#i suck at making up questions too

[jq37]

FH Junior Year Post-Season Thoughts

With another season of Fantasy High in the books and my recaps all finished, I wanted to do an overview of my thoughts on the season as a whole. Even though I feel generally positive about my experience with the season, there are a few things I think maybe could have been done differently narratively or mechanically. This isn't to criticize the way the season went down or to backseat DM/Play. More my combined ten years of college for textual analysis and storytelling bleeding through, haha. 

I first want to start with the things I thought worked really well.

Fantasy High has "High" right in its title but, in past seasons (and especially Sophomore Year), not as much time as you'd think was spent actually at school and even if it was spent at school, there wasn't much time spent in class or engaging with the realities of being a student. This season really dug into the academic consequences of skipping your classes all the time and the realities of needing to do a ton of extra stuff to try for a scholarship and I think that was a refreshing thing to highlight for a change. Being more scared at flunking out than the dragon that's trying to eat you feels very emotionally resonant. Real "High School Is Killing Me" vibes for anyone who's a fan of NPMD. 

Even though Fantasy High is a show that has some deep emotional beats and strong character arcs, it's first and foremost a comedy show. From the jump, everyone was generating bit after bit that had me cracking up as usual. "Little girly dog collar" is one of the funniest combinations of words I can think of. I think it was Siobhan who said that this was the goofy season and, having seen it, I'd have to agree with her. It never failed to make me laugh and it was always a highlight of my week.  The cast just has great table chemistry that I love to watch no matter what they're doing. 

Watching some of these high level combat encounters is as close as I'll get to understanding people watching sports. Even though combat is generally my least fave part of D&D, I think the cast really killed it this season with how cleverly they played and Brennan came up with some really great combat encounters. Special shout outs to Baron's Game and The Last Stand for their unique mechanics.  

This is going to be one that's on the other list as well because my feelings are mixed, but I genuinely do like the downtime mechanic and how it forces hard choices. I think it's an interesting way to connect a mechanic to the story and cultivate stressful atmosphere for the season.

I have problems with the execution but I love the Rat Grinders in concept. I think as early as season 1 I was hoping that we'd meet a party that was like the Bizarro Bad Kids and the idea of a party that's farming XP instead of going on crazy adventures is a strong concept. Likewise, I think a character that's jealous because of your "cool" (read: tragic) backstory is also a fun trait for an unhinged antagonist in this kind of setting.

This is me absolutely showing my bias but I adored the Abernant Sisters content this season. I dunno if Siobhan specifically asked Brennan to not put her on a bus with the other beloved NPCs or what but I'm so glad she stuck around and we got the development we did. It was almost entirely ancillary to the plot but there was this clear pattern of Aelwyn getting softer and sweeter towards Adaine over the course of the season, from the guarded, "Enjoy the nemesis ward," to, full I love you's and, "I'd take them to get you." It was way more focus than I expected considering that Aelwyn completed the bulk of her arc last season and a lot of the time, a redemption arc basically ends after the big gesture (in this case, Aelwyn taking a magic blast for Adaine in Sophomore Year). So the fact that we got to see all of these sweet moments of them reestablishing their relationship outside of do or die moments was such a pleasant surprise. Again, I fully admit I am extremely biased, but this was my top wishlist item and the season overdelivered so there's a baseline happy I'm always gonna be with Junior Year. 

OK, so moving on to things I things I think could have been tweaked.

Even though I liked the downtime system and the pressures it created, it also squeezed out the chance for more casual PC to NPC interactions that would usually be more common because they were semi-locked behind the relationship track and there wasn't an obvious benefit to roll for Relationships (as opposed to something like Academics which was crucial for not flunking out). Making the mechanical benefit more clear would have helped that (even if it meant Brennan didn't get his reveal--which he ended up just telling them anyway so might as well do it early). The other thing is that the consequence of a rage token was so bad that of course they spent all season avoiding getting one. Things might have gone differently if the consequences had been a bit more obscured, like in Neverafter. And it could have been a nice parallel to the Rat Grinders to take this unknown resource that makes things easier for you but is also having this negative effect. Then it could be like dang we did the same thing they did unknowingly. 

