#i still don't think i have an answer

[anneapocalypse]

It's been six months since I finished Endwalker and I still don't feel like I have fully processed Ultima Thule. Like I still don't think I can fully articulate what I feel about it.

[egophiliac]

LEON

LEON YOUR EYEBALLS

[starcurtain]

I think that Sethos's hangout should be three routes of him unintentionally wingmanning and/or awkwardly third-wheeling the other couples in Sumeru, one round of the sickest lore bomb drop since Caribert, and then a final route of nothing but pure, unadulterated SethoScara fan bait that has absolutely zero connection to anything else in the game.

Sethos, Wanderer, and Mini Durin go on a Deshret ruins adventure entirely of their own, where Traveler just accidentally intersects them, and there's not a single explanation given for how they got to the level of companionship that involves taking long desert retreats together. Sethos spends the entire time trying to offer Wanderer increasingly comedically bad advice on his thesis because Cyno is rubbing off on him. There is only one tent.

It is presented entirely without comment from the devs.

Everyone moves on like Sethos and Wanderer have been married since 3.4.

There's an entire slew of confused complaints on Hoyo social media about how Sethos and Wanderer's "strange friendship" came entirely out of nowhere, but everyone in the comments just gaslights the posters by pretending Sethos was in sidequests all the way back at the start of Sumeru.

This is how I get us back onto the better timeline, guys, trust.

[poorly-drawn-mdzs]

This was home.

[First] Prev <–-> Next

[jeeaark]

Would Greyhold use his face tentacles to lift weights?

Not Very Well.

Bonus:

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[zillychu]

Finding out the Danny Phantom pitch bible originally included more creatures other than ghosts really makes me want to just (DUMPS TRANSCENDENCE AU ALL OVER IT)

[spookygibberish]

I love Jar of Mice! I've never seen creature designs like Thrones before.

You mention Ibis tissue in some of the posts, and I read the old post about it - has the lore changed since then? Does it have anything to do with the bones of God at Godtomb?

I'm very flattered! I don't think of Thrones as particularly creative but I suppose that's because I know all the ingredients for them... Actually let me take this post as an excuse to go into them a bit!

I extremely enjoy taurs and human "hybrid" style creatures like sphinxes a massive amount, but there are a ton of artists who's particular styles and sensibilities have inspired me. Coming to mind off the top of my head are artists on social media like Bwusagi, Suzumori521, Deerchip, Theveryworstthing, iliothermia, and definitely more...

I tend to collect a lot of art of centaurs, sphinxes, harpies, and dragons that catches my fancy, here's some of it:

(An Islamic depiction of Sagittarius, Salome Sphinx by Nicholas Kalmakoff, ????, Nagas by Rabi Behera, Şahmaran)

Edit: forgot the Lamassu, which is a more specific inspiration than any of the things above or below.

Jim Woodring is one of my inspirations for Thrones that people tend to clock, and they're correct. It's probably the colors, patterns, eyes, shapes.....

Oh and.

Her.

And for the second question, yes! The tissue was once on the bones, although the Ibis tissue used in the temples for the creation of dagnyds is much more equivalent to a cell culture than anything at this point. It's desire to grow and take form is the creative force that humans have harnessed to create dagnyds..... for better or worse.

I don't have any art of it i'm happy with, but here's some several year old pixel art of an Oracle Computer, which is filled with the stuff. Honestly though, I don't think "black goo" is very compelling or visually interesting considering what the stuff actually is. It needs work.

Everything always needs work...

[fictionadventurer]

The Ballad of Songbirds and Snakes reviews I've seen fixate on the story's discussion of whether humans are inherently good or inherently evil as if one side or the other is the correct answer. Meanwhile the story itself is showing that individual choice in every action--choosing to act out of either love or self-interest--is what truly matters in shaping society. A free and stable society requires that people be taught to make selfless choices rather than act out of fear. Instead of oppressing people into fearful order, citizens need to have the freedom to choose the good, and be educated with the values that teach them what good is.

[pinkd3mon]

Kirby deals with existential crisis and Bandana is a good friend

[zivazivc]

Does Hed help Les with grooming his back?

This is a really old ask about this post. And the answer is yes, definitely!

I ended up drawing them back in their room in Vibe City because I've been thinking a lot about them growing up there lately. This is a little before Les gets kicked out (big fight with dad) and they end up traveling around with Flea who is at uni at this point. (Flea isn't a local, he moved there because of uni a couple of years prior, and that's when Les and Hed met him. He is the only other mixed/non-fully funk troll they know at that point.)

