#i should make a more specific art tag so its easier to search for my art on my blog. but i havent come up w one yet
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thewormsdontstop · 1 year ago
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"This is exactly why I hate childhood friends..."
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todayisafridaynight · 4 months ago
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I largely keep to myself in fandoms, only picking up the odd friend here-and-there or joining a group chat if I'm feeling brave enough. But all of this Twitter talk is making me want to try engage with folks on the platform too! My only gripe isn't even surrounding the community, since you can curate your space like you said, it's the lack of organisation and the dreaded infinite scroll on pages. I adore Tumblr for how easy you can come back to a particular post you reblogged a long time ago, or venture through the tags on somebody's page... but it feels as though that's not possible on Twitter with how it operates. Are there any ways to get around this? 🤔
tl;dr - if you're trying to find a specific topic on someone's page, type 'topic (from:@Username)'
example: minedai (from:@Snapperoni)
if you're trying to save a post to look at later, you can either use twitter's own bookmark feature, or you can use your browser's bookmark feature
long ass unnecessary winded edition below the cut
twitter's less organized than tumblr since tumblr's meant for proper organizational blogging instead of status-update-type posts like twitter (even if its blog tag search system only decides to work depending on the phase of the moon on tumblr), so fundamentally its going to be a little more awkward with organization. there's some things you can do though, and it's not impossible: it's just a little extra work
in my experience it's a lot easier to just 'run into' new accounts and posts once your algorithm knows what you like and i prefer to use twitter that way for finding art or discussions im interested in. trusting the wind and all and the wind's done me well to show me excellent art.
you can help curate your algorithm by going into your Settings -> Privacy And Safety -> Content You See. you cant manually type in topics to add (you CAN save searches though if that's anything: it just means you dont have to type in the thing you want to search when you go to the search bar), but again once you start liking posts it'll start to recommend topics like 'Yakuza' that you can add. you can also remove topics you dont like once they show up in the list under Content You See -> Interests
another way around is to just search your interest (i.e. 'baseball') and just start liking/retweeting a bunch of posts and the algorithm will do the rest for your For You page. following accounts posting the topic you like also helps (obviouslylol)); searching terms on twitter is a fine way to see people post about a thing you like. its like tumblr in that it'll only show you posts that have the tagged word (i.e. 'minedai) in the actual post (i.e. 'if i think about minedai for more than three seconds im going to eat gravel')
at most for coming back to a post you like, you can use the bookmark feature: ive used it. A Lot. and True it gets harder to find older bookmarks as time goes on but for what it is it's been nifty for me. i dont exactly look at bookmarks any older than maybe a month at this point, so it doees its job fine for my needs. if you're on desktop and you really want to save a post without using twitter's bookmark feature, then you can always use your browser's own bookmark feature (i do that with tumblr posts sometimes. it's definitely easier to organize things that way but i also can see how it might appear cumbersome)
trying to find a specific post or type of post from someone's 50/50 though, like tumblr (because i repeat its tagging system is only so reliable sometimes). unless they use tags or you remember a particular phrase they put in the post (you can search specific terms, that including tags) then you just have to scroll i fear. other than that, if you search the term you want and the account youre trying to look through (i.e. minedai (from:@Snapperoni) then it should show up: if anything, twitter's more reliable in actually showing you the post you're looking for so long as you have the term typed correctly
and ermmmm yeah i think thats all i got LOL. best of luck to using twitter
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anthraxplus · 2 years ago
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forgive me for writing so much about tumblr but i have a lot of thoughts
here's the thing about tumblr. i've found it interesting how we continue to call our profiles our "blogs" even though they function differently to the common idea of a blog (like livejournal). but in a way, calling our profiles our blogs makes sense. they're our place to post things we've made or repost content we like. it's more personal than twitter, which has an "information" or "discourse" lens applied to it. the focus on twitter has increasingly been to encourage sharing of information (i.e news or opinions). tumblr's focus has always (afaict) been to encourage sharing of our creations, kinda lumping blogging in there as "self expression" or something to that effect. technically speaking, artists should be more at home on tumblr than on twitter.
but people using their blog as ONLY a blog (no reblogs, just their thoughts or creations - like a livejournal) are in the minority on this site, right? make no mistake, i follow tons of artists who use their blog in a very focused way, but mostly we're all reblogging other people's posts, putting their art on our blogs and riffing in the tags on people's jokes. it is very much a site of Content, Things To Share. the fact that we can blog on here almost feels oddly secondary. but, ok. tumblr is a site for people to post their creations/content, and said content finds an audience through being discovered or reblogged.
so why is it so damn hard to find anything?
like, ok, obviously we can do that. type words into the search bar and you will definitely find posts. but dont you often wonder why the hell some posts showed up in your search and others didnt?
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you're telling me filtering searches by top posts of all time isnt showing me the post that has this exact string of text (+- punctuation), but is showing me posts that... have those words in them, scattered, and sometimes not even that exact word ("piss" vs "pissing")?
what about when you try to search for a word or phrase that you KNOW is on a blog in some post, but searching for it brings up NOTHING? i just had to deal with this when searching someone's blog for a specific post i had just seen on my dash - i can only imagine tumblr told me no such post existed because it wasnt tagged with that word.
and all of this feels so obviously wrong, right? even without tags, we should be able to search for words or phrases in a more reliable way on both the site and our blogs. i dont think im alone in the thought that the search function is almost useless - even if it gives me what im looking for sometimes, it can be a struggle, and mostly it just doesnt feel worth it. this is how we can keep ourselves in insular circles and struggle to break out of them. it is literally easier to do this than it is to find new shit.
so, yknow, staff isnt wrong when they say this:
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tumblr does need growth, but not necessarily by attracting new users (though, idk, i wouldn't mind that). tumblr needs internal growth. this site is stuck in the early 2010s in a way that is baffling to me, and it has continuously failed to adapt to its userbase's needs in a way that honestly doesnt make sense, and when they do change something, it just ends up causing more strife between staff and users.
so, for example: tumblr needs money to keep functioning, obviously. the common practice is to have ads on the site. but oops, the ads suck and everyone hates them. ok, allow users the option to pay to get rid of ads. but oops, a lot of people dont want to give money to the site that continuously breaks itself (among many other complaints). ok, meet users in the middle and allow them to pay to advertise their stuff - this should be, like, the perfect mix of everything, right? being able to advertise your content on the content site? but oops, this is only a good option because finding new content is so goddamn hard that random people shoving their posts onto your dash is the only remaining viable option. when you have to rely on pure chance/luck for your posts to even be found, even when you do everything in your power to increase their visibility, you're not gonna want to stay here.
i feel like addressing the search function should be the staff's top priority before they implement anything else. we need to be able to find content on the content site. i think thats pretty obvious. once it works the way it already should have, then they can worry about what comes after. i think people feel this animosity with staff because we're struggling to continue to use this site while they struggle to find ways to get money out of us. i think if people felt they could actually use tumblr in the way it intuitively feels like it should be used, that kind of animosity would be more rare*. but until we get that, any change to the site is going to feel wrong.
fwiw though, i'm glad to see staff say that the site basically doesn't work. like. goddamn. took them long enough. i just hope (probably baselessly) that their acknowledgement of this issue will lead to some fixes that benefit the foundational usage of the site.
*yes, there is animosity towards staff for other reasons - like, yknow, how innocuous selfies of trans women get flagged as "mature" (among other things) - but that's an issue of culture/enforcement and not necessarily the raw function of the site, so i feel like it's best suited for a different post
tl:dr PLEASE FIX THE FUCKING SEARCH FUNCTION, IT NEVER SHOULD'VE BEEN ALLOWED TO BE THIS BAD AND I THINK ITS ISSUES HAVE BEEN A MAJOR REASON FOR TUMBLR'S STEADY DECLINE
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goosebearies · 2 years ago
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i have a question if anyone would like to answer (dont have to tho) should i make like a unique tag for my art? i just kind of use #art as my tag because i know you can search tags from specifically someone from a profile but would it be easier if i had a unique one that i used?
ive been thinking about changing it so its easier for people to find my art since i know my blog has been mostly reblogs lately bc i havent drawn much, but i also mainly use tumblr on mobile and im aware its a bit different on browser, but would it be more helpful to make a unique tag for my art? dunno!
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aviatorasharak · 4 months ago
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Writer Interview
I've been tagged (shouted the same way one would "I've been hit") by the wonderful @theycallmeratt
When did you start writing?
I, let's say, experimented in high-school, writing here and there, finishing maybe 2 shorter stories in total and starting 10 more. I recently found some of those writings, and I was unable to read more than two sentences... The cringe was overwhelming, lol~ I also won a competition with a short story I've written specifically for that, though thinking back, it was probably a case of "only one person bothered entering".
As for my "real" beginnings, I finished the short story that started my streak that's still ongoing in the beginning of 2021. That was in my native language (Hungarian). I began writing in English less than a year ago
Are there different themes or genres you enjoy reading than what you write?
I enjoy detective stories, the build-up, the mystery, everything falling into place at the end so neatly. Bonus points if the story has a deeply emotional side to it (Murder on the Orient Express comes to mind). I also like mythological tales, although I do have one short story that tries to emulate that style to some degree.
Is there a writer you want to emulate or get compared to often?
Terry Pratchett. As in trying to emulate at times (though I do want to establish my own style). My only regret is not starting to read his books sooner.
There are also some other writers who use humour or absurdity in their writings which I'm fond of overall, but I'm very, very far from that.
Can you tell me a bit about your writing space?
I either feel best writing at night (or at least when it's already dark outside and I have no reasonable responsibilities left for the day. Or have a slow, chill Saturday/Sunday with no other programs but to just write leisurely.
While I was writing in my native language to mostly two or three of my friends, I liked writing my first and second draft on paper. I used a couple of my old notebooks that still had enough empty pages in them and repurposed them this way. I also filled a couple new ones over the years. I kind of miss that, actually. I enjoyed the physical aspect of writing the pen and paper.
Now I'm writing fully digitally. Makes it easier to organize, search for specific parts etc. I use LibreOffice, because it's offline and free and has everything I need~
What's your most effective way to muster up a muse?
Sitting down and writing. It feels awful at times, especially when I feel all I'm writing down are disjointed sentences with half the words being placeholders (in different languages no less!). But so far, it's been proven effective. Once I cross that magical threshold, everything starts falling into place. Or at least, start looking coherent.
Also letting an idea/chapter/story sit for a bit.
Also lying awake at night.
Are there any recurring themes in your writing? Do they surprise you?
Fathers/fatherhood. It doesn't surprise me in the slightest, because it's very intentional most of the time. A father, to me, is akin to a mystical entity, the stuff of legends, its symbolism highly prevalent in our culture, yet eluding me in all my life, no matter how I yearned for it.
So I pour my pain into my art, as one does.
What is your reason for writing?
The nice, and probably very clichéd, answer to that is that I want to create stories. I believe humans have an innate need for stories, be it consuming or creating them. In many different forms, not just in writing.
The more personal answer is that I've been dreaming up fantastical scenarios and elaborate stories ever since I was a child (a rather lonely child at times) and part of me sometimes felt I should write some of these down to make them "legitimate", so to speak. Problem is, these personal stories were very wish-fulfilment-y, and deep down I felt they didn't contain enough struggle and drama. As I matured, so did my stories mature, and I became less of a benevolent god in them and more... human.
In the end, those stories stayed and stay inside my head still, because I choose to write down other ideas. Still, there's a part of me in those stories as well, which is inevitable in my opinion. Sharing those little parts of myself is basically me showing myself to the world, asking: "Am I all right (as a person/human being?"
Wow, this is becoming kinda heavy and personal. Well, writing is a personal thing, so~
Is there any specific comment or type of comment you find particularly motivating?
I like when people mention specifics because it signals to me that my writing was interesting enough for them to retain details. Bonus if they point out something I felt good about while writing it. A pun, an emotional moment, a payoff to something that's been building for 5+ chapters.
How do you want to be thought about by your readers?
Witty, clever, knowledgable, hilarious at time (intentionally perhaps)...
In all seriousness, a "storyteller." Plain and simple~
What do you feel is your greatest strength as a writer?
You're asking me to basically praise my own work, something I'm very uncomfortable with most of the time. I'm half-joking.
I think I do a pretty good job of keeping track of everything in a longer fic. Symbolism, references, objects of interest, etcetera. I also keep my notes fairly organized.
When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?
Mix of both. While I have my own, self-indulgent ideas and fics, I also like to, let's say, cater to certain people who I know will read that particular story.
How do you feel about your own writing?
Sometimes, I feel it's pretty good. Then I start doubting myself, and have a brief urge to ask people basically, "Hey, is my writing... good? Passable?"
Fortunately, I've always been able to resist this, because I don't actually think it would be beneficial. As clichéd as it sounds, I have to find the answer within myself.
I do believe my writings are at least entertaining, and have good ideas with acceptable execution. And I am proud on some of them.
I do think I'm not well-read or know enough to put in interesting references (think Terry Pratchett).