I mentioned this in my recap but I'll talk about it again. It is a little confusing to me that we did the Ankarna subplot right after we did the very similar Cassandra subplot. It took up so much time this season which I don't think is an issue in and of itself, it's just that we literally just went through some extremely similar beats last season. Why double up on this same storyline when there's so much new ground to cover? Or if we're going to raise a god, why not make it a different kind of god? One theory I had early on was that the Rat Grinders were trying to raise their own god to one-up the Bad Kids but instead of raising a chill, misunderstood Cass type, they accidentally raised a god who was erased for a good reason and got in over their heads. 

It's fun for there to be connections between seasons but sometimes it's like, OK that's a *lot* of coincidences. Like the god who your rivals is trying to raise *happens* to be the wife of your cleric's god and also *happens* to be the god of the fiend trapped in your friend's mom's chest and that fiend *happens* to be the relative on your bard's dad's side which is *also* the reason she is randomly cursed? That's a LOT of red string connecting plot points. As unhinged as Kipperlilly is about coveting Riz's backstory if I saw that go down I'd be like you have *got* to be kidding me.  

The mystery elements didn't feel like they clicked as well as they did in other seasons. I think that's partially because Porter's plan was so convoluted (seriously, I made another post about how haphazard his plan was) and had all these moving parts and we didn't get clear answers for a lot of mechanical things like how the rage crystals actually work and when they were implanted and stuff. You had stuff like Devil's Honey which I think is super cool as a thing that exists in the world but ended up being an element that just led the players down the wrong path and had a relatively small payoff (that Porter was using it to lie to Ankarna). I think it's plausible that a forgotten god would be willing to listen to anyone saying the right things without introducing this element. (As opposed to, for instance, Ambrosia which has a very clear connection to what's going on and is a solid clue that someone is flirting with aspirations of godhood.) 

The Porter reveal came so late in the season that even though it was a fun/challenging fight, there wasn't a lot of emotional weight behind killing him. It was basically just dunking on a teacher Fig has always hated who was also mean to Gorgug so screw him. Which, valid of course. But the Bad Kids were never going to react as strongly to Porter as they were to the Rat Grinders so putting Porter in the prime villain spot isn't necessarily what I would have done if I wanted the fight to be more than just a brawl--especially since we've done "School admin with student minions" already in S1. I don't mind the full circle callback but it would have been nice to pick something else for the sake of variety. We haven't had a child mastermind yet and I think Kipperlilly could have been a great candidate for that. My friend suggested that it would have been fun if Kipperlilly was trying to become a god instead of just being Porter's underling and I agree. "I'm not anyone's chosen one so I'll choose myself," is still within her established jealousy and Type A tendencies. If we want to keep Porter involved since that was Brennan's gift to Emily, maybe have it be that instead of Kipperlilly working for him, he's working for her. Like Artemis Fowl vibes! And the Rat Grinders can be varying levels of on board--from true believe to redeemable. I don't think Brennan planned for the Bad Kids to ever redeem her so might as well go full megalomaniacal mastermind with her and make her The Villain if she's not gonna be nuanced anyway. If My Little Pony can do it and send a literal child to Tartarus for pony treason (or whatever Cozy Glow did), Fantasy High can too. 

Continuing from the above, if we have the Porter fight in place of the Grix fight (a la Daybreak) and don't use Ankarna, that gives way more time for the Bad Kids to investigate the Rat Grinders throughout the season and it would mean that they would have their personalities developed a lot more. With the limited downtime, they Bad Kids didn't have a lot of time to spend on these kids who were just hating on them for no good reason (valid). But if you cleared their plate of the god hunt stuff, they'd have more time for this. And if they weren't all rage zombies to varying degrees, it would be easier to see them as characters. Besides Kipperlilly (and, funnily enough, Mary Ann) we don't really have a good read on what these kids are actually like. The little time we spent with them all season was kind of a wash if them breaking out of rage means their personalities got laundered too. Anyway, regardless of how their loyalties ended up shaking out, it would have been fun for them to be more than the minions that they were in canon. As funny as it is for them to just kinda be XP farming losers, they did have the potential to be more interesting in their own right if they weren't just Porter's minions. And again, we've done adults forcing or coercing children into being minions in Freshman and Sophomore Year already. Lemme see some self-created child maniacs! (Or, peer pressured child maniacs. That's cool too. The Lucy/Kipperlilly dynamic is way more interesting to me if it's like girl, I would take a bullet for you but I CANNOT walk this path with you any further in response to *I* will be a god and you can be *MY* champion.)