In the drawing Hed is studying for a test. He's in the second year of high school when he drops out. This upsets and angers Les because he has good grades but Hed insists that they should form a band (like they used to talk about when younger) because he is secretly shit scared of letting Les live alone and fuck off to who knows where. - At this point in time Vibe City is pretty much grounded in the same location most of the time, and if Les doesn't have work, he likes to spend his time in the suburb/woods outside the city where he takes care of his beetle van, Scaab. And Hed is aware Les has been itching to leave the city for a while already...

This has been an unexpected mini lore dump, thank you for your time :P

[popfizzles]

Please tell me Smith would also support his sister if he knew. I really like Smith as a character (despite what happened with Mac)

My tags on that post go a little more in depth about Smith's side of things;

Do I think Smith was at some point in his life, a little susceptible to homophobia? Maybe a little. He's from a rural, likely hyper-religious upbringing. Been "the man of the house" longer than he can remember.

But Mugman’s very openly queer. Mojito’s entire character arc is coming to terms that he's been sitting on feelings for his male roommate for years. And Smith would kill for either of them, no questions asked.

Smith already went through what he needed to be normal about the topic of different sexualities.

He doesn't talk with Mac or Goldie about their love lives and sexualities, but less because he would be judgemental about it, and more that he doesn't want to pry or hover over his little brother and sister's personal lives.

If she ever told him, he'd do his damnedest to make sure she knew that he still loves her and it changes nothing.

[ilovedthestars]

Pallette nr 2 + your favorite childhood cartoon character!

thank you alex! i finally got the motivation to go back and finish this one up!

I'm cheating a little bit because I was fully in high school when this came out, but none of my other ideas were sparking joy so I went with it. Carmen Sandiego from the 2019 netflix reboot :) The palette ended up working great for her!

I really liked the show, my brother and I watched it together and we enjoyed how complex the story was (even though it was still going for the educational geography angle). And the style it's animated in was really pretty! I love the stylized way they always animate her coat blowing in the wind.

(prompt from this color palette challenge)

[rustedleopard]

What astounds me about the whole "you need a pure human SOUL to perfect the serum" thing is that so many people take Chujin's conclusion at face value. Chujin Ketsukane? Chujin "Winner of the 'You Tried In Engineering' Award" Ketsukane? Chujin "Fumbled Inventing Robots So Hard He Earned The Ire Of The Usually Pretty Chill King" Ketsukane? Chujin "I Accidentally Killed A Human Child By Overshooting The Parameters On My Guard Robot" Ketsukane? That Chujin Ketsukane?

[unexplained-events]

+20 points for being hot but -10 points for being a James Wan hater

I think the first saw movie is absolutely phenomenal but it's not enough to make up for the rest of his horror filmography. Most of them are really bland and full of an excessive amount of jump scares.

I respect his contributions to the genre but I don't think he's kept up with where the genre is today

[danwhobrowses]

I'm not sure how much good this vent will do, I'm not even sure I want to post this vent after my last one, but I'm writing it just so it's out of my head and into words because it seems once again fandom has chosen to send vitriol Ashton Greymoore's way.

What for? They talked to a 'specter' of the primordial titan within them, through their connection to the earth, the natural flow of creation and destruction. They ask what will happen to the world, it responds that it'll endure, they ask what of the people, it responds that the strong will survive and the weak will be remade into something stronger, to which Ashton replies they think they understand. To fandom this means that Ashton is becoming a fascist, that they have a 'Make Exandria Great Again' attitude for wanting the Primordials back, that they need to be beaten up or 'get what's coming to them' in order to change their mind, and I can only sit here and stew and wonder if this hate is really well-founded? Ashton is among my favourite characters in C3, I get frustrated by them at times too but if I think about it a big percentage of my frustrations is more towards people disliking them than me disliking things they do, or Matt setting up scenarios that doesn't do them any favours towards the fandom that hates them. Some of these are knee-jerk reactions of course, but for others it does feel like they have it out for Ashton, and I don't wanna engage with that, which makes it quite lonely when most of the fandom hones in on it.

