#i think art can be a wonderful method for connecting with others but basically it shouldn't determine your worth as a person

[cartoonsinthemorning]

I really like your marchil and stancest arts! Do you have any opinions on toudencest (laios x falin)?

Thank you so much! Anon, let's officially connect the suspicious dots, because I ship Toudencest hard, and I do have, in fact, a lot of opinions. Most likely, the unpopular kind. But before I go into my deranged details rant, here, have a sketch.

Ok, let's go! Laios and Falin have the BEST relationship in Dunmeshi. They understand each other like no other does. It was used as a gag, but: the party getting mad at Laios for saying 'hadn't Falin got eaten, they would have never savored the delicious exorcism sorbet'...and Laios thinks to himself Falin would had understood what he meant-- OOHHH that hit my heart so hard!! That scene meant so much to me! It's TRUE. Everyone, even his friends, misunderstand Laios constantly. But Falin would understand him. It's beautiful. It moves me. Another thing that shakes me to the core: Falin is the only one showing genuine excitement about Laios' passions, interests and discoveries. Like, what I mean is, Senshi does share with Laios an interest about making monster's edible, and later on basically everyone in the story gets mind-boggled about how useful Laios' bizarre knowledge can be- BUT! she is the only one that geeks out with him about monsters. And not out of functionality. No, she's genuinely excited about him sharing new knowledge with her. When she's brought back to life and Laios tells her about monster-eating, her first reaction is basically jumping up and down, overjoyed.

And this is so downplayed. How similar they are, in this regard, I mean. Because most people portray Falin as a poised, soft-spoken normal girl, who's got this unhinged monster-fucker as a brother- ahah- and they seem to forget she is HIGHLY weird too, that her interest and methods are VERY unconventional too! Did people miss the flashback episode showing how she did homework in magic school, basically going into wild, forbidden areas to be in direct contact with the creatures living in there, even if it's considered dangerous, almost blasphemous? COME ON, Laios and Falin share the same approach, no wonder they are best friends! People tend to downplay it, I think, because Laios is the one getting gag-worthy reactions from people- getting yelled at, glared at, etc. But in fact, Falin is just as weird as he is. And it's so sweet how that brings them together, even when they are apart... I also think the fandom largely downplays how much of a bro-con Falin is: she was so clingy as a child lmao, but seriously, she was heartbroken when Laios left home without her- and the thing is, you would expect, after she grew up some more and went to study magic, things would change, her priorities would change. BUT NOOOO, no Sir: Laios pops into her life again years later out of the blue and she drops everything to run away with him. GOD that's so ROMANTIC, she is in LOVE, she is down SO BAD for Laios. What would I give for a detailed fan fic about their travels alone together. Sigh. I think I'm gonna end it here because I went well off the rails-- BUT ONE MORE THING!!! When she was a child and she SO PROUDLY bragged how good her brother is at imitating a dog's bark. God. God my heart. her love is so sweet so precious so immaculate so pure. Ok now I'm done for real byeeeee

[yardsards]

sir you must tell me everything about adamellie at your earliest convenience.

as well as perhaps a visual depiction via art or picrew???

goobnight

okay so here is a picrew of her i made bc i have art block (it's not perfect like i think her hair is curlier than this, and i'm still unsure on certain details or her clothes, but Close Enough)

and here's an adventurer's bible style character sheet:

full name: adamellie of the house of wynd

age: 47

race/gender: half elf, half half-foot / female

birthplace: the southern central continent 

relatives: father, mother (likely deceased), step-mother, half-sister

build: 120 cm, 22 bmi

likes: custard, oysters

dislikes: anything with a visible face (i.e. fish heads)

first death: treasure insects

(though some of this may be subject to change, especially her age. half-elves tend to mature at unpredictable rates and idk what maturity timeline i like best for her. maturity-wise she's in her early 20s, though. like, she is definitely an adult but her prefrontal cortex isn't quite done cooking yet)

okay so adamellie's existence kinda came from three main different thoughts

1: the corpse collectors/revival office are fascinating, i wonder what other kinds of financial exploitation can occur in the dungeon, like "pay for my services or you will literally die without them" situations

2: teleportation magic is interesting, especially those scrolls like mr tansu used. i wonder how someone could take advantage of those sorts of mechanics in a story that is so much about traversing a physical space

3: we see half-elves that are half-tallman. and the adventurer's bible mentions that tallmen can have fertile offspring with ogres or half-foots, as can gnomes with dwarves. i wonder what other combinations could exist

so adamellie's thing is like. so teleportation scrolls work like this, right?

well she basically saw the "this technique shouldn't be used unless absolutely necessary" and was like "hm yeah but what if i did anyway?" (it's risky and dubiously legal but that ain't stopping her)

she's got a few storerooms on the surface that she packs absolutely full of adventuring supplies. mostly food and drinks and medicine and mana herbs, but a couple spare bedrolls and clothes and weapons and whatnot as well.

she's got a teleportation scroll hooked up to each of her storerooms, and when she needs something, she just unfurls one of her scrolls, reaches in, and pulls whatever she needs out from her storeroom. it's not quite a bag of holding, but it's pretty damn close

it's a pretty unstable technique, but miraculously she's managed to not die or lose any limbs from this method yet, so she sees no reason to change it. the main mishaps she's encountered thus far are

1: on occasion, the scroll she carries with her randomly loses connection with the storeroom it's linked to, meaning she loses access to about a quarter of her inventory. sometimes she's able to reopen it, but doing so is very costly in terms of time and mana, so she typically just counts it as a loss for this trip. this has happened many times

2: a few times, she's gone through the scroll, either to escape a dangerous situation or to try and grab something from deep in the storeroom, and the portal closed behind her. this meant she was forced to exit through the storeroom's actual door and return to the surface many weeks before she had planned

3: she found a corpse on a lower floor while she was out of mana, so she put it in one of her storerooms for safekeeping until she could recover her mana and revive him. the scroll failed while the body was in there, meaning the corpse was no longer part of the dungeon and was just in some random storage closet on the surface, so the guy was unrevivable. oopsie daisies! (she only made this mistake once but it was a real mess)

4: thieves on the surface broke into a couple of her storerooms, breaking the spell (and stealing her stuff). she's been very careful to avoid this since then, using very strong locks on the physical doors of the storerooms.

despite the risks though, this is a pretty effective strategy in a dungeon where one of the biggest obstacles is your access to supplies. so what is she doing with it? is she an invaluable asset to some party hoping to defeat the mad mage? nah.

she's not sure she believes in the golden kingdom prophesy (and she thinks other monetary ventures like gold stripping, monster-culling, and selling research are all oversaturated markets). and she thinks that a party would just slow her down and attract unnecessary monster attention (and take a cut of her profits) anyway. she's just in the game to make a quick buck with her unique strategy.

she is a merchant, selling wares from her storerooms to desperate adventurers on lower floors, for absolutely exorbitant prices. it's not like they're in any position to haggle food prices when they're starving, after all. (she also does occasional healing or resurrection magic when she finds someone injured or dead, demanding high fees afterwards. if they refuse to pay, she says "okay, then do you want me to undo what i just did and injure/kill you again?" (she is absolutely bluffing. she sucks shit at fighting.) and if someone cannot afford to pay her in the moment, she makes them sign a contract that they'll repay her later, and puts a tracking charm on them)

she plays it fast and loose in the dungeon, traveling alone and spending a lot of time in lower floors. she uses her stealth skills, supplemented with magic, to sneak past monsters. when she's in a really dangeous situation (whether because a monster noticed her, or because an adventurer got Really Mad at her) she'll hop through one of her scrolls to the safety of her storerooms.

every couple months (or more, often if/when her scrolls fail) she returns to the surface to restock her storerooms and reset/repair/replace her teleportation scrolls. then, once that's done, she returns to the dungeon, trying to reach the lower floors again as quickly as possible.

she calls herself heroic, bringing food to the starving and reviving people at levels that most corpse retrievers often avoid. adventurers have mixed feelings on her. on one hand, running into her when you're in need can be a literal life saver. on the other hand, she is exploiting people while they're at their lowest

i will tell more about her and her backstory and family later bc it is A Doozy and this post is already insanely long lol (update: backstory has been added via reblog)

[system-of-a-feather]

hi there! i have a question related to birds for a uni project of mine and i was wondering if you could help me out with your extensive bird knowledge?

if rn is not a good time thats fine too of course!

but basically in one of our design courses the task is to design some object to cut any kinds of plants with, so i figured id take some inspiration from nature. And since garden shears look kind of similar to bird beaks i was wondering if there is indeed a connection?

are there birds who use their beaks to actually cut twigs or leaves? and if so, how are there beaks ideally shaped, or do they use other methods.?

regardless, i hope you have a nice day!

..... design? .... birds? i am so interested /joke but also genuine/

I dunno if this is design more so in a sense of art / concept design or design in more of an engineering / crafting sense, but I very very much ALSO like designing and taking inspiration from nature

Either way, to what I can think of, I don't know of any birds that really "cut" twigs or leaves, but that is largely semantics on the common terms I've seen used for best describing certain feeding / foraging / nest building methods in birds

The most related towards shears that you are pointing at probably would be geese species as they largely feed primarily on grasses and plant material and are actually known for seeking out specific parts of the grass that is the most "fresh" and high quality (cant remember the best word used to describe their selection cause its the morning whoops)

Typically they're talked about as "pruning" grass but they're specialized for clipping grass basically and that why they have their infamous "teeth" on their beaks as well as their serrated tongue. I think this page describes a lot of the goose beak adaptions in relation to their diet.

Alternatively, and away from the garden sheer relation but also relevant to the idea of "cutting" plant material, I strongly recommend also considering a number of parrot species.

Parrots are very very very infamous for their amazing ability to basically destroy anything and everything - even the smallest beak parrots can do some terrible damage if left unmonitored and left bored or just in any more

Parrots typically credit this ability to a combination of their hooked and pointed beak that allows for a very strong and pretty pinpointed puncture (similar to birds of prey and their hooked beak that is aimed for puncturing meat; for birds of prey this hook is smaller as they use it for tearing meat and not breaking things like nuts and similar; larger beaks tend to come with the cost of them being clunkier) as well as a very very very powerful bite force that basically allows them to bite off, crush, grab, and break most things which of course comes from their specialization to eat hard nuts which are often protected by tough and hard shells

There is actually a pretty wide variety in parrot beaks as well that don't get addressed as much when you look online afaik but the standard parrot beak has a few notable features

The Maxilla tends to be larger and "overbitten" and the mandible is smaller and sometimes has a notch in the tip (look at cockatiel beaks) which I imagine helps with controlling the food in the mouth. Most notably the thing that gives these beaks that would otherwise be a little pointlessly clunky and an issue for eating with is the very very powerful and muscular tongue which they use to shuffle the food and material around to adjust which parts are facing the bite force of the beak as well as to move the good food stuff from the nuts into their mouth while discarding the shell. Their tongue is more of a finger in their mouth.

Some species also have a like mini notch and/or bumpy and uneven parts (not the right term its early in the morning fight me) in their Maxilla which also helps in getting the "right" angle and bite force on the thing they are trying to tear apart

Specifically related to cutting plant material though, I strongly recommend looking up videos of female peach faced lovebirds and blue-crowned parrots as they are actually specifically known for cutting and precisely cutting off pieces of plant material (or in captivity, paper) for nest material and caching it in their feathers

And additionally for twigs just any big parrot (particularly cockatoos) are GODS at it

Also a good series that features cockatoos fucking up and just destroying shit is Maker's Muse's cockatoo puzzle series

Not related but also

Hope this gives some inspiration ^^ Feel free to ask more or anything that comes to mind cause me X birds

[glngrbred]

On inherent stories and worldbuilding

OK so the title is pretentios but you looked at it right? cool

I legitimately would realy apreciate it if you read or loosely read this, this project is very important to me and I've worked alot on it. Thank you for reading at all, go drink some water, love u <3

anyways, Im making a cardgame right now, like MTG but hopefully monotized in a more ethical way. like, as a 1 time purchase or subscription.

