#i tend to enter boys and ill probably enter only one but id be down for doing two if i have time since its truly anything goes
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floorpancakes · 11 days ago
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oh btw!!! I posted this on my art twitter too but since this months project sekai outfit contest theme is 'anything goes' and I have other stuff to finish first if anyone has a concept they rly want to see in game lmk ok!! i might be able to do it! ill be thinking of ideas myself obviously but i think it'd be a nice opportunity in case anyone has a vibe or concept they want to see in game like super badly
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charlesdesvoeux · 9 months ago
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top five tertiary characters from amc's the terror
WARNING: we're about to enter my mind palace aka The Terror That Exists In My Head bc some of these guys get like. 3 lines tops so a lot of my thoughts on them are informed by fics and whatnot but here it goes
1. Charles Des Voeux: my namesake, my sewer gremlin, my beloved. he doesn't get a whole lot of screen time but when he does it is DAMNING. he's bitchy, he's racist, he's weird he's a weirdo he doesn't fit in have you ever seen him without his stupid hat on. the dezza that exists in my head is indeed a very weird guy whose mind astounds me; he thinks he's doing a very good job at coming off as Normal but he is NOT everybody knows he's weird and they're either kind of scared or think he's pathetic. extremely classist (son of a baronet, after all) but also he was shipped off to the navy bc his own family found him a little unsettling so he resents them too. of course he also has a psychosexual fixation on Dr. Stanley and the stuff he is into sex-wise more generally would probably freak an average 21st century person out so you can imagine how his 19th century peers saw him.
2. Tommy Armitage: my darling tortured boy. i am SO fascinated by hickey's assessment of him just before carnivale (while he is delusional in many aspects he is great at reading people imo); why is he so fixated on the marines, why does he "long for it" in hickey's words? does he feel degraded by his work as a steward, essentially a servant? does he feel like he's a coward and wearing that red coat would give him courage, would mean that he's amounted to something in his life? he also feeds Heather at carnivale and I think that speaks volumes to the extent that tozer probably trusted him. his devotion to Sol- AND IT IS THERE IN CANON IMO, YOU HAVE TO LOOK FOR IT A LITTLE BIT BUT IT IS THERE- is also so interesting to me. He followed that man into mutiny, into ruin, saw him become a shadow of himself but continued to love him.
3. Henry Le Vesconte: yeah, I'm gonna call him tertiary. he doesn't have a lot of lines or screentime; I think he tends to be more prominent in fics due to his station as lieutenant (and bc from episode 3 onwards he was the only surviving lieutenant of erebus) and also because HE IS A CHARACTER WITH POTENTIAL. dandy-ish and charming, with just a touch of the rake. to see him broken and desperate and ultimately mutinous, abandoning crozier to the mutineers and the ill to their fate in a desperate attempt to prolong their survival when he started off sooooo different is very intriguing to me. also post-abandoning-captain-quiet-mutiny-starvation-march nedconte makes me feral.
4. William Pilkington: he went down but he went down swinging (he's the one who dies with a wilhelm scream). did you know he interacts with Armitage at least 3 times in the show??? considering how little time they get this is HUGE trust me #tommypilks is real. I see him as a guy who was probably pretty convivial and fun to be around before... everything that went down, maybe even a little cocky but in an endearing kind of way. to see the desperation in his face as him and Tommy try to talk tozer into going back to the ships and as they face tuunbaq for the final time and thinking about what he used to be.... Jesus Christ. There's also this image:
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which I think about every day. "he has that sadness in his eyes" etc. and his expression as crozier is brought to mutineer camp. also interesting!!!!
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5. Edmund Hoar: considering that he has like. 2 lines I think about him a lot. The fact that he rose to the post of captain's steward in his early 20s is really impressive imo but what really made me go "hey WHO is this guy" was the carnivale soup moment:
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that's him on the left, Samuel Crispe from Terror on the right. like wait a minute what is going on here. a steward kind of has to maintain a level of "propriety" and "respectability" bc they work closely with command but fuck it- its carnivale, our id is showing, and hoar's id told him to get into the soup with this other guy nearly naked. two bros chilling in a big pot less than 5 feet apart cuz they are gay. also in my mind he's like the bratty teenage daughter to bridgens' impossibly patient dad and that dynamic is very dear to me.
bonus: my "canon OCs" (people that existed historically but were not mentioned in the show) William Elphinstone Malcolm (jirv's best friend who in my show!version is in love with him and jirv is also in love with him but won't admit it) and Eleanor Franklin (Franklin's daughter by his first wife who in my show!version is essentially "what if cornelius hickey was a Poor Little Rich Girl lesbian")
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heyheyloki · 4 years ago
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Loving Is (Not) Easy [1]
Summary: Sometimes the best thing you can do is take it head on and wait.
Spencer Reid x M!Reader
Word Count: 4876
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1. Sometimes, you need to wait.
The first time you met Doctor Spencer Reid was one that you wished happened under different circumstances. Although, if it did happen different, you highly doubt things would turn out like the way they have. You probably would never be living with him, never be able to be your true self, and never have found the man you want to love for the rest of your life. But, with any love story there will be always things in the way. Your enemy just happened to be time.
Around six months ago was the first time you saw him. He was literally your light in the darkness. He had saved you from a hell you couldn't escape for fifteen years. Over and over again you would wake up in that small room and the devil and his partner would strip you of yourself. They took everything they could from you, yet he was the one to give it all back.
It was around winter, the seasons turning as the green grass began to be dominated by the white fluffy snow. You were never really able to see it though. They wouldn't let you. The only time you got to see the outside was when they would remove the nails from the sheets that blacked-out the window from your eyes. You suppose you could always just try to tear the fabric down, but they would never let you back up in your room without your hands damaged. Too damaged to even touch anything. It stung.
