#i swear to god when reigen tells him to just be a good person had me on the floor SOBBING LMAO

[mirensiart]

anon assumption: you've cried over multiple fictional characters

another anon assumption: you prefer crunchy things

Oh yeah, absolutely!

For some reason though, character deaths don't hit me as much as when characters are like genuinely kind, like I've noticed I tend to cry more over characters being soft and showing affection than over them dying? lmao

You can tell I'm an old lady at heart cause romantic/friendship scenes ALWAYS make me cry LMAO

I think it's the fact that one of my hobbies is to watch horror movies and reas horror novels, so I'm kinda desensitized to character deaths lmao but put me a heartfelt scene between two people who care for each other and I'll be there sobbing

So yeah, I have cried over fictional characters being soft, lmao

Hmmmmmm 🤔

I don't really have a preference when it comes to food, but I do like crunchy food a lot 👀

[annoyingblondebracket]

Round 1 | Poll 14

~ Note: This poll is being done out of a genuine love and affection for these types of characters! Please keep that in mind when adding commentary.

Propaganda under the cut!

Reigen:

~ Surprisingly, Reigen doesn't have any propaganda i feel I can fit here 😭

Roald:

~ The main character used to be friends with him, but they fought before university and since they returned Roald has been "like silver-plated tin when you wished for, expected, *needed* silver", wandering around flirting with dairymaids "almost as big and blond as he was", stealing the main character's pen, and just generally making a nuisance of himself in every way that occurs to him

~ Roald is, in the narration of the main character Jemis, described as dark blond of hair (along with choice adjectives like strong, broad, and muscular), he is loud and friendly (very rude, Jemis is busy thinking everyone hates him), he flirts with the milkmaids and dresses in outrageously loud old-fashioned style (neither of which makes Jemis jealous nor envious, obviously), he catches Jemis falling off a ladder and then blows right through his careful attempts at distance by calling him by last name and ‘sir’, his thighs are SO muscular (Jemis will never achieve that kind of stature and it vexes him), Roald appears to not hold a grudge against Jemis for that big fight they had before parting ways for university, and now he goes about town drinking and gambling and all around pretending to be an air-head which Jemis KNOWS isn’t the case so WHAT GIVES, they’re childhood friends, why is he pretending to be both unintelligent and careless, and Roald CLEARLY has secrets but he won’t tell Jemis about them (so rude), instead he goes about not answering direct questions and making meandering conversation with Jemis in public (VEXING), pretending to be uninterested in the local mysteries despite always appearing front and centre, casually eating the eyes out of the mysterious fish pie Jemis found in the town square, STEALING his BEST PEN, getting inexplicably snappy when Jemis’ university roommate comes to visit, and going around calling Jemis a “good boy” out loud on several occasions. No one has ever suffered anyone’s company, as well as the inexplicably terrible lack of same person’s company, like Jemis has. Truly what is Roald making of his life. Not even referring to him by a silly nickname can calm Jemis’ annoyed (and nothing else) heart.

~ According to our EXTREMELY reliable narrator, Jemis Greenwing, Roald Ragnor is very simply the most annoying man in town. He’s a good-natured idiot jock, but he and Jemis used to be friends and Jemis knows he could be so much more than that if he just tried. Like, at all. But does he try? No. Instead, he spends all his time gambling (annoying) and drinking (annoying) and bothering Jemis Specifically (annoying) and bothering people who aren’t Jemis (annoying) and flirting with the local girls (annoying) and talking about hunting (annoying) and – well. You get the idea. He comes across as an airheaded twit of a noble, except for the part where he keeps showing up in places he isn’t supposed to be and being blatantly cagey about what he’s doing there. Both of these aspects are, independently, annoying. He’s also obnoxiously large and obnoxiously loud and obnoxiously blond and has obnoxiously muscular thighs. I swear to god I am not exaggerating this. Did I mention Jemis thinks he’s obnoxious?

