#i talked way more about bg3 than divinity despite saying this was a thing i liked about larian writing in general

[silversed0]

One of the things I think really sets apart how Larian writes their companion characters compared to other RPGs is that they don't typically start off liking or even trusting you very much at all. In like, Dragon Age, Pillars, or the other Baldur's Gates, most characters like you by default and are invested in helping you out, or at the very least, like you in addition to having a specific reason they need to accompany you. Even the more hostile characters tend to readily open up when you ask about their backstories and their interests, because that's how you as the player need to learn more about them, which to be clear, makes sense and is totally normal!

But it does hit different in a really interesting way in both DOS2 and BG3 where you have all these people forced to group up, not because they like each other, not because they even have any unified greater goals, but because they need each others' help to solve an immediate problem. In DOS2, nobody wants to be trapped in Fort Joy, so all the characters team up, all the while you'll see some IMMEDIATE friction. In BG3, nobody wants to have a tadpole cuddling their hindbrain, so everyone sticks together in this wilderness as they desperately search for a cure. There's no real camaraderie at first, it's about survival, and accordingly, these characters often don't WANT to tell you about themselves if they don't have to (though I think this part is more true for BG3, everyone in DOS2 tends to spill their initial deal pretty fast). Gale and Shadowheart actively dislike when you prod them for information, and appreciate when you let them talk in their own time. Lae'zel has no intention of even being on this plane longer than is necessary and sees basically everyone as being beneath her initially, while Astarion's lived lifetimes of abuse and deceit that've made him this naturally distrustful, closed off person. Wyll and Karlach are exceptions to this, being these happier, more heroic characters, but even Wyll wouldn't tell you about Mizora if she didn't pop up in camp herself, because he wouldn't nearly trust you with that secret yet. They're people who don't see a reason to open up to this stranger they just met just because they're the nosy protagonist, and it contributes to making them feel super textured, I feel.

And this isn't something totally unique to Larian or anything—there's Sten in DAO, or like all of the companions in Tyranny, or a third example I couldn't immediately think of that I'm sure exists and you'll pretend is here, but I think Larian making this how most of their companions work IS more unique to them and rocks combined with just the general quality of their character writing. It doesn't and shouldn't need to be how all companions in these kinds of games are written, don't get me wrong, I just think it works super well and serves to make the world feel a bit less like it revolves totally around the player.

[deer-with-a-stick]

on one hand, if larian gave us raw rules for revivify/raise dead, you could do things like save Duke Ravengard without Mizora (ignore her, go to Iron Throne where he's going to be dead for some stupid reason, cast Raise Dead with a diamonds and boom. you can't tell me that he's been dead for more than 10 days when you find him) or just revive random NPCs for fun but on the other hand dear god the chaos

[mybg3notebook]

Gale: Hypothesis and Analogies – Part 1

Here, I compile several hypotheses that are pretty common to find around, expressing my opinion on them and showing what EA has given us so far to justify them or not. 

Disclaimer Game Version: All these analyses were written up to the game version v4.1.104.3536 (Early access). As long as new content is added, and as long as I have free time for that, I will try to keep updating this information. Written in June 2021.

Disclaimer about interpretations of Real Life concepts: I’m not a fan of bringing real life issues into plain analogies/allegories in a game which intention in doing so was not made explicit, but the fandom seems to like this aspect and therefore I would like to share those opinions here as well since some seems reasonable despite not being of my taste. This topic may be sensitive for some people. Be aware of it.

Hypothesis: Gale was groomed

Concept

Grooming is building a relationship, trust, and emotional connection with a child or young person (and sometimes their family as well) to lower the child's inhibitions with the objective of sexual abuse. Grooming allows offenders to slowly overcome natural boundaries long before sexual abuse occurs. On the surface, grooming a child can look like a close relationship between the offending adult, the targeted child and (potentially) the child’s caregivers. The grooming process is often misleading because the offender may be well-known or highly regarded in the community. As a result, it’s easy to trust them. Although grooming is more common among children, it may happen with adults too, especially in work environments.