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actualbird · 3 years ago
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ive been wanting to ramble bout this for years (like since 2019 HAHA) but i held off on it because i figured the fandom phenomenon i was seeing was gonna be a one off thing. something thatd fade with time.
it wasnt. it's still here and so i wanna articulate what i think about
the fast food-ification of fandom
here’s the thing about fandom right now; we operate on social media platforms that are inherently fast paced. social media platforms these days prioritize new and popular content, but more than that, it creates an audience that is always searching for new content very, very quickly. 
tumblr is a bit of a lesser evil, in terms of contributing to this (still does, tho, dont think im exempting hellsite derogatory, LMAO). but twitter, imo, is a hellscape with a system that hammers this in so so much: the lack of an explorable archive, no account specific tag search mechanism, a timeline algorithm that shows an account's followers the popular tweets first instead of chronologically and oftentimes even if you follow that account you will not be able to see all the tweets that account makes lest you go to the profile specifically. twitter is built for "new new new!" and it's not its fault, i guess, cuz it was not designed with fandom interaction in mind. still, it's become a very popular fandom platform and the "new new new!" mindset the system promotes ends up seeping into the members of fandom itself.
and there’s nothing wrong with wanting new content. but the problem here, i think, is the speed at which we consume fanwork. and the lack of memory for fanwork thats already been made.
fanwork consumption feels like it's going 100000000 mph with these kinds of systems and thanks to the lack of a navigate-able archive or tagging system, it's nigh impossible to find something from even last week. an incredible piece of fanart or fanfic or any fanwork gets attention for 3 days tops before it's lost and very very difficult to find. things are so fast and it's harder to remember them now.
swerve to another point: the trend of silence
im gonna bash on twitter again (SORRY KJSFBSD, like, i do have a twitter btw so im speaking from experience. i'd like to make it clear im not bashing ppl who do like/use twitter, im waving my hands frustratedly at twitter's systems) cuz tweet wc limits make it so that literally not much can be said! additionally, to add comments in QRT takes attention/notifs away from original poster, so if u QRT an art with praise, OP will see that! but if ppl reply more praise to the art on that QRT, OP will not get notified so that praise might as well have been yelled to the void
im a passionate believer that if youve got something nice to say about a fanwork and/or the creator of that fanwork, say it on their turf so they can see it. twitter makes it easier for this to not happen. positive attention and feedback matters so so much to creators and im p sure im not alone in saying that i cherish each and every comment (be it on ao3 or tumblr tags/comments or asks) ive ever gotten
and like, i know the argument to that is "make fanwork for yourself! dont make it for attention, do it cuz you enjoy it!" and "for every feedback you dont get, theres many lurkers who value and love what you do!"
i agree with that first thing very much but only the bit that says "do it cuz you enjoy it!" cuz yea! fandom is about having fun! but also like...isnt the point of fandom the fact that it's not just you alone, but you in a community?
a big draw of fandom, for me, is that it's likeminded deranged nerds all obsessed about the same thing. these are people on similar wavelengths and theyre people PLURAL. do fanwork cuz you enjoy it but the implication that a fancreator should be happy in isolation doesnt make sense cuz thats not what fandom is about.
and as for "there are lurkers who silently enjoy what you make" well...why?
why not say something when youve got something nice to say?
be it fanart or fanfic or fanmeta or anything, if the thought already pops up in your head, why not say it somewhere the creator can see it?
i totally understand if youre shy or if it's difficult to put into words whatever your thoughts are, like, huge mood. but also fandom becomes an infinitely funner space to be in when people are saying things
even a comment thats something simple and short makes the current landscape of fast paced churning out of fanworks feel less like we’re shouting in a forest alone, and more like we’re shouting in a forest and somebody yelled “I LOVED THIS” back. it’s really nice.
this is not a criticism towards anybody, but instead just kinda like, an inquiry to how we consume and interact with fanwork, these days. it’s really fast. like, so fast. tags update daily with new things every single day, every second, and it’s easy to just look and look and not say a thing. and that ease of fanwork consumption also makes it easy to forget just how hard it is to make things. how hard it is to make anything at all.
so much heart and effort is put into every work in fandom, and ive always seen fandom as a space for unapologetic enjoyment and community. treating fandom like a fast-food transaction where u get a thing in 5 minutes and drive off is...well, i dunno. but for me, among many things, it makes us forget just how much heart and effort is in all things.
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shitty-fate-merch-daily · 3 years ago
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In lieu of tumblr’s new content sensors to meet app store regulations being implemented with all of the grace of an NFT monkey on ketamine trying to thread a needle I’d like to give my two cents on the situation and tumblr as a whole.  In true tumblr fashion, the method of banning tags went about in the clunkiest, ineffective, and incompetent manner possible. With completely unrelated tag being blocked, the inability to tag certain triggering content, shutting down discussion of social issues,  and doing absolutely nothing to cull the horde of pornbots floating at the top of search results like dead fish, the majority of the userbase is rightfully frustrated. 
However, unfortunately at the end of the day, there is very little we as the userbase can do to change this decision and in these #tryingtimes where everything is getting worse all the time I’d like to point out just a little bit of light I’ve seen from this situation. 
Now this may be a bit of an unpopular opinion, but I think tumblr’s incompetence is something that should be celebrated. Now don’t get me wrong, this doesn’t excuse the broken parts of the site or ineptitude of the devs driving away content creators who needed the platform, but the way I see it is that tumblr is only as enjoyable and dare I say it... user-friendly as it is now because it is broken. 
Every other major social media site nowadays has been molded to make its corporate owners the most amount of money possible by selling its user’s data and manipulating content through algorithms to get the most engagement possible, no matter the effect of what they promote. I do think that if tumblr had a more competent development team it certainly could have gone down this route. 
In my experience with twitter, instagram and the like, they are so frustrating to use. The search functions are intentionally gutted to make users more reliant on the algorithm and 70% of the posts on my feed are things I do not want to see, pushed upon me by the almighty algorithm. And that effect bleeds into the culture of the userbase. To take twitter specifically as an example; because users get recommended things they normally wouldn’t want to see, many feel the website makes it so much easier to find content that they don’t want, many feel compelled to fight it out with anyone and everyone who’s posts they dislike. Now don’t get me wrong, some of the most intense fandom bullshit has come from tumblr, but I’d say in a way its much more insulated.  On tumblr if you don’t follow or actively interact with people who like to start shit, for the most case a good amount of brutal fandom war or batshit ideological discourse can pass one by. Of course there are some groups where conflict is unavoidable and any posts whatsoever will have lunatics coming out the woodwork with callout posts and angry asks.  My tumblr dash is filled with analysis posts and art from series I like, memes in the typical tumblr humor, and cat videos. Meanwhile my twitter dash (of which I follow exclusively artists and writers) is full of cyberbullying over fandom bullshit, the worst takes I’ve ever heard in my life, misinformation, and users complaining about being harassed by the other side of whatever fandom war they’re in. 
The crucial ability to curate your own content which has been forcibly taken away by so many sites remains on tumblr exclusively by the incompetence of tumblr staff. By god did they try to implement an algorithm and emulate features of other more popular media sites, but it very much did not work. 
I could go on and on about how ineffective their ads are, how because their algorithm is shit posts can actively be shared for years and the benefit that fact can bring to creatives, the ineptitude of their moderation allowing for conversations that would be shut down on other sites, how users can’t monetize their clout on this site without being clowned to hell and back, or how in this day and age of internet hyper-capitalism that tumblr makes absolutely no money whatsoever but still keeps crawling on. 
I’ve seen a post describing tumblr as the last of the “old internet” before corporations got their hands on it. And the only way its stayed as such is the ineptitude of the staff in implementing changes that would make the site more profitable. So in that degree I am thankful that this website sucks, I am glad their coding and management skills are an absolute trainwreck, and despite the scummyness of this new round of censorship I am relieved that staff still hasn’t changed. 
Because I fear that the day staff become good at their jobs, and their “improvements” finally succeed, that they won’t be for the sake of the users.  
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mimzy-writing-online · 4 years ago
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Writing A Blind/Visually Impaired Character: Canes, Guide Dogs, O&M
Wow, back in June I decided to take a few months break from blogging to recharge and focus on my mental health. About a month ago I began writing this specific post, slowly and in stages because of how demanding, detailed, and long it is.
I’m not sure when I planned to come back. I have about 200 posts with tags and image description in my drafts folder, waiting to be queued, but I wanted to finish this guide before I fully came back.
Come back with a bang, right?
But this blog, and specifically, my Writing a Blind or Visually Impaired Character  guide, has gotten so much traffic and support that I felt incredibly motivated to come back now.
So I finished the guide, and now here it is. It’s been a year+ in the making. Since the very beginning of this writing advice series about writing blind characters, I’ve promised to write a guide specifically about canes, guide dogs, O&M, and other accessibility measures the blind community relies on. 
In fact, if you look at my master post for this guide (now pinned at the first post on my blog) you’ll find that it was reserved as Part Four, even as other guides and additions were added over the last year.
In this post I’ll be explaining 
What Orientation and Mobility (O&M) is
How one learns O&M
About canes, from different types of canes and their parts, as well as how to use a cane. 
I will be explaining the sensory experiences of using a cane and how to describe it in narrative. 
I will include small mannerisms long-time cane uses might develop. 
At the very end will be a section on guide dogs, but this will be limited to research because I have no personal experience with guide dogs, being a cane user.
Disclaimer: I am an actual visually impaired person who has been using a cane for nearly three years and has been experiencing vision loss symptoms for a few years longer than that. This guide is based on both my experiences and my research. My experiences are not universal however because every blind person has a unique experience with their blindness
What Is Orientation & Mobility
Orientation and Mobility (O&M) is the specific skill of understanding and navigating the world safely and confidently with vision loss.
I’m going to quote Vision Aware’s specific definition [link]
"Orientation" refers to the ability to know where you are and where you want to go, whether you're moving from one room to another or walking downtown for a shopping trip.
"Mobility" refers to the ability to move safely, efficiently, and effectively from one place to another, such as being able to walk without tripping or falling on steps or elevation changes, crossing streets, and using public transportation
O&M can involve :
-learning how to use a cane, as well as what cane works best for you
-safely navigating obstacles with your cane, including stairs, ramps, elevators, uneven or curved sidewalks, through crowds, around furniture
-learning safe strategies for crossing the street
-planning routes to new or recurring locations
-using technology enroute, including GPS and apps like Uber and Lyft
-safely accessing public transportation
-how to ask for help when needed
-working with human sighted guides
A Note on the Blind Community and Their Relationship with Canes
The Perkins School for the Blind estimates that only 2-8% of the blind community rely on canes for navigation. The rest rely on remaining vision, guide dogs, and sighted guides. Only about 2% of the blind community relies on guide dogs however, and to get a guide dog in the first place, a person must go through O&M classes and use a cane for six months before they can sign up for a guide dog.
What this means is that 90% of the blind community don’t use a cane.
I didn’t know this fact until I begun research for this guide, and that number astounds me. 
Truth be told, while I have navigated my life without a cane before, I can’t imagine going back to the way it was before I got it. Even if I only need my cane some of the time, I can’t bear to not use it in the situations I need it. Having a cane made my life a lot easier, a lot safer.
I don’t know what to attribute this number to.
I might attribute it to the concepts of invisible vs. visible disability, internalized ableism, or the feeling of ‘not being blind enough’ for a cane, as well as accessibility to the blind community and knowledge, and access to buying a cane in the first place. I could write a thing about it, but if I try it’s gonna be its own post.
Onward~
How Do You Learn O&M? How Will My Character Learn?
You will have to find an Orientation and Mobility instructor and have them personally teach you O&M skills.
The O&M Instructor is a sighted adult who has gone to school for a bachelor’s degree and gone through O&M training themselves while blindfolded, usually fulfilling a certain requirement of hours (one program required 400 hours of O&M practice blindfolded before you could become certified), and apply for certification to teach O&M.
(Or, as is the process to become an instructor in the United States, where I am from. Becoming an instructor would vary in other countries, I’m sure)
To find an O&M instructor, you would reach out to your local school or foundation for the blind. Finding your nearest school for the blind could be done through…
Google search
Your Ophthalmologist (eye doctor) referring you to a school for the blind
A Social Service Worker reaching out to you and helping you contact the school
Possibly your school (as in grade/primary school, high school, university) reaching out to the nearest school for the blind on your behalf.
Unfortunately, there is not an abundance of schools and foundations, so your nearest might still be a far travel distance. My local school is a 45 minute drive away. For some it might a few hours away. 
This is, again, a U.S. experience, because our land mass is spaced out, and something like a six hour drive feels like nothing to most people (although is highly impractical and very difficult to a blind person who cannot drive themselves), but in other countries a six hour drive would mean crossing several borders, and other countries have different social programs.
There is not a full and complete database of every available school for the blind either, no one website to find every possible option. For example, the school I went to wasn’t listed in most of the website resources I found, even though it has seven branches and locations. 
