#i stand with twiggy ramirez
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Marilyn Manson Photo Shoot For Q Magazine 1997
#horror#marilyn manson#icon#legend#shock rock#1997#i stand with manson#i stand with marilyn manson#i stand with twiggy ramirez
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daily manson post 𖤐 // 1996
#marilyn manson#twiggy ramirez#marilyn manson and the spooky kids#john 5#ginger fish#zim zum#madonna wayne gacy#pogo#marilyn manson is innocent#i stand with manson#marilyn monroe#charles manson#metal#rock#1996
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Here's Manson, Twiggy, and Pogo dressed as Reala, NiGHTS, and Jackle from the NiGHTS series. I don't know why, but it was a silly little idea I had in my head that I had to get out.
#medibang#artist#digital art#marilyn manson#twiggy ramirez#madonna wayne gacy#nights into dreams#reala#Jackle#i stand with manson#i stand with marilyn manson
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Yet another tasteful tum peak, this time with Twiggy also. 👀
#marilyn manson#i stand with marilyn manson#marilyn manson belly#minors dni#belly#flat belly#90s#twiggy ramirez
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#twiggy ramirez#jessicka addams#jessicka#jeordie white#marilyn manson#goth#jack off jill#scarling#grunge#riot grrrl#kinderwhore#mall goth#90's#nine inch nails#a perfect circle#maniggy#i stand with marilyn manson#i stand with twiggy ramirez#team jeordie white#spaceghost#amboog a lard#goon moon#hour of goon#twiggy#antichrist superstar#mechanical animals#holy wood#the high end of low#born villain
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Brian and the gang at Disney World 🏰
#i stand with manson#marilyn manson#brian warner#marilyn manson and the spooky kids#jeordie white#twiggy Ramirez#Jessicka Addams#Missy Romero#Disney world#late 90s#leave brian alone 💙#justiceformarilynmanson#he’s so tall
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Needy(Twiggy Ramirez x Reader)
Requested by @peachynun
Era: Antichrist Superstar
Just a short smutty oneshot where Twiggy is being needy and horny af and you eventually give in and help him out.
“Jeordie, baby, not right now.”
Jeordie, who’s just returned home after getting high as fuck at band rehearsal, whines in protest, sits down on the floor with his arms crossed, and stares up at you with a puppy-dog look. You stare back down at him, unfazed. “I know you’re horny, Twigs, but I’m busy right now. I’ve got dishes to do.” You turn back to the soapy water as Jeordie pouts on the floor like a spoiled child.
“But it hurts!” He stands up, swaying slightly from dizziness, and then steadies himself and grabs your hand, moving it towards his erection. “See? It’s so hard right now.” You raise an eyebrow. “Yes, I see.” You pull your hand away and return to the dishes. “Aww, baby, please just help me out here! Use your mouth or something, we don’t have to fuck! I just need to cum!”
He stretches out the last word like a child throwing a tantrum, and grabs at his bulge, moaning softly at the pressure and grinding his hips against his palm. You eye it from the corner of your vision. You have to admit, he looks pretty damn good right now. After a minute, you feel a pang of pity, sigh in exasperation, and slap his hand away from himself, dropping to your knees.
“Fuck yes! Thank you, baby!” He drunkenly first-pumps the air and whips his dick out with a grin on his face. You chuckle at the enthusiasm, leaning forward to take his cock into your mouth. You lick around the tip, dipping your tongue into the slit and sucking on the head before taking it all into your mouth and bobbing your head up and down on it.
He groans loudly, threading his fingers in your hair and sloppily pulling your head up and down on his dick. You flick your tongue over an engorged vein, taking his balls into your mouth and sucking lightly on them, watching his eyes roll back into his head. He rests his hand on your head for support as he thrusts into your mouth at a quick, even pace.
Eventually, his cock twitches in your mouth, and he shoves your head all the way forward as he comes down your throat. When he finishes, you pull away and wipe your mouth. He helps you up, satisfied, and hugs you with a doped up grin on his face. “Thank you, babyyyy.” He stuffs his dick back into his pants.
“I’m kinda tired now.” You laugh. “Yeah, same. My mouth’s sore.” The two of you lock eyes. “Date nap?” “Date nap.”
#twiggy ramirez#twiggy ramirez x reader#jeordie white#jeordie white x reader#marilyn manson#brian warner
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APMA’s - Part 2 (Chapter 28)
To avoid listening to Andy’s voice droning on, I let my eyes wander around the venue. I scanned from table to table, picking out people I knew, my friends, people I had never seen before, to the fans up in the stands. My eyes finally made it to the table to my right where Jacoby Shaddix and the rest of Papa Roach were supposed to be, only to find the table pretty vacant, even Kelly was gone. Where the hell did they all run off to? I shook my head, trying to clear it of my curiousity as I sipped on my drink, and continued on with my roamings, only to lock eyes with Shannon at the table to the left of us. His hazel green gaze shifted from surprise at being caught, to concern as he watched me down my sixth or seventh drink, I had honestly stopped counting at this point.
The burn of the liquor flipped in my stomach as I tried my best to look away. I hated that he looked at me like that. Didn’t he know I just wanted to forget about him? To forget that I was in love with him. To forget what it was like to finally kiss him and tell him how I felt just to have it end our friendship. I wanted more than anything to just sink into the oblivion that drinking offered. I wanted the pain to go away, any possible way. But I wouldn’t be the one to blink first, thankfully or not, I’m not sure which I feel right now, his girlfriend said something that had him finally breaking eye contact with me and looking over to the stage. The voices of Jack and Alex changed to that of Matt’s from Bullet for my Valentine and Alex from Atreyu as they presented Papa Roach’s performance.
