#anyway these tags are getting absurdly long
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impactrueno · 12 days ago
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(i got this comment on my comic over at twitter and i thought i'd repost my response here too, because i've gotten similar comments on my other socials)
these are very kind words and i accept the compliment, it makes me happy to see people are enjoying reading through it! but i have to disagree with a couple of things. i think we need to give more credit to the source material here
i am borrowing elements from the sequel. lydia's daugther, beetlejuice and lydia not seeing each other in 30 years, lydia forgetting somewhere along the way what it means to be your strange and unusual self, all of these are parallels i made to the sequel.
i strongly disagree this is how the sequel should've been done. i try to stick to canon as much as i possibly can, but the tone of this comic isn't really beetlejuice. the movie is a dark comedy first and foremost, and the sequel ticked almost every box of what it should be about
beetlejuice's character is gross and weird of course, but every iteration has depth to them. i wouldn't have been able to write this comic otherwise! i'm not really making up BJ's personality here, i'm doing a character study of what is already there, set to a different tone.
i'm saying all this because knowing this is important in order to really appreciate the story i'm presenting. there's no need to praise things i didn't actually do, haha.
i'm aware that there's many people enjoying it without knowing anything about beetlejuice, so i'm not saying you HAVE to be connoisseur or anything. but if you are, you'd notice the callbacks to the show, including the one episode a lot of this conversation is built around.
sorry this got longwinded; i want to say once again that i appreciate the comment! i mean absolutely no offense to Timmy here, it was a sweet thing to say and i hope it's okay that i used this comment as a springboard to say some stuff that's been on my mind
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hirokiyuu · 6 months ago
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look at my alternate yuu concept boy
#i just think the idea of isekaing at age 22 and being shoved into high school is so funny. shes just here now#185cm makes her the same height as leona btw. nearly six foot one. absurdly tall#she did not have friends b4 twst bc she had a Lot of ppl approach her bc of her parents#was very good at keeping a polite distance and went a little insane in twst as a result#fails all her classes at nrc bc she is going home at the end of this to her Real life so who cares shes here for a Good time#girl w/no subconcious desire to stay in twst tho i do think itd be good for her in the long run#she wants to go back to her own reality bc she wants to finish her degree. she was so close#Everyone's Big Sister (self-proclaimed) and incredibly obnoxious abt it#gets on v well with kalim and lilia and then cater is there in the background like. Please Let Me Out.#shes in gargoyle research. malleus is a little brother to her and i think he actually does see her as family more than a romantic partner#WHICH IS RARE FOR ME im usually all abt malleus > yuu but here it makes sense. they are platonic. u kno how it is#book 7 is a really bad time for her bc she learns all of lilias backstory and realizes how much shit he wasnt telling her#as if she were telling him anything serious abt herself LMAO but him leaving w/o sayign + finding out his backstory from a dream is just. h#book 7 i think is whats solidifying her desire to return home. she has a place where she belongs and its not here.#anyways ironically despite how much ive written here + how much ive thought abt her shes only a secondary yuu. yjn comes first always <3#i do really like her shes a lot of fun to think abt. very Messy and impulsive unlike yjn whos thoughtful and deliberate. u kno#god this was a tag essay. ok.#how do you art#twst oc#myuu stuff
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moon-buggg · 6 months ago
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SCP au drabble
set a week after YN gets taken to the facility, basic au info here
warnings: yn was kidnapped by an offbrand scp foundation after they didn't get killed by Moon and thats whats being discussed and im not sure how to tag that. Yn is a little emotionally dumb, flirty sun
no word count because I wrote this in the tumblr post maker in a frenzied haze
-
"You are stuck here... because of us?" Sun asks, carefully, tentatively. His, frankly, absurdly tall body hunches over so he can be at eye level. Under any other circumstances, you'd be terrified of the strange creature trying to comfort you. As is, his presence is incredibly comforting; the sole friendly face in a sea of questionable actors.
"I mean, pretty sure they expected Moon to kill me," Sun flinches just slightly, ears tilting ever so slightly back, "so I don't think I was ever meant to leave this stupid place, anyways."
You'd fallen asleep in the darkness of what you now know as Sun and Moon's room, and had awoken to several researchers and armed guards preparing you for a barrage of tests. Those first few days had been a horrible mess of exhausting tests and tedious interviews as your white-coated captors tried desperately to discover what made you different.
Why you'd survived.
They still hadn't found anything, but at least the tests seemed to be slowing down ever so slightly. After an uneventful introduction to the more passive, daytime version of the thing they expected to kill you, it was decided that you'd be allowed to visit him once every other day.
Jury seemed to still be out on if it was worth risking another encounter with Moon.
"It's not your fault," you add after a beat of silence, "or Moon's for that matter. You're both trapped here just as much as I am."
A soft, crooning sound rumbles out from Sun's chest as he slinks back into a seated position that leaves him still about a head taller than you. Gentle lights pulse across his fur, barely visible under the harsh fluorescent lights. He seems to struggle to find the right words, before giving up.
Carefully, as if approaching a startled animal, he reaches out a hand. When you don't react to the long claws coming at you, he continues. Turning over his hand to keep those sharp claws decisively away from you, he runs his knuckles over your head in a clear attempt at a comforting gesture.
It's startling how much it works.
"Oh starlight, far too kind for a place like this." His voice is soft and quiet in a way that makes your face feel warm. You choose not to think about it too hard. "You shouldn't be locked away."
"Neither should you." The words are harsh and automatic, and seem to startle Sun who draws back as if burnt. His glowing fur brightens significantly, its starting to get uncomfortable to look at, actually.
He recovers quickly.
"There you go," the words are teasingly chiding, "proving me right starlight." He reaches a long claw out again, this time using his knuckle to gently boop your nose.
He bends, using his long neck to crowd into your space. It's hard not to feel a little threatened by those big teeth so close to your face, and Sun's widening smile does little to help. Seems like you can't help but feel flustered today.
"At least you'll have me to keep you company." His voice is just a bit too hopeful, like he's desperate for you to agree. Poor guy seems utterly starved of positive affection. The urge to comfort him is hard to ignore, so you don't.
It's easy enough to thread your fingers into the long mane of fur that frames his face. The feeling is distracting, it's so warm...
Movement brings you back to the moment as Sun leans ever so slightly into your touch. Right, right, you had a reason for this.
"We're in this together," you say in what you hope is your most sturdy, comforting voice. Sun's presence has done a lot for you in the few days you've been here so far, and you want to do your best to be a comforting presence to him in return. You don't miss the way his fur seems to glow brighter and hotter at your words.
Acutely aware of where your hands are, you realize that grabbing a giant monsters face out of no where probably wasn't your best idea.
"Sorry!" you quickly release Sun's face, your own face hot with embarrassment, "Sorry! I shouldn't have just grabbed you like-"
"We didn't mind, starlight," he interrupts, pulling back out of your personal bubble. His hand ghost over where you touched, smoothing the fur back down, "no, don't mind at all."
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ginnsbaker · 9 months ago
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fic: if i bleed (you'll be the last to know) (4/?)
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Part summary: Getting to know Leigh Shaw comes with some hardships—literally.
Pairing: Leigh Shaw x Fem!Reader | Word count for this part: 4.600 | Warnings/Tags: Pining | A/N: Still haven't decided how many parts will there be, but for now, enjoy reader's POV as her interest in Leigh grows :)
Masterlist | Part I Part II | Part III | Next
-
For some reason, you keep saying yes to Leigh Shaw.
Yes to providing your veterinary services for her.
Yes to divulging the private aspects of your relationship with Matt.
Yes to staying in her yoga class.
Yes to running very early in the morning, with a lung-busting pace that leaves you dehydrated and feeling queasy by the end of it.
As if to add insult to injury, Leigh Shaw doubles back to where you're lagging behind, barely hanging on for dear life. She flashes that cheeky grin, says, “Try to keep up,” and takes off again like it's nothing. You're left gasping for air, your heart screaming in agony as you attempt to match her pace, but Leigh's already a blur ahead. 
She was right—your endurance is really nowhere to be seen. It's in these moments, as you're pushing past what you thought were your limits, that you start to get why Leigh's both a pain and a push that was kind of missing before in your life. 
Leigh eventually vanishes around a corner, and consequently, you lose sight of her. You dig deep, pushing yourself to keep going, refusing to quit out of stubbornness and curiosity of what your body could do. By some miracle, you make it to the finish line, which turns out to be that park you've been to only once before with Matt. He had made it a special day with sandwiches and comics, while you got lost in a book he swore you’d love. You can’t shake off the feeling that this place is significant for Leigh and Matt too.
When you finally stumble in, there's Leigh, chilling on the grass, looking like she's lost in thought, her eyes dark with something you can't quite put your finger on. But then she spots you, and it's like someone flipped a switch. She’s back to the flippant Leigh—easygoing, as if nothing’s amiss.
“Was half expecting to find you passed out somewhere back there,” Leigh smirks up at you.
You can’t help but flop down next to her, letting the sun beat down on your face, feeling every bit of your skin that's exposed soaking up the warmth. Thirst claws at your throat, fierce and unforgiving. Gathering the little energy you have left, you manage to ask, “How long have you been waiting?”
Leigh glances at you, her casual ease belying the brief glimpse of concern you thought you'd seen earlier. “Oh, about five minutes,” she says, her tone light, as if the grueling run was nothing more than a leisurely stroll for her.
You pant out, “Why are you so fast, anyway?” 
Leigh bursts into laughter, finding your question absurdly funny. “Fast? Me? That's hardly competitive speed, you're just... completely out of shape.”
You pout, feeling slightly offended but too exhausted to argue. Stretching out beside her, you let out a series of groans and pops, feeling your muscles protest and then slowly relax. “Feels like I'm a hundred years old,” you mutter with a heavy sigh.
Still chuckling, Leigh shakes her head. “I've been running for three years now. It's more of a hobby, really, but I need to stay active for my job at the Beautiful Beast. Or my mom will fire me.”
“Your family owns that place?”
Leigh corrects you quickly, “Not my family, just my mom. And being the owner's daughter doesn't give me a pass to slack off. I can't afford to be terrible at my job.”
Her distinction between “my family” and “my mom” sticks with you. It seems like a clue into her family dynamics. In the short time you've known her, Leigh comes across as straightforward, genuinely helpful, and yes, perhaps a bit quick-tempered, but overall...she's okay. 
More than okay, actually. She must be incredible to those she truly cares about. So, what went wrong with her and Matt? How could he betray her like that? It’s even more baffling when you remember Leigh saying they were trying for a baby. That detail still turns your stomach, and you're endlessly grateful you never went down that path with him, despite once wishing things had gone differently.
Lost in your thoughts, you don't realize how intently you've been staring at Leigh until she calls you out on it. “What is it?” she asks, her voice pulling you back to the present.
Flustered, you find yourself asking the question that's been simmering in your mind, since you first pulled on your sneakers for that 5k this morning. “Why'd you bring me along for your run? Why are you even helping me?”
Leigh just gives an offhand shrug, says, “Well, you didn't have to show up, so you're actually helping yourself.”
“Fair enough,” you reply, but can't shake off a bit of disappointment. The truth is, you were hoping she'd say something that suggested she was up for being friends, or at least saw you as more than just another client of hers.
It's weird, really, why you keep wanting to be friends with Leigh Shaw.
Suddenly, Leigh glances at her watch and looks up at you. “Ready to go?” she asks, a bit impatiently.
“If I can still walk after this, sure,” you say, half-joking, half-serious, feeling the effects of the run in every muscle.
Leigh laughs at that, a genuine, hearty laugh that lights up her face. It's a sound that's real and unguarded, making you think that maybe, becoming friends with her isn't such a far-fetched idea after all.
-
Yoga sessions with Leigh stick to the script you first stumbled into. She's all business, only really tossing you a nod or a word when your form goes sideways. “Shoulders down, back straight,” she corrects you, her voice firm, yet not unkind. Outside of that, you might as well blend into the walls for all the personal attention she gives, just like anyone else there. Everyone gets the same treatment—tough love, dished out in equal measure.
Despite her imposing presence, there's something else, a depth to her that often seems just out of reach. You catch her sometimes, looking out the window with a distant gaze. But then she blinks, shakes it off, and is back, fully attentive and ready to guide the next pose.
“Focus on your breathing,” Leigh's voice snaps you out of your focus on her. “Inhale deeply, and as you exhale, sink deeper into the pose.”
Determined to excel, you pour all your effort into being the student Leigh doesn’t need to worry about. Ironically, your diligence only seems to make you more invisible to her. As you master the poses with less need for correction, Leigh's interactions with you dwindle further.
After class, you toy with the idea of approaching her. Maybe get some feedback, or even suggest grabbing dinner together so you don't have to eat alone. But as you're putting together what to say, you notice Leigh seems in a hurry. She exchanges a few quick words with another instructor who's just arrived, and before you can decide, she's excusing herself and heading out.
The moment to ask her has slipped away, leaving you to pack your yoga mat with a resigned sigh. 
Another time, then, you think.
-
The next day, without another invite from Leigh for a run, you lace up your shoes and follow the same route you and Leigh took together. Just 20 minutes into the run, the solo effort feels more like a chore than the engaging challenge it was with company. You loop the route four times, hoping maybe to cross paths with Leigh purely by coincidence, but she’s nowhere to be found. 
The studio had announced last night that Leigh’s yoga classes would be temporarily led by a different teacher, with her expected to return next week. This bit of news leaves you mulling about her absence, kind of hoping you might accidentally run into her to find out more. But as the week goes by without any such encounters, you realize you actually know very little about her daily routines or habits. Despite the nagging curiosity, you refrain from texting her, not wanting to intrude or anything.
Admittedly, your motivation to work out dipped slightly without Leigh being part of it.
-
When you finally talk yourself into visiting Matt’s grave, you do so just minutes before it could get really dark. You've chosen this time deliberately, betting on the common fear that keeps most people away from cemeteries as night approaches. 
Your main concern isn't the general public, though; it's just Leigh. Past experiences have shown that encounters with her can happen unexpectedly and in the most random of places—like that night at the club when she ended up getting sick just a few inches away from you. You're not here out of a longing for Matt. Instead, you aim to properly close this chapter of your life, hoping to do so without running into his widow and giving her the wrong impression.
The air holds a chill that wasn't there when you left home, making you wrap your jacket tighter around yourself. It’s quiet, just the sound of your own footsteps crunching softly on the path. Being here as the day turns to night, watching shadows stretch out long and skinny, really gets you thinking about life, death, and everything else in-between. Maybe that's also why people avoid this place—it sort of forces you to face the music, making you curious if all the things you're wrapped up in are actually important or utterly pointless. 
As for you, you haven't quite figured out where you stand on that yet. Lately, you've really come into your own in your career, especially now that you’re seeing the profits steadily rising each month. But that sense of achievement fades each evening as you return to your empty apartment. It's just you, night after night, pushing through the grind, pouring everything into your job. Yet, when you try to envision where you'll be in five years from now, the picture isn't clear. Will you be settling down with someone, or just picking up the pieces from another relationship that’s gone awry?
Finding Matt's grave takes a moment, but when you do, your heart clenches. It’s just a simple stone with his name, the years he was here, and a couple of words(you’re guessing it’s Leigh who wrote them) about him. 
You kneel down, the grass cool and slightly damp beneath you, and lay the flowers you've brought on his grave. They look kind of bright against the dimming light. Like hope.
“Hey Matt,” you say, stepping into a silence that feels like it's hanging around, just waiting for you to fill it. Talking to a dead person feels ridiculous like they do in the movies, but it's not like anyone's around to hear you.
“You know, I met Leigh,” you begin. “Your wife you conveniently forgot to mention when you were busy asking me out.”
There's a sour edge to your voice, airing grievances to a guy who can't throw back excuses anymore. You can't help but chuckle, though it's more bitter than amused. You let your thoughts more freely now, like the barrier between you and Matt has thinned out with the honesty. 
“Leigh is… beautiful, you know? Not in that runway or social media kind of way, but in a manner that's hard to just overlook.” 
You could list a dozen more positive things about Leigh to tell Matt, but he already knew all that, didn't he?
“The first time I met her, I felt small, maybe even insecure. And now?” you shake your head, smiling slightly. “...I still do. But mostly, I'm just left thinking…” You pause. The next thought isn't really for Matt, not anymore. 
It’s for you.
“I just can't wrap my head around why you'd want to be with me when you had her. I feel like the murder weapon that's trying to seek justice for its victim.” You let out a dry, humorless laugh. “Not a great spot to be in, honestly. Makes me feel kind of helpless, you know?"
Sitting back, you take a moment, just looking at the headstone, at the name etched into the granite. The conversation, if you can call it that, feels like it's shifted something inside you. Not closure, exactly, but maybe the first step towards understanding—or at least accepting—that some things just don't make sense.
Standing up, you dust off your knees, taking one last look at the grave. “Anyway, Matt, I hope you've found peace. It looks like we're all searching for a little of that ourselves. Thanks for the book suggestions. Though, you might be a bit disappointed to hear Agatha Christie remains my top favorite.”
As you walk away from Matt's grave, it feels as though you're leaving a piece of yourself behind to rest with him. You decide then, as the cemetery gate closes behind you with a gentle click, that you won't let this page in your book define you. Maybe tomorrow, you'll try a new coffee shop, or take a different route to work. Small changes, but important ones.
