#i think a lot of it has to do with the way that they're using it to enhance the pre-existing themes around abusive parenting

[alchemistc]

He's been good. He's been - pretending to be good well enough that no one has been suspicious.

It's just -

That was it. That was The One.

And sure. He can get back out into the world. He can fall in love again. There is a beautiful man somewhere out in the world who will make him laugh, make him cry.

He's just not sure he wants to put the effort in anymore.

For a hot second he'd really thought -

Not that it matters, anymore.

He's pretty sure his leg is pinned. The cockpit is more smoke than air, at this point. He can feel his toes, but honestly that might be more a curse than a blessing.

He's been staring at the phone in his hand for the last five minutes. Ever since he realized he didn't have the leverage to try to move the bracket keeping him from slipping free of the broken, crunched in door frame.

It's selfish. It's the most selfish fucking thing he's considered since he decided to break his own heart instead of letting someone else.

But logistically he's got about seven minutes until there's too much smoke and not enough air in here, and that's only IF the fire doesn't catch somewhere else.

He's got enough bars. And there are two numbers he could call. Two ways this could go.

The phone rings through four times, and on the fifth, someone answers.

"This is a bad time, Tommy," Eddie says, and Tommy feels a little hysterical. The laughter comes in fits, only slows when he gets a nice good whiff of smoke straight up his nose.

"Sure is."

The tone shifts. "Are you okay?"

"It was a bad idea anyway."

He feels woozy. Glances down at his leg and realizes that stain he'd thought was shadow is... definitely blood.

"Listen. I'm - when Evan gets the call, don't let him go alone. It's my fault for not updating my ICE."

The silence on the other line is deafening. "Tommy, where are you? Don't - don't make any decisions you can't come back from." It's a panned line he'd heard at the VA the half dozen times he'd gone.

"Yeah I didn't really make this decision myself. I'm just - I'm losing a lot of blood, here, and there's not a lot of ways for the smoke to get out of this cabin, and -."

High alert has a very specific sound and feel to it.

Eddie's cursing, something is shuffling, he's snapping his fingers in the distance. God, they're probably at work. "Where are you?"

Tommy rattles off his last known coordinates. "I already told dispatch, Eddie. I'm just. They're not gonna make it in time, and I need you to promise me you won't let him be alone when -."

It'd been a trip he would have been riding shotgun for, if Tommy hadn't made sure he wasn't. He's grateful for that, at least.

He's really not expecting much, he thinks. Eddie doesn't have to go far out of his way to support Buck. It'll hurt him, true. But Tommy's gotten pretty used to being the cause of that. And. He'll be dead, anyway, so he won't have to carry that guilt for long.

And then Eddie betrays whatever vestige of friendship they had left, because it's not Eddie's voice that responds.

"Hey asshole. Do you have enough leverage to break the window?"

He's got a good voice. A little gruff, a little heavy.

Tommy doesn't want this.

"No."

"Actually no, or are you just accepting your fate again without even talking about alternatives."

It's not how he thought he'd go. Dramatic final hour phone call, the end of their relationship as a metaphor for the bleakness of his situation. "I'm sorry, Buck."

He's having trouble focusing his eyes. There's a beat behind his ears that keeps slowing down. He thinks he might be hearing sirens but -

"Evan," Tommy says for the first time in six months. "I'm so sorry, Evan."

He says - something. The tone of it is there, even if he can't quite make out the words.

Tommy blinks. Coughs.

There's a phone in his hands.

Why is there a phone in his hands, he's supposed to be flying a -

He'd crashed it, actually.

Well shit.

Damn.

Eddie's gonna be so pissed if he has to find out second hand that Buck's going to get a really fucking shitty call in a few hours.

He should call.

---

When he blinks open his eyes, he finds his fingers first, nearly has a panic attack when they don't move they way he wants them to, except - oh.

There are fingers interlocked with his.

Tommy follows the line of the arm, even though he knows.

"Sorry," Evan says, and there are tears unshed at the corners of his eyes but he looks mad as hell. "You only get one dramatic exit out of my life in a calendar year."

[bonefall]

How do you feel about the Everluxes?

Well, I'm actually someone who generally dislikes Ancients. I usually find that they're kind of a "waste" of an otherwise interesting breed concept, and the fact they can't wear apparel means I find them difficult to work with even when the colors are all aligned. They're usually just "discount moderns," to me.

So Everluxes are everything I want, actually!

They're something that could never exist as a modern breed because they break the 4-legs 2-wings mold, they're SUPER unique in terms of their grublike proportions and big chunky upper legs, and they released with a ton of amazing line-breaking genes that are fun to play with. This is exactly what I feel like Ancients have been missing since their release!

I actually strongly disagree that these guys are "unfitting" in the Light Flight-- I think everyone who's saying that just doesn't like that Light has a fat dragon. I'm losing patience with the way they'll say, "It's not because they're fat, it's because they're inelegant, ungraceful, gross, tubular, long, round, etc" and just expect people to not realize those are being used as alternate words for "fat." The only person they're fooling is themselves.

They have a lot in common with the other breeds, actually. The wings resemble the Imperial's. The rhino-like horn reminds me of the pearlcatchers. They have the same prehensile "feeler" whiskers. Even the way that they're really long makes me think of a sort of "beta" imperial.

I have a headcanon that the Lightweaver made Everluxes and was suuuuper proud of them, her little "bookwyrms..." and then her bully of a sister, Shadowbinder, got REALLY mean about them. Took jabs at every chance, and ultimately made Veilspuns as "LOOK, IT'S YOURS BUT BETTER LOL. MAYBE YOU COULD LEARN SOMETHING. YOU LOVE DOING THAT, DON'T YOU?"

Long hair, sleek features, strong and tricky... Lightweaver loved her design, but when she looked at what her sister could do, she felt ashamed. She'd just wanted people to help her archive and preserve knowledge, but now that she was being pressured to compare her creations to someone else's, suddenly the joy was gone.

And, of course, FlightRising lore enjoyers know what comes next.

Spurred on by that fierce feeling of inadequacy, her next set of creations would be larger, more beautiful, more powerful than anything that had ever come before. She forced every tear, every sob, every moment of anguish she'd ever felt into her next creation. No dragon that walked the soil of Sornieth would be able to hold a candle to the light of the masterpiece within her claws.

Imperials came after the Everlux-- and Emperors in their wake. The Lightweaver swore to never create a breed out of anguish ever again.

[doodlesfromthebird]

I'm just going to establish that the large boy is Mattheus and the willowy halloween gremlin is Kassian. sO. THERES A FACT.... Kassian has ghostly powers, including a limited ability to phase through objects. He can't phase mundane clothing on his back or other people. He phases through walls so often he forgets which doors are "pull" or "push". Theres typically a bit of confusion when he HAS to use one. MORE FACTS UNDER CUT!

Mattheus' super strength developed as a child and it was a difficult thing for him to control. He accidentally broke a bone in one of his brothers hands when playing and he felt so awful he wore oven mitts on his hands for a week, as if it would lessen the effects of his strength

Mattheus loves olives and Kassian loathes them entirely, so whenever offered some he'll give them to Mattheus. Kassian will finish whatever sweets Mattheus can' if the sweets are too rich.

Kassian has unnecessarily swoopy cursive for handwriting. Mattheus has very sharp and scratchy, large print. (His "S"'s all look like lightning bolts. It's very cute.)

Mattheus is the tallest person in his family. He's 6'5" (almost 200 cm) the second tallest is his brother, Torin at 5'7 (abt 173cm) by a few cm. Mattheus towers over everyone in his family.

Kassian is allergic to the entire season of Spring. Pollen is constantly assaulting his sinuses, he gets eaten alive by bugs, and he swears the springtime sun gives him hives. (it doesn't, he's being drama queen)

Neither of them get much of an opportunity to do artsy hobbies, but Mattheus is fairly skilled in pottery and ceramics, and kassian likes drawing flowers and dabbles in candle-making.

they're both monster-hunting partners that specialize in exterminating a very particular kind of monster. Kassian is a mage that specializes in dark and illusion magic where Mattheus is a fighter that specializes in two-handed heavy weapons. They're very good at it.