Stages: First, perpetrators may target and exploit a child’s perceived vulnerabilities: emotional neediness, isolation, neglect, a chaotic home life, or lack of parental oversight, etc. They work to gain the trust of parents/caregivers to lower suspicion.

Once the perpetrator begins to fill the child's needs, they may assume a more important role in the child's life. Perpetrators utilize tactics such as gift giving, flattery, gifting money, and meeting other basic needs. Tactics may also include increased attention and affection towards the targeted child. The perpetrator uses isolation tactics to reinforce their relationship with the child by creating situations in which they are alone together or by cultivating a sense that they love and understand the child in a way that others, even their parents, cannot. 

Once emotional dependence and trust have been built, the perpetrator progressively sexualizes the relationship. When sexual abuse is occurring, perpetrators commonly use emotional manipulation; they make the child believe they are the only person who can meet their emotional and material needs. The child may feel that the loss of the relationship, or the consequences of exposing it, will be more damaging and humiliating than continuing the unhealthy relationship. 

Behavioural consequence

The consequences on victims of grooming tend to be very different depending on the victim's age, personality, and psychology, but some broad leftover traits or behaviours can be summarised as:

They are too eager to please and have a great avoidance of angering others.

Big desire for privacy: they know others will not understand what they lived.

The victim becomes withdrawn, or they may seem troubled by something but unwilling to talk about it. Alternatively, their emotions might become more volatile.

They tend to be unaware of the abuse for a long while even after the relationship ended. 

If they are aware, they tend to display shame and embarrassment for what happened.

They can suffer abandonment issues depending on the way this relationship ended. 

They tend to develop difficulties to maintain relationships.

This situation tends to be particularly invisible or dismissed for men and boys due to social norms about masculinity.

Inside the context of BG3

First, it's important to estimate Gale's age. More or less the fandom agrees he is currently (1492DR) in his early 30s. Mystra returned in 1479DR (read the post about "Mystra and her Chosen ones" for details), so Mystra may have lured Gale into serving her as Chosen when he was around 17 years old (this depends on every player’s perception of Gale’s age)

This gives us a good estimation of the context: When Mystra returned thanks to Elminster—who gave her most of his Silver Fire—she immediately started to strengthen her network of Chosen ones and to work on repairing the Weave to its original state. Due to this unique context, Gale may have been observed by Mystra as a precious asset: a very young wizard who could not only control the Weave but compose it: a great skill to repair a still weak Weave. Furthermore, in the novel Dead Masks (1491DR), it is stated that the best way to cast a spell with a weakened Weave is to "twist" it instead of using it for tapping into the Raw Magic. In this book it is not clear if this is a skill that only Chosen ones have, but it has a strong similarity with Gale's skills.

Although we don't know much about Gale's childhood, if he was neglected or not as a child to be more easily lured by the Goddess, we can agree that it's most likely that Mystra has been watching him as a potential candidate since a child. Gale explicitly says: "I’ve been in touch with the Weave for as long as I can remember". And as far as Forgotten Realms lore goes, Weave and Mystra are the same. We also know that this is a common behaviour of Mystra who has been watching precocious, skilful wizards before choosing them for her goals: for example, Midnight. 

When Gale reached an age that could be considered a "(very) young man", she seduced him, using his passion and love for Magic to lure him. She offered him a deep connection with her and with the Weave: with Magic itself. After seeing Gale's passion for magic, it is understandable that he—as a teenager or a young man—must have been dazzled by her and her proposal. We know that, in the novel Elminster: a mage in the making, she offered to Elminster exactly what he wanted the most: power to make his revenge possible . By the end of the encounter, Elminster became “charmed” by her despite hating her throughout all his life, turning into her devotee. This situation can be interpreted as another example of how Mystra works: she seems to lure her potential Chosen with the promise of giving them what they are most passionate about.