Maybe you’ll even try that spin class that scares you so.
-
“Since when did you start living at the gym?” Suzie teases you from her spot across the desk, that signature playful, all-knowing arch to her eyebrow.
Suzie, who had originally come on board as a receptionist at your vet clinic with little more than enthusiasm and a genuine love for animals to her name, had quickly become much more than just a staff member. Her lack of relevant experience was initially a concern, but her dedication and the way she connected with both the animals and their owners made it clear she was a perfect fit. Over time, she evolved from being just the receptionist to a friend. 
A friend who seems to enjoy teasing you, though.
“First off, it’s hardly the gym. It’s this fitness class I’ve been trying out—big distinction,” you clarify, eyes glued on your phone. The last half hour has been a slow crawl towards 5 PM, the magical hour when you can finally shut down and head to Leigh’s class at Beautiful Beast.
“Tomatoes, to-mah-toes,” she quips.
“Not the same thing,” you insist, still not fully engaged in the conversation, your focus on a food article you're reading.
Suzie just waves her hand dismissively. “Semantics. But seriously, you've been really into whatever this is. There's gotta be a guy making those sweat sessions worth it.”
You can't help but laugh, the idea so off base it circles back to being hilarious. 
“Trust me, the allure isn't the sweat. It's those endorphins,” you say.
“Yeah, sure,” she drawls, unconvinced. “Come on. Who is it? I know you're not this amped to be all gross and sweaty for nothing.”
“There's no guy, Suzie.” Then, as if the thought just occurred to you, you add, “Or girl. But honestly, there's really no one.”
At that, Suzie's expression shifts from playful teasing to one of pleasant surprise and a touch of mock offense. “Hold up, you might be into girls? And here I was, shooting my shot in the dark this whole time!”
Your ears burn red at her blunt flirtation. “Suzie, come on,” you stammer.
“If I had known that was on the table, I would’ve upped my game ages ago,” she says, her wink sending your face from warm to inferno.
“You’re impossible,” you manage to say as you hurry to collect your things, ready to rush out the door.
“Impossibly into you,” she retorts saucily.
“I’m gonna have to fire you, you know,” you mutter jokingly, glancing at your watch. “Gotta run, bye!”
“Just so we're clear, the offer stands,” she adds, still grinning.
-
You feel a sense of relief seeing Leigh back in class. 
Though the website clearly stated her schedule, you found yourself on edge until you could see Leigh with your own eyes. There's nothing noticeably different about her; Leigh seems just as composed and in control as ever. When she catches you looking, she offers a small, somewhat dismissive smile before turning her attention elsewhere. 
You spend the whole session with your energy dialed up, partly because Leigh's presence just does that, and partly because you're already plotting. As soon as she calls time on the session, you're practically springing into action. Your belongings—a water bottle, towel, and the rest—land in a haphazard pile on the floor as you quickly stand up, eager to catch her before she disappears. You make your way toward her, determined not to let her slip away this time.
Leigh's busy packing up her own gear, her back to you as you close the distance. “Hey, Leigh,” you say, and it sounds like you've got this under control, even if your heart's hammering away in your chest. She turns, and there's a flicker of surprise in her expression. You’re hoping it’s the good kind of surprise.
“I'm really glad you're back,” you push on, hoping it doesn't sound as clumsy to her as it does in your head.
She takes a swig from her water bottle, giving you a once-over, and then says, “Thanks. Do you need anything?” There's an expectant look in her eyes, and in that moment, your confidence begins to wane, melting under her gaze. You're on the spot, scrambling for words, any words that don't involve asking her out for dinner, which suddenly seems like an insurmountable task.
“Uh, actually,” you start, your mind racing to find a safe topic, “I was wondering if you had any tips on improving my form?”
Leigh's expression softens, and she nods, setting her water bottle down. “Sure, I can show you a few things. Let's go back to the mats,” she suggests, leading the way. Despite feeling like your tank is on empty and your body crying for hydration, backing down doesn’t feel like an option. 
Not when Leigh is already spreading her mat next to yours. She does so with a sort of blasé authority, and you can't help but think how this is Leigh all over—straight to the point, no fuss. You're tired, sure, and a part of you is suggesting that you're about to make a fool of yourself with your shaky legs and probably even shakier form. But then, Leigh starts talking, pointing out where you're going wrong and how to fix it, and suddenly, you're not thinking about dinner anymore. You’re too distracted now by the smell of her perfume mixed with the scent of her sweat.
The next few minutes turn into what feels like a whole new session under Leigh's watchful eyes. She's on you about everything—the angle of your arm, the set of your shoulders, even the way you're distributing your weight on your feet. Leigh's not mean about it, but she doesn't let anything slide. You're just trying to keep up, watching her move with that easy confidence. It's mesmerizing, really, how she can make something so complex look so simple.
By the time you're done, your muscles are burning, your breath is ragged, and you're pretty sure you've sweated out every last drop of water in your body. As you lie there, staring at the ceiling and asking yourself how a ten-minute guidance turned into an even harder session, you mentally kick yourself for not just admitting you wanted company for dinner. It was right there, and you were too scared to be rejected. 
But why? Considering everything that's happened and the circumstances, Leigh turning you down seems like the more probable outcome anyway.
And then Leigh does something totally offbeat. She glances at the clock, then back at you, and out of nowhere, she's asking, “Want to grab something to eat?”
It's so unexpected, that for a moment, you're sure you misheard her. But Leigh's waiting for an answer, a slight smile playing on her lips, and suddenly, the fatigue feels a little less overwhelming. You sit up, a slow grin spreading across your face as you realize this is it—your chance, handed to you when you least expected it.
“Yeah,” you finally manage to say, almost tripping over your tongue. “Yeah, that'd be great.”
-
When Leigh mentioned grabbing something to eat, you expected a sit-down at some cozy restaurant serving healthy food. Instead, she pulls into the drive-thru of a fast-food joint, orders a mountain of fries and a couple of burgers, and parks the car in a secluded spot overlooking the city. It's laid-back, unpolished, and honestly, pretty perfect.
“So, how long have you been in town?” Leigh asks as she hands you a burger, the city lights twinkling below like a scattered deck of glowing cards.
“Just over a year,” you reply, taking a hearty bite of your burger. “Moved here for the business opportunity, but it’s been... you know, slow on the social front.”
Leigh nods, understandingly. “It can be tough, starting fresh somewhere. This place isn't the friendliest to newcomers.”
Your eyebrow lifts, curious whether she's speaking from her own experiences or perhaps someone else's.
“Yeah, most of my socializing happens online these days. My closest friends are scattered across different states,” you say.
Leigh just hums a bit, not really adding anything else. She doesn't go into details about her own friends, so you're left trying to think of something else to talk about. But everything that comes to mind feels too personal, like asking why she wasn't at the Beautiful Beast for a week, how she's dealing with being a widow, or questions about her family.
Small talk isn't really your thing, so the conversation fizzles out from here. Both of you just end up staring out at the city lights in silence. Leigh seems comfortable with it though, so you decide to just go with it and savor the quiet moment too.
After a while, Leigh breaks the silence. “I didn't think I'd be able to love another dog after Rogue,” she shares, not taking her eyes off the cityscape. “Matt and I had to put her down because she was sick. It was brutal. I swore off dogs after that.”
You look over at her and offer a soft, “I'm sorry.”
But there's no trace of sadness on her face. It’s so nonchalant, almost as if she’s just talking about the weather and not a painful memory.
“But then...I saw Visitor,” she goes on, a small smile cracking through. “I just knew he needed me. And, this might sound odd, but I realized I wanted to feel needed. When Matt—” She stumbles over his name, a rare falter, but she's quick to brush it off. “When he died, nobody needed me. And I struggled with that. Because being needed felt like a purpose.”
The idea of needing to be needed isn't something you've ever considered. Truth is, you've never really needed anyone. You've been a solo act for as long as you can remember, handling things on your own, relying solely on your own capabilities. And so, that also meant you couldn't imagine being on the other side of the spectrum—being needed by someone.
However, there's a part of you, unexpectedly, that feels a twinge of jealousy towards Leigh. To truly experience loss, there first has to be something meaningful to lose. You're not sure you've ever let yourself have that kind of bond with anyone. Not yet, anyway. It's a sobering thought, making you think about what you might be missing out on.
Leigh notices you're not saying much and says, “I don't even know why I'm telling you all this. I'm sorry.”
You shake your head slightly, “It's okay. I just... I don't think I've ever been in your shoes.”
Leigh looks a bit puzzled. “What do you mean? Are you talking about the dog thing, or…?”
“The other thing,” you clarify.
Leigh smirks. “Oh, I wish I was like that.”
You quickly realize how arrogant that must have sounded, so you rush to explain, “No, I'm not trying to brag or anything. It's just, I guess I've never really opened myself up to that kind of bond.”
“Not even with Matt?” she asks, and there it is—the topic of Matt you've been tiptoeing around. You're suddenly aware that Matt's shadow is something you'll have to get used to, just as Leigh apparently has, given the unceremonious way she alludes to your almost-affair with her late husband. 
“No,” you whisper, looking straight into Leigh's eyes, hoping she’ll believe you. “We never needed each other like that.”
Leigh's eyes linger on yours a moment longer before she looks away. Eager to change the subject, you add, “Must've been rough, giving Visitor back to his real family.”
“Yeah. I mean, I shouldn't be, right? But part of me was actually angry at them for letting him get away like that. He could've been hit by a car or worse, all because they weren't careful. But at the end of the day,” she stops, a sigh escaping her, and that smile that doesn't quite reach her eyes comes back as she looks at you again. “He’s not mine.”
“Visitor really snuck into your heart, didn’t he?”
Leigh nods. “I wasn't expecting to care that much, you know?” Then, she offers a small, reflective chuckle. “Makes you think about the connections we allow ourselves to have, and the ones we avoid, doesn't it?”
You try to gauge whether she's still talking about Visitor while also trying to figure out where you stand—the connections she's chosen or the ones she sidesteps?  Before you find the courage to ask, Leigh starts the car and presses down on the clutch, ready to switch gears.
“I need to head back to the studio, so I can only drop you off somewhere on the way,” Leigh says, signaling the end of your time together for now.
You quickly decide that being dropped off at the studio is fine. “The Beautiful Beast works for me,” you reply, hoping to extend the time you have left with her, even if it's just by a few minutes. 
The ride is quiet, the earlier ease replaced by a thoughtful silence. You're watching her, the way she's all eyes on the road but clearly lost in her head. Leigh, as you’ve noticed, is someone hard to get to open up, her walls built high and strong. She's this fortress of a person, but tonight felt different, like she accidentally left a window open and you caught a glimpse inside. 
It just makes you crave for more.
As the studio comes into view, it feels like you've both made some progress with Leigh and yet, somehow, not made any at all. Stepping out of the car, you’re met by Jules, another staff member at the Beautiful Beast whom you've heard Leigh refer to numerous times, approaches. You barely catch her saying, “Danny is waiting for you inside,” to Leigh. You miss the frown on Jules's face or how Leigh instantly seems on edge.
“Thanks for the ride—and for dinner,” you say, feeling a bit out of place now.
“Don't get used to it,” she says, the corners of her lips twisting into a reluctant smile. “Was nice talking, though. Thanks for not making it weird.”
As she's quickly pulled away by whatever's going on inside, you hover for a second, debating if you should go in for a goodbye hug. But before you know it, Leigh is tossing a quick “Bye” in your direction as she strides towards the studio.
You're left there, floating in the aftermath, wondering about everything and nothing all at once.
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rallamajoop · 1 year ago
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An absurdly detailed analysis of That One Soldat Photo
Hang around wintersberg fandom long enough, and you'll likely run into a popular crack-theory that, since Heisenberg obviously thinks that building a set of huge, yellow-painted signposts is a good way to point Ethan to the Stronghold, maybe it's Heisenberg who's been leaving all those handy, yellow-painted supply crates all over the place for Ethan to find! It's exactly the kind of fun nonsense I'd enjoy if it didn't feel folks are starting to take it a little too literally (by which I mean I have now read multiple fics in which it's played completely straight ‒ and, like, people do get that it's just a crack theory, right? Like, why would Heisenberg have left so many yellow crates around his own damn factory? Look, you don't have to explain every last game mechanic, not everything is lore!)
But as anyone reading my own fic would know, I'm guilty of echoing the idea that Heisenberg-was-leaving-stuff-for-Ethan myself ‒ just not because of any yellow-striped crates. No, I'm way more interested in this one weird soldat-photo you can find in the village ‒ long hours before you'll ever see your first Soldat in the flesh...
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Very creepy. And if you turn it over, you'll find a clue to a puzzle you'll have to solve in order to progress.
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(And of course, when you do look out the window, odds are you'll get jump-scared by a lycan just when you're focused on the numbers, because RE8 loves that sort of misdirection ‒ but I digress.)
Anyway, the code you can see out the window will open a safe containing a jack handle you'll need to move a vehicle in the village, as well as the M1911 pistol (which will very likely be your go-to handgun for the rest of the game). The game is full of conveniently-helpful clues like that (heck, most games are), often with no obvious Watsonian justification. And there are other photos around the village ‒ Luiza has a whole photo album ‒ but photos of experiments created by Miranda and her lords don't generally turn up outside their own territory.
For a player exploring the village for the first time, that photo is a lovely little bit of foreshadowing, hinting at monsters and factory stages to come. But on replaying with full knowledge of Heisenberg's later attempts to get Ethan on his side, that Soldat photo is just enough to make you go, huh... did Heisenberg leave that for Ethan? Like, on purpose?
You can find another copy of that photo later, in Heisenberg's factory, along with his notes on his early series Soldat experiments. Which doesn't really prove anything beyond the fact that assets exist to be reused... but it does at least make it pretty canon that Heisenberg has photos of his Soldats sitting around.
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Possibly also significant: both the clue photo and the factory documents are tagged 'geekmemo' in the game files. Most everything related to Heisenberg in the files is labeled 'geek'-something ‒ it seems to be an early nickname for his character that lasted well into production. Everything in the factory is geek-something, even the model for the passageway from the altar to the bridge is labeled 'pathtogeek'. Considering that so many soldat-related assets are already labeled 'geek', maybe that 'geekmemo' tag doesn't really tell us anything we don't already know ‒ but it certainly doesn't work against the idea that Heisenberg wrote that 'memo' himself.
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Besides, it's not like there isn't precedent for this kind of thing. RE7 had a whole mechanic where you'd have to find 'treasure photos' pointing out the location of a few rare and useful items, all with "I hid something here" written on the back. We're never explicitly told who left those photos lying around, but it's obviously Lucas: he loves playing games, he loves taunting prisoners with the possibility of escape, and who else would it be? The complete population of the Baker mansion is like 6 people and a bunch of semi-sentient mould.
Over in RE8, there are a lot more village resident who might have left that clue lying around. Like it or not though, Heisenberg is very much RE8's equivalent of Lucas: the family's wildcard show-boater who loves making Ethan jump through hoops for his amusement. So how does the game let us know it was Heisenberg who left this particular clue? Well, who else would leave a message on the back of a Soldat photo?
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There's may be additional supporting evidence Heisenberg could be involved ‒ most notably the location, being a locked-off cul-de-sac labeled 'Workshop' on signs and maps. The area is full of metal junk very much like you'll later see lying around the factory.
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The workshop location does have other relevance ‒ it makes sense that you'd find the jack handle in the village workshop, whether Heisenberg was involved or not. But it also stands to reason that if there's anywhere in the village proper where Heisenberg might hang around and leave clues for Ethan, the workshop is it. And you have to admit that leaving Ethan useful stuff in a safe along with an easy clue that will likely get him jumped by a lycan is 100% more in-character for the guy than just leaving useful stuff out in the open, even if it doesn't really prove anything either.
There's one more weird-little does-this-mean-anything detail: there are three dead crows near the safe too.
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It's not the first time in the game you've seen dead crows (there were a bunch outside the village, and I've talked about what that might mean in the context of Miranda's cult before). But I don't remember finding any others around the village itself, other than in this one spot. And instead of being hung from trees like a ritual sacrifice, these ones are just dead ‒ messily, and with blood everywhere.
Now, maybe it doesn't mean anything, but is there anyone in the village more likely to vent his frustrations by violently killing a few of Mother Miranda's avian avatars than Heisenberg? I'd think not.
In conclusion: I still don't think all those yellow crates have anything to do with Heisenberg. And I still don't know for sure whether the RE8 development team wanted me to assume that Heisenberg left Ethan that photo, jack handle and gun. I don't know if we're supposed to read that Heisenberg keeps a workshop in the village and sometimes kills crows out of spite. But the evidence sure does point that way ‒ and it's as valid an interpretation as anything else you might take from this game.
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sometimes-love-is-enough · 5 months ago
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Every time you talk about giving yourself writing challenges, I think about how it would be fun to have a 'handicap bingo'- where you get a random writing 'handicap' like not being able to say any character's name, and have to write a full story with it. Idk. I think it would be fun
Min's Writing Challenge
Rules: Roll a d20, accept your fate, write a fic of your choosing and follow your fate to the letter. (Creative workarounds encouraged.)
Roll twice; you have to use both. If you roll another 1, the extra challenges compound accordingly.