Anyway, those are my thoughts! Like I said, I have my points that I think could have been tightened, but overall an enjoyable season and I will be glued to my screen if they decide to close out with Senior Year! 

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[qoldenskies]

what's your separated au about? :0

WHERE WE WENT WRONG ASK SPOTTED [LOCKS IN]

okay essentially without going into spoiler territory (it all seems kind of typical but there's a lot of twists and turns i have planned!!! trust me)

VERY basic premise, with leo/donnie with draxum and raph/mikey with splinter. i'm going to keep leo and donnie's names as they are for simplicity's sake and say that at one point they just decided to use the names their bio father gave them when they asked draxum for like... Actual names, they were probably just numbered before. they both have kind of messy complicated relationships with him

^^^ draxum is a pretty shit parent but im not going to make him super abusive (its fine when people do, im just going for the more nuanced approach!!). he's very goal-oriented and for a long time he's struggled to see the weapons he created as people, although he never outright Abused them. he was pretty emotionally neglectful and hard on them when it came to training/pushing them into their roles, and over the course of the story he's going to grapple both with humanizing them and also descending into a spiral of paranoia as things go on (all im gonna say about what's going on with him right now)

personality alterations are more subtle in some places and more obvious in others. raph is a lot more serious and overprotective, mikey's very similar to his canon characterization but he's a lot more rebellious and determined to prove his own independence, and donnie's actually very blunt and deadpan to counteract leo being UHHHHHHHHHH. hmmmmm. an insane person!! (lmao raph/mikey are dog-coded in the way that mikey is an excitable puppy and raph is an old sad sheepdog, and leo/donnie are cat-coded in the way that donnie is a cat that stays in high up places and glares at you, and leo is the type of cat that rolls on its back and looks cute and then ATTACKS when you try to pet it. thats the best way i can summarize them)

donnie was very much the family stickler on his side of the equation and leo was unruly and untameable, but that kind of... switches after some things happen. leo becomes complacent out of fear (he is so complicated and fucked up god bless) and donnie changes his priorities after he meets mikey.

because essentially the core of the story is that donnie and mikey being the youngest of their families, with overprotective older brothers who are actually kind of more reliant on them than the other way around, want to connect and actually be a family (as well as stop the conflict going on) but raph and leo REALLY DO NOT WANT THEM TO.

and i mean REALLY. really really. raph distrusts donnie and hates leo and leo DESPISES both raph and mikey (disaster twins are really codependent and its gonna shine through), so there's really just opposition on every side of the equation. things turn out alright in the end, but it's.... a long, long process. there's a point in the story where they have to do the unlocking ninpo thing and it takes so much longer and it is so much worse and its such a fucking mess LMAO

wow i love my sep au (one man's junk but with more crying and blood in it)

if things go according to plan it'll start after i finish canary continuity, i already have it all outlined. its just beginning stories that is kind of a struggle for me so the first few chapters are gonna be hard. even though i KNOW what im doing bleckgh.

[mollyrolls]

i am being TESTEEEEEDDDDDDD

[goosologist]

[freaky-flawless]

I just know that no one at my job will understand that I'm dressed up as a Monster High werewolf 😔

[stellewriites]

really fucking grinds my gears how my dad knows just how to make me feel fucking guilty for putting up boundaries and saying no

[kirk-goes-to-gallifrey]

Twenty-Five Twenty-One Episode 5

[sqlmn]

by the power of modern day AU, I am delighted to announce that Fulj can have a girlfriend ! I haven't named her yet but have a few in mind so ... soon (TM). She is the one that she loved in canon before the whole memory wipe and as you can see, penchant for black, black hair, brown eyes, and prone to weird statements. Perfect balance to Deacon's weird questions.

HOWEVER ! I mentioned the problem of Deacon still having facial blindness to someone and how there is no glow from the deities for him to identify them. And her solution is the funniest thing ever so I have to do it. He identifies people by smell. So when he is in the same room as Ymber and Oh when they first cross paths, he doesn't really think about it. But later when he sees Ymber alone and gets the same kinda scent, same cologne or something, he knows that's not the taller guy therefore that's his scent ! Perfect!