This is more a complaint at the real life struggle to find disabled services, that there are few comprehensive resources out there. If you ask me, it should be made significantly easier to find and access your local blind communities. Accessibility and disabled services should be easily available everywhere.
If your story is based in a real world location, googling ‘school for the blind (city/county/country)’ should suffice in finding the one most local to your setting.
What might a school for the blind provide for your character?
Well, on top of helping your character connect to an O&M instructor, a school for the blind might provide other rehabilitation classes and access to additional resources.
Those rehabilitation classes could include lessons on:
-Reading/Writing Braille & using brailling machines
-Technology classes for screen readers, magnifiers, etc on your computer and smart phone.
My local school has separate classes specific to Andriod, iOS, JAWS, Zoomtext Fusion
-Independent Living skills (cooking, cleaning, organizing, planning how to get groceries and medications)
-Self Improvement (dancing, art, music, self defense. These were classes my school taught)
The additional resources form these schools might include- 
Referrals to counselors for coping with vision loss
Access to their audio-book and braille library
Access to magnifier devices, brailler machines (think of a typewriter for writing braille)
Some schools also offer grade-school or high-school education, meaning blind children/teens learn there instead of a mainstream school.
Some schools have lodgings for clients to stay at while going through rehabilitation, especially if the vision loss is sudden and severe. They live on-campus and take part in classes. Other schools only have day classes offered and you need to find transportation for every visit. Many schools might have a rehabilitation specialist or O&M instructor visit you in your home.
My local school did the last two. They had on site classes, but the school is a 45 minute drive from me, so I only visited a few times. They were able to send an O&M instructor to me. 
On Wednesdays at 3 pm she would drive to my house and give me lessons on using my cane. Those included her driving me to different locations to practice certain skills (like using stairs and escalators at the mall, or crossing a moderately busy intersection, or visiting a bus station to practice boarding a bus safely and communication with a bus driver where my stop was).
She also brought multiple different types of canes for new students to try out and determine which felt best for them.
The Many Types of Canes
Long Canes are used to sweep the immediate area in front of the cane user as they’re walking. This is the cane type that the general public is most familiar with seeing. There are several sub-types of long canes. They can also be called white canes or probing canes.
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[Image Description: Man in business clothes traveling on the side walk with a white and red cane. End Image Description]
White cane can be a misnomer for two reasons: One, the concept of the standard cane for the blind can look different in different countries. In America, the standard is white with a red tip. In some countries the standard is an all-white cane. In some countries an all white cane might mean the user is blind while a white cane with a red tip means the user is deaf-blind.
Two, some companies like Ambutech allow customers to customize their cane colors and tips. Example: Molly Burke’s hot pink cane. My white cane with a purple tip. An all black or all sky blue or all red or all purple cane. A black cane with a blue or purple tip. Ambutech also allows customers to request neon-colored reflective tape to make their canes more visible at night.
Probing cane is not a term I’ve personally heard before, but it is a term Vision Aware uses on their website.
There are three main types of long canes:
Non-folding Canes: a cane that has no sections, cannot be folded or collapsed.
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[Image Description: stock photo of man in business suit with a non-folding all white cane. End Image Description]
Folding Canes: The cane has 3-6 sections depending on its height. The taller the cane, the more sections it has. The sections are separate pieces that are made to snap together and are held together by a strong elastic rope inside the sections.
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[Image Description: a folding cane with four sections, white with a red tip, and a rolling marshmallow tip. End Image Description]
Telescopic Canes: in which the sections slide into each other, similar to a telescope/spyglass, rather than pulling apart and folding. The handle is the widest section, and the tip section is the thinnest.
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[Image Description: Three stacked images of a blue telescopic cane. First is of the cane completely collapsed. Second is of the sections partially sliding out. Third is the cane sections completely out and locked.]
Beyond that is also the Identification Cane. The function of this cane is to visibly identify the user as blind. It’s not used for O&M the way long canes are, there is no sweeping out the next two steps. It can be used as a support cane, however. 
It’s appeals most to the elderly who not only make up a huge percentage of the blind community, but might also benefit most from having both a support cane and an identifier for their blindness, in case they need assistance. 
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[Image Description: identification cane with curved handle. All white with red tip. End Image Description]
A note: From what I’ve heard in the blind community, some people prefer solid/non-folding canes over folding or telescopic canes. The reason for this is that solid canes transfer vibration better than folding or telescopic canes. It’s said that the more sections a cane has, the less precise the vibrations are. 
Some cane users train themselves to understand the vibrations of the surfaces their canes are touching. It tells them what kind of surface they’re on (wood vs. marble vs. concrete), if there are nearby objects to their cane. While I rely somewhat on cane vibrations to tell me what surface I’m walking on (more on that later), it is beyond my current O&M abilities to use cane vibrations to sense nearby walls or objects.
Cane vibrations are just an additional information-sense to add to the others in use, and extra bit of data input.
Parts of the Cane: Materials, Handle, Tips, Sections, Elastic Band
Material
The three most common types of materials used to make canes are aluminum, carbon-fiber, and fiberglass. Each material has some drawbacks and benefits.
The ideal cane is lightweight and durable. It should be strong enough to withstand hitting something solid without bending or splintering.
Aluminum is strong and durable, but heavy. If it’s damage, it’s more likely to bend than break entirely. A bend can be straightened out, but it takes considerable strength.
Carbon-fiber is lightweight and durable. It’s stronger than fiberglass, and it can bend out of shape rather than splintering.
Fiberglass is lightweight but a bit rigid. If it breaks, it splinters.
Handles and Elastic Bands
While some canes can have specialized grips (plastic, wood, corkboard) the most common handle material is a black rubber handle that is about ten inches long, give or take. In the previous photos you’ve seen, the canes have had black rubber handles.
Here is an example of a cane with a wood-mesh material used as the handle.
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[Image Description: a four section white cane with a red tip and a orange wood mesh handle, with black elastic band attached. End Image Description]
The benefits of black rubber handles over others are that it’s easier to hold onto, especially if your palms are wet or sweaty, than a plastic or polished wood handle. It also wouldn’t show the indents or scratches from wear and tear daily use. I’m guessing that is cheaper to make on the manufacturing standpoint, and thus is conveniently the standard.
Pay attention to the black elastic band attached to the handle in the above photo. Notice how it has a tied off loop? That is so that when the cane is folded, that loop can be stretched over the folded sections to hold it together.
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[Image Description: a four section folding cane folded up with the black band around them. End Image Description]
Additional benefits or functions of the elastic could be to use it as a wrist strap while using the cane, or hanging it up on a hook while not in use. I tend to have my cane folded up and tuck my wrist under the strap to hold it more securely while carrying it. Images of that ahead in my cane-isms section.
Cane Height
Ideal cane heights depend on the user. For most users, you want your cane height to be to your shoulder, give or take a few inches. You might need a longer cane if you are a fast walker with long strides, or a shorter cane if you prefer to hold your cane at a lower angle than is traditional.
What I mean when I talk about holding your cane at a certain angle is that the standard is to hold your cane handle in your dominant hand and position it in front of your belly button, moving it side to side with each step. Traditional grip methods are holding your hand palm side up with your cane in hand, or to hold the cane at the section joint closest to the handle with what is called the pencil grip, holding the cane like a fat pencil.
Depending on the height, a cane can have anywhere between three and six sections. Longer canes have more sections. The top section includes the handle, and the last section includes the stripe color (traditionally red, unless customized) and the tip. 
The sections of the cane are generally slightly reflective, regardless of color. If you hold a cane up to the light you’ll see tiny specks of light reflected back, almost like very fine, tiny particle glitter paint. This detail is important in cane production because it makes the cane more visible at night, especially if something like car headlights reflect off it while someone is crossing.
Additional visibility at night can be added by wrapping stripes of reflective tape along the shaft.
Cane Tips
There are several different tip options for canes.
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[Image Description: four different types of cane tips on a blue background with labels. From left to right: marshmallow tip, ball tip, pencil tip, glide tip.]
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[Image Description: a rolling marshmallow tip with a blue background. End Image Description]
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[Image Description: Bandu basher tip with a white background. For anyone not familiar with the name, the long, curved cane tip that looks like a hockey stick. End Image Description]
Some of these tips are better for the tap-tap method of cane travel, as in tapping the spots where you plan to step. They can also be used to feel out the shapes of objects, stairs, etc. 
marshmallow tip, pencil tip, 
They should not be scraped over surfaces, the tips will wear down much faster than they should. There are better tips for rolling over surface
Some tips are better for the rolling method of cane travel, which is the method I use. They aren’t great for tapping, but it can be done in a pinch. 
rolling marshmallow tip, ball tip, glide tip
The Bandu Basher tip, the hockey stick shaped tip, is best for hovering an inch off the ground and lightly tapping objects. It could be tapped. It should not be scraped over the ground like a rolling tip. It hovers.
After enough use, the tips will wear down and need to be replaced. The part of the tip that has the most contact with the ground, usually the edge of the shape, gets scrapes, sands down, and eventually begins to look like it was shaved off while still having bits of plastic still gripped to it.
Never fear, cane tips can be removed and replaced when they wear out, replacing the whole cane is not necessary.
Some tips slip on or twist on. Others hook on. By hook on I mean that the elastic that keeps the cane sections together also has a loop at the tip end that a hook onto and stay held into place. Look back at the photo of the rolling marshmallow tip and you will see the hook that attaches to the black elastic.
Cane tips sell for about 5 - 10 U.S. dollars, plus shipping, so it’s advised to buy several back up tips with your cane. I replace my rolling marshmallow tips once every six to twelve months. I don’t know if that’s considered too much or too often. The last time I needed to replace mine was June 2019 (It’s July 2020 at the date of writing this, but I’ve hardly left my home for the last six months because of COVID-virus related quarantine/social distancing.)
Sensory Details/Describing What Using a Cane Feels Like
Every surface type feels and sounds different when tapping or rolling a cane over it. It’s this difference that tells us a lot about our environment.
It tells us when we stepped off the side walk onto the grass, when we’ve walked inside because the concrete changes to wood or carpet flooring. These little details become trail markers too, useful for places we anticipate traveling to a lot.
Example: A week before every semester in college, I would travel to each of the classrooms and learn necessary routes. I learned that certain paths had giant cracks in the sidewalk that would be distinct enough to use as a trail marker to where I was on a path, or that certain paths went from cement to gravel, or cement to brick.
Carpet: The sound is very soft, and if you’re rolling your cane across carpet it sounds like a quiet swish-swish-swish. Tapping sounds depend on how thick the carpet padding underneath is, the thicker the carpet the softer the sound. If there’s a lot of padding then taps don’t make much sound, but if the padding is thin or underneath the carpet is tile or concrete then you hear a louder thudding tap. It’s still pretty quiet. If you’re rolling the cane you would feel a little bit of drag, the cane moves slower over the carpet. The thicker or shaggier the carpet is, the more drag it has.
Wood floor: Cane tips make rumbling sounds when rolling over wood floors. The smoother the wood, the less it rumbles. There’s a little vibration moving from the cane tip, through the cane and into your hand as you roll over wood planks. Very small. The more sensitive you are to vibrations, the more you feel it. Tapping makes hallow, thudding sounds on the wood. Sometimes they sound a little snappish if you’re tapping harshly. You feel stronger vibrations when tapping. Older wood feels softer, with more give. New wood is stronger, more vibrations in the cane.
Tile:It depends on the size of the tiles and the wideness of the grout lines, but it’s not a pleasant feeling. Tiles have grout lines, which are little divets between the tiles. The smaller the tiles or rougher the grout lines are, the more the cane vibrates in your hands. Every bump is felt running from the cane to your hand. The sound is a little grating too. Imagine fifty sets of stiletto shoes walking on tile, that’s what it sounds like when you roll your cane over rough, small tiles. Larger tiles with smoother grout lines aren’t so bad. Tapping the tile with your cane sounds like one really loud step of a stiletto heal, one step for each tap. Tile floors are usually found in bathrooms, kitchens, and industrial locations where the room is going to have harder walls (more tile, concrete, etc) and few furniture, so the room echoes more.
Linoleum: is a smooth even surface. It feels like your cane is gliding when you roll it, barely feeling any vibrations. The rolling sounds are very soft because of the lack of bumps, however tapping sounds are a bit louder. Not as snappish as tile or marble, but almost.
Marble: is similar to linoleum in its smoothness. Your cane glides when rolling. Tapping sounds are sharp. Because marble floors are common in high end malls, luxury homes, and fancy office building entries, places that usually have high ceilings and hard walls with minimal decorations and minimalist furnishing, those sharp tapping sounds may echo. Assuming there isn’t too much noise and the environment is relatively quiet.
Concrete: (I’m referring to concrete found in parking garages and industrial buildings, not sidewalk) It depends on the age of the concrete and how it’s maintained. Old concrete with lots of cracks and mini-craters feels very different from smooth concrete that was set less than a year ago. With old concrete there’s a rattling sound as your cane tip rolls over the bumps and those vibrations travel up your cane. New concrete can feel similar to marble or linoleum. The taps are loud thuds on dull concrete and sharper on new concrete.