~

[strawbrymilkshake]

i just watched the first six episodes of the mp100 netflix show for no good reason other than that i apparently hate myself, so to not put my pain to waste here’s a half-review half-rant thing

i guess ill start with the good and make my way to the shit i hated about this show, but as you can probably guess there’s hardly any good

tome was fun, i guess. she’s got that same chaotic™ energy and had some of the only lines i genuinely laughed at, but also she’s the only member of the telepathy club for some reason? and they merged her character with mezato’s, so i guess she’s got more to do. but judging by the sfx i doubt they had the budget for even one (1) more actor, so ig i can forgive them for that. overall probably the only adaptation that both wasn’t painful to watch and actually warranted the changes they made

teru (from the little i saw of him) was also pretty good. the fight had some....changes, but on his own i thought he was fine, pretty harmless adaptation overall. i stopped watching once i realised that they weren’t gonna go all in and give him the cactus hair so points deducted for that

and the last thing i liked about this show: ritsu! they got a young actor who was good and i didn’t have many issues with him. there was one interaction he had with tome that i liked when she introduced herself and he said ‘oh! tome’s my grandma’s name!’ and tome was like ‘...yeah you and mob are definitely brothers.’ the reason why he’s lower than tome and teru is because. for whatever fucking reason. he is in every. goddamn. scene. like even when it doesn’t make any sense. when mob joins the body improvement club? he’s there. when mob is taking down the lol cult? he’s there. the teru fight? he’s there. i lost count of how many times i was asking myself ‘why the fuck is ritsu here?’ he was inescapable. his presence in those scenes didn’t even add anything to the story. also he’s friends with tsubomi for some reason....i guess to give him more things that mob can be envious of?

speaking of tsubomi.....god. not to be like ‘they didn’t understand the source material!!1!!11!1!!!’ but like. please. it hurt. i get that they were probably trying to lean into the ‘guy gets the girl/high school romance’ type show more but uhh....way to horribly misunderstand the source material, guys. the problem with her is that she is in it so much that it almost entirely defeats the point of her character & what she’s supposed to mean to mob. they interact like every other scene! she’s a pretty close friend to ritsu, so that means they interact even more! she’s their next door neighbour ffs! i only watched the first six episodes and i think i still saw more of her than her entire screen time in the anime put together

and apart from her being so close to mob that it completely destroys the point of him idolising her, it also meant that the writers had to come up with a full personality for her and an actual dynamic for her and mob. and hoo boy they really went and decided that the two of them would have the most awkward, unappealing dynamic ever, huh. like there’s this running gag where she always messes up the words to common phrases, and mob has to correct her, and it’s painful every time. which, i guess (????) makes sense for what their relationship is in the manga & anime, where they’re not close anymore and mob doesn’t even know what she’s like/what he likes about her, but in this show, they were trying to push them together to lean into the romance tropes, so their uncomfortable dynamic doesn’t make sense anyway??

the stageplay got it fuckin RIGHT when they went and cast NO ONE for tsubomi. like. the legend jumped out. they got mob pining for a silhouette. chef’s kiss

holy shit this got long fast. ok the rest is under the cut

i guess im just going character by character now so: dimple. weird guy. the cgi was awful, but you knew that already. but he was just....so weird. and by that i mean he was awkwardly,, never there? when teru exorcises him it’s supposed have at least some impact, but in this show he had like three (3) scenes before it (rather than a couple episodes leading up to it) (and also they cut a shit ton out of the middle of the lol cult arc for...whatever reason) so when he gets exorcised here it’s like...oh no.....that guy...........did mob even speak to him more than once.....

