#i see how it is. ken gets to have a very sweet arc about being yourself no matter what that self looks like

[kazumahashimoto]

why is.... xander trying....... to steal bell's grandpa....... xander one of the very few characters with an established grandparent....... bro you're literally at his house right now..........

[miss0atae]

Random thoughts about Pit Babe the series Ep 9:

This episode was packed with many information and twists. I'm never bored when I watch this series.

▪️ First of all, let's talk about Babe. I felt for him so much in this episode. The betrayal he had to feel when he learnt about Way being the Enigma, hiding his work for Tony and basically lying from the very beginning. Babe really saw Way as his best and most trusted friend. It was hard to watch. I have to admit, I never watched Pavel in another series before, but I admit he really know how to cry. He do it beautifully. It's weird to say it this way, but I hope it's understandable. It must be really hard when you can't trust anyone. I'm sad for Babe. He quoted all the people who betrayed him and Charlie is quite lucky that he didn't say his name. Even if I like them together and think they are a cute couple, Charlie took his sweet time to tell the truth to Babe. Thankfully, Babe really loves him and I don't doubt that Charlie loves him back but he hasn't been trustful from the beginning either.

▪️ Charlie had many opportunities to use Babe's gift in this episode. I like how he was the one who had to deal with the consequences before the race. He can now fully understand what Babe was living before. I also found that so sweet how Babe came to me and was so lovable with him. I appreciate all the fluff and domestic vibes they have together. However, I wish Charlie was better at learning from his past mistakes. He told Babe he would tell him the truth but he is still hiding things from him. I wanna talk about when Jeff told him about his vision and they made a plan together but they haven't told anyone else about it. It's again going to break Babe's heart and as much as I find Pavel pretty when he is crying, I think Babe had enough sorrow. He doesn't need to cry more.

▪️ Jeff and Alan... We got robbed again! Yes, they had their little cute moment and it seems that Alan understand now that he has feeling for Jeff (thanks to the love matchmakers that are Sonic and North, they may be bad at rescuing people but at least they are better at being love gurus). I melted a little bit when Jeff called himself "Alan's boy". I thought they would kiss right at that moment... but no! It's frustrating! You like each other, time to have some action.

▪️ I understand now why Pete called Kenta, Ken. It's because he is "buying/saving" all those kids. They may have met this way. It is not said in the series but I haven't found a better explanation. Babe learnt from him that he is actively trying to convict Tony. He also knows him (it seems almost every character is Tony's son now which hilarious) and is the second Enigma. I hope he'll succeeded in his mission but also that he will save Way.

▪️ Now, we need to say something about Way... Of course, he was the second Enigma and he also tried to sexually assaulted Babe. I never liked him but for the first time I felt pity for him. What he did was terrible and there is no excuses. However, I feel like he has a lot of self-loathing. He was threatened by Tony. Way is afraid of him and when you're living in such bad environment it's hard to act rightly. We also learnt that he was homeless before Tony took care of him. I don't know what is going to be his redemption arc but I hope he'll get it. He seems so miserable. Tony is just so toxic. I felt like it was a miracle that Babe, Charlie, Pete or Jeff are not more f****d up in the head because of it. I don't know, I feel like Way could have turned differently.

▪️ We got nothing from Kenta or Kim and I'm starting to think that it is not meant to be. Also, what is Kenta's deal?! He seems to not really be on board with what Tony is doing but at the same time he is doing his work. I need answers!

▪️ Dean is also back in the team? Can we really trust him? I'm not sure. Especially after seeing the trailer.

▪️ By the way, why is Charlie always loosing?! He got special ability and he was trained by Babe. You need to do better Charlie! I wish he won this race. I'm stressed now with what I saw on the trailer.

I can't wait to be next Friday.

[scrunkore]

Scrunkore Media "Thread" 2023: Part 7 (FINALE)

the scrunko core is dragged into 2024

77) Barbie (Movie, 2023)

What a wildly meta take on the most famous plastic doll in the world, this movie is a pink-tinted ride from start to finish with a lot of words to say about the patriarchy and consumerism, and it does it in such a strange way that I honestly have mad respect for. It's easy to see why it popped off so hard, it was fun and had very explicit political theming, as well as that banger Ken song. Very quirky movie that I enjoyed. [4.5★]

78) Sonic Dream Team (iOS, 2023)

Maybe I would have enjoyed this more had I played it on a device that ran it a bit better, but still, this was a pretty nice surprise drop from Sega's mobile game developers. You wouldn't expect an Apple Arcade exclusive Sonic title to have levels as fun as these with characters that play fairly well, but here it is, and I'm here for it. Short but sweet, a nice experience that doesn't offer much but what it does have is pretty good. I will say, some characters do sound kind of bad, though. Maybe they need better directing on the next one. Also I like Ariem, do more with her please. [3.5★]