Pick a single letter, A-Z. You're not allowed to use it for the entire fic. (Bonus challenge: E.)
Every sentence must be under ten words long. (Bonus challenge: five words.)
Pick a poetry/lyric style (sonnet, terza rima, ballad, etc). The whole fic must be written in that form. (Bonus challenge: keep it still obviously a normal fic, with appropriate tropes and narrative conventions.)
You must write in future tense.
You must write in first-person POV.
You must write in second-person POV.
Take your least favorite fanon concept/trope, and make it into something you want to write. (Bonus challenge: play the trope entirely straight - no subversions! - and make it enjoyable anyway.)
No character names allowed. (Bonus challenge: no dialogue tags either; you can't use descriptive phrases like 'the man in the prince costume' to work around it.)
No dialogue allowed. (Bonus challenge: no internal monologues allowed, either.)
Dialogue only - playscripts encouraged.
Epistolary fic - only letters, emails, notes, etc.
Write an AU, but the alternative universe is a profession!AU that you know nothing about. (Bonus challenge: no research allowed.)
Unreliable narrator. (Bonus challenge: the narrator is good at being unreliable, to the point that they might legitimately fool a reader.)
Whatever fic concept you have, you can only write the very ending of it. (Bonus challenge: you aren't allowed to use any exposition to explain how you got to that point.)
Write any AU of your choosing, but you must choose at least one major canonverse event/plot point and adapt it accordingly to your setting of choice. (Bonus challenge: Make the canonverse event and AU of choice absurdly incompatible.)
Must start in medias res, with a 'yep, that's me. Bet you're wondering how I got into this situation!' moment. (Bonus challenge: Don't plan what the in medias res situation is before you write it. Force yourself to resolve whatever bullshit you come up with on the spot. I've definitely never done this in my life, ever.)
You must write in outsider OC POV - no canon characters allowed. (Bonus challenge: No Sanders Shorts/related characters allowed.)
Pick a fairy tale, fable, or myth. The fic must be a retelling or reinterpretation of it. (Bonus challenge: you aren't allowed to reread or reference any version of it while you're writing - from memory only!)
Dealer's choice - pick from any of the above.
Good luck.
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sunsguilt · 2 years ago
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hello lovely! since vil is your favorite character, can i request some vil hcs similar to the other ones? he's not really 'pathetic little man' material, but i wanna see what you do with him 00
have a nice day <3
SO IF YOU NEED A HERO... OR A BOYFRIEND...┊ft: vil schoenheit
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warnings: none! contains : gn! reader
notes: if vil showed up while i was literally at the altar abt to say my vows i would dip so fast its not what it looks like babe ur th only one 4 me it was never that serious (this took a while, sorry guys i went silly)
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everyone who says vil is pure evil and would treat u like shit, you are all lying to yourself. he is literally my babygirl. argue with the wall.
vil schoenheit would fall for someone, fall hard, then want to die because why did he have to fall in love with you? like international superstar vil falls head over heels for an absurdly average person who they see in classes occasionally??? he doesn't know either.
he is striving to become the most perfect version of himself, just to have your attention.
and you're. not perfect. nowhere near what vil initially assumed would be his standards for a partner before you. maybe you sleep in class and you're scraping by with a barely passing grade.
he's gonna make it his goal to "fix" you. you're not irredeemably evil but he'll make it his job anyway.
(not that you guys need fixing! failing your classes is a hot bitch move but he is doing this bc he wants the best for you!)
this is going to serve as an excuse to be closer to you and allow him to tutor you. he won't bullshit it either, he takes it seriously.
moving on to the topic of nicknames, he usually just says your name. when he first meets you, he'll call you spudling. calling someone a potato is cringe; it's his only flaw.
he'll say "my dear" just as a general affectionate term. when he's annoyed at something or someone, he'll be calling you "sweetheart". his tone gets sickly sweet and you know he's mad at something.
but honestly, flashy nicknames just aren't his style. it's more of a rook thing to be like "my darling, my love" etc etc. vil would be mortified if he had to call you that, even as a joke.
vil vague posts about you. it's probably the most human vil looks in front of his fans. even vil schoenheit has someone they pine over? incredible for the self-esteem.
he's posting a photodump with a caption like: "i never know what to think about. i think about you." or "with them today."
you're probably vaguely aware of vil's social media presence, not really paying it any mind. it's awkward to cyberstalk a classmate, much less a friend.
since he doesn't tag you, you never really know about the posts and the wreckage that comes after vil happens to post a random photo of him holding your hand across the desk in an insta story.
vil wants his confession with you to be perfect, like it has to be. he agonizes it for a long time, rook occasionally dropping huge hints to you, much to his dismay.
he really is just scared of rejection. you denying him would honestly shatter him into a million pieces.
he'll take it slow, he'd never try to rush it with you. with time, he'll tell you his carefully guarded feelings, and it will be perfect.
— ☆
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serendark · 3 months ago
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Too Many Triangles
Summary:
Stanley Pines never knew what to make of that creepy cult room full of triangles that he found beneath his brother's house. Decades later, as the portal turns on, he thinks about what he's seen in all three of his brother's journals. He thinks about the note that Bill left behind for Mabel. This demon triangle has been harassing his family. There’s entirely way too many triangles in this house and in this family’s lives. Hours later after the worst reunion Stan's ever had, he steels himself and travels back downstairs, back to the portal basement. He needs to talk to Ford about Bill. He needs to protect his family. Even if that family apparently includes someone who hates him now.
Word count: 8,717
Rating: Teen And Up Audiences
Category: Gen
Language: English
Characters: Stanley Pines (major), Stanford Pines (major), Bill Cipher (mentioned repeatedly), Dipper Pines (brief), Mabel Pines (brief)
Tags: Implied/Referenced Suicide, Implied/Referenced Abuse, Self-Harm, Emotional Hurt/Comfort, Sibling Bonding, Guilt, Minor Violence
Spoilers: Season 2 (canon divergent: s02e11 "Not What He Seems"), Journal 3 (lore reference), The Book of Bill (lore reference)
Read on AO3.
Glistening rainbow shimmers of long-abandoned pyramid prisms were indiscernible from the flutters of stale dust motes that fell around Stanley’s shoulders like a hideous ceremonial scarf as he tore pallid drapes down from the walls to the floor beneath his feet.
All too suddenly the room was all too small, walls caving in and seizing the man’s lungs while tumultuous needles pinned his frozen legs in place. He didn’t know where to look, but there was only one place he could, washing over him in waves of deep, dark, terror: Dozens upon dozens of eyes gazing back at him, staring right through him, every inch of his soul torn open and laid bare to see, to be chewed and drank by these confusing triangles… By the absurdly gaudy golden statue that might as well have winked back at him for all that it deigned.
Stan stumbled backwards, backside and hands meeting the floor as he struggled to process what he was beholding. This did not feel like something he should have seen, and he couldn’t shake the gross feeling bubbling under his skin that there was no taking it back, no undoing the fact that he is now privy to this awful, terrible room of goddamn cult secrets. He has become a part of this and he cannot scrub that away.
“What the hell, Sixer…?”
He never knew what to make of this room, and after scouring the piles, drawers, and corners for anything that might help with the portal he never once returned, preferring to forget about it entirely if he could. Unfortunately, forgetting was rather difficult since he passed the place every time he went down to the basement and he kept finding more of those damn prisms in random rooms in his brother’s home.
Sometimes he wondered if he should care more about this discovery, but it’s not like he had a lot of leads to work with. The journal in his possession didn’t mention anything about it and neither did any of the papers scattered around the room or lab, so other than the obvious similarity with the shape of the portal, Stan doubted if there even was more for him to learn, anyway. He just needed to fix the portal, get it running, and get his nerd brother back home. That’s all that mattered. No creepy geometry could alter the path which Stan has stitched into his very soul.
He will fix his greatest mistake or he will die trying. If this house does not see the two brothers reunited, then it will bear witness to the disappearance of both instead.
It’s the least Stan can do.
An extensive, wavering exhale rolled over Grunkle Stan’s nerves as he sat on the edge of his bed, head in hands and mind whirring over everything that had happened today. Finally, Stanford Pines was home. The real Stanford.
… Home? What was ‘home’ to Stanley Pines, now? Certainly not in his brother’s arms like he had hoped. Apparently not in the Mystery Shack, either. Not for much longer. A dark chuckle wheezed through his lips as he gingerly massaged the bruise on his temple.
No matter. His twin hates him now, but that won’t change what Stan needs to do. He’s almost tempted to hate himself for his own stubbornness, at this point, but that won’t change the facts. Ungrateful bastard or not, a sad 30 years of daring to hope only for it to leak down the drain… And Stan still knows what path he has bound himself to. He is going to protect his family. Even if that family now includes someone who, once again, is trying to send him away to never see his sorry mug ever again. Even if that family now includes someone who he himself disowned as family merely an hour or two ago.
…Shit, he really regretted that. He idly wondered if Ford might be regretting that whole conversation too, but Stan just shook his head before he got lost in that train of thought for too long.
Bill Cipher. It’s been a long time coming: Stan finally needs to confront the damn triangles with their damn eyes.
He still didn’t know what to make of the private study he found beneath this house all those years ago. But what he did know is that, whatever the geometric eyesore is, it’s dangerous. Stan has scoured every page of the second and third journals lately, blacklight included, and it was all… a lot to take in. Despite what Ford had said, Stan isn’t an idiot. He knows that triangle is bad news. He knows Ford was real chummy with the guy once and then fell out of line, with some rather disturbing pages in Dipper’s journal to prove it.
This demon triangle has been harassing his family. There’s entirely way too many triangles in this house, in his brother’s journals, in the kids’ dreams, in this family’s lives. And Stanley Pines is going to do something about it.
He swallowed down the static in his head and the cotton ball in his mouth as he waited for the elevator to carry him down to Hell. He was hoping beyond hope that this wasn’t a mistake.
Well, even if it was, he was doing it anyway. He’s pretty good at that. He’s sure Ford would be more than happy to remind him, even. Safest bet he’s ever gambled.
Once more partaking of their familiar 30-years-long song and dance, the elevator rattled and released Stan into the maw beneath this home for yet another time. Cautious feet stepped forward as he peered ahead, trying to locate his brother.
Stanford was in the portal cavern. Hands busy, head ducked down, sparks flying. The room was still a mess from the gravitational anomalies that had preceded the worst reunion in Stan’s life, though it looked like Ford had pushed some things into comparatively tidier piles. The portal was in even more pieces than it had been after the chaos earlier.
Alright. It’s showtime.
Stan wasn’t looking forward to it.
“We need to talk, Poindexter.”
The speed with which Ford whipped around, choking back a yelp, would have been impressive, perhaps funny, even, if Stan weren’t so anxious. Ford had damn near fallen over, peering towards the source of the sound with too-wide eyes as he dropped what he had been doing and reached beneath his coat towards his gun―
“Wh… Stanley–!”
Stan just shrugged. “Yeesh.” He felt as tired as Ford looked. It’s been a long day and now he’s come back down to this accursed old basement to make it even longer.
Before Ford could finish stringing together his thoughts or lacing his tongue with venom, Stan wagered to jump right into the train directly, disregarding the nausea settling in his stomach: “We gotta deal with that Bill Cipher guy, right? I don’t exactly understand what the sitch is but–”
He saw the ceiling rotate over him and felt his back collide with the floor before he could even blink, world spinning and stars infiltrating his vision as hard as his lungs hissed. He swallowed against the muzzle of Ford’s gun pressed to his neck, those angry owlish eyes boring mere inches away from his face, the man’s full body weight keeping Stan pinned flat; knees digging into thighs and wrists scrunched in a vice grip by an impossibly firm six-fingered hand. Ford growled. Oh sweet Moses, yeah this was going about as well as Stan figured it would.
Panic. Gotta say somethin’. “Oookay, uh, Ford… Stanford, care to explain why ya just came at me like a damn cheetah pouncin’ a bison?” A gruff cough betrayed the grin he tried to steady his heart rate with.
One second. Two seconds. Three seconds–
Confusion crossed over Ford’s eyes like a delayed signal, eyebrows furrowing as the gears in his brain turned. Stan swore he could see smoke coming out of this nerd’s ears. He blinked, spluttering, leaning back slightly with his grip on Stan’s wrists slacking. “Cheetahs and bisons aren’t even on the same continent, Stanley!”
Stan simply offered him a million-dollar grin and the best shrug he could in response. Which was difficult, by the way, thank you Ford. “Get off me, dammit.” Ford leaned back, letting Stan sit up, but frowned at him the entire time with his gun still primed and waaaay too close to Stan’s face for comfort. Was that a snarl? Seriously?
He was seconds away from figuring out what he was going to say next when an offensively bright light beamed into his eyes and shocked his mind to blankness, Ford’s hands gripping Stan’s face as he forced each eye open in turn before the light disappeared as suddenly as it had come. Stan swore furiously, waving his arms in front of his face and trying to scoot away, only succeeding once Ford finally backed off and let him free.
When Stan finished rubbing his eyes and pulling himself back onto his feet, he saw that Ford had returned to his earlier position of crouching by the ruined portal. Okay, seriously? All that bullshit that just happened and you’re desperate to shove your nose back into some busywork like I’m not even here–
“...How do you know about Bill, Lee?” Ford was back on his feet, body facing Stanley though eyes downcast as though the floor could answer his questions instead. Stan hesitated, the bite of his anger gradually receding as his eyes took in his brother for what might truly be the first real time since he walked through that luminous, ephemeral, triangular frame of metal. His eyes drank in the deep, dark circles under Stanford’s cracked glasses, the pasty color of his skin, the patchy stubble on his face, the sweat sliding down his forehead from his mop of greasy mussed-up hair…
The way his closed fists were trembling as if taut with tension, just like his brow and his lip, presenting a portrait of a Poindexter who was teetering on the cusp of erupting into his own flaming supernova where he stood. Stan knew that feeling. Had partied with it multiple times. He was intimately familiar with the way it burrowed a hole in your chest in place of your heart: a fear that was all-consuming, an anxiety that buzzed beneath one’s skin; a frantic, off-kilter energy that kept a ragged man going on his feet when he had nothing else yet couldn’t bear to simply not care.
This was a man who was running on fumes, no fuel left in the tank, and ready to collapse into non-existence the moment the strings puppeting him forward decided to stop yanking him along.
A man with one reason to live, yet even that reason is barely enough. The worst buried secret in the world; a heavy weight plain as day upon his shoulders and carving out the marrow of his bones.
Stanley recognized pretty easily the poorly-hidden tells of devastated fear and utter exhaustion in his brother’s body language. Because he had lived like that, too. Because he still struggled to remind himself when it wasn’t one of those days.
Sixer had never looked so… small.
Stan heaved a deep breath, slow and rickety enough for him to feel it vibrate down his limbs.
“Read ‘bout him in your journals.” Ford’s head lifted slightly, eyes flashing to Stan’s face. “...‘Nd the kids had the misfortune of fightin’ him.” Stanley might as well have punched Ford directly through his core for all that the words, hanging in the air, impacted this man and hung despair on his face. “‘Course, they don’t know that I know that.”
“... What happened?” His brother’s voice was barely a whisper, almost a keening whine from his lungs as he ran his hands through his hair and down his face, fingers creeping under his glasses to push into his eyes as he massaged his temples. It was like his eyebrows hadn’t left his hairline in minutes, the creases in his forehead deep enough to age him by another few decades.
Stan hobbled over to the ruins of the portal, taking a moment to stretch his lower back before sitting on the cold stone and patting the ground next to him. Ford didn’t immediately follow, but kept his eyes trained on him the whole time. Stan just started talking anyway.
“Alright, without talkin’ to the kids about it I don’t got the whole picture, but I got enough. Some rascal kid that was freakin’ Mabel out tried to take the Shack. Same kid who found your second journal, wherever the hell that was.” Ford had carefully stepped closer, hovering over Stan before letting himself sink into place on the floor beside him. He looked like he didn’t know what to do with his hands and was awkwardly twiddling all twelve of his fingers while he listened, muscles in his face twitching.
“Mabes and Soos saw this kid, Gideon is his name, summoning the guy. Bill, I mean. Made a deal with ‘im to go in my head ‘nd find the code to my safe, so he could steal the deed to the Shack.” Ford raised an eyebrow, making his posture straighter for a moment as he prepared to speak before Stan just continued and cut him off. “The kids used that spell in yer third book to go into m’ head, uh, my mindscape, and fight him out. Whatever they did, it worked, though that piece of geometry didn’t seem to amount to much compared ta what that Gideon did next anyways. Kid had a plan B that didn’t involve Bill.”
“You weren’t there for this.” Ford said it like a statement, but with an intonation to his voice that made it an inquiry. Stan shook his head. “I was out cold. Not sure I even dreamed that night.” Ford nodded.
Silence chilled the air between these old men as Stan cracked his neck and began popping every one of his knuckles in turn, only releasing his breath once he was finished. Ford wanted nothing more than to break this silence, to urge Stan to continue, but it felt… sacred, somehow. Once Stan was ready, he balled his hands into fists and snorted. “S’next part really pisses me off.” He didn’t notice Ford gulp and tentatively hover a hand in his direction before changing his mind.
“I dunno what was said, I dunno what it all looked like, but that bastard got in Dipper’s head, got in his body.”