You always believed that your life was supposed to be this way. That you would eventually die before you could even figure out how long you’ve been in this place. Before you could even know how old you actually were. Birthdays, time, those things were long in the first three years up here. After that, everything was such a blur that you barely tried to pay attention to it anymore. You believed in so many things, positive things, and yet as the time went on negative thoughts crawled inside your mind. You would never be able to experience love, or even get a job and normal social life. Something you have been deprived up ever since you came out to them about something personal. Something they thought was filthy and disgusting.
You thought for such a long while that it was your fault, and you still did to this day. Maybe if you had read the signs more you would have noticed. But what young boy notices that stuff? What young boy would think their parents are capable of such acts because of their sexuality?
You never tried to scream. Your mother always told you that if you scream then you’ll get punished. You never tried to learn what that punishment would be. Although, one day the pain was just too unbearable that you let out noise. Your parents didn't like it much. But how can you not scream as they cut open your skin? 
Even with the punishment. Even with the beatings. You think the only thing that saved your life was your scream. You only thank those who heard it, the neighbors. They were the ones who brought him to you. And you thank them every day of your life for it.
It was normal day at the BAU section of the FBI in Quantico, Virginia. The team there had received a case from the police in Denver, Colorado about a possible abusive household. Normally, things like this would be handled by the police only. Although, this case was proving to be more and more gruesome than they ever thought possible.
The team had collected in the conference room, the board lit up with two pictures. One of a man and the other a woman. They looked to be completely normal, normal people anyone would pass at any time of the day.
"Nicolás and Vanessa Perez are a married couple in the Denver area of Colorado." A woman known as JJ stated. She had short blond hair and fair skin. Each of those at the table had a conflicted look on their faces, especially since she didn't show any pictures of them as bloody corpses.
"What's so special about them?" Agent Aaron Hotchner, leader of the team asked.
"Well, they aren't dead for one. Although, neighbors have heard screams coming from the house." She said, her thumb clicking on a button on the remote she carried. A small window of video popped up and immediately began to play. It was focused on the ground, a sidewalk. Even so with not being able to see anyone, the bloodcurdling screams of a male was present in all of their ears. Screams that called out in the darkness when monsters are visible. Screams that should never be made possible. But, it was. Those types of voices were signs of clear distress and pain rather than fear. And everyone in the room knew that.
Once it ended, a couple of people let out a deep sigh. Their hearts speeding up for just one moment before putting back up the shield that helped them do this job.
"Do we know who that was?" Doctor Spencer Reid, the youngest of the agents asked.
"No one had any idea up until a few days ago when a neighbor took this picture." JJ said as she put up a somewhat blurred image of a young individual looking out the window of what looked to be an upstairs room or attic.
"We have any idea who the kid is?" Derek Morgan asked.
"No one can get an ID on him." JJ informed the team. Although, just as she believed they would hurry to Denver, Colorado, Hotchner asked, "I understand the severity of the situation but why did the police need us on this case?"
"Well," JJ muttered. Her thumb clicking a button once more as ten pictures of young woman popped up on screen. The youngest at eighteen while the oldest ranging up to her thirties. "All these woman have been going missing in the area where the screaming can be heard. Police there believe it is this couple kidnapping these young woman, but they have no proof."
"Wait, but the one in the picture there is obviously a young man." Emily Prentiss stared clearly for everyone to hear.
"Yeah, that does seem to be the case." Spencer Reid agreed, his hazel hues keeping on the blurred picture of the young man.
"Either way, I don't like the odds that boy has." Hotchner said, picking up himself and the items he owned from the circular table as he and his team moved out. The screams they all heard from that video echoing non-stop in their minds.
2. Don’t Make A Sound
 When they all reached the police station cops were running back and forth as commotion ensued the place. They looked around at the panic before picking up the pace to the one who calls the shots, the Chief.
"What's going on?" Special Agent David Rossi asked. He and his team watched as the police chief turned to them just after he hung up the phone. Some determination deep within his eyes, or perhaps anger.
"We just got another report of screams coming from the same house." He quickly stated. "I'm about to go visit the home again, you all are free to tag along."
Everyone quickly agreed, however, Hotchner was quick to leave JJ and Reid at the station to start up a profile for the unsubs. Meanwhile, everyone else traveled to the most unsuspecting home in the most unsuspecting neighborhood. It was one of those neighborhoods that would be in an ad back in the day that promoted the American Dream to foreigners. The clean cut green grass, the perfect two story home, and of course, the whit picket fence. When the team came up to the house and knocked on the door the woman answered first. She stared at them with narrowed eyes as she scanned all of the badges they whipped out for her to see.
"Mrs Perez? We have a few questions for you. May we come in?" Derek asked with the deep and silky voice that attract woman left and right.
"Sure," she stuttered. Her fingers scrunched against her thin scarf that hung loosely around her neck as she stepped aside for them. Each one that entered her home allowed another squeeze at her scarf.
As the officer and members from the FBI looked around the home, they noticed nothing out of the ordinary. It was a typically normal home with a normal living room, kitchen, even bedroom. When they all sat down in the living room to talk, Derek couldn't help but notice a door that looked to lead up to an attic. One that would have to be pulled down from the sealing. Thing was though, it had a lock. He kept it in mind as others began to question her. Rossi looking around at the picture of her and her husband along a table, as well as several items that indicated she was religious.
"Where is your husband, Mrs Perez?" Rossi asked. He stared at the back of her head for a moment before going back to the pictures when he heard her reply, "The store, we needed more food."
"Ma'am, we've been getting several reports now of screams coming from your house. Mind telling us what that's all about?" The officer asked, his brows furrowed more the longer he stared at her.
"I have no idea. It's just me and my husband, you see. We don't bother anyone." She stated calmly. Although, even with her calm demeanor, something about this woman irked Derek to his very core. He could feel it in his gut that something was wrong, and almost on some god-given luck a few noises--like footsteps--came from above. Everyone was quick to get a look up, their minds racing. However, when they looked back at the woman on instinct she said, "We have a raccoons nest up there."