79) Bocchi the Rock! (Anime, 2022)

Every social anxious gay girlie's favourite pink blob really is that pathetic, but honestly the show is pretty real about it once you look past the delightfully expressive nonsense going on with her animations. Genuinely like how joining a band doesn't magically improve Bocchi and she's still a nervous weirdo like a lot of us are or have been, but instead she just makes slow progress with a support network around her. And it does help the show's case that it's just a fun watch with some really good music, drawing inspiration from the likes of Asian Kung-Fu Generation (the main case are named after them lol). I was a year late to Bocchi, but now I totally get it. [4.5★]

80) Pokémon Violet: The Hidden Treasure of Area Zero (Switch DLC, 2023)

Pokémon DLC seems to be their "thing" now, and I can't complain because this stuff is genuinely pretty good, though not as exceptional as the main game. Fun new and returning creatures in brand new environments from different parts of the world, being a new part of whatever the Japan stand-in is called as well as the ocean around Unova (which they really have been pandering to), along with a genuinely pretty solid character arc for the new boy Kieran and a nice supporting cast. I don't think this DLC as a whole is anything mindblowing, but it adds some substantial new content to what is one of my favourite games in the series in spite of everything it has going against it. There's an epilogue to this coming too, but that already "leaked" because they left it in the game. Oh, Game Freak. [4★]

81) I'm in Love with the Villainess (Anime, 2023)

Himejoshi of the world rejoiced, for the series they have been gassing up for ages finally made it into anime form, and it was really quite good. What is initially just a silly romantic comedy about a girl who is just extremely gay for the villainess of the game world she was reborn into ends up having some pretty genuine moments with discussions of homophobia and sad backstories that hit. What I hope to be able to call the "first season" covered a nice amount of content and ended on just the right note to get you wanting more, and overall it's just very gay and very good. Helps that the light novels' author seems like a real one too, she's interacted with fans in every language she's able to and I'll have to read her original work. [4.5★]

82) Doctor Who 2023 Specials (TV, 2023)

Doctor Who is back, and they brought back an old showrunner and even an old Doctor for a bit to pretty entertaining results, along with introducing the next Doctor in a divisive but interesting way. I will say, some odd decisions were made there, but I don't really mind too much, as the special episodes released within the last couple months of the year were really fun adventures. Concluding a story that's over a decade old, introducing genuinely good trans rep, finally going back to a classic-era villain just to kick his ass, it's great to see. I think Wild Blue Yonder was the best of these, being perfectly weird as good Doctor Who often is, but they were all nice. Christmas special showed promise for 2024's upcoming series too, May can't come soon enough. [4★]

82.1) Doctor Who: The Daleks Colour Special (TV, 2023)

A curious addition to the 60th anniversary of the series was a cut-down edit of the Daleks' original serial from the 1960s remade in colour with unnecessary inclusions of music and some odd choices of what to trim from it. I'm not sure it was very good, but it was nice of them to bring back a frankly ancient story in a new way. An interesting experiment, perhaps.

82.2) Doctor Who: Liberation of the Daleks (Comic, 2023)

Apparently they want you to read this if you want to know what happened to the previous Sonic Screwdriver, which is kind of funny because that's not actually that big a deal within this rather silly story. It's a short and weird comic plot featuring a virtual multiverse of different quirky Daleks, yet another excuse to have them in something because they weren't in the main specials. I kinda liked it, though, it was fun enough.

83/84) Scott Pilgrim (Comic, 2004-2010)/Vs The World (Movie, 2010)

Took me long enough to get into this series, and yeah it is actually pretty good. Shitty people bumbling into improvement is something that does require reading comprehension to enjoy (lol) but this is a good story where you're obviously supposed to know Scott and indeed several of the other characters have and do make a lot of mistakes. The movie does make this worse as well, kinda skimming over most of the comics' storyline, but it's well-directed so it's good enough if you want to watch it. Really has fun with it, and the series is in fact quite funny especially with how pathetic the lead character is. I do recommend reading the comics, it's a series with a fun vibe but also they say the R-slur a few times because it was the 2000s so watch out for that. Luckily other media in the series avoids doing that, because by the 2010s most people figured you shouldn't say that. [4★/3.5★] 85) Scott Pilgrim Takes Off (Anime, 2023)