So... unfortunately.... Deacon really can't beat the weirdness allegations in AUs...... he's stuck like that. Fulj has referred to him as a guard dog in canon and now he's a tracking dog. RIP to him.

(and because Deacon gets my facial blindness I am giving Fulj's girlfriend ANOTHER trait of mine I wouldn't wish on anyone because it's also really funny. She can't smell. She can taste ! She just can't smell. So she loves talking to Deacon because he explains smells as foods for her to get the vibe across. Which are REALLY weird conversations no one else wants to hear.)

[presiding]

What is your favourite thing about Billie Lurk?

(Answers are obvious possibly but i love when people talk about her👍)

thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -

short answer: she’s really cool

& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...

long answer:

i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.

since you ask...

billie is a cool character

when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.

then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!

she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.

but... the meta

mild critique of fandom & arkane incoming.

skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.

i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.

most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).

i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.

ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.

while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.

it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-

- but as a protagonist in Death of the Outsider?

.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.

lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.

you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.

in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.

all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3

billie's character potential

she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.

she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).

her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.

she's got everything going for her :) i couldn't really pick a fav thing!

[bunnihearted]

ᡣ𐭩 🍓｡ꪆৎ ˚⋅

[gunpowder-gemini]

FINALLY have wrestled my brain into sitting down and watching Good Omens and it is, in fact, very good!! Incredibly good!! Absolutely in love with it ♥️♥️♥️

It does, however, hurt terribly

[lazy-toad]

Matt and David from the Grotto for the ship ask please?

MATT AND DAVID WAUGH! There's sooooo so so much to them and I just !!!!

So it seems pretty canon that David has a lil crush on Matt, and I absolutely think that there's a space for Matt to reciprocate those feelings! But Matt has one goal throughout a good chunk of the podcast. See Emily again. He's so wrapped up and distracted by his grief and the hope of possibly seeing her again, that he isn't focusing on the people that are in his life. He definitely cares deeply for David, but he's constantly throwing himself off metaphorical cliffs and into very literal caves!

Emily is a roadblock that Matt can't get himself past. Matt's destroying himself and I think David and caving were his attempts at starting on that road to recovery and starting to move on a little bit, and then he keeps seeing her in the caves! His grief is brought back in full force with the small possibilities that he'll see her again, and he gets tunnel vision over it. Every time it seems like he's about to make a step in the right direction towards moving on and leaning onto the people around him (David) there is some sort of Situation that sends him flying twelve steps backwards.

And David! David is ever patient with Matt, he realises that he's struggling and he makes himself into the perfect shoulder to lean on, but Matt does not lean on that shoulder. He keeps David in the dark and thus, David is unable to help as much as he'd like! Matt is going to get himself killed and he's forcing David to watch him do it!

In terms of romantic relationships, as I appear to have gone on a slight tangent, I think they'd both get enjoyment out of a romantic relationship with the other. David canonically likes Matt in that way, and Matt very obviously cares about David deeply, and appreciates his company. However there's a ton of bullshittery that complicates everything. Matt needs to let go of Emily (not because of the potential of a romantic relationship with David, but because clinging onto her like he is is completely destroying him) but he can't. He keeps seeing her, and so he keeps wanting to see her. David is unable to help Matt at all because he doesn't know anything that's going on. They need to sit down and have a biiiig talk about their feelings but that's not going to happen anytime soon!

[wandersee]

me all of last week: why tf am i even more exhausted/fatigued than normal all i can do is go to jobs and then go to sleep and i can't even focus on it think about ANYTHING

me yesterday: *realizing I haven't taken my be-less-sleepy med for an entire week* Ahhhh... right...

[kimtaegis]

the bitter hilarity of not ever wanting to be perceived yet feeling incredibly hurt whenever you’re being overlooked

[lutiaslayton]

Professor Layton and the Eternal Diva

ＰＡＲＴ　０８

〚ＦＩＲＳＴ〛〚ＰＲＥＶ〛〚ＮＥＸＴ〛

Disclaimer: This is a fan-translation for the Japan-exclusive novellisation of the movie Professor Layton and the Eternal Diva. The original novel was written by Aya Matsui under the supervision of Akihiro Hino, and belongs to Level-5.