speaking of the pacing of this show: it’s horrendous!! good lord i hate it!! the pacing is shit awful, and it feels like they’re just throwing in ‘’’’’’’’interesting’’’’’’’’ scenes that should take place later in the story bc they know that the audience isn’t going to want to stay around for the atrocious writing! case in point: we see the flashback of mob and reigen meeting in the second episode. the second fucking episode. the reason why it’s delayed so much in the anime (and even more in the manga) has a lot to do with the unfolding of reigen’s character depth and they just?? throw it in so early?? it feels like they’re just going ‘oh by the way, he’s good, or whatever. yeah, he’s totally complex and interesting. just trust us, okay, keep watching the show’ and the pacing of that completely throws off reigen’s character arc

i can’t really remember which episode(s) this was in but they also have this weird subplot with reigen going to the bar alone (yknow..like....s2 scenes...) and lowkey being friends with the bartender guy?? i gotta be honest i wasn’t paying much attention during these scenes but suffice it to say: god i hated reigen. like sure, he’s a sleazy character, but they just made him disgusting. netflix reigen does not drink his respect women juice, and that’s all i wanna say about that

also why is he like 40 years old

anyways back to the pacing, apart from throwing in scenes from wayyy later in the plot, this show also tried to have like four or five plot threads going at once. the place that this hurt the most was probably the teru fight, where the anime spends like two episodes entirely on it and nothing else, but in this show it keeps cutting to the start of the big clean up arc (probably just so they could keep showing ritsu) and reigen’s weird subplot 

and there’s other stuff like that, where they kept cutting to the awakening lab & the scars doing psychic stuff or whatever, i guess trying to entice the audience like ‘we swear there’s plot stuff!! it’s not just slice of life!! there’s evil™ people!!’ and i guess they were gonna pull the ol’ switcheroo™ where the audience thinks the awakening lab and the scars are working together but oh no!! only the scars are evil!! the awakening lab was actually on our side!! but i can’t be bothered to watch that far

also in the teru fight, they got most of the message across (don’t use your psychic powers against other people....mob and teru are the same...) but because they kept cutting away from it they lost the dramatic impact of all of it. the choreography and sfx weren’t as bad as they could have been i guess, but they definitely showed the budget. it also didn’t take place in a school (which...fine, whatever) but it led to something i actually did like: teru attacked mob with glass shards instead of knives, and although i do like the knife metaphor + imagery, you could also argue something about the destructive nature of his power use coming back to hurt him in the shards of glass, and also something about reflections or...something. i just thought it was neat, although i don’t know why they changed the setting from the school in the first place

also in the teru fight: it was raining and ???% stopped the rain katara-style mid air, and even though the cgi still wasn’t all that good, i thought that was a rad concept. but then he just made a tornado instead of ripping buildings apart and you get the idea not a lot of it was good

back to things i hate because i don’t have a good segue!! the writing!! bad!!

i see the writers of this show engaged in the age old storytelling practice of ‘tell, don’t show’

when reigen tells mob to be a good person: “ok, i won’t show off my powers or use them against other people. i’ll become a good person”

when mob loses control of his powers and hurts ritsu as a kid: “these powers are awful and cause nothing but trouble. i’m not going to be using them again”

god i wish i was exaggerating

and, going back to the lol cult, for whatever fucking reason they decided to have that latter line of dialogue to be the full explanation of mob’s complex. like i get that there’s a time for exposition and a time for subtly, but take some cues from the original author and maybe fucking explain the main plot device of the show and not the protagonist’s sad vague backstory rather than the other way around. want to confuse and alienate your audience? good fucking job!! you’ve done it!!

and just because this was my favourite episode in the anime and im fucking bitter!! they cut out so much of dimple’s monologue and just had mob get to 100% pretty much after all dimple says is ‘get a clue.’ like. he puts the mask on, it doesn’t work, ‘get a clue,’ 100%. yeah im totally gonna care when this character comes back to try and manipulate mob later.

also....mob...........

i havent talked about him that much here, have i?

