#i still love this story very much
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shayromi · 2 years ago
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Doodle for “Good food, Good friends, Bad laughs” mobtale fanfic by shyviolet77
Scene from chapter 3. For this fic’s 7th birthday uhuhu
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phytine · 1 year ago
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I remember reading Killing Stalking because the plot interested me but what sold it to me was one scene.
It's when the MC still has to sit on this makeshift wheelchair and he is alone in the kitchen. He could probably flee. But there is two centimeters step between the kitchen and the floor. In a normal situation it's nothing. But here it becomes a wall because it would be a noise.
The tension is absolutly incredible and you can feel the stress and the panic of the MC who absolutly doesn't know what to do and is stuck and finally does nothing.
All of this only because there is a two centimeters step.
Btw, I liked very much the ending. Either they had to live together in a very fucked up dynamic or they had to die both imo. So how it ended was very okay. It was never a story about healing or something.
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egophiliac · 5 months ago
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was this anyone else's first thought, or
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aalghul · 7 months ago
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once again thinking about jason as duke’s robin. he’s ~4 years younger than jason, and that puts him at 8-12 during Jason’s time as robin. that’s prime time to get attached to your local kid vigilante before your own life goes downhill.
and if we try to keep duke’s meeting with bruce in zero year + duke’s age (so he can remember the meeting and hold that conversation with bruce), he has to be around 8. if he starts following batman through the news at that time because of the mess that just happened, the robin he sees is probably jason. I’ve literally connected the dots
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seiwas · 3 months ago
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cw: pro-hero bakugo, reader has boobs, kind of explicit/nsfw? idk i describe boobs, reader is smaller and shorter than bakugo, unedited sawry
bakugo's muscle tee looks as ill-fitting as it'll ever be draped over you.
there are reasons for this, perfectly founded and logical reasons for why that is—the main one being that, it's, well, his; two, maybe even three sizes larger than what it should be to fit you properly.
but, he can't stop staring, and there are reasons for that too—the main one being that, it's his, and yet, the only way he can ever imagine it now is when it's being worn by you.
your hips sway to the song you've been humming for the past five minutes. it's the same one, the chorus on a perpetual loop. he's sure it's the only part you know; you do this often enough that it's the only part he knows now, too.
the hem of his tee hits right at the top of your thighs, concealing just enough to tease, but he’s confident that if you reach up even the slightest bit for the cupboard overhead, there'll be nothing to hide.
he feels a little bit like a creep like this, watching as he stands in the middle of your shared living room, but it's impossible too look away—you've got to be doing this on purpose, right?
heat flares inside of him when you turn your body ever so slightly, the armhole of his muscle tee large enough to give him the clearest view of skin—
he gulps.
it's smooth, sloping just right; the side view of your under boob curves into its perfect shape and he can imagine it, feel—
(is this considered perving if he's been with you for years?)
the pan in front of you sizzles as you plop in god knows what. you pour in something from the side and wait, one hand propped on the hip you pop out. then, you pick up the pan, attempting to flip what's inside (probably a pancake, now that he thinks about it).
it’s hard to focus on what you’re cooking though, especially when all he sees is plump flesh jiggling, bouncing as you further agitate the pan.
he just got the pants of this suit readjusted, and now they're fucking tight.
bakugo normally runs hot; it’s kind of part of his dna. but this warmth is different, flushing him from head to toe. it creeps up the side of his neck, painting the tips of his ears a blooming red.
you turn around then, plopping the pancake on the plate atop the counter behind you.
"oh! you're done," you greet him with a smile. so. fucking. casually.
as if your tits aren't fucking peaking against the gray fabric of his tee.
as if you think he buys the fake innocence poorly concealing that sly, conniving look in your pretty eyes.
as if you aren't standing in front of him in his muscle tee, wearing nothing underneath it like you didn’t do this on purpose. like you don’t know what it fucking does to him.
his eyes squint suspiciously, deep vermillion staring straight into yours.
you tilt your head, the tips of your lashes kissing the top of your cheekbones as you blink. you reach for a bottle of honey.
“everything okay?” you ask, voice syrupy, sickeningly sweet.
your movements play in front of him languidly, the corner of your lips curling up slightly as you smirk. honey catches on your finger as you pop open the bottle cap.
he’s supposed to be out the door in five minutes if he wants to make it in time for a meeting at the agency. technically, he should already be there if he wants to keep up his track record of consistently being fifteen minutes too early.
but you start to approach him, rounding the kitchen island. there’s a narrow space between him and the slab of marble, but you slide into it like it was made for you.
he’s certain it was, from the way the tip of your nose brushes against his as you tiptoe. your tits are right fucking there, brushing against the skintight material of his suit.
there’s too much fucking fabric if you ask him, between cotton and spandex.
your grin widens, and he feels hot, the heat from his cheeks radiating.
then you whisper, still saccharine, “breakfast is ready,” before kissing him on the lips lightly. a short peck, soft in the way that promises more before you slip away, giggling in your retreat.
he huffs, watching you leave. his feet shift as he thinks.
five minutes, huh?
like hell he’s going to eat these damn pancakes for breakfast today.