"Better get them out soon, raccoons tend to carry all kinds of illnesses." Rossi said in a manner that was almost read as sarcastic, like he wasn't buying any of it. Although, even with the timid questioning, things began to heat up at an exponential rate when he saw a photo of a small boy. In the picture it was easy to say he was a cute kid. Smooth skin, full lips, gorgeous colored orbs, and healthy looking hair. The kinda features for a male that would mature into god-like looks.
"This your son?" Rossi asked. He held the photo up for her to get a look at when she turned her body around.
"Yes. His name is [Name], a sweet boy." She sugared, something about her honeyed words clawed at Rossi.
"So, where is he now?" He asked, walking up to the group once he set the photo down. He watched as she grabbed a hold of her necklace, a cross, as she said, "I sent him away. Boys like those detectives, they get a lot of attention."
"What kind of attention?" Prentiss asked, her arms folded over her chest.
"Attention one boy should not be getting from another." She hissed out. Her hatred now clear for everyone to see. Her dark eyes scanned the room before her voice became strong, more stern. "How would you feel if your son was kissing other boys?"
"I wouldn't care." Hotchner quickly stated, his own eyes burning with hatred as well. However, his hate was targeted somewhere different. "What did you do to him?"
She stared at Hotchner for a moment. Her eyes twisting into something that made his stomach turn at what she could have done to her own son. Then, a moment later, she raised her chin and said, "Somewhere better. Somewhere where he can learn god's will and fix his devil like face."
After the interrogation at the Perez house, the team went back to the station where Reid had been fixing up a board that helped him classify the unsubs.
"Whatcha got, pretty boy?" Derek asked with a small smirk. He saw Reid turn around with a sorta mocking face for a split second before getting into his findings.
"The only connection I could find between the missing woman was that they are all between the ages of eighteen and twenty, not only that but after about a week they are discarded and replaced." Reid started out saying, thoughts now running through his family's minds when he said, "It was almost like they were defective to them in some way."
Derek was the first to speak his mind, even if he didn’t like the conclusion he and many others were coming up with only after meeting the wife once. “When we went there, she went on about sending her son to a ‘better place’ where he can ‘fix himself’. If her and her husband have him and are taking these women, is it a stretch to say that they’re taking these women for him?”
“Well, why would they be doing that?” JJ asked. “I mean, you guys said that it sounded like their son was homosexual.”
“He can still be.” Rossi said, “but the parents think they can fix his sexuality by forcing these women onto him and when they don’t..”
“They’re killed and replaced,” Hotchner finished, his eyes scanning the board before saying aloud, “let’s go give the profile.”
3. Escape Never Looked So Easy
You’ve known this place most of your life and for the longest time you could remember a new girl coming to visit you every week. No, visit isn't the right word. More so forced to see you. You knew what was going on as you got older and you knew the first thing you had to do was help these women in anyway you could. Over and over again you have failed in ways that no one would ever understand. However, you were determined to help this one. You had too. Not only for a lofty sense of justice and pity, but since it was also your chance. She could help. Go to the police. The FBI are here now, they will help you.
"It'll be okay, I promise." You whispered to a scared woman who hugged her knees in her chest. The tears down her face wouldn't stop, staining her pale cheeks. Her wobbly eyes gazed up at you, staring at every possible scar that they left on your face.
"How do you do it?" Her brittle voice asked. Her head leaned to the side as her eyes narrowed and brows furrowed.
It was weird to be asked such a question, but not an uncommon one. They all ask it eventually, and you guess at some point in time you found the answer.
"I.. learned to adapt." You muttered out, your own head leaning downward as you stared at the rotting wooden floorboards. It was quiet for a moment, but you could still feel her eyes curiously watching you. Searching you.
"H-How long have you been up here?" She stuttered, almost scared to know the answer.
This time it was your turn to mirror her look of confusion. You could always tell when it was night and day, when the seasons chance, but you never have been able to count the years that have gone by. That was always the hard part.
"Don't know," You uttered, your voice soft and vulnerable. "All my life, I suppose."
Looking back, all you remember is this place. This way of living. You truly believe the only thing that kept you from believing this was okay in anyway was the books your father sneaks to you. He ended up doing it for as long as you could remember, but after some time whenever she would leave the house he would come up here. He'd teach you things, tend to my wounds, even apologize.
One time, he even tried to help you escape. A while ago, after they put up the tarp so the neighbors couldn't see you from the attic, he left the nails very loose in the wooden boards along the wall. It was easy for you to take it off without making too much noise. The jump down wasn't much given how it's only a two story home and the land would be in some bushes, but she tends to be more concerned with locking you away from the world. Father said it was so you don't 'act on the devil's desires'.
That sentence never did make sense to you. As much as you believe in your own intelligence, you could never wrap your head around it. After all, how would you be acting on the 'devil's desires' when she calls you the devil in disguise. Wouldn't it just be your own desires then? And even so, what's so wrong about desires? That's what makes an individual, otherwise wouldn't we all just be the same?
Father told you it started off with my looks. She believes you’re not their child, and he predicts that's how she can act so monstrous towards you. She apparently used to tell him about how the devil is supposed to be depicted as a handsome man, one with radiant features and charism so he can make others sin. She was always scared of you, of how you would look when you grew older. But, the moment she caught you innocently giving a kiss to a boy, she snapped.
She tells your father that they are ridding great evil from the world. Not so much about protecting you, fixing you. But more about protecting other people, helping other people. She used to call priests all the time when you were younger, but they stopped coming after some time. Your father thinks it has something to do with the fact that she didn't want the priests to see the scars on your face.