For the most part I can understand how the whole 'the weak will be remade' bit can be taken badly; it's definitely iffy, but every other plan we have is also very iffy. The Release Predathos option literally involves unleashing an entity that wants to genocide the gods, the Maintain Status Quo option ('option' the status quo imo is impossible, in my mind the Gods can stay but the dynamic will still have to change) maintains a relationship where the gods pick and choose who they feel deserves help, using their power to covet more power, strongarm and demand loyalty, and overall choose fellow gods over mortals when the chips are down and not owning up to it. We should also remember that entities can speak in riddles, 'remade into something stronger' doesn't necessarily mean death; it could mean to adapt and grow, to become strong enough to bear and overcome it as many of the PCs of Critical Role have done with their hardships and trauma. It's worth reminding that the sad truth is that people will die whatever outcome happens - the aim is always to lessen the amount but if the Gods leave it's a power vacuum, if we linger too long it's a Calamity, and if the Gods stay it's a holy war on a more wild and less organized scale - and that Ashton isn't saying they approve of such death, merely that they think they understand. The commune doesn't tell Ashton which way to go; it only tells them that the world will endure, there will be change and it will change people, trees will still grow, the wind will still blow, the waves will still flow along the coasts of the sea, and people will survive. I know the interpretation can differ from people thanks to Matt's patented vague or riddle-mounted choices in phrase, but I also think if it was the Wildmother who told Orym or some other follower that 'nature is a cycle, everything must adapt to change or else it'll die - this world will change, but it will also survive' nobody would be calling Orym a fascist, people would accept it because the Wildmother's domain is nature, and nature is not always kind.

While we're mentioning Orym - and because this is gonna come off as critical I must preface that I like and enjoy All of the Hells, that's not changed - I also gotta call it out here because it does very much feel like the people who hate Ashton hate them for the reasons they love Orym. Both are stubborn, they're diligent in their personal code, they care deeply for their friends and would give their whole being just to keep them safe, they believe in the Hells' power and greatness more than each member does and more than they believe in their own, but Ashton gets the hate mainly because these fans agree more with Orym on the god stuff. What confuses me though is how these same haters can despise Ashton for being consistent but love Braius, the literal Devil Worshipper who secretly is on board with the Chase Away plan only so he can help the Devil rule the world, the compulsive liar. Where's Braius' scrutiny? A world under Asmodeus will be a far worse 'survival of the fittest' scenario, why does Braius get a pass in all this stuff huh? Because he's funny? Seems people ignore the whole morality talk when they're discussing Braius' dedication to Exandrian Satan.

I find it irksome too that even the group seem to criticize Ashton reaching out to Primordials too - as if that wasn't what we wanted them and Fearne to do anyway. They don't dislike the gods simply because they're a 'great entity', it's because they're a great entity that holds power and doesn't use it equally or fairly; they pick and choose who to help, a lot of the time in Ashton's experience for their own self-service, but they won't prioritize mortals over another god no matter who cruel or heinous the god is being, and the following of these gods are so intertwined with politics that most religious motivation also ends up being political. Ashton has no connection to the gods, they reached out and got nothing, an Angel looked at them and made them feel like nothing, but they do have a connection to the Primordials; from the Earth Golem to the Titan Empress they're literally a vessel of, they experienced something significant in their connection to the Earth, so I don't like how that they're almost mocked for having it. In addition, Ashton's behaviour during this commune differs because of that connection, but also because the titans are a natural flow; they don't demand or test or politic or prejudice, and despite being a Great Entity in its own right it never made sure Ashton felt small for their own satisfaction, they asked a question and got an answer, it's the same reason Ashton has disdain for most political leaders but likes and respects Keyleth, Allura, Kima, Pike, and (eventually) Percy despite also being people in power. To call on Orym and the Wildmother as an example again; Orym's an Air Ashari, the Ashari are guardians of the Elemental Planes - made from the Primordials - not tied to a god, but nobody criticizes his connection to the Wildmother despite both not being a follower and his culture being more tethered to Primordials and their descendants. I'm not saying it's all correct for Ashton to want things to go back to how Primordials ruled, but we must remind ourselves also that we only know a story written by victors when it comes to the Schism - a story which could very easily have been altered and edited to make it feel more justified for the Primes and mortals to actively genocide all the Primordials, the native species and creators of this world, and desecrate their remains to make weapons, soul anchors, and cities - the specter didn't say 'fuck em, all mortals should die' after all, if they believe mortals would survive then they must be at the least tolerant of mortal existence. Why is it okay for god followers to say they wanna keep the world with the gods they have a connection to (and I'm not saying they aren't) but Ashton is out of line for wanting to have a world which has something active that they also have a connection to? It seems rather unfair to allow one side to have and the other to have not, picking and choosing because our audience's bias has spent more time with the gods, Ashton wanting something they can connect to doesn't feel all wrong either, the Eidolons still exist with faint worship hiding away so they're not smited by the gods, why can't faith exist so they're not in hiding? I sincerely doubt the Punk Rock that is Ashton is asking for the Primordials to fill the Gods' roles the same way the Gods have been running things either, they want to break the throne remember? There needs to be a balance in ideals and practice of course, and in an ideal world there could even be a more fluid and all-inclusive Exandria where gods and Eidolons live harmoniously with mortals without hierarchy and class systems, I think Ashton could happily live with something like that, they did say the world needs 'a little chaos' to call back to Matt hinting that the current world doesn't have enough.