Once Mystra slept with her Chosen, and imbued her divine essence on them, she left them to their own devices, making them wait for her commands. In Elminster’s and Sammaster ‘s case, both were put under tests, being forced—by their own drive to please the Goddess—to develop more magic and personal skills to serve her. In the process, both developed an obsession for her. Elminster's seems to be less self-destructive than Sammaster's, but the latter could be understandable since he always suffered from madness. My point is, the pattern continues with Gale: driven by this obsession of wanting Mystra close, to please her, Gale tried to control an ancient magic, and failed, being abandoned by Mystra due to this mistake.

Gale, according to this interpretation as a victim of grooming, is still stuck in the process: he wants to please Mystra, wants to right his wrongs, even though in some scenes he seems to have been over her, in others he still seems to be very attached to her (it's hard to know which is the most accurate since it's EA and Gale was rushed), he keeps all this trouble in private because he knows nobody will understand.

Unlike an adult who realised he was victim of grooming, Gale seems to be still not over that relationship, showing many of the behavioural consequences: 

Gale is a person who is always eager to please and avoid confrontations. If there is no choice he will use violent means, but he will always push for diplomatic approaches [1,2]. This trait seems to favour this interpretation.

He has a strong sense of privacy to the point that he is considered "shady". A lot of that desire for privacy may come from the fact that he knows no one will understand the unique relationship he had with a bigger entity. This can be seen by choosing the meanest options during the Weave and the Loss. Despite his many troubles, he remains secretive, acknowledging that "some things can't be spoken". 

He is completely unaware of having been a victim of such power imbalance. He doesn't see abuse in it, and he is not performative about this fact, since he is very private on the topic until very late in game.

Nobody can deny his abandonment issues (which are even explicitly pointed out in the dev's notes) [20]

We can infer, by all the information given, that Mystra has been his first (and presumably only) relationship so far, giving a possible hint that he may have decided not to enter another relationship again or may have felt apprehensive about it (even though I personally think this impediment is mainly caused by the “orb”).

I don't completely subscribe to this interpretation because I don’t think Mystra’s main goal has been sexual abuse, but the creation of servants and devotees that allow her to expand her power. To do so, she uses sex as part of the “ritual” that transforms certain mortals into Chosen Ones. The way in which this is indirectly explained in the novels makes me remember the concept of Zeus and his abuse of mortals: he spreads part of his divinity in the form of demi-god offspring. In Mystra’s case, she seems to leave part of her divinity in the Chosen one that slept with her: the “seed” of semi-divinity. 

However, it’s not clear if sleeping with her Chosen ones is a procedure she always does. Her daughters may have inherited her divinity when she conceived them while possessing a mortal body, but other female Chosen Ones seemed to be out of this process. Ed Greedwood also has a constant discourse in his novels where he explains that magic is “better” understood or much easily wielded by females because “they are connected to their emotions” and another stereotype of this kind. What seems to be clear is that Forgotten Realm lore hides as much as possible its queerness, and when it comes to Mystra, this habit of sleeping with her Chosen seems to apply (or at least make it more explicit) only to male mortals. So in short, her main goal was to catch another useful mortal to her group of Chosen Ones, and to do so, she lured Gale with all what she could offer. I also believe gods are gods, and they are immensely overpowered and entitled to do whatever they want in this fantasy world. They don't follow mortal rules, so they may have little scruples to do anything they see necessary to achieve their own goals, no matter if the consequences of their actions affect children, teenagers, or adults. 

Mystra in particular has been a very neutral goddess (due to her many rebirths), not particularly cruel as an evil deity could be, but not completely selfless either: she has conceived her daughters using a mortal vessel who previously gave her consent but without knowing the consequences of giving birth each year for a decade while containing a goddess inside. Mystra also profited off of Sammaster's madness (some Harpers who wrote Sammaster’s reports suspect she could have been able to cure him): she may have actively decided not to in order to let his genius madness increase her realm of power/magic. Therefore, Mystra may have had little scruples to use a very young Gale enamoured with magic to turn him into another Chosen whose skills could fix the Weave given the context that it had been severely weakened after the Spellplague. So the grooming is not completely misplaced in my opinion.