So, In my game there is a very heavy emphasis on ecology, and it is basically explicitly environmentalist propoganda, that's not the point tho, what we are trying to do initially is trick people into thinking about environmental issues with cool worldbuilding. And on that worldbuilding, as lead desiner/writer person, I think I can actually share some pretty good tips.

Some quick background, not super important. In our wold there a 4 color identities, wich is both for gameplay (mtg inspired) and lore (also mtg inspired) Red, white(yellow), Green, black(purple), for each of wich is a place on an alighnment chart and teirs within the factions represented by these colors. again, like MTG

On that topic, of the factions and identities these card colors and gameplay elements represent, I have some tips for Dms and other worldbuilders.

My main thing, Is inherrent stories (built in stories).

As an example,

The Orks in my world are reptilian hominids obsessed with fire. As a starting point my desire was to do a new type of Ork, where we maintain the motif of chaos alighned "Monsters" who's actions serve the bad guys, like in WoW or LotR. from there I knew that my red faction was fire themed, but building up this concept was kinda hard for me. I didn't really know hoe to start with meeting this desire while subverting the typical Ork tropes.

So I decided to take the aproach of working from first my desire to have a fire ascociation. I Already had a theme of the main humanoids in my world being ascociated or related to specific animal groups, Goblins have similarity to anteaters, elves bees, and Dorvs beetles and grubs. So I knew the first step in my Orls was going to be Making them some sort of animal.

And i had a good think on that, you know I landed on reptiles. wich seem obvious in hindsight, but at the time I was very excited about this, since it meant there was already a clear connection to be made with fire. since most reptiles cannot regulate heat on their own, a connection to the sun and fire is very easy to make. Especially for a hominid species. Already we have a peice of a narrative, Orks love Fire because they need it to survive cold days. Wonderful, now how do we get that ascociation to chaos and subvert the typical barbaric Orks trope?

My first thought was inspired by Warhammer greenskins, wich isn't super subvertive, just giving orks big techy robots doesn't do much to change the ascociation with brutish methods and uncivilized nature. I knew I wanted to make the Orks more equal intelectually with my other factions, instead of having them be the mindless other bent on chaos. So the step after "Ork like fire" turned out to be their philosophy

What I ended up going for was in my opinion pretty original,

Orks, Due to their reliance on Fire, developed a culture and Philosophy built on the nurturing of "Warmth." Warmth takes many fors for the Orks, they find it in Art, Music, magic, and love. Family and play and Food, and even war. Where the Orkish philosophy deteriorates as a method of governance it the often single minded focus on what makes an individual feel good, and forgetting that other people, even those that don't seek warmth, have needs and desires too. By creating this intrinsic societal issue, where governance ends up focusing on how to make one's tribe as warm as possible, we can create narratives about how desperate poorer comunites are for warmth, how creative they get, and how even bad, and evil deeds can be seen as a positive as long as they bring warmth to your tribe.

We can have wars and espionage and gatherings and beutiful ronmances all built around this pervasive desire for individual pleasure. And we can have stories form when an Ork realizes that the Goblins they've hurt also want good things, and how the Orks realize that their selfish behavior makes the world less warm for everyone. We can have stories about nurturing empathy in a selfish society, and stories about becoming closer to one another, of seperating one's self from those who use them and hurt them.

Also, with this narrative, Orks turn into warbands of bards, preists, and mages, keen on nurturing warmth and helping their ingroup. WHOA we just subverted the barbarian ork trope didnt we? HORRAY ALL OF OUR GOALS HAVE BEEN FULFILLED BY ONE DESCISION SPIRALLING!

Of course perscribing concepts and personality to individual characters based off of their race is a horrible thing to do. but for a group it's very usefull to narrow down concrete adjectives and emotions that are associated with your societies and cultures.

My Advice to you, is try to find your Ork bards, but don;t start there. Think about how society would form around the 4 legged Praying mantis men your story is about, and how different a society could be based off of the physiological environment your characters exist in.

My second peice fo advice, Is that If you want to make a specific type of civilization, As an example, hive cities (like warhammer), try to think about what typre of culture would develope that city? who would live in the underwater Utopia, who would work in the sugar mines, and why do the sugar mines exist? I know It can be increadably difficult to find an angle to take your worldbuilding, so start with 1 small descision, an easy one, like "Do I want my orks to be colorful?" Answer that, then build from there.

final note, Yes, this is an extremely long post, and thank you for reading it,

also ...

👌

I, ME, HAS gotten you HAHAHAHHAHAHAHAHA *evil gnome voice* You hAVe but THIRTY MINUTES to get someone else before you ARE IT for the rest of your life MUAHAHAHAHAHAHAHA

[morrisxn02]

{HARRIS DICKINSON, 21, MALE, HE/HIM} Is that EDWARD MORRISON? A JUNIOR originally from MANHATTAN. They’re THE PROUD ELITE on campus, but even they could get blamed for Greer’s disappearance. 

tl;dr: eddie responsible, pragmatic, methodic but he is also frustrated that he still hasn’t found his path in life and is too scared to live life the way he wants to without disappointing his family. i feel like, right now, he’s at this crossroads where he wants to be young and find his path and have fun, but he is too scared this will put all the great things he has in jeopardy.

-– the basics:

full name: edward rufus morrison nicknames: ed, eddie, rufus (if you want to annoy him) + whatever your muse desires age: 21 birthday: march 13th, 2002 birthplace: new york city, new york major: computer science + literature gender: cisgender male sexuality: bisexual

stats - pinterest board - playlist - wanted connections

multimedia character inspirations:

henry winter (the secret history), dickie greenleaf (ripley - 2024), julian fromme (these violent delights), art donaldson (challengers), declan lynch and richard gansey iii (the raven cycle/the dreamer trilogy), kendall and shiv roy (succession), logan dellos (westworld), nate archibald (gossip girl), mahdi (blocco 181)

background:

middle child of the morrison family;

grew up as the family's perfect little golden boy;

his parents always deposited in him the expectations of one day taking on the family business;

was always sort of a conflict mediator at home, which is one of the reasons why his parents love him so much;

always enjoyed reading and studying;

didn't have any big issues growing up aside from sporadic ideological conflicts with his parents;

spent a year in france as a part of an exchange program in high school;

personality:

kind of nihilistic;

matured way too early so he kind of just wants to be young and dumb for a while but will not allow himself to be happy bc he feels like being his dad's ideal of a man is more important;

very creative and artistic;

on the outside he's a conformist, on the inside he's super liberal. he refrains from dabbling in politics, though bc as aware as he can be abt his privilege, he would never give up the nice things he has;

roy-siblings coded: he will do anything to impress an unloving parent because there's no drug more powerful than parental validation

can be very practical when he needs to be, but is usually very much the opposite

he is very VERY lost in life, very frustrated, very unhappy, thinks he's trowing his life away and regrets like 75% of his life choices;

he can be a bit selfish and narcissistic;

thinks he's smarter than everyone;

cannot muster up the courage to confront his family about anything so he can often be found looking forlornly at the horizon wondering abt everything his life could have been;

headcanons

fatally allergic to hornets. he WILL die if he gets stung

loves videogames;

kind of an art/history nerd;

annoying film-bro that carries a mubi tote around and has a criterion channel subscription (also hit him up if you want to borrow any criterion collective exclusive releases);

would have been an actor in another life. LOVES shakespeare;

eddie is kind of closeted with his bisexuality, mostly bc he feels like his parents might start looking at him differently (a few ppl know and he doesn't make a point of hiding it but he won't openly label himself as queer, it's a weird thing but you know where i'm going with this right)

also LOVES winter sports like and is an amazing tennis player but doesn't care much about other sports;

mildly near-sighed

slightly allergic to polyester (as per a collective gc decision lmao)

other tropes: princely young man, gentleman snarker, byronic hero.

RELATIONSHIP TO GREER: Most of his life, Greer was like a best friend inside of their home. Someone with whom he shared most of his fondest memories, like summers in the Hamptons, Christmases in the Alps, and Halloweens at Disney World. Yet, when you grow up in a Succession-esque household, there are certain unspoken rules about loyalty and comradery. Siblinghood was always a game – fun, for the most part, but competitive and always marred by the inevitable awareness that there was always a great deal at stake and that one could end up finding himself on the losing side. Luckily, for most of their lives, the Unfavorite gracefully assumed that position – which neither he, nor Greer ever questioned. But Edward knew that there were always boundaries to his relationship with the golden girl, there were secrets to be kept from her, lies to be told to appease her, because he knew – as his twin did – that Greer would gladly throw any of them under a bus coming in at full speed if she knew that would expand her advantage in their parents’ rankings.

HOW THEY EMBODY THEIR SKELETON TROPE: The linen shirts, the tailored suits and the cashmere sweaters attest to his love of all things fine and luxurious. Edward is the stereotypical Barbie of northeastern rich men: his favorite sport is skiing; he loves a good glass of premium aged scotch; and his go-to Holiday getaway is quick trip to Europe. All this privilege makes him a little out of touch with reality. Sometimes he just doesn’t get the so-called “small pleasures of life”. And all this luxury at his full disposal might make him appear a little too self-assured. He doesn’t do it out of malice or hatred of the less privileged, though, he just loves his life too much not to be all-in in it… 

EXTRACURRICULAR ACTIVITIES: tennis, sailing, writing club, fencing club

[toyotacorolla2008]

hi!!! i was wondering if you could do a tutorial for how you draw transformers? i can never simplify them like you can. do you have any tips?? also love your art sm <33

hi ヾ(•ω•`)o

I WILL TRY MY best to explain what i do… i don’t actually have a very structured system but this is vaguely how i got started and how i simplified the process

1. look up and compile a whole bunch of references

this will be useful for EVERYTHING– transfomos come with lots of shapes and gizmos and details and stuff so a variety of references from different angles and in different poses is really useful because you can see the shapes they’re made out of and also understand how everything connects with each other

trapezoid town! this is a mess but it’s a quick example of how by looking at everything you start to notice trends or details like what moves with what or how flexible some parts are

there are a whole bunch of resources very nice people have compiled on the web like here here here here and here (mainly MTMTE) and there is a discord server (this is a link to a tumblr post about it and not the invite link itself) for it too but you can always look through the source material and just start screenshotting and pasting shit into a folder. 

you don’t have to do humongous in-depth breakdowns if you just want to be able to quickly doodle robots (god knows i don’t!!) but having the references on-hand makes it easier for the times when you’re like This pose is going to be challenging and I’m not sure how all of the cuboids will be positioned.

references also help break you out of thinking of it as just drawing blockier humans because the proportions and shapes vary a looooooot

2. draw draw draw

at first i drew a lot using refs heavily to get an idea of the shapes then i got lazy and just started drawing anime girls and smacking rectangles and kibble on top BUT as you draw more and more you start to pick up on the Salient Features as well as their General Silhouette.

drawing from memory means that what makes them look recognisable will become more emphasised in your mind so you’ll naturally pick up on how you can simplify them without losing what makes your guy Look Like Your Guy. so if you want to simplify the robots just be incredibly lazy like me B)

i'm kind of horrible because i don't even do like Basic Shapes i literally just eyeball it

for poses i rectangle it out while thinking really hard

anyway when i first tried to draw transformers but Something Didn’t Look Right it was either a) the level of detail across the entire drawing was inconsistent and threw it off balance or b) proportions weren’t right and these things only got better with me finangling and doodling and learning by iteration.

of course sometimes i don’t give a fuck because no cops in transformers doodle land but yeahhhh i’m the kind of guy who only gets through stuff by throwing a lot of rocks at it. i don’t have a Method to offer you unfortunately but what i did do was

3. experiment and exaggerate and experiment!!