“Come on people!” Jacoby’s voice vibrated through the room, “I wanna see you up!”
The chords of Getting Away with Murder had the fans jumping up and down, screaming at the top of their lungs to each lyric. I watched as the ginger headed frontman of Memphis Mayfire, Matty Mullins joined the stage, singing the next verse before Jacoby joined back in. Bands all around the room joined the fans, standing, jumping and singing and to hell with it I was one of them. The song soon came to an end much to my sadness.
“Wooo, AP how you livin’?” Jacoby laughed out as the crowd surrounding the stage yelled. “Everybody doin alright out there? I don’t know about you guys sitting on your asses over here,” he motioned to a couple of tables next to ours, “that shit ain’t rock-n-roll, what’s up! This ain’t television, come on!”
I laughed at the affronted looks at the bands behind us at being called out, before they finally rolled their eyes and stood up, half to join the rest of us and the other half to go get drinks at the bar. The opening of Scars started and I looked at Charlie, hand on my chest as we both started to belt the first verse. These were the songs we grew up on, the ones that made us want to pursue music in the first place. The frontwoman of Tonight Alive, Jenna McDougall joined Jacoby on stage, and the crowd went wild as she started the next verse. The girls and I sang at the top of our lungs until the very last chord.
“We got some more surprises for you guys are you ready?” This man knew how to pump up a crowd.
I forgot we were honestly at an award show, it felt like all those years ago, concert jumping with my best friends.
“Hey Papa Roach,” I looked around as the voice of Kelly blared out of the PA.
“Are you kidding me?” Ace asked, exasperation clinging to her words.
I couldn’t help the laugh that jumped out of my throat as I looked over at her and Charlie, both not thrilled to see Kelly on stage, but as soon as he did the atmosphere changed to something almost electric. Brook and I leaned against each other, swaying and singing every lyric to MGK’s Til I Die. They finished up their set with Papa Roach’s Last Resort and I watched as Kelly jumped into the throng of people in front of the stage, moshing with the fans as he finished his lyrics.
“He’s lost his damn mind.” I laughed out as Brook watched him crawl back on stage.
“I don’t think he had one to lose in the first place,” She countered, that was probably true.
We waved the waitress down and ordered our next round of drinks as Twiggy Ramirez presented the Icon Award to Marilyn Manson. I zoned out, letting the haze of alcohol run its course, taking all my emotions and bottling them up. If I could get through this night without having an altercation with Andy and Juliet and another face to face with Shannon, I was going to drop to my knees and praise whoever was upstairs keeping them away from me. I hated that I felt that way about a man that I still considered one of my best friends, the man that I was head over heels in love with, but I couldn’t sit here and watch her fawn all over him. I couldn’t pretend that seeing them together didn’t hurt me, so to avoid it, I was going to drink my night away.
Soon Jack and Alex replaced Marilyn and Twiggy announcing Song of the Year. I clicked back into the award show as I watched Brendon and the rest of Panic! flashed across the screen followed by Vic and the guys from Pierce. I glanced over to Vic’s table giving him a thumbs up before turning back to the stage.
“And the winner is,” Keaton Pierce, of Too Close To Touch, started, “Panic! at the Disco’s Hallelujah. Brendon and the rest of Panic! are actually on tour right now, but we do have a small video we’re going to show.”
Everyone’s eyes moved to the screen, where Brendon sat, grin plastered across his face as he accepted his award. I glanced at the girls who all grinned back, if you looked just close enough you could see Karah’s hand in the frame, I was glad she was there to celebrate this moment with him.
“Wow guys, this is beyond awesome,” Brendon laughed, “I actually made a bet with myself that if I won this award I would do something I’ve been meaning to do for a few months now.”
Charlie grabbed my arm causing me to break my gaze from the screen, “what’s he doing?” She whispered, to no one in particular.
“I don’t know brobo, keep watching like the rest of us and we might find out.” I whispered back.
The look she gave me wasn’t one of her nicests. We both turned our heads back to the screen to see Brendon grab Karah’s hand and pull her down next to him on the leather couch.
“Everyone, this is Karah, my beautiful, amazing girlfriend and if it wasn’t for her I wouldn’t know what was up or down right now on this crazy tour.” We watched as he took a deep breath before dropping on one knee and pulling out a small ring box from his pocket, “Karah Rose, I’ve loved you since the day I met you. Would you do me the honor of being my wife?”
“Holy. Shit.” I breathed out, eyes wide as I watched our manager nod her head up and down, tears streaming down her pale face.
“Did that just happen?” Ace asked, as a wild applause broke through the venue.
“I think so.” Brook finally joined in.
“That little shit!” Charlie blurted out. We all turned our wide eyes to our guitarist, confused at her choice of words. “He didn’t even tell us!”
I couldn’t help the laughter that bubbled out of me at her outrage for Brendon not telling the four of us.
“Well that was unexpected.” Alex announced as he stepped back out on the stage.
After Neck Deep’s performance, 3OH!3 took to the stage to present the award for Underground Band. My eyes blurred as the faces of the nominees flashed by, Too Close To Touch followed by Moose Blood, then Our Last Night, everyone at our table whooped and hollered as Matt, Trevor, Woody and Tim’s faces crossed the screen. Charlie leaned against Trevor, their hands intertwined as we waited with baited breath for Sean Foreman to announce the winner. The other half of 3OH!3, Nathaniel Motte, stepped up to the microphone.
“The winner is,” he glanced back down at the paper, “OUR LAST NIGHT!”