Gale's Chosen selection process is not different to what we can read in the book of the Cult of the Dragon, where Sammaster became obsessed with Mystra after sleeping with her and developed metamagic as a consequence to impress her. Or in the novel Elminster, the making of a mage, where Elmister originally despised Mystra and every magic user. However, after being in her presence, he fell for her charm, and never could get over his "love" for her, suffering a lot of painful circumstances to just be a "good devotee" and serve her.

Mystra is written in most novels as the living allegory of the beautiful "mean" woman who will always ask for more from her poor captivated men, but she will never be completely satisfied, no matter how much they sacrifice. She acknowledges the effort, but she is always asking for more. Only with Elminster she actively tried to save him from the Hells, showing, for a change, that her Chosen can be a bit more than mere pawns in the big game of divine power. However, it's important to highlight that the last rebirth of Mystra has changed her: in the novel Dead Masks some of the Seven Sisters explicitly say that Mystra has turned paranoid, asking each of her Chosen to do missions that the others cannot know. She has become more secretive and cryptic than ever. 

Mystra's actions seem to have worse connotation if we think that she can have visions of the future, as she had when she decided that Sammaster had to be her Chosen: she had foresaw the death of another Chosen and she wanted him to fill that vacuum before the event happened. So she may have foreseen Gale’s actions in his naive way to impress her. Maybe she wanted him to do it, so she could have a new piece of magic in her realm. But this is mere speculation, we will need the full release of the game to have the answer.

As I explained, despite not being a fan of it, the interpretation of grooming is not a bad one. It fits mostly if it's applied to a teenage boy, and probably it would have been taken a bit more seriously and less prone to jokes inside the fandom if Gale were a female character and Mystra a male God. 

Hypothesis: Gale has abandonment Issues

Concept

Abandonment issues arise when an individual has a strong fear of losing loved ones. A fear of abandonment is a form of anxiety. It often begins in childhood when a child experiences a traumatic loss. Children who go through this experience may then begin to fear losing other important people in their lives. Some individuals continue to fear abandonment as they grow older. Although it is less common, abandonment issues can also sometimes begin in adulthood. 

The loss often stems from a trauma, such as a death or divorce. Emotional abandonment, where a parent or caregiver is physically present but emotionally absent, may also give rise to abandonment issues later in life. It is not clear what makes one person develop this fear, since not all humans who have experienced similar losses do it. Trauma — potentially from abuse or poverty — may play a role, as may the level of emotional support that a person receives following a loss. These issues can have a significant effect on a person’s life and relationships because they fear that the other person will leave them at any moment. 

Behavioural signs/consequences

Being overly eager to please ( a “people pleaser”) 

Pushing others away to avoid rejection

Jealousy of the partner or the others when in a relationship.

Trouble trusting their partner's intentions.

Feeling insecure about their relationships.

Codependency

Need for continuous reassurance that others love them and will stay with them

Persisting in unhealthy relationships

Inability to maintain relationships: or moving quickly from one relationship to another or sabotaging them

Inside the context of BG3

I'm not going to explain this in great detail since it's spread in most of the posts I’ve done about Gale's analysis. What it's clear is that Gale has a constant fear for abandonment once he starts caring for Tav as a friend or/and lover, and this fear makes him prone to do things of poor taste. This fear seems to make him look for acceptance that only through a night of intimacy can give him. This information is apparently in the book he read, making us guess that his experience with relationships is rather poor if nonexistent. Dev's notes also reinforce the idea that Gale fears abandonment:

Gale: It is my truth, finally revealed. It is this folly that led Mystra to abandon me completely. I can only hope you won’t abandon me as well. After all we’ve been through. After the night we spent together. Surely we can brave even this side by side Dev's note: Solemn. Full of yearning, his news will not lead to him being abandoned by the player. 