The First Rule of Gun Safety is to Have Fun and Be Yourself! i took a lot of liberties and rarely stayed on-model when i doodled and waffled around (and i still do…) but it helped me figure out how much i was willing to draw lol and consequently how i would stylise them.

i would play with how big or small or exaggerated or expressive they'd be… even my most detailed drawings are nowhere near comic-detail but my least detailed ones were. turquoise triangle that’s vaguely brainstorm-shaped. having fun with it and just doing it to make stupid jokes makes the practice seem like not practice.

so yeah tl;dr i started by reffing what bots actually look like, would trace comic panels to get an idea of the shapes and details and then start drawing side-by-side → drew billions of perceptors from my diseased mind and played around with lines → ??? → upgraded from goofy-looking rectangles to goofy-looking rectangles

that’s it for advice! (i don’t feel qualified to say that much)

below are just examples of stupid doodles i’d make on my ipad in class or in the margins of assignments lol, you can tell the last one is from when i still didn't understand brainstorm's build very well because the wings are placed wrongly... But i grew.

hope this was somewhat helpful! there are other tutorials from other artists that i can direct you to but this is how toyotacorolla2008 got to shitposting on tumblr dot com

[yourlocalkids123]

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Happiest of birthdays to your kiddo and here’s hoping you'll find a birthday party that’s fun and fascinating for you both!! And after all that Susiecakes could make your final minute customized order in time. Voted the 2019 Best Family Entertainment Venue in Augusta by the Augusta Chronicle!

I want an order of events party schedule so I can hold things transferring and on monitor, AND I want to train my kids better. Add “wow” with an outside theme park for your home! Themed bounce houses, 40′ water slides, and more party planner guide. Costumed characters, circus acts, exhibits and themed entertainment for personal and company events. Hey, thanks for the wonderful ideas to rejoice birthdays at house.

Usually, you presumably can rent a park pavilion for a nominal charge, and it comes with a built-in playground. If you want to hold the party at residence and have the space, go for it. Outside is finest because you don’t need a group of three-year-olds running through the house. For climate worries, lease a tent ahead of time so you won’t stress.

Or, how about in case your child does not have many or any associates at school? In that case, your youngster could not even want a birthday party at all. Typically, events are held on the weekends when kids are out of faculty. If you’re hosting your party at house, you birthday party planning guide can have it any time that’s handy for you. Party favors are a good way to thank guests for coming to your party. Do you want to provide guests numerous meals choices like sandwiches, hen fingers, pasta, and so on.?

[gayregis]

i almost forgot to make this post but here goes. this isn’t just a witcher fandom thing, it goes for every fandom. but everyone has got to stop treating fanartists like fucking vending machines for art. harassing fanartists to draw something, trying to talk to them only to get art out of it. 

a lot of people in a fandom forget that fanartists are also human and also are part of the fandom, they would also like to read funny or thoughtful posts, have conversations, make friends, and yes, see art! i feel like there is a lot of pressure for fanartists to keep making art and begin to treat their fandom interests like a practical sidejob if they gain an audience. fanartists deserve to be respected in fandom no matter how much art they produce for the fandom, they should not be valued based on their productivity or their catering to your specific desires. this used to be a lot worse a few years ago iirc, but i feel like a lot of remnants of this mentality remain.

to artist friends: i respect and love you for being my friend / mutual / acquaintance / tumblr friend / whatever you want to call it first and foremost over anything else. if you stopped making art for the fandom, for whatever reason or no reason at all, i would still love and respect you just as much as if you continued to make art. don’t feel pressured to create to keep people happy, do it for your own heart and motivations. you are not a content factory, you are a human being, and deserve to be treated like one.

tl;dr, don’t idolize anyone to the point of dehumanization, treat everyone with respect and dignity, make friends because you genuinely like the person and not because you want something specific from them, basic kindergarten stuff

edit: side note from my own tags: “#also the false line between ‘fanartist’ and ‘non-artist fan’ is a stupid fucking distinction anyways but that is another post entirely” and basically what i meant here is that anyone can create art and thus be considered a “fanartist” so imo there shouldn’t even be a distinction between ‘fanartists’ or any content creators and ‘everybody else’. anyone can create and anyone can consume.

[ellesliterarycorner]

hi! i just found your blog and it’s amazing! all those wonderful tips, you are a gift to this world.

do you have any tips on how to plot the main plot? or how do you organise everything before/during writing? like, the structure of the plot, if you draft everything first and then start writing, or do you just write a la loca?

tysmmm <3

Omg, you are so so kind. I really appreciate that! So, I am the biggest plotter on the planet. I definitely structure everything before I even think about starting to write, so I'll walk you through how I start plotting my story and give some tips on it along the way!

Step One: A Character Appears

I was actually just talking about this last week in one of my college interviews, but I start every story that I write with a character. I think it’s because I am such a character over plot reader. I love character driven stories the best, and I like to start writing with a character I think will be compelling for my readers. I think this is a good place to start for everyone because in my opinion it’s a lot easier to change a character to fit a world or a plot then change a plot or world to fit a character. Once I have a semi-coherent idea of a character, I interrogate them. I like to know everything about a character before building a world for them to live in. I really like these 100 OC questions by viralremix on Deviantart. I’m not saying that I always actually go through and answer all 100 of these questions, but I go through them and pick out which ones I think will be the most helpful to me as I start writing. I also don’t do every single major character that I have, but I normally do my main protagonist and the person who is the closet to them throughout the story!

Step Two: What in the World

When I work on my plotting/outlining, I group together worldbuilding and my main plot. I’m not sure exactly why I do that, but it makes sense in my head. Now that I have a character to work with, I can start building the world and the plot for them which kinda go hand in hand if you think about it. For Project Starlight, my current wip, I was really inspired by some digital art I saw on Pinterest of a girl laying on a bed reading a book in this super futuristic bedroom and out her window was an asteroid field. I instantly knew that was the world for my MC. After I decided that, I need a basic premise for the story. For this step, I actually use the snowflake method. You basically start with this core idea or theme and then every other aspect of the story is built around it until you flesh it out into something coherent. Kinda like how a snowflake starts in the center but it has different sort of branches, but they all connect back to that idea in the center. The snowflake method is also a good place to start if you don’t want to fully commit to a complete detailed outline, but still want to have a premise and a theme to go off of when you start writing. 

Step Three: A Beginning and An End

Because I physically cannot start writing without having a beginning and an end, once I have my lovely little story snowflake, I plot out the beginning and the end of my story. Above all in my opinion, the beginning and the ending are the most important things in your story. They tell the reader why they should ready your story and wrap up everything to make sure the reader thinks that reading the story was worth their while and possibly entices them to read a sequel or spin-off novel. Once you have your story’s premise, you can then decide what the most effective way of drawing readers into your story is. Whether that be a lot of flashy worldbuilding, a super intriguing hook, or just plopping them right into all of the drama of your world. There’s a lot of pressure on writing the first chapter, but when you’re plotting, just decide how you want to introduce your character and your world! Same thing goes for the ending of your story. How do you want to convince the reader that your story had a purpose? Or convince them to continue reading the rest of the series?

Step Four: Save the Cat???

I have been trying so hard to use the Save the Cat plot structure. But, honestly, for me, I think it works better when I don’t use it until the second draft of my story. I feel like as a plotter, I should love how detailed the plot structure is, but my brain doesn’t like it until the second draft for some reason. Still, it’s a really great plot structure to use, especially for new writers because it pretty much tells you where everything needs to go! Basically, according to the Save the Cat Beat Sheet, there are fifteen story beats that should be included in your story. I’m severely simplifying this, but this link is where I found a lot of information on Save the Cat, and I’m also including the aforementioned 15 beats below. The site goes into great detail about how to use Save the Cat for your story. But, I really do like how everything in this method is broken up into percentages, and I cannot recommend this enough if you’re struggling with plot structure. 

Opening Image – 0% to 1%

Theme Stated – 5%

Setup – 1% to 10%

Catalyst – 10%

Debate – 10% to 20%

Break Into Two – 20%

B Story – 22%

Fun and Games – 20% to 50%

Midpoint – 50%

Bad Guys Close In – 50% to 75%

All is Lost – 75%

Dark Night of the Soul – 75% to 80%

Break Into Three – 80%

Finale – 80% to 99%

Final Image – 99% to 100%

Step Five: Just Start Writing

I feel like I’m saying this in all my posts now, but once you’ve done everything above, there really is nothing left to do but start writing! I freely admit that I am a perfectionist in terms of my story outlines, but as I’ve gotten older that sometimes I use my need to have a sturdy outline as an excuse to procrastinate the writing process. When I’m scared to start writing a project I reason with myself that I can’t start writing if my outline isn’t finished, but I’m also procrastinating finishing my outline cause deep down I’m scared to start writing. It’s a never ending process. So, when you’re working on figuring out the main plot and the structure of your story, try not to stress about it! I can’t tell you how many times things change while I was in the middle of writing or in later drafts of the story! 

I really hoped this help! Thanks for sending in the ask and being so nice!

[hidden-lorechambers]

a...any askblogging tips....? how do i get more asks and maybe also interaction? ?

"Oh, I wonder if a beginner sent me this."

“There are many knowledge I can impart to you, but it will be an excessive read. For that, I will put it under the following break line.”

Do not immediately chase fame, you will be disappointed early on. Currently leading blogs come this far from time, hard work, experience, and luck. Find out what you like on those blogs, and attempt said method with your own spin.

Avoid aggressiveness, positive or negative. Too friendly to people you admire can be uncomfortable, but so is being too distant and pushing people away. Avoid excessive advertisements, but also advertise once a while. Try to not beg interaction from blogs you admire. Let them come to you on their own terms nd be interested in your own lore, that way, friendship can be more natural. The term for that today is, 'play it cool.'

While we are at it, tailor your asks. When a blog is having a lore event, prioritize lore asks instead of interaction. When a blog is searching for new friends, or are slow, try introducing your character in a way that is not intrusive. Learn the characters and approach accordingly. People warm up to you more if you appreciate what they make and put less focus on yourself.

Try, if you receive no asks, to create your own ask-free posts hinting on character lore, or localized scene involving your character. It is good ask material for your followers.

When creating lore, refrain from making it very complicated early on. It will confuse you. Start basic, and use asks to build up on it.

I must also add that consistent lore is very encouraged to avoid confusion with your followers. While changes and retcons do happen in a story, this can all be fixed by creating a history roadmap, as a guide for you and also your followers. Only reboot when you see no other way, and have mulled over it for a long while. The key here is: plan properly. 

Weaponize your asks. Asks can be approached from many angles. Try to think to yourself, “how can I make the answer to this ask more interesting?” It does not always work on every asks, especially spam ones like ‘hey’ and ‘good morning!’s, but it is worth a shot to slip in a lore hint or two.