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ruubesz-draws · 5 months ago
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Yeah, he don't bite. Instead, he'll atomic breath you
He's still a lil baby :)
This image just immediately made me think of them:
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zombie-bait · 8 months ago
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I can’t believe Gideon and Harrow had like 3 weeks of something approximating fun before experiencing 2 solid years of endless suffering 😭 lemme tell you, nothing could’ve prepared me for that or the realization that post book 1 these poor fuckers just never get to spend any time together, I miss the old days of One Flesh One End Bitch!!!!! We had it so good and we didn’t even know it
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bizarrelittlemew · 1 year ago
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calling it right now that season 3 starts like this
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poorly-drawn-mdzs · 7 months ago
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Market based mistakes.
[First] Prev <–-> Next
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crescentfool · 9 months ago
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judgement day 🌕
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barblaz-arts · 8 months ago
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Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.
Oh yeah sure I'd love to!
I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)
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Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.
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Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.
It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.
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But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.
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Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.
But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.
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This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--
(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)
--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.
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Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.
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I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.
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xxplastic-cubexx · 23 days ago
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if i said i picked up this issue for anything but drunk erik i fear i'd be lying
(Wolverine (2020) #3)
#xmen#xmen comics#krakoa#magneto#ok fine logan can get a tag too. this IS his story after all ja/lkLAJVEAVKLJ#wolverine#snap scans#i should read the rest of this run but its like 47 issues i think so. gonna take some time with that#spliced up the panels so its easier to look at everything. and so i can frame drunk passed out erik on my wall#someone uploaded some of the first page some time ago but 1.) i forgot to rb it 2.) it didnt include the rest of the scene#it ESP didnt include erik fallin face first on the table and his lil sleepin face on the next page like please im gettin cuteness aggressio#im so miffed that these are printed on the same page cause i woulda framed this spread otherwise like PLEASE#this shit got me GIGGLING SO BAD i cant. 'dare i say it .......' he's so unnecessary i love him so much#he's so silly ..... also someone said it best in that whenever erik's drawn like a bug it's the best thing#like look at him. that's a beetle. that's my little beetle and i love him i need to put him in a terrarium and watch him#honestly theres a LOT of things i have scanned and wanna share however i have to do it. Reasonably so to speak#in that i dont want to accidentally drown out all my doodling with comic scans jvEALKVJEAKL#maybe i'll do it sandwich style ... art -> scan -> art -> scan etc etc#that does remind me i have a doodle i wanted to do today. so maybe ill do that and share another thing i got scanned ....#unfortunately i do very much love reading the comics. a troublesome thing cause theres so much i wanna share and talk about#like from this issue too i love how hank describes what charles' mutation feels like#its not a grand thing but i love it whenever charles' telepathy is described and how it effects him physiologically#maybe hank was just Theorizing what it feels like but still ... i love that insight so much .....#i'll share that quote another time- i prob won't scan the page cause it's just a text log but i will say it was from here dont worry#ok ive rambled long enough BYE im gonna go draw charles
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skitskatdacat63 · 1 year ago
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2009 Abu Dhabi Grand Prix - Sebastian Vettel(ft. Mark Webber & Jenson Button)
#fantastic podium!! maybe my favorite of this season?????#sebmarkson podiums are my fav ever nothing can top them#and both mark and jense were being so cute with seb this race aaaahhhhhhh <333333#theres something about seb that makes older men want to cuddle him and pick him up and pour champagne on him#haha thank you to dru for showing me seb getting drenched on this podium a few weeks and making me hype for this race!!#this race was very very good as well. like the last laps battle btwn mark and jense was insane#its very good when i already know the results of a race but the racing still makes me sit on the edge of my seat and scream a bit#i mentioned this before but i love how this race felt like an epilogue and it was nice to see everyone having fun and enjoying themseles#thank you everybody for joining me on another season journey!!! it been so much fun. ive really really enjoyed 2009#brawn is just soooooo cool to me. their story is insane!! im glad ive gotten to watch thru this season before the docu abt them comes out#but also very fun to see the beginning of rbr getting to the top of the field. every good result just felt so rewarding and worth it#anyways dont wanna do too much commentary abt it since ive discussed it a lot. onto 2010 next!!!! i shall miss you 2009#though i will say. it was rly interesting in this race to hear their team predictions for next season bcs a lot of it doesnt pan out#mark webber#jenson button#sebastian vettel#sebson#martian#sebmark#f1#formula 1#formula one#we do a little bit of f1#2009 abu dhabi gp#season: 2009
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procrastiel · 4 months ago
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The benefits of ignoring personal space:
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katabay · 9 months ago
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original thief series basso & garrett :)
ngl, it's about quality over quantity for me. an npc can have a total of three minutes of screen time, but if they have a cool name, they can live rent free in my head and I'll spend several hours trying to decipher drawable features from a blurry screenshot of pixels
there is a vague hint of a story here, and that's because every time I try to play thi4f, I get incredibly frustrated with how Not Fun the game play is. like, is the story good? well. but it has a PLAGUE. that should've given it instant 'I'll replay this once a year' status in my heart, but the game play sucks so bad that I've never finished it. I can't believe Not Fun gameplay beat out my obsession with narrative plagues.