He suddenly turned to look at Ford, eyes wide. “He hurt him. Gave him scars. Gave him nightmares. Gave Mabel nightmares, too.” Stan’s mouth opened and closed, hanging strangely for a moment while his eyebrows knit together. “...Bill left a note, Stanford. For Mabel to find.”
One shaky inhale later, he continued. “Was gonna… jump off the water tower. Invited Mabel to the same.” He turned away from Ford, leaning back against the portal again and flexing his fingers, shoulders tense while he cracked his neck again. Stan’s gaze was forward and distant, a hollow feeling taking over his face and posture.
A loud slam startled him back into awareness.
Ford had sat up and punched the piece of portal he had been leaning against, struggling with growled breaths of air and trembling shoulders. He grit his teeth and punched it again. And again. Then he tottered to his feet and slapped both open palms into the metal, dipping his head forward and colliding against it. He hissed, rearing his head back like he was preparing for a larger blow―
“Woah― hey, hey, Ford! Stanford!” Stan was on his feet in no time and shoved Ford away from the portal, digging his hands down into Ford’s shoulders to hopefully keep him immobile. Ford wobbled and refused to meet his eyes, but Stan managed to keep him rooted where his feet stood. “What the hell was that about? Ford, buddy, are–”
Ford growled again and yanked himself backwards out of Stan’s hands, but made no move towards the portal. Stan’s hands floated, the man hesitating while he tried to put together what to say while his brain was still buzzing from whatever the heck it was that just happened.
“...My fault…”
Stanley froze, unsure if he heard that right.
“It’s my fault! I’m the reason why the kids are hurt, I’m the reason why they can’t sleep in peace. This is my fault, damn it!” Stan couldn’t entirely understand the next few words Sixer spoke, like some kind of foreign language, but he didn’t need to. His brother slumped over to the portal, giving it a half-hearted kick before leaning one shoulder on it and crumpling down to the floor. He tucked his face into his knees and wrapped his arms around his bent legs in a gesture that Stan well and truly understood.
Seeing his brother like this gave him flashbacks of a different time, of back when two young boys had spent the sweltering afternoon venting about life on a beach with grains of sand and glass between their toes. The shade of a patched-up wooden boat enveloped them in comfort much like the warm, salty air did the same. Stan needed to punch what was making Sixer feel this way. Stan needed to hug his brother. Stan needed to protect him and take care of him and make sure he never felt like this ever again. Down here in a stuffy basement in Oregon, Stan could have swore he smelled the ocean for just a moment. He licked his lips and tasted salt.
But when he reached a hand out to Stanford’s shoulder this time, his brother slapped it away and glared daggers at him. “It’s your fault for interrupting me during my fight! You should not have turned the portal back on!” Stan gaped at him and reeled back from the outburst of rage and accusation, his head feeling like an out-of-control jackhammer of confusion and pain.
He saw a nerdy little boy shaking his head, shoving his twin’s chest, and running out of the shade, running out of the sand, his snot-nosed face poorly hidden in the crook of an elbow.
“This was an insanely risky move, restarting the portal! Didn't you read my warnings?!”
“Stanley! Stanley! Do something! STANLEY!!”
Memories and voices from hours to years past spun a cacophony in his brain, a terrible chokehold that rattled the old man and stole his tongue. The room felt as though it were trying to take the air from his chest, twisting and swaying and becoming smaller around him. The broken portal sneered at him, trying to scare him away with taunts of his mistakes, with visions of a brother who pushed him into a burning hot panel 30 years ago and would gladly shove him out of his life today. It felt boiling, perspiration rolling down these walls of stone while sweat poured down his face and his burnt shoulder throbbed, stung, and scarred just like yesterday.
There was a painful pressure between his ears that urged him to leave, to escape, to find safety in a dark corner out of sight and as far away from here as possible like he failed to do three decades ago. If he stayed here then this grisly room, no, this ghastly portal, were going to squeeze his guts out inch-by-inch and break his bones one-by-one, the lightest punishment they could sentence him with. The eye of the portal would be judge, jury, and executioner, even from the floor as it was. He thought the laughter coming from the elevator behind his back sounded like his brother’s… only, higher-pitched and strangely distorted. Something off-putting, much like how he is out of place and out of his league in this basement. He was the one who willingly came back down here, letting his feet bring him to Hell. He was the one who dared to talk to Stanford. He should flee Oregon, he should ditch his name again, he should take Ford’s journal and go back out through the blitzing snow and leave and―
Stan closed his eyes, eyebrows scrunched as hard as humanly possible while he thought about why he came down here in the first place.
Bill.
Bill Cipher.
Right, that’s right.
That triangular devil.
The ruckus in his head slowed down all at once as he pictured Ford’s intricate drawings and written warnings, his mind’s eye blocking everything else out as it tunneled in on what mattered the most. A glowing triangle seated amidst a blackness that blanketed the cavern around him in an act of grace which smothered his fevered thoughts. A white hot fury in Stan’s chest that radiated outwards in this dark, musty basement, encouraging him forward. The portal was nothing more than piles of scrap, tape, and screws. The elevator was silent with only rust and age to its name. His brother was home. Stanford was here. Ford and Bill. His brother punched him in the face.
Stan huffed and abruptly spun away from Stanford, stomping over to the control hub area of the lab. Upon returning to the portal chamber moments later carrying one of those clear pyramid prisms, he made eye contact with Ford and then roared as he chucked the pyramid into the stone floor with all the might he could. Unsurprisingly, unfortunately, it did not shatter or break. Stan knew it wouldn’t. He’s taken out his stress on it before.
Ford was startled by Stan’s sudden violence, jumping at the impact noise and cringing as the prism rolled an echoing clatter across the floor. He swallowed when Stan whipped around to face him, his brother’s eyes searing a fierce unforgiving flame into his retinas as he glowered.
“Let me make myself clear. I’ve READ yer nerd diaries, Stanford. I KNOW ya have that really damn creepy room down here with this triangle bastard all over the walls, ‘nd I also know the last things you wrote about him were ugly as all hell.” He crossed his arms, turning his head to look real hard at the shadows in the corner. “I get it, whatever, you think it’s a mistake that I saved ya, you think it’s just another worthless screw-up from Stanley Pines. I don’t need a reminder of how much ya hate me.”
“Stanley–”
The con man snarled, meeting Ford’s eyes again. “What’s important right now is this guy is messin’ with our family. I dunno how you know this guy or what all happened between ya, but if you care at all about protecting the kids then let’s just go find some unicorns or whatever the hell and take care of this weirdo already! Then I’ll be outta your hair just like you wanted ‘nd we can pretend this all never happened.”
He shoved a finger at Ford, stepping closer. “‘Nd I don’t wanna hear it outta your mouth that any of this is your fault. I won’t stand for you badmouthing yourself, and I don’t wanna see you hurtin’ yourself again.” His eyes flickered to the portal frame briefly. “I am gonna protect this family from that demon monster and that includes you no matter how much you make it clear you don’t wanna see my sorry face. So DEAL with it, Poindexter, and stuff it.”
With that, Stanley stomped his foot and went to lean against the portal a little farther away from Ford. Ford couldn’t seem to swallow the tension in the air down enough no matter how hard he tried, sheepishly keeping his head turned down towards his feet.
The only sound that hazarded being heard now was the ever-present hum of resting machinery in the nearby control room. Red, white, green, and blue lights slowly blinking in and out of existence. Dark screens and large windows reflecting blackness and the distant visage of two upset twin brothers. A glossy, framed photograph of Dipper and Mabel smiling at the camera; Dipper giving Mabel bunny ears while she stuck her fingers in her mouth and stretched her face into the silliest, widest smile she could.
Twin siblings sharing the moment together like nobody else could do it better.
A captured memory of two kids being kids.
Happy memories from the beginning of an Oregon summer that supervised the final stretch of Stan’s very long 30 years, now bookended at last by the portal finally turning on.
Happy memories from nostalgic summers on Glass Shard Beach that safeguarded Stan through his shivers in the sleepless night, jacket pulled tight around his shoulders while he waited out the bite of winter in his car.
A worn photo of two boys that burned a hole in Stanford’s chest where the pocket of his black coat rested.
Dust hung in the air for minutes, fluttering in a draft so small it might have been imagined. Silence that built itself into a fortress, brick by brick. Tension that polluted the very air, threading it into thick, inedible cotton and dry tongues.
Breaking the silence had never felt less appealing. It would have been preferred had a chasm opened up and swallowed him instead.
Ford wiped his hands down his face again and sighed. “Alright. I can accept that I need to tell you about Bill. You are the other adult here and the primary guardian of these children. You’re already involved, anyway.” In his peripheral he caught Stan looking at him in the corner of his eye, clearly listening.
“Bill is… a dream demon made of energy who possesses no physical form in our world. He must manifest through dreams–projecting into our mindscapes–to interact with our realm. Or… make a deal that gives him control of a human body. Like… Like a puppet.” It didn’t escape Stan’s notice how Ford cringed, shame and fear washing over his face instantaneously.
“The purpose of the portal is to enable Bill access to our world in the flesh with his own physical body. Then he can use his god-like powers to take over and wreak havoc upon human society as we know it, bringing the whole of planet Earth, nay, Dimension 46'\, to pure chaos and ruin.”
As Ford continued to speak, Stan carefully came back closer and sat down on the floor again, trying not to grimace at his back as he did so. He was careful not to touch Ford. For but a moment he felt dizzy as he lowered himself, swimming colors in his vision putting his knees in sand before he blinked and was back on the stone floor.
“I… There is a deal between Cipher and I that is still in effect, but I have a metal plate in my head now that nullifies his influence over me. So I am safe.” At Stan’s raised eyebrow, Ford knocked his knuckles against his forehead. Sure enough, Stan heard the metallic echo.
Stan licked his lips, trying to choose his next words carefully. “If ya got that while in sci-fi sideburns land, then… you didn’t have it when ya asked me to come here, back in the 80’s.”
Ford seemed surprised, but nodded, looking at him.
“Is this guy the reason why you looked so god-awful back then?”
“...Indeed. I had only recently found out about his true intentions and was trying to thwart his efforts with the portal. He… was not happy about that and tried everything to get back at me, to sabotage my efforts, to win, and to punish me for even trying to resist.” Ford swallowed, glancing away while his fingers tapped at each his knuckles, eyes somewhere else and filled with long-buried memories. Was each word he spoke making him seem smaller, or was that Stan’s imagination?
Stan knew he was receiving the sanitized version of the story. It was written all over Stanford’s face: he was trying to be detached, objective, clinical. Like he was relaying scientific information from a formal paper and not reluctantly spilling secrets about his traumatic personal life story. But Stanley couldn’t find it in himself to blame him, not really, not when he knew he’d do the same if he had to talk about… Rico. Ford had created what might be the most acceptable version of events to present to Stan, the extent of what Ford himself could swallow, the most he could face his own shame and torment. It chilled Stan’s heart as he felt the cold sorrow creep into his nerves. This was just one more miserable thing that Stan wished he couldn’t relate to his brother about. Ford should never have gone through this, no, Stan should be the only one, and yet…
“...Stanford, in the days after I lost ya, I cleaned up a buncha junk in this house. Nonsense scribbles ‘nd piles of paper, old dishes, shards of coffee mugs, sticky notes covered in eyes, weirdo science books.” This time Stanley didn’t hesitate to put a hand on Ford’s shoulder. “There was a lotta blood. Random messes of it on piles ‘nd notes. Bloody bandages in the bathrooms. Bloody handprints on wrecked walls ‘nd doors with broken locks. Bloody clothing under your bed, crammed into piles of laundry...”
Ford leaned his head back against the portal and took in a large, stuttering inhale. His motions were slow, hesitant, like the pins and needles in his limbs were pinning the cavity of his chest open and revealing himself to Stan; the flayed pages of a tattered open book against his will. Somewhere in the back of his mind he knew he had to talk about this eventually, but he always hoped he could just ignore it and handle it on his own. His brother didn’t deserve to be roped into this burden. This was Ford’s problem, Ford’s pain, and Ford’s mess, no one else’s.
Yet, hearing the truth that Bill had been winding his spindly claws into the kids, into Lee, during Ford’s absence… made the gut-wrenching scope of this plague undeniable. The plague Ford unleashed upon not only this world but his family. He swore he could feel the sticky wetness of his great-niblings’ blood on his hands.
Ford noticed a question in Stanley’s wide eyes and, while hesitant, nodded. This was all the answer he needed to give. His brother simply understood. But Ford forced it out of his throat anyway. "Yes… The blood was Bill's doing."
This time, Stan was the one who punched the portal, cursing and sneering at what remained of the triangular structure. “I was so far up my own ass that I couldn’t even protect my own twin brother after he reached out to me for help… All I did was yell, fight, ‘nd shove someone who was hurt, someone who was scared ‘nd needed me to do something and I didn’t…!”
Ford’s reaction was immediate: clumsy and unfamiliar yet harkening back to what Stanley had thought was long gone and left beaten and buried in the sand. “Stanley, no… No, no no, you didn’t have a clue. Because I didn’t tell you enough, you could not possibly have known. I escalated the argument with you and I fought back. I don’t… think it would be right to fault you on that.” His hands were held up, fingers curled and loose and unsure what to do but yearning to reassure Lee, hankering to clarify and correct about Ford’s mistakes and where the blame lay so someone else need not falsely feel that vice.
Stan stared at him, shoulders rising and falling as his breathing returned to an even and steady rhythm. He didn’t really know what expression he had on his face, and judging by the look on Ford’s, that genius had no idea, either. He exhaled something fierce, erratically rubbing his hands up and down his face. He settled back down after a while of de-stressing and slouched against the portal debris again, looking like he didn’t really care about how he landed or if he were sitting comfortably or not.
One inhale. One exhale.
He twisted his torso to face his twin.
“But you think it’s right to fault me on other things.” Ford averted his eyes. Stan clicked his tongue. “Whatever… So what do we need to do? Make that unicorn barrier crap, smash this ugly piece of work back into scraps,” –he rapped his knuckles on the metal over his shoulder– “and then what? Anything we gotta do to the kids? Ya better not suggest installing metal into their skulls, Sixer, or so help me god.”
His brother spluttered at that, staring at Stan incredulously. “No, of course not! Besides, I wouldn’t trust anyone in this dimension to successfully pull off such a surgery.”
“Oh yeah? Aliens got it that much better than us?”
“Eh…” Ford shrugged his shoulders and made a so-so gesture with his hand. “It depends on where you look. I cannot say that consistency is a term the multiverse is particularly familiar with…”
Stan leaned closer and clapped Ford’s back as he laughed. “Ha! Not so different from us, huh.”
His brother could only just muster up an awkward chuckle alongside him.
“That aside… Yes, I believe you have the correct idea about how to tackle the… Bill problem. I intend to review my journals again for the sake of verifying my old memories pertaining to some key details, and then I will take care of it. I will disassemble the portal and erect a unicorn hair barrier–”
Stan cleared his throat in the most obnoxious way he could. “Ahem. You ain’t doin’ this alone, Poindexter. We’ll destroy the portal, and we’ll put up the barrier.” He raised a hand when it looked like Ford was going to protest. “Uh-uh, I’ve read those diaries more than you have at this point, or one of ‘em anyway. Ya can’t keep me out of this ‘nd you are not gonna do this alone, do I make myself clear?” He wiggled his fingers and flashed a well-practiced salesman’s grin.
Ford’s face contorted through a few different emotions before he finally hung his head and sighed, crossing his arms. “Fine.” He straightened to his feet and gestured over his shoulder for Stan to follow him to the control hub room, not looking back once.
This was going better than Stanley had dared to let himself hope. It still felt like Ford was at risk of exploding if Stan said the wrong thing, but his brother apparently didn’t have as much fight in him as he had earlier that day. Or when Stan first came down here, for that matter. He rubbed his wrists and winced his left eye toward what surely must be a fully formed bruise on his face by now.
He wanted to say he was happy, but as he swallowed around the rough feeling in his throat he knew he couldn’t fool himself about that. This sucked balls. His earlier attempt at levity seemed promising at first, but it was like trying to hold back the might of the entire ocean when Ford slipped right back into trying to exclude Stan again. This dense pressure surrounding his brother was suffocating, impenetrable, and something in Stan’s chest that he tried not to think about hurt like a raw wound at the realization that he didn’t really know how to broach this wall of Ford’s like he once used to.
Something in his chest chafed even more when he thought about how he didn’t really know how to talk to Ford like he used to, either. In fact, Stan didn’t feel like he had managed to actually talk to Stanford straight for once during this entire confrontation. He was being tolerated and he knew his brother was probably silently pleading for him to go away and leave him to his misery so he could mope around until this awful day finally came to a close. Would they repeat this song and dance tomorrow? …Would it be worth it to?
But despite all the eggshells, they had managed to connect just a little bit about their shared concern for the kids. He tried not to think about their shared pains from the past decades, something which was undeterred despite both twins living such wildly different lives.
Maybe Stanley doesn’t need anything else. Just think about the kids.
This is fine. This is surely fine.
Don’t think about the end of summer.
Don’t think about a rickety old boat casting shadows on the beach.
He entered the control room just in time to be shaken out of his daze. He watched as Ford arranged all three journals on the desk… and suddenly collapsed, holding onto the desk’s edge for dear life before he hit the floor.