Text answers, while not discouraged, automatically bring in less notes. Unfortunately, pictures are more desirable than walls of text. Break down paragraphs, /attach little doodles if you are not up for complicated art/ so long there are visuals in your posts. Prioritize show, don't tell.

People are generally clueless to lore and happenstances that are not directly stated. You will have to get used to this one. This also applies to events with complicated puzzles. Remember this: People enjoy the feeling of accomplishment, so if you frustrate them and give nothing for their frustration, they will stop altogether. 

Build an audience before you attempt a large event. Connections are necessary. Always try something small. Ask input from some people that have created events. 

Know the strength and uniqueness of your blog. Some forgo lore for good art. Some forgo art for good lore. You would be amazed at how differently people run blogs. Find out what it is you want to pursue, else you will wear yourself thin in an attempt to become everyone.

Persevere. Disappointment always comes in many forms, but learning how to overcome it is part of the process.

"These hints are build on personal assessment and observation of many leading (Minecraft) askblogs. At the end, you own your own blog, thus, these points may or may not ring the right way for you. I am not perfect and riddled with many bias."

"In any case, persevere. If you could peer into what these blogs were years and years ago, you'd realize how similar they are to new beginner blogs."

"We all start somewhere.”

[flickeringart]

Neptune in aspect with Mars

(Read my post about Sun and Moon aspecting Neptune and Mercury and Venus aspecting Neptune)

These planets aspecting each other makes for a curious connection, because in a sense, they represent opposing principles; Mars represents the personal drive and the ability to spring to action, the force that works to impose one’s independent will on the world – Neptune represents the inner urge for emotional unity and the religious/spiritual experience of being merged with the source of life. When these planets are in aspect in the natal chart, the personal ability to carry out one’s will is inextricably linked to redemptive longings. Simply put, Mars-Neptune individuals will put their energy into fulfilling the ego ideal, the perfection of potential that existed before the personality began to form. The personality cannot assert itself in a way that would crush the dream of perfection. Neptune is the dream of purity, the undifferentiated beauty of never having left the garden of Eden. Mars on the other hand is the agent of independence and self-motivated action – he has the purpose of fighting for the individual self which is antithetical to the Neptunian principle of surrender. While the Moon and Venus are quite social; the Moon represents nurturing and care-taking of needs, Venus represents the ability to be loving, affectionate and gracious; Mars is selfish and to a certain extent anti-social – most definitely anti-Eden and its eternal bliss. Subsequently, Neptune paired with Venus or the Moon is a little less of an obvious conflict than Neptune paired with Mars.

The conjunction of Neptune-Mars might cause considerable frustration and unconscious manipulation, because one cannot assert oneself, which is to declare separation, without feeling a deep sense of guilt and shame. It’s a little bit like the Bible story of Adam and Eve eating of the forbidden fruit and immediately becomes aware of sin. This is certainly not an easy phenomenon to deal with. The impulse to avoid accountability for one’s actions can be overwhelming, even if the consequences are perceived to be good. There can be a tremendously inflated sense of righteousness accompanying every move the individual takes because deep down there’s the feeling that one has committed a terrible trespass, that one will be unable to atone for. While the softer aspects, the trine and the sextile, more easily lend themselves to genuine selfless acts and natural inclination to fight on behalf of every bleeding heart and soul in the world through acts of sympathy and kindness, the conjunction usually brings more troubles. There can be an overwhelming feeling of having to do certain things because one cannot stand the idea of being separate from other people. One finds it easy to identify as the martyr or victim, unwilling to take radical responsibility for one’s actions – or if one does it’s in order to self-sacrifice. Often the individual will adopt any ideology that promotes the mass before the individual – often socialism or marxism fits the bill. Neptune is symbolic of undifferentiated reality, blurred edges and passive surrender. It’s not a planet that promotes autonomy and individuation. Not uncommonly, decisions and actions are referred to as byproducts of societal or larger-scale units that have little to do with the poor self. These individuals are usually profoundly dissatisfied with the ways of society because on some level they believe that individual autonomy and agency is a sin – and that the only way to redeem oneself and humanity is through some kind of chaotic dissolution of difference. This urge is seldom conscious, but it is there none the less. Vladimir Lenin had this conjunction and he wanted to revolutionize society to fit the marxist ideology, but really what this means is to overthrow the upper class – to punish those that seem to revel in the delights of Eden, to get rid of the internal shame of being excluded from paradise.

It seems like Neptune-Mars shows up in individuals with the capacity to move a crowd, perhaps most importantly, with the capacity to be the front figure and leader of the masses. Vladimir Lenin certainly affected the masses and so did Napoleon I with the same conjunction. Hassan II of Morocco, known to be one of the most severe rulers widely accused of authoritarian practices and abuses of civil rights had this conjunction as well. These examples are far removed from Neptune’s reputation for denoting empathy, soft-heartedness and sensitivity. However, it might be precisely because of the refusal to abandon the hope of the sweet sweet nectar of paradise that can only truly be accessed in a state of pre-birth if even then, that the outrage is so total. Most children scream when they are born, and this is probably the kind of terrible rage caused by separation that lingers in these people. The sign the conjunction falls in will certainly affect the expression the energies filter through – Lenin had the conjunction in Aries, Hassan had it in Leo and Napoleon had it in Virgo. Virgo is a much more analytical and practical sign than the prideful fire signs of Aries and Leo – consequently Napoleon is famous for his fine skill for method and strategy in war. On his Wikipedia page, it states that Napoleon had a hypnotic effect on people and could bend the strongest leaders to his will in one-on-one conversations. Hypnosis is a marked Neptunian phenomenon. What happens is that the person is able to gently infiltrate the other person’s will – which is quite extraordinary. If someone is receptive and open enough to suggestion, the opportunity and the invitation is there to mold the other through unconscious communion. Since there’s no obvious forcing taking place under hypnosis, the hypnotized person must cooperate on some level – yet it’s not a conscious cooperation which is why the whole phenomena of hypnosis is so unnerving. In general, people would like to think that they are in complete control of themselves, but it’s more of a fancy fantasy rather than an actual reality. We don’t know what we are receptive to and Neptune reminds us of this. He seeps through the most tightly shut doors.

(Buy products with my art)

My own family is quite Neptune dominated and what often happens is that I feel subtly manipulated, yet the manipulation is never fully conscious on the part of the individuals so it becomes difficult to confront them. The times I have, they either take offense or seem genuinely perplexed. It is impossible to confront Neptune, because he works underneath the surface, below the threshold of consciousness. When confronted these types are deeply disturbed that they could’ve imposed something on someone – they either go into a introspective mood, become appalled or proclaim their love and sympathy in an attempt to restore union. My mother has Mars in the 12th house and although it’s not aspecting Neptune, Mars is placed in the house pertaining to this planet and she has Neptune in her 1st house. She never gets angry but people around her certainly do. She is eternally understanding of everyone else’s anger and has acceptance for it, yet she doesn’t respond to any of it on a personal level. She apologizes every time something upsets her. She is never aggressive, yet she does instill subtle guilt through little cues and hints every now and then because it is a sin to have a will that does not align with the crowd that one finds oneself in. Sometimes, when things aren’t the way she wants to see them she doesn’t see them. She presumes that on the most basic level, all people want the same thing, which is probably true on a “soul level”, but sometimes it doesn’t translate to everyday matters. People’s personalities contradict each other and this is no trivial matter – people can and do clash because of individual differences and it can be detrimental to one or all of the individuals involved. However, Neptune doesn’t like to see a clash as a clash – that would be to treat it as a definite fact, which would contradict the fluidity of oceanic union. The frustratingly passive statement “It’s everyone’s fault” or “It’s everyone’s responsibility” is the attempt to not deal with cause and effect while establishing the fact that some abstract common force is always at work. This is neither true nor false but this attitude conveniently keeps everyone “unified” and dependent upon each other.

Admittedly I went with the most gruesome examples when writing about the conjunction, but it goes without saying that not all people with this aspect is going to be a Lenin type – Ryan Gosling, Avril Lavinge and Timothé Chalamet all have this conjunction and they’re all quite popular entertainers in their own ways – they move the masses on some level. Ryan Gosling has a Pisces Rising so his chart ruler is Neptune which makes it particularly strong. He gives off that pure hearted watery eyed look that is extremely mesmerizing to the public – he portrays himself as sweet and compassionate, he seems to have a marked innocence and purity to his outward projected identity. Avril Lavinge has her Sun-Mercury in the 12th house squaring her Neptune-Mars conjunction in the 3rd. She has more of an edge to her personality with a lot of planets in Scorpio but she certainly comes off as a chaotic, intense and absent-minded creative which I would attribute more to Neptune. Her strong rebellious “I don’t care” statements through her music resonates with a lot of people, but so does her more sentimental songs. Timothe´ Chalamet has his Moon in Pisces sextile Mars-Mercury-Neptune and he is quite the stereotypical Neptunian boy – he looks delicate, introspective, dreamy and androgynous, more like an ethereal creature than an earth-bound human. With the conjunction in the 5th house there’s no wonder that he can act and express himself in a very fluid way. Acting and performing musically are the specialities of the Neptune, and if enough components in the chart support the endeavor one might just become famous. The trine and sextile aspect also lend themselves well to these kind of occupations. These people can effectively gain the sympathy of the public because people recognize something of themselves – something pure and unborn, a mutual feeling.

A good example of someone with the trine aspect between Neptune and Mars is Russel Brand. He is quite the Neptunian with an angular 10th house Neptune opposing his Sun and trining his Jupiter-Mars-Moon planets in Aries. Even though he certainly has the fire and energy of an Aries Mars that can sometimes be a bit too much for people he is not only fighting for himself he is fighting for all people. In many ways he’s embodying  universal hope and rage. He is fiery but also very receptive and deeply concerned with not causing any damage or hurt despite his characteristic blunt and direct approach. He has a marked religious/spiritual inclination, which is usually the case with a strong Neptune in the chart. In his early years the longing for Eden was sought through drugs, alcohol and fame, while it has now shifted to a more healthy inner exploration and focus on being of service to people. The soft aspects between Neptune and Mars-Moon-Jupiter planets in his chart helps him to cope with the disturbing Sun-Neptune opposition. In recent interviews, he admits that he still feels the pull of fame and success, yet he knows that if he goes down that path he will lose himself (his Sun) and will ultimately end up disillusioned and dissatisfied. I have the trine in my own chart, and I float aimlessly through life with the notion that things will work out and my actions will come to me, because I can’t plan or control anything. I have learnt that I have to trust the way things unfold, because I have a clear sense that my forced actions won’t lead me anywhere except to frustration and a sense of isolation. The sextile aspect seems to function a little bit more as an asset and a skill for the person to use. Politicians like Hillary Clinton, Angela Merkel and Francois Hollande all have this aspect and they can effectively use their receptivity to the masses and people in general to inform their actions.