The first one she placed on you was on your left bottom lip. It drags from your lip to a little on your chin. It's noticeable, that's for a sure, as well as jagged. Over time, the cuts got smoother. The latest was under your right eye. It was curved to match my eye socket as well as wide more in the middle before riding off. All the other scars just happened to be on your body. Chest, back, legs, arms. She wanted to make sure that you were no longer the devil she imagined. After all, if your face was no longer sinful, if your handsome features were cut up, who would think of you as even the least bit attractive?
You only snapped out of your own thoughts when the girl across from you tapped on your shoulder. Your eyes quickly met hers that were filled with some kinda new strength while you felt wetness stream down your face.
"We're gonna get outta here. Both of us." She said to you. It was the first time someone had offered to take you with them. The first time that they didn't just care about their own escape. Although, you never blamed them.
"Y-Yeah," You stuttered, your voice cracking the longer she stared at you.
However, you decided at this point it would be best to just focus on her. She was more in danger than you were, so, you told her a plan. One that was full proof as long as that woman is out of the house.
"I can't take the tarp down, nevertheless open the window with my hands." You informed her. She guided her eyes to your shaky hands that where riddled with scars and bruises. Some cuts open with dried blood the only thing keeping the wound shut. "They haven't hurt you like they have me yet. So, it's up to you."
"How will I know she's gone?" The girl asked.
"She will be soon. This is the time of the day that she goes out for more supplies. It will take her at least twenty minutes." You informed her. Your head dropping for a second before saying softly, "Get back here with those FBI guys before then."
"Why?" She asked curiously.
You never did answer that question. It was your least favorite of all questions, especially when the answer most of the times is so easy to figure out.
4. God Sent Me An Angel
Fifteen minutes. That's how long she's been gone for. As much as you hope she would bring those people back, you wouldn't blame her if she just ran for the hills. Something like this, it would scare a lot of normal people. Though when does something scary turn into another person's normal? After time? You suppose that could be one answer; maybe even the only answer.
You think it was in a book you read stated that faith could be something of salvation and yet could lead someone onto the highway to hell. You truly believe that is where she will go after she dies, and you do hope that she realizes the truth. The single truth that you are not the devil in disguise. That you are not a sinner. That you are not Satan himself.
It was so quiet, quiet enough to hear your own breathing as it entered through your nose and out your mouth. Your breath laid still in the air, visible by the cool air that surrounded the attic. There wasn’t a heater in there, so the temperature was determined by the weather on the outside. 
One minute. Two minutes. You felt like you had started counting the seconds, lost so much in your head that you didn’t hear anything until the sound of clanking wood rang loud in your ear drums, infecting your brain.
You whipped your head around and stared blankly at the only exit or entrance of this hell besides the now broken window. Although, you had heard the sound so many times before that it was normal, most of the time you wouldn't even go to look. But this time you wanted to see, you wanted to look to see if the true devil was going to look you in the eyes or maybe perhaps it would be an angel himself.
However, you heard no sirens. Heard no new voices or those of those men before. So, the moment you saw the light shine from the house into the attic, you knew you would be staring into the eyes of the devil. And you did.
You knew the moment you saw the disembodied look on her face that my fate was sealed with a bloody end. Perhaps now your suffering can end, maybe now you can actually get some peace.
"Get over here, boy!" She yelled, her words like poison. Yet you hoped in that moment that when she wrapped her hand around your wrist that you would be let to your salvation. Maybe when you die you would see the pretty stars, the beautiful moon that somehow gave you a sense of hope in that dark and cold attic.
Her grip was solid and terrifying, although the fear you had for that woman died a long time ago when she started to slash your face. You couldn't see your father for miles, you had just assumed in that moment that perhaps she killed him as well, just like with all the other woman before. The ones you failed to save but each made a vow to, one they wanted you to keep before they met their end.
It wasn't until you both went into the kitchen and found yourself in the spot that she makes a mess with your body that you felt something. It wasn't so much fear or anger, but more so hope. It was the hope that this never ending nightmare would finally come to a close, that you would finally wake up.
"Sirens.." You muttered to yourself, your voice soft like that of a childs. You watched as her face contorted in fear when some men began to pound on the door and claim to be with the FBI.
When the door was busted down she pulled you close to her and held an object close to your neck, yet before it all she managed to grab the nearest bag and place it over your face. Essentially, even to the end she would rather hide me from them all entirely. With your vision gone, all you had was sound and touch to go one.
"Put the knife down!" You heard a man yell. You could remember him as one of the men that came here the other day.
"Mrs. Perez, let the boy go." A soft voice spoke. You couldn't explain why it was silky and not as deep as the other but gave you a sense of calmness. You could tell you would be fine in that moment, and believed it more than the entire universe.
"I'm not letting such evil into the world! None of you understand! He's the devil himself!" She screamed, the knife's sharp edges more prominent against your neck. You didn't make a sound though. You thought maybe you could get punished if you did.
"Why do you believe that?" The man with the calming voice asked. You could tell he was trying to calm her down to let you go.
Her firm grasp on your shoulder suddenly grew tighter, you believed she could shatter your bones if she really wanted to. "Everything about him. He's a sinner, he makes other people sin." She whispered, "He doesn't look like me or my husband."
"You think he's the devil because of his looks?" He asked.
It was silent for a second before she uttered, "I know he is because of his looks. I tried, I tried so hard to make it so he wouldn't make others sin. So he wouldn't spread such evil into this world."
"Why don't you tell me all about it after you hand him over?" He asked. You could tell all of his words were lies. "If.. If he's in custody with the FBI then he won't be able to spread the evil you speak off."
"Could I.. get rid of him?" She muttered. It was quiet, so quiet that all you could hear was your own breathing until you felt the hand on you shoulder slowly loosen. The knife around your neck moved around and before you knew it you could feel a pair of gentle hands on your upper arms.