Yes, they've done the thing where Mattheus does pushups and Kassian sits on his back.

Kassian is very open with his expressions, (he's my muse for intense expression drawing) and body-language. He's very theatrical, but he's easily embarrassed and quick to shrink in on himself. Mattheus is outwardly very stoic but is actually very passionate and softhearted.

Mattheus is what people in their world call a "young god". It's a very demigod inspired concept, where god-like traits are given to humans via gods/guardians as a sort of "blessing" if a particular family was favored by a divine being, or if the human themself was favored. Mattheus (and his sis Mainara) was blessed by two sibling gods because they favored his mother's side (long story, but in short they both had the hots for his grandmother) to which his parents were like..."uh thanks i guess??"

Kassian is the kind of person who doesn't give pencils back/puts empty containers of food back in the pantry when he's done. Mattheus drinks milk out of the carton and sneezes unnecessarily loud. Both can cook, but they both wait til they have no clothes left to do laundry.

The way they fight relies on a sort of linking of mind and energy (the closest I can think of is "drift compatibility") in a way that grounds the other as sort of an anchor. It balances Kass's sensitivity to spiritual noise and Mattheus's grounded and focused nature.

Kassian easily picks up on hidden magical frequencies mattheus can't, and Mattheus's senses are heightened to "real world" sounds and smells Kassian can't detect. Mattheus is a good strategist/planner/tracker and Kassian can slither into places to scout.

Mattheus loves all animals but especially dogs. Big dogs. Kassian is a little skittish and hesitant around living things smaller than him, but typically likes quiet animals like cats and rabbits. Big animals love HIM though and he's been knocked over by many a large dog/creature

Kassian is 25 (December 24th) Mattheus is 23 (August 30th) [he often gets "you're a lot younger than you look" I think if you get to know him a little bit and the first impression of his height & strong features fade, you kind of see he still has a boyishness to his face]

[dilf-docs]

X Si Volvemos

ex older bf!logan x younger fem!reader

summary: there are many things you and logan disagree in; but not when it comes to things in bed.

warnings: 18+ (minors dni), age gap (phew), smut, ex!logan, exes to ????, p in v, creampie, reader's in her early to middle twenties so her frontal lobe hasn't developed yet; don't expect any reasonable thinking on her side, logan is on his middle to late 40s, angst (duh), this happens in an AU where mutants don't exist bc i don't wanna complicate myself with timelines lol hence time isn't really important but it's contemporary, the vibes i bring to the function are more sad than horny and i'm sorry, toxic too! may build a series around it?

word count: 1,925 words

side note: the incredible @bpmiranda's got me with a very bad case of ex!logan fever :( plus after listening to karol G's album mañana será bonito and seeing i may or may not be obssesed with romeo santos, i got the song in the title on loop: as you can see, it's all very fitting ++ don't forget to check out her stories, they're so good istg!!!!

You shouldn't call.

"Logan" you speak. His name burns in the tip of your tongue, like a secret you're not supposed to tell.

He shouldn't answer.

It's quiet at first on the other line, until a rough voice says I'm here, appearing to be distant, but who is he trying to fool? As soon as he saw the number pop on the screen, his fingers moved with a learned urgency.

You shouldn't keep calling.

"I need you" three words to cover those you actually mean; hanging in the spaces between the silence.

I miss you. I love you.

Your hear a heavy sigh on the other end.

He shouldn't keep answering.

"Princess..." Logan pleads, "don't do this"

You know better than that, he wants to say, but keeps his mouth shut. Just to hear your voice, just to-

"Please, Lo" you whine out. Logan grabs his jeans with force, the fabric strained under his white-knuckled grip. It takes him a lot not to run to you right there and now.

"Don't" but his voice cracks as much as his resistance.

"I've got the house" you whisper the prayer; a routine so sacred none of you seem to break it, "just for us"

"Y/n" even saying your name is painful; like the most addicting and damaging drug to ever exist, "stop"

Logan loved your stubborn heart, but there are times where he wishes you weren't like this.

"I'm sorry" and then he hangs up.

I'm sorry for not being who you needed. I'm sorry I pushed you away. I'm sorry I keep on coming back after I said I would leave you alone. I'm sorry I can't keep my promises.

You feel it around your neck―bruises in the vocals your voice has failed to scream; it chokes you with rage.

"Are you stupid?" you ask yourself in the mirror.

What are you doing? Why are you doing this to yourself? Do you love him more than you love you?

You dial again, but this time, it's a girl who picks up.

"Yeah?"

"Hi. Wanna go out?"

Logan feels so out of place, but this used to be your favorite bar, and he's desperate for a drink.

Listening to your voice has always made him weak, but after you broke up, it drives him crazy.

He empties another glass, feeling pathetic. This is how bad it's gotten: you've got him scouring the places you used to go, chasing your ghost, trying to get a glimpse of your silhouette or a whiff of the phantom of your scent, the lavender haunting him; getting under his skin.

A song beggins playing, and it's the same vinyl set from two years ago. The night he met you: a pretty young thing so out of place in an old bar like that, playing hard to get, only to end the night moaning over him, fogging his car's windows, saying his name in a way no one else had before. He still remembers the way your legs trembled but he held you, beads of sweat confusing themselves with the glitter on your skin. Logan doesn't know what that is, but he's marveled, so in awe of you, everything of you: young, new, exciting.

But every new thing wears out, and the gap he swore wouldn't matter came crashing in years that built a distance between him and you.

So he did what he did best: ruin it. Deny the feelings bubbling inside; let them consume his reasoning, pushing you like he had done with everyone who cared about him before.

When he broke your heart, he took a part with him. So you keep coming back, looking for it; trying to piece yourself together. And he let's you: because God knows you have a part of himself too.

He's so drunk he probably imagines the hint of lavender in the whiskey tinted air. He's so desperate to see you again, he's seeing your face among the crowd. He's definitely gone insane: hearing that laugh he misses every day.

"Y/n..."

The music pauses: all you can hear is your name being said in that way like it belongs to him.

"...Logan"

He walks in autopilot over to the table you and a group of girls are sitting. They're all beautiful―beautiful people attract beautiful people, but he's only got eyes for you.

"What are you doing here?"

He raises a glass he didn't know he was carrying, "having a drink".

Your lips purse, and Logan doesn't know if it's because you're laughing at him or sad.

"I see" but you divert your gaze, looking at your outfit's neck. The outfit you chose: a black dress that pushes your tits on top. They are on display, and Logan feels played by you―his eyes trained on the strained fabric, tongue watering like it did when he would lick your sensitive nipples.

"I see too" he says in automatic, and one of your friends laughs. He looks away, thanking the low lights, or you'd see the red embarrassment on his face.

You stand up and walk over to him, and your friends sense it's time to leave the two of you alone.

"Why did you hang up?" you throw the question so casually; the nerve you have.

"What do you mean?" it's the only thing that comes to his mind. Very stupid, indeed.

You scoff, "delete my number, then"

"You keep on calling" he bites back.

"And you keep answering"

You never shut up. He hates that.

"I may have to stop"

You get closer, way too closer. So much, your hot breathe clouds his judgment.

"Try to" you dare.

And he tries, he really tries. But not today.

Not today when he takes you home, finally looking complete with you in it again. You had moved out after your last discussion, saying you'll never be back.

"You haven't changed a thing" you murmur in between kisses, and he can sense a bit of melodrama in his voice that makes him roll his eyes despite the dull ache on his chest.

He picks up your body swiftly, carrying you up to the bedroom.

"Why would I?" he asks, voice so low and small you almost miss it.