anyway, the idea is basically if the original era had a game with a plague centric narrative and some other stuff I liked out of thi4f thrown into a narrative blender, with a heavy dash of horror thrown in because some parts of the thief games were scarier to me than entire dedicated horror genre games.
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app
#if i had a laptop and the skillset i would attempt a story mod because the thief modders who create whole mission stories#are GENIUS and also somewhat terrifying. love them! xoxox#anyway im actually kind of obsessed with parts of thi4f but its also like. not at that sweet spot of almost good enough to be fun#to talk about. which. for the record. has not stopped me from talking about it at length to people#the city itself actually fucking fascinates me. its almost alive and im SO mad that not a single part of that game is actually terrifying#it should be gnarlier and instead it feels a bit like it doesn't quite want to be trapped in the story it has to tell?#but between the level that has the bodies on the meathooks#and the scene with the bodies hanging from the rafters or whatever that was and garrett living in a clock tower#because the game is very much ALMOST about changing times and authoritarian violence and capitalism#(like. by virtue of how the story sort of spins out i think it misses it's mark on a lot of stuff here#in the sense that i dont feel like it actually wants to tell that story. it wants to. go in a different direction. or at least walk on top#of those themes instead of through it)#ANYWAY between all of those things. it does kind of live in my head rent free. they did create a compelling setting#SHAME THEY DIDNT WANT TO ACTUALLY EAT ANY OF IT#unrelated but i would've given thi4f a 10/10 if they kept garrett's fucking nail polish from the concept art. cowards. unforgivable#thief the dark project#i still have no idea how to tag the game series as a whole RIP#sorry for the dedicated dark project fans. if you know what the general series tag is. please let me know#garrett thief#basso thief
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withthewindinherfootsteps · 1 month ago
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Wei Wuxian and Narrative Agency – Part One
For Xiantober Day One: Genius… albeit stretching the prompt so it refers to MXTX and MDZS itself, but at the end of the day it’s still about WWX – so no harm done!
(Part Two | Part Three | Full version on AO3)
The narrative is a very active player in MDZS’ story. How it presents information, what it chooses to show and omit, often reflects important facets of its themes and characters – Nie Huaisang, for instance, is so good at hiding behind his mask that not even the narrative can hold him accountable; the present day’s storyline as a murder mystery and the slow reveal of information about the past both prompt the reader to think critically about the truth of events, when the importance of thinking critically is an important theme; and the dangers not thinking critically (and instead basing conclusions on rumours without much evidence) are shown by tricking unquestioning readers into the very same trap the cultivation world falls into, as the information given by the title, summary and in-universe rumours – which contradicts how we see actually Wei Wuxian act – turns out to be false.
But nowhere do I love this trait more than in its treatment of Wei Wuxian – and, more specifically, in its way of emphasising his agency. We’re not just told how much his active choices define his character, and we’re not just shown this in-universe through his personality, worldview and the events he causes. I’d argue that this aspect goes a step further, and shapes the structure of the out-of-universe narrative as well.
There are two main ways this happens: one, in how the aspects of Wei Wuxian’s life that are shown and hidden directly tell us what’s important about his character (which is good writing but isn’t necessarily tied to this shaping of the narrative), which is what we’ll explore today; and two, how what’s shown and hidden reflects what Wei Wuxian himself prefers to dwell on, resulting in the narrative respecting his own thoughts and feelings on matters (which very much is tied to it). We’ll explore this at a later date.
But as for now – let’s explore my favourite aspect of MDZS.
