#i still have no idea how i passed

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[imaybe5tupid]

Why bother? (Why bother?) It's gonna hurt me. (It's gonna hurt me.) It's gonna kill when- (Why bother!) -You desert me! (Gonna hurt me!)

Set after Nightmare. Laios is reminiscing and contemplating.

[dykedvonte]

Curly had two days to act and Swansea had two months.

I think it’s just interesting that every defense of Swansea not immediately acting are the same ones that are argued against for Curly. “He didn’t want to alert Daisuke or makes things worse for Anya either Jimmy!” I mean people also assume that about Curly and the crew. “He has to think about his plan of action and a right moment!” Again so did Curly, power and authority aside, he still would have to think of what he had to do. “He makes sure he doesn’t have to be around Jimmy!” So did Curly and they only do this to an extent, both give Jimmy more than a few opening to keep harassing Anya.

This isn’t defense of Curly nor a damnation of Swansea. Their actions are very parallel to each others in tragic and sour ways when it comes to how they approached helping Anya. In the grand scheme of it all they both did the same thing: Nothing. No action either took stopped the inevitable outcome of her death nor Jimmy’s continued damage to themself.

The only real difference is Swansea didn’t like Jimmy which is pretty substantial, but also just as damning as Curly knowing how bad Jimmy could get to an extent. He had even less of a reason to wait, even more of a reason to act seeing as he was now worried for Anya AND Daisuke. He is not bound by the possible procedure as Captain and actively does not care about what happens next. So what does it matter if he acted in the moment? Why did he wait? I think he’s just as morally complex and grey as Curly and we hold him on a pedestal that still perpetuates things in rape culture the game critiques.

It’s not just enough to dislike and be abrasive to predators/abusers like Jimmy. It’s not enough to just put yourself between them and the other person. It’s not enough to hold tensions when you know someone is vulnerable. He and Curly do the exact same things but on different sides of the coin. I ask how is it better to not turn a blind eye but still not really do anything about what you are seeing? Not until it affects you atleast…

The game makes a big point to not put men doing the bare minimum or who wait to do more on pedestals and I’m actually surprised so many are missing that point.

[joshuamj]

Linktober Day 8. Tunic

[crypt1dcorv1dae]

I really like kafhoshi ... it good.... Ther s so much potential and so much material to work with AND YET THERES LIKE NOTHING!!!!! *Rolls up my sleeves* gotta do everything myself in this damn house...

[fisheito]

collab #2 with @xenole i was given a chibi yakumo and i.. i...... turned it into thiS

[uncanny-tranny]

If I'm honest, the whole "love in every stitch" saying for fiber artists does not apply to me, like. I'm trying to get this fucking hook into stubborn yarn and I'll be stabbing it like it owed me money. Is that love because I hope not 😭💀

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[hungry-skeleton]

I just need everyone to know that this mediocre goofy tween movie has a plot twist at the end where the main character's brother who was present throughout the entire movie was actually dead the whole time

[ursula-legun]

really going insane in my plant class over the Sociale Dynamiques......vent below the cut

the class program coordinator is an ex-navy officer, lots of the parks and rec boys we're working with are vets, as is at least one prominent student in the class.....and most of the students are like. retiree age white women who own land and want to learn how to improve it. so it's a fairly conservative crowd, sprinkled with a handful of younger idealistic envirohippywhatever types.

but the class is like. "Fairly Progressive," in a seattle-area standard sort of way. everybody's asked for their pronouns regularly, there's like....clear expectations being set around accessibility, people are encouraged to take breaks and not take anything too seriously, lots of discussion about the history of colonial devastation on US environments, etc. we average two land acknowledgements a day.

and i know that none of that means anything, but it's still so disgustingly dissonant with the actual material goals. as repayment for the training, we're being asked to work on this project that is, like...40% developing hostile architecture in two prominent parks. and while we were out there the other day, the program coordinator (+ "friendly" tiny 75yo ecologist auditing the program to report to the supervisory org) called the cops on somebody for being too close to that area of the park while having two backpacks. with half the class actively laughing + making jokes about it the whole while through.

none of this is surprising or unusual, but the hypocrisy of it is really getting to me. the program coordinator did refer to the whole trespassing/eviction/citation/harassment process as "engaging a community member" and i'm really taken aback by like. how angry i am that this guy is pretending to be respectful of homeless people, even in a normalized/thoughtless way?

idk. obviously i'm not going to be engaging with the stated goals of preventing people from camping on public land - unless i can find a way to make the land more camp friendly - but i'm so livid about like. the way that this is playing out as a process. i'm also honestly just genuinely confused, like....how are these literal actual ecologists able to, with a straight face, blame the damage to local plants on homeless people trying to fucking sleep, and not like....the whole fucking process of urbanization that led to this point. like. girl. we're planting on an old airstrip, in the middle of a burgeoning urban core, that's downstream of what used to be a creosote factory.

but that's too big for you to get mad at, so you're just going to cave in and kick out the handful of people trying to find somewhere to be left the fuck alone? it's disgusting and terrifying to see people swerve around things, mentally, like this.