"Because you hate me" you avoid his eyes, even if your faces are too close, loosing all that corageous character of yours, "said you would get rid of it; of everything that reminded you of me"

But when he drops you softly on the matress, there's still that lamp you got him in the night table.

"I couldn't" he confesses.

I couldn't, he means, because I couldn't let you go.

But you both know it won't work out, something you knew right from the start: because toxic loves only fulfill basic needs. This isn't healthy, but he forgets it all as soon as you're moaning his name. Still, he promises himself he will say goodbye to you this time, even if it's inside of you.

"Shut up and kiss me, then" you're always pushing him around, making him do the things he desires to but doesn't want to do.

So he obliges, leaning in, the lavender so strong all over your sweet skin, poisoning his mouth on every kiss he leaves. He feels you squirm under him, goosebumps along your skin, prickling against his, so visible he can see and feel it even in the dim lit room.

"Take it" Logan doesn't look at you, but when he does, you feel him stare deep into your soul, "I know you want it"

He's sliding his dick inside you as soon as the sentence is over, the permission to take you and use you implicit. He robs a drawn-out groan out of you.

"So tight for me" he murmurs against your shoulder, sharp breaths and soft groans flooding your ears. His cock hits deep within you, hard thrust no one has ever been able to replicate, making you gasp for air, burying your face in the plush pillows now drenched in your sweat.

"You're so deep" you hiss, hot and overwhelmed, waves of pleasure hitting like water against cliffside rocks. "So big, Lo" you whine, dizzy at the way your pussy stretches for him.

"Just for you" he grunts out, and it's the truth. No matter how dark the room is or how many faces he avoids, he always looks into the eyes of the other women he fucks, his heart sinking when he can no longer pretend it's you, "fuck, squeeze a bit more".

Hearing his deep voice, rough when you fuck, always making you soak, coating his dick in your juices. You grip tight, as tight as the nails that hold onto his shoulders, making him moan at the pain.

"Like that, princess. Good girl" you moan at the praise, "I know you could take me, all of me"

He grunts and pants, holding you tighter as his cock pumps faster, in sync with your now closer to happening orgasm.

Before it, he slows down his thrusts, "where do you want me to cum, princess?"

He wants to, inside of you, but he can't do so, not when he promised he wouldn't ruin your life. But making you his, marking you as only his, makes his dick inside you twitch. Fuck, he's so balls deep inside you all he can think is filling you up silly.

"Inside me, Lo" like you read his thoughts, and it always amazes and scares him; how deep inside his mind you are. Never happened, not in his four decades of life. And that's part of the problem: he's closer to death than you are but it's only with you, young―blossoming with life, that he feels truly alive.

So how can he say no, when you plead and beg with those pretty doe eyes of yours? Who could imagine such a sweet thing to be so needy. He feels like you could ask for his heart, and he'd carve a hole in his body for you―bleeding out of love; dying with a smile.

"Such a greedy little thing, princess" he mocks, but his tone betrays him―dripping in adoration, "want me to fill you up all nice?"

A broken wail is what he takes as your answer, your mind in blank.

He finds himself letting go, way faster than he should; he just misses you and your needy dripping pussy that much. You can't hold back longer either, rush flowing through your veins, much more satisfying than the alcohol you had drank an hour ago.

Logan paints your insides with layers of his hot cum, mumbling a soft:

"Anything for my princess" he keeps going, panting as he's milked entirely dry, "anything you want, my girl"

Your vision is still spotty, mind fogged: you're sure that's the reason the hurt hasn't settled in your heart yet.

Then the silence comes, like it always does now.

"Y/n" you always love when he calls you by your name, but you hate the way he's saying it now. Like a goodbye.

"Don't-" you plead, begging he shuts up. But he pulls out, and says:

"It's for the best"

You don't want what's best. You want him.

"Can't believe you wore this dress" he traces the pattern of the tight clothes, damped in sweat, "you know it's my favorite. Why?"

You fail to supress a smile, even if it's tired and almost sad, "I knew you couldn't say no".

The truth is, you know many things: like how this is never going to stop until it's destroyed you both.

[stupidcanofpeaches]

this is actually making me think so many things about their relationship. like this is probably what it was like in calmer times. jimmy's manipulative and extremely dependent on curly, almost obsessed with him, both hating and idolizing him as this sort of perfect figure, almost christ-like in just how kind and good of a man he is - in jimmy's mind, curly readily offers himself as a villain just so that jimmy can be a hero (also more of a side-comment but i find it really neat how jimmy's perspective poisons all character interpretations - his conflicted yet adoring view of curly is most likely the main reason why some of the fandom also view curly in this sort of white or black morality system, where a lot of people also make him out to be this mister perfect guy who did everything he could and fell victim to jimmy's scheme, when curly is definitely not innocent and played a huge part in what happened on tulpar - they view him as entirely good, just like jimmy, instead of a flawed, average man with his own issues. anyway.)

it's established that they are good friends - best friends, even, going off of curly's behaviour, have been for years. which means that jimmy had years to normalize his behaviour to curly - to foster and nurture this sort of acceptance and depedence. like with many abusive relationships, it probably started small and then just grew over time - and curly's far too kind, far too accepting, and was all too receptive to jimmy's many issues and abrasive nature. so it probably went from those small things that curly felt he owed jimmy for and then escalated until the connection was established and was impossible to sever.

it's a similar sort of dynamic to emotionally slash mentally abusive relationships where the partner suffers but is so used to it it's easier to close their eyes because this is normal - oh he's just tired, he didn't really mean that, he just has some anger issues, it's not that bad. curly is an enabler - that much is true. curly is not a good man. he's not a paragon of virtue. he allowed this to happen. but i would also argue that he became an enabler because jimmy lovingly molded him into one over the years.

i think that at some point it also became a sunk cost fallacy issue - curly genuinely believes in jimmy, that he can help him, that he can fix him, because they've been good friends for so long and curly cannot give up on him after all this time. there were also probably times when jimmy did do something good and nice for him in return - like that thing with the cake that jimmy made for him, along with curly's other friends, so the relationship did not feel as one-sided as it probably was. anyway i think that jimmy is manipulative and abusive to curly as well, just on a scale that was smaller and more constant, persistent, to the point where both of them normalized it with jimmy's nudging into the direction he wanted it to go. their flaws fit together perfectly and it was bad and normal until it was too late.

hell, not to be a jimmy apologist (derogatory), but it's entirely possible that jimmy wasn't even doing that consciously and purposefully - while he is manipulative and self-centered to a horrendous degree, he's also not exactly an impeccable master manipulator or a complete narcissist the way he's sometimes painted as. the only one out of the crew he's really able to fool, besides curly who was exposed to him for years, is daisuke - who's young and naive and of course he trusts the authority figure that's higher in rank when jimmy pushes the right lever. jimmy's pathetic and self-serving and he feels small and curly is just way too nice and is conviniently always right next to him - and seems willing to take whatever jimmy hurls at him, all because they're friends.

additionally, look at how curly basically ignores jimmy's remark about how annoyed it makes him feel when people keep saying how great curly is - makes me think it's far from the first time jimmy made a disparaging comment like that. one could even interpret the way curly bonelessly accepts the things jimmy does, without ever really pushing back hard - only ever attempting to defend himself at the birthday party after jimmy's outburst - as curly being at the very least apprehensive or fearful of what an angry jimmy might do. because curly knows that jimmy is unstable - so maybe him never really doing anything even after learning the magnitude of what happened to anya isn't just him trying to keep up appearances and placing jimmy above anya or protecting jimmy because jimmy is his friend. i think that it's entirely possible that curly's passivity is him attempting to appease jimmy, as is typical for someone on the recieving end of an abusive relationship.

just to reiterate, this does not excuse curly. he's not this great, perfect nice guy or a perfect victim. he did not deserve to suffer the way he did but he is the one who ultimately caused the tragedy by his inaction. he failed anya, most of all, and the rest of the crew miserably. but i do think that an abusive dynamic between him and jimmy would explain a lot about his passivity.