(Here, narrative agency will be considered the ability of a character to meaningfully influence their events and the story they’re in.)
Tragedy, Circumstance, Choice
If we simply look at Wei Wuxian’s backstory in a vacuum, it seems almost typically tragic. His  parents died in circumstances beyond his control, he was left alone as a child with nobody to care for him, he was forced to grow up fending for himself on the streets, he was faced with abuse when he finally was taken in… as with all typical woobies, everything simply happened to him, and none of it was good. It’s just another example of the lack of agency being used for sympathy points, right?
…Except there’s one problem with that idea. We don’t actually see any of this.
It would’ve been easy to start the flashbacks during these times. We’re telling the story of Wei Wuxian in (largely) chronological order, and these are likely important experiences for him! But instead of starting in his street days, or evenat the moment Jiang Fengmian took him in*, we start at the lectures in the Cloud Recesses. That’s not even something mentioned in, and therefore something that’s able to disprove, the rumours at the start of the novel. So why is this the case? 
Well, there are multiple reasons – the main one being that MDZS is also Lan Wangji’s (and Wangxian’s) story, and having the flashbacks open with their first meeting is very satisfying. But I want to focus on something else.
This period doesn’t have to be shown, because what happens to Wei Wuxian, especially out of his control, isn’t what’s important about his character.
We’re not even at Lotus Pier here, where Wei Wuxian certainly has more agency than he would’ve had as a young child, but where the harm caused by Madame Yu is still completely out of his control. Here, he has agency! Though there are consequences, he is free to act, and what happens to him is a result of those actions and not of circumstance. Yes, he gets punished more than others who also take those same actions (due to classism); yes, it’s not his choice to be picked on by Lan Qiren in class (yet look how he responds, twisting the situation to his advantage and ending up tricking Lan Qiren into letting him leave, which is what he wanted to do. He is not at all helpless here!); yes, these choices have been influenced by his learned mindset from Madame Yu that punishment is arbitrary and will happen anyway, so you may as well do what you want regardless. But there is cause-and-effect here. It’s not circumstantial tragedy.
Therefore, instead of our first impression of past!Wei Wuxian being that of an unfortunate woobie, it’s of someone who has the freedom, ability and will to choose and act (and that’s after these initial tragic events have taken place). This is compounded by the fact that before we see any of his backstory, we get a similar impression of him in the present day.
If the purpose of his tragic past was to earn him sympathy points, to make us pity him due to how much he was influenced by events out of his control, this would’ve been a terrible way of going about it… and it’s this that betrays the true reason for its existence. Because now, the flashbacks instead show us how little these tragedies define who he is! From the very start, Wei Wuxian isn’t someone defined by circumstances out of his control, but rather by who he is as a person and by what choices he makes in the present day (which is both a mindset in-universe, and a nice little out-of-universe detail that lines up! Because out-of-universe, this means he’s not defined by sympathy points from a backstory, but rather by his great character writing… aka, by who he is as a person and what choices he makes). And this refusal to be defined by tragedy is a conscious choice on his part, too – but we’ll explore that more later. 
The important thing is that this idea of Wei Wuxian isn’t because of what exists in his past, it’s because of what parts of his past are shown to us (as well as what he chooses to do, with agency, in the present). 
Now, if this relationship between what’s displayed and what’s omitted was just a one-time thing, I might’ve considered it a cool detail or a nice way to establish a character, but not something the narrative is actively focusing on. But it’s a pattern that continues throughout the flashbacks. What, arguably, are the two other most important times in Wei Wuxian’s life where he doesn’t have enough agency to meaningfully influence his circumstances? His three months in the Burial Mounds (before escaping – he managed to assume some control of the circumstances but not enough to substantially reduce his suffering in his time there), and his loss and death during the First Siege. And we’re not shown either of them! We skip to when Wei Wuxian has emerged from the Burial Mounds and is torturing the Wens, or we skip to the present day – both times he has agency once more, because, again, what he’s like without it doesn’t matter enough to be shown. 
Furthermore, I’d argue this does actually contrast the other tragic events we see in Wei Wuxian’s later life. Things do go horribly wrong, but it’s either due to choices he knows the consequences of (see: rescuing the Wen Remnants in the first place), or instances where he still has some ability to act in the situation and influence it within the limitations. If he’d had no ability to influence circumstances at Qiongqi path, he would have died in the ambush; if he’d been unable to do that at Nightless City, he would’ve died then, too (of course Lan Wangji helped him escape as well). The attention drawn to him losing control of his actions in both instances is very interesting, but intentional or not, it’s still his actions influencing the plot. And that influence happens to be detrimental. The very ability to act and influence, at a base level,  is not taken away (though, of course, that doesn’t make these events any less tragic).