[carnivalcarriondiscarded]

oooo it's been a while since the last snippet :]c it's another fantasy au one where I'm! Putting! Barnaby! Through It!

a minor warnings: implied/referenced major character death <3

 No one eats dinner, and Frank won’t stop tapping his spoon against his bowl. Tok tok tok it goes, over and over again.

Poppy made a simple stew from their provisions, but only Eddie and Sally make an attempt at tasting it. Their halfhearted ‘it’s good’s don’t pierce the pressure weighing down on them all. Barnaby swears he can taste it, thick and cloying. 

Already he keeps catching himself looking for Wally. Where is- he starts to think, and then he remembers the moment Wally fell with a spear piercing his chest, and the grief rises so fast it nearly drowns him in a heartbeat. Barnaby can’t bring himself to try and hide it behind anything but a stony mask. In any other situation he might try to put some levity into the group. Cheer up the sad and empty faces staring into their meals. 

He wouldn’t be able to think of a single lighthearted thing even if he wanted to. He doesn’t.

Tok tok tok-

Shuffling from Howdy’s tent has everyone glancing over at it, and Frank’s spoon stills. Howdy briefly woke up while Poppy was cooking. All he did was sit up, look at everyone, then pitch to the side and vomit. They got him into a tent before he passed out again, mumbling something about puppets. Frank made a comment about how Howdy was supposed to be a bit out of it, not at fae-drunk levels of hazy. Eddie had muttered back a dejected apology, and after that the camp was silent until Poppy’s announcement that dinner was ready. The spoon continues tapping when the shuffling stills.

Tok tok tok-

Since Eddie and Sally saying that dinner is good, there hasn’t been a noise beyond the occasional sniffle. It’s a good thing Julie isn’t trying her stew - it must be disgustingly salty from all the tears dripping into it. 

Tok tok tok-

Barnaby sighs through his nose and puts his bowl down, sick of looking at everyone’s misery. He would say that he’s going to go sleep, but he has a feeling that none of them are getting a wink tonight. 

Tok tok-

Before he can stand, Frank blurts, “We shouldn’t have attacked it. It was a mistake.”

“Please don’t,” Julie begs.

“There’s no need to rub salt in the wound,” Sally says firmly, her stew starting to sizzle from the rising heat in her hands.

“Not right now, Frank,” Eddie mutters. 

Frank visibly bristles, and he launches to his feet. “I refuse to pretend not to have seen what I did! The truth is a terrible thing, but someone needs to say it. Wally lied to us.”

“Frank…” Barnaby warns.

“We shouldn’t have attacked the demon,” Frank barrels on, ignoring him, “because there was no need to. It didn’t eat Wally until the end because the demon is his patron. Wally was never a wizard at all, he was a warlock-”

Barnaby lunges with a deep bark that echoes against the trees. The crickets symphony falls silent. Frank trips backwards over his seat, staring up with wide eyes as Barnaby stalks around the fire, growling. Eddie and Sally slowly stand, inching between him and Frank. 

Barnaby stops, snout bunched and canines bared. He jabs a claw at Frank. “Don’t you ever say that again. Ever.”

Frank’s mouth flaps uselessly for a moment. When he speaks, it comes out as a whisper, “I’m-”

“If you end that with right instead of sorry, I’ll make damn sure that you are.”

Frank wisely keeps his mouth shut. The crickets continue chirping.

Barnaby glares at him until Frank looks away. Barnaby straightens his vest with a sharp tug and strides away from the fire, towards his and- his tent. Just his, now. Murmuring breaks out at his back. He yanks the flap open, grabs his pipe and herb pouch, and heads towards the forest. He pauses only to listen by Howdy’s tent, waiting to hear proof of life before continuing on.

Once he can’t see the firelight anymore, Barnaby chooses a random tree and sits heavily in front of it. Rough bark digs into his back through his vest. A night bird hoots overhead. Crickets continue to make their music, but Barnaby wishes they would shut up for good. 