Ford raised a hand to keep Stan away, fingers wiggling something indecipherable, limbs visibly shaking as he forced himself into a seated position on the nearby desk chair. He immediately staggered forward, elbows hitting the hard surface and his face sinking to hide in his hands, glasses falling down to land haphazardly on Journal #2.
Stan felt like he was watching his brother crumble into pieces.
Pieces of glass smothered in sand.
After another moment, he cautiously approached his twin, unsure what exactly happened.
“My apologies,” Ford rubbed his eyes, swallowing and bouncing his legs on the balls of his feet while he sat. “I’ve wasted so many decades of my life on that accursed charlatan.”
His sunken eyes glanced over at Stanley through his fingers like that was all he had the energy to do.
“I was one trigger away from having finally wiped myself clean of him before I was unceremoniously forced back here.” He scrunched his eyes closed, teeth grinding as he grimaced. “I shouldn’t be here, my life should have been spent on taking him down, on redeeming myself for being so big a fool as to fall for his schemes!” His arms swung to hang limply down at his sides as he leaned back, face staring up at nothing on the ceiling.
Like a doll with no control of its limbs. A puppet left to rot somewhere without strings.
“And yet he and I both persist, continuing to unjustly live, and it simply isn’t enough that he has me wrapped around his fingers, but now I find out that fiend is harassing the kids as well!” Ford’s words tapered into a roar, the spike of energy pushing him to lean forward far too fast while his round eyes located Stanley in the room’s dull light. He ground his hands against his knees, needing some kind of anchor.
“That’s personal, Stanley, I can’t help but fear that it must harken back to his gleeful torment of me all those years ago where he knew I was trapped and was toying with my psyche. He’s happy to hurt my family because he’s happy to hurt me, because he knew I wasn’t here to stop him, and he can laud his power over my head and rub my own powerlessness and failures back in my face, and… a-and…”
Stan’s arms were wrapped around his brother before he even finished registering that Ford’s voice tripped into a broken choke.
Ford cried out, “And when… when I saw all three of my old journals laid out bare here, I felt heavier than ever the monumental weight of my mistakes and how wretched my life has been. How, just how, could I have gotten my niece and nephew caught up in my disaster?”
The raw wound in Stan’s chest throbbed as he took in those words, the weight of them carving a home where he was already torn asunder and bruised.
Stanford’s full body lurched as he sobbed in his brother’s arms and gasped throttled breaths of air, returning the hug and scrunching the material of Stan’s shirt beneath all twelve of his fingers. “I’m so tired, Lee, I’m tired of Cipher! I’m tired of forcing those around me to continually suffer from my mistakes! I’m tired of running, I’m tired of being a puppet, of.. of being his toy, his property that he can jostle around the board as he pleases…!”
Stan began to rub small, gentle circles into Ford’s back while he thought over what he’d just heard, the motion so natural to him and so ingrained in his muscles that he didn’t need to think about it twice. For his brother to expose his heart like this… It was truly serious. It set Stan’s face in a grave expression. Not that long ago a rekindled relationship between the two of them had seemed impossible, and yet Stan now held the delicate reins of responsibility, an instinct burning inside him that made him want to protect his twin. He didn’t want to mess this up. He wanted to be there for his twin the way he should have been three decades ago.
He kept rubbing his brother’s back as the two of them sat there on the sand with their eyes closed, sniffles being carried away by the ambience of the ocean and tears falling down to the beach beneath their feet. Wet droplets left dark marks in the sand as though they could become sea glass.
Soon the sky was awash in pink and orange, and the cold shadow of the Stan o’ War stretched longer and longer, reminiscent of young boys chasing after the last remnants of dimming sunlight.
Once Ford’s sobbing diminished to but a few sniffles, Stan made his decision.
He picked up his twin’s glasses and gently sat them back on his face.
“I know this isn’t what you wanna hear right now, but, let’s get ya in the shower, and I’ll cook up some warm food for ya before we get ya to bed.” Ford lifted his head off Stan’s chest just a little, quizzically raising an eyebrow. “You need rest, Sixer, or else you’re gonna keel over ‘nd die before ya can do anything about Bill. It’s been one hell of a day.”
“But… The kids. Bill is too dangerous to ignore.” Ford’s voice was small and pathetic, yet as determined as he could make it. The familiar scared face of an insecure little boy standing on the edge of help and hurt. On the edge of where the tides meet the sands.
“I know, I know. You said the metal plate makes ya safe, right? The portal’s non-functional ‘nd in pieces that woulda taken me months to fix, ‘nd the kids are in the attic, prolly pretendin’ to sleep, so…”
“So…?”
“So I think we can afford to spend a lil’ time on makin’ sure you don’t fall apart first, brainiac. We’ll need that bright brain of yours runnin’ on something more than ten cups of alien coffee, right?”
Ford was struck with a look of astonishment following that comment. “Coffee… I can have Dimension 46'\ coffee again! Oh how I have missed it terribly; nothing else ever compared.”
His eyes glittered like Stanley had just hung the stars in front of an aspiring child.
Ford leaned back from Stan, using the collar of his black turtleneck to wipe the wetness from his cheeks. “I… do not like it or feel entirely comfortable with it, but I will concede that you have a point that’s hard to argue. I’ll freshen up my hygiene if you include coffee with whatever food you make– I do not care what time it is right now.”
“You’re s'posed ta go to sleep, knucklehead, but sure, I’ll make ya a mean coffee,” Stan chuckled as he swapped his hands over to patting Ford’s shoulder a couple times before stepping back to give him some space. The soothing lull of cool waves echoed and receded from farther and farther away. “Ha! I am unsure even coffee could keep me going on my feet tonight, as much as I would prefer it to.”
They both turned towards the elevator and had managed to take a single step before Ford abruptly stopped. He turned back towards the portal room, glancing between it and Stanley, his brows set in a worry. “I need to check something…!”
Stan just shrugged. “S’long as it won’t be too much work.”
“Excellent! Now, if you’ll excuse me.” His coat billowed behind him as he rushed out into the cavern.
Stan didn’t follow him all the way, but did hover near the entrance, leaning against the doorway with his arms crossed. “So what’s got ya in a tizzy?”
“It is of crucial importance that I check for any possible rifts.” Ford looked over his shoulder to verify where Stan was before he continued. “During my travels between dimensions, I had to track where potential rifts might form in order to continue my journey. While some rifts were man-made, or should I say alien-made, others simply occurred as a natural consequence of the unnatural frayed fabric of reality. Like a hole in a piece of cloth whose threads weaken, loosen, and allow additional holes to form.”
“So in other words, yer lookin’ for smaller holes near the portal?” He couldn’t help but smile like an idiot just a little bit. It was nice to hear his nerd brother again.
“Precisely! Seeing as our shiny punched hole in reality here was designed to lead to the Nightmare Realm, also known as Bill’s domain, I fear that any rifts will follow in those footsteps and do the– Aha! Stanley, could you bring me a borosilicate jar?”
“Come again?”
“Laboratory glassware! I need a resealable container, such as a jar. I used to have some spares sitting around here somewhere…”
Stan disguised a chuckle with a cough as he watched Ford crouch near the far corner, legs and hands splayed far apart, before turning to go fetch what was needed. When he returned, Ford was several feet away from the corner and busy with his hands on the portal instead.
He jumped when Stan suddenly slapped his shoulder. “What did I just tell ya about takin’ a break? Anyway, here’s your jar.”
Ford sheepishly nodded and retrieved it from him. He inspected it for a few moments, removing and replacing the lid a few times, before going back to the corner. Stan tried to stand on his tippy toes to peer at what the heck a rift might look like without getting any closer to the corner. He observed as Ford swung his arm in wide arcs and seemed to be capturing… floating blobs of spacey stardust? He thought they’d make for a cool alien lava lamp. I bet I can sell that.
His brother turned back to face him, sealed jar clasped between his hands.
“There we have it! It is but a small thing for the time being, but we will need to seal it and monitor it in case of any changes. I believe I know just the thing and can have this taken care of…”
Stan gave him a look. He put a lot of work in making sure that unimpressed eyebrow was as judgmental as it could be.
“...We’ll take care of it tomorrow.” Ford looked a little dejected as he changed course, sighing wistfully.
Stan gave him a thumbs up. His brother just snorted, shaking his head and smiling as he walked past and back into the control room. He seemed ponderous, one hand on his chin while he considered whatever it was he was thinking about, and then he opened a cabinet on the wall and locked the jar away inside.
“Ready to head upstairs now?” Stan was back by the elevator.
“Yes, I believe so. Well, no, but I accept that I should.”
For a short while, the tension between the twins had disappeared. But the elevator felt suffocating again.
Ford kept fidgeting and looking everywhere except at Stan. When Stan caught his eye once, he cleared his throat. Ford took in a deep breath.
“Stanley… It is very difficult. I do not have the words for everything it is that I am feeling, and everything that I want to say to you. I am still unsure of a lot of things, not the least of which is myself. But… I am glad to be home.” The wrinkles on his face were the softest Stan had ever seen them.
It wasn’t a thank you, but it was close enough for now. Close enough for Stan’s face to beam into a great big toothy, giddy grin. “Glad to have ya here.”
When the elevator reached their destination at the top and Ford made a motion to leave, Stan held him back with a hand on his shoulder. Ford turned to him, eyebrows raised questioningly.
Stan averted his eyes and coughed into his free fist. “I, uh… Sorry. For earlier today. You’ll always be my family, ya nerd.”
Ford gave him a small smile. “Me too… I apologize for punching you earlier. I am not entirely sure why I did, honestly.”
Stan shrugged, then wrapped his arm around Ford’s shoulders in a hearty embrace. “Eh, stress ‘nd nerves probably. ‘Sides, you sound like ya could use somethin’ to punch!” He gesticulated dramatically with his free hand as though he were painting a picture for Ford to see. “Maybe we can pull out that boxing dummy from storage tomorrow ‘nd draw a triangle on it!”
“Oh that isn’t necessary, Stanley…” Stanford snorted, leaning into Stan as his laughter made him less steady on his feet. “Nah don’t worry about it Sixer, I wanna punch it too. And if that guy ever shows up here again, I’ll punch him for real!”
Stanley grabbed both of Ford’s shoulders as his laughter died down, turning his brother to face him. “I really mean it, ya know. Don’t gotta ask me twice. Easiest sell of m’ life, even. No one messes with my family like that ‘nd gets off scot-free, ya hear me?”
Ford visibly swallowed and gave a tiny nod.
“... Thank you. I appreciate it.”
They shook the sand off their shoes as they stepped out of the elevator.
They held each other for support as they trekked through the ocean, waves lapping at their calves as they climbed the stairs one step at a time.
When they stepped through the vending machine, the nostalgic laughter of two twin little boys wrapped around them like a scarf before evaporating into ocean mist.
The vending machine had only been closed for a second before Mabel bounded right up to her Grunkles and planted herself right into their legs, trying to wrap her short arms around them both in a hug. Stan gestured for Dipper to come over as he and Ford crouched down to Mabel’s height, apparently already knowing that the little dork was nearby. Ford watched as Dipper meekly came from around the corner and joined them, repeatedly glancing between Stan and Ford all the while.
Stan spread his arms wide and trapped all of his family in a big bear hug, laughing and feeling weightless and the most alive he has in years. “I knew ya little knuckleheads wouldn’t be asleep! Tell ya what, I was about to make some Stancakes ‘nd coffee for my nerd brother here. How ‘bout I make a few ‘nd some hot chocolate for the two of ya, ‘nd then you can head to bed this time?”
Dipper’s guilty smile fell sideways into laughter as Stan broke the hug to noogy him and his sister, but Mabel was undeterred by her hair getting ruffled. “You better give me extra marshmallows and heaps of glitter!”
“Yes Stanley, and I better have no less than four tablespoons of sugar in my coffee.”
“A-and I want four Stancakes, Grunkle Stan!”
Stan broke out in a belly laugh and clapped Ford’s back as he stood up straight. “Sheesh, no wonder none of ya can sleep!”
He couldn’t remember the last time he felt this positively about the future. The spring in his step and the healing salve on his heart nearly made him feel like a new man. As he pulled out the flour and baking soda and opened the fridge to grab the milk and butter, he couldn’t help but feel like no matter what may happen, things would work out just fine.
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ghostgirlcara · 2 months ago
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Hi Rotomblr! My name is Cara, I go by she/her, and I'm a Pokémon trainer from Johto!! I'm not too used to this website so please forgive me for any mistakes. (Heck, Rotom weren't even discovered until well past my time, so all this new technology surrounding it kind of makes my head spin!)
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It seems to be the standard to start by showing off your trainer card, but the League here refuses to let me renew mine, so you'll have to put up with my old one. ;-; My Horsea (Kheb) has long since evolved into a Kingdra, and I started training a Misdreavus a while back. It's a shame that I can't get them officially recognized, but I guess what can you do. Anyway, I'm excited to maybe make some new friends on here!!
-- Blog settings and CW tags below cut --
Mystery Gift [ON] Pelipper Mail [ON] Pelipper Unmail [ON] Pelipper Malice [ON] Musharna Mail [Service Unavailable] Musharna Malice [Service Unavailable] Magic Anons [OFF]
This blog shares a universe with @goldenrodchef. A list of other blogs known to share a universe with them can be found here!
So far I've not encountered any type of Rotomblr blog that I don't want to interact with. Sentient Pokémon, Eebies, Chosens, people who are absurdly powerful, people who are absurdly un-powerful, literally anything goes for me.
On my end, I'll warn that this blog will be making references to glitches and unused content, though I try very hard to keep it reasonably in-universe.
CW tags are in format [cw: .*] Tags I've used so far (or plan to use) include: [cw: sensitive] - discussion of sensitive real-world topics [cw: death mention] - discussion of death in a way that I felt wasn't covered by the blanket warning. [cw: scopophobia] and [cw: eye contact] - post contains an image involving direct eye contact with the camera. used together.
Please let me know if something I post makes you uncomfortable; I'd be happy to tag it appropriately so that that discomfort can be avoided in the future!!
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katebeckets · 8 months ago
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the tortured poets department
i have thoughts!! surprising, right?? this is for anyone who cares to read them ¯\_(ツ)_/¯
Before you read, note that this is going to be critical of things, so let me just start by saying I have loved and listened to Taylor since I was 8, so none of it is said lightly or without careful thought (in fact, this took me absurdly long to write). Most of the issues I have are very near to my heart, actually, so I've spent a lot of time thinking about it. If you don't want to read criticism, then just don't read more. DISCLAIMER that I did my best, but not even this fully captures the nuance I feel able my own opinions lol I recognize the other sides and points, I really do. I hold many conflicting opinions.
The short version is I will always love her music and her voice and she is capable of writing absolutely gorgeous lyrics (dare I say poetry?). I don't tend to think too much about the sound of it because if I like the sound, it's all I really care about—maybe it sounds the same as other stuff, but if I like that other stuff, I don't really care about whether she branches out or not. I think it's great and interesting when she (or anyone) does, but I also don't like change so it doesn't matter to me the way I know it matters to some people. That's just me!
What gets more complicated for me is the narrative, themes, and general trends that have been more prominent the last year or so, and that's what the rest of my thoughts are. It's me enjoying the music while also being acutely aware of all the grief tangled up in it because of how much less connected I feel in many ways.