okay specifically w the lol cult first, the whole thing where they put the mask on and he’s not smiling is completely devoid of any impact because!! he’s full on emoting throughout the rest of the show!! like he’ll look worried, embarrassed, he’ll cringe or smile or whatever, and the most it looks like is that he’s just slightly uninterested, but otherwise has a pretty good grip on his emotions. unlike the anime + stageplay where it’s clear that he’s (seemingly) completely unemotional. the reason why i bring up the stageplay is bc, while i know that setsuo ito is 10ish years older than the guy that plays mob in the netflix show, i kinda wish that they just....cast him anyway.....bc they clearly didn’t have any hangups on casting adults for all the other middle schoolers, and ito did such a good job in the stageplay. he’s the only guy who is mob to me lmao (kyle mccarley is on thin ice but he can stay)

i mean mob just straight up showing emotions through the show could have been down to the directing as well. also i’m pretty sure a majority of it is bc he’s constantly around tsubomi, so. stupid decisions lead to stupid outcomes!

and that’s basically it for my weird review/rant on this show. the writing’s bad, the pacing’s bad, they didn’t care at all about the source material, i’m not entirely sure if they cared about the audience either, there was maybe two (2) changes i liked, if that, and everyone should go watch the stageplay. there were probably way more points that i wanted to bring up but i think my brain is already repressing the memory of it for my own safety

if i ever try to watch the rest of this show, shoot me

[blackandwhitemusician]

My experience with MP100, Reigen & Mob’s relationship

My dudes, I swear I didn’t expect to get so attached to this story at all. I was looking for a cute story that gives me a good laugh, but oh boy :’D 

I watched the two seasons of the anime to get a taste, and couldn’t get enough of it ;D so I devoured the manga from where the anime left off on the same night. Before I knew it, I was sobbing myself to sleep...

Now I am just sitting tight and waiting for the third season of the anime to finally bring to life the BEST part of the manga yet.

Overall rating: Heartwarming x Maturity x Fights x Good laughs = 1000%.

(You have been blessed by the rock-paper-scissors god Reigen)

Aside from the tender-hearted-but-somehow-badass Mob and his refreshingly charismatic master Reigen, all the characters are adorable and distinctive, from the sassy Teru, to the soft little bro Ritsu, to the hilarious evil spirit Dimple and the former enemies “Claw”. Each of these characters share a unique bond with our good boy Mob. But my absolute favourite would have to be the teacher-student/ guardian-child relationship between Reigen and Mob.

A rather unlikely combination, Mob - a powerful esper who struggles to control his own power, and Reigen - a self-proclaimed psychic who most of the time bullshits his way through to make himself more powerful than he actually is. Their first meeting, which became an important milestone that they would go back to again and again, started with a lie Reigen came up with to try and make something of himself. Subsequently, Reigen learned of Mob’s powers and started using them as he saw fit.

And yet, Mob’s journey through growing up and dealing with his own terrifying powers couldn’t have been the same without Reigen. At the end of the day, it was Reigen’s words and kind gestures that taught Mob the most important things, the things he needed to hear the most. Reigen was the one who told Mob that having powers didn’t make him any less human, and something that was echoed in the anime’s opening songs: “Your life is your own.” It was also Reigen’s words that Mob came back to again and again, which served as the guide for his actions. Reigen is also the only person who witnessed Mob’s growth, from a troubled and vulnerable child to a capable young man who had outgrown Reigen’s protection. And in the same way, Mob was the one person who saw Reigen’s true goodness and believed in him without fail. The basis for their meeting might have been a lie, but their bond was not.

(Contains spoilers from the manga below!)

There are plenty of events in the anime and the manga that suggested what different outcomes could have come about if Mob didn’t receive the right guidance and motivation from an adult. Mob’s volatile state and his impressionable mind could have been moulded to follow a path of hatred and destruction. However, it was Reigen’s kindness that guided Mob towards tenderness and appreciation for the value in people.

And likewise, Reigen wouldn’t have come so far if Mob didn’t walk into his office asking for a listening ear. As much as Reigen’s words saved Mob, Mob also brings a new light into Reigen’s mundane life and rekindled the fire in him.

