#i think I need to update it a bit…

[emily-mooon]

Me: I’m gonna take a break from making fanart!

Also me: *proceeds to draw nordegrim as ponies and other toys from my childhood*

[poorly-drawn-mdzs]

A fierce duel commences!

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[puppppppppy]

i like him

[pkmn-redirect]

*sigh*

Sorry folks- no update this week. Things at the day-job have gotten.... busy. Like, 60+ hour work weeks busy. -_- I'm kind of dying.

The next page is *almost* done, but I have had so little energy between 11 hour shifts that it's just not happening this week. I need to do some hard thinking about the update schedule on this, especially if my job keeps doing.... this.

[buggitino]

more headcanons about sebastian solace from the hit game pressure roblox

back on my bullshit and i promise i only talk about The Situation a little bit

☆ his third arm is more sensitive than the other two (i'm thinking that either the USHD doctors fucked something up during the operation OR it grew in wrong, nerve endings closer to the epidermis and whatnot, something like that)

☆ just hates being touched in general, he’d rather initiate that contact (need an update where he gently —> not very gently shakes expendables off (depending on whether and how much they’ve annoyed/flashbanged him) when they climb him) ☆☆ part of this is due to trauma, he cant trust anyone to touch him without hurting him ☆☆ the other part is that he’s got that fucking dawg in him (i’ll get to this in a second)

☆ unlike what his new voice lines are starting to suggest about his character (i’m not gonna talk about zerum again because i think everyone knows what's happening at this point and ive already thrown in my two cents) he does NOT hate the expendables. literally his first line upon meeting him in his shop has him calling himself your friend (as strained of a connection as it may be, he could very easily not offer items, not share documentation/info, and just take the expendables data and hoard anything he picks up to make it harder for them to get to the crystal) (like yes, it's a mutually beneficial relationship but if sebastian didn't care about or sympathize with the expendables to some extent, it wouldn't be). i really do think he just has a short fuse (i'm not going to bring up trauma again, however-) and says things he doesn't mean (e.g. “they deserved it. and frankly so do the rest of you.” (im coping with the mischaracterization of these new lines leave me alone)) as a means of protecting himself and pushing the expendables further away (both physically and emotionally)

☆ he’ll act like a brat once they’re done, but he lets younger expendables sleep in his shop (he cares about them but would never in a million years let them know that) ☆☆ if a younger one comes in with a bunch of adult expendables, he’ll treat them all the same but will secretly slip the younger one some extra batteries, gauze, something unnoticeable (he feels especially responsible for the younger male expendables cause they remind him of his little brother)

☆ sometimes he thinks he can hear his family's voices on the radio, just under all the static, calling out for him like a search party would. he used to cry over this but he almost got caught once by an expendable coming into the shop so he does his best to tune it out. it’s hard. guilt pulls at his stomach every time he hears a clip of his family, begging for him to come home, to respond, something, anything, and he ignores it.

☆ autism (cause i said so) - i'm including this one for the sole reason that he does the dinosaur thing with his third arm and generally keeps his hands clasped together in the secret dinosaur position (he just like me fr) ☆☆ hates bright lights (the only light he uses/allows in his shop is the one he emits) (its a very soft/warm hue as opposed to the bright fluorescents throughout the rest of the facility) (not to bring up the flash beacon, obviously nobody likes getting flashbanged and he's got angler eyes but sTILL)

☆ he used to hate eating fish (pre-op) and now he’s pissed cause it’s all he has available and the DNA changes made it so fish is the yummiest tastiest thing in the world (i like imagining him actively fighting the urge to eat whatever fish he’s cooked in one bite cause he refuses to acknowledge that he's changed on a level that isn't physical/appearance-based)

☆ calls grown adults “kiddo” (even the ones that are older than him) ☆☆ he gets a certain kind of joy from seeing the 40/50/60 year old expendables try to figure out just how old he is after they get called “kiddo”. it’s extra fun for him when they’ve clearly already heard the rumors and/or gotten a glimpse of his file

☆ the ring is just an accessory, a bracelet on the floor or in a locker he found and liked. assumed nobody was gonna claim it and kept it (shoutout to @/lotus.eaterr on tik tok for this one!!!!)

[lunarharp]

fwee top 5 things i had fun with this year :-)

[elvenbeard]

You're my World

Doesn't matter where we are as long as we're together.