Trevor sat in stunned disbelief as the rest of our table jumped up yelling. Charlie had to jostle him a bit before a wide grin painted his features as he stood up, sweeping her up into a full bodied hug and planting a kiss on her grinning lips. I stood next to Brook and Ace as we cheered on our friends, Trevor finally let Charlie go to join us as he ran to catch up with the boys, who were halfway to the stage. After accepting their award and giving their speech, which consisted of Trevor telling Charlie how much he loved her and the guys thanking the fans, they made their way back to our tables, where we proceeded to have another round of drinks. Halfway through Beartooth’s performance Jared, Shannon and Tomo disappeared, causing Ace to look around in confusion.
“Hey I’m sure everything is fine.” I attempted to keep her calm.
“He just knew that this category was a big deal, this is the one we really want.” Ace’s voice went up another octave.
“I’m sure he has a good reason Ace, just take a deep breath.” Charlie said from Trevor’s side.
A good reason he did have, since at that moment they appeared on stage to present Breakthrough Band.
“See good reason.” Brook laughed.
We watched as I Prevail, Knuckle Puck, Neck Deep, Set It Off and State Champs’ pictures flashed across the big screen followed by our picture from the big AP Warped Tour Edition spread ended the list of nominees. I reached beside me and grabbed Charlie’s hand before snatching Ace’s who was holding on to Brook’s for dear life. I don’t think I had ever felt this nervous or sick until this very moment. I could hear my heartbeat in my ears and my pulse quickened with adrenaline. Jared stepped up to the microphone as Shannon held the award and Tomo the envelope.
“And the winner for Breakthrough Band is,” Jared paused dramatically.
“I swear to god, I’m going to kill him,” Ace seethed through gritted teeth.
“Just deny him sex for the next month.” I grumbled out.
“Yeah but then she’s without it too.” Charlie argued.
“Fuck! I wish he didn’t feel the need to be so damn aggravating.” Ace mumbled.
“GRACE OF THE FALLEN!” The three of them announced together.
“Wait, what?” I think my brain just broke. “Did they just say Grace?”
“Holy! FUCK! We won!” Charlie exclaimed, jumping out of her seat screaming.
Trevor and Pete stood clapping as we managed to climb out of our seats. My legs felt like jelly as I stood away from the table. I don’t know how but my feet managed to get me to the stage and up the stairs to accept our award. I hugged Tomo while Jared kissed Ace and Brook took the offered award from Shannon’s hands.
“Holy shit,” I sighed into the microphone. “I guess this is actually happening. Umm-we’d like to thank our fans, without you guys we wouldn’t be here right now.”
Ace moved from Jared’s side and took over the speech, “We’d also like to thank our label, Interscope, along with our friends, family and loved ones.”
With that we were ushered through the back to give an interview and then let back to the main floor to finish up the night. The rest of the show was honestly a blur, after winning I started slamming back shots in celebration followed by more Jack & Coke’s. The girls drank but at a slower pace and with more control. We watched Of Mice & Men’s performance followed Andy’s and then A Day to Remember closed out the night. In the end Jack won the mock presidential campaign, reigning supreme over Alex and then it was announced the after party would be held at Skully’s Music Dinner being hosted by Every Time I Die and Issues. I guess it was time to get the real party started.
Chapter 29
#warped tour#warped tour story#shannon leto#shannon leto story#shannon leto imagine#jared leto#pete wentz#trevor wentworth#tomo milicevic#tomo miličević
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TW: Graphic descriptions of rape and domestic abuse.
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“I met Jeordie White when I was 18 years old. I was not experienced in healthy relationships, and up until meeting him I assumed all relationships were that women’s role was to act subservient. Unfortunately, this was all I knew, as I had grown up with an abusive father who conditioned me this way.
We moved in with each other rather quickly, much to my mother and Aunt's dismay. We lived with a roommate named Pete. Pete was kind, caring, and treated me like a younger sister. He often protected me when Jeordie's temper began to show itself. In some warped way, this became my unhinged make-believe 2nd family.
Once our band Jack Off Jill started to gain a following locally, abuse and mild violence between Jeordie and I began to escalate. He got increasingly jealous when I hung out with male friends. He jumped into the New River as a protest to me giving a male friend a ride home. He began to body shame me. He slashed my tires. When I came home late one night, he put one of the stuffed animals he bought me into the burning oven in the kitchen. But, I stayed, because I was conditioned since a child to endure my abuser. And this for me… was love at 19.
The physical abuse did not start until a few months later when Jeordie took a cage full of our pet white mice and dumped them into my mother's car that I was borrowing at the time. That is the first day I can remember him hitting me over me over and over as the mice scattered. He later apologized profusely and said it would never happen again.
But it happened again, and again, and often. He stacked junk yard TVs in front of my car so I could not leave as he did not have a car or could drive at the time. Everything he did was in order to control me or fat shame me. I fought back, but I was never able to find the courage to leave. I was broken. He was able to take my power away while still projecting that he cared for me.
On Christmas Eve of 1993, my friend Brad Stewart aka Gidget Geinof (bass player and co-founder of Marilyn Manson) was hospitalized after overdosing on heroin. While hospitalized, Brad received a message from Marilyn Manson's lawyer via FedEx that he was fired due to his drug use. Brad was replaced by Jeordie White, who Manson renamed Twiggy Ramirez. In order to cement his spot and further humiliate Brad and myself (who he thought I was having an affair with), Jeordie adopted Brad's colorful dreadlocks, moppet persona, and stripped tights with shorts look. He also began to wear my thrift store dresses and put on his make up like mine. He eventually would get dresses made to look exactly like the ones I wore. Jeordie overnight went from dressing like he was in Metallica to unabashedly wearing dresses in Marilyn Manson within weeks. Not only did he abuse me, but he also managed to unapologetically take an identity that I created for myself, and run with this as his own.