Sidewalks: are made of concrete, but in my experience they feel a little different than the above example. Sidewalks have a grittier surface, they’re slightly rougher, more dry. There’s a bit more rolling cane vibration with sidewalks and the taps have more of a thud sound. And because they’re outside, you’re unlikely to hear any echoes unless you’re walking in an alley or between buildings.
Asphalt: is one of the worst surfaces in my personal opinion. Asphalt is the material used in roads and it’s made to be rough and gritty so that car tires can grip onto it and not lose traction while driving. The older and more damaged it is, the rougher it is. Because it’s rough the vibrations are much stronger, sometimes irritatingly so. I can’t roll my cane over asphalt because the bones in my hand can’t handle those kinds of vibrations, so I almost always use the tapping method instead. The sounds are gritty and dull. Unfortunately, asphalt is an unavoidable surface, unless you can find a way to never need to cross a street or walk through a parking lot.
Note: the white or yellow lines that have been painted into asphalt sometimes feel smoother because of the material they’re made of and because they’re added after the asphalt has been laid down.
Note: There’s something called tarmac which is similar to asphalt, used for a similar purpose, and more common in the U.K. (I believe) but I can’t say that I’ve ever knowingly walked on it so I have no personal experience to give you.
Gravel: Another one of those evil surfaces. Gravel is just loose rocks and they’re common in rural roads, driveways, some landscaping. The looseness of them is what makes them untrustworthy. It makes a crunching sound. If you roll your cane, you’re likely to end up tossing small bits of rock and dust here and there. If you tap, you’ll hear the crunch but your brain might not translate that into “it’s gravel” until you’re walking on it and only realize when you walk over it and the sharp rocks begin digging into your shoes.
Wood Chips: I don’t have any experience with this since vision loss and getting a cane, so I’m using my memories of being on the playground in grade school because the surface on the playground was wood chips. I’d say wood ships are a love child between gravel and wood floors. The surface is loose and rolling your cane over it would kick up loose chips and dust. It would probably sound similar to walking on sand I think, because wood chips are much softer than gravel but not as consistent as wood. If it’s rained recently, then the waterlogged wood chips sound even softer.
Hard Dirt: I’m thinking dirt roads here, which are a lesser evil to asphalt and gravel. They can be rough like all roads, but the material isn’t has hard and solid. Rolling your cane will kick up dust on a dry day, but if it rained a few days ago you might hear a soft crunch as you roll over wet dirt. Tapping will have a very soft thud.
Soft Dirt: Think gardening dirt. Because it’s so soft, it makes very little sound and is easily kicked up. There’s a bit of drag, about the same or slightly more drag than grass or sand. Tapping has almost no sound but you might feel a slight give as your tip lands in the dirt, a slight resistance as it sinks in.
Mud: Yuck. I’m imagining this getting in my cane tip and how gross it would be after. Sound and feeling depend on how wet the mud is. Wet mud sounds slurpy. There’s more squish if you roll or tap your cane. Your character might not identify it right away until their shoes begin slipping as they walk over the mud. This is a personal experience. Drier mud sounds soft and feels almost solid underneath your cane. Wetter mud has more drag for a rolling cane. Muddy areas are also generally uneven because top soil has been displaced, so muddy hills and fields have unexpected but usually subtle changes in elevation.
Puddles: have both a slurpy and splash-splash sound. The slurpy sound is more common with rolling cane techniques. The splash sound is more common with tapping. The deeper the puddle, the louder is sounds and the more drag you experience. I am not fond of this texture/experience.
Snow: I have zero experience with snow since the development of blindness. So no experience of what it’s like to walk through with a cane. This is something I hope a blind reader can inform me on so I can edit this at a later date. My best guess is that it has a soft crunch, softer than the crunch of shoes in snow. A lot of drag too. Rolling through snow would probably be near impossible, especially if it’s deep snow or hard packed. Again, my best guess. The last time I experienced snow was when I was twelve.
Grass: One of my least favorites personally. Too much drag. Worse than shag carpeting. It’s very soft and doesn’t make much sound either. Like a crisp crunch you can barely hear. If the grass is wet or frosty you hear it a bit more crunch.
Surface with fallen Autumn leaves: Leaves everywhere! This is a bit dependant on whatever surface the leaves are on. It would soften the sound of cement, but there would be a louder crunch on grass. If the leaves are big and very curvy/pocketed then they’re easy to push aside. Smaller, flatter leaves don’t push as easily. The driest ones will crunch under your cane. It’s fun sometimes, if you’re the kind of person who likes stepping on leaves on purpose, but if you can’t see the leaves it might lose some of its fun and be more unexpected. 
Sand: I’ve never personally taken my cane to the beach, despite living so close to the coast. The reason is because beach sand is so squishy and loose that it’s already impossible to stay steady on your feet. The sand is always sinking under your feet, unless you’re next to the water line and the dampness has made it firmer. So a cane isn’t very useful to me at the beach. Not to mention that sand isn’t something you want inside your cane joints if you want the cane to last. Sand will erode and damage the joints, regardless of if they’re metal or plastic. If I were to take my cane to the beach, it would make the softest crunching-swishy noise of sand sliding over sand, similar to what your footsteps sound like on sand, but possibly even quieter because canes are lighter.
Side Note: My mother sarcastically asked about rolling your cane through dog poop or gum left on the floor. Can’t say I’ve ever rolled through it, so couldn’t tell you. Use your imagination I guess, Mum
The Invention of Tactile Paving
These are amazing! Tactile Paving are those yellow (or sometimes grey) bumpy squares you see on ramps leading into parking lots or when crossing the street. In 1965, Japanese engineer Seiichi Miyake used his own money to develop a tactile brick that you could feel even when walking over it with shoes, and he designed this because a friend of his was losing their vision and he wanted to help. These are amazing, and accessible to everyone, even the blind who don’t have a cane or guide dog. These are literal life savers. Before I got my cane, if I felt those bumps under my shoes I knew to immediately stop because I was about to walk into the road. Because less than 10% of the blind community uses canes or guide dogs, this is the most accessible form of blind aide available.
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[Image Description: a yellow rectangle of tactile paving in front of a ramp leading into a parking lot. End Image Description]
Note: similar detail, most doors in commercial buildings (in my localized experience) have a metal plate on the threshold to hold the door in place so there are no cracks underneath. The metal scraping sound when you roll or tap your cane on it is distinct but temporary and non-repeating, so it’s a good indication that you’ve reached and passed the threshold.
Blind-isms
I have a section in this guide about blind-isms, but these ones are focused specifically on cane use.
-Do. Not. Touch. My. Cane. Don’t. Just fucking don’t.
-The above ism comes from the fact that our cane is our safety net, an extension of our body, our eyes, the one thing that makes sure we’ll get somewhere safely. For that reason, blind people hate having their canes (or their on duty guide dogs) touched by strangers, acquaintances, friends we’re not very close to, some family members.
Important Note: That is a universal thing for disabled people. Don’t. Touch. Their. Mobility Aides. It’s assault. Touching someone’s wheelchair or pushing them around without their expressed permission is assault. Moving their wheelchair while the user is currently standing is assault. (Most wheelchair users are not paralyzed, but they still need the wheelchair because of their medical condition, which is not your business to know). It doesn’t matter if the wheelchair is in the way, the disabled person needs it right there, do not touch it. Touching or grabbing someone’s support cane or their long cane is assault. Touching or moving someone’s walker is assault. Touching, poking at, or tampering with someone’s hearing aids is assault. Touching their oxygen tank or cannula is assault.
Back on topic-
-Idle motions with your cane while waiting in line. I often rest my chin on my cane or lean on it
-twirl my cane like a staff when I’m alone and no one can see. I would not ever do this in front of anyone because I don’t want anyone thinking it’s a toy or they can just touch or grab it. I’m just a little childish and bored sometimes and idle motions are a common thing for people with ADHD.
-When carrying my folded cane inside (like say a store) I hang it from my wrist by the strap.
-Keeping my cane within arms reach at all times, even in situations where I don’t need it currently. Example: if we’re doing a classroom assignment where I need to leave my desk, I know the classroom well enough to not use my cane, but I won’t leave it at my desk, ever. (This does not apply at home. And in the homes of a very few, very trusted friends I will leave it somewhere I deem safe.)
-Having a set, specific place in my home (living with my immediate family, who almost never have guests) for my cane. In my case, it’s the top of an antique dresser in the living room, across from the door. It has a little bowl for my sunglasses as well. If I move out and have roommates, my cane will be in my room.
-Love me a bag or backpack that has enough space to discretely store your cane, but most of my bags cannot do that.
-People with folding canes develop a muscle memory for folding and unfolding their cane, so they can do it without really thinking about it.
-Unfolding my cane: I hold the black handle between my thumb and palm with my other fingers folded over the remaining three sections, cane tip pointing up. I slide the elastic over the tip, loosen my four fingers and roll my wrist to the side. The red colored section unfolds first and snaps into place with its neighboring section. I roll my wrist in the opposite direction so the next white section can unfold and snap into place with it’s neighboring section. Roll it back in the first direction and the third section snaps into place with the handle. My four section cane is now unfolded and straight.
-Sometimes I just grab the black handle and let the sections fall and unfold as they will, but this is less controlled and risks your cane bumping into something or someone.
-Folding my cane: I start with the black handle, lifting it up so the joints unlock. I fold it down, grab both sections in my hand and lift the second section away from the third and fold it over. Wrap my hand over all three sections and unlock it from the red section.
-Because I have a four section folding cane, the cane tip and the handle are on the same side while the metal joints are on the opposite side. Those metal joints are what my elastic slips over.
-A three or five folding cane will have the head of the handle (and its elastic) on the opposite side of the cane tip, and you will be folding the elastic over the cane joints and tip.
-A six section cane has the tip and handle facing the same direction like the four section cane.
-People with non-folding canes like leaning their canes up against walls and other objects when not in use. Corners are popular, the corner of a desk up against a wall too.
-But oh god the frustration when the cane randomly rolls out of place and hits the floor, it’s a combination of “Not again” and “did that really just happen” and “you had one job. one job.”
-Sitting with our cane tucked between our legs. Picture a bit of man spreading, the cane tip leaned against the side of our foot to keep it stable and the cane leaning against our shoulder or opposite knee, possibly also held securely with our fingers too.
-The no-manspreading alternative of that is with the cane leaning against our shoulder, cane tip resting on the toe of our shoe or the outside of it, held securely with our fingers or our arm wrapped around it, elbow hooking it.
(Okay, a while back I was looking for photos of someone using a cane to use as a reference for drawing Ulric. I only found three, and two of them were Daredevil promo photos. Which, no offense to Charlie Cox, but he is not blind and he does not use a cane in his daily life, he does not have that relationship a blind person has with a cane and the concept of a fifth limb, and it shows. So the photos were stiff and unusable, so I had to like use several photo references of different poses and Frankenstein them together to get what I wanted.
And I still haven’t finished the painting... fuck)
-In a car with a non-folding cane: 
-Right passenger seat- The cane tip goes all the way into the corner of the foot well to the right of my feet, with the handle resting over my right shoulder or on the seatbelt. It pokes a bit past my headrest. The longer the cane, the harder it is to tuck into a car.
-The U.K. / Austrailian / New Zealand / Japan version of this (because they drive on the left side of the road with their drivers seats on the right side of the car) it’s like this: Cane tip in the foot well to the left of my feet, handle on my left shoulder or on the seatbelt.
Backseat: the absolute worst. There’s less foot well room, and if you’re in a sedan there is almost no room behind your shoulder for the handle. I position my cane diagonally with the handle on the shoulder closest to the door and the tip next to the foot closest to the middle. 
-For this reason, no one with a non-folding cane will want to be sitting in the backseat.
About Guide Dogs
While my knowledge of guide dogs is limited only to what I can research and not personal, I will give you some basic facts and practical knowledge from said research.
Guiding Eyes for the Blind estimates that there are 10,000 guide dog teams out there in the world. That makes up 2% of the blind and visually impaired community.
Guide Dog Training
Becoming a guide dog is the most difficult form of dog training there is. The majority of dogs who enter guide dog training wash out and either become family dogs or go into a different type of service dog training, like medical response or PTSD/anxiety response, or possibly become therapy dogs, which is a career altogether different from being a service dog.
Guide dogs go through two or three years of training, which includes puppy training, basic socialization, proper behavior when on duty and actual guide training. Most service dogs only go through a year to a year and a half of training before they are partnered with a disabled handler.
Between the cost of training, the cost of housing and feeding the dog and the cost of vet bills from birth until being partnered with a blind handler, the overall cost of a guide dog is something like 30k to 40k. While most service dog training organizations require handlers to fundraise and pay for the cost of training (usually something like 15-30k), guide dog organizations give their dogs to qualified blind clients for free. These organizations pay for the dog costs through their own fundraising and charities. Fortunately for these organizations, guide dogs are a highly respected field and have a lot more charity directed their way, while other service dog types have less public interest when it comes to charity.