You could hear the shuffling next to you and the jiggle of metal as they cuffed the woman next to you. It wasn't until you heard those footsteps echo off into the distance that the one in front of you asked, "Are you alright?"
You only nodded. It wasn't that you had an issue with talking or something, you just didn't want to at the moment.
"I'm gonna take this off, okay?" He asked. Your mind guessed he was taller than you and looked up an inch in turn. It was the first time that someone asked permission to do something to you.
You nodded again and once you did the crinkling the bag ran loud into your ears as the darkness you saw turned into light. When you opened your eyes, you stared at the man in front of you. He was young, maybe in his early or mid 20s. His chestnut hair was on the longer side and did this cute thing were it got curly on the ends. It reached down to his jaw that was sharp. He had pale skin, and had these eyes anyone could get lost in. They were sweet, something you haven't seen in anyone but those woman and your father at times.
The both of you stared at one another for an extended period of time. While you admired the man's features, you thought perhaps he was in shock at how hideous you look. Between the scars and such, you wouldn't be surprised if he thought that. However, the more you looked into his eyes, the more the idea of disgust was pushed from your mind. It was like that emotion wasn't even present as he stared at you.
Though, when he snapped out of his daze, he looked back on his game.
"Hey, there," he uttered calmly. "My name's Spencer Reid. I'm with the FBI, you're gonna be okay, you understand?"
You nodded your head again. You could tell he probably thought you were mute or something so when he started to move away you said aloud, "[Name]."
He was quick to move his head around back at you. The expression on his face was one of shock. He was truly baffled you were speaking, which made you almost retract. Although, I didn't.
"What was that?" He asked in confirmation.
"[Name]." You said more firmly, my natural deeper tone coming through. "That’s my name, since we’re sharing."
This time it was his turn to nod his head a bit, but at the same time, he smiled. It was softer and showed no teeth, but a smile nonetheless. It somehow softened you a tad, almost made you feel vulnerable to an extent. However you knew that it probably had something to die with the fact that he saved your life.
"We're gonna take you somewhere safe. Is that okay with you?" He asked. The second time someone has asked your permission. It truly felt wonderful. It was almost like you mattered, like your feelings were valid.
"Sure," you said. It was at this moment that your turning point would occur and you would be be allowed the freedom to do what you pleased. Something you were deprived of for over fifteen years.
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xavierfiles-blog · 8 years ago
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Anatomy of an X-Team: The Template
There are a lot of models for how to assemble an ensemble cast.  Some of it is going to be dictated by the show’s concept and setting – Star Trek modeled its cast after the functions of a ship at sea (or space as the case may be): A captain, first officer, helm, security, medical, engineering. Brooklyn Nine-Nine is about a police precinct, so you’ve got a captain, sergeant, admin assistant, and a bunch of detectives. B99 is instructive here because you have a finite few jobs that need to be filled and an ambiguous pool of other characters. How many? How do you choose? The answer is going to lie in both the way you want the characters to interact with each other (group dynamic) and the types of stories that you want to tell.
Over the X-Men franchise’s long history, the size and membership of the rosters of the various teams has changed a lot. Sometimes a set of characters works very well, and others not. While there are a lot of contributing factors to whether a particular run is successful, the team roster is the foundation on which the stories that make up that run are built. They are the ingredients that the creative team uses to make their X-Men cake. I would argue that there is are seven necessary roles to be fulfilled in an X-Men (and X-Force, X-Factor, etc) team which give a creative team the tools they’ll need to tell solid X-Men stories.
I call these roles collectively as The Template – mostly because it seems to be the model that Marvel used in the 80s and 90s when expanding the X-Men franchise. They are: The Home Fires, The Team Leader, The Girlfriend, The Best Friend, The Heavy, The Innocent, and The Outsider. Together, they make up the essential structure of an X-Men team and allow the book to tell the types of stories we’ve come to associate with the franchise – stories of redeemed adversaries, outlandish adventures, and finding a family in a hostile world.
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The Home Fires
This character usually stays at the team’s base of operations, working as a point of communication for the team as they go on their adventures. Professor X was probably the most notable example of this type of character, and while his role had a lot to do with holding the thematic “Dream of peaceful coexistence between mutants and humans” core of the books, that isn’t an essential part of the role. In fact, the function of this role is usually about technical and logistical support and spouting exposition for the benefit of both the team and the reader.  “Team, you have to go to the Canary Islands because there is a mutant in distress!” that sort of thing.
Often, this is an older character so in the team dynamic, they played a parental or mentorly role, dispensing wisdom along with moral guidance. This isn’t a requirement, though, and in some runs, this role is more like a dispatch operator.
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Art by John Byrne, Terry Austin, Glynis Wein
The Team Leader
This character is the most classically heroic on the roster. The Boy Scout.  He (or sometimes she) does as it says on the tin – leads the team in the field, directing action in a fight, thinking strategically, always trying to do the right thing and the most good. The Team Leader is the team’s ethos in application, featuring in stories where that ethos is put to the test.
The Team Leader feels responsible for all the other members of the team and usually has a closer relationship to The Home Fires than the rest of the team, both because of the mentor\mentee dynamic and because the Team Leader’s feelings of responsibility for the team make him feel isolated. The Team Leader is often paired up with The Girlfriend and\or The Best Friend in order to alleviate that. Team Leaders without those relationships tend to come off as robotic, aloof, or off-putting which can cause a problem for the roster as the Team Leader is the face of the team to the readership.
Many times, The Team Leader is meant for the reader to project their aspirations onto. The Team Leader is who the reader feels they are (or who they could be) at their best.
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Art by Andy Kubert, Matt Ryan, Joe Rosas
The Girlfriend
This character is most defined by their frequent emotional support and nurturing behavior. Like The Best Friend, The Girlfriend is often a supporting character in other character’s stories (with some famous exceptions), opening up isolated characters like Team Leaders or Outsiders or nurturing Best Friends or Innocents. This character is often female (the name comes from the most famous example: Jean Grey), but not always. As a matter of fact, Banshee often finds himself in this role.