Now to the harder aspects. Britney Spears is a good example of the dilemmas created by the Neptune-Mars square. Her Neptune squares Mars in the 12th house, the house belonging to Neptune and Pisces. Because of mental instability in her twenties she was put under a conservatorship which is essentially the equivalent of giving up personal control of one’s personal matters in order for an outside source to manage them until one gains some foothold. Mars is one of the prime factors of personal ambition and autonomy, but when it’s in the 12th it is given up – it is essentially a slave to the undifferentiated realm and subjected all the forces of the unconscious. A 12th house Mars in itself doesn’t have to produce the mess that Britney found herself in, but with it squaring Neptune, Mars is going to get swamped, mislead, confused, manipulated and subtly coerced because of the need for fusion, into doing things that will pull her further away from independent action. Another good example is Kylie Jenner. She has Neptune in her 1st house squaring Mars on the MC. She is publicly known for being part of the Kardashian-Jenner family, but she’s also gained attention because she skillfully created her own brand Kylie Cosmetics and became very “successful” (as in earning a lot of money) due to her own independent action and initiative. However, Neptune is anti-independence – and curiously enough there’s always some dishonesty involved when Neptune makes any hard aspects in the chart. She was declared the youngest self-made billionaire by Forbes in 2019, but, she has later been accused of forging tax documents to appear to be a billionaire. Neptune simply can’t let her be all that her Mars wants to be – a successful business woman with a clean record. Self-sabotage is almost always the case, however minor with this aspect, because Neptune refuses Mars’ need to be potent in the world.

The opposition creates a different dynamic although the dilemma is similar to the square. The person can be called to completely abandon an independent will to take action in favor of the glamour and blissful archetypal experience, not unlike the example of Russel Brand and his indulgence in fame and crowd-pleasing at the expense of his sense of self. The difference between having Sun opposing Neptune and Mars opposing Neptune is that in the first instance one is prone to give up a sense of self in favor of Neptune’s waters, while in the second, one feels the urge to give up the ability to direct one’s own life in order to merge with life around oneself. The opposition usually lends itself to extremism because the two polarities, in this case Mars and Neptune, can’t coexist. Queen Elizabeth II has this aspect, Mars-Jupiter in the 1st opposing Neptune in the 7th. She is on the one hand seen as an archetypal figure, immortal and divine and blissfully kept out of the real world in order to serve as a symbol and a fairytale for people to feel spiritually connected to. She’s non-aggressive, forgiving and compassionate, transcendent of the fuss of the world yet overseeing it all with care. She is essentially functioning to satisfy the religious/spiritual instinct of the masses, although it’s certainly done at the expense of her own selfish wants and needs. Luckily for her, her Mars drive is quite global and collective in nature considering that it falls in Aquarius and is conjunct Jupiter – it keeps her objective and less personal in her martial assertion. However, I’m sure she struggles with the contradiction between her own will and her role as an immortal unreality that would seem to activate itself in the interaction with other people (Neptune in the 7th). Edward Snowden also has this opposition falling in the same houses. His Mars-Sun conjunction opposes Neptune, and he famously leaked information about mass surveillance programs to the press. Neptune has everything to do with leaks and the dissolution of boundaries. He’s both been called a hero a traitor – which perfectly fits with the contradiction that the opposition represents. He certainly made a personal sacrifice by revealing the things he did so he is perfectly shouldering the martyr cape. In any case he did what he did for the public with the concern of other people in mind (Neptune 7th house) he took a non-selfish stance for the sake of a higher ideal and ethical conviction. Both Queen Elizabeth and Edward Snowden are quite extreme in their Neptunian capacity and has taken on fates of mythic magnitude.

[fermented-writers-block]

Lus and the Human Portal Clone Theory

Even before Keeping Up A-fear-ances aired, I have been working for almost a year now on running through all the possible various suspects with wonderful folks like @sepublic​ , @anistarrose​ , and @elementalist-kdj​ . Like the post title indicates, from sheer process of elimination, the only conclusion that made sense to me was a clone made of Luz by the portal door, and I’ve been working on refining and reworking said conclusion up to the version I will lay out here.

Now, as @safetayy​ , @theowlhouseheadcanons , and @50shades-of-blue have heard from me before, the portal I've long suspected was not made to go from the Demon Realm to the Human Realm, but rather to go from the Human Realm to the Demon Realm by humans, for humans. This is because it then could tie into the hypothetical existence of a Luz clone without having the issue of asking where Eda, Lilith, and King's clones are, as the clone in this case is the result of a function of the door to create a basic level duplicate of any human that passes through it rather than it happening for just anyone that passes through.

With this, it's because the suitcase form of the portal looks as thought it indicates it was used for temporary trips to the Demon Realm, much like how suitcases were used when railways and international boats made travel more accessible for the middle and lower classes. For example:

Going by the way the door “faces” and the way it swings open, the ergonomics of the portal makes it look an awful lot like a right handed out swing door, with the Human Realm on the “inside” and the Demon Realm on the “outside.” And the arrow in the diagram depicts the general direction of traffic that such right handed, out swing doors are typically design with in mind - ergo, showing what way the portal appears to facilitate travel in.

Now, before you ask, the reason why I think the portal could have been created in the human realm in the first place is that it might require an extra component/bit of help or two from the Owl Deity which I’ve discussed before in the past as hinted by these connected designs:

I’ll explore how I feel the revelation that such a twist about the portal’s origins could play into the themes and narrative of the show under the cut, but overall, I feel these are potential significant details to keep in mind for the rest of this arc of building a new door and handling the idea of Lus having initially been made as a temporary-duration clone, hence how "Luz" comes off so uncannily in the letters as she wasn't meant for long term impersonations.

That, and why I named this the Human Portal Clone theory, for those wondering about the name.

Alongside this, my thought has been that walking back through the portal to the Human Realm basically makes the portal send a recall signal to tell the clone to return to it, where the clone would be reabsorbed into the portal and its memories are given to the original. However, with Luz going back into the Demon Realm for a brief time in YBOS, I am of the mind that it doesn’t just make another clone, but rather that doing so merely made the door turn off the recall signal and allowed "Lus" to resume the impersonation.

And as for the clone itself and why they’re writing letters to Camila, well, imagine it from Lus' perspective. To her at the time of creation, the last thing she probably knew was that she had been chasing the cute little owl that took her Azura book into the woods, and right when the bus to Reality Check Camp was about to arrive.

Also, if you think about it, Lus being the work of someone we/don’t know yet raises way more plot threads/questions than answers compared to being the work of the portal, as outlined below:

TLDR at end of post for those wondering

Belos? How and why before YBOS where he actually started paying attention to Luz for the first time and actually got his hands on a portal? 

Eda? Why would she do all this and not tell Luz she can goof around without needing to worry about her mom or the camp/in time to fool the camp, especially when it took a good amount of time for Eda to even start feeling that close to Luz? 

Hooty got ruled out from the getgo since he can’t hold pencils, King just isn’t that subtle, and everyone else that Luz knows has the major issues of just straight up not knowing about the camp in the first place. Well, that and a lack of another known method of getting to the Human Realm in the first place.

The camp? Why would they worry about a missing camper whose disappearance is all HER fault and thus would more logically result in a call to her parent than some convoluted clone conspiracy? 

And finally, some currently completely unknown third party?

If we’re talking a Changeling, A) it’d be easy for Luz to dismiss them and B) that just makes all the ominous portrayal of Lus super straightforward instead of a subversion like is the show’s shtick.

If we’re talking dimensional counterparts, A) they have to REALLY have led a very similar life to Luz’s in order for there to be enough common ground for Luz to listen, and B) dimensional counterparts aren’t even a confirmed or likely thing that people cooked up from Episode 1 side characters influenced by Amity’s concept art.

And if we’re talking some complete surprise third party group or another, it doesn’t make sense to introduce a third party and their motives and plans to the show this late in when Belos is already taking up the bulk of it all.

Hell, if anything, the continued existence of the duplicate in of itself would indicate that the target of the conspiracy is none other than Camila Noceda than anything to do with Luz or Eda, especially with the complete lack of anyone taking advantage of Luz and or Eda. 

From the getgo, Witches Before Wizards already hard-baked into the show the idea that Luz is NOT inherently special or anything into the foundations of the show from the getgo - ergo, Camila likely just is an absolutely regular human being, someone who has no justification for such a convoluted conspiracy to surround them.

That said, I believe that the idea of the portal having originated from the Human Realm could potentially play into some interesting stories to be had with Camila and Lus here, especially as the conspiracy board shot from the promo was confirmed by Dana to apparently be from S2A, not from the episodes past Yesterday’s Lie:

After all, with Luz searching the library for a way home this coming episodes, perhaps she might figure out something the next couple of episodes that allows her texts to send through, which would logically lead to the above picture. That, and Camila and Lus being confused by and trying to figure out what’s going on there.

I mean, the cabin in the woods likely has a very close connection to the portal and it’s origins given how closely tied the two structures seem to be, and as far as we can tell, Luz never mentioned the cabin in her videos to Camila, but if Lus tries to retrace her steps, that would be a natural vector to lead Camila to the cabin and thus allow us a chance to actually investigate it.

That said, all following the trail would do is lead her and Lus to a dead end at the abandoned cabin, where they would have nothing else to do except discuss their complicated relationship concerning Luz and twiddle their thumbs while waiting for Luz to finish things on her end - which while something I think would be interesting to see, I just don’t see how much of a way to keep them in the greater picture of the show without some kind of project or activity that the two of them could work together on on screen. 

And that’s what leads me to a particular train of thought here, starting with the question of what if Luz FAILS to make a working portal over the course of S2A and such?

With the possible in-universe mystery over what the heck is going on with Lus, perhaps the cabin might hold some notes from the original last human owner - if not potentially the creator - of Eda’s portal as well as potentially some of the same materials and such from previous trips.

Cue CAMILA building a working portal, following in the footsteps of the original creator and such and thus finding a reason to stay on screen, all the while potentially demonstrating both why Belos wanted the portal instead of making his own, as well as diving into the Owl Deity’s connection with the original portal. Heck, maybe the Owl Deity is only accessible in the Human Realm and that plays a part in Belos wanting to get to the Human Realm, which would bring Camila directly into contact with the magic her daughter has been interacting with.

Also, just imagine the internal conflict going on here with Lus. After all, helping Camila build a portal to get the original Luz -and hoo boy would that be a tough thing to grapple with- would most definitely do that and make both Lus AND Camila question how much the latter likes Lus vs Luz.

Like, just imagine it. There would be major chances for Lus and Camila to discuss what would happen if and when they’re finished with the portal, and what will happen to Lus’ relationship with Camila if and when Luz gets back.

Does Camila really prefer her daughter to be all more “normal” like Lus, or does she prefer the old, “weird” daughter from before the summer with Luz?

Perhaps she might be able to figure out how to strike a nuanced balance between the two, and all on a metaphorical journey to truly build a better connection between her and her daughter(s?). 

TLDR: Or in short, I can’t help but feel it would be fitting to see Camila building a bridge WITH Lus TO Luz. 

Particularly, by being the one to craft an actual working portal in the Human Realm instead of Luz in the Demon Realm, showing a parent putting in an active effort to get down to their child’s level rather than waiting for said child to try to get up to their parent’s level even if they can’t or find it incredibly hard to do so.

[sunjaesol]

serendipitous encounters

juke | human au | fluff

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

"I think I met my soulmate!" Luke shouted as he barrelled through the front door, announcing his presence.

Alex, cuddled up with Willie, groaned from his place on the couch. "Not this again. Luke, soulmates do not exist!"

"Well, I'm curious," Willie joked. "What happened?"

Bouncing through the small living space, he propped himself on the coffee table. His eager lips spouted everything he knew so far. "Her name's Julie and she's beautiful and she drinks lattes with caramel syrup."

The two boys blinked at each other, an amused smile growing on Willie as the scowl deepened for Alex. Yeesh. How did these two work?

The blonde tried keeping composure. "You think... you met... the person you want to spend the rest of your life with... in a coffee shop?"

Luke nodded. What was his point?

Luckily, Willie was on his side. "Did you talk to her?"

