseful dance succeed. For on the head they make you look, As if a sullen joy you took, A cruel triumph, wicked pride, That for your sport a saint had died.
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redeminence · 7 years ago
Note
9, 14, 15, 39, 41
9 How do they manifest energy, exhaustion, tension, or other strong emotions?If necessary, Armaud will power through exhaustion, partly because of his own need to see things done as they ought, and partly because he’s irrationally irritated that the body has limitations. Flesh is a cage for the mind and soul, etc,. When he’s tired, it’s often obvious as Armaud will rub at his eyes and probably let loose his true feelings more nakedly, probably snap at someone if they’re doing something stupid. When he’s angry, he fantasizes about extreme violence and he curls his hands together, or at least has to ball them up into tight fists, just some sort of action to ground him. Of course, Armaud will probably not hit anyone, but it’s sort of like a security measure at this point, a habit from when he was younger.
14 What do they care deeply about? What kind of loyalties, commitments, moral codes, life philosophies, passions, callings, or spirituality and faith do they have? How do these tend to be expressed?Obviously, Armaud’s loyalties go to God, first and foremost, not necessarily the Catholic Church which makes his hatred of Protestants extremely hypocritical. Down a rung is France, again of which his loyalty is not necessarily the king but the nation itself. He’s a big picture sort of man and he holds no real mortal authority over his own; he wholly devotes himself to his ideals and sticks with them. That being said, Armaud sort of presides over all his people the same way a Mafia don might: possessive of all his men and belongings, loving of them in a fierce and crushing way, and absolutely without mercy should any of them betray him.
15 What kind of inner life do they have — rich and imaginative? Calculating and practical? Full of doubts and fears? Does it find any sort of outlet in their lives?He’s getting really tired and lonely so he thinks about that a lot, but he’s also pretty frustrated by all the squandered potential he sees around him and thus pushes all his internal needs aside.
39 What sort of questions or thoughts recur in their lives, either specifically or as a theme? Why are these never answered, or answered permanently to their satisfaction?How can I do things better, how can things be improved? Do the ends justify the means, what is lost through this course of action? Perfection can never be reached, always room for improvement.
41 What associations do they bring to mind? Words or phrases, images, metaphors or motifs? Why?Stream of consciousness: glasses, red, the soutane, God, church, authority, snakes, strangling (lol), pomegranates, apples. A lot of red things, apparently, and a lot of religious motifs which make sense. I think Armaud likes playing God, who woulda thought?
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