The Girlfriend is often relegated to a supporting role, rarely getting the spotlight (with a few notable exceptions). And to be clear, not all romantic interest characters are The Girlfriend. Trish Tilby, for example, couldn’t claim this title. This is a role about supporting and nurturing the team, not just who a team member is dating.
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Art by Stefano Caselli, Frank Martin
The Best Friend
This character is genial, charismatic, and typically lighthearted. But don’t be fooled, he’s ride or die and when the chips are down, he’s got your back.  This character is often a fan favorite.  Where most characters have their share of detractors, few fans can say an ill word against most Best Friend characters.  
Best Friends are usually featured in buddy-duo type stories, and give more isolated or closed-off characters a way to open up.  In many ways this character is the hetero-male counterpart to The Girlfriend, serving a similar function, but in a different context. Where the Girlfriend’s tone is soothing, The Best Friend is often more lighthearted.
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Art by Larry Stroman, Al Milgrom, Glynis Oliver
The Heavy
Cape books are all about punching and astounding feats of strength and so they demand that there be one character to lift the heavy stuff, endure the unendurable, and to punch harder than anyone else can punch. Someone’s gotta carry that weight, and it’s usually The Heavy.
Because this character has very simple requirements, The Heavy also sees the widest variety in form and personality, from the gentle giant Colossus to the goofball Strong Guy, to the angry and revenge driven Warpath. The Heavy can also be the Team Leader as in the case of Captain Britain. If any character exemplifies how flexible The Template can be, it is The Heavy.
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Art by Paul Smith, Bob Wiacek, Glynis Wein
The Innocent
If The Team Leader is the character that a reader is meant to aspire to be, The Innocent is the character the reader feels they are. The Innocent is meant to be a reader insert. This character is young and naive and emerging into adulthood with all the discoveries and pitfalls that entails. Sometimes The Innocent is a rescue, a victim given refuge or a stray orphan that the team has found (sometimes both!).
As well, this role gives the book the opportunity to plainly explain its themes as if it’s new information. The Innocent is a character who is constantly learning lessons, but ironically, is also the least flexible role in The Template – it takes a very long time for an Innocent to be allowed to grow into another role. X-Men stories often don’t use their regular Innocents, instead inventing brand new one-off characters to serve that role (for a lot of reasons).
However, The Innocent fits into the widest variety of stories, from the standard Marvel coming-of-age-super-powers-as-metaphor-for-entering-into-the-adult-world stuff, to supporting characters to remind Outsiders, Home Fires, and Team Leaders what they’re struggling for. They also play off of Heavies, Girlfriends, and Best Friends – letting them explain the team’s ethos and giving some lower stakes situations in which to play their own roles. Although many times The Innocent can be a cloying, cutesy, annoying tag-along, (or even a Mary Sue) The Innocent is critical in helping a book convey its central themes.
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Art by Sam Keith
The Outsider
The Outsider is just that, an Outsider. He is a loner, a wild card. He is unfamiliar or even hostile to the group’s core values, the role is about revealing the themes of the story by way of contrast. The Outsider does something out of line which gives the Team Leader or Home Fires (or sometimes Best Friend or Girlfriend) a teachable moment. “Bishop, in the dark future you come from you might have killed suspected criminals, but that’s not how we do things here.” In this way, they share some purpose with Innocents.
But unlike Innocents, The Outsider is a more flexible position – a major part of their story is redemption and reconciliation into the group and that can only remain unfulfilled for so long before it either leads to conflict or fizzles out.  Rogue, for example, entered the team as an Outsider, but quickly integrated and transitioned into a Heavy, and even a Team Leader.  
Outsiders tend to be fan favorites – they’re often independent, roguish, and appeal to the id of the typically adolescent audience in a different way to Team Leader (superego) and Innocent (ego).
This role is often where an X-Men team is out of balance, either with too many because they’re often fan favorites and their loner streak gives some space for development into a solo series or too few instead relying on the antagonists to carry the weight of this role.
That’s the theory, anyway. It’s no panacea – no matter how closely the team roster adhered to The Template, it wouldn’t make The Draco a good idea. But I’d argue that the tightest, clearest, and most consistent runs on the various X-Men franchise books all had this team structure in common. And similarly, the roughest and most directionless runs are those that feature teams with vacancies in The Template or doubled-up on too many roles. Bear in mind, too, that this isn’t a rigid rule. These are tropes and can be as valuable when adhered to as when subverted.
Next time we’ll put the theory to the test by looking at some case studies where we’ll see how closely teams followed The Template, how those characters played off each other in their roles, and whether the stories told during that time were served by the team dynamic.