Side note: this got soooo much longer than even I expected and it still just scratches the surface! so if you decide to read, 1. thank you, and 2. I'd love to keep talking to you. 🤍
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I am an overthinker (shocking!) and will for sure be annoyed that I can't think of each and every thing I think about this album, but this is what comes to mind right now. Some things that have stood out to me more and more with each release:
a tendency to write self-aware lyrics that, in trying to be self-aware, betray somewhat of a lack of self-awareness
a frustration with never growing up that she expresses while also not realizing the way she is complicit in that and her own refusal to grow up
considering herself the victim, particularly after "overcoming" the accusations that she always plays the victim
venturing more boldly into the territory of serious mental illness/suicidal ideation/mental health treatment despite demonstrating a fair amount of ignorance regarding those things in the past
fame going to her head (in the sense of her becoming further and further out of touch) and the entitlement in a lot of the more immature attitudes that come across in these songs
self-awareness: for me, the first example that comes to mind is Anti-Hero: "it's me, hi, I'm the problem, it's me." It's a claim at self-awareness because she's poking fun at the fact that she knows people always say "maybe she's the problem." The reason why it feels to me like it exposes a lack of self-awareness is because she explores it mostly as a criticism to overcome and not a valid point of self-reflection. @jakeperalta's tags on her post explain it better than I do. Yes, there's an issue when you reduce every feeling to "well maybe she's the problem," but part of growth is admitting that maybe you are part of the problem and coming to terms with the fact that there is often some inevitable truth to that statement—and being willing to work on it. This example is from Midnights, but I think it ties into the next point.
immaturity/never growing up: I actually think these first two sections are just two parts of one section, but it's easier to read this way anyway. There are lots of references to not growing up on this album, the first that come to mind being "So High School" and "teenage petulance." Maybe it's just me, but as a 34-year-old woman, I wouldn't want to be feeling "so high school." I mean, as a 25-year-old, when I talk about feeling like my high school self, it's usually because I'm recognizing how limited my judgment and self-awareness was in high school (despite all the therapy and my efforts to be self-aware in high school). And I am aware of my own bias here—I absolutely hate the football game days because I didn't even like watching people act like that in high school, but at least they were high schoolers—but I do think part of what we've seen is Travis allowing her to be more immature and take less responsibility because that's also where he is at. Obviously I don’t speak to it with any authority since I don't know what happened in the relationship, but based on her behaviors and what I know about Joe (which is VERY little), I kind of get the feeling that part of what she didn't like about being with Joe is that he pushed her to grow. "Your integrity makes me seem small," etc. etc., but not in an “I want to grow” way, but not liking that feeling because she shouldn't have to feel small just because she wants to be able to only do what makes her happy. Just looking at the difference in her behavior and the fact that it seems like she's stopped trying to learn (Miss Americana-ish), it seems like she very much resents the responsibility that comes with being such a famous person and mainly considers herself a victim of her fame.
victimhood: to an extent, yes, she is a victim of her fame. No one should have that much fame and power, and of course she didn't sign up for it in this way. But wanting to have the kind of influence and reach that most artists desire is intertwined with fame. There isn't a way to separate it (in an ideal world, maybe, but that isn't what we're dealing with) and it's something that, to some degree, artists do sign up for. And I think she resents that she's expected to take any sort of responsibility for anything that she doesn't want to do, in a very, "but that's not fair!," teenage petulance kind of way. She even says in Sweet Nothing that "I'm just too soft for all of it." We're all too soft for all of it, but that doesn't mean we get to ignore it. It bothers me that she doesn't seem to feel any sort of responsibility to use this giant platform to do better. Everyone is aware of her influence, including her. I think that's part of the grief. No, it is not her job to use her platform for good, but I thought that it was something she valued and something she wanted. The other line that really stuck out to me was from Cassandra: "They say what doesn't kill you makes you aware, what happens if it becomes who you are?" You may be a victim of what doesn't kill you, but if it becomes who you are, that's not their fault. It reminds me a bit of the exhaustion of living with mental illness. For me in particular, it affects my relationships in a very fundamental way, and there are days that I sob because I am exhausted of things that are so normal being so, so difficult for me... but even though I didn't ask for it and it's not fair that this happened to me, it's still my responsibility to understand how my issues affect how I show up in relationships. It's still my problem, even though it isn't my fault that it's my problem. And if you're lucky, you find really beautiful people who are willing to help you and see that it's not their responsibility, but they want to make it easier for you—I recognize how lucky I am to have some people like that, but it never makes it anyone else's problem. If they decide one day it's not their problem, the truth is that it isn't (and then there's a more complex conversation about what you want to do to preserve a relationship). This is also very connected to something about Kate Beckett/why I identify with that character, and I can touch on that if anyone wants to know, but I don't really have cohesive thoughts about that prepared (it makes more sense if you already know the character). This also goes to other things, like her being upset that people always focus on who songs are about while ignoring the part she played in feeding that culture (like with secret messages).
mental health: this goes to a bigger discussion of how we turn to celebrities who are HIGHLY unqualified to have opinions on things for guidance (the nuance of the above discussion about using your platform), but the more she ventures into the discussion of mental illness, the more upset I get by some remarks she has made in the past. And yes, people grow, she may not feel this way anymore, but nothing in her behavior gives me any reason to believe that she doesn't still have this attitude. This is one that I know I have to be careful of because of how personal it is for me (I've been placed on a 5150 "danger to self" hold and I am a therapist), but one interview that has always made me so upset is that one where she talks about how she's never been to therapy, then ends it by saying "I feel like we just had a therapy session." She has said multiple times how she has never wanted to go to therapy when she has her mom, who already knows everything about her. And that is highly irritating to me because 1. that's why she's your MOM, not your THERAPIST, and 2. there's already so much stigma and apprehension around therapy and many people feel this way, so to have someone like Taylor Swift validate all the people who say "I'd rather talk to someone who already knows me" or "so and so is my therapist" is unbelievably frustrating. There's a reason it's unethical to treat people you know—that isn't therapy. And I think I wouldn't be so bothered by it if she didn't speak about it with such authority, like she knows what she's talking about when what she's saying shows that she doesn't (edit: this is specifically in regard to therapy, not mental illness. I am highly aware that anyone can be mentally ill). The other thing about this album is that it does seem to be an album about loving people with mental illness, and I've already seen a lot of interpretations that simply feed the narrative that people with mental illness are unlovable and mental illness is the reason people mistreat you (particularly the discussion about her lovers being blue all the time). And the issue with that is it's already a common misconception among people with mental illness, that their mental illness is an excuse or reason why they don't treat people right. It's disrespectful to the people who recognize that they have a mental illness that affects how they interact with others and choose to try to overcome it. I'm all for honest discussions about mental illness, but it's so disheartening when it happens on such a large scale and some of the loudest voices are people who don't know enough to know how to (at least try to) do no harm.
fame: I'm not really going to go into it because this has already turned out way longer than I meant for it to, but also because I feel like it's already been touched on. For me, it's the conversation about her feeling she should be able to just do what she wants. I think we all feel that way, but because of her fame and the fact that she's just about untouchable (as shown in how she came back from being cancelled), she can just tune everyone out. But one example was how uneasy I felt about this album being announced at the grammys. For one thing, it's not a fan-voted award, so even if it should, it doesn't feel the same. And regardless of your take on award shows, I do think it showed a level of insensitivity to the other artists who haven't won a bunch of grammys to decide that she would announce a new album at the grammys. Because even if she had a backup plan and said she didn't plan on it, the truth is that, to decide to have a backup plan, you did have to count on it happening, at least to an extent. You had to feel it was likely enough that you wanted to have a back up plan just in case, but it probably would go the way you wanted. To me, it just felt so... disrespectful. Because for many other artists, it doesn't happen more than once. (not to mention the many other things happening that got completely overshadowed, like Annie Lennox calling for a ceasefire)
So if you read all that... I don't even know what the point is at this point. These are just thoughts that, to me, don't feel right to simply ignore. I know there's an argument that you can enjoy music without enjoying where it came from, and it's true to an extent, but I also think part of the music is where it comes from. So... I don't know. Do with that what you will. And if you are reading this, I love you (I can't believe you're reading this).
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wannab-urs · 1 year ago
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The Spreadsheet Digest | Vol 29
Howdy folks!
This is the final Spreadsheet Digest of 2023! I started the spreadsheet back in May as a way for me to keep up with everything I read. Basically, I was having trouble finding fics I had read so I could reread them or I was getting two chapters into a new series before realizing I'd already read it. So I did what I do and I made a spreadsheet about it. Then I felt like other people might benefit from a searchable list of fics. Then, and I don't know why, I thought people might want to know what I thought about the stuff I was reading. And here we are - 29 volumes and 34 weeks later.
Sorry for long intro! This week I have 16 fics for you (Frankie, Joel, Max Phillips, Javi P, Ezra, Dieter, Dave York, and Jack/Whiskey). Summaries and Tags provided by the author where applicable - sometimes I filled in some stuff.
You can find my masterlist here and all my fic recs here
Recs under the Pedro!
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My Way - Frankie one shot by @goodwithcheese
Summary: Frankie's working on his truck... you interrupt him Tags: PIV Sex, Frankie uses his words, aka "you know he talks you through it," frankie is bossy Thoughts: if he uhhh "uses his words" this much in the series this is technically set in, I do believe I'll be reading that. This was HOT. Like absurdly hot. Lemme be you car girl, Frankie
Cocoon - Joel series by @secretelephanttattoo
Summary: A short ode to Joel's coat. / a bath with Joel Tags: Angst and intimacy. 1 reference to blood and allusion to canon typical violence (nothing is described) Thoughts: God i love little intimate moments like this... wrapping yourself up in Joel's coat, washing the bad day out of his curls... I am SICK! Someone let me hold this man, please.
I'll Leave a Light On For You - Max Phillips one shot by @oonajaeadira
Summary: Max has reservations when it comes to love, and for very good reasons. Tags: Angst. Character death. Allusions to the atrocities of war and its lasting effects. Max is a vampire. Traumatic soul memory. Me assuming I know anything about French culture of the 1930s. Thoughts: This is beautiful. Just absolutely stunning. I have a fascination with the concept of past lives, and I adore the way it's written about it here. There are some really interesting takes on it here with Max being a vampire. Also, side note, this fic made me cry. It's that soft angst that you don't expect to make you sob, but holy shit. When it hit (you'll know it when you read it) it hit. I was devastated. And then because it's adira and "we do soft here" it ends sweet.
Once in a Blue Moon - Dieter one shot by @whatsnewalycat
Summary: You're the only person working when a Christmas blizzard rolls into town and snows you in with a notoriously difficult guest, Dieter Bravo. Tags: one shot, slight dub con elements (power imbalance, isolation, alcohol) although both parties are enthusiastically consenting, hotel guest x hotel staff, blizzard, Minnesota because that’s my best friend, dieter generally being an ‘if you give a mouse a cookie’ ass bitch, kinda enemies to lovers???, Christmas, loneliness, palm reading, food and eating, cannabis, conspiracy theory mention, fluuuuuufffff, smut, dirty talk, a dash of conflict, painting stuff, power outage, poverty mention Thoughts: Aly has this way of writing Dieter that is like she knows him in real life. He feels so personal and real to me in her stories. I think I say this every time I talk about her fics, but my Dieter would not exist without hers. Anyway -- this fic is wonderful. Dieter has all that silly druggie boy charm he always has, there's a really interesting inclusion of him having PTSD from working on the movie from The Bubble and a really interesting way that he's dealing with it. It's got perfect vibes for us christmas haters too. I loved this so much.
Jingle Balls / Dashing through the ho - Frankie series by @idolatrybarbie
Summary: Santa Frankie porn... that's it. That's the fic Tags: santa kink???, cockwarming, cum, like so much cum, unprotected vaginal sex, unethical use of a mall Santa Village, semi-public sex, dirty talk and pet names, mentions of free use. / santa kink again, free use, spreader bar, creampie, come eating, facefucking, throatpie, anal sex, degradation, cum, pet names (honey, little girl, sweet girl, baby), praise, CUM AGAIN GUYS LIKE IDK WHAT HAPPENED HERE. Thoughts: This is mostly my fault and I refuse to apologize for it
Galletita - Javi P one shot by @gasolinerainbowpuddles
Summary: Your sister and brother-in-law have enlisted your help with their small business while they await the birth of their first baby. You help with the cafe and find yourself face to face with a new customer whose appetite might have met its match in you. Tags: big boi Javi P is hungry and a little cranky, you like to bake and Javi likes to eat, belly kink, feeding kink, probably bad Spanish, we’re playing fast and loose with timelines, canon, and everything in general, so just forget about timey wimey boo boo wah wah and enjoy the story lmao Thoughts: I do, in fact, need a big boy
Devour - Ezra one shot by @frannyzooey
Summary: Falling for Ezra on the Green Tags: harvesting violence, mentions of gore and blood, mentions of cannibalism, love as consumption and all the visuals that come with it, so much fucking and filth and ass play and cum eating it isn’t funny Thoughts: It was a gift for me, so I really probably should not be so amazed by how much I love this fic. But oh my god, dude. Love as consumption, freak nasty smut, Ezra being Ezra, bi!Ez, the Din/Ez hints (I'd like to know more about that), it's all perfect. I will never stop being obsessed with this
Tear You Apart - Dieter one shot by @psychedelic-ink
Summary: it's the 70s and your friend invites you to an underground club where one of your favorite musicians is playing: dieter bravo. Tags: innocence kink, mild corruption kink, backstage sex, piv, dirty talk, weed, oral + handjob (male receiving)obsessed with rockstar Dieter. Thoughts: I'm surprised I haven't seen more rockstar Dieter. This was hot, filthy, and just... in the words of the man himself perfect.
One Man Show - Dieter one shot by @ramblers-lets-get-ramblin
Summary: Dieter gets himself off! Tags: male masturbation, use of sex toys, anal fingering, butt plug, sex tape??? i guess Thoughts: I'm loving this solo session concept so much. Dieter filming himself!!! for no reason!!! is so hot. Everything about this is so fucking hot. I want him to send me that video...
I am a nightmare, you are a miracle - Joel series by @party-hearses
Summary: After your two year relationship with Tommy Miller ends, Joel takes you in — and it’s home like you’ve never quite known before. Tags: slow burn, explicit (eventual) smut, language, infidelity, alcohol, age difference, soft!joel, no cordyceps outbreak, sarah doesn’t exist (sorry), tommy stans don’t come for me. Thoughts: I have been very intentionally not reading WIPs and waiting for them to be finished, but I fucked up. I was scrolling the dash and frannyzooey recc'd this and it caught my eye and I just didn't even check if it was finished. But I regret nothing. Ch 4 is coming soon, I'm manifesting it. I fucking love Joel in this and I'm super intrigued by reader's uhhhh mommy issues and the way that those manifest.
MASTERLIST BINGE INCOMING | @brandyllyn
To sell your love for peace - Javi P series by @brandyllyn
Summary: You are Javier’s newest informant. You’re not his usual type but he’s willing to make an exception. More than one. Tags: smut, sex work, canon typical violence, javi being a moron Thoughts: I adore a lovers to idiots to lovers story... and man is Javi an idiot. The characterization of Javi here is perfect. Protective!Javi is very canon and I love seeing it in fic. Also, I don't normally go for miscommunication tropes (they tend to annoy me) but this was perfect. I loved every second of this story.
The Serpent Under It - Dave York one shot by brandyllyn
Summary: Dave is very good at his job Tags: Canon typical violence. kinda dark yo, soulmate AU Thoughts: I don't typically read soulmate AUs, but I actually read several of brandyllyn's this week. They're very different from the normal trope. This one broke my heart and it's less than 800 words.
To perish twice - Javi P series by brandyllyn
Summary: You can feel when your soulmate comes. Tags: smut, soulmate AU, Javi being an idiot, male masturbation, piv sex Thoughts: This is what I mean... you can feel when your soulmate has a fuckin orgasm??? What a concept. This was really hot, kind of funny, and had just the right amount of angst.
Cross My Heart - Ezra one shot by brandyllyn
Summary: While waiting at a clinic for the hope of a prosthetic arm, Ezra meets a woman who will change his life Tags: Talk of self harm / suicide but no one does it, discussion of medical procedures and prostheses, some use of ability based slurs by Ezra and others, canon typical violence Thoughts: We love a man who will threaten to murder someone's entire family for you... no seriously. I absolutely love Ezra's characterization here and I love the FMC's story AHHH. It's just a very sweet story... with a little Ezra flair.
Into the Shade - Ezra series by brandyllyn
Summary: Why would anyone fake having a soulmate? Tags: Ezra being Ezra, con man!ezra, soulmate AU, smut, Ezra x OFC smut, Ezra x reader is in there though. Thoughts: Yet again, the typical soulmate concept has been turned on its head here, and I love it. I also adore the flores animae - the particular soulmate mechanic in this fic. It's really interesting!
Dreams are Sweet Until They're Not - Jack Daniels series by brandyllyn
Summary: A crimson rose could only mean one thing. Tags: soulmates au, Jack being a slut, angst, smut, happy ending Thoughts: Okay last soulmates AU on the list, sorry. I went a little nuts. They're just so good. The ending of this one was so sweet, dude.
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My fics this week:
Something Sweet - Javi p x reader - You’re new to the team in Colombia and all alone on your birthday. Your partner, Javier Peña, decides to do something sweet for you. (fluff, smut)
Under Your Skin - jack daniels x javi p x reader - You’ve worked on Chucho’s ranch since you were 15 years old, grew up with Javi, loved Javi… He comes back after nearly 20 years to find you hooking up with a certain former secret agent. He’s jealous, for sure, but of who? (smut)
in the a.m. - javi p x reader - Between sleeping with informants and getting in bed with Los Pepes in the fight to bring down Escobar, Javier Peña also finds time to be with you. Wrestling with crippling self hatred, Javi tries and fails to keep his blood stained hands off of you. Based on some of my favorite Arctic Monkeys songs (smut, angst)
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Happy Reading!
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jishyucks · 2 years ago
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only fools. ‣ hrj
‣ pairing: huang renjun x reader
‣ genre: FLUFF, sorta angsty? idk, co-leads to lovers? is tht even a thing?
‣ wc: 2.2k
‣ summary: Renjun's made one promise to himself ever since the play's production started: I promise not to fall in love with my fellow cast member. But after months of working alongside you, he finds that this promise was something he couldn't keep.
‣ warnings?: sorta sorta cheesyyy?, mentioned that reader's smaller than Renjun, Shrek (loml?jkjk) mention
‣ an: I finally wrote something after having writer's block for ten million years I s2g,,, tht being said I'm not sure if this is the best I can do but I do believe it's really cute ( •̯́ ^ •̯̀) so I hope you enjoy it!
‣ tags: @mosviqu @sleeping-sirens
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Dress rehearsals start in a mere thirteen minutes yet Renjun is sitting at the top corner of the football field’s bleachers in hopes that none of his castmates could find him.
He’s disappointed in himself because he’s being unprofessional. He knows damn well that if he did the same thing in the real world, it wouldn’t be accepted. Sure, it’s not acceptable now… the production is set for next week, yet he’s here wondering if he should even show up for rehearsals because of his own damn feelings.
Fuck feelings, he thinks, They’re stupid anyway. 