Guide Dog organizations have an application process, requirements, and a wait-list before you can be partnered with a guide dog.
Requirements to get a guide dog are (usually) as follows: 
Must be legally blind (as in not visually impaired, but legally blind) and have had at least six months of O&M with a cane and demonstrate enough O&M stills to navigate by oneself. They also require you to be responsible enough to independently care for a dog, able to keep up with training and retraining of the dog, as well as financially able to handle food and vet bills (which are at least a few thousand dollars every year).
The reason for cane training before getting a guide dog is because the dog cannot do everything for you. You, the dog handler, are responsible for knowing where you are and how to get where you need to be.
The dog can’t read stop signs or tell when a light is green or red, nor do they have GPS to find a brand new location nor can they learn that route on the first try, nor will they know exactly where you want to go when you say “Starbucks” or “library” or “school” or “mom’s house” and guide you all by themselves. That falls on you, the dog handler, having enough orientation and mobility skills to know when a street is safe to cross and knowing how to learn new routes and how to keep on route and make sure you make the correct turns. A guide dog can’t communicate with bus drivers for you either, they don’t know which number bus to use or what stop to choose. That falls on the blind person’s own skill.
Other Guide Dog Resources
Molly Burke is a guide dog user and has made several videos about what kind of work guide dogs do, her personal experience being a guide dog user for over ten years, how she got a guide dog, specific commands, unique experiences with things like travel, etc. She has a playlist all about guide dogs, but here are some of my favorite videos.
How Guide Dogs Guide A Blind Person
Guide Dog User Answers the Most Googled Questions about Guide Dogs
How I Met My First Guide Dog
Final Thoughts:
There is a lot more to be said about Orientation and Mobility, such as:
How do you safely cross the street with a cane?
How do you learn new routes?
How does getting a cane significantly change your life?
How do family, friends, and strangers react to you “suddenly” having a cane?
I could also write a ton on other tools the blind community relies on so strongly, such as screen readers, magnifiers, etc. In fact, I originally promised to include those in my master post when Part Four was titled  Part Four: What Your Blind Character Needs to Survive and Not Die. However, this guide is ages long and it feels better to focus on this specific topic for here.
Did you like this guide?
Consider checking out my other guides, links of which can be found on the master post here.
Follow my blog, I write and curate writing advice guides outside of blindness, I reblog writing memes with image descriptions, reblog soothing aesthetic photos with image descriptions, talk about disability, lgbtqa+ issues, ableism, and mental health.
If you want to further support me, this is the link to my ko-fi (however there is no such requirement nor pressure to do so, and please don’t worry about it, especially if you are in a financial situation that can’t afford it)
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bnha-butterfly · 4 years ago
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So you’ve officially created your Tumblr blog. What now? In this post I’ll cover graphics and setting up your navigation! I’ll also mention what you should do before you start posting your own content or before you have content to post at the end!
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Graphics!
Icons
Your icon is how most people will recognize your blog on their dashboard. An easy way to do icons is to use a manga cap or an anime screenshot! Alternatively there are people who make icons that you can find it by searching Tumblr, but please check whether or not these people require you to re-blog the icons you use or give them credit in your description! If you’re using art, make sure that the artist either gives you explicit permission to use it or has stated publicly that it’s OK to use their art. (please note that if the artist is OK with repost of their art they are generally OK with you using their art in icons but make sure you credit them!) PicCrew is also another popular source to make icons but make sure you credit the artist/link the picCrew!
Headers/banners
As far as using an artists work the same rules that apply for icons apply here! Either get the explicit permission from the artist or make sure they’re OK with their work being used for these things/being re-posted. Generally I don’t use work from the artist and I just use manga caps (which you can find just by googling or searching on Pinterest for [insert character here] manga caps)
You can search Tumblr for headers because there are people who make headers and other graphics. Just make sure you pay attention to peoples rules!
If you want to try your hand at making your own banners or headers. You can use Canva to make gifs and plain banners/headers. I personally use PicsArt to make my post banners. Mainly just because I can do it on my phone and can work on it really easily. Generally any photo editing app should work. PicsArt just has a lot of stickers and effects that can really pull together a banner.
Dividers
Once again there are people who make dividers on Tumblr! But you can also use PicsArt again to do your own personal dividers so they’re more custom to your blogs theme. Although it’s important to note that you won’t be able to do those super thin line dividers on PicsArt because there is a minimum pixel width!
(If you’re iffy on the size of things I’d actually advise you to download somebody else’s banner/divider and use that as a template for sizing!)
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Setting up navigation!
Your navigation will be the place where the theme or aesthetic or color palette for your blog should really shine through!
(Edit: I forgot to mention this when I originally wrote this. But when I personally created my navigation I drafted everything in one very large Google Docs file. I recommend that you have everything with its links set up in a Google Docs file. Just because Tumblr has a habit of deleting posts and if you have it in a Google Docs file at the very least that auto saves and you have a back up.)
Your navigation should be broken into at least four parts! You’re about me, rules, master list, and tags (tags are optional technically but is a nice added touch). Remember this is not a Bible for what your navigation is supposed to look like, you can add and subtract to this general structure as you feel necessary!
About me!
Give as much information or as little information as you’re comfortable with. Generally you want to have your name or pen name, The pronouns you use and your time zone if you’re comfortable with it. Most people also have fun facts about them in there about me section. If you are a Black or Neurodiverse writer it’s good to have that also in your about me! A lot of people put their astrology stuff in there about me section, also the results of personality tests and things like that! This is also where you should put your BYF (before you follow) and DNI (Do not interact)
Rules
What do you put in your rules it’s really up to you. I’d advise you to look at a lot of other people’s rules to get a general idea of what you might wanna put in yours. The only thing you want to include in your rules is that you reserve your right to reject asks/request! Be sure to also include what characters you right for. Here are some things to consider in making your rules!
What demographics do you write for?
What demographics do you not write for?
Are you comfortable writing touchy subjects (things like eating disorders or self harm)?
Do you write NSFW content? Or do you cap it at mildly suggestive content?
How many characters will you limit per request?
Do you write Angst?
Do you write for ships or do you only write reader inserts?
Masterlist
Another portion of your navigation I would recommend you look at other peoples to get an idea for. There are tons of ways to organize a masterlist. The way you organize your master list will depend on the series you write for and the content you make. So look at the way people who run similar blogs to yours organize their masterlist.
Tags
So you do not need a tags portion for your navigation! The main reason people have a tags section in their masterlist is so people can blacklist tags related to anything they don’t want to see on the dashboard!
If you run both a NSFW and SFW blog (that you allow minors to follow you on) you need to tag your NSFW things so minors can block that tag. Your tags can be themed, but they don’t have to. The best way to create tags is to create things that you’re going to remember!
I stress that you create a writing tag that you put on every single piece you publish. You can also create character tags or series tags outside of the standard tags used in that fandom. (for example your character tags might be a nickname you have for a character instead of their actual name)
You can make tags for the asks you get sent and for your mutuals or named Anons! (if you get emoji anons it’s best to write out the name of the emoji instead of putting the actual emoji. Just so it’s easier to search because Tumblr does not recognize emoji‘s in it search!) you might also want to create a tag that you put on everything you re-blog for the people who only want to see your content, A tag you put on all your posts that aren’t writing (for example my “Morpho talks” tag), and a tag for the fics that you would recommend to your followers!
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What if I don’t have any of my own content to post?
So this is a pretty easy one. Re-blog stuff, I didn’t start posting my own content until a month after I started this blog and at that point I already had a few followers. Bye setting yourself up as a fandom blog you’re letting people who are interested in that fandom know what you’re going to post. Don’t be afraid to shitpost and don’t be afraid to do things that show your personality! This is also a good way to practice getting into the habit of using your tags!
Don’t only re-blog art but also re-blog fics with comments in the tags! i’ve literally made a handful of mutuals just by re-blogging their stuff and the things they write with comments in the tags! Writers do not get a lot of comments on this platform but comments really encourage writers to keep on writing!
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So this is a really long post. Please tell me if there’s anything else specifically you’d like me to talk about in this series!
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freebooter4ever · 4 years ago
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i’ve seen the discussion going back and forth on boundaries and sexual objectification, and i don’t have much to add to the conversation other than to say everyone is allowed to determine their OWN ‘lines’ and just because we don’t vocalize them doesn’t make them any less valid. but here’s the limits i set for my blog if anyone feels it is important for them to know (<3):
personally I consider ‘characters’ fair game for anything goes, with ‘public personas’ a little more iffy. ‘RPF’ isn’t new - it just takes on a new more accessible/visible form nowadays. i remember reading my first fic about a ‘real person’ back in my LOTR fandom days - it was a story in first person perspective about the main character meeting orlando bloom on a plane before he was ‘famous’. like a lot of these types of stories, it wasnt so much about the person as it was about the meet cute. the actor was just a convenient placeholder with a handsome face and some personality quirks thrown in to make the romance/dialogue more specific. i personally dont read much xReader fic nowadays, but mostly only cause i’m an old fart who can’t relate to the ‘you’ format. i miss the good old days when people actually created OC’s and then inserted them into things LOL. but also LOL if you think i’ve gone an entire year of quarantine without some imagined personal fantasies of joe mazzello (or steve aoki in the years before)(ramilicious can attest to this. she can also attest to most of these fantasies ending in friendship rather than anything explicit cause that’s just how i roll these days lol). the line i draw is i would never post these types of fics in a place where the subject could accidentally find them - you have to go looking for this stuff on tumblr, most fics are given explicit ratings and under read-mores. with the blacklist tags it’s pretty easy to filter things out. its even easier to add filters to ao3 searches. i am NOT going to do something like message steve aoki and say ‘yeah i watched that movie Ibiza like five times, here is my 1k fic where you’re the dj and i’m the one night stand’. but obviously people still enjoy imagining scenarios like these otherwise movies like Ibiza wouldn’t exist?
for art, i consider anything already on display up for grabs, we all know a certain person’s ass is all over the place...all you have to do is google ‘need for speed’ and rami’s name. HOWEVER, in the case of actors i personally would not draw anything more explicit than what’s already there. i’m not gonna draw full frontal nudity for rami (unless he gifts us with it in a movie, i suppose) or anyone. this is 100% a personal choice for me. 
i was a sophomore or junior in college when i volunteered as a figure drawing monitor where i’d time the nude model’s poses and help them set up the stage and lighting and such. there was this one guy in his mid forties probably, a regular who came every week, and i always thought of him fondly till one day (the day after i ran into my Hot Programming TA during dinner and later sent him an email begging him to go on a date with me because i was desperate for kissing experience)(and Hot Programming TA emailed me back within minutes saying yes) this artist guy who i saw all the time and thought i knew fairly well, decided to draw me instead of the model. which would have been fine except he drew me naked. i was NOT naked at the time, i was wearing a shirt, and a bra, and a full prairie skirt with alternating calico and floral patterns. he drew what he imagined was underneath all that. he came up to me after the figure drawing session and showed me his drawings and told me i had been ‘glowing’ and my response was to laugh it off awkwardly and get the hell out of there as soon as i gave the model their pay check. but inwardly i was thinking a) i was NOT glowing for this creepy man twice my age and b) i did NOT give him consent to sexualize my body under my clothes and then SHOW me that objectification. i never said anything to him or anything else, i continued to be the monitor, and i continued to field off creepy advances from him including multiple job offers, but when i finally realized i could just...stop..and i passed the student volunteer monitor job on to my friend naeem, i also realized that what that older male artist did was NOT ok in my book. and it was probably not something he would do while naeem was monitoring.
nowadays im working in an industry that regularly objectifies female bodies. in the past year alone i have had to deal with requests to make breasts bigger, i have been given character rigs that in addition to the usual elbow, knee, and spine joints also have ‘nipple’ joints but ONLY for the women (to make them jiggle for animation), every time i send out a female pose i get it back with notes that push it further into the sexy type of body language reserved for women (twist the spine more! sway the back more! give it ‘energy!’), i have been told to erase wrinkles and fat and pores but ONLY for the women (men you ADD pores bc realism! and manliness!) and this is all me working for a company that is actually fairly progressive in terms of sexism compared to OTHER studios.
like it or not, sexual objectification is a huge part of specifically women’s lives and how we react to that is our business. for me, turning the tables and putting men on display feels like fair’s fair. i cant stop the men from doing it, so if i want to enjoy sexualizing male bodies, damn it im gonna! like dang it, boy do i want to send steve aoki a thank you note every time he posts a video of himself doing those ice baths during the sunset golden hour bc holy shit gorgeous or working out in his gym wearing VERY little clothes, but i dont because i know what its like when someone imposes their personal fantasies on the subject. or, god, there was that time i had to unfollow nicole’s insta for a while bc i had a very explicit dream about her and realized, shit, i need to take a break and get my emotions under control before i can refollow. and god some of the stuff i see dudes sending her during her live videos on mental illness/meditation is TOTALLY gross and not something they should be confronting her with. and she’s not even ‘famous’ famous. or how some fans send their idols explicit direct messages without consent. THAT feels inappropriate to me.
a part of me feels like i shouldn’t have to defend this. men don’t. they’re even encouraged in mass media to sexualize women. but i also recognize the importance of talking about consent. the importance of recognizing that a celebrity deserves to have their boundaries respected. these are my lines in fandom. other people have different lines they won’t cross, and that’s okay to me. i block or blacklist any blogs or tags i think go over the top.
heck, even in fandom-only spaces i still try to keep my own more sexual fantasies off this blog and only in private messages with my friends and mutuals, and i feel like that might come across as unintentionally prudish or judgmental sometimes. i’m not ‘horny on main�� very often. but like...every time i reblog that particular ‘washing machine’ gif of joe mazzello am i thinking about him naked and thinking about how he’s got very loooooong feet, and ‘gee i wonder if that means /other/ things are Too Big for my tastes’ but also ‘gosh wouldnt that make a pretty picture to draw’???? hell yeah.