Trent Reznor was in South Florida around this time and we all went out on night. Trent and I struck up a conversation and Jeordie became so enraged he demanded we leave immediately. He began driving my car erratically on the highway, all the while punching me the chest several times,knocking the air out of my lungs. He proceeded to rip off the rear view mirror and threw it out the open window. Throughout the madness, this was a rather poignant moment. He just couldn’t bear to face himself in that mirror. So he proceeded to destroy it. Perhaps after everything he had done to somebody he claimed he loved was the sick reason he needed to become somebody else.
I feared for my life that night. I stayed awake while he slept. At this point I wanted to leave him, but at this time most of my friends who had not moved away were also too enmeshed in the Manson camp to find a way to do the right thing and stand up for me. No one was comfortable speaking about it, let alone thinking of exposing to the world the horror I was dealing with.
During a short break on tour opening for Nine Inch Nails, Jeordie returned home to what was just Pete's apartment, as I was now staying with friends. I knew at that point that Jeordie had not been faithful on tour, including being with women whom I to this day respect and considered my musical contemporaries. All this led to an argument I never saw coming. He forced me on to the floor with his hand around my neck. I said NO. I said NO. I said it so loud enough, that Pete came rushing in from the other room to get him off of me. But I had been raped. I had been raped by somebody I thought I loved. That night I slept in Pete's bed and cried myself to sleep. Neither of us discussed it until years later as we both had our own shame about not reporting it.
It's never easy to tell the truth when you know how much backlash you'll receive. But feeling guilt and shame about now knowing I am not my rapist’s only survivor has been an even worse albatross to bear.
I saw Jeordie throughout the 90's. I even toured with Manson in 99' after being convinced by my label it was best for our band. After that I was tired of being told what was best for me by people who did not care if these decisions were painful or put me in harms way.
Some of you reading this may know Jeordie White. You might know him as the funny guy who you shared a moment with. Or the guy who held the door for you when you left the gig. Or the cool guy who played on your last album. I know first hand that Jeordie, but I also have lived with and survived the other, less known Jeordie White.
For women to own our power we must stand up for each other. It's the only way we can confront and combat men who think they hold power over us. I am thankful to know that there are men out there who do not share this gross ideology and stand with us. This is an intersectional uphill battle for women and the men who are scared for their reputation with other men to defend us.
To those of you who are reading this and it has allowed you to come to terms with your demons, I am sending you all of the love in my heart, the support I can offer, and the respect you all so deserve.”
#jessicka addams#jack off jill#rape tw#abuse tw#rape //#abuse //#joj#jeordie white#twiggy#twiggy ramirez
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Marilyn Manson Ozzfest 1997
#horror#1997#ozzfest#ozzy osbourne#90s music#marilyn manson#icon#legend#i stand with manson#i stand with marilyn manson#i stand with twiggy ramirez
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What are your personal opinions about Natsumewolf´s comic on DA? To me, it just seems like another Wolfs rain rip off, hence I never really was intrested in reading it fully (just a few pages or so back then when I was still a teen) but it appears to be one of the most popular wolf comics on DA and is praised quite a lot.
I’ve mentioned my distaste for it and the creator a few times, but I really, really want to go in-depth with it someday. This is another comic where I despise the creator for shit they’ve said.
NatsumeWolf Oct 24, 2017 "Rape Culture In America" Sorry to burst your bubble. But that simply does not exist in America. And the very fact that I have to elaborate that shows who is the one who is truly "Wasting" their time here. If there truly was a " Rape Culture In America " Then people like Brock Allen Turner would be freely walking the streets and continuing to harm women! The very fact that he was prosecuted, sentenced, charged AND GETS DEATH THREATS ON A DAILY BASIS FROM WOMEN, MEN AND OTHERS IS PROOF THAT THERE IS NO RAPE CULTURE IN AMERICA. If there was, then no one would care. No one would have jumped to defend Emily Doe! No one would have done anything! AND He would not be condemned like he is today!It's just sad at this point that someone who has been sexually assaulted twice before the age of 14, someone who gets cat called on a daily bases, someone who gets followed home by strangers, someone who has had a fucking stalker has to explain this to a sheltered feminist that there is no rape culture in the US! If you want to see a real " Rape Culture " There are loads of places over seas that truly have that! In one particular place if a woman is raped she is forced to marry her raper. WE DON'T HAVE THAT HERE IN THE UNITED STATES! This image. IS JUST AN IMAGE OF TWO FICTIONAL CHARACTERS HAVING A FICTIONAL INTERACTION! Adoth is a monster! He is the " Bad Guy ". I wanted to do something that did not forgive what he did, but simply show a new prospective from a naive child who is a product of a horrible circumstance! In no way do I excuse his behavior! In no way is this "normalized"! If I did then I would have had Natsume forgive him and end up with him Much like in Game of Thrones when Dani ends up with Kal Drogo. But that is NOT THE CASE!Look. I think it's wonderful how much compassion you have. But it is so misguided. You are making an issue out of utterly nothing. I know you think you are standing up for the voiceless, but when there is no voices to begin with you are fighting a loosing battle. Well more like a non exiting battle. Again, these are fictional characters in a fictional situation! Adoth and Yvaine will never meet in the comic! Adoth and Natsume both die at the end! This is a fictional situation!