Uhh what funny do I write here like haha

[meo-eiru]

I kinda like the small yet big detail in the game, like I'm sure myself and some other people were expecting a wholesome dating sim that would also get quite spicy (FROM HOW WE KNOW MERU)

And we all just kinda got kicked in the butt, like Starling being too hot to be true yet so terrifying at the same time, but not the terrifying kind that we know, like Micah or Silas etc

More like the type that makes you forget that he still is more a siren than a merman, like he successfully managed to lure in the whole community with his hot ass😭😭and then we get backstabbed by him munching our fingers off as if they're some carrots, like as a simple lunch snack-💀💀

Or in the other ending where it's basically simply Mae dying and getting turned into a possession and probably just another body to fill up with tongues

From my interpretation, Starling doesn't really have that kind of romantic interest in Mae, but she kinda thought it could go into that direction, but then got stabbed in the back like that😭😭(probs everyone who played it, thought like Mae there too kinda💀so we all got the betrayal🙁)

And you guys did a really good job in simply catching us all off guard in most scenes, it's it's beautifully written and drawn, I love that game so much!!!

Spoilers for the game

Honestly maybe Sel would give a different answer but I do think Starling likes Maelyn. Due to his past and what he has now become his way of showing it is probably different, but for Starling I don't think Maelyn is just another body for storing tongues. If that was the case he wouldn't have went out of his way to clean her body up, find a wedding dress and "marry" her in his own makeshift way.

He probably didn't even view it as a betrayal. Because until the very end Starling was making sure the no longer breathing Maelyn could be comfortable in her pearl necklace.

For the writing style, probably Sel writing the story played a big part in this.

Sel and I have very similar tastes in a lot of things, on levels I myself can't believe sometimes. But we do have a different style at how we depict similar concepts.

I love presenting dark stories on a silver platter. Prettied up with the most delicious icings and shiniest sprinkles. I like my stories and characters to look beautiful. Enjoy them while thinking you're just having whimsy adventures only to realize you're done for once you truly look. Like Silas. It's easy to make fun of him, forget the things he is capable of doing as you're too busy enjoying his silliness. He feels safe, a gentle giant who loves and takes care of you.

But he's still a man who has forced himself on you not only physically but also mentally. Trapped and limited you beyond belief. No electricity, no internet, no contact with anyone other than him. Only talking to him, only feeling him, only knowing him, only consuming him. A beautiful and sweet man no human mind can handle for more than a few weeks.

But Sel, from what I've seen, is a bit different. She doesn't shy away from showing the darkness and scariness of the stories she makes. Before you even know it you'll be facing concepts you didn't think could be possible.

And not only that, she hides so much under every word she uses. Often times the things she places in front of you are not even the scariest parts. The more you read and the more you decipher they get deeper.

I'm frankly a big fan of the things she writes. They often leave me flabbergasted (and mortified, she knows what I mean) but they are also so so fun. So scary yet beautifully poetic.

I know she doesn't like being under the spotlight that much. But ever since I met her and saw her stories I wanted more people to get the chance to see and appreciate them the way they deserved. I think they are truly special, and they make me want to do my best to illustrate them in the perfect way possible.

Honestly I'm not sure if I'm good enough at it, but if it helps the stories reach more people I'm happy with it.

I don't know if she'll read this post so that's why I'm being sappy like this but I genuinely hope you guys like her stories like I do. And I hope both you and I can see more and more of it.

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[pendularium]

sorry, yapping quickly. I saw a post earlier analysing how vi doesn't stand up for the zaunites to caitlyn, and contrasting that to jinx (and ekko), and viewing vi as a sort of pick me (not the language used but I can't find the original rn), and like. yes, I think the argument is correct, but there is like one thing I want to add, which is that vi, unlike jinx and ekko, isn't really in a position where she can criticise caitlyn right? ok hear me out. so one) imo a lot of s1 establishes vi as someone genuinely desperate for connection - its the thought to getting back to powder that gets her through prison (where she has been pretty isolated), her and caitlyn click incredibly fast etc, and all of s1 into s2 happen pretty damn fast right? vi gets out of prison, gains a friend, regains a sister and then instantly loses her again, and then that loss of powder is really underscored in the finale - vi has very few relationships left, and most of the ones she has had have ended in horrible tragedy and violence; it is no wonder that she especially would try to cling to the one (cait) she has left and two) vi is also someone who is constantly in the big sister/protector role - her intro shows this, her leadership of their little gang as kids, and after the time skip (after she fails) you can see her try to assert her dominance over caitlyn in s1 - vi is the one who knows the lanes, caitlyn has to keep up, vi throws caitlyn out of her comfort zone in the brothel etc., vi is trying to demonstrate that she has worth to caitlyn right? and of course when maddie is talking to vi, it's caitlyn expressing respect for vi's actions that vi seizes onto. I don't think this is (just) a way of showing off to caitlyn, rich girl from piltover, I think this is part of vi's understanding of herself as a figure of authority and protection in her relationships put them together and you have someone who, when confronted with an angry and grieving caitlyn, her last real connection (not counting ekko) makes compromises to avoid a confrontation with her. vi doesn't counter 'what kind of animals' directly, because that risks her relationship with caitlyn; she is pretty consistently someone who cares more about personal relationships than the grand scheme of things (as does powder/jinx but that's a different post). and yet, with that in mind, vi does try to defend zaunites! first, she tries to humanise them right; instead of being wild uncontrollable beasts, vi positions them as making a calculated attack - they wanted the spectacle, they're trying to scare you, and then after caitlyn doubles down on her anger towards them, vi pushes for caitlyn to call off the invasion. those aren't the actions of someone who doesn't care about zaunites, or would rather side with piltover imo, they're the actions of someone who does care about zaun, but who doesn't want to jeopardise her relationship with caitlyn. vi joining the enforcers is not only her staying with caitlyn, but also her trying to prevent the invasion. if I go after your sister alone, one of us comes back in a box = caitlyn won't go alone. the strike force then, can be read as a deliberate compromise between caitlyn, who has all the power here, and vi, who doesn't want zaun to be invaded by the enforcers

this is, of course, just a way you can read all this lol, if you disagree/want to add on please do so! I am a bit busy rn but I cannot express how much I want to talk about arcane with people

[greyves-under-fire]

God, this. My nanny's disabled and always takes this stuff seriously when her family who also is, is sick, she makes sure everybody knows because it feels important enough to tell them to make sure they care.

But when she told my dad that i had covid pneumonia two months ago, while he's been well aware and passive of my disabilities and how many times covid has immeasurably ruined my body and my life, all he said was that i seemed fine at my niece and nephews birthday party the week before. It didn't matter that i was sick and it must be awful anyway.

Like yeah, of course i put up the mask, but you had to be fucking blind not to see it. Because of course, no one saw it when me crossing the parking lot to help get stuff from the car had me holding back *screams* and panic attacks due to the fact that my muscles made me feel like i was being burnt alive, and i genuinely could. Not. Breathe. It felt like i was breathing glass into my lungs.

And every time i was asked to go get something else or needed to, of course no one saw when i ducked my head to wipe away tears because of how overwhelming it was to have to do it AGAIN. Of course he didn't notice that it took me 5x longer every next time to get to the car, stay there, and come back.

Of course he didn't think about why i would be staring off into space with a tense expression the whole time any more after he asked and i gave a vague answer of pain.

I have such an obvious crying face. it's always blatantly obvious if i have been.

There's no way i looked "fine" i just looked "as usual" which of course, he only assumes is fine, even when he genuinely knows and understands otherwise.

He treats me like it would hurt him too much to think about me being so constantly fucking miserable and broken and hurt, so he chooses to never think of it altogether instead and still pretend he's so much of a better dad than he used to be. Sure, he is. But it's not enough. Like the most ignorant and cruel coping mechanism.