I can't believe they actually made Rebuild of Scott Pilgrim and that's not really hyperbole, this new Netflix anime based on the series does a great job of both deconstructing and fleshing out the source material in some really nice ways. Characters previously treated largely as jokes in the movie especially (poor Roxie) get a lot more thought put into them and many of the cast end up happier. I don't want to spoil a lot, but this is some good stuff that comes at everything from a different angle without sacrificing too much of what made the original stuff stand out. Might be my favourite of these. [4.5★]

86) Neo Yokio (Anime, 2017)

This show is so fucking stupid, so naturally it's the last thing I watched in 2023. It's some vapid rich person hipster shit but I think it knows that, and a lot of the comedy comes from that, but I feel some of the funny stuff is unintended too. Frankly it's hard to tell what angle it's going for, and it does have one kinda transphobic Ranma 1/2 parody, so I'm not sure if I'd recommend it in good faith, but it was a good thing to just mindlessly watch and laugh at from time to time. I'll watch the Christmas special at some point. [NEO YOKIO★]

And thus, the media "thread" comes to an end. That sure was a year in my life where I consumed media, I can say that much. Maybe for 2024 I'll be better at keeping up with this thing, but no promises. Still, this was fun enough.

Last part

[vulpiximisa]

going through tsurune again and rolling my eyes at the seiya/minato only to find out that it’s the most popular ship in the fandom and so here’s my essay about why I don’t care for childhood friend ships

I think the appeal is for the characters to have “someone who knows you inside and out and can understand you as a person and is always by your side” and for me it makes me super uncomfortable because that person for me is my sister. And it’s not like I’m going to say “ew childhood friends ships are literal incest” because I’m not a fcking idiot who doesn’t know how to interpret relationships between charas and real people.

It’s also a matter of the characters themselves. If both characters are equally Whole Characters who do things individually and when they are together they can become a duo, that’s fine. But most ships I have seen that people enjoy are not like this. Always one character will make the other character their entire personality.

I’m going to use Mako////Haru and the Sei////Mina as examples. Both Makoto and Seiya literally eat sleep breathe and think about Haru and Minato. “Aw but it’s so sweet they’re so devoted to them.” Not to me it’s not, I want a whole ass character, not just MC’s DLC. (SouRin too.) They literally ruined Makoto’s character arc when he realized he didn’t have to swim to be with Haru and decided to coach kids but then made him want to coach Haru in S3 and it’s like hhhhRRRRRRR WHY. Seiyas literally only doing archery to be with Minato. Sousuke is a fcking idiot that ruined his body for Rin.

Perhaps it’s KyoAni realizing that this kind of relationship sells so I’m going to mention another ship.

Tsukki///Yama from Haikyuu. “Yamaguchi has major character growth!!” And he does, good job Guch. But initially he was literally Tsuki’s lackey. He starts to move away from that when he practices his serves and even though the “what more do you need than your pride” scene was a big step for him, I find that every time Yamaguchi steps into the court, there’s always a focus on Tsuki, framed in the way that it’s like “I’m here to back up tsukki, to help tsukki” and not like The Team as a whole.

I think Kuro////Ken are a great example of how childhood friends could be. Aside from them being a year apart, they’re very much their own characters but they do know each other very well and have their own thing going on. (I don’t care much for seijou so I’m not gonna talk about Iwa////Oi)

Back to tsurune, Nanao and Kaito are what they could be but they’re cousins so nobody is gonna ship them. But the fact that they are family reiterates my reason, that you don’t have to fall in love with the person you spent most of your life with.

“But what about the long time pining!!!” Iunno man, I guess I don’t have an argument for that. If they fell in love as a kid and continue the feelings until they’ve matured, makes me wonder if they’ll reevaluate that and not just “stick with it because that’s all they’ve ever known”. It’s worse for me if they never considered them until Suddenly something changed. I mean sure whatever.

I’m okay with the ones where they might have known each other when they were young but they separated and didn’t see each other until they’re both older. It’s about learning that the person is not the same person and having to get to know them again.

Oh that’s why I don’t like childhood friend ships. I don’t like when I’m given information that “oh yeah, they are friends, trust me on this.” (The entire reason I don’t ship Aso////Ryu from GAA.) I like seeing the development, how did they meet, how would they grow to know each other, when do they start thinking different? (On a related note, it’s why GoPri is better than Fresh in the dynamic with the first 3 cures, because GoPri didn’t take the lazy way out of writing 3 girls with very different backgrounds suddenly becoming friends.)

The only two childhood friends ship thats I like that I can think of is Sasu//////Naru and Hector/Eliwood from FE7.

Sasu/////naru has a whole package of other things going on for them that they don’t even count as that. Yes they knew each other as kids but they don’t start to Really get to know each other until they’re teammates and then etc the rest of their story.