and
NatsumeWolf Edited Oct 28, 2017 *Calls me uneducated while providing fabricated numbers and misinformed facts without citations or actual facts* Who's the uneducated one here? Sorry but articles from Every Day Feminism and Buzzfeed don't count as actual facts. I am surprised the liberal feminist teachers in your college allow that. In real colleges you have to provide citations when making a point, but lets face it. I could give you fact after fact with citations and real life experiences and because it does not fit your narrative you will excuse it and throw insults because you have nothing else in your arsenal. ( You still have not given an example or explain how we live in a rape culture, but okay!) Yes, Brock Turner is the perfect example of how there isn't a rape culture in America. If there was, as I said it would not have created such an outrage. He gets death threats on a daily basis. I am sure if you did your research you could look up his number and ask him or his parents yourself. I would provide you with the number but doxxing is against the law. So that wasn't enough for you? Okay, what about a more recent event. Twiggy Ramirez. He was just accused of sexual misconduct from a well known liar. She could be telling the truth, or she could not. But that does not changes the fact of the outrage over it. Want me to provide an example, Sure thing, here we go! twitter.com/search?q=Twiggy%20… That is his twitter. Look at all those comments of people voicing their outrage. More outrage than support. What about Harvey Weinstein! Look at the outrage against him for his sick disgusting acts! Or how about Bill Cosby! If we lived in a rape culture, NO ONE WOULD CARE! I could bring up every rape case in the last year and show you every single source of outrage but that would take too much effort and you simply are not worth it!Maybe if you were more educated you would see that some of the rape cases are false! Women simply getting revenge on someone because of something so stupid. Take for instance " The Mattress Girl " who lied about a boy raping her and because of that he ended up committing suicide! Source here ! : www.youtube.com/watch?v=0pwQSn…Citations for video here ! : www.minds.com/blog/view/752265… Oh not enough for you? What about the woman who lied about getting raped by several men getting some arrested! Soruce her nypost.com/2017/08/25/woman-he… and here ! www.youtube.com/watch?v=5xBdxT… (citations in description ) and there is more where that came from.Where are you getting Iran from? I don't care what you are majoring in! That has nothing to do with these fake characters you are bitching about. And yes you are triggered! Look at this mountain you made out of a pebble. Bet you're real fun to hang around with. At his point you are nothing more than a walking cliché of a unstable feminist.ANYWAY~ There is no point in refuting anything because you are just going to be triggered again and again and it's just going to be this vicious cycle of abuse. To reiterate, you were triggered by this image of something that isn't real. That to me is just... well there is no nice word for it but it's crazy. I was astounded by your reaction to utterly nothing. A non existing situation. I am just frightened by you and your response. I have had my share of dealing with mentally unstable people in the past and I can not handle another one. A non existing situation... thats what triggered you... a non existing situation of fictional characters that do not exist in your life... you are scary! Very scary! Again I will say this YOU WERE TRIGGERED BY SOMETHING THAT DOES NOT EXIST!I am thrilled this is our last conversation because I can not mentally take this any more. You turned a simple picture of a naive child meeting her monster of a father into this crazy situation. Please.. just stay away from me. Don't come on my account. Don't look at my images. Don't bother my friends or family. Just leave me alone and keep your crazy away from me. You are being blocked after this. DO NOT CONTACT ME AGAIN! If you do, the staff with be informed. I repeat, do not contact me! It was my fault for indulging you. I see that now. I never should have fed into you. Because that is what people like you want. But no more. Stay away from me!
In case you want some context: https://natsumewolf.deviantart.com/art/Not-a-monster-in-her-eyes-681380335
Anyway, the comic is at 500 pages, so that’s definitely a big reason why I tell myself “yeah I’ll rip it apart some other day.” Today is not that day. Tomorrow probably won’t be either.
- Dr. Salt
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My Top 100 Favorite Albums of All Time (Part 1: 100 - 81)
Greetings, followers! Next Friday, December 8th, is my 32nd birthday. And because I'm honestly surprised I've survived this long (and because music is a big reason that I have), this year, I decided I wanted to do something special to mark the occasion. I've always enjoyed the sorts of lists that music publications put together, so I've made my own: My Top 100 Favorite Albums of All Time. This list will serve as a great indicator of which albums have influenced me the most over the course of my first 32 years on this planet. For the next week, I will be posting up a new section of the list every night at midnight PST, before culminating with my top 5 on my birthday.
Before we begin, a few notes about the list. This is going to be a little different from most lists in music publications, because it's completely based on my own tastes and preferences. By no means am I claiming these are the best albums, only that they are the ones that I like the most. This list is not solely about the music itself, but the experiences I've had which are connected to the music. For that reason, the list is frequently going to delve into my specific memories, and examine the albums from my perspective rather than an objective, "detached" angle. With each album, I've also listed a few "Prime Cuts"— the songs which stand out the most for me.
When considering this list, there were two major criteria each album on this list had to meet for it to be included:
· #1. I must have listened to the entire album, from start to finish, at least once, and be acquainted with every song. This is sort of an obvious rule, but I included it specifically to make a point, that a single great song isn't enough justification for a spot on this list. The entire album has to hold up.
· #2. Original studio albums only, no compilations. This was a really big rule. A huge chunk of my music library consists of "Best Of" compilations. For that reason, this list isn't entirely representative of the full breadth of my musical tastes. It's the reason, for example, that the Smashing Pumpkins, Alice in Chains, David Bowie, Björk, Dream Theater, and many, many other artists that I like didn't end up on the list. That said, all of the ones who did end up on here are very deserving of their places here, for holding my interest with their albums.