It doesn't matter, that this is the sixth bout of covid I've had, causing irreparable damage to my lungs and immune system, causing a never ending flare up of the most painful and depressing and nightmarish fibro symptoms that have finally caused me to consider a cane. It doesn't matter that i'm only 19, just like it didn't matter to him when i was only 14 or 15 or 16.

He didn't reach out. He didn't check on me. He didn't talk to me about it, and assumed i'd be fine walking a flight of stairs a few weeks later.

They truly think that being used to it means anything. It means nothing. All it means is that i'm in so much pain and discomfort all the time.

There's no easy and simple way of wrapping it into a digestible bow of "yeah but they're sick all the time.(like it's fine for me to be used to it as long as i'm not actively dying.)" it's just an excuse for them not to be inconvenienced by our pain. And i'm always expected to reach out when he gets sick to check on him.

I'm so fucking sick of it.

sorry for the vent.

What a lot of abled people don't understand is that when you get more sick as someone who was already physically disabled/chronically ill, you don't get the sympathy, you don't get people sending you cards and coming to visit and help you with things. Everyone just kind of assumes that you can handle it, that it's not *really* anything new. Maybe people might acknowledge it for a week or two, but then to them it's just normal. You were already sick, so why would being a little more sick be disruptive to you, right?

[ashwhowrites]

Hello! Can I request Eddie Munson and reader with miscommunication trope and halloween theme?

I thought about how they would spend their first halloween together as a couple. Every year as friends she and Eddie used to go to some party but these year they planned date at the trailer.

Reader heard one of Eddie's band friend saying that they're disappointed about Eddie ditching them and the party on halloween because now he has a girlfriend.

She feels guilty about it and thinks that Eddie would rather go to the party.

But in reality, Eddie is super excited about their halloween date at home. He has a lot of decorations, snacks and a few movies. He also planned to cook for her.

He adores the idea of cozy evening with his loved one and not at loud party where he went to not be alone during halloween night as a single and ends watching some guys talk to her while he wasn't brave enough to confess.

With a happy end pretty please ❤️

A bit late, my bad. But I think it's cute! So I hope you enjoy it. Thank you for requesting 🫶🏻

Halloween night

Y/N was excited to spend Halloween with Eddie for the first time as a couple. They usually go to Halloween parties with Eddie's friends but this year they wanted to be alone. They agreed on a movie night at the trailer, something cozy and warm.

Y/N didn't think anyone would have an issue with it, but she was wrong. As she waited for Eddie to finish collecting his things after his gig, she overheard a few of the band members talking.

"I can't believe Eddie isn't going. Like why do boys get so lame once they have a girlfriend."

"I know. I don't understand why they both can't join us, it's only been the tradition for years."

"Probably Y/N. No way Eddie would ditch the party if he had the choice."

Y/N felt her stomach turn sour. She was friends with these guys and they were talking behind her back. It seemed like Eddie loved the idea of being alone, but maybe he'd rather be at the party?

"Ready to go?" Eddie asked, throwing his arm over her shoulder.