Renjun kicks the edge of the seat in front of him and watches as the football team finishes up with their warm-up. He’s not sure how long they’ve been running in circles, but judging from how the coach yells for them to finish strong, he could guess it’s been close to fifteen minutes. 
Fuck feelings, Renjun repeats to himself. 
He feels like beating himself up over the very fact that he broke a promise that he made to himself at the beginning of the show’s production. 
I promise not to fall in love with my fellow cast-member.
It was a simple promise that he thought would be easy to fulfill. Renjun was never one to develop feelings easily, which was exactly why he easily forgot the fact that feelings are something you couldn’t plan. Ever.
The reason it even came to existence was because his other castmate and best friend, Jaemin, had pointed out that this production was ‘romantic-full’—whatever that meant in his books—and that he was in some dangerous position of developing feelings for his co-lead. 
He clearly remembers waving off his ridiculous reminders, simply because Renjun’s already been in countless productions and not one of them did he develop feelings for another cast member that could be deemed greater than that of friends. The idea was stupid.
But he made the promise anyway.
Just in case, he told himself. 
Then this brings Renjun to now. With a broken promise dangling right in front of his face and feelings sitting rather irritatingly at the centre of his heart like a bullseye. 
Renjun blames you for it all. For the way his heart beats around your presence, for the way the butterflies erupt at even the slightest touch of your hand, and the way he loses all composure the millisecond you smile his way. 
Renjun doesn’t even know how it even got to this point.
But then again, it’s absurdly clear. The roles you both play, the late nights rehearsing just to get cues right, the impromptu hangouts after rehearsals… his relationship with you has grown over the past few months and he can’t really blame his heart for giving way for you. 
In fact, it would have been much more worrying if he didn’t develop feelings for you. Especially since it was you. He would be a total fool not to fall for someone like you. 
Nonetheless, Renjun’s frustrated over breaking the one and only promise he made for himself because now, after accepting these newfound feelings, he’s practically deathly afraid to face you. If he sees you now, he knows he’s going to make a fool of himself. 
“Okay, bring it in!” The coach’s voice was rather loud despite him being twenty steps below Renjun.  
He sighs and grabs a glimpse of the time. Eight more minutes until rehearsals and it was a good walk across campus just to get to the theatre. 
There’s a feeling in his leg that was itching for him to stand up and go, but he ignores it, instead laying down against the warm metal seat before throwing an arm over his eyes to block them from the sun. 
Renjun bangs his heels against the seat causing the whole bench to shake. He has to shift in his position so he doesn’t fall off. Then he groans and whispers a ‘what am I going to do?’ under his breath. 
Because that was the real question. What is he going to do? He’s unsure whether to wait it out and let the feelings disappear on their own or take his chances with you—if you even reciprocate these feelings. He can’t just avoid you until the entire production is over because he is one of the show’s main leads. Renjun worked hard for this role and he can’t just let the understudy do it all for him because of his feelings for you were getting in the way.
Renjun knows for a fact that actors and actresses have gone through the same thing he’s going through… but how the hell did they manage to get through it? 
He wonders if there was a book or YouTube video of some sort that provided him helpful steps on how to solve the situation in under 10 minutes—but one can only dream. 
Renjun lets white noise overrun his head as he lays in a still position for who knows how long, feeling the breeze move past him gently. It was a cool breeze, but it balances out the sun that was beating down directly onto his skin. 
Peripherally, Renjun can hear the sound of steps against the bleachers, but he quickly dismisses it, immediately assuming it was another student on their way up to isolate themselves like he was. 
But, boy, was he wrong. 
“There you are.”
Renjun’s heart thumps against his rib cage at the sound of your voice and he quickly sits up. “Y/N! What are you doing here?” His vocal pitch is three levels higher than usual, almost giving away the nerves that now have taken over his system. 
How should he even act around you? This shouldn’t even be hard. He’s been around you almost every day for the past few months, and he’s an actor for god’s sake. He can simply fake it ‘til he makes it. 
“And you don’t expect me to ask you the same thing,” you give him a look and wheeze, “You were supposed to be there like half an hour ago, y’know. You should be glad I volunteered to find you because they were going to send Doyoung and you know how scary he gets when he’s mad.” 
When you realize that Renjun wasn’t going to budge anytime soon, you sit next to him with almost no room left between your shoulder and his. You wait for a short moment for Renjun to reply, but you’re only returned with silence and the groaning of sweaty men down at the field, “Are you okay?”
“Of course, I am,” Renjun waves off your concern and stands up, “Let’s get to rehearsal.” He shuffles past you and makes his way down the stairs. Renjun’s quick to reach the bottom, but what he doesn’t know is that you’re close behind. 
“You’re lying,” you say when you finally catch up. It was blunt, but it was because you don’t have a single fibre of doubt in your body. 
Renjun shakes his head, “I’m not lying.” When he notices that you’re catching up, he speeds up just a tad bit to keep you from gaining any sort of eye contact. He’s not even sure why he’s doing this when he knows that he eventually has to make eye contact with you during rehearsal. 
“Yes, you are,” you retort, “Huang Renjun of all people wouldn’t willingly show up to practice late. There’s something wrong and you already know I’m going to try and get it out of you.”
Renjun chooses not to say anything, afraid that he’s accidentally going to give you hints of his dilemma. He focuses on the way his feet taked steps as you both find your way to the theatre. 
“So, what is it?” You start, “Is it homework? Roommate problems? Nerves?… No, it can’t be nerves…” You’re practically skipping to keep his pace. He can hear you rambling beneath your breath and he lets you be, refusing to give in too easily.
When you’re returned with silence for the nth time, you switch gears and let out a loud, rather deep, sigh. “Renjun, I’m being serious right now. I know something’s wrong. And it’s not because you’re showing up late to practice on purpose, but it’s because you can’t even look me in the eye.” 
“We’re going to be late,” he mumbles. Renjun’s walking so fast that he’s almost jogging. 
“Oh, c’mon, as if we’re not already late,” you roll your eyes and reach for Renjun’s wrist, forcing the both of you to stop in your tracks, “We’re not going until you tell me what’s wrong.”
“I told you,” Renjun repeats, “There’s nothing wrong. Now, let’s go.”
Renjun attempts to wiggle out of your grasp but you simply just tug on his arm to reinforce it, “And I told you that we’re not going until you answer my question. What’s wrong?” You sigh, “Renjun if you don’t tell me now, my head’s going to be preoccupied during rehearsal. Do this for you and for me.” 
Renjun’s stuck. He’s not sure whether to tell you now, lie now and tell you later, or simply just not tell you (hard stop). All these options have one possible outcome in common and it was how he would possibly regret it all. 
“If you’re trying to decide whether you should tell me or not, I vote for the first option,” you say. Renjun hates how you can read him like a book—well, except for his feelings for you. If you could, then this entire situation would have been easier to handle. 
Renjun searches the empty hallway as if there would be an answer written bright and clear on the walls. He’s stuck and he needs to act quick. He doesn’t have all the time in the world anymore. 
Then, his eyes land on your hand still holding onto his wrist. 
Swiftly, Renjun slides his wrist down towards him. But instead of taking his arm back, he makes the impulsive action of intertwining his fingers with yours, holding your hand as if it were made of glass. 
“What’s wrong is that I can only do this,” Renjun gulps nervously. He hasn’t made the effort to look at your reaction just yet, eyes trained on his hand holding yours. He’s slightly relieved that you haven’t pulled your hand back. But then again it could just be you in shock. 
He gains the confidence to hold your smaller hand tighter before tugging you towards him. The two of you are practically chest to chest, so close that if Renjun simply leaned down, he could plant a kiss on your forehead. “This.” 
Renjun’s heart is pounding right against his chest and he knows you can hear it. But he continues and brings his forehead down to graze your own, “And… this.”
Renjun pulls away and it’s like all of his confidence is sucked out of him, “…as stupid characters in that stupid play while I’m here wishing that it could be more!” A brief silence lingers between the two of you before he turns to leave, but you’re quick to yank him back by the elbow. 
“What is that supposed to mean?” Your brows furrow. Although it may come off as you being completely lost, you truly weren’t. You just wanted clarification and words that will confirm what you think Renjun is meaning to say. 
A huff leaves Renjun’s lips and he searches the walls once again. He can’t repeat the same things he’s already done, so now he needs to resort to words. 
“Y/N, we’re co-leads in a romance story!” There’s a hint of frustration in Renjun’s voice and at that point you can tell that this has truly been bothering him, “We practiced our lines together, hung out after, hell, I’ve learned the weirdest facts about you—that you open chip bags from the bottom because that’s where all the flavour is, how you take pictures of green onions in soup that look like hearts, that you’ve watched the second Shrek movie a bajillion times just to watch the fight scene at the end… Y/N, everyday for the past few months I was practically handed the opportunity to fall for you… and I would be a fool to not fall for you.”
Renjun lets his head fall forward and his bangs flop over his eyes, “I was planning on waiting until after the final show to tell you because I didn’t want to ruin the hard work that everyone’s put into the production just cause of my feelings… but I guess my feelings won.”
He waits for you to reply, bracing himself for the worst ever possible reaction from you. Renjun’s already imagining a rejection—a gentle one, of course—but when he sees your hand reach out for his own, he feels a pang of hope sitting deep in his chest.
Renjun feels you hold his hand tight, squeezing it before using it to draw him towards you. He lets himself stumble forward before planting his feet right in front of yours. Your toes are almost touching, so you shuffle forward so that they are. With this gesture, Renjun finally allows himself to make eye contact with you. 
There’s a sense of relief when he catches a proper sight of your face, a soft smile sitting upon your lips. And when you finally see that Renjun’s looking back at you, your smile grows ten times larger. 
“Well, then I guess I’d also be a fool if I hadn’t fallen for you, either.”
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vvolfstare · 3 months ago
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Relationship/Romanticism Headcanon Meme
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Name: James Buchanan Barnes Nickname: Bucky Relationship(s) status: Verse-dependent Gender: Cismale Romantic orientation: Pansexual Preferred pet names: Acceptable if they're not hideous distortions of his name or otherwise too cutesy. He uses a lot of "baby/babe," "doll," and "sweetheart" with his partners. Opinion on true love: 100% exists, whether it's platonic or romantic Opinion on love at first sight: Attraction at first sight, absolutely, but not love How romantic are they?: His views on romance have changed quite a bit over time. Before the war, it was nights on the town, drinks and dancing and charm, but nothing particularly lasting. Post-HYDRA, his idea of romance is, quite simply, a partner who stays despite all the complications of being with the former Winter Soldier. Ideal physical traits: Somewhat athletic or at least able to defend themselves in some capacity. It's dangerous standing too close to him, and he can't have any more victims on his conscience. Ideal personality traits: Patient, understanding, loyal, probably a bit reckless as a necessity Unattractive physical traits: Not that important Ideal date: An old sci-fi movie at the theater, maybe drinks and conversation after Do they have a type?: Big dumb hero comes to mind (Steve, Clint, Sam), but it's not a hard and fast rule. Big dumb villain works sometimes too (Brock). Average relationship length: Pre-war, maybe a few weeks, nothing too substantial. Post-HYDRA, he's pretty much one and done unless a very patient muse can sneak up on his feelings, and then you've got a Winter Soldier for life. You really should have checked how long that kind of thing lives before you got one. Preferred non sexual intimacy: He's more of an acts of service partner. He has to be very settled in a relationship to get comfortable with casual touching, and it's still easier to accept sexual advances over genuine softness. Commitment level: Ridiculously, absurdly, unreasonably loyal. If he's in, he's in it forever. Opinion on public affection: People are going to gawk at him anyway. It might as well be for something enjoyable for once. You really want to start a staring contest with this guy? Past relationships: Steve Rogers and Natasha Romanoff (either platonic or romantic, verse depending, but significant either way)
@zemothethirteenth thank you for the tag, lovely!
tagging: @falliblexpenance (Clint), @pleinsdemuses (Lily), @theking-blackheart-muses (Tyler), @brooklynbred, @sioraiocht (Steve), @fangsforhire, @murder-popsicle, @skullsandsteel
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green-alien-turdz · 1 year ago
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This is long as fuck my god sorry in advance,,, also it's 4am and my first language is not English so this my be kinda incomprehensible ,
Sorry I may or may not have stalked this account and filled half the posts I've reblogged w a shit ton of ranting in the tags even more than once IM SORRYYY it's just that you're art makes me feel SO much things bc the way you portray the kids genuinely resonate w me really deeply w the scars and implied things and the fucked up rooms and hhhh I LOVE IT
Also I wanted to say that I can't even explain coherently how seeing you portraying these heavy things as eds and the sh and just all the heavy stuff so casually w also admitting more than once that you base a lot of these headcanons on your own life and struggles make me so happy bc that's always one of the things I've always been ashamed about, like whenever I find comfort in a character I immediately start to hc them w MY heavy stuff and see them that way completely but I'm scared of portraying it through my art bc ppl are always like "why would you want to fuck them up so badly" "why do u have to put your sh n ed stuff and mentally ill shit in these innocent things" and I feel like I need to justify it in other way than "yeah it's just that me getting comfort from them means me seeing myself in them and seeing my flaws in something I love, so naturally I need to put it there for my own comfort" bc it's just too selfish or smth. I know It might sound really really silly and dumb but YOU do it so well and so seemingly unbothered that you just make me want to say FUCK YALL and do It anyway so AGHHHH SORRY FOR THE ABSURDLY LONG RANT ANYWAYS I LOVE YOUR ART SOSOSO MUCH !!!
Bro, for someone whose first language isn't English, you got that shit down, mf your english is impeccable. And I saw the reblogs, I literally don't mind, I'm glad you gained something outta it. Art is literally soul healing, even if it's dumb south park fanart - never be afraid to do what is gonna comfort you. I really hope that things are gettin a lil better in your life, from the rants it sounds pretty rough. I fuckin believe in you, man, n I really wish the best for you. If you ever need someone to talk to, my PM's are open to anyone. Thank you for bein so nice. Please take care of yourself
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trickstarbrave · 1 year ago
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WIP Whenever
hiiiii i got tagged by @boethiahspillowbook
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this is what i got so far on the azura and nerevar piece. not much further bc im still trying to figure out shading and how i want it to be. oof. also unsure abt azura's halo fsr it just looks.... off on her. and i think i wanna make some of the blood a brighter red to tie in together with all the rest of the red. lots of things im considering...
also for written wips. uh.
unfortunately i only have the. fucking cursed omegaverse nerevoryn im working on. once again never consider anything as like a joke or ironically that is the devil talking and you will start doing things for real.
in my defense though omegaverse is such a wild concept that trying to go "okay but seriously how would this work in a society and why would it be this way" is actually entertaining. very fun to go "yes, and...." over and over. oh, fated mates exist? what if they weren't just a cheesy soulmates thing but had a logical explanation. how would these dynamics effect various social classes? how would different cultures be effected? i have world builder's disease clearly
ALSO i tag anyone who hasnt been tagged yet and wants to :> i cant keep up with which of my mutuals have been tagged or not.... let me see ur ideas pls
--
“... In all honesty,” The healer began, sounding exacerbated, “I have never seen a case like this in all my years. But there is only one answer I can come to based on everything else.”
“Go on.” Nerevar tried to keep his voice level rather than annoyed. Azura knows how terrified most people got when he was angry. 
The healer pinched the bridge of her nose. 
“How familiar are you with fated mates?” At her question, Nerevar froze, stunned, before he gave a loud bark of laughter. The healer, however, did not laugh or smile back, and instead only looked more resolute. 
“... Be serious with me.” 
“I am being serious, Lord Nerevar.” 
“Are you--are you seriously trying to say Voryn is my--”
“I understand how strange it sounds at first.” The healer cut him off. “Typically when someone meets their fated mate they determine it quickly. It only takes a few heat or rut cycles before the draw is undeniable.” She sighed once again. “I can only assume because you knew Lord Dagoth before either of you presented, the draw was less noticeable.” 
It kind of made sense, to a degree. When people wrote about fated mates it was usually that they had a scent that was undeniable. Even passing by them on the street, you couldn’t get the scent out of your head for days on end, trying to find it again and again. Even those who tried to deny it couldn’t refuse the pull forever; heats and ruts were unbearable, the longing overwhelming the pair. No one had ever recorded an account of a fated pair who knew each other prior to presenting though; fated mates were absurdly rare, after all. They were more common in fiction than real life, and only the most hopeless of romantics ever went out actually looking for one. Most people just found a mate they liked rather than chase after some destined person, and why fated mates even existed was a mystery. Did everyone have one but distance kept them from finding one? That didn’t seem likely; the most common belief was that some people were born with them--not many members of the population, anyways--and even fewer actually found their ‘other half’. Someone meeting a fated mate before presenting, when you were children not off exploring the wider world yet, was even more unlikely. How would you react if you could constantly smell and see them before either of you presented?
Dumac told him the dwemer scholars believed it had something to do with ‘reproductive compatibility’. Not that it was a mystical, god given connection like some believed, but rather those with a fated partner were less compatible with most of the population, so when they did find someone they could produce children with easily, the desire to mate was enhanced strongly. Nerevar didn’t know if he liked that explanation either though. He found the ideas the gods made destined partners to love each other forever as too romantic of an idea for reality yes, but presuming there must be something wrong with them wasn’t much better. 