HecEli, I don’t remember how old they were but I don’t think they were that young? That’s not the point. Hector might have seemed Eliwood centric if you just played Eli’s route but in Hector mode he has a whole bunch of things going on. (RoyLili, is very much the thing tho, where Lilina is Roy centric most of the time. I love her but I don’t deny it.) Also rekkas shoving Eli////nini and hec/////lyn in my face so of course I’m taking an alternate route.

Edit: i just thought about games after I posted thing. Hen////do from pl miracle mask. *points at henry* it was you. Like maybe there’s nothing wrong with orbital charas but I feel like the feelings will never be balanced. The other character will never feel like they can give back anywhere as much as the orbital one. (Sorry azu////iru even though it’s not a childhood friend ship)

Anyway, you’re not gonna make me like childhood friend ships if you make one of them an orbital chara and shove it into my face. *puts kyoani in a choke hold*

[punkkboyyluvrr]

just watched - fool's paradise (2023)

i honestly REALLY loved this movie. i was nervous going in due to a lot of poor reviews i had heard about when it came out, but im honestly super glad i didnt listen to those. charlie days acting and humor was, of course, amazing, and i felt that the cinematography was pretty beautiful. plus, a lot of iasip cast members show up as side characters throughout the movie, so, if nothing else, you can at least go all monkey brain from seeing glenn howerton and co. for about 2 seconds in a few scenes like i did. also, i feel that i should mention that, my god, charlie days skills in showing emotion purely through facial expressions is fucking astounding. i dont think i ever truly appreciated that while watching him perform in its always sunny, considering hes usually just doing some crazy off-the-walls shit in that show rather than showing a wide range of human emotion.

more in depth review + spoilers under cut!

i honestly didnt expect something with so much heart coming from charlie day, mainly because i only really know him from its always sunny, which, obviously, is riddled with tons of cruel and offensive jokes, but i was very pleasantly surprised. right off the bat, the coloring choices show just how aesthetically pleasing it is already. and then, we get introduced to latte, who immediately feels so human and so easy to connect to (although that could just be from my perspective as a neurodivergent person).

ken jeong is another excellent actor, and his portrayal of lenny was surprisingly endearing. his relationship with latte going from a purely business one to that of genuine friendship was a character arc i thoroughly enjoyed watching.

speaking of their relationship arc, the ending... honestly got me pretty fuckin good, i wont lie. while im not a huge fan of the misunderstanding trope in media (and this is no exception), i think the ending made up for it, at least a little bit. first of all, latte carrying around the urn of what he believes to be his best friends ashes felt very sweet, and showed how much he cared about lenny. and then the ending, where the first words he says are "i love you, too"... god. i did expect that the ending would reveal latte speaking for the first time, but i really expected it to be some shitty one-liner or something like that, and im so glad that they didnt go that route. lattes first words being that of affection towards lenny just even further shows how much the two care for each other, both going from being lost and hopeless in the world, in their own ways, to finally having just one person that understands and who actually cares about them. it was a very sweet moment.

while some of the humor can be predictable, and that part near the end about the whole electing for president thing was a bit... eh...? all in all, i think it has too much love and creativity put into it for it to be considered a purely "bad" movie. plus, who doesnt love charlie day?

[seventeenlovesthree]

Koroushi and Hikari

Assuming you meant Koushirou, I will write about Koukari here, anon. <3

Send me two names among the following 12 and I’ll write a short analysis post about them:

Taichi Yagami | Yamato Ishida | Sora Takenouchi | Koushirou Izumi | Mimi Tachikawa | Jyou Kidou | Takeru Takaishi | Hikari Yagami | Daisuke Motomiya | Miyako Inoue | Iori Hida | Ken Ichijouji

Whether canon provides input on them or not:

It does - one might have to take a very close look to notice it though. The screenshot taken from the episode above might be the first thing that comes to mind when mentioning these two, as they’re getting paired up during the World Tour arc in 02 to travel to Hong Kong together. However, ever since Hikari was introduced in 01, very late in the series, there have been several instances of Koushirou being curious about her (and her strange connection to the Digital World), him interacting with and encouraging her - and he’s actually the only person Taichi tells about their childhood, thus he’s aware of her having been prone to sickness and getting hospitalized due to it. In fact, one of Koushirou’s main roles in the Dark Master’s arc is being the (emotional) support system of the Yagami siblings, which provides a nice set-up for the two of them - at least in theory. Because unfortunately, they don’t interact as much with each other just on their own. 