"Yeah, let's go," Y/N said, putting on a fake smile as they walked out of the bar.

~~~

Y/N wanted to forget what her friends said, but she couldn't. She didn't want Eddie to ruin his relationship with his friends because of her. With everything weighing on her shoulders, it was easy to tell she was in distress.

Y/N showed up to his trailer, nervously knocking. Eddie opened the door with a huge smile and let her through. She stepped in and her negative mood vanished. She took in the orange and purple lights, the Halloween blankets on the couch, and the coffee table covered in snacks.

"What's all this?" she gasped in awe, turning around to see him. She smiled at the proud look on his face.

"Date night!" he smiled, "dinner is in the oven. Take off your jacket, and anything else you want," he said with a small wink, "and get comfortable on the couch. I'll bring your plate right over."

Y/N took off her jacket, throwing it over the couch. She took a seat, cuddling under the warm blanket. Eddie walked over with a plate of food and took the seat next to her.

"What? Does it look gross?" Eddie asked nervously, watching her face as she scrunched her eyebrows.

"No! It looks great, Eddie," she said, but he didn't look convinced.

"Is something else wrong?"

Y/N sighed, this was the time to talk about it. She set down her plate and bunched the blanket in her hands.

"You know how we usually go to parties with the boys?"

Eddie nodded, setting down his plate. His full attention was on her as he listened.

"Are you disappointed we didn't go?" she asked, nervously looking at his face.

"Not really. I never had much fun at those parties anyway," Eddie shrugged, "Do you want to go?"

"No! I love being alone with you," she said, moving closer to his warm body. She slipped on his lap, and he wrapped his arms around her. "I love the decorations and all the work you put into it."

"I love being alone with you too," he smiled. Kissing her cheek before he pulled away to look at her again. "So why do you ask?"

Y/N let out a deep sigh, making Eddie rub her back for comfort. "It's just I overheard our friends talking about how they were disappointed you weren't going. And I worried you might have wanted to be with them."

"You want to know a secret?" he whispered, she smiled and nodded.

"I dreaded those parties, hated every second of it, but you were there so I knew I wanted to be."

"Why did you hate it? You always seemed to be having fun with the guys."

"Yeah with the guys once I got drunk. But I spent the first few hours sitting alone and watching everyone flirt with you. Watching guys make their moves when I was too scared to say anything."

Y/N's heart warmed. She never knew Eddie watched her all those years. She was never interested in any of the guys that came up to her, her heart was set on Eddie.

"I didn't know you did that," she blushed.

"So fuck the guys. I want to be with my girl, without fighting for her attention," Eddie laughed at the end, a cheeky smile on his face.

"Never have to fight for attention," she said, pecking his lips softly.

Eddie kissed her back, her lips never failed to make his stomach flutter. He waited until she pulled away, letting her lips move off of his.

"Feel better?" he asked

"Yes, let's eat dinner and watch our movies," she smiled, sliding off his lap. She picked up her plate, smiling to herself as he turned on the movie.

@bmunson86 @mxcheese @ladymunson @michaelfuckinglangdon @z0mbie-blah @biittersweet @mirrorsstuff @somethingvicked @micheledawn1975 @ago-godance @magnificantmermaid @tlclick73 @hargrovesswifee @cityofidek @silky-luxe @lokiofasgard616 @loving-and-dreaming @eddiemunsonsbitch69 @ashlynnkennedy @strangerthingsstories5255 @harringt8ns @pleasinghellfire @whoscamila @stusdollface93 @gretavankleep37 @bellaisswagger @arlxt @ineedmentalhelp123

[oh-no-its-bird]

Someone ( @ohai-there ) asked me if I had any thoughts ab mdtb weeks "cultural differences" prompt, so, like, take just the copy pasted reply I gave them (+ some extra) :

I was up all night drawing birthday art and am this 👌 close to blacking out for x amount of hours so this risks being nonsensical fair warning

Uhhh culture shock my beloved, let's seee

Easy answer is the senju are very touchy feely, easily and willingly sleeps around (they face a lot less risk of bloodline theft due to rarity of the mokuton so there isn't as much ingrained cultural fear of being assulted/facing the baby shaped consequences of sleeping around willy nilly)

They can take multiple spouses and it's actually rare for the head of house to have only one wife (Hashirama is an exception bc Mito is a Princess(tm) and so to take another wife would risk offending her own clan culture, he is fine with this and they possibly often take others to bed with them just for funzies (potential hashimitoizu noises(?)))

Uhh anyways so that, they're super liberal with touch, etc. Etc.

Also they don't really do crazy deep romance and are super used to casual no strings attached flings, you have to make yourself VERY clear in what you're doing if you want to actually start a fr relationship bc otherwise many "courtship" behaviors are just like. Casual, culturally acceptable flirting and invitations to bang (the senju have a 101 different ways to proposition eachother in flower language alone.)

Meanwhile the Uchiha are on the total opposite side of the spectrum— they're like super conservative (In contrast to the Senju not having an ingrained fear of bloodline hunters, their very valuable and very vulnerable kekkei genkkei makes them prime victims, which has lead them having generations of trauma fueled insane abstinence lessons)

+ They're a noble clan and regularly interact with the Daimyo's court, so there's even more etiquette culture ingrained into them so they can send anyone into court if needed (While the Senju, who are NOT a noble clan, only ever send their main house, and so only they have to even worry about court etiquette)

They do not believe in divorce, they do not believe in political marriages (tho they do happen very very rarely, it's seen as very sad and tragic when it does) they... sometimes believe in multiple spouses, in specific situations (they can't regularly interact w the daimyo's court and not have to face it as a concept, after all)

So like. Super up tight, hella rules about how to show affection and proper ways to conduct yourselves, months long courting rituals before u even get to kissing, to sleep together before marriage is SINFUL

But they're ALSO super fucking romantic and absolutely insane about having soulmates and one true loves and are just super intense ab all that romance stuff where the senju are super relaxed in it

I think u see where this is going

Anyways uhhh

They make a village and there's tons of culture shock

Then Tobirama, being Tobirama (standoffish and cold, not especially interested in the usual wild Senju sex parties or whatever tf kind of events they're hosting in the gardens) is like, among the most "normal" to the Uchiha (from a cultural standpoint)

And bc of that, Madara maybe interacts w him more like "well he's kind of awful but at least he's not a sex FREAK like the rest of these Senju WHORES"

Umm Madara tries to court Tobirama but Tobirama sees it as him only trying to bang (?)

Which he possibly doesn't even want to do

Tobirama is like "Ah man, if only he were interested in actual courtship, but he has only given me the Senju flowers of "I wish to ravish you in the fields" and not the senju flowers of "I am potentially interest in maybe going on a date" (a proposition that a)he received not too infrequently, and so was not odd, and b) he politely rejected by accepting the flowers then showing Madara that he had planted it in red soil)

Meanwhile, Madara is like. "Wow this courtship is going so great he's accepting all my Uchiha flowers of pure devotion and innocent love in bloom"

Just in general, their clans having different flower meanings could be funny actually. The Uchiha regularly interact with court so I think they'd have to have, like, "normal" flower meanings (or else theres be some implications there of how theye gotten so far while using incorrect flower meanings in genuinely important events) so that means its the Senju who have odd meanings for flowers-- which also works, bc, like, mokuton

however many years ago, a previous descendant with mokuton told his clansmen the ""real"" meaning of these flowers,,, u wouldnt get it,,,

Another fun route could be, like, the Uchiha method of declaring ones intentions to court someone also happens to be the Senju's method of declaring a feud.

Madara tries to flirt with Tobirama only for Tobirama to understand this as Madara telling him to his face that the peace may be ongoing but he'll always hate his bitch ass !!!

[rootspiral]

Agatha All Along deep dive: episode 1 part 4

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1])

well, well, well, if it isn't the consequences of my own actions

do you think it took Rio a long time to choose her revenge dress? did she agonize over every detail? I picture her process like, okay I need an outfit that says fuck you (threatening) but also fuck you (horny) and fuck me (very horny) and then circle all the way back to FUCK YOU THOUGH (VERY threatening)

as to why Rio goes from super soft to *that* - I see it as the equivalent of the TV trope where someone almost dies and their loved one is very concerned, but as soon as there's no danger they slap them around the head and call them a fucking idiot. this is Rio's WELCOME HOME, CHEATER moment (Agatha has been kiiiind of been cheating death, lbr)

this is the best way rio could choose to approach agatha too, and not only because it lets her express all that pent up anger. what would be the alternative? sit Agatha down and have a honest chat? Rio knows her too well, she knows it would be simply too much. Agatha *is* more comfortable with big bombastic scenes, with violence that is a lot like foreplay. Rio is looking out for her right now, she is making it as easier for Agatha as she can, while also not letting her get away with her bullshit any longer.

one little sentence, so many ways to read it

only physically. she's not letting you in. not anymore. you'll have to save her from herself kicking and screaming. dear god she's actually honestly crying. this is a WHOLE fucking deal. and it's also the first time she sees Rio while knowing WHO rio is. she's feeling all the feelings

girls. GIRLS. how am I supposed to take decent screenshots if you keep flinging each other at walls. keep STILL! (look at the furniture btw, isn't it a bit curved? I think they're still using a fisheye lens. reality is still shifting. almost as if we're in the presence of an otherworldly being)

oh the metaphor of it. sometimes you just have to reach out and connect, even if you get hurt in the process.

BECAUSE SHE'S BEEN SHIELDING FOR SO LONG TO HIDE FROM PAIN. OH MY GOD. did a 2000s emo kid write this

every other MCU fight wishes it were this perfect storm of hot and emotionally devastating