Anatomy of an X-Team: The Template was originally published on Xavier Files
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bloojayoolie · 6 years ago
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Anaconda, Andrew Bogut, and Apparently: ant to be loved fo myself or not at al yrano de Berge GoPHER ld 53329. 1.5Yrs.., 72 lbs. of Poetry. He waits for you, at the Manhattan ACC I was returned!” ☹ - INTAKE DATE 2/3/2019 *** GOPHER (AKA JOKER) IS AT HIGH RISK OF BEING ON TONIGHT’S LIST. PLEASE SHARE, CROSSPOST, TAG & PLEDGE FOR HIM! *** (A $1,000 stipend will be offered to the New Hope partner that pulls Gopher) “Oui, je veux être aimé moi-même, ou pas du tout!” -- Cyrano de Bergerac Or simply translated, “Yes, I want to be loved for myself or not at all!” Joker feels exactly the same, and he “is” loved by ALL at the Manhattan Center where he was adopted and returned in the blink of an eye by inexperienced, ill prepared adopters who probably thought “yay, we saved your life! Aren’t you excited?” That is not how shelter dogs react to a new home. A new home, is just a new unknown, another change that they must navigate and try to deal with. Joker is a gem. He is a wonderful, sweet, gentle boy who turns into an absolute lovebug with people. But as with everything else in life, when faced with change, we all need time, patience, slow intros. We need to be able to open at our own pace as we explore and discover every aspect of what will be our future. Joker deserved that. He didn’t get it. Please read the volunteer notes below, look at his many adorable pictures, then rush to foster or adopt him now. MESSAGE our page or email us at [email protected] for assistance! A volunteer writes: “I could write at length about Joker! There are not enough great words to describe a strong dog who is so sweet and gentle when he approaches a caretaker, slowing down his enthusiasm and speed to make sure she is hit only by a feather! I so love his magnificent and expressive face, his candy nose, his eyes unsure at times or full of excitement at others. His slender body defies gravity and one might think that his bones are a 100% bendable when he puts his might to catch a ball. Joker is a lover too and believe it or not, he really thinks he can fit on a lap! He does love to play but kisses and hugs are a favorite too as well as recess with his peers. Joker is a powerful dog when it comes to walk or play but a sweet and gentle lover when he is with people! Come and meet Joker the Great at the Manhattan Care Center!” GOPHER aka JOKER, ID# 53329, @ 1.5 Yrs. Old, 72 lbs, Manhattan ACC, Large Mixed Breed, Tan / White, Neutered Male Owner Surrender Reason: Leash reactive. Not good with children. Shelter Assessment Rating: LEVEL 3 No children (under 13) Medical Behavior Rating: 2. Blue OWNER SURRENDER NOTES - BASIC INFORMATION: Joker is an unaltered male large mixed breed dog. He came into MACC as an owner surrender. He previously lived with 2 adults. Joker is very hyper when meeting new people. He is a jumper and always wants to kiss your face. Joker is described as very excitable and very hyper by his previous owner. He is very playful with strangers and always looking for attention. While Joker did not live in the previous home with children, he did have some interactions with child family members. Joker is described as gentle and playful with kids. He may be very excited at first, but he will calm down when he gets to know the children better. Joker has not been around other dogs or cats. He has no known bite history, is partially housetrained and his energy level is described as very high. Other Notes: It was observed in the previous home that Joker likes to eat his food out of the bowl. When the previous owner would set out his food in his dog bowl, Joker would take the food out of the bowl and eat it in a different location. For a New Family to Know Joker is a very excitable dog and needs lots of love and attention. The previous owner hopes that he finds a home with people who are just as excited to play with him and he is with you. He is a very lovable pup but is still afraid of loud noises as he will be surprised or jump into your lap. He does need a little work on house training, but will begin to work on your schedule with training and treat rewards. When in the home, Joker tends to stay by your side in hope that he gets some play time in. Joker loves to go for walks with you and gets very excited he will pull ahead of you. He is crate trained and loves hanging out in there with his favorite blanket and best chew toy. INTAKE NOTES – DATE OF INTAKE, 24-Jan-2019: Joker was a very excited dog when in the intake room shown by a very wiggly body and jumps for affection and kisses. Joker allowed for all handling and let staff pet and give him treats. Joker took the treats very gently and he sat for every treat. SHELTER ASSESSMENT SUMMARIES- Date of assessment: 25-Jan-2019 LEASH WALKING Strength and pulling: Hard Reactivity to humans: None Reactivity to dogs: None Leash walking comments: May jump in excitement and try to leash bite SOCIABILITY Loose in room (15-20 seconds): Highly social Call over: Approaches readily Sociability comments: HANDLING Soft handling: Seeks contact- Exuberant handling: Seeks contact Handling comments: AROUSAL Jog: Engages exuberantly Arousal comments: Knock: Approaches loosely Knock Comments: Sits nicely next to handler Toy: Sniffs, but does not pick up Toy comments: PLAYGROUP NOTES – DOG TO DOG SUMMARIES: The previous owner of Joker did not provide behavior history around other dogs. Based on behavior observed in the care center, Joker may be most compatible with playful female dogs. Behavior around other male dogs has not yet been observed and is still pending. 1/25: When introduced off leash to female dogs, Joker engages in bouncy play. 1/26-27: Joker engages in play with female dogs. 2/4: Joker plays exuberantly in a group of female dogs. INTAKE BEHAVIOR - Date of intake: 24-Jan-2019 Summary: Friendly and affectionate MEDICAL BEHAVIOR - Date of initial: 24-Jan-2019 Summary: Allowed all handling ENERGY LEVEL: At the care center, Joker has a high energy level. He will need daily mental and physical activity to keep him engaged and exercised. We recommend long-lasting chews, food puzzles, and hide-and-seek games, in additional to physical exercise, to positively direct his energy and enthusiasm. We recommend feeding with puzzle feeders and food-dispensing toys. And we recommend only force-free, reward-based training techniques for Joker. BEHAVIOR DETERMINATION: Level 3 Behavior Asilomar TM - Treatable-Manageable Recommendations: No children (under 13) Recommendations comments: No children: Due to the high level of jumping up and mouthing seen at the care center, as well as reported in his previous home, we recommend an adult only