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i dont know who is gonna actually read this essay but yolo i guess :)
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sk-onlinetools · 4 years ago
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TubeBuddy review (tubebuddy for youtube)
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What is TubeBuddy:
If you want to make money on YouTube, then you’ve to treat your channel like a business. You’ve to commit to the growth of your channel’s views and subscribers. For achieving the same, Chrome extensions such as TubeBuddy can be quite handy.
Touting themselves as a “video optimization and management toolkit”, TubeBuddy promises to streamline your YouTube journey.
TubeBuddy Pricing:
TubBuddy offers unrestricted usage of its mobile app only to paying users. Here are details of its three tiers:
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  sign up TubeBuddy today for 100% free click here
1)  “Pro” plan costs $9 per month, and the company offers a 50% discount to channels with less than 1000 subscribers.
·        2)  “Star” plan is priced at $19 per month and comes with advanced scheduling, monetization, and productivity tools besides the Pro tools.
·     3)   The “Legend��� plan — priced at $49 per month — is the highest tier and comes with the full suite of features TubeBuddy has to offer. You can A/B test your videos, perform competitor analysis, track your search ranks, and more.
If you want to manage more than 20 channels, then the company also offers enterprise plans.
TubeBuddy knowladge base:
For many of their features, TubeBuddy has done a great job at giving an overview, demonstrating their functioning in a “how-to” video, and sharing a few other tips.
But some features, like “Tag Rankings” in the screenshot below, don’t have such a tutorial. But they present a YouTube search query link (with “Click here” as the anchor text) for you to find tutorials by TubeBuddy customers.
TubeBuddy Top Tools:
Once you’ve installed TubeBuddy on Chrome (or your browser) and allowed it to gather your channel’s data, you’ll be able to access its top functionalities. The product offers numerous YouTube tools for video SEO, promotion, data & research, bulk processing, and productivity. But I’m only touching on a few of the best ones below:
Keyword Explorer
YouTube is a top search engine people rely on for finding information and solutions to their problems. If you can find the keywords worth targeting for your channel (dependent on its size and authority), you can rank in YouTube search and drive evergreen video views.
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The “keyword explorer” is a handy tool in the Tag Explorer in the main TubeBuddy menu. You can plug a keyword and get an Overall Score specific to your channel (Weighted) and a general one based on the search volume as well as competition for the keyword (Unweighted). Here’s the analysis for the keyword “harry potter"
Suggested Tags
The next bit of video SEO features I like on TubeBuddy is its Recommended Tags. You’ll find this feature in the video edit screen of your channel (the “Video details” section) when you’re preparing it for publishing. Based on the tags you choose for your video, this tool will suggest related tags. Look at the feature in action for a short film I published on my YouTube channel.
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As visible, you can sort the mammoth number of tags by relevance, keyword score, or search traffic. Feel free to explore tags by sorting through all of these parameters, but use only the most relevant ones in your video. Because if you don’t match the user intent for a search query, your watch time and rankings will tank anyway.
Video A/B Tests
While you can’t test the actual content of your video, TubeBuddy makes it possible to test its packaging —  your thumbnail, title, tags, and meta description. In the fierce competition on the video platform, such A/B tests could prove useful in driving more clicks, more views, and helping your search rankings.
If you’re unsure of which videos warrant such a test, then the software can find videos with a low CTR so you can perform a thumbnail test. Its Metadata test lets you test multiple aspects (thumbnail, title, tags, and description) simultaneously and will make sense for those videos that aren’t getting any traction right now.
The feature is the hallmark of the product, but it’s only available in its highest price tier. You can consider a free TubeBuddy trial of 30 days if you want to try A/B tests.
Videolytics
When you watch a video on YouTube, TubeBuddy shows its Videolytics panel on the right side with a set of useful stats. It gives an overall summary of the video’s performance, the tags used, SEO, social, and channel stats.
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You can click on the blue “Show Search Rankings” button to see where the video ranks in YouTube search results for its used tags.
It can be quite handy for a side-by-side comparison with your competitors, or even your own channel. Here’s a comparison of a random video on the T-Series channel (biggest one on YouTube) alongside the most popular one.
Productivity Suite
There are a bunch of repetitive actions recommended for every YouTube video you publish — adding cards, setting end screens, responding to comments, and the like. TubeBuddy offers a range of productivity tools to take care of such tedious tasks.
With its “Upload Checklist”, that appears on the right hand side while uploading a video, an automated best practices test is performed to ensure you comply with YouTube’s guidelines.
Bulk Processing
Copying, adding, deleting, or updating cards and end screens on your channel can be a huge time killer, especially for larger channels. So should you let go of promoting your new videos from the end screens and cards in your previous popular ones? Not so fast. TubeBuddy offers a set of bulk processing tools that are accessible from your “Channel videos” page.
Promotion ToolsPost
 publishing your video, promoting it on social media, your website, and adding it to your email signature can help its visibility. TubeBuddy offers “Promo materials” with direct links to your latest videos and its embed code, and links to your channel, thumbnail, and channel art. You can access them by logging in to TubeBuddy.com/account.Earlier Tubebuddy used to provide shortened links but with Google discontinuing this service, analytics for them are no longer available. There’s a “share tracker” to share your videos on multiple social media platforms and publish YouTube videos natively on Facebook. But I like the “Vid2Vid promotion” feature the best. Accessible from the TubeBuddy menu in the “Promote” tab, it lets you promote one of your videos in the description of all the others. Getting more views on your latest upload from older videos or on an older video whose subject is currently trending gets simpler.
Tags, Keywords, And Translation Features
While I’ve already illustrated a few YouTube SEO tools available on the Chrome extension, let me show you a few others. The SEO Studio, accessible under the TubeBuddy menu from the Extensions tab, works much like the Yoast SEO plugin — relatable for creators who regularly publish textual content with WordPress as their CMS.
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It lets you optimize your video metadata so that you maximize your chances of ranking in search results. As visible in the screenshot below, you get recommendations to improve your TubeBuddy SEO Score based on the target keyword you plug into it.
There are a few other tag, search, and keyword related tools. Among other tasks, they let you track your rankings, view, copy, and store a video’s tags, see tag suggestions in real-time, and the like.
I want to specifically highlight the video metadata translation features. If you have a global audience, then adding titles, descriptions, and tags in the native languages of your second biggest audience could increase your viewership.
You’ll find the “Tag Translator” on the video edit screen under the Video SEO tools.
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And the automatic translator (available only on “legend” or a higher license) is available from the Subtitles panel when you edit a video.
To use the tag translator, click on the “Translate” button from the tag tools available when you’re on the edit video screen. TubeBuddy shows the top languages spoken by your audience and once you pick the language you want to translate to, it generates tags in that one.
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You can also stay efficient by applying the same set of end screen elements to all of your new video uploads with TubeBuddy’s end screen template. To implement it, head over to the end screen page of the video that you want to set as the template and check the box shown in the screenshot below. If you’re watching a video on your channel or one where data is public, the Videolytics panel also shows watch time, engagement, and other related stats.
At the top of the panel, there’s also an option to compare a video with the channel’s most popular one or to any other specific video on YouTube.
Other Tools 
While we’ve covered the majority of TubeBuddy’s top features, I want to show you around a few other handy tools. Quick Links and Quick-Edit Navigating YouTube could become tedious requiring multiple clicks. The funny part is you need to visit the same places on your channel most times. The “Quick Links” panel in TubeBuddy makes your job — to visit your analytics reports, cards menu, and the like — much easier.
Thumbnail Generator
I recommend Canva for designing custom thumbnails for your videos. But if you’re in a hurry, TubeBuddy lets you choose a still frame from your video for creating the same. You can choose a solid color as the background or upload an existing image on your computer as well.
Once you’ve chosen an image, you can layer it with emojis, text, shapes, a logo, and another image. Saving a layer as a template to create consistent branding across your channel is also possible.
Mobile Apps
TubeBuddy is also avalable for android and ios.
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The  Mobile App is 100% free to download and use. There are some features that may be limited unless you have access to TubeBuddy Mobile Unlimited.
Member Perks
MEMBER PERKS, Free, Pro/Star/Legend. TubeBuddy Mobile icon. Channel Management and ... Starter Kit icon. Content Ideas, Thumbnails, End Screen and etc.
Customer Support:
Here’s the TubeBuddy playlist with close to 100 YouTube video tutorials showing its features in action. Besides these, there’s a dedicated knowledge base accessible from Support >> General Support at the top of your TubeBuddy profile.
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stopbeingabigot · 4 years ago
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So I've thought about this for a while and even though there are other posts like this I'd thought I'd make another post how to spot a terf/ gender critical radfem.
It is hard to spot a terf or gender critical radfem if they aren't being obvious about it such as making their url something to do with radical feminism or have it in their bio ect ect. So here are other ways to know!
First and I know this has been pointed out many times before but its important to search on their blog for keywords such as terf, radfem, radfem safe, trans ect.
Radfem & terfs who want to hide themselves blend in by rebloging basic feminist ideas mostly. And sometimes its really hard to pinpoint them due to things that aren't necessarily radfem ideology however a majority of radfems believe in this or do this.
Vagina art & ovary art are wonderful however ovaries art or vagina art are commonly used as pfp or headers, or all over terfs blog. Of course you can enjoy it as well and do the same thing but this is popular in terf/radfem spaces because " only women have ovaries " We don't like this quote because not all women are born with ovaries and this might make them feel disincluded with women and transmen with ovaries might feel uncomfortable with this statement since they aren't women yet they have ovaries. So if you enjoy this artwork quite a bit make sure its obvious in otherways that you are not a terf such as in your bio or whatever.
Another terf/radfem believe that isn't necessarily a terf/radfem ideology but a majority of them share this opinion is, they tend to hate all religion because they believe any and all religion is oppressive towards women. Religion can be oppressive towards women however I realize (and I think the majority of "libfems"* also realize) that a lot of religions are almost "changing" some of their beliefs to be more inclusive and less judgmental. I personally have been to a newer Christian church that was refreshingly not as strict. There are also other branches or sectors of religion that are not as strict as others. I also realize that women are now able to choose what religion they believe in if any. I'd also like to point out maybe to the terf whos stalking these tags reading this I am a practicing witch, and I see some of you are too and although witchcraft in itself isn't a religion, or has to be connected to a specific one, it is religious act to be praising a certain god/goddess/deity.
Another thing to watch out for is swerf & anti porn rhetoric since this is also a common topic in terf/radfem spaces. I am not anti sex work, I want sex work to be safe and not a discriminatory status. I understand that a lot of pornstars have been mistreated but that doesn't make me want to end it, I just want better treatment for them. I want them to raise the age of actors of porn so they can no longer get away with these "barely legal" and videos tagged with teen because I do believe that these types of videos normalize pedophilia. I also believe that sexwork seems interesting towards teens thats are trying to just escape their family, I mean heck I've personally thought like that in the past but I want to rid of that because sexwork should be something you genuinely want to do and yes I've heard plenty of sexworkers saying this is sincerely something that I enjoy doing but it isn't for everyone which is why it shouldn't be something you go into with the intention of trying to escape an abusive family or whatnot. Mia Khalifa said that video that had made her famous she felt pressured to sign a contract that she didn't truly understand the same day of shooting. I want to do away with that, pornstars deserve to have the time to look over a script and contract with a lawyer. Pornstars also deserve much more money then they make as they only receive a very small percentage and since they are risking their health to make these videos healthcare is also a must!Sexwork has also changed dramatically even within the last decade. Webcaming and sights like onlyfans make it easier for sexworkers to walk away from big brand porn companies and control their own content and get paid what they feel is deserved. I also have more opinions on other branches of sex work but since this rant is so long already It's time to finish up. Swerfs need to realize that they are never going to put a stop to sexwork completly and it is better to focus on making it safer then attempting to outlaw it. Also imo the attempt to stop it reinforces the stigma that society has towards sex workers which I also want to stop because sex work deserves to be treated as any other work so that if a sex worker wants to one day become a teacher or doctor or whatever else they don't get discriminated against it for it.