It didn’t seem likely that he and Voryn could just ignore the draw for decades though, right? Surely that wouldn’t be possible. The draw was supposed to be strong, impossible to deny past a certain point.
Sure, when he was younger and Voryn was in a rut he always came by to check on him before he was shooed away, but that was just boredom. And when he was in heat Voryn would pass him notes under the door from time to time that he’d bury in the nests he made, but that was just because being in heat made him feel sensitive and sappy. Nothing more. And shouldn’t there be something more if they were a fated pair?
“Your other symptoms make me more certain of it.” The healer continued, pulling him from his thoughts.
“How so?” Nerevar raised an eyebrow. 
“It isn’t healthy for an unmated omega to be around an alpha in rut.” She replied, a fact that always made Nerevar roll his eyes. “It causes excess stress, even if it doesn’t trigger a heat. Unless you are drawn to the alpha in question as a potential partner, usually a rut is off putting, distressing, or nauseating for an unmated omega.”
“They’ve never bothered me to that extent.” Nerevar snarked.
“Precisely.” She locked eyes with him. “You handle it more akin to an omega who’s already been mated, despite not having the scent of one.” Nerevar tensed at that. He hadn’t thought of it like that in the slightest; why would he? He wasn’t mated. Anyone could smell on him that he wasn’t. “Those who have met a fated partner experience mated behaviors before the bond is even set. Rejecting other suitors, unbothered by others in a heat or rut,” She sighed. “Lord Vivec even explained you are giving off the same scent as a bonded omega whose mate is absent.” Nerevar’s cheeks flushed at that. 
“That’s--” Nerevar tensed slightly, “I wouldn’t go that far.” Surely Nerevar wasn’t. He wasn’t fucking bonded, why would he be throwing out the same scent as an omega who went into heat, begging for their mate to come tend to them? 
“You are.” She asserted, though she did have some sympathy in her gaze at least. “Unfortunately, the best I can do is, if you truly don’t want the bond, I can give you suppressants. They won’t actively stop it given you already went into heat, but they should calm some of the worst side effects.” Nerevar already knew what she was going to say next though. “But your next one will be much of the same. The side effects will continue to worsen.” Short of running away to the other side of the continent and burning anything he owned that Voryn had ever so much as touched, he would be able to smell Voryn faintly, after all. In the palace, on his belongings, anywhere Voryn had been might trigger the worst of the symptoms all over again now that he had a heat triggered by his rut no doubt. 
“At the very least, Lord Dagoth is in control of his emotions.” Voryn’s eyebrow twitched at that, his arms tightening. “You can spent ruts and heats together without actually mating, until you come to a decision on how to proceed. It should alleviate both of your struggles.” 
Shit, Nerevar hadn’t even considered what Voryn must be going through. Was his irritation and lack of eating because he subconsciously knew Nerevar was supposed to be his but wasn’t there by his side? When he was younger was that out of character, violent rage because he knew, right there in the stronghold, his mate was being kept from him? No doubt the next rut Voryn would be uncontrollable; before he could hold back because he wasn’t consciously aware of what he wanted, but now that he knew it was Nerevar… 
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youngestdaughtersyndrome · 7 months ago
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Is there any chance you can give us a tag directory?
I can certainly try!!! Its not a complete directory because i have over a hundred and even i lose track of all of them. Anyways im putting the list under the cut ... i tried to organize it to the best of my ability so GENERAL is for housekeeping, TANGIBLE CONCEPTS are for physical things, FLEXIBLE CONCEPTS are things that hover between physical and conceptual, INTANGIBLE CONCEPTS are things that fully conceptual, and SPECIFIC MEDIA is for specific bands/shows/etc. I highly recommend if youre on mobile you DO NOT hit keep reading because its absurdly long and will take over ur dash. Anyways have fun knock urself out
GENERAL:
hollyws: original posts..... went by holly for a while on here, first url was honeyhollows, hollows has similar spelling to holly, you get the gist
a: a is for assorted, so anything that doesnt have an actual organizational tag goes in there-- memes, textposts, current events, etc
srb: self reblog, but not for every one of my og posts that i rb, just the ones that surpass a thousand notes and therefore get deleted. Its my greatest hits pretty much
for later: links, resources, things i want to return to, you get the gist
tag game: those like questionnaire-type games one gets tagged in
asks: asks that ive answered
vdo: in-app videos
the world flows past on both sides distant and mute: audio tag. From nazim hikmet's poem "things i didnt know i loved"
mb: moodboards
our hands empty except for our hands: webweaving and parallel posting. From ocean vuong's "on earth we're briefly gorgeous"
fave: favorites, obvs
blog thesis: the tag equivalent of me calling something real as hell, containing things that qualify as my belief system
my face: selfie tag, but most (all of them actually) get deleted approx 24 hours from original posting time so there's not really anything in there
maeve tag: pictures of my dog reside here
foster tag: my family fosters dogs sometimes, so if we've got a foster and i post a picture, it goes here
matryoshka dog, blue is your color, gi posting, betsy's ordination song, evan's dream journal: personalized tags for friends of mine
TANGIBLE CONCEPTS:
born to blow your mind or something along those lines: art! From the last shadow puppets' "miracle aligner"-- pretty much everything but photography...
the human eye is the loneliest creation: ...because this is the photography tag. I typically only use it when an image doesnt fit into any other tag, so its basically my "a" tag but for like formal images only. Kind of an ocean vuong quote but i changed it from "the human eye is god's loneliest creation" to that bc i go back and forth on god and whatnot
there's a brand new talk but it's not very clear: fashion, both in the conceptual runway sense and the "this is cute, i would wear this" sense. Aptly from david bowie's "fashion"
play pause rewind: anything having to with film or tv (that i dont have a specific tag for)-- gifsets, interviews, editorial style guides, etc.
people!: pictures where you can put a name to the face, so either celebrities or pictures that have their name in the caption
let it go free: items-- jewelry, knick knacks, tchotchkes, etc. A combination of things i would want and things i find beautiful, which are not necessarily mutually exclusive
cabinet of curiosities: a multitude of objects at once-- dollhouses, boxes full of stuff, dishes of jewelry. Its different from "let it go free" because i said so
interiors: decor, interior design, etc.
dishes: plates and platters and whatnot that i like
they really want you: dolls. From hole's "doll parts"
the light on your door: mirrors. From the velvet underground and nico's "i'll be your mirror"
releases: cars, usually crashed or rotting or in some other form of disuse, but also just normal, completely fine cars. Go watch crash 1996 dir. david cronenberg and then we'll talk
hundred voices: spirals. Also concentric circles.
nacreous: pearls, things with a mother-of-pearl inlay, etc
it's coming coming down: eyes. From sonic youth's "beauty lies in the eye"
bad girl meat: teeth. From lady gaga's "teeth"
divine and sharp: weapons, or at least some very pointy things one shouldnt run with
happiness is: a warm gun. Guns in general actually-- this is my tag for guns. From the beatles' "happiness is a warm gun". Duh
prisms: food. Lots of cake in this tag but its all foods not just cake.... i just like cake
o sailor: sailing, nautical stuff, ships, etc. From fiona apple's eponymous song
it's buzzcut season anyways: cutting hair, from lorde's "buzzcut season".
tattoos: well, its tattoos. Not necessarily ones i would want or even inspiration for future tattoos, its just that if a tattoo is the main focus of an image, it goes in here
invitation to peace: deer tag, from system of a down's "deer dance".
draw blood just to taste it hold bones just to break them: canine tag as in dogs, not the teeth, and also one that i wish wasnt so long because man this is a pain to type out. From nicole dollanganger's "dog teeth"
weird fishes: fish. From radiohead's "weird fishes"
lo voy a tener que matar: cats! From los saicos' "el entierro de los gatos". Also yeah i know it means "i'm going to have to kill him" i just think its real funny
in silence i have pulled myself free: tag for horses and all things horse related. From pj harvey's "horses in my dreams"
cowboys are frequently secretly fond of each other: cowboys. From willie nelson's eponymous song
they don't love you like i love you: places i grew up in/nearby-- it's pretty much everything west of colorado with a bit of mexico in there. From yeah yeah yeahs' "maps"
like the blue blonde hollyhocks of the dead: flower tag (all sorts, not just hollyhocks). Another bastardized quote, this time from sandra cisneros' a house on mango street-- the original is "dusty hollyhocks thick and perfumy blue-blond hair of the dead". Very good book you should read it
we return to each other in waves: things relating to the water-- the ocean, lakes, rivers, etc. It's definitely a quote from something but i cant find the og source and i dont trust pinterest
consumed and refined: fire, things on fire, burning, yada yada yada
tamer: ice, snow, frozen things, etc
01010000: all things mold and rot. Referring, of course, to the date the world began to decay, which was the day it was created
FLEXIBLE CONCEPTS:
lamentations! lamentations!: art or quotes or whatever that make me scream cry throw up wail howl prostrate myself etc.
the everything the patterns: my humanity tag! Doubles as both an "awww, arent humans cute?" tag and a catchall for people who aren't celebrities and don't have their names in the caption
god and other highways: religion and god, but mostly god. If you see something in there and you think "how could this possibly be related to god OR religion?" mind your own damn business <3
i believe in angels: things i consider to be angelic, which is a classification system even more lengthy and unnecessary than this tagging system. From abba's "i have a dream"
bolts in the head: monsters and generally spooky things. And yeah ik frankenstein doesnt actually have bolts in his head and that was a lie the movie made up but also the nature and definition of a monster is just as illusory and invented as the bolts are
whispers in the air: ghosts, or the fleeting nature of things, or the imagined, or the abstraction of the memory. So yeah its ghosts
when i love you it's forever: the dead, but focusing on the flesh left behind instead of the ghost that proceeds ahead. From "confessions of a skull mask", in the anthology "necrophilia variations"
we have put her living in the tomb: houses or general structures, officially haunted or otherwise (because all buildings are haunted in some way tbh). From my favorite edgar allen poe story "the fall of the house of usher" :)
the roots of the tree: things relating to childhood, development, or family
the lovers: art, photos, etc typically with two things interacting in some familiar way. Not necessarily nsfw, but theres definitely some lesbian erotica in there so beware
cut open my sternum and pull my little ribs around you: gore and blood and all that fun stuff. Not all images of blood go in here so if youre sensitive about pictures of blood beware. You probably shouldnt follow me if you are tbh. Anways it's from purity ring's "fineshrine"
is it a love song?: hunger, desire, violence, and the place where they intersect. Gore is in here also <3 and it's a quote from the 1983 film the hunger
race my heart race my soul: images i really really love. I would say its my aesthetic but aesthetics are a lie propagated by Big Capitalism to get you to buy more shit you dont need so no its not and dont get it twisted..... from "i'll never learn" by the shangri-las, which is possibly my favorite song. I go back and forth on what my favorite song is, but this one's up there for sure
put on your red shoes and dance the blues: all things red. From david bowie's "let's dance", but the original or 2002 remaster and not the 2018 remaster because as much as i love saxophone its totally out of the blue in the intro of the 2018 remaster and i dont like it
love me blue: all things blue, from zayn's "blue". And i have no qualms with any version of this song because i love you zayn
twilight sun: all things pink, from something that someone said to me in passing once and i thought it was nice.
the dead image of life: all things green
capable of charming god: all things yellow
tête à tête: ballet, and things relating to ballet. Even pictures of models with their ribbons tied all messed up go in here, im sorry to say
do you think you've made the right decision this time?: departure, transit, etc. Coming from, though, not going to-- the emphasis is on the leaving. From the smiths' "london" (underrated track tbh)
disappearance in transformation: bugs that can fly-- mainly moths and butterflies, but some beetles and other grubs appear here too
kill this chorus: people in relation to water-- in puddles, swimming, drowning, etc. Im not saying what this is from... if you know you know and also you know why that phrase pertains to that imagery
the luckiest by far: celestial bodies, clouds, the sky, etc. From madonna's lucky star
heaven waits on the other side: weddings, mostly brides and wedding dress-type stuff. From nicole dollanganger's "heart shaped bed"
godspeed your love: all things relating to love (and occasionally heartbreak). From possibly the greatest love song ever, the righteous brothers' "unchained melody"
lily left alone: playing cards and things having to do with suites of cards. Kind of from bob dylan's "lily, rosemary, and the jack of hearts" but not really
bloodied black: martyrs, warriors, knights. Lots of pictures of armor and joan of arc imagery here
mourning lamb: farm animals, mainly sheep but also cows and pigs and whatnot. From ethel cain's "ptolemaea"
all down: typography, handwritten things, etc-- everything from journal entries to song lyrics to letters to typed notes
time is a river: myths, folklore, classics, historical art, etc. Technically a quote from heraclitus but every knows it bc of marcus aurelius
INTANGIBLE CONCEPTS:
from the fire roads: get ready for this because this and the following five tags are all connected. This is the tag equivalent of exposition on the hero's journey-- the scene is a small town, a childhood bedroom, a parking lot, etc. From bruce springsteen's "racing in the streets"
and i see big things for you: this is the first threshold (transformation) in the hero's journey. In this particular case, the protagonist becomes a groupie for a band that passed through the town, and this world of travel and casual excess is very different from the world theyre from. The scene is a basement shows, cigarettes in a hotel bed, underfunded recording studios, etc. From wolf alice's "white leather"
somewhere there's a party: the "challenges and temptations" part of the hero's journey-- our protagonist gets tired of the constant moving and, craving something more, ends up in a big city working as a model/socialite. The scene is a closet filled with frills and designer clothes, a gala, the backstage of a fashion show, etc. From the replacements' "swingin' party"
don't cry about it: now at the second threshold (abyss) of the hero's journey, things start going downhill. The protagonist loses themself in a wave of drugs, sex, and excess; the scene is now a large bathroom with a shattered mirror, a smoke-filled bdsm club, a nosebleed, etc. From lana del rey's "this is what makes us girls"
careful fear / dead devotion: with the third threshold (atonement) in the hero's journey comes the protagonist's realization of their own rock bottom and the desire to get better. The scene is a dark bedroom with light coming through the door, a park at night, an open window, etc. From the nationals' "don't swallow the cap"
born with a weak heart: the end of the hero's journey-- the protagonist takes what money they have left and splits, getting a place in the middle of nowhere and working as an attendant somewhere they won't be recognized. The scene is a clearing in the woods, a warm kitchen, a grocery store, etc. From talking heads' "this must be the place"
there was to be no death in eden: Mostly i use it for animals that i dont have a specific tag for, large groups of animals, animals in little people clothes, fantasy art, folk tales, children's books, or anything else i consider to be edenic. Im gonna be honest with you i have a weird idea of eden because i saw it in a dream ... more on that here if u scroll down to where it says september 22 2023. Its an ellen g. white quote im pretty sure, and while i personally hate the seventh-day adventists and everything that entails, i do respect a woman who gets visions
you got your good thing: things pertaining to heaven, which is a vibe i cannot possibly explain bc i saw it in a dream as well but i will link you here nonetheless and just hope you get it. In short basically heaven is an archive and the angels never build it right because they're working off pure image untainted by emotion and human perspective so everything looks a little wonky and clinical (they mean well though). From david lynch's "in heaven (lady in the radiator song", off the eraserhead 1977 soundtrack
pelican island: birds. Also any sort of ghostly island or mysterious shore. Ghosts, too. From deena metzger's eponymous poem
ST PAUL MOMENT ST PAUL MOMENT: the nature version of my humanity tag. Refers to the biblical tale of st. paul, who was blinded then healed by jesus as a way of converting him to christianity (which is fucking crazy and sooo dramatic but we're not here to talk abt that). The point is that its the sensation of being awakened to a natural power higher than yourself, like how flowers always have a number of petals that complies with the fibonacci sequence
thou mayest: being good, being bad, the feeling of being torn between your capacities for good and evil, the shame of feeling evil, etc. Go read john steinbeck's east of eden and then we'll talk
soul opium: solitude, isolation, loneliness
thorn without a rose: hole theory. From aerosmith's "hole in my soul" #sorrywomen
shadows: poems that come off as gray to me. Yeah i dont know either man they just do its a very specific vibe and there is no other way to describe it than gray
ritualism: the color white being used in a holy, ritualistic context (or at least a context i perceive as holy)
74: my yamaha tx750 was created in 1974, which is a year that is important to me for no other reason than that (if u go into the tag its pretty obvious and if its not.... well im not telling)
p: im not sayinggggg. But here you will find white horses and things about grief
are your ears on?: writing, particularly having to do with the idea of a grand overarching narrative that tropes are forcefully enacted within
SPECIFIC MEDIA:
it's impossible to compete with the dead: my tag for all things sharp objects-related. Tag is a quote from the book
spn: that would be the 2005 cw show supernatural. #Sorry
mcr: that would be the post-hardcore band my chemical romance. #Sorryyyyyyy
shattered teacup: tag for the 2013 tv show hannibal and no other version of thomas harris's work-- silence of the lambs and whatnot can be found in the "play pause rewind" tag
little nudie turtles: tag for the 2018-2023 hbo show succession. Quote by tom (it's literally tom).
and the angels wouldn't help you: tag for david lynch's twin peaks, both the show(s) and the film
time is a flat circle: tag for season one of true detective... haven't watched the other seasons of this show because honestly nothing can beat that. So its only for season one
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