Rio cannot physically kill Agatha, it's not allowed, she's only the collector. So what is she trying to do, exactly? Has Agatha really been cheating death for so long that Rio has no choice but to bring her in? Or is she not here to collect at all and this is just her way to get back at her ex (and possibly win her back)? I adore both options, they're tragic in different ways.

time to bullshit! time to bolt! time to get to that escape route! this is what Agatha does best. anything but face the truth

funny how agatha usually has no problem looking undignified. it's almost like this is not the point at all. so let's review: wanda has stripped agatha of the powers that have been keeping her hidden from rio. rio comes over to confront her - and not kill her, she wouldn't be allowed anyway. she does it in a way that agatha would find less scary than having a mature convo. still, agatha has to face things she's been escaping for so long and it's simply too horrifying, too overwhelming. the fact that she's joking around so much (while her future conversations with rio will be sad, soft, dramatic) tells you just how scared and how miserable she is. She's begging rio to stop, because even fighting and flirting, which is their comfort zone, is proving too much. And what does rio do? She listens and goes away. only temporary, she won't let her off the hook now that she has found her. but she's still willing to go at Agatha's pace.

aubrey plaza I would die for your evil little face

can I just say that agatha trying to flirt right now is devastating? she is at the end of her rope. she does NOT want rio to stay, doesn't trust herself around her in so many ways. but she knows how much rio wants her and just... she tries to manipulate her with flirting. it's a desperate gamble, completely undignified, completely in character for agatha. she offers herself to rio, but only physically. when what they had was infinitely more than that, it was beautiful, it was sacred.

and rio... forgives her. she laughs another one of her little soft laughs and lowers the blade. plaza is so good here, the way she says "okay, agatha," is a perfect blend of resentment and tenderness. she knows agatha better than anyone ever had or ever will. she knows why she does everything she does. and she follows her lead. one last time.

agatha's relief. she's trembling, deflated but still on her guard. she looks completely traumatized. the masterpiece that this scene is: you feel smart when you realize that they're flirting rather than fighting. when it finally dawns on you the real weight of their encounter... it's too late.

"by the way there's a bunch of scary witches after you and I totally want them to kill you, that's why I'm telling you exactly who they are and when they're coming"

agatha tries with all her might to believe that rio is heartless. because anger is easier than sadness.

we're leaning, we're leaning, we're leaning!

rio licking agatha's wound to heal it perfectly encapsulates her feelings: anger, horniness, and infinite tenderness. what a power move. rio was the one in control this whole scene, and it wrecked agatha.

"te veo" (I'm gonna go scream in a pillow)

she's gone, honey, she's gone. breathe.

Billy walking on the two of them having sex would have been less awkward than this

she was a BIT preoccupied, kid

and episode 1 is in the bag!

next stop: IT'S LILIA TIME

go to episode 2 part 1

[harpieisthecarpie]

Thanks for the peer review o7 i will use this power for ramble

I do think that a lot of the fic sex/romance issues were started in a genuine push to not spread misinformation, bc iirc fics used to parrot a lot of common myths re: intercourse (even moreso than now), especially ones about non-"traditional" non-cishet practices. And safety. And anatomy.

Which, it's cool and good to see a push for sex positivity and education! But I do feel there's now a pressure (internal or external) for the sexual aspects of fic to be textbook safe, sane, and consensual in all avenues.

I have 2 main reasons (beyond fic ≠ sex ed) that the squeaky clean route shouldn't be our only route. Which are: characterization, and erotica vs romance.

Firstly, characterization:

Intimacy can be an amazing way to explore characters, a relationship, or even a setting in your story. You can miss out on a lot by treating sex as simply a lesson rather than a tool in your narrative toolbelt!

Tbh I think the reason gen z ppl (like me) often say we "hate sex scenes" in media is bc they feel unnecessarily explicit or unnecessary in general, and we often don't have the language for what the problem is. Or we misattribute the ickiness to sex scenes happening at all!

I'm grayace and they can be boring af, or sometimes creepy as hell for reasons unrelated to the narrative (stop auteur directors now! /hj).

But one of my fave fave fave book series is the Binding Light trilogy by Freya Marske (I think the author's on tumblr actually), in which the sex scenes are narratively pivotal. And I, the sex scene hater, love the series sm I didn't even have to look up the title or author just now!! Unheard of!!!

These books are so dear to me bc the intimate scenes mirror both the (wonderful, superb) magic system AND the characters' relationships! Their sexual vulnerability and connection evolves alongside the characters' development. I've never before rambled about breathplay as a metaphor for trust, but Marske had me writing ESSAYS. My apologies to my friends' DMs

At first I had skipped those sex scenes, but once I had to go back for plot info, actually reading them made me go "oh holy shit this is all important".

I think stories miss that relevence pretty often. You don't NEED to have sex scenes, but also you CAN have them wherever it feels right.

IMO It's important to treat intimacy (of all kinds) in a work as character exploration first, rather than purely mile markers or something for characters (and writers) to "get a good grade in"

Moving on to erotica vs romance:

I've recently been watching a lot of SAVY WRITES BOOKS on youtube, and in one of her CoHo reviews she talked about the difference between works labelled "erotica" and "romance".

To her, romance novels have a sense of realism, they exist in a world that functions (at least adjacently) like ours. A romance would treat consent and safe sex like we do irl (or some historical equivalent based on setting). Basically, characters wouldn't be able to smash in a subway car without getting charged with public indecency.

Thus, if the characters were practicing BDSM, they would on some level acknowledge they're performing a scene (ex. consent check-ins and safewords). Here we have some level of RACK. Or if its unhealthy, there's framing acknowledging that fact!

Whereas erotica exists inside that BDSM scene! An erotic fic that tags its kinks and content correctly has given you enough for you to have informed consent. If you read the fic, you will thus be reading the "fantasy" of a BDSM scene. We know this isn't necessarily realistic or healthy, and that's fine! We read it with the knowledge it's not meant to be!

Uhhhh so. This was a really long way for me to explain "fanfic isn't sex ed so it's fine if they don't always use contraceptive"

tl;dr Intimacy and sex are cool for characterization. And smut is a Scene, if a person is informed of its contents all consent is accounted for :)

author’s notes today: hey guys so just a warning there isn’t 100% explicit verbal consent even though they’re both really into it so remember this is FICTION, also they don’t use a condom :((( but in real life safe sex is important!!! please be safe out there everyone

a/n back in the day: kept thinking about ____ stabbing knives through both of _____’s hands to pin him in place while they fucked so here you go lol =P

[theformulaimagines]

Look at that woman (breaking my heart) | part one

Pairing: Lewis Hamilton x Vettel!Reader

Summary: For one and a half years Lewis and y/n managed to keep their relationship a secret, until it blew up in their faces. Now, they're trying their hardest to pick up the pieces...

Warnings: age gap (reader is 27), heat!!!!, other drivers are mentioned, tiny bit of angst, english isn’t my first language

Prologue

That night…

“As much as I absolutely adore you guys.”, Y/N says as she joins the group, her lips connecting with her champagne glass:” This party is super boring.” The men all look at her, while some eyes make their way up and down her body. One more often than the others.

“Well, I don’t think it’s that-.”, poor Lando gets cut off almost immediately. “I know that this is your first party, considering how they didn’t host them during Covid, however, believe me- back in the good old days these summer parties were the main event of the year for us.”

“Don’t say it like that.”, Lewis scoffs softly, furrowing his eyebrows in distress:” ‘Good old days’, please. Don’t make it sound like we’re in our sixties now.” George giggles.

“Anyway, Lando. When my brother was an active driver, we used to steal a bunch of champagne bottles and hide out in the Ferrari garage.” Her eyes shift back to Lewis, and she stares at him for a moment:” Don’t make that face.”

“What face? I’m not making a face.”, he blinks in confusion. Y/N shakes her headc while holding her index finger up at him: “Don’t act like you weren’t the main burglar back then. Sneaking behind the bar and just handing those bottles over to me like your life depended on it.” At that, all the other drivers in the group laugh out loud. “That was the old, alcoholic me.”, Lewis explains, his eyes scanning her features- almost as if he’s searching for something he can’t quite put the finger on.

“Well, what’s stopping us from doing that again?”

“Wait what?”, Charles asks and exchanges looks with the men around him:” Are you implying we-.” “Bingo.”, she takes another sip of her drink. There’s just something about the way Lewis looks at her side profile that makes her knees weak…he has been staring a lot lately. After a few seconds, Lando is the first one to react, he nods almost violently:” Okay, well- I mean, why not? Could be fun! Lewis and Y/N, you go get the bottles, and the rest of us-? I don’t know. We just distract the others?”

Lewis nods:” Well, yeah. Sure.” He chuckles as he notices the smile emerging on his best friend’s face and the woman quickly sets her glass down on the closest table :” We’ll meet you guys at the exit in five.”

Y/N can sense his presence close behind her. She doesn’t have to turn around to check. His brown eyes are moving down her backless dress and he subconsciously wets his lips at the scenery in front of him. “What’s so funny?“, he asks, as if he knew she was silently giggling to herself.

“Oh, nothing.”, Y/N replies as they reach the bar. The y/h/ced woman quickly leans over and grabs two bottles before shoving them into his hands. Then she takes two more. “You’re still good at this, aren’t you?”, he asks, voice low. “Only when it comes to expensive things. Now, let’s hurry.”

landonorris has made a post

liked by y/nvettel, mclaren, f1 and 378,500 others

landonorris: first f1 summer party- many more to come 🥂🥂

view all comments…

user 1: 😍😍

user 2: hes so fine GOD

y/nvettel: cheers 🙂‍↕️🥂

user 3: my favorite 🤩

user 4: is it true that y/n and lewis left together

user 5: please you guys are starting to sound ridiculous they’ve been friends since forever