That's currently all I can think of right now but this post will have additions once I see some more common topics of terf/radfem spaces. My opinions on said common topics are added to at least attempt to eliminate any radfems going "well why don't you believe in this seems pretty bad that you don't" type of discussion I know that this wont completely stop terfs/radfems from attempting to derail this post with their arguments but I've said what I've said and won't change my mind on any of it.
* libfem is in quotes in a previous paragraph because I think a majority of us started out liberal but have since gone further left but there isn't another word for us feminists who don't agree with radfem ideas other than libfem.
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c-c-moon · 4 years ago
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meet the artist
Hello all and welcome to my eagerly-awaited art blog! My name is Cassandra Moon, and artistry has been a life long passion of mine. I graduated from Roger Williams University in 2020 with a BS in Marine Biology and a minor in Drawing/Painting. 
I hope this blog will make it easier for me to share my creations with others and to store my finished projects digitally. The newest works (or works in progress) are at the top of the page, while older ones can be found further down. Each project is tagged with its subject matter, class, and creation date. Click Keep Reading links to read all of the details pertaining to a specific post. I draw/paint/sculpt/etc. all manner of subjects, so stick around for sea life, superheroes, stimulating artist statements and more ...
talk to the artist
Tumblr users: Send me an ask, private message, leave a comment, or even better - reblog my work with your thoughts! I don’t bite - feel free to drop a line anytime.
Non-tumblr users: Contact me directly by submitting an ask (Ask the Artist) and be sure to sign your name so I know who sent each query. However, you can only comment on/reblog my individual posts if you are logged into your own tumblr account. The best way to reach me is through Facebook. Simply search ‘Cassandra Moon,’ send me a note via Facebook Messenger, and we can go from there! 
sharing my work
Reblogging my work within tumblr is always appreciated! If you share my art outside of this site, please give me credit and (if possible) link back to this page. Lastly, may Neptune have mercy on your soul should you repost my creations without my given consent :)
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brynwrites · 6 years ago
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What I learned while self-publishing.
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@milkyteefs asked:
I'm unsure about the entire self-publishing world! Do you have a basic outline of the process? Some key highlights/headings of how you started and what connections you needed to make? Thanks again! <3
I went through the process of self-publishing Our Bloody Pearl this summer. Even with all the guides in the world it turned out to be a very grueling experience. I’ll be doing it again with Quasi Stellar soon, but I also hope to traditionally publish The Warlord Contracts trilogy.
First, let’s get this out of the way: Self published books are often very bad.
But they don’t have to be.
Self publishing requires you, the writer, to either wear the hat of everyone else at a publishing house, or be your own investor and pay for professionals to do the jobs you can’t. If you’re willing to put in that effort and money then you can come out with a more professional book than you might have had you published traditionally. If you’re not, then self publishing might not be the right road for you.
Now then, how do you self publish in a way that produces a professional book?
Fifteen Basic Steps to Self-Publishing:
1. Write and edit the book.
This is, understandably, the step that a lot of people get stuck at. Writing a novel is hard. Don’t worry about how or when you’ll publish it until it’s finished.
Just write it.
During this time you should also be marketing yourself as a writer. Learn more about that via my marketing tips tag.
2. Beta readers and critique partners.
Getting feedback from handpicked peers is essential for any book no matter which publishing route you choose. If these terms are new to you, learn more about beta readers here and critique partners here.
During your first book (or two) I recommend starting with critique partners and then moving to beta readers afterward, because critique partners will shred your novel down to the bare bones, which you usually really need the first few books you write. Critique partners will also generally pick at your grammar and typos though, which can be very useful at the end of the editing stage so that your manuscript looks cleaner to an editor (or agent, if you traditionally publish.)
3. Write your blurbs and summary.
While your story is in the hands of your final group of readers, you should already be working on blurbs and summaries. By the end of the publishing process you will need:
A back of the book blurb.
A one-two sentence logline style blurb.
A one page summary of the story.
Don’t put these off! They won’t get any easier if you wait. You can find tips on writing blurbs in this article.
4. Determine that you’re done making changes to the manuscript.
A writer who’s growing and learning will forever feel as though there’s something they can change in their manuscript, but at some point you have to decide that what’s done is done. You will always have another awesome book which will be even better than this one.
If you have trouble determining when this point should be, check out this explanation!
5. Make a publishing timetable.
Give yourself more time on your timetable than you think you need! Traditional publishing takes about two years for a reason. A lot of the steps below this point seem relatively simple compared to writing and editing a book, but they require you to learn new skills and spend a lot of time waiting for other people with busy schedules.
Five and a half: Start book two.
You might have already done this during the beta reading stage, but if not, start another book! Writers should never stop writing and editing (outside of planned vacations, emergencies, and mental health breaks, of course), so pick that pen back up and start pounding out another book.
6. Find a content editor.
If you ran a beta reading stage with 10-20 critical and knowledgeable beta readers in your target audience then congratulations, they served the purpose of a content editor already!
6. Find a copy editor.
A copy editor is the person who checks your grammar, sentence structure, flow, and word usage. I found my editor though the editorial freelance association directory. The main things to look for when choosing an editor:
Experience. This should include testimonies, information about any publishing companies they worked with, and the works they edited in the past. If you can’t easily access and double check these things, then keep looking.
Sample edits. Any editor worth your time will offer you a free sample edit. (For copy editing this is generally 750-1k words of your novel. I’m not sure about other types of editing.) Take advantage of this! Send the same sample to the top four or five editors who fit your price range and see who returns feedback that you jive with and feel comfortable paying.
What if I can’t afford a copy editor?
In general, you can probably get away without hiring a professional copy editor if you (a) find 3-4 solid critique partners who are willing to do a very detailed line edit and proofread of your final draft (do not take advantage of your fellow writers!! Offer them the same in return!!), (b) get free sample edits from a handful of freelance authors to see if they catch any major formatting issues you do regularly, and (c) learn what a style guide is and make at least a simple one for yourself while you do another round of proofreading.
Remember though, traditionally publishing exists specifically so that you, the writer, can get a professional edit without having to pay for it. If you want a professional book without putting in the investment, then querying an agent might be the better option for you.
7. Prepare to offer ARCs to reviewers and friends.
Getting reviews for your book is the most important marketing activity you can do. The sooner you contact reviewers about this, the more reviews you’ll have when the release date comes. Note that the large majority of book reviewers you contact will never respond. If you email 20 reviewers, expect to get one or two reviews out of it, most likely in 4-6 months. (Which is why you should email all your friends and past beta readers too.)
How do we maximize the number reviewers who will read our books?
You know those neat little lists of book blogs who will review indie books? Don’t use them. Anything that with nicely compiled and easy to get reviewer lists is going to be overcrowded with blogs who have two year wait-lists and 97% of them will never even email you back.
Instead, try searching for reviewers you already follow on twitter and tumblr. Look for semi-popular goodreads reviewers who put positive reviews on books similar to your own and check if they have a link to a blog, or an email for review inquiries. Find less well known booktubers that youtube links to off your favorite popular booktubers.
8. Format the book.
You can pay someone to format your novel, but its rather expensive for something that’s relatively easy to learn to do yourself using guides off the internet. Paperback and ebook formatting must be done separately, and your first time I would set aside a full Saturday to tackle each of them, just to be safe. If you have a program like scrivener, with a little tweaking you should be able to get a nice looking ebook with none of the hassle of learning html. There are many other options though. Do a little research to find the one which works for you!
(Note: If you’re printing a paperback you cannot get a paperback cover until you’ve formatted the book and know final page count for your print size!)
9. Hire a cover artist.
The book cover is the most important part of your book, so far as sales and success are concerned.
There’s a huge trend in self published books to skip this stage and work with photoshop or cavna instead. I would not recommend this. Cover artists for professional books do what they do full time. They know the market. They know what sells. So do some writers, but the truth is, many of the writers who think they can design covers, turn out the sorts of designs that are easily pegged as self-published books.
If you want a professional looking book that pops in the amazon charts, hire a professional.
There are a multitude of ways you can go about this. Some large cover art sites like damonza offer bundles which can get pricey, but let you back out with no charge if you don’t like their first drafts and include unlimited changes if you commit. There are also many freelancers who specialize in book covers, for a wide range of prices.
What if I don’t have the money to hire a cover artist?
If there is anything you don’t want to go cheep on, it’s your cover art. But let’s say you absolutely have to get a cover for cheap or free. There are people who do cover designs for $5 on Fiverr, and I think some of them actually turn out half decent covers for very specific genres, but its a gamble. A couple writeblrs do cover design as part of their day job and might be willing to do something cheep or for a trade. You could also learn how to design covers yourself, but if you want to compete with books whose designers went to school just to do what they now do full time, you’ll either have to put in a lot of time or be lucky enough to have a very good, easily executed idea for your particular novel, and hopefully not one with requires any stock photos unless you want to purchase rights to them.
Now, there are some exceptions. Some writers have a natural design brain, and some writers are in fact designers themselves. Sometimes you write a book where the perfect cover design is very simple and easy to produce yourself. But that won’t be most people, with most books.
So far I have seen exactly two of the hundreds of self publisher made covers I’ve seen have actually made me want to buy the story. I’m not trying to be mean. It’s just the truth.
10. Offer ARCs to more reviewers.
Now you have a nicely formatted book and everything! Who can resist that?
11. Do a cover reveal, and during the cover reveal, offer everyone there an ARC.
Cover reveals come in many different forms. Some writers just post the cover on their blog, some do livestreams on facebook, some do question and answer sessions leading up to the reveal, some even go all out and have other writers come talk about their books on their site for a full day prior to the cover reveal.
Do whatever works best for your schedule. The goal is to attract attention for the book, so make sure you link to anything you’ve already set up from #12, so people can easily find your book when you release it!
And, as always, give out ARCs.
12. Get your book and author profile set up on everything.
Prior to your book’s release you should have a goodreads author page, an amazon author page, and a bookbub author page, all with your book attached. You should also have a website and a mailing list (linked to via your ebook), prepared release announcements for every social media site you work off of, and be ready with attractive and easily noticeable links to the book’s sale page off your tumblr blog and website.
Keep in mind that some of these things will take a decent chunk of time to set up, and a few of them require a live human being to confirm you are who you say you are. Start them as early as possible!
13. Release the book!
Time to actually put the book out there for all to buy. You can do a similar hype release as you do with a cover reveal, if you so desire. Make sure you remember to post all your announcements and put up all your links.
Try not to check on the book’s sales until the following day! It does not help their growth or your mental health to constantly be haunting your sales charts. When you do check them, keep in mind that a book which sells two thousand copies in its entire life time has done well, all things considered.
The fantastic thing about self publishing is that you never have to stop selling your book. If you sell fifty copies your first month and then twenty the second and then five the third, you can always dive back into marketing, run a discount, apply for a bookbub ad, focus on marketing yourself as an author and gaining followers. You chose whether your book is done selling.
To offer pre-orders or not?
This is a toss up. In my experience, pre-orders aren’t a good idea for your debut self-published novel, even if you think you have a large audience who will buy them, because they take away from the sales you could have your release week, and the boost those sale give you on the amazon charts. If you do wish to offer pre-orders though, try going through ingramspark instead of amazon advantage, to save yourself tears and heartache.  
To go amazon exclusive or not?
Many authors claim that you have to try both to know what’s right for any particular book. Do your own research and decide what you think is best for you.
Thirteen and a half: Start book three.
At this point you should already have finished at least the rough draft of second novel, so don’t forget to start your third book at some point!
14. Offer people read for review copies.
Especially if your debut novel is aimed toward broke teenagers and younger adults, there will be a lot of people who are interested in the book but aren’t motivated enough to actually buy it on faith alone. By offering free ebooks on a read for review basis, you...
Grow your reviews.
Create fans out of people who may have never read the book otherwise.
Have higher paperback sales, because readers who loved the ebook you gave them may decide to buy themselves a paperback.
15, unto infinity: Keep promoting your book into the sunset, while writing new books!
The time to stop promoting you book is whenever you feel you’ve had enough sales and reached enough readers. Until you reach a point where you’ve published so many books that you can’t handle marketing them all, you should still be trying to expand your readership!
And don’t forget to have a little bit of fun along the way. You worked hard for this. Celebrate it.
But what if I just want to get a book out there?
If your goal is not to publish a professional looking book with will expand your fanbase and set you on a path to full time authorship, but rather to have a piece of your writing available in a book format your friends and family can buy, then there’s no reason not to publish exactly how you wish to.
Are all these steps really necessarily?
I believe they are, at least for a debut novel. In fact, there are probably more steps which I missed entirely. But, if you can find multiple self-published authors who went through a less rigorous publishing process and still received hundreds or goodreads reviews, then by all mean, follow that process instead (and let me know about it!)
So which book did you self publish?
This one here! You can support me and my ability to keep giving writing advice by purchasing a copy today =D
2K notes · View notes
camerasieunhovn · 3 years ago
Text
3 Powerful On-Page Optimizations to Power Up Your Content
What is on-page SEO?
On-page SEO is when you blend the art of writing with the science of SEO to rank individual pages for specific keywords. On-page SEO includes everything from meta tags, content format, and keyword optimization to get your content found by search engines and move your audience to convert with you.