Light from the full moon pours through the branches to provide just enough light to see by. Barnaby holds up his pipe and quickly puts it to the side to take off a grimy glove. The heart-pad and blue fur underneath contrasts vibrantly with the dust-grayed rest of him. After a moment he removes the other glove, wincing as the leather drags over his injured knuckles. He turns his paw over and scowls at the dirty black edges of the red-raw scrapes. He should have punched harder. He hopes it scars, even though he knows it won’t.

The gloves themselves are scuffed up, but not beyond use. Barnaby folds them into his pocket and gets to work lighting his pipe. He packs it and instinctively opens his mouth to ask Wally to light it for him. The words die on his tongue as he turns only to see dark forest. Empty woods save for the tiny blue lights of night wisps floating on the breeze. 

Barnaby stares into the darkness with yawning dread. He keeps looking. How long will it take him to stop? How long until Wally’s face starts to smudge in his memories, until his voice is gone and Barnaby doesn’t even remember what his smile looked like? How long until Barnaby only thinks of him in passing? 

He doesn’t want to reach that point. He desperately does. 

Will it hurt more or less? Does it matter? He wants it to ache until he dies.

Barnaby frantically fishes his sparkrune out of the herb pouch - only there for emergencies, when Wally or Sally isn’t there to light it for him. It will wear down to a nub within the month. He strikes his thumb claw against it, and sparks fly expertly into the bowl of his pipe. It takes a moment to catch. Barnaby lifts the bit to his lips and takes a drag before enough smoke forms for a lungful. 

Maybe he should have grabbed the stronger stuff. If he breathes enough of it, maybe he’d be able to see Wally. 

But Barnaby doesn’t get up in the end. He sits against the base of a tree and hugs himself, the pipe’s intermittent glow betraying the shine in his eyes.

[hadesknockedupintheunderworld]

Bout to muse about something that is part headcanon part canon events

ㅤ

Tails is finally saved from his bullies by the (currently) small time hero he admires

Tails stalks follows his hero, uses his mechanical knowledge to improve Sonic's plane

While Tails follows Sonic around, even on dangerous journeys, the hedgehog keeps an eye out for the younger fox behind him, keeping him from being in too much danger

Sonic leads by example, demonstrating to Tails how to fight, and Tails runs maintenance on Sonic's plane and teaches him how to read

Soon enough, they become softly inseparable. Even if they can't adventure side by side (although they do more often than not), Sonic keeps contact with Tails whenever he can.

They strengthen each other's weak points. Where Tails lacks in raw strength, Sonic makes up for it with experience and speed. Where Sonic lacks in firepower, Tails has a machine, a gadget, or the technical know-how to take one. Sonic often rushes into danger, fighting without thinking too hard, but Tails' specialty is strategizing or making plans, and he's one of the few who can slow Sonic down enough to make sure he's prepared. And where Sonic supports Tails by being a force of nature, someone who can roll with the punches and execute one of Tails' plans with complete trust or faith, Tails also supports Sonic by understanding what he cannot, by crafting plans when Sonic is at a loss for how to proceed. They have such unwavering faith and trust in each other's abilities now.

Where Sonic is a hero, Tails is his own kind of hero, saving the people only he can save, helping in the ways only he can help. They support each other. They look out for each other. Even if Sonic is a force on his own, or Tails can go on solo adventures, they're more effective when they're together.

And no matter how things change as they grow, the people who come and go, the two of them are a constant. Sonic and Tails, ever at each other's sides.

[dio-the-thot-exterminator]

this is my Inferno design btw if anyone was curious :P

[supranatra]

Making sparda an overbearing, dominating figure with a soft spot for family and general neutrality on humans is good but i think super happy funtime guy sparda who is incredibly enamored with his family and outwardly super duper nice (almost appearing and sometimes is naive or gullible) to humans but when alone or pushed in just the right way he morphs into that nearly cruel and dark figure he was considered long ago is better. :)

[can-of-slorgs]

Finished the Seashells collection a couple of weeks ago, so I drew my girl who did it all possible.

[soobadnoonecanstopher]

Way back when.

When I abandoned a few fics I got some rando in my asks who said

Surprise surprise you didn’t finish something

You never finish anythjng

and then I said watch this and I didn’t start anything for years so I didn’t have to face the possibility of not finishing something

and look at me now

I’ve finished something 🥰🥰🥰🥰

I’m so thankful that those of you who are here are beautiful on the inside