Gale: Loyalty is such a… such a very rare commodity. Dev's note: The reference to loyalty foreshadows Mystra leaving him. 

So far in EA, we can see that Gale checks some behavioural consequences of this fear: he is always eager to please, approaching Tav with courtesy and jovial manners, only displaying his most acidic side to a Tav whose actions are evil. In that case, Gale cares little if Tav leaves him. With the Loss scene we can see that it is hard for him to give his trust to others, pushing them away because they would not understand the grave mistake he made. His trust demands constant progression from the Stew scene, to the Weave, to the Loss scene. If he is romanced, he asks several times if Tav is thinking of the Weave moment. When Tav asks him this question, Gale will deflect, always asking back to have Tav’s answer first before giving his: it could be interpreted as Gale looking for constant reassurance in the blooming relationship. 

However, in my opinion, the best situation that shows his abandonment issues is during our meeting with Gandrel. Gale disapproves of handing over Astarion, by telling Tav about an anecdote of a dog turning old and mean: how his friend got rid of the animal just because it was an inconvenience. This is very curious since Gale's mistrust for Astarion is not a secret: he stated many times that Astarion is a danger to the group, and his wickedness causes him to strongly dislike him. The reason for this is quite obvious if we see both lists of approvals: mostly what one approves the other disapproves. Despite all this, Gale strongly judges Tav for handing Astarion over, and his disapproval for doing it shows that Gale is not lying on the matter: the meta-knowledge is trustworthy information. 

This can be understood better when Tav defends Astarion against Gandrel: Gale approves twice of defending him. If Astarion is not in the group when meeting the monster hunter, the first approval happens when Tav recognises that Astarion is part of their companions/friends (therefore, Tav is showing care for their group). The second approval happens when Tav reinforces their loyalty to Astarion insisting that they won’t give his location (this is a clear display of loyalty that Gale acknowledges as rare. See the post of "Gale Hypotheses- Part 2", section: "Proposition to Cheat" for more details). Although Gale will explicitly question this decision, he secretly approved it (the approvals we saw are meta-knowledge: only the player sees them). Considering the undeniable context that Gale deeply dislikes Astarion, we may interpret this as Gale seeing in Tav a loyal person who will not abandon someone they care for, even if that person endangers them. Loyalty is something that resounds deeply in Gale due to his abandonment issues. 

 Another detail on this matter can be seen during the party. If Tav arranges spending the night with a companion and then asks (non-romanced) Gale the same, he will answer:

Gale: You are all too quick to abandon the one you promised yourself to. It’s not a quality I admire.

This line shows that first, Gale is not interested in casual sex; he needs the connection that the Weave provides and Tav’s explicit, previous romantic interest in it. Second, when Gale is romanced but Tav sleeps with someone else, Gale will not interfere in that affair, but he may not like it (due to his, I suppose, jealous comment since he doesn’t display an approval penalty for this). However, he seems to equate loyalty with commitment, understanding that affair as a fling but believing he still holds the romantic interest of Tav, hence his proposition the next day. More details in the post of "Gale Hypotheses- Part 2", section: "Proposition to Cheat".

---------

Sources for both parts:

Diagnostic and Statistical Manual of Mental Disorders ( 5V)

Some concepts were summarised from: https://melcrowecounsellor.com www.d2l.org/child-grooming-signs-behavior-awareness/

This post was written in June 2021. → For more Gale: Analysis Series Index

[lairofsentinel]

What can we say about the relationship between the tadpole and the person who appears in dreams?

[Baldur’s Gate 3, Early Access, Spoilers]

At a first glance, in a careless attempt, we immediately connect the tadpole with the image of the person in our main char’s dreams. One is inclined to think it is the tadpole itself asking for the host to let them in. However, after carefully watching the scene, and checking all its options... I started to doubt it.