New Pride Flags Makeup (AXL Edition) by @pinkyjulien 💛

[ryssbelle]

WAIT THEYRE TWO SEPARATE GUYS smh I'm a fake fan. No wonder I could never figure out where the middle bit connecting the two stories was 😂

YEAH okay so the looore

The guy on the left in your picture is from the Branching Timelines au in which Sksw Link is mistaken for the goddess Hylia reborn and Zelda goes down to save him, it was started by @attllhak and the reason my side is called Branching Timelines is because it is a branch off their own story, I had made a joke comic at first that turned into a series accidentally lol

here is their fic: AO3 LINK TUMBLR LINK

NOW Divine twili beast Sky is an LU au that stems from a weird dream I had that also turned into a series as I tried to flesh out what the lore of this world could be like which is why there's a lot of holes in it but like it's my Swiss cheese angel

What's funnier is there is a 3rd au I barely talk about because it was when my Zelda hyper fixation was waning a bit, which links up with Branching Timelines called Fractured Timelines and THAT Sky is the same Sky as Branching Timelines SORT OF

It's complicated but the fracturing aspect does play a part in how that's the case. Idk it FT will ever see the light of day past the designs I made BUT we'll never know

Also

You: THERES 2 SKYS

Me:

[frameconfessions]

Valkyr Prime No Forma Queen Steel Path Circuit Armor Strip Deluxe Build AKA Can We Get Much Higher

There's room for improvement (like adding forma and maxxing out the other arcane), but I don't feel like it right now.

Here's the Valkyr Prime mods & arcanes setup. Use Terrify (Nekros helminth) over ability 3 for armor strip ability. Use these archon shards to get the 100% armor strip too and good energy economy. Feel free to ask about any of these mod or build choices, this build is from like 2 years ago that one of my partners helped me set up and still going strong. Delusion helmet and Gersemi skin for appearance.

Prime Talons mod setup. Blast damage is the current meta as of December 2024 so you can see the original before Damage whatever number update point 0 we're at now compared to the original build.

Equip Naramon, it's extremely important for power scaling and end-game level damage.

Fully ranked up Power Spike is the only focus school stuff you need, but having the waybounds unbound is always good for operator/drifter survival, combat, and movement.

Manage your energy economy by getting parazon finisher kills on eximus units if you start running low, just edge the health bars until you see the prompt and your energy will shoot up to almost max if not max. More than half the time arcane energize should kick in and give you a boost on top of the archon shard energy boost (not sure if the effects of the shards and energize multiply/stack or not as I'm not a build math gal but it feels like it does).

Here you go @issilya and anyone else wanting a no forma Valkyr Prime that scales well into higher levels.

[solchle]

If you're still taking request. Can we have our keyman steve? I love how you draw him. He's fancy

YIPPEE hes my fav actually =DD (hopefully ill post more of him soon, something decent since i am still designing him in progress <3) rquest#6 :³

[theorahsart]

Incorruptible chap 2 pt 2

I don't know if very-short Robespierre was squished inside a stagecoach with taller deputies as he travelled to Versailles, but I wanted to draw that anyway.

Likewise, I don't know if Camille complained loudly in the procession crowd about bishops, but that's what I wanted to draw lol

[wildstar25]

MiqoMarch Day 28 - Adventure

O, what great adventure awaits beyond that horizon?

[boleynqueenes]

"He thinks on the fragile youth of the Princess, and her even younger brother, secreted away in Lincolnshire, and the barren Queen. He does not believe the answer to that riddle equals anything approaching peace, nor does his family, to judge by their toast of him, once they received confirmation that one Boleyn and one Howard served as governess in the household of each…" —��Chapter 28 of Nowe Thus

[lynzishell]

As summer turned to Autumn and the days got colder and shorter, Phoenix and Dawn found themselves shifting focus to their careers. They both earned big promotions that led to higher stress and longer hours. With less time to see each other during the week, they made the most of what small pockets of time they could… like their 15 minutes over coffee in the mornings.

Phoenix, who has been working for the San Myshuno Human Rights Commission, is now heading the Department for Housing and Community Development. At first, he was excited and had big plans for the future of the city. Unfortunately, it seems the more power he is given to make a positive impact, the more he runs into roadblocks and red tape. The stress and frustration started taking a toll.

To cope with the stress, he began spending more time in Mt. Komorebi where he’d go snowboarding with his friends the way he used to before Kiyoshi ever presented the idea of climbing the mountain.

Nothing like the rush of flying down the slopes and landing massive jumps to get your mind off things, I suppose.

Meanwhile, Dawn has been working for the Dreamer Foundation as an Event Planner. She organizes many of their fundraising events, and they’ve been doing so well that she’s started putting together more prestigious events for their larger donors. This, of course, comes with its own kind of stress and frustration.

Rather than take off for the mountains though, she felt like she needed to make time to slow down and breathe. So, she started getting into wellness activities like yoga and meditation.

Oh! Also, Atlas and Asher started coming over every Sunday to join them for dinner...

...and to watch the latest season of Somnium.

All four of them are now fully invested in the series. (how could they not be with a genius creator like @rebouks)

Prev // Next

[swag-system]

genuinely think scoke becoming a polycule would solve all their worldly problems and yet there is nothing about this online why does no one see the vision

forever bewildered that no one else has watched roti and seen the insane potential of scoke before. they make me fucking insane i think abt them 24/7. they could be so healthy or so toxic it could fix everything they could make each other better or worse or both they could be everything they could kill everyone and throwing mikes alters in there just makes it more interesting. there are 1 billion things i could say abt them i could talk abt them forever and ever and ever