Now, with that out of the way, let's begin, with albums #100 - #81:
100. The Raven That Refused to Sing (And Other Stories) – Steven Wilson (2013)
Expect to see a lot of Steven Wilson's work on my list. Ever since my first encounter with Porcupine Tree in my early twenties, his music has had perhaps the most profound impact on me of any single musician's. For his third solo effort, Wilson created a unique concept album consisting of various ghost stories in song format, with a heavy dose of '70s prog sensibility. While not my favorite of his work, The Raven is still a remarkable showcase of technical proficiency and pathos (and its title track is one of the few times I've ever heard Auto-Tuning used in a truly creative manner).
Prime cuts: "Luminol", "The Raven That Refused to Sing"
99. Broken – Nine Inch Nails (1992)
While the format of an EP may not provide as lengthy and immersive an experience as a full studio album, Trent Reznor certainly didn't pull any punches with this one. Broken is perhaps the most raw and hard-edged selection in NIN's impressive catalogue of halos, occasionally even making The Downward Spiral seem a bit tame by comparison. When I first began delving into industrial music as an angst-ridden teenager, there was nothing in my music collection quite as hard-hitting for me as Broken— its primal rage served as a powerful cathartic mirror or my own, and ever since then, it has served as a visceral reminder of how far I have come.
Prime cuts: "Wish", "Happiness in Slavery"
98. Thirteenth Step – A Perfect Circle (2003)
Another name you'll be seeing frequently on this list is Maynard James Keenan, the vocal talent behind Puscifer, A Perfect Circle, and of course, Tool. Here, Maynard and APC's other primary member Billy Howerdel were joined by some pretty stellar talent from other bands, including James Iha from the Smashing Pumpkins and Jeordie White (formerly Twiggy Ramirez from Marilyn Manson). I think Thirteenth Step is probably objectively the best of A Perfect Circle's albums, even if it isn't the one I call my personal favorite. With a name that references twelve-step sobriety programs, this is another concept album, with each of its songs serving as a different perspective on the difficult prospect of recovery from drug addiction.
Prime cuts: "The Outsider", "Pet"
97. Walking on a Flashlight Beam – Lunatic Soul (2014)
If you haven't heard of Polish prog rocker Mariusz Duda, I encourage you to check out his two most prominent bands, Riverside and Lunatic Soul. While Riverside is a more straightforward progressive metal act, Lunatic Soul has primarily served as Duda's personal project for channeling the more emotive aspects of his artistry. Which isn't to say it can't occasionally be heavy or dark too, as this album demonstrates—Lunatic Soul's conceptual basis has to do with the afterlife, and nearly every track here has some sort of eerily menacing undertone, even while veiled beneath layers of hypnotic beauty (as in the best track on the album, the bass-heavy Middle Eastern-flavored "Gutter").
Prime cuts: "Gutter", "Pygmalion's Ladder"
96. Tip – Finger Eleven (1997)
This is one of many picks which is probably here primarily due to nostalgia. I bought this album in 2005, while visiting a friend in Toronto—my first time extensively traveling alone, and my first prolonged experience with Canada. I specifically picked it because I wanted to sample something local. To this day, I can't help thinking about that trip whenever I listen to it. Over the years, Finger Eleven has received a bit of a reputation for their association with the nu metal genre, but on this album—their formal debut—there really is no trace of it. Instead, Tip is a collection of solid, straightforward late 90's alt-rock. Not a bad introduction to Canada, eh?
Prime cuts: "Above", "Glimpse"
95. Dear Science – TV on the Radio (2008)
Although music journalists often cite their 2006 album Return to Cookie Mountain as the pinnacle of their achievements, I truly believe TV on the Radio's best, most cohesive work is on this album. Perhaps I'm biased, because this was also the album that introduced me to them. Their eclectic blend of indie rock, funk, and jazz was much appreciated during a period when I was looking to branch out and expand my musical tastes.
Prime cuts: "Dancing Choose", "Golden Age"
94. Make Yourself – Incubus (1999)
Make Yourself was the first real mainstream success for Incubus, and for good reason. The album is a good mix of alt-rock crunch and nu metal style—essentially, the best of both worlds, in terms of rock radio in 1999. I first became interested in Incubus years later, in my early twenties, while attending college in Florida, and for me, this music is now inextricably linked with that experience. With lyrics about self-realization and reassurances like "not everyone here is that fucked up and cold", Make Yourself is probably one of the sunniest albums in my collection—but it is also a great demonstration that positivity doesn't have to mean sacrificing hardness.
Prime cuts: "Pardon Me", "The Warmth"
93. I Against I – Bad Brains (1986)
Truthfully, I'm not really a huge fan of punk rock. I listen to some bands within the genre to add a little variety to my playlist, but it's never really been my scene, largely because the music is often built on an ethos of sacrificing melodic appeal for a faster tempo and an abrasive attitude. I Against I is one major exception, from a band that was rather unconventional even among their fellow punk peers at the time. Taking cues from heavy metal, funk and reggae as much as hardcore punk, Bad Brains' most successful album surprised me with its musicality on my first listen, and had me coming back for subsequent listens.
Prime cuts: "I Against I", "Secret 77"
92. The Crane Wife – The Decemberists (2006)
One of the Decemberists' most cohesive and accessible albums, The Crane Wife demonstrates the band's taste for esoteric lyrical matter, with songs about subjects ranging from Japanese fables and Shakespearean stories, to the real-life story of a besieged seed vault in WWII Leningrad. Simultaneously, the album also showcases the Portland indie band's musical versatility, as they dabble in hard rock, disco-funk and progressive.