user 6: @/user 5 thank you!!! plus friends don’t date their friends younger siblings

user 7: @/user 6 yeah they do

mercedesamgf1: that garage sign looks familiar 👀

“I think we should head out.”, Lando lets out and yawns, pointing at the clock on the wall. 03:56 am. A soft sigh leaves Y/N's lips while she eyes how the men all get up from their spots on the floor.

“Wait, you’re all leaving?”, she asks, a hint of disappointment in her voice. “I don’t think Lewis is.”, Charles says and cracks his neck. Y/N turns her head to look at her best friend who merely shakes his head.

“Well, okay. Yeah, sleep tight you guys.”

A silence falls on the garage, as the sounds of the voices and footsteps gradually fade away. “I like your outfit, by the way.”, she suddenly declares, cringing as soon as those words leave her lips. She doesn’t understand why she’s becoming so nervous around Lewis- it’s only Lewis, right?

He chuckles:” Thanks. It’s the new collection.” Y/N's gaze falls to the glass in her hands.

“You look stunning.”, he whispers, and when their eyes meet again Y/N suddenly understands why she has been feeling so strange around him recently. “This is going to sound creepy.”, she clears her dry throat:” But I’ve read your latest Vogue interview, where you said-.”

“I like black dresses.”, he cuts her off, eyes once again roaming her body:” You’re trying to impress me?” He knows the answer already. “Well, what kind of impression are you trying to make?”

The younger woman chuckles softly:” A good one.”

“Ans you’re successful. You look unbelievable.”

There’s a line. And they both know it.

Y/N takes another sip of her drink while peeking out of the garage door and into the night sky. She shouldn’t be doing this, she really shouldn’t. Instead, she should be getting up and leaving. Walk away before she does something extremely stupid.

“Can I ask you something?”, Lewis tilts his head. “Of course, yeah. Always.”, Y/N tears her gaze off the stars and looks back at one of her brother’s oldest friends. She should leave.

“What’s your end goal here?”

”I think we both know what my end goal is.”

[kingofthewilderwest]

We need to start questioning the conflation of "maturity" with "increased stakes."

It's not to say higher stakes is always a bad choice. The first half of the How to Train Your Dragon book series has an endearingly whimsical, child-like feel. Hiccup's issues in the first half of book one are an obnoxious, cat-sized Toothless pooping in his helmet. The movie adaptation might have made the book and its counterpart distant cousins, but it was a thoughtful move to alter concepts to the appropriately theatrical: books and movies aren't the same medium. Hiccup riding alone on Toothless, exchanging fire blasts with a mountain-sized dragon, and losing his leg came off as well-done storytelling.

Hiccup staring at a prosthetic never happened in the book. He didn't lose his leg in his encounter with the Green Death. It was, as the creative powers behind the movie said, a result of the increased stakes. They didn't do this just to be more dramatic; they did it because it seemed that, based on how their narrative was going, this made sense. And this was a soft, quiet, shocking, breath-taking scene that instilled how good the movie handled its stakes. It gave us a reflective reaction to consequences that audiences might not have expected. This movie understood timing, pauses, quietness, narrative arc, poignance, reflection, emotion, love, and heart.

We know about the conflation of live action as "more mature" than animation. But a medium doesn't change maturity levels. We all know that's bogus, and many analyses have been given on that. Disney live actions add extraneous gunk, down to Gaston having a past relationship with war (so I've heard, from the people who actually watched the movie), and Disney giving us the sad scoop on why Belle's mom isn't around. Furthermore, lots of times, when I see the conversion of animation to live action, I notice creators feel a need to "raise the stakes" -- in line with the erroneous view of "giving maturity."

But "higher stakes" often means inserting action in place of mindful interaction. I feel today's Hollywood movies, in their treatment of "action," don't let movies pause and breathe anymore - ergo, they don't let us think. Isn't it more juvenile to actively avoid thought in favor of "hey look I made the building go boom"? There may be less "stakes" in introspection and mindful dialogue, but that's what gives it its maturity. That's how we went from Iron Man 1, with its grounded treatment of war and abuse, to the mindless high spectacle MCU is today.

Snappy one-liners or moments that clap at contemporary issues don't substitute for maturity. What can make a story mature is characters grappling with issues in a natural narrative through-line. A snappy one-liner is its own form of speedy spectacle.

We know about the conflation of "gore and sex" with "mature audiences." I believe they're right that graphic sex and gore is designed for adults. But that doesn't make it mature, and that doesn't make it the only way to target a medium for adults.

"Realisticness" isn't maturity. Per above regarding animation: realistic visuals are nothing. And if you think that putting more Debbie Downer material into your adaptation makes it more adult, you have to ask yourself why the themes that spoke to people's souls got muddled in its midst. We weren't mature enough to interact with the most subtle, nuanced, and impacting voice of the story. But hey! Look! There's more corpses, I guess!

It's not the visuals, it's not the events. It's not the "things." It's not the basic insertion of the external. Get past the superficial, get past the top layer of presentation. It's the mind. It's the ability to think. It's the ability to be still. It's the ability to be interested and attentive when something is slow or quotidian, because we can understand why that is important for narrative growth or arcs or themes or commentary on the human condition. It's the ability to know when and when not to include something. It's the ability to make resonant impact. It's the ability to be deep with your emotions or your themes. It's the ability to take what you have and grow it in a way by which we can derive something deeper.

Maturity is critical thought and well-conducted, appropriate responses to content of any kind.

As DeBlois tells Empire, the move to live-action brings a different emphasis to How To Train Your Dragon; a new heft, both physically and emotionally. “It’s so dialed-up in terms of stakes — having a fully credible, photo-real dragon stomping around trying to kill him,” the director says.

And maybe that DeBlois quote is taken out of context. Maybe there's more going on than that one sentence conveys. Maybe Empire is making their own erroneous assumptions. But "so dialed-up in terms of stakes," isn't, on its own, a good appeal. The animated movie already dialed things up - and knew when to include or not include something. A live-action that imitates the visuals of the animated movie exactly, as if no independent thought has been done to its unique adaptation, to the pros and cons of the medium, to what a independently-presented story needs and doesn't need... It has to make you wonder: how many conflations of "maturity" are going on?

How long are we going to keep making our own conflations?

[alasse-irena]

I'll start by saying that I have similar problems to you with this legislation, however it's managed, but I do want to push back a little bit, because a lot of the information you've given here isn't true.

TLDR: This is a representative democracy working as normal. Contact your MP. Tell them what you think about this legislation. Tell them how social media has helped you. Ask all your friends to do the same thing. Talk to people outside your usual social circle about it if you can. I think one of the big reasons it's not getting the pushback you want is that a lot of people aren't seeing the data safety risk, they're seeing "a better childhood for my kids".

A few things:

With regard to "there was no vote on this, no nothing, they just went ahead and fucking passed this": that's not what's happened. This legislation hasn't been passed yet. It has to pass the upper and lower houses before it becomes law, which means the MPs and senators that we elected to represent us will vote on it. This is the same way that all new legislation is treated. (Maybe you want all Australian citizens to vote on each new piece of legislation. That's fair - but it would be an overhaul of our entire system of government and a move away from representative democracy to direct democracy. There were 170 pieces of legislation introduced in Australian Federal Parliament in 2023. Imagine if we'd had to hold nationwide votes to decide what to do about all of them. I'm not saying this form of democracy is impossible, but it's a huge logistical challenge.)

The government still hasn't figured out who will be responsible for age verification, or how it should be done. They're assessing the options, and will continue to do so into next year. (Social media companies are trying to encourage them to put age verification responsibilities on the app store instead of on each individual service. Given that you can access most social media in your default browser rather than through the app, I don't think anyone involved has really thought through how to do this effectively.)

The legislation actually doesn't have much benefit to the government in terms of your privacy: every way of doing this that's been put out there has your info either going to the social media company, or to a third party company. (Yes, putting all this data in the hands of for-profit companies is also bad; they're incentivised to illegally sell it to advertisers, something which major social media companies have been known to do.) The cybersecurity risks here are large, but the real motive is to appeal to parents and educators as voters. Social media is creating situations that worry a lot of people. It has wide-reaching and well-researched effects on youth: the big ones here are mental health and body image issues, along with right-wing radicalisation. Across Australia, many people believe that handling this problem is both important and urgent, which means that for the government, looking like they're willing to do something drastic about it is a big vote-winner. This is one reason you should be concerned: it's such an uncontroversial move that it has bipartisan support (i.e. both parties believe failing to support it will lose them votes).

In conclusion, yeah this is a bad piece of legislation. I don't like it, I don't think it's going to help, I think it's going to just drive a lot of the problems its trying to solve underground and create cybersecurity risks on the way.

But it hasn't happened yet. The democratic process is still going on and you still get a part in it. Go talk to some people about it.

fucking australia’s trying to get everyone to link their government id to their social media accounts else you cant use them anymore, the actual fuck is wrong with this country