During Early Access we only can see four dreams [video compilation of the dreams]:

The first one, in which only the voice is heard for a couple of seconds, shows a weird... tentacle-like creature? It’s not made of the gray skin of a Mind Flayer, it’s red, and unless it’s a terrible bug... it may say that we are in the presence of something different than the usual Mind-Flayer. In fact, I think it looks like a tiefling or a Cambion tail/wings (they have thorns). Could it be Raphael’s since he is red? How do we explain those boots in the top of the screenshot?. Maybe it’s a mere bug.

The second one, in which the main char awakes in that intense green garden, has a peaceful sense to it.

The third one is when that desired person in the dreams shows you an enemy you stab in self defence, and then you observe an entire city under siege.

The forth one is when you have the ability to kill that person in the dreams.

After having the second dream, we can talk about this with our companions. All of them, except by Astarion, explain that their dreams were about desire and power. About a promise. 

It's clear for us that Gale dreamt about Mystra and Wyll about Mizora. Both women are the embodiment of power and desire. We don't have a clue who Shadowheart dreamt about, but we know is a he that represents the same values. Astarion is the one who disrupts the pattern. 

He dreamt about Cazador, which is for sure the representation of power, but of his desire? At first I thought it was a twisted taste forced onto him over two hundred years of slavery. As a slave, maybe he had to learn how to enjoy the worst things just to endure it, so the incredibly wicked and twisted insinuation of Astarion being attracted to his tormentor... was surprising at first. Especially when you explore his dialogue and he shows a strong bad reaction to such insinuation. 

Thinking about it a bit more, I realised that maybe Astarion “desiring” Cazador is another thing he is forced to do against his own will. Or maybe it's the typical consequence of the vampire relationship with the sire: the childe is always attracted to their sire, no matter how much they hate them. Astarion is not even free of having his own desire due to Cazador's power, so... his dream about Cazador was another display of the control that such figure has over him. Therefore, we can say that, in the end, he is also following the pattern, but his desire is commanded by being a vampire spawn. 

When it comes to the main char, we also know that such figure in their dreams is someone they are attracted to [that's exactly what we were asked to do in the character creation part].

The tadpole in the main character's head reacts negatively to this desired person, and it’s strange. It can mean that the projection of that figure and the tadpole are not the same (Gale, are you wrong?). The figure acknowledges the presence of the tadpole and the transformation in process, and they seem to be in power of stopping it if only you let them “in”. But the presence of the tadpole is always there while interacting with this figure, uncomfortable and wanting to get away from that desired person. The tadpole feels threatened by this figure. 

At times, this beautiful figure feels like an entity proper of a demon, asking you to let it in and possess you. We know by Shadowheart’s comment that this voice appeared in her head when she was in the ship, so that we can assume it started to affect the hosts by the same time the tadpole process started.

The hag provided us the most valuable information I found out in the game. She confirmed that the tadpole has been altered, as everyone had suspected. But not only that... they had netherese magic, shadow magic (*) in it. This, however, feels wrong in terms of lore: mind flayers detest arcane magic, they believe its a corrupt version of the psionic power they have. Mixing it with their traditional birth procedure looks odd. Odd if this new experiment is only their idea. Maybe the big mind behind these new tadpoles is not a Mind flayer.

With this bit of information given by the hag, I was inclined to think that this magical compound may explain the presence of the person in the main char's dreams. What surprises me is that the tadpole wants the figure away, so how is it possible that both, the figure and the tadpole, work one against the other? If we assume that the tadpoles were altered to perform a transformation of some sort, shadow magic embodied by that figure and the tadpole should work together. However, the tadpole triggers hunger and animal instincts to rip that figure out. It feels endangered. Maybe it’s because the whole procedure is an experiment yet.