Prime cuts: "O Valencia!", "The Perfect Crime #2"
91. American Idiot – Green Day (2004)
2004 was sort of a watershed year for me in terms of my development toward adulthood. That was the year I graduated from high school in Georgia, and my family moved to Florida, where (as stated earlier) I began my college life. It was the first time I had enough independence from my family to really develop a sense of confidence in my own political leanings. It was also smack dab in the middle of George W. Bush's administration, and the first year where I was able to vote in a presidential election. In the midst of all the discontent over the Iraq War and the rise of terrorism, Green Day released an album which not only revitalized their careers and reinvented them as politically relevant in the 21st Century, but also succinctly encapsulated my own feelings of alienation toward an incompetent and repressive conservative government and an American public that seemed to have chosen faith and fear over reason and intellect.
Prime cuts: "Holiday", "Boulevard of Broken Dreams"
90. Four – Bloc Party (2012)
Although it has sometimes been argued that Bloc Party has always been a band of diminishing returns (and I admit, there may be some validity to that argument), it hasn't stopped me from having a soft spot in my heart for them (which I will explain later). The band's appropriately-named fourth album Four is the lowest one on my list, but I wouldn't say it's a bad album (a claim which I sadly can't make about its successive album, Hymns, which didn't even make my list). In truth, this album was actually a bit of a return to form for them, with some of their hardest and edgiest material since Silent Alarm. Conversely, I think it also contains some of their most successful material with a mellower vibe as well. Overall, a decent album, and one which I really hope will not go down as the band's last gasp of vitality.
Prime cuts: "Kettling", "Day Four"
89. Audioslave – Audioslave (2003)
Combustion and fire imagery runs rampant on Audioslave's self-titled debut. As motifs go, it was an apt metaphor for the incendiary mixture of one part Soundgarden with three parts Rage Against the Machine. Both were defunct bands I had been hoping to hear from again, so when Audioslave formed from the ashes, I was really fired up myself. So fired up, in fact, that I got tickets to Lollapalooza '03 when it came to Atlanta, mostly to see them (and, admittedly, the other headliner, Jane's Addiction). Despite being horribly sunburned and then drenched by rain, I walked away with one of my most unforgettable concert experiences ever (as well as a poster autographed by Tom Morello!).
Prime cuts: "Gasoline", "Like a Stone"
88. Voids – Minus the Bear (2017)
The most recent entry on this list, Voids was my first encounter with Minus the Bear, a Seattle band which has (to my surprise) been around for over a decade now, redefining the term "progressive rock". At first listen, Voids seems more or less like straightforward indie alt-rock, albeit polished to a nostalgic Reagan-era sheen. Each song feels like it could easily be a commercially viable single. However, it is in the soundscapes intermittently scattered throughout the songs—brief reprieves where the catchy hook delves into a loop where time signature seems to be upended by some arcane logic—where the music is finally revealed to take on a progressive edge. Combined with Jake Snider's distinctive vocals, the songs on Voids offer a tasty blend of everything good about rock to emerge in the past four decades: 80s synthpop, 90s alternative, 2000s indie rock, and 2010s style.
Prime cuts: "Invisible", "Silver"
87. The Incident – Porcupine Tree (2009)
According to Steven Wilson, there's a good possibility this really is Porcupine Tree's swan song. So, what to say about (presumably) the final album of one of my favorite bands? Admittedly, I don't think it quite measures up to most of their earlier work—but if this really is their goodbye, it's still a hell of a way to go out. The Incident is a two-disc set, with the entire first disc taken up by the first "song" (which has been broken up into named movements and portioned into tracks for easier listening). Apparently inspired by an encounter with a highway traffic jam as a result of a gruesome accident, the song is a meditation on 21st Century detachment and antisocial behaviors in a media-saturated world, with the nostalgic Pink Floydian epic "Time Flies" serving as a centerpiece. While the second disc may seem like an afterthought after listening to the first, particularly with its much shorter running time, it does include some gems as well. Overall, despite not quite being up to par for Porcupine Tree, it still allows the band to bow out with an enormous amount of dignity and an intact legacy as one of the finest progressive bands of the past thirty years.
Prime cuts: "The Blind House", "Bonnie the Cat"
86. Mirrored – Battles (2007)
I'll say it: Mirrored is a badass album. Probably not the first adjective that comes to mind for many after hearing Tyondai Braxton's liberal usage of incomprehensible, distorted, chipmunk-on-helium vocals, but I think it fits. Experimenting and innovating is badass. Having a sense of humor is badass. Dave Konopka and Ian Williams's guitar work is badass. And in my view, the most badass thing about this album, the thing that really anchors it down and makes it function properly, is Helmet drummer John Stanier's prodigious rhythm-keeping, reliable as clockwork even through odd time signature changes and gradual tempo shifts. Not since discovering Rush has there been an album where I felt the drummer was as integral to everything working.
Prime cuts: "Atlas", "Rainbow"
85. Rage Against the Machine – Rage Against the Machine (1992)
In more ways than one, this is an album that presents itself as being revolutionary. The self-titled debut from Rage Against the Machine introduced the world to a mixture of rock, rap, and politics that had never been seen before. I discovered this album in high school—of course, by then, about a decade had already passed since it had been released. Initially, the big points of my attraction to this album were Maynard James Keenan's guest appearance in the song "Know Your Enemy", and the prominent appearance of "Wake Up" at the end of The Matrix, but I quickly learned to appreciate the rest of the album from start to finish. Though the album is perhaps not as polished as their subsequent work, in a way, for a band like Rage Against the Machine… that raw sense of unbridled vitriol sort of works in their favor.