Bored with his everyday life and having lost the curiosity for anything, Reigen was aimlessly passing by until Mob walked in, trembling with fear but also filled with hope. Out of admiration for the young boy and his natural powers, Reigen started wanting to become something more, something special. The way he chose to go about it though, was to carry on a big lie.

Mob’s feelings towards Reigen’s deception are an essential part of their relationship. As he grew and learned to accept his own feelings, Mob started to realize how much he had depended on Reigen’s words and overlooked his master’s flaws. Until the end, though, Mob didn’t forget the times Reigen had saved him and stood by him, and his forgiveness filled Reigen with hope the same way Reigen’s words had picked him up years before.

That’s exactly what made chapter 100 of the manga hit so hard... Mob is forced to confront both sides of himself, the “Mob” who wants to preserve the tenderness and be close to people, and the “Shigeo” who wants to break the restraint on his fearsome power.

“Mob” wants to believe in Reigen because he trusts that Reigen genuinely cares for him and will not want to do him harm. His power, however, forces him to confront the lies Reigen has told all along to make use of him.

This scene is heartrending because Reigen has once again said something Mob/Shigeo needed to hear at this exact moment. “This” - the fearsome power - was something Mob was struggling with because he didn’t come to terms with it. He tried to suppress this side of himself, fearing that other people would avoid him should they learn his true identity. For the first time, Reigen, who had constantly given Mob advice without truly understanding the roots of his struggle, started to understand. And Reigen also realized how he had been using Mob all this while without knowing how much Mob was going through alone.

(ASHKJKL THE FEELS)

In that moment, all was bared and both Reigen and Mob had the chance to finally confront themselves. I personally think of all people, Reigen hated to disappoint Mob the most, and that is why it took him so much courage to admit to Mob that he was lying all along. But he mustered that courage in order to tell Mob something important that would have changed both of them. Once again, Reigen gave Mob what he needed the most at that point: validation, understanding, acceptance, reassurance, encouragement.

Even when Mob’s true powers came to life, and even when it looked like Mob was about to abandon Reigen, Reigen didn’t abandon Mob. Contrary to Mob/Shigeo’s fear that people would hate him and avoid him when they learned of his powers, the fact is that he made friends and attracted good people because of them, thanks to his kind heart and faith in others.

*sniffs* okay, enough rambling. I should go to sleep ~

[owletstarlet]

ritsu from mp100!!!!

What I think about this character:

For this, I’m just gonna straight-up copy and paste a post I made about Ritsu a couple weeks ago, because it sums up how I feel about him pretty well:

“I really wanna write something about Ritsu, because boy howdy do I remember a thing or two about being 12-13 years old, sitting on my own pile of corrosive and self-sabotaging mental illnesses that I had no idea about, with none of the adults around me suspecting anything was off because I was one of those goddamn gifted-and-talented kids who was a diligent student and nice to people. 15 years later and this is still Quite The Mood for me—”

(Important to note that his issues manifest themselves way differently than mine ever did, with all the anger and spite just bottling up until they exploded outward at everyone and everything. As to my own issues, they manifested a lot more like Serizawa’s did, with a buttload of paralyzing fear and hiding from the world.

All the people I ship romantically with this character:

Really only with Shou, but I gotta note that I am a person more than twice Ritsu’s age who teaches junior high schoolers for a living (I see their birthdays in the school computer and marvel at how these lil goblins were all Just Born Two Seconds Ago), I gotta say the concept of romantic shipping for the majority of the mp100 characters is a little weird for me. It’s more important to me that Ritsu has good friends and people supporting him. And Shou is definitely that for Ritsu. He’s the first person to tell him frankly and objectively how much potential he has to become a strong esper, and continues to tell him that, and comes to him for help because of it, and I know that means the world to Ritsu. But more importantly, of course, I think he immediately sees what kind of person Ritsu is without any of his bullshit pretenses he puts on for everyone else, and he genuinely likes him for it. I am all for Shou sending him terrible memes to make him smile if only at how stupid they are, and inviting himself over for video game tournaments and marathoning awful animes and Perfectly Average And Sweet adolescent pastimes that they both really need to engage in for their own sanity and healing.