The desired figure keeps claiming they want you to help, but in the process, they also tell you that you can be more powerful and conquer Baldur's Gate [yes, despite the blurriness, it is enough to distinguish the characteristic entrance of the city].

[image from the trailer]

The last dream is one of the most disturbing ones. You awake with symptoms of your skull starting to change its bones, and apparently, the presence of the figure is the only thing which is preventing the transformation. The figure is irritated. You can ask them for help you because the parasite is going too far. The figure says that they need to go deeper into you to calm down the “animal” inside. And once more the tadpole activates a defence mechanism. 

You can indulge yourself in the desire of destroying the figure apart, and you ride the figure strangling them and killing them. The figure calls you “monster” and tells you that you deserve what's coming for you [which I assume, it's the standard Mind Flayer transformation]. The experiment may have failed in this way since you destroy the stasis.

If you resist the impulse of killing them and at the same time resist the intrusion of the figure, the figure is disgusted with you. The figure only is understandable with you when you tell them the truth about your impulse of killing them. They will state that they knew about it, and they trust you to control it while they go deeper into you. 

It’s disconcerting if the sudden hunger for death comes from the tadpole (I put my coins here) or from the figure going deeper into you. I assume it’s the tadpole because the figure will call you monster and wont be happy if you indulge yourself in that hunger. 

By the end, the figure calls you ungrateful if you resisted them once more and tells you that the next time you meet them, you will ask forgiveness. Early access allows that last dream and no more.

Hypothesis

Now, all these strange urges for murdering the figure makes me wonder if the magical compound that now these tadpole have is related to some evil divine entity, playing a role similar to Bhaal in Baldur’s Gate 1 and 2. In those previous games, you and a bunch of people were direct spawn of the God of Murder, and in a couple of occasions, you had strong urges to kill losing control of your character [and killing NPCs you were fond of]. What if... this new tadpole is an experiment combining the Mind-Flayer procedure of birth (needed in order to have a completely different body for new demi-god powers) with a divine-infused-magical compound from the shadows. What for?. I don’t know... maybe to create an army of demi-gods? [following the usual flavour of Baldur’s Gate series]. 

This procedure, if it’s as such, could allow to have god-spawn creatures without the God sleeping with mortals and waiting mortal-gestation times. xD If we follow this train of thoughts, and we believe a God is behind all this, it must be some tyrant God, like Bhaal or Bane, since the dreams are all about power and control, showing Baldur’s Gate under siege. Maybe the procedure is not perfect, since there are two different effects working one against the other: The shadow magic that infuses a degree of divinity is about desire and power, but the tadpole’s only interest is to go on with the standard Mind-Flayer procedure. 

I thought about this divinity-compound because we saw that there are third parties interested in this new particular tadpole: Raphael. What Gale says to you after his visit is a fact: if a cambion become interested in these tadpoles, it’s because there is more than souls at stakes. But all of these are specualtions. The only certanties are:

Tadpoles are not only Mind-Flayer-made.

They have been altered with Shadow Magic (weird for Mind Flayers).

The Tadpole and the figure which offers you power are different entities.

The more you use powers of command, the more these dreams come and the more it triggers the Mind-Flayer transformation.

The figure in your dreams is the only one preventing the Mind-Flayer transformation.

Conventional tadpoles only cause Mind-Flayer transformation in a week.

Extra information I found later [here]

More content of bg3 in general [here]

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(*) Shadow magic is a Weave-base magic in the Forgotten Realms. It comes from the Shadow Planes connecting to them via the Weave. It's not related to Shadow Weave (an alternate Wave crafted by Shar), something I talked about when explaining some bits of Mystra [here]. You use the standard Mystra-Weave to use shadow magic, but it's not rare that users of shadow magic find some affinity with Shadow Weave. Apparently it's a type of magic strongly related to a human [Tethyrian] ethnic. Churchs of Lolth, Mask, Set, Shar, and Shargaas  show interest in this type of magic.