Sighing, he slumped to the floor. "No. But I'm telling you, it's her."

"This oddly feels like that Zooey Deschanel movie," Alex mused.

"No! She's not some fantasy! She-I can't explain it." Dreamily looking up at the ceiling, he added. "She's it. I'm calling it."

"I think you're horny," Alex deadpanned. Willie snickered.

He rolled his eyes and swatted their legs. "Very cool, you guys.”

The doorbell rang. Jumping up and saving himself from further embarrassment, Luke went to open it.

And it was her. Holy shit.

She smiled up at him, holding up his trusty songbook.

"Hello. You left this journal on your table at Starbucks? It has your address inside."

Gobsmacked, Luke stared at her. Holy fucking shit. Because of his whole daydream about her in Starbucks, he forgot his book and then she took it upon herself to find the rightful owner. That was fate, right? Take that, Alex!

Stammering vowels, he plucked it from her grasp and let out a breathy laugh.

"Y-Yeah, thanks, that's- yup."

An amused smile pulled on her lips, nodding. "No problem. Have a nice day!"

Her goodbye snapped him out of his stupor, calling out for her with a raised hand.

"Wait! I didn't catch your name!"

She turned around, the girl looking so foreign in the grimy hallway of the apartment complex.

"Why do you need my name?"

Cause he knew it already and didn't want to seem like a creep.

He shrugged. "I want to thank you."

"It's Julie," she said after a beat.

"Thank you, Julie." His grin must've been comically wide, heart beating a mile a minute as he was still convinced she was his freaking soulmate.

And then she left. He was certain he'd see her again. In a non creepy way, that was.

— — — — — —

It was wholly coincidental once more. 

It was an early Sunday morning, Luke donned in sweatpants and a ratty cut-off and bedhead, as he meandered in the the shop of a tailor. Reggie owed him for this. 

The bassist loved buying vintage clothing, but never stuff that quite fit him. Hence, a tailor. His name was Peter and basically Reg’s best friend at this point, based on the disappointed look the man gave Luke as he handed him the the slip. He could hear the question on his tongue - “Where’s Reggie?” - and was happy when he didn’t ask. 

One, cause that was fucking rude. 

Two, cause Reg was currently fighting for an exclusive comic book on the other side of Los Angeles with a hurdle of other nerds. 

As Peter was sifting through the clothing racks, searching the order, the bell jingled behind him. 

“Oh, Journal Boy?”

He stilled. Holy shit. 

Whirling around, he came face to face with Julie. Just as beautiful as a week ago; maybe even more disarming in sandals and her curly hair up in a messy bun.

“Hi,” he breathed, unsure if he wasn’t just imagining her. It was a pretty hot day. It could easily be a sun stroke. 

Her smile widened. She was probably amused by his goofy behaviour, but he couldn’t help it. What were the odds he’d see her again, in a different location, this early after the first encounter? What was the statistical probability of meeting his soulmate twice? 

Before he could say anything else, Peter appeared from his rack and placed a leather jacket on the counter. Their attention diverted, Luke couldn’t help but feel heat travel up his back from having her so near. 

— — — — — —

No, he didn't want to go to silent disco.

Alas, Willie and Alex were that quirky type of couple that always liked to do the weirdest shit, including the most impersonal activity ever: a silent fucking disco.

They told him to bring a date, as Reggie was bringing his Tinder match Kayla, but he wasn't feeling it. One, because he still couldn't believe he saw Julie again at the tailor-

("It's Luke, by the way," he added.

She smiled and tasted the name. "Luke. Haven't lost your journal again?"

His name sounded heavenly on her tongue. Keeping the blush at bay, he nodded with a grin. "Yup. Uh-"

And then the man came back with her stuff, and that was that.)

-two, cause he wanted to win from Alex. Soulmates did exist and he hadn't lost hope it was her.

So there he was, in some old factory turned disco, with hundreds of idiots wearing headphones as they danced in a frenzy to whatever song was playing. The whole point of art - connection - was lost. Luke wanted to die.

Until he saw Julie from across the space. Again. And she saw him.

They smiled and waved and suddenly, this whole thing wasn't so bad anymore.

— — — — — —

There were about a 130,000 people living in East LA. It had sprawling neighbourhoods and hundreds of communities and subways that connected it to the other parts of LA. She could’ve been anywhere. 

And yet, he found her again. 

Even though he was still sticking to his guns that Julie was someone special, he also had his own needs. Which was how he found himself slipping out of a redhead’s bed at seven in the morning, dazed from being in an unknown place, and pulling his clothes back on. He was pretty sure her name was Meredith, though that could also just be entirely false. It was a weird, albeit good night. 

She mumbled in her pillow he could let himself out, waving half-heartedly and rolling on her side. 

Softly closing the door behind him and cracking the knots in his neck, he didn’t notice how he bumped into a person. 

Into Julie. 

His eyes widened in shock, the two letting out a surprised yelp. Her hand clutched her chest and took a step back. 

“Whoa!” he exclaimed. “Sorry!”

Her mouth opened and closed in confusion, about to say something, when her gaze trailed past him to the apartment he just left. She cleared up. 

“Meredith? Good choice, she’s nice.”

Luke flushed red. What the fuck was he supposed to say to that? 

Awkwardly scratching the back of his head, he drawled, “Uh, yeah... what’re you doing here?”

It was then that he noticed she had athletic wear on, duffle bag around her shoulder and keys dangling between her fingers. She confirmed his suspicions when she replied. 

“I, uh, live here.” She laughed. “So... have a nice rest of the day?”  

He wanted to say a lot. He wanted to ask if she wanted to grab breakfast, that Meredith wasn’t his girlfriend, that he had this crazy feeling they were always meant to meet - again and again and again ‘til they got it right. 

But he couldn’t. He’d sound insane. Hell, it was insane. Instead, he wished her a nice day as well and scurried out the hallway. He didn’t look back, but he did wonder if he was imagining he felt her eyes on his back. 

— — — — — —

Luke was typing on his laptop, the hustle and bustle of Starbucks at three in the afternoon and the methodical tap tap tap of the keys lulling him into a fast-paced trance. As always, he procrastinated some work for Pitchfork and had to get it done in two hours or else his boss would be yelling in his emails.

The bell jingled, Luke looking up automatically and almost rolling his eyes at the sight of her. This was getting insane.

Julie saw him too, changing her course from the register to his round table with a confused grimace twisting her features. As always, she looked pretty; the girl never looked bad and it was kind of messing with his head.

"Alright, fess up," she exclaimed, slipping into the seat opposite of him. "Are you stalking me?"

He snorted and leaned forward with a wry grin. "I can ask the same about you."

Her lips pursed, assessing him for a beat. With a sigh, she mellowed down. "I guess... we live in the same neighbourhood..."

"Still kinda crazy though," he mused. "East L.A. is big."

She nodded, pensive, and then looked over her shoulder to the menu board. "Is it okay if... I sit with you? I was going to grab a latte to go, but since you're here..."

But since you're here - rang in his ears, a careful smile blooming on his lips. Fuck, he really needed to work, but Julie wanted to sit with him, hang with him, be friends with him, outside of all the coincidental meetings they've had.

He wouldn't call it a date yet. He wanted to properly ask her when that day came.

"Sure," he mumbled, biting down the smile from becoming bigger.

His reply satisfied her, the tendrils dancing around her bright eyes as she matched his smile and stood up to make an order.

— — — — — —

Weeks passed with quick meetings here and there, Julie slowly bleeding into his life with laughs and smiles and whirlwind stories about her life. She was always on the go, always bright-eyed and easily matching his energy. He knew his enthusiasm could put people off, but she was never taken aback.

Wit against wit. Snark against snark. A dumb joke met with an amused roll of the eye. It worked. For a while, he even settled on the fact that hey, they might be platonic soulmates. Julie was a great friends and sometimes he felt his emotions fleeting. If they remained friends, he'd be perfectly content.

But then she closed gaps and barriers that had pointedly been kept before. After they got boba, her hand wrapped around his bicep, stretched on her tiptoes and pressed a quick kiss on his cheek. Before he could register it, she was back on her feet waving him goodbye. Luke had a dopey look on his face for the rest of the day.

She kept up cheek kisses, he let his warm embraces linger, their short hangouts turned into hours.

Then one night, she kissed his cheek after they got ramen and he shifted his face 'til their noses brushed. Julie held her breath. Tentatively, their fingers curled together - the simple touch sparking lightning up his arm.

"Is it weird that I've dreamed about you?" he asked, cautious, looking at their joined hands.

Luke wanted to tell her about his initial gut feeling; that he saw her and he knew. But it was too insane and he didn't want to scare her off. But he knew. He's always known.

"No..." Her mouth ghosted his. "I've dreamed about you too."

Luke closed the little space between them, lips slanting together and instantly deepening as one hand came up to cradle her cheek. His heart was bursting with euphoria. It felt as if his body sighed in relief, like it had finally come home. And then he did: he sighed and grinned and giggled when her arms wrapped around his neck.

Oh, man... he might already love her.

— — — — — —

Nothing definite happened afterwards. Though this is what he wanted, he felt weird confirming their relationship when he had always somehow ‘known.’ It had to come from her side, the more level-headed person in this situation. 

So, it was casual, even though he was anything but casual. 

It was pretty great though, walking past Meredith’s door towards Julie’s, having her yank him inside and kiss him like she’d been waiting for years. Kissing Julie was fucking heaven. 

Besides that, they were the same Luke and Julie as before. They got boba or ramen or any new spot that opened up like weeds. She listened to new music with him, sharing earbuds, for his Pitchfork articles. He watched her sing and play the piano at music clubs, becoming more and more enamoured each time simply by the sound of her angelic voice. He built a shelf for her. She taught him how to make friendship bracelets. He met her best friend Flynn. She stayed over for dinner with the guys and got drunk on white wine, giggling along to the jokes.

They fit. But they weren’t exclusive. He had no clue if she was also seeing someone else. He presumed she didn’t, the two constantly revolving around each other, but he couldn’t be certain.

Alex was gobsmacked the first time he properly met her. Stunned that Luke had been right, that it worked out, that East Los Angeles was apparently nothing more than a small town. Luke reckoned he was just jealous he didn’t have to meet his person by getting maimed on the street - ha! 

His finger trailed along her sleeping silhouette, gently and drowsy, observing in awe how a smile subconsciously quirked on her lips and shifted closer to his touch. He closed his eyes and pressed his nose in the back of her neck. There were worse ways to wake up. 

— — — — — —

Eventually, Julie simply decided for him.

She was moving apartments and he was helping her pack, move furniture, throw shit out, the whole nine yards. For one person, she had a lot of stuff, her cabinets an endless supply of decor, souvenirs and memories.

They were whirling around each other like clock-work, never bumping and smoothly handing things over. Rap music was playing from the stereo, its sound drifting from her opened front door into the hallway.

One of her neighbours popped their head in.

"Oh!" The old man perked up, surprised. "You're moving, Julie?"

She looked up from rummaging through her CD collection to shoot him a tired smile. "Yeah," she puffed, "my lease is up, so..."

"Change of pace, I get it. That's wonderful," he nodded, gaze shifting to Luke walking out of the bathroom. "Hello!"

Luke smiled at him, waving with the box of oddly shaped soaps Julie had for some reason. "Hi."

"This is Luke, my boyfriend," Julie introduced, Luke freezing in his tracks all at once as the words utter from her lips. Boyfriend. Holy shit. It didn't faze her, smoothly babbling more than he wasn't processing.