People I ship non-romantically with this character:

I’m super charmed/amused by the idea of him being friends with Teru. I do think their personalities would grate on each other a bit (a good 80% of that is Ritsu being annoyed with Teru just for Being Himself), but there’s a lot to be said for them being the heart of the support group of People Who Said/Did Horrible Things To Mob And He Forgave Them Immediately Anyhow And They Still Feel Shitty About It. They’re both actively trying to become better people and I kind of want to see them supporting one another in that, even if it’s mostly unspoken. I also wanna see them sparring with each other, to practice/improve/blow off steam. (Also: “I swear to god I’ll reshave your head if you ever try to take my brother clothes shopping again—”)

My unpopular opinion about this character:

I’ve not interacted enough with the fandom to really know what’s unpopular, so it’s shameless headcanon-listing time! Fun ones first:

I think he likes cats, a lot, and the more hateful and standoffish the cat is the more he loves it. He’s probably too self-conscious to go around petting strays all time, but he’d really want to and would probably do it if he was with Mob or Shou.

I think he’s seen Breaking Bad at least five times. *whispers* He is the Danger.

I think the only meme-speak he will deign to use in regular conversation, much to Shou’s delight, is “Then Perish.”

I think he’s actually pretty terrible at board games, especially shogi or chess or something strategy-based, because he’s canonically prone to making crappy snap decisions, and the more he wants to beat the person the worse his game gets. He’s never played Reigen at anything because his dignity would not be able to handle the guaranteed loss.

More Serious Headcanon is that he’s got sensory issues—which is shameless projection of my own neurological disorder onto a character I love but I do not fucking care. The way Sensory Processing Disorder manifests for me is physical pain/serious discomfort and certain touches and sensations (it can be completely arbitrary what sets it off and what doesn’t), pain or tingling around your spine at certain pitches or volumes of sound. Even stupid things like needing a billion blankets on you to sleep so you feel weighted down properly or clothing tags bothering you way too much. And the big one is not being able to maintain physical contact with someone for very long/avoiding it when you can, which people can easily take personally. This would work really well for Ritsu, I think, who probably the least touchy-feely person in the series, and who spends so much time alone. Being sensory-avoiding is isolating in itself, and it’d give a believable extra layer to the things that already make him feel isolated. (Also, the canon fact that he almost never listens to music—headphones can be a bitch sometimes for SPD because if you’re not careful your own music can hurt you because of the pitches in your ears.)

One thing I wish would happen/had happened to this character in canon:

Here, have three:

A proper, cathartic conversation with Mob after the 7th Division arc—in other words, let this child have a good long cry, not just the 5ish seconds/single page of it we got in canon.

Ritsu figuring out something’s seriously wrong after Mob comes home at the end of the Mogami arc. I’m of the mind that Mob probably didn’t ever tell anyone what happened in his six months of Mogami-hell, because he didn’t want to upset anyone or make it their problem, but damn it I wish he had, and I think if Ritsu were to figure out something was up that it’d be when Mob’s going around thanking everyone like he said he would. It may be wishful thinking that either of them would be good enough at communicating with each other for a conversation like that to get off the ground and actually be healing for Mob, but I want them to have fumbled through it and tried.

And finally, I want him to have some actual meaningful bonding time with Reigen. Ritsu may not like Reigen as a person, but you can’t tell me that somebody who’s chosen to make a living out of deceiving people doesn’t know a thing or two about self-loathing, self-sabotage and hopelessness, and how to identify it in others. It’d be a tall order for him to get Ritsu to sit down and listen to him, but it’d it be so goddamn good for him to feel validated by an adult who genuinely understands and wants the best for him.

Anyways, @fmobbu, I’m sorry I’m wordy, but I hope you enjoy anyhow! Thanks for giving me the chance to ramble about the spoon child ;)