This translation only aims to be a pleasant read for non-Japanese fans, nothing more: I made a few deliberate changes while translating in order to get the writing style closer to what is usually found in English fanfictions, as the Japanese storytelling can sometimes be different than what we are used to.

＊ Puzzle n°001

“Let’s get going. Puzzle n°001: ladies and gentlemen, please take a good look around you, and assemble under the oldest thing you can find.”

The man’s voice had just told us the first puzzle.

“Now, do note that there is a time limit.”

Spotlights were switched on and a long, narrow box-like object was raised up. A music box.

The paper containing the score, rolled around a cylinder, slowly unwrapped and ended up swallowed into a slit. Soon, the machine began to play a tune.

“You have until the music ends… so there is no time to lose.”

The audience had been stunned by the unexpected turn of events; but everyone soon rushed out of the hall. Their one and only goal was simple: to find this ‘oldest thing.’

We could not afford to stay idle. I stood up in a hurry.

“Professor, let’s go find it!”

The professor replied with a calm nod, and slowly walked towards the door.

“I’m coming too,” Janice said as she rushed to catch up with us.

I glanced… sideways at her. Even in normal clothes, without her costume as the Queen of Ambrosia, she was still a very beautiful person. And even though she was now back to being Janice Quatlane… Her lively sparkling eyes and the impression of dignified strength that she radiated had remained exactly the same.

I wanted to protect her. But I was a child, wanting to protect a famous adult opera singer… if anyone could hear this, they would surely laugh at me.

Still, I was very serious. I couldn’t let Janice suffer the same fate as those who had disappeared under the floor earlier. And the only way to do that was to keep winning this game.

I was going to become a gentleman too. It was only natural to help a lady in need.

I decided to focus my thoughts on the puzzle. The Crown Petone was decorated here and there with fossils, rough crystals, and antiques, all looking very old. We had to find the oldest item out of all of these… My eyes would scurry here and there, all around, but I only felt like our limited time was being wasted.

Janice looked very worried. I had to do something… The sound of the music box playing made me feel even more impatient.

“Professor, there are way too many things on board that could be the right answer! Which one could be the oldest?”

The professor did not respond. I stopped asking.

I had soon learned that when he was silent and had this kind of expression on his face, it meant that his mind was moving at full speed. I did not want to disturb his thoughts by talking about unnecessary things.

Suddenly, he looked up with a start. He must have solved it!

“It’s alright, Luke. Now, let’s hurry back to the theatre.”

And there it was. I was glad I hadn’t bothered him.

When we returned back to our starting point, I noticed that quite a few other people were already here.

Suddenly, the professor said:

“The clue was in the puzzle itself.”

“Huh?”

I quickly pulled out my notebook, reading again the mysterious man’s exact words. I had written them down as soon as he had announced the puzzle.

“Try to remember,” the professor continued. “The host said ‘take a look around,’ but at no point did he say ‘look on this ship’…”

I ran my eyes hastily over my notes.

“He certainly didn’t use the words ‘on board.’”

“This is because the ‘oldest thing’ we are supposed to find is not on this ship.”

Janice asked with a surprised look on her face:

“But if it’s not on the ship, then where is it?”

“The oldest thing we are supposed to look for…”

The professor suddenly looked up. Janice and I did the same. Above us was a clear, starry sky.

“…are the stars that have existed for tens of thousands of years,” he soon concluded.

The oldest things were the stars! This was not an answer I had considered. But now that I had heard it, it sounded obvious. All the fossils and other objects that had been placed all over the Crown Petone were simply decoys meant to mislead us.

“You did it again, Professor!”

As I just finished saying this, the music box fell into silence.

“Your time is up. The oldest things were the stars in the sky that still shine in the night to this day… Congratulations to all that stand in this hall. You have earned the right to try your hand at the next puzzle.”

Many contestants around us breathed a sigh of relief. But at that moment, dozens of screams reached my ears from outside.

I was reminded of all the people who had disappeared when the floor collapsed earlier.

If we could not solve the puzzle, then we had to offer our life… This was a terrifying game of life and death. Once again, fear was palpable.

“Let us now move on to Puzzle n°002. Ladies and gentlemen, please gather this time around the place ‘from which you can see the largest crown.’”

The man’s voice sounded to me like a death sentence…

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