Which leads us to those wishing violence upon Ashton - and I really don't like that. People who say 'hitting them over the head is the only language they understand' seem to misinterpret Ashton as if everyone around them have been on their hands and knees begging Ashton to reconsider and them ignoring valid points and pulling a Leroy Jenkins. In reality, nobody is actually talking to Ashton about it, a lot of the frustration with Bells Hells right now is that they aren't talking to each other, even about the end goal! Ashton has valid reasons for their thinking, so being violent isn't gonna change their mind; undermining, dehumanizing and trying to effectively bully anyone let alone someone with chronic pain and low self worth will never truly convince them to your way of thinking. All people understand the language of violence, but that language is not used justly, those who truly wish violence upon Ashton don't want it in hopes it'll force Ashton to change their mind, they want it for their own satisfaction of seeing them in pain; so they can further push them away from the rest of the group and go 'that guy's not one of us', make it so the people Ashton calls family after a lifetime of loneliness, confusion and abandonment - the people they promised they won't abandon, and have kept true on that promise even at their lowest - make them feel small and worthless, and force them into box where they can't be themselves, and I hate that people would want to treat them that way. Ashton IS capable of listening; they've stepped back and trusted the other Hells to do their own thing even when it's ridiculous like staging a play where they pretend to be Ludinus to trick Unseelie emissaries into thinking that he attacked them, they listened to the gods even when they didn't have to like they promised they would and despite it being very personal they held themselves back for the benefit of the group, and if the group talked to them calmly where they were all allowed to healthily discuss the pros and cons, the ideals and compromises, and the risk and reward of all plans that have been proposed then they would listen, and they would try - you don't need to slice bread with a broadsword.

Will Ashton 'get what's coming to them'? Maybe, but what is that exactly? We only assume to know the full vision of what Ashton wants to act on. All of Bells Hells are gonna face the consequences of the choice they make on Ruidus - when they finally make one that is - in and out of the world they live in, so won't that apply to everyone? So what for Ashton? do people want Fractures 2.0? Does everything Ashton wants in life have to blow up violently in their face? Family, Closure, their best friend's safety, why does 'what's coming to them' have to be something aggressive and harmful? People change through positive reinforcement and good experiences too! Caduceus Clay would remind you that it's love that makes people. Don't mistake this rant as me wanting Ashton to be exactly as they are now, I too want to see growth from Ashton and we ARE seeing it happen; I see it in small instances where they think twice about rash actions and try not to fly off the handle, when they sit just to listen or understand or to defuse tension, and that when they're going somewhere or doing something they let the group know in advance, those who think Ashton hasn't changed since ep. 1 aren't paying close attention, but that doesn't mean that they don't still have more ground to cover. I believe that Ashton grows the most through kindness; when they're treated like a person and not a blunt instrument or a nuisance, and I hope what's 'coming' for Ashton isn't rejection, bitterness, and isolation, but acceptance, empathy, and for someone - if you know me you'd know who I'd want it to be - to convince them that they are worthy of living, that they're special not because of their powers or blood or because they have died and been put back together again (honestly, it does irk me a little that both Keyleth and Imogen chose that for titles and to brag to the Matron, I know it isn't intended this way but sometimes it feels like saying 'your best defining quality is that you've died a lot') but because while they have every reason to hate everything they still chose to be kind to those who deserve kindness, they have a good heart and they mean well. Are they perfect? No! They're in their 20s very few people irl have their lives together at even twice that age, but I want them to have good things in their life; things that help them feel happy and safe and like they can still feel comfortable in their own skin without having to appear more 'palatable' for people who've already decided that they don't like them. I want them to know that they've always deserved to live and they still deserve it now, I want that not just for Ashton but for all the Hells, and hopefully they'll all live to have it.

And most of all I want the people who hate them to be wrong about Ashton Greymoore, and I want Taliesin to prove them wrong.