So, so far, the narrative seems to be telling us that the ability to act and choose is key to Wei Wuxian’s character. And it’s doing it through omitting his moments without agency in favour of instead showing us his moments with it. 
Let’s see if this is echoed in the text itself before we go further – because even with this pattern, nothing would end up mattering if Wei Wuxian’s agency wasn’t actually that important to the story itself. But thankfully it is, and that first impression we get of Wei Wuxian in the Cloud Recesses turns out to very much be accurate! Though there are defining circumstances out of his control that occur, such as the massacre of Lotus Pier, the majority of the important events of his life are due to his own choices. He didn’t happen to be forced to cease traditional cultivation and solely use guidao, didn’t happen to lose his Golden Core in a fight with Wen Zhuliu or due to some force in the Burial Mounds, it was his own choice to give it and his spiritual powers away. He didn’t tragically happen to get targeted by the cultivation world, it was a result of him acting on his morals and protecting the Wen remnants (a choice which he was fully aware of the implications of). He isn’t a protagonist to whom things simply occur, and that activeness and agency is my favourite thing about him. 
That’s not to say that the times Wei Wuxian doesn’t have agency, or feels like he doesn’t have any, don’t exist at all, either – but they are rare enough to have attention directly drawn to them in his internal narration:
Or else what could he do? He could do nothing. He was powerless. Lotus Pier had been destroyed, both Jiang FengMian and Madam Yu were gone, and Jiang Cheng had disappeared as well. He was the only one left, alone, with not even a sword in his hands. He didn’t know anything, he couldn’t do anything! For the first time, he discovered how little his power was. In front of something as large as the QishanWen Sect, it was the same as a mantis trying to stop a chariot. - Chapter 59, EXR translation
(And even in this circumstance, note that he still does force himself to act – to carry on searching for Jiang Cheng, to place his faith in Wen Ning – and does accomplish his goal (albeit with the help of others)! So even in dire situations, he isn’t simply passive. This is actually also the case with his time in the Burial Mounds, almost certainly the First Siege, and even his days on the streets as well (Chapter 20: he did actively fight with dogs to get food despite their danger and his growing fear of them, rather than just waiting and hoping to somehow receive some more). He can’t influence or immediately influence his circumstances, but that doesn’t stop him from trying.)
Overall, although they do influence him, Wei Wuxian is very much who he is in spite of his circumstances, not because of them. We’re shown the importance of his agency both in-universe by the major impacts his choices have on himself and the plot, as well as by narrative presentation – important periods where he lacks the ability to meaningfully influence anything are often mentioned but not directly shown, which suggests that such moments and circumstances aren’t as important to understanding Wei Wuxian’s character as moments where he does have this agency are. And I’d argue this works very well. Depending on the version of the story you consume, you may end up having different interpretations as to how much circumstances were at play nearer the end of his life – but nobody comes out of MDZS thinking about Wei Wuxian, the poor bearer of yet another generically tragic backstory.
(Part Two | Part Three | Full version on AO3)
*We are shown this moment in more detail in Chapter 23… but even then, it’s through the framing of Wei Wuxian remembering Jiang Yanli’s narration, not through a flashback proper or even him remembering the experience itself!
#there are three parts to this#part two dwelling on how wwx not dwelling on tragedy is a conscious choice#part three about how that choice and wwx’s preferences are ALSO behind what’s shown and what’s not#i originally wanted to post them all at once but life was very busy and they haven’t been finished yet#and i wanted to release SOMETHING on this day (it is after midnight but i haven’t slept yet and in a lot of timezones it’s not yet)#judging by the current length of it it’s probably better to be posting individual parts anyway…#so here we go#a complete version will br put on ao3 when done#also because i’m not sure where to put it in the meta – i’m aware external circumstances did impact this too#eg mxtx not wanting to write power-up/transformation sequences influencing her not to write wwx’s time in the burial mounds#i’m also aware a lot of this could be writing efficiency and not the deeper meanings i’ll (mostly later) assign to it#ultimately there’s not enough evidence either way to say if this was intentional or not#(i don’t doubt mxtx is an amazing writer but *i* feel i’m overanalysing while writing this which i do tend to do)#but even if it wasn’t it’s still a part of the story#and it still remains one of the things i love it the most#so i WILL explore it (taking the approach of death of the author here – i do believe context is important but i just love this throughline-#-so much)#xiantober#xiantober day 1#mdzs meta#my meta#wei wuxian#wwx#mdzs#mo dao zu shi#魔道祖师#grandmaster of demonic cultivation#gdc
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