Boyfriend. Which meant that she was his girlfriend. Which meant that now, he had to threaten the guys to not say a fucking word about how mentally deranged he was the first week after meeting her. This wasn’t planned. This was fully her. This was past fate and serendipity - this was by choice. It felt better than he thought. 

The man bid goodbye and left. Luke dropped the box on the coffee table, sliding towards her with a shit-eating grin.

"Boyfriend," he drawled exaggeratedly.

She rolled her eyes. "Yes. ‘Cause you are. I know you well enough to know you can only do exclusive."

"Can you?"

"I said you were my boyfriend, didn't I?"

His smile widened, leaning in to kiss her. She met him halfway, loose curls tucked behind ears before her arms were slung around his waist. I love, I love you, I've loved you forever.

And then the truth tumbled out. Part of it, at least.

"I, uh," he gulped, looking at her through his lashes. "I saw you, that first day, and I thought you were the most beautiful woman I've ever seen."

Her face turned tender, a pout jutting from her lip as she gauged his reaction, like she was waiting for him to make a joke. He wasn't.

"Really?" she whispered, voice so small it took him aback for a beat.

His thumbs gently caressed her cheeks, withholding himself from saying anything more. This was enough. It was the truth without the crazy - being with her was crazy enough. Luke settled on a simple nod.

Her head tilted, shy amusement lilting her tone. "Good thing I'm moving closer to your neighbourhood then."

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

@blush-and-books​ @bluefirewrites​ @willexx​ @pink-flame​ @constantly-singing​ @unsaid-emily​ @ourstarscollided​

[randomingoftherandomness]

The Bone of Impurity

So with the upcoming Winner is King, my brain got whirling with the thought of The Bone of Impurity which is arguably one of the main plot points of the novel and I thought I would do a bit of a meta for it? It is definitely something I hope they do not dilute for the Live Action adaptation but even if they did touch upon 1% of the shit that goes on into making a Bone of Impurity, it's still pretty Dead Dove Don't Eat. So I thought I would preempt it by actually putting down a primer on the Bone of Impurity.

I did not read the novel in Chinese and read it in English, so some of the more subtle themes present in the original work will have been missed by me. If anyone who has read the Sha Po Lang novel as it was written by Priest, do let me know if I have made any mistakes on any of the below ( •̀ᄇ• ́)ﻭ✧

Fair warning, there's some pretty Nightmare Fuel inducing shit, so I'll be keeping things under a read more in case people get squicked by this lol I'm also basing my references around the translation that Northwest Flower did because that is the one I read.

Just a basic background on The Bone of Impurity:

It is essentially a curse unique to the Northern Man people who utilise it in moments where someone's country is broken and nothing remains but revenge. To attain that, they make a sacrifice to the 'evil' gods of their beliefs

It is a cruel and horrible affliction to put on the person, but the return for it is that the person who becomes a Bone of Impurity gains the strength, intelligence, foresight and abilities of two persons

Whoever becomes a Bone of Impurity is someone who is single-mindedly ruthless and bloodthirsty when pressed towards a goal; they will attain power and their near supernatural abilities will make them unstoppable in achieving their goals

They will also gain a sort of existence that is neither alive nor dead. Sort of a zombie-like living. They also don't live very long

For all this super abilities, the flip side for anyone living with the Bone of Impurity is that they will be constantly highly suspicious and paranoid of everyone and everything; they will be slowly driven mad by the visceral hallucinations that will leave them incapable of knowing what is real and what is fake (Volume 1, Chapter 26; Volume 3, Chapter 70)

A Bone of Impurity attack comes about when the afflicted experiences heightened emotions or moments of extreme stress (I seriously cannot list out all the times it popped up in the novel because we would be here quite long lol)

It manifests in dual pupils being observed in their blood-hued eyes, hypersensitivity of the senses, their body burning up, almost sleep paralysis levels of body-lockedness and they will experience extreme pain with the bouts of attacks lasting hours at a time (Volume 2, Chapter 50 & 51)

The method of 'refining' a Bone of Impurity is...

Basically taking two babies and putting them in a dark place with no air, no water, no food. One of the babies will survive while the other one dies (Volume 3, Chapter 70)

I'm not quite certain if they have to be blood related or not, but the examples given in the book all indicate that if they have a strong connection to each other, then it would be better and that the Bone of Impurity would better take

The dead baby is then... 'refined' with the arcane arts and medicines of the Northern Man Goddesses and fed to the surviving baby (re:baby cannibalism)

I told you it wasn't pretty...

In the novel, Chang Geng is the Bone of Impurity made by Hu Ge Er, his aunt, in order to bring about chaos and tumult to Great Liang that had subjugated her people. Chang Geng is repeatedly described to have almost scary levels of intelligence and foresight, to the point where some of the characters actually wonder if he is omnipotent.

Chang Geng is also revealed to have obtained characteristics of his cousin

One of the ways Shen Yi and Gu Yun identified Chang Geng as the missing Fourth Prince is the congenital defect of a toe - which, lol, the worlds where DNA testing did not exist - and Chang Geng insists that his toe deformity was caused Hu Ge Er (Chapter 8)

It is later revealed that this was one of the further side-effects of the Bone of Impurity where the afflicted would reflect characteristics of the 'devoured' counterpart (Extra: Souls returned home)

Now on to the meta bit:

Chang Geng has a pretty much single focus sexuality on Gu Yun; even when he wasn't clear on what the nature of those feelings were, he was already dedicated to the man, already thinking up ways of how he can support him in the future

Even when he was heartbroken by the reveal of who 'Shen Shiliu' was and the lies and the subterfuge that had flowed between them, just with an apology and assurance from Gu Yun, Chang Geng was already ready to forgive him

Now, we know that Hu Ge Er said with her dying breath that the Bone of Impurity will cause him to lose his mind and will cause the death of everyone he will ever love. I think she said this because she has already detected the level of dedication he has built for Gu Yun and also because she is a horrible person and wanted one last pot shot at tormenting Chang Geng

Through all his Bone of Impurity attacks, Chang Geng has one consistent thing that he fears the most above everything else - Gu Yun abandoning him, rejecting him, leaving him in any way

My thought is simple; what makes him different from the other Bone of Impurities that were explicitly said and described in the novel? One person. Gu Yun.

Had Gu Yun not saved him from the wolves outside of Yanhui Town, he would have definitely died right there and then being killed by the Northern Man wolves. I truly believed that at that time, Chang Geng really ran out there to die. With just the scant descriptions of what Hu Ge Er did to him throughout his childhood, even the brief glimpses into her horrible abuse, is enough to cement that he was very likely unable to handle everything anymore.

If Gu Yun had not shown up and took on the mantle of Chang Geng's Yi Fu - as clumsy and as emotionally stunted as he was to deal with a dependent - was kind to him without any sort of condition attached to it, if Gu Yun had not taken that spot in Chang Geng's heart and mind as a moral compass, guiding his path to tempering the more extreme effects of the Bone of Impurity, I have no doubt that Chang Geng would have destroyed Great Liang before he even turned 21.

Because of Gu Yun, Chang Geng plotted the way to peace for Great Liang; divesting of weak emperors and ushering in a new age of stability and peace, building a foundation for his nephew to take over and build upon. All because he knew that Gu Yun loved his country, loved the people, has broken his back time and time again to toil for peace and defend its borders.

In the novel, they even explicitly say that when Gu Yun is out doing routine inspections of the borders and stuff, Chang Geng essentially shuts down; starts living like a monk and a life without colour until Gu Yun comes back to him (I don't know which extra or chapter this is in because this post has been waaaayyyy too long at this point)

With Gu Yun, especially when he learns that his supposedly unrequited and unfilial feelings were not as unrequited as they seem, he found a path to a future where he can strive to live without pain and without worry. With Gu Yun, he could focus all of the ruthlessness and all the bloodlust and the brilliance and the horrors and make it into a fulfilment of Gu Yun's dream; to be able to walk away from the battlefield and live out the rest of his days in peace and leisure.

Think about it, especially if you have read the novel, how scary can Chang Geng get when Gu Yun isn't around to temper him?

Basically, yes, I am definitely saying that Chang Geng and Gu Yun doing the horizontal dance with no pants resulted in peace for the country lol

[Bit of Trivia] Chang Geng's name is also significant because, according to Hu Ge Er, it is the name of the 'Bone of Impurity' in the Chinese dialect (Chapter 6)

[tomakeitbeautifultolive]

Something I've been wondering about: If Jon comes back as a fire wight like Beric Dondarrion and unCat, will he be able to get it up? Blood won't really be flowing in his body anymore, so would his dick be powered by fire magic or something like that?

I, too, have spent a great deal of time pondering Jon Snow’s dick, Anon. 😏 Jokes aside, I will admit right off the bat that most of what I have to offer is total speculation, but over-thinking the most minor details of ASOIAF happens to be my favorite pastime, so let’s go!

Like pretty much everyone who read the quote, I was totally thrown off by the “fire wight” revelation. Here’s the quote for reference:

“..poor Beric Dondarrion, who was set up as the foreshadowing of all this, every time he’s a little less Beric. His memories are fading, he’s got all these scars, he’s becoming more and more physically hideous, because he’s not a living human being anymore. His heart isn’t beating, his blood isn’t flowing in his veins, he’s a wight, but a wight animated by fire instead of by ice.”

So, an important distinction to make here is that this quote is about Beric Dondarrion specifically, not Jon Snow.

The condition of Jon Snow’s corpse might matter

George can be very clever with how he words things. Note that he goes into Beric’s deaths, describing multiple resurrections and how he’s falling apart before stating that his heart is no longer beating. It could be that a fresh “fire wight” might still possess bodily functions—at least at first. Catelyn, too, was a very sorry looking corpse by the time she was reanimated, therefore not a great comparison, either. Especially since it’s Beric rather than Thoros who, with very little life force to lend, resurrects her.

If nothing else, Jon will be “fresh”, and his location at the Wall means the low temperatures will help preserve his body even if the resurrection takes some time. 

And speaking of the Wall… there happens to be a special lady there who could help Jon, and whose powers happen to be amplified by the magic of the Wall...

Melisandre is profoundly more powerful than Thoros of Myr

Thoros may be a red priest, but otherwise he seems to be a pretty normal human man. We get a clue about when he converted from Jaime:

“Jaime had once heard Thoros tell the king that he became a red priest because the robes hid the winestains so well.”

Relatively recently, one might guess, as most children aren’t yet drunks. Further, he was never very dedicated to his faith, even questioning it at times.

Melisandre, on the other hand...

“Melisandre had practiced her art for years beyond count, and she had paid the price. There was no one, even in her order, who had her skill at seeing the secrets half-revealed and half-concealed within the sacred flames.”

While we don’t know much about her, this confirms that she spent countless years studying her craft, and no one in her order can match her skill. And no one believes in their faith more than Melisandre. Like in the television series, it’s a safe bet that she’s actually much older than the natural human lifespan, particularly if she managed to lose count of how many years she’s studied magic.

If Melisandre is the one to resurrect Jon Snow, she might not use a ‘last kiss’ method at all, or, if she does, it could be more powerful than anything Thoros is capable of.

Unlike Beric, Jon Snow is probably the prophesied prince

Speaking of Melisandre’s ability to glimpse secrets in the flames… there’s someone she sure seems to see a lot of:

“I pray for a glimpse of Azor Ahai, and R'hllor shows me only Snow.”

“Skulls. A thousand skulls, and the bastard boy again. Jon Snow.”