Prime cuts: "Killing in the Name", "Wake Up"
84. Himalayan – Band of Skulls (2014)
Good new hard rock has been getting harder to come by lately. I discovered Band of Skulls after hearing the track which they contributed to the HBO series The Jinx: The Life and Deaths of Robert Durst. After listening to a handful of songs off of Himalayan (which was their latest album at the time), I was sufficiently impressed to snare myself a copy. Though the bulk of the album is comprised of '70s garage-style rockers, the band isn't afraid to show a little variety— slowing things down a bit with the dramatic flair of the Tarantino-esque "Cold Sweat", and conjuring up a psychobilly surf-rock vibe with "I Feel Like Ten Men, Nine Dead and One Dying". In my view, the album's title actually seems rather appropriate—its musical journey feels very much like traveling up to the top of a craggy, larger-than-life mountain peak and then down again.
Prime cuts: "Hoochie Coochie", "Nightmares"
83. Brothers – The Black Keys (2010)
Around 2010, I was in a real dry spell concerning music. My reliable choices for listening had all but vanished: Porcupine Tree went their separate ways for Steven Wilson to work on solo projects, Bloc Party and Nine Inch Nails were on hold, there was no news from Radiohead, Modest Mouse or Tool, and Octahedron wasn't quite holding my attention the way that previous albums from the Mars Volta had. A new decade had begun, and I desperately needed something fresh to listen to. Into this void, Brothers was released, and I was introduced to the Black Keys. Admittedly, it wasn't quite what I had been expecting to quench my drought— the album's vintage blues rock sound was undeniably a throwback— but it was just such a fun and well-orchestrated album that my initial impression of it being a lost recording unearthed from a time capsule after fifty years was quickly deemed irrelevant. Old was new again.
Prime cuts: "Tighten Up", "Howlin' for You"
82. A Weekend in the City – Bloc Party (2007)
Some albums, regardless of quality, are etched into your memory by proximal experiences—i.e., the things that happen in your life around the same time. A Weekend in the City was one of those albums for me. With its major thematic underpinning being the alienation of life in an urban environment, it's hard for me to say it wasn't an absolutely perfect album to coincide with my move from the suburban sprawl of Florida to the city life of Vancouver. This album essentially became the soundtrack to my culture shock. It is perhaps a more oblique album than its immediate predecessor—a merely good follow-up to a great opening act— but with songs inspired by Bret Easton Ellis novels, racial tension, and terrorism paranoia, it ended up being an essential initiation for me into a larger world than I'd ever experienced before.
Prime cuts: "Hunting for Witches", "Where Is Home?"
81. Californication – Red Hot Chili Peppers (1999)
Until the age of 14, admittedly, I was rather clueless about contemporary music. My childhood was dominated by oldies radio, to which my parents listened. I didn't start to gain a feel for my own independent tastes until I began to watch VH-1 circa 2000, and developed an interest in music videos. Red Hot Chili Peppers had recently released this album, and videos from it were still in heavy rotation. The videos for "Otherside" and "Californication" absolutely fascinated me—they were both so creative in concept that they served as a catalyst in my continued discovery of new music. The album ended up in heavy rotation throughout my teen years, whenever I was in the mood for something a bit more upbeat. Even as my tastes have matured with age, this one sticks with me, and stands the test of time.
Prime cuts: "Otherside", "Californication"
Well, that’s it for now, but stay tuned for Part 2 tomorrow, where I’ll reveal albums #80-61!
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Marilyn Manson fires longtime bassist accused of rape and abuse
BTW
Marilyn Manson has “decided to part ways” with longtime bassist Jeordie White (aka Twiggy Ramirez) after allegations of rape and domestic abuse surfaced.
I have decided to part ways with Jeordie White as a member of Marilyn Manson. He will be replaced for the upcoming tour. I wish him well.
— Marilyn Manson (@marilynmanson) October 25, 2017
Last week Jessicka Addams, of the South Florida punk band Jack Off Jill, detailed allegations of rape and abuse against White, whom she dated in the ’90s. In a Facebook post she claimed White verbally, physically, and sexually abused her over the course of their relationship. Addams also claimed that Jack Off Jill’s label advised her not to go public with the allegations. She vaguely referenced the allegations in a 2015 interview.
“For women to own our power we must stand up for each other,” she wrote. “It’s the only way we can confront and combat men who think they hold power over us. I am thankful to know that there are men out there who do not share this gross ideology and stand with us. This is an intersectional uphill battle for women and the men who are scared for their reputation with other men to defend us.”
White has not responded to the allegations but last week Manson said in a statement: “I knew Jessicka and Jeordie had a romantic relationship many years ago and I considered and still consider Jessicka to be a friend. I knew nothing about these allegations until very recently and am saddened by Jessicka’s obvious distress.”
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Update 12:09pm CT, Oct. 26: White has released a statement regarding the allegations: “I have only recently been made aware of these allegations from over 20 years ago. I do not condone non-consensual sex of any kind. I will be taking some time to spend with my family and focus on maintaining my several years of sobriety. If I have caused anyone pain I apologize and truly regret it.”
H/T Vulture
Read more: http://ift.tt/2z6pvtv
from Viral News HQ http://ift.tt/2Aj4NXP via Viral News HQ
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Had a bit of a break, got my top surgery done this week so I've been sleeping it off.
Will get back to digging up the truth, however, I'd say most of it is already on the site ready to be read and shared.
justicefortwiggyramirez.com !!!!
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