While it’s only one part of the equation, on-page SEO guides your content to match customer intent, user engagement, and tactics to increase conversions.
You need to have a map on you before you head out to the forest if you don't want to get lost. Just like hiking, you need to have a good idea of where you're going if you want to stay on track to your destination.
The same line of thinking can be applied to content production, because you should know how to structure content on your site to help sculpt search results and meet the needs of your customers to drive more conversions.
It’s not easy to write content that ranks in Google and drives conversions, but if you follow a few simple steps, you’ll be on your way to ranking, driving more clicks, and appealing to customers on all types of devices. Let’s take a look at three on-page optimization tactics that you can use to get the right message to the right people at the right time.
1. Format content for readers & robots
An SEO strategy has to be built around the needs of your customers to hit ranking factors and get your readers to engage with your content.
It’s tough to serve these two goals, but you can get the best of both worlds by formatting your content in a way that helps robots and readers scan content and focus on information on different devices.
While you can spend time with “SEO hacks,” the best way to improve your online visibility and increase conversions is to format content for readers and robots. Let’s take a look at how breaking up text, keeping paragraphs short, and bullet lists will make your content easier to read and boost rankings today!
Break up text with H2 tags
One of the first things you can do to improve on-page SEO is to break up text with H2 subheaders. These headers allow you to insert keywords to fuel the technical side of SEO, and these headers also help your readers scan through your content when they first reach your site.
Here are a few quick notes to make the most out of your subheadings:
I like to add H2 subheadings every 300 words or so.
Insert H3 headers with an additional 50 words of content for each section when appropriate.
Use target keywords and exact-match questions in subheadings whenever possible.
I have found a lot of success with Google Search Console (GSC) when optimizing existing on-page content. You can open up a page in GSC to find first-party data on what Google is ranking your content for and then add keywords in the H2 and H3 sections of your site to see a good boost in rankings.
Make your content easier to read for humans and search engines by breaking up your content with H2 and H3 subheadings. Don’t forget to get the most out of this on-page SEO tactic by including keywords and exact-match questions in the section headings for maximum results!
Keep paragraphs short
If you want to engage your readers and drive more conversions, then you have to optimize every inch of your content based on the needs of your target audience. Large blocks of text are difficult to read, and this is especially true on a phone or tablet.
I like to limit paragraphs to only 2-3 sentences each to ensure content looks good on mobile devices and does not overwhelm a reader as they read through my content.
Use bullet points
Bullet points are a powerful copywriting tool because they allow you to summarize information in a concise manner while also drawing attention to important data in a punchy format. Here are a few reasons to use bullet points in your content to boost on-page SEO:
Break content up and make blocks of text easier to read on mobile devices.
Highlight valuable points to increase conversions on service web pages and product pages.
Add internal links to bullet points to help guide customers through the buyer's journey.
Try to keep bullet point lists between 3-7 bullets each. Shorter lists look goofy, and long lists are difficult to read.
I like to include a bullet list in the first paragraph of each blog post to help readers understand my content, plus this bullet list can help secure a featured snippet (more on tha later). I also like to add a bullet list near CTAs to draw the attention of readers to drive more conversions.
Bullet points are just one example of how you can format content to help your readers and search engines- they are the perfect balance between content marketing and technical SEO tactics.
2. Optimize for featured snippets
As online search changes, Google is constantly updating its algorithms to provide the right information to searchers as quickly as possible. A featured snippet is a bite-sized snippet of information that Google places above organic listings based on specific search queries.
Featured snippets are your best friend if you want to establish your brand's authority and drive more organic traffic to your site. Here are a few reasons to format new content and optimize existing content to trigger featured snippets:
Dominate "position zero" above paid ads and other organic search results.
Build your brand authority by ranking at the top of the Search Engine Results page for target keywords.
Drive more qualified traffic to your site.
Build more backlinks as more people click on and link to your content.
Push your competitor's online listings down in SERPs.
There are several types of featured snippets that Google can display based on search intent, search query, and search history. Let’s take a look at how you can format your content in specific ways to help secure the three major types of featured images.
Paragraph featured snippet
Paragraph featured snippets show 40-50 word explanations based on a search query with a link to the source content. This type of featured snippets can be secured with proper on-page SEO and content formatting.
I like to summarize the answer and main point of my content in the first paragraph of my blog posts and online content to secure more paragraph featured snippets. I also like to create a concise summary of different sections to help trigger more featured snippets throughout my content.
List featured snippet
You will notice that most types of “how-to” search queries will trigger a list featured snippet. This information is presented in either a numbered list or a bulleted list, and is a powerful way to generate more traffic for recipe sites or process-oriented content.
I like to add a bullet list or numbered list before I list out detailed sections to secure more featured snippets.
Table featured snippet
Google may include a table at the top of SERPs for search queries about pricing options, comparisons, and data. Most table featured snippets are 3-4 columns wide and 6-7 rows long.
I like to add a HTML table to my blog posts to summarize a process, show price comparisons, or just to provide a summary of different types of data. I’ve noticed that Google prefers HTML tables compared to tables made in CSS or other languages.
3. Add an FAQ section & FAQ schema
Structured data are bits of code that you can add to your blog posts and web pages to help Google understand your content. You can format your content along with markup language to spoon-feed search engines information about your content and shape your appearance in SERPs.
Once you add an FAQ section to the bottom of your content, you can get even more bang for your buck by adding FAQ schema to the backend of the content. FAQ schema offers a number of benefits for your SEO strategy like:
Boost impressions: FAQ schema will help drive more organic impressions, which can lead to a higher Click Through Rate (CTR).
More website clicks: As your pages get more impressions you will start to see more clicks to your web pages and blog posts.
Interlinking: You can add a link to each answer in your FAQ schema. Only point internal linking to non-sales content (like a blog post) to help drive more engagement.
Improve online visibility: FAQ schema makes your content more visible because it pushes your competitors lower on SERPs.
I like adding 3-4 common questions and answers at the bottom of each blog post and web page to help customers and search engines. I’ve found that FAQ sections at the end of my content helps with keyword rankings and allows me to implement FAQ schema to get found in search engines.
Supercharge your on-page SEO game today!
A winning SEO strategy is rooted in getting your message to the right people at the right time, and on-page SEO tactics can help you get found online and drive more conversions.
Use the tips in the above sections to make your content easier to read, easier to scan, and even sculpt your content in SERPs today!
0 notes
ductrungnguyen87 · 3 years ago
Text
3 Powerful On-Page Optimizations to Power Up Your Content
What is on-page SEO?
On-page SEO is when you blend the art of writing with the science of SEO to rank individual pages for specific keywords. On-page SEO includes everything from meta tags, content format, and keyword optimization to get your content found by search engines and move your audience to convert with you.
While it’s only one part of the equation, on-page SEO guides your content to match customer intent, user engagement, and tactics to increase conversions.
You need to have a map on you before you head out to the forest if you don't want to get lost. Just like hiking, you need to have a good idea of where you're going if you want to stay on track to your destination.
The same line of thinking can be applied to content production, because you should know how to structure content on your site to help sculpt search results and meet the needs of your customers to drive more conversions.
It’s not easy to write content that ranks in Google and drives conversions, but if you follow a few simple steps, you’ll be on your way to ranking, driving more clicks, and appealing to customers on all types of devices. Let’s take a look at three on-page optimization tactics that you can use to get the right message to the right people at the right time.
1. Format content for readers & robots
An SEO strategy has to be built around the needs of your customers to hit ranking factors and get your readers to engage with your content.
It’s tough to serve these two goals, but you can get the best of both worlds by formatting your content in a way that helps robots and readers scan content and focus on information on different devices.
While you can spend time with “SEO hacks,” the best way to improve your online visibility and increase conversions is to format content for readers and robots. Let’s take a look at how breaking up text, keeping paragraphs short, and bullet lists will make your content easier to read and boost rankings today!
Break up text with H2 tags
One of the first things you can do to improve on-page SEO is to break up text with H2 subheaders. These headers allow you to insert keywords to fuel the technical side of SEO, and these headers also help your readers scan through your content when they first reach your site.
Here are a few quick notes to make the most out of your subheadings:
I like to add H2 subheadings every 300 words or so.
Insert H3 headers with an additional 50 words of content for each section when appropriate.
Use target keywords and exact-match questions in subheadings whenever possible.
I have found a lot of success with Google Search Console (GSC) when optimizing existing on-page content. You can open up a page in GSC to find first-party data on what Google is ranking your content for and then add keywords in the H2 and H3 sections of your site to see a good boost in rankings.
Make your content easier to read for humans and search engines by breaking up your content with H2 and H3 subheadings. Don’t forget to get the most out of this on-page SEO tactic by including keywords and exact-match questions in the section headings for maximum results!
Keep paragraphs short
If you want to engage your readers and drive more conversions, then you have to optimize every inch of your content based on the needs of your target audience. Large blocks of text are difficult to read, and this is especially true on a phone or tablet.
I like to limit paragraphs to only 2-3 sentences each to ensure content looks good on mobile devices and does not overwhelm a reader as they read through my content.
Use bullet points
Bullet points are a powerful copywriting tool because they allow you to summarize information in a concise manner while also drawing attention to important data in a punchy format. Here are a few reasons to use bullet points in your content to boost on-page SEO:
Break content up and make blocks of text easier to read on mobile devices.
Highlight valuable points to increase conversions on service web pages and product pages.
Add internal links to bullet points to help guide customers through the buyer's journey.
Try to keep bullet point lists between 3-7 bullets each. Shorter lists look goofy, and long lists are difficult to read.
I like to include a bullet list in the first paragraph of each blog post to help readers understand my content, plus this bullet list can help secure a featured snippet (more on tha later). I also like to add a bullet list near CTAs to draw the attention of readers to drive more conversions.
Bullet points are just one example of how you can format content to help your readers and search engines- they are the perfect balance between content marketing and technical SEO tactics.
2. Optimize for featured snippets
As online search changes, Google is constantly updating its algorithms to provide the right information to searchers as quickly as possible. A featured snippet is a bite-sized snippet of information that Google places above organic listings based on specific search queries.
Featured snippets are your best friend if you want to establish your brand's authority and drive more organic traffic to your site. Here are a few reasons to format new content and optimize existing content to trigger featured snippets:
Dominate "position zero" above paid ads and other organic search results.
Build your brand authority by ranking at the top of the Search Engine Results page for target keywords.
Drive more qualified traffic to your site.
Build more backlinks as more people click on and link to your content.
Push your competitor's online listings down in SERPs.
There are several types of featured snippets that Google can display based on search intent, search query, and search history. Let’s take a look at how you can format your content in specific ways to help secure the three major types of featured images.
Paragraph featured snippet
Paragraph featured snippets show 40-50 word explanations based on a search query with a link to the source content. This type of featured snippets can be secured with proper on-page SEO and content formatting.
I like to summarize the answer and main point of my content in the first paragraph of my blog posts and online content to secure more paragraph featured snippets. I also like to create a concise summary of different sections to help trigger more featured snippets throughout my content.
List featured snippet
You will notice that most types of “how-to” search queries will trigger a list featured snippet. This information is presented in either a numbered list or a bulleted list, and is a powerful way to generate more traffic for recipe sites or process-oriented content.
I like to add a bullet list or numbered list before I list out detailed sections to secure more featured snippets.
Table featured snippet
Google may include a table at the top of SERPs for search queries about pricing options, comparisons, and data. Most table featured snippets are 3-4 columns wide and 6-7 rows long.
I like to add a HTML table to my blog posts to summarize a process, show price comparisons, or just to provide a summary of different types of data. I’ve noticed that Google prefers HTML tables compared to tables made in CSS or other languages.
3. Add an FAQ section & FAQ schema
Structured data are bits of code that you can add to your blog posts and web pages to help Google understand your content. You can format your content along with markup language to spoon-feed search engines information about your content and shape your appearance in SERPs.
Once you add an FAQ section to the bottom of your content, you can get even more bang for your buck by adding FAQ schema to the backend of the content. FAQ schema offers a number of benefits for your SEO strategy like:
Boost impressions: FAQ schema will help drive more organic impressions, which can lead to a higher Click Through Rate (CTR).
More website clicks: As your pages get more impressions you will start to see more clicks to your web pages and blog posts.
Interlinking: You can add a link to each answer in your FAQ schema. Only point internal linking to non-sales content (like a blog post) to help drive more engagement.
Improve online visibility: FAQ schema makes your content more visible because it pushes your competitors lower on SERPs.
I like adding 3-4 common questions and answers at the bottom of each blog post and web page to help customers and search engines. I’ve found that FAQ sections at the end of my content helps with keyword rankings and allows me to implement FAQ schema to get found in search engines.
Supercharge your on-page SEO game today!
A winning SEO strategy is rooted in getting your message to the right people at the right time, and on-page SEO tactics can help you get found online and drive more conversions.
Use the tips in the above sections to make your content easier to read, easier to scan, and even sculpt your content in SERPs today!
0 notes