“The flames crackled softly, and in their crackling she heard the whispered name Jon Snow. His long face floated before her, limned in tongues of red and orange.”

I know. There is some contention about who the Prince that was Promised is. Regardless of whether you agree that it’s Jon Snow, you’ve got to admit that Melisandre is seeing him in the flames for a reason. And if he’s not the prophesied prince, then perhaps his blood has something to do with it. It’s likely that, for some reason, the combination of Targaryen and Stark blood matters. At least, Rhaegar Targaryen seemed pretty convinced...

Whatever Jon Snow’s business is in Westeros… it’s unfinished. And part of that unfinished business might just involve becoming a father.

The emphasis put on Jon fathering a child is notable

Let’s go back to Jon’s first chapter ever. It opens with Jon at Robert’s feast, the author uses Jon’s eyes to describe the setting and multiple characters. And then enters Benjen Stark. This is when we really get to know Jon. When you read this passage, really consider the author’s intent here:

"You don't know what you're asking, Jon. The Night's Watch is a sworn brotherhood. We have no families. None of us will ever father sons. Our wife is duty. Our mistress is honor."

"A bastard can have honor too," Jon said. "I am ready to swear your oath."

"You are a boy of fourteen," Benjen said. "Not a man, not yet. Until you have known a woman, you cannot understand what you would be giving up."

"I don't care about that!" Jon said hotly.

"You might, if you knew what it meant," Benjen said. "If you knew what the oath would cost you, you might be less eager to pay the price, son."

Jon felt anger rise inside him. "I'm not your son!"

Benjen Stark stood up. "More's the pity." He put a hand on Jon's shoulder. "Come back to me after you've fathered a few bastards of your own, and we'll see how you feel."

Jon trembled. "I will never father a bastard," he said carefully. "Never!" He spat it out like venom.

Suddenly he realized that the table had fallen silent, and they were all looking at him. He felt the tears begin to well behind his eyes.

This is how George R.R. Martin chooses to introduce us to Jon Snow. And gods, that always hits me right in the gut. It’s absolutely supposed to. Jon’s trembling, venomous anger is palpable. You feel the deep hurt and resentment in his words, right down to his core. Jon says he doesn’t care—but the bite in his words and the tears welling in his eyes tell us otherwise.

Jon Snow easily embraces his vow of celibacy. At first. And then comes Ygritte. And after getting his first taste of love and later flirting with the idea of becoming a lord when it’s offered to him by Stannis, Jon Snow begins to imagine what it might be like to have a wife...

“I might someday hold a son of my own blood in my arms. A son was something Jon Snow had never dared dream of, since he decided to live his life on the Wall.”

And look what happens the moment he does dare to dream of it...

“I could name him Robb. Val would want to keep her sister's son, but we could foster him at Winterfell, and Gilly's boy as well. Sam would never need to tell his lie. We'd find a place for Gilly too, and Sam could come visit her once a year or so. Mance's son and Craster's would grow up brothers, as I once did with Robb.

He wanted it, Jon knew then. He wanted it as much as he had ever wanted anything. I have always wanted it, he thought, guiltily. May the gods forgive me. It was a hunger inside him, sharp as a dragonglass blade.”

And the feeling transitions into an almost tangible hunger felt by his wolf, Ghost.

Speaking of Ghost…

Grab your tinfoil! ‘Cause Jon’s life might’ve already been ‘paid for’ ...By Daenerys

First… in case you didn’t know, Daenerys is probably a skinchanger:

“The slightest pressure with her legs, the lightest touch on the reins, and the filly responded. As she turned to ride back, a firepit loomed ahead, directly in her path. A daring she had never known filled Daenerys then, and she gave the filly her head.”

Basically, it goes like this:

As Daenerys wanders the Dothraki Sea in search of food after being whisked away by Drogon, she hears a wolf’s howl.

“Will (Ghost) howl for me when I'm dead, as Bran's wolf howled when he fell?”

Feeling lonely yet no less hungry, she eats some strange green berries. Her stomach begins to cramp.

“My flesh will feed the wolves and carrion crows, she thought sadly, and worms will burrow through my womb.”

Unfortunately, Daenerys then experiences some horrible diarrhea. Poor girl! I don’t bring it up to be crass, but because this purge bears striking resemblance to an earthly drug called Ayahuasca—a substance that, aside from emptying your bowels, is often used as a means to ‘open your third eye’ (Just as Bran does in the crypts, and he can finally reach Jon and Ghost…)

Dany falls asleep and begins experiencing trippy dreams about her brother—perhaps even achieving contact with the other side? Then...

“When she woke, gasping, her thighs were slick with blood.”

Assuming it’s nothing more than her period, Dany begins to wonder the last time she bled—hinting that it might’ve been a little while.

“The sight of so much red frightened her. Moon blood, it's only my moon blood, but she did not remember ever having such a heavy flow.”

Maybe a bit of a stretch, I know. But… this wretched and graphic scene of Dany’s loose bowels really made me wonder what in seven hells George was thinking. I was so embarrassed for Dany that I HAD to figure out why he’d do this to her.

And my best guess is that she’s using these latent skinchanging abilities to tap into this strange connection with the “blue rose” over at the Wall of Westeros and the silent wolf who finally howled for help upon his death… And so, Dany’s miscarriage may be the death that will pay for Jon’s life.

I might’ve found some more evidence to back this claim up, this is very new ‘evidence’, so bear with me:

“Fire”, in the world of ASOIAF, often translates to “life”. As is seen here in Sam’s speech following Aemon’s death (thanks, bridge4!):

“He was the blood of the dragon, but now his fire has gone out.”

Further, according to the wiki:

“When a follower of the Lord of Light dies, priests fill their mouths with fire and breathe flame into the deceased”

In the House of the Undying, Dany receives a series of chilling prophecies, one of which happens to be about fires:

“Three fires you must light, one for life, one for death and one to love”

I know, I know. Drogo’s pyre, the Khals, etc etc. But George might be playing with double meanings here… So, if we think of fires as conceptions, this could maybe mean:

One in exchange FOR the Dragon’s lives (Life)

One in exchange FOR Jon’s resurrection (Death)

One conceived (likely with Jon) and carried to term (TO love)

Food for thought! Especially considering that, like Jon, Dany possesses the blood of Old Valyria, and these sacrifices are probably all the more powerful as a result. But even if I’m dead wrong about that prophecy, well, fire still broadly means life, which bodes well for our brooding ‘bastard’, who might just end up as a “fire wight”.

Hopefully something in this drivel has given any Jon fans reading this a little bit of faith that, despite the slight setback of death, Jon will still be able to exercise his, uh, virility when he finally meets Dany. 😅 Thanks for the ask!!

[aro-comics]

Fashion Analysis (Part 5: Aromanticism & Fashion?)

[Note: This post is a part of a series analyzing self-expression, fashion, aromanticism, and how they interact with other parts of identity. For full context please read the whole thing!]

Aromanticism and Fashion?

Now that we have gone through LGBTQ+ History with fashion, and the importance of self expression - I think we’re in a good place with all this context to discuss how aromanticism and fashion can intersect. (and again, as a disclaimer, all of this is purely speculative!). 

Personally, I think there may be a few philosophies on how Aromanticism and Fashion may interact. You can look at it a few different ways, either considering the influence amatonormativity may have on our methods of dress, but also the context in which Aromantic communities are forming (online). 

On the influence of Amatonormativity

Up until this point I’ve been side-stepping the consideration of amatonormativity – but it does impact self-expression, I think, and it’s worth discussing it’s relation to aromanticism.

I had a discussion with one of my aroace friends about the idea of wanting to avoid “attention” in the romantic and/or sexual sense growing up. There is an inherent tie-in with wanting to appear desirable (as shown in the beginning of the comic, and also reinforced through many pieces of popular media), with romantic outcomes. In both of our experiences, I believe it made the idea of being seen as conforming to beauty norms an uncomfortable activity. 

And looking back to lesbian fashion history too, we can see this subversion of heteronormative expectation is tied into a lot of their community’s means of dress. Which leads me to wonder - will we also see this with an emerging Aromantic sense of fashion? How could this impact clothing choice, and general expression as it relates to an amatonormative society? 

I want to note that personally, outside of professional contexts, I like to dress femininely in a subversive and “alternative” way. I LOVE the idea of being hyperfeminine as a performance, being a living, breathing, work of art, while simultaneously creating an aesthetic that would not consider “attractive” in an amatonormative context. And another aroace friend has confirmed feeling this way with me too! She mentioned she likes to dress in a way that will make women go “wow, we love this outfit” but at the same time cause *conservative straight old men* go “what are you wearing” (to paraphrase our conversation). 

I think some good examples of this from my personal experience would be the following:

1. I love aggressive, graphic liner - generally makeup is thought of as something that feminizes the face, something that softens. But I also like to use it to create the angles and shapes that adorn my face, something abstract for the sake of being beautiful. Like mentioned before, I don’t want to appear romantically attractive to anyone, and I think that for me, at least, this is a part of using femininity to subvert these expectations. 

2. I love ethereal-looking, avant-garde sheer dresses, not in the sense that they could be romanticized, but in the way they again make me feel detached from the idea of beauty for the sake of appealing to anyone else. Instead, for me it feels like beauty as a wild, untameable form of nature and being. 

But … maybe I should mention the unconventional tastes are partially tied to the fact I spend a lot of time in creative spaces because of my degree, and overall I am exposed to more diverse ranges of self-expression to begin with! Either way, though, I am curious what other aros have to say, so feel free to let me know your experiences with this. I’d love to provide an update with thoughts from other aros! 

Forming Community Online and its Possible Impacts

The online nature of the development of Aro Culture leads me to wonder if this medium of interaction will influence the development of our fashion, much like how it influences the development of fashion overall.  For example, with tiktok, the app is often credited for its major influence on modern fashion trends (and leading to the emergence of microtrends). 

Most visual designs are being affected by the way social media algorithms work too. The “allegria style” created by facebook, otherwise known as the “flat gangly limbed drawing style beloved by tech companies”, has exploded in popularity. Regardless of how one might feel about the widespread adoption of this style of illustration, it’s clear that it has significant advantages that have led to its popularity, one of which is its ability to be “consumed” or visually understood at high speed due to its graphic nature and simple design. Basically, when people look at things on their phones, and they’re scrolling quickly, they’re more likely to understand what they see and interact with what they see if it’s easy to visually “read��. And I truly believe that this is influencing most forms of design, including fashion (which subsequently, will influence aro fashion). If you’d like to learn more about this subject, sources 14, 15, and 16 provide more insight into how social media algorithms have influenced design and visual culture at large. 

I think another factor to consider here is the effect of seeing the whole world at once - having the influence of all different media, visuals, and pop culture at the same time has created a very unique environment for development. As one example, the wider aspec communities have developed with the existence of our flags (which are purple and green centered for ace and aro respectively). This would be knowledge that wouldn’t be so easily spread through the whole community in a pre-internet era, and I personally (THIS IS ONLY MY THEORY) feel this is part of the reason there is a far stronger connection to these colours within aspec culture. It’s something that unifies us and was one of our first introductions to the community (since most of us probably looked up the definition of aromantic, or asexual, online), and I think for this reason these colours hold special significance and are present in a lot of of our means of self expression and communication with other members of our community. 

Obviously, the formation of symbols and ways of self-identification will occur anyway (many symbols exist for other members of the LGBTQ+ community too), but I do think being online has a particular influence on the ways community symbols are communicated, and create a different context in where these cultural symbols take shape.

[Note from Author: For Part 6, click here!]