home. Potential challenges: Basic manners/poor impulse control Social hyperarousal Mouthiness/poor bite inhibition On-leash reactivity/barrier frustration Strength/leash pulling Potential challenges comments: Joker pulls hard on the leash, sometimes jumping up and mouthing at the handler while walking. Please see handout on Leash Manners. Joker becomes very excited around people, showing some social hyperarousal and jumping up and mouthing. Please see handout on arousal. Joker has displayed some mouthiness at the care center and in his previous home, mouthing to the point where he left scratches on people in the home. Please see handout on Mouthiness. Joker has a tendency to jump up on handlers in the care center and will need training and work on his basic manner and impulse control on a new home. Please see the hand out on Basic Manners. MEDICAL EXAM NOTES 7-Feb-2019 Progress Exam. S/O - Increased vocalisation in the kennel. Jumping on kennel door. A - Elevating shelter anxiety P - Trazadone 10 mg/kg SID PO indefinite 3-Feb-2019 DVM Intake Exam. Estimated age: ~1.5yrs based on hx and PE. Microchip noted on Intake? scanned positive. History : O surrender due to P being reactive on leash and attempting to bite one of the children in the home. Subjective Observed Behavior - BAR. Evidence of Cruelty seen – none. Evidence of Trauma seen - none . Objective: BCS 5/9, EENT: Eyes clear, ears clean, no nasal or ocular discharge noted. Oral Exam: did not evaluate. PLN: No enlargements noted. H/L: No murmur ausculted; CRT < 2, Lungs clear, eupnic. ABD: Non painful, no masses palpated. U/G: neutered male. MSI: Ambulatory x 4, skin free of parasites, no masses noted, healthy hair coat. CNS: Mentation appropriate - no signs of neurologic abnormalities. Rectal: externally normal. Assessment: apparently healthy. Prognosis: excellent. Plan: ok for adoption. Recommend behavioral training after placement. SURGERY: neutered --------------------------------------------------------------------- NOTES FIRST STAY / Intake 01/24/19 JOKER, ID# 53329, 1,5 Yrs. Old, 72 lbs, Manhattan Animal Care Center, Large Mixed Breed, Tan / White, Unaltered Male Owner Surrender Reason: Shelter Assessment Rating: Medical Behavior Rating: 2. Blue MEDICAL EXAM NOTES DVM Intake Exam. Estimated age: Reported 1.5 years - exam is consistent with this. Microchip noted on Intake? Scanned negative. History : Surrendered. No health concerns reported. Subjective: Alert, walks well on leash. Observed Behavior - Relaxed, wagging body when enters room - but then gets a little tense and stiff for exam. Allowed all handling. Evidence of Cruelty seen – None. Evidence of Trauma seen – None. Objective: BAR-H, MMs pink and moist, BCS 5/9, EENT: Eyes clear, ears clean, no nasal or ocular discharge noted. Oral Exam: Clean adult teeth. PLN: No enlargements noted. H/L: NSR, NMA, CRT < 2, Lungs clear, eupnic, no coughing or sneezing. ABD: Tense, not distended. U/G: Male intact, testicles S/S. MSI: Ambulatory x 4, skin free of parasites, no masses noted, healthy hair coat. CNS: Mentation appropriate - no signs of neurologic abnormalities. Rectal: Normal externally. Assessment: Apparently healthy. Prognosis: Excellent. Plan: Neuter, placement. SURGERY: Okay for surgery. *** TO FOSTER OR ADOPT *** If you would like to adopt a NYC ACC dog, and can get to the shelter in person to complete the adoption process, you can contact the shelter directly. We have provided the Brooklyn, Staten Island and Manhattan information below. Adoption hours at these facilities is Noon – 8:00 p.m. (6:30 on weekends) If you CANNOT get to the shelter in person and you want to FOSTER OR ADOPT a NYC ACC Dog, you can PRIVATE MESSAGE our Must Love Dogs page for assistance. PLEASE NOTE: You MUST live in NY, NJ, PA, CT, RI, DE, MD, MA, NH, VT, ME or Northern VA. You will need to fill out applications with a New Hope Rescue Partner to foster or adopt a NYC ACC dog. Transport is available if you live within the prescribed range of states. Shelter contact information: Phone number (212) 788-4000 Email [email protected] Shelter Addresses: Brooklyn Shelter: 2336 Linden Boulevard Brooklyn, NY 11208 Manhattan Shelter: 326 East 110 St. New York, NY 10029 Staten Island Shelter: 3139 Veterans Road West Staten Island, NY 10309 *** NEW NYC ACC RATING SYSTEM *** Level 1 Dogs with Level 1 determinations are suitable for the majority of homes. These dogs are not displaying concerning behaviors in shelter, and the owner surrender profile (where available) is positive. Some dogs with Level 1 determinations may still have potential challenges, but these are challenges that the behavior team believe can be handled by the majority of adopters. The potential challenges could include no young children, prefers to be the only dog, no dog parks, no cats, kennel presence, basic manners, low level fear and mild anxiety. Level 2 Dogs with Level 2 determinations will be suitable for adopters with some previous dog experience. They will have displayed behavior in the shelter (or have owner reported behavior) that requires some training, or is simply not suitable for an adopter with minimal experience. Dogs with a Level 2 determination may have multiple potential challenges and these may be presenting at differing levels of intensity, so careful consideration of the behavior notes will be required for counselling. Potential challenges at Level 2 include no young children, single pet home, resource guarding, on-leash reactivity, mouthiness, fear with potential for escalation, impulse control/arousal, anxiety and separation anxiety. Level 3 Dogs with Level 3 determinations will need to go to homes with experienced adopters, and the ACC strongly suggest that the adopter have prior experience with the challenges described and/or an understanding of the challenge and how to manage it safely in a home environment. In many cases, a trainer will be needed to manage and work on the behaviors safely in a home environment. It is likely that every dog with a Level 3 determination will have a behavior modification or training plan available to them from the behavior department that will go home with the adopters and be made available to the New Hope Partners for their fosters and adopters. Some of the challenges seen at Level 3 are also seen at Level 1 and Level 2, but when seen alongside a Level 3 determination can be assumed to be more severe. The potential challenges for Level 3 determinations include adult only home (no children under the age of 13), single pet home, resource guarding, on-leash reactivity with potential for redirection, mouthiness with pressure, potential escalation to threatening behavior, impulse control, arousal, anxiety, separation anxiety, bite history (human), bite history (dog) and bite history (other).
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