With Hikari being Taichi’s sister and Koushirou being his best friend, it should be a given to assume that there’s at least some kind of familiarity between them, but for the most part, the viewer has to guess how deep their bond actually goes. Hikari obviously tags along with Taichi’s group in 01 and then again with the new Chosen Children in 02, as the entire group treats Koushirou as their mentor there, but they’re not really seen talking to each other a lot. That’s even more obvious in Tri, where they’re maybe standing next to each other once or twice (culminating in the stageplay, where they aren’t interacting at all). Kizuna at least provides a shot of him panicking once he notices that she’s in danger, so he immediately contacts her brother - which basically summarizes his overall interaction theme towards her: She’s in danger/sick/some kind of otherworldly state, so he does whatever it takes to (help) saving her. The reboot, despite putting them together in Team Light, doesn’t show much interpersonal interaction between them either and the only notable thing that happens in regards to them in the novels is Koushirou sneaking out of his room in the middle of the night to confirm that the beeping dot on his digivice is indeed Hikari Yagami... 

The most interesting framing may take place in the PSP game, because it actually lets them bond; They’re talking about physical things they’re being attached to (her whistle vs. his laptop), about flowers and “the thought that counts” - and Hikari actually has a lot of praise for Koushirou as well, boosting his self-confidence in the same way he did for her in the anime, so he ends up offering to teach her how to use computers and that’s probably why she knew how to send mail in OWG... Then again, there’s also the infamous (non-canon) love letter drama - which creates a humourous non-existing “love triangle” between Koushirou, Mimi and Hikari in which it is at least implied he maaaaay have written the letter for Hikari... 

So tl;dr, there is not nothing and there IS a lot of soft potential.

Whether I think why and how they’d work:

Based on the fact that I just spent quite a while talking about the sheer potential of these two - I definitely believe that they could work. First of all, as mentioned above, they should be close(r) to each other due to their closeness to Taichi. Second of all, we see Koushirou’s protective and kind nature shining through towards her in 01. Paired up with their curious and sweet interactions in the PSP game, I am convinced that the “hyperempathic girl with the magical connection to the Digital World” and the “knowledgable support guy with a technological interest in the Digital World” could be a great (contrasting) combination to end up as a romantic couple. They’re both “weird” (and in their own worlds) in their own ways, both incredibly prone to self-sacrifice and can get pretty mad at others for doing the same (Taichi in particular, but I’m sure they’d be the same towards each other too), so they already have a lot in common. Curiosity and the will to create a wonderful, symbiotic future for the Digital World and the real world is also something that could connect them.

Thanks to the “I’m gonna teach you how to use a computer” bit, I am also sure that they’re very communicative, talking and texting on the phone/computer a lot and there’s a reason why people often headcanon Hikari providing pictures of the Digital World to Koushirou for his studies. I mean, why else would he have opened a shady looking link coming from her immediately (in Kizuna) if he wasn’t at least somewhat used to her sending him things? It’s incredibly endearing to imagine them being kind and supportive towards each other’s goals - ESPECIALLY since Hikari is aiming to become a kindergarden teacher and who would be more suitable to help her than the person who likes to teach, rant and ramble anyway??? 

They’re both not very offensive/forward when it comes to (facing) their feelings though, in fact, they tend to keep those to themselves rather consistently. Thus, it may be a veeeery persistent slow burn - and Takeru would prooobably have the time of his life dropping hints towards both of them. Koushirou might not get it and Hikari would pout at him and get defensive - but they’d get there. One day, for sure.

I also love the idea of them going on double dates with Taichi and Sora - Team Light should generally be much closer than what canon was showing and I cannot imagine Taichi not giving Koushirou his blessings (despite everything that happened in the infamous love letter drama mentioned above).

Whether I’d prefer them as platonic or romantic ship:

In case it hasn’t been obvious, I love the idea of these two falling for each other and helping the other to realize that their self-sacrificing tendencies have been quite unhealthy in the past - growing and healing while building a future for the Digital and real world together. However, I also like the idea of them just being platonic study buddies, as outlined above, forever giggling together over Taichi bluescreening his PC for the millionth time.

[jsio]

EVERYTHING YOU NEED TO KNOW ABOUT

MILES PROWER, ANTI-TAILS

Moebius' true king.

Art by Arealscrog

Archie's wasted character

Who is Miles?

Miles Prower is the Anti equivalent of Tails, from Mobius Prime. He is afew years older, being 11 instead of 8 and much more mature. He still appears to possess Tails' youthful tenacity and desire for independence, but he has a violent rebellious attitude and shows no interest in holding himself to childish things, even though he's only 11 years old himself, hating the nickname "Tails" being an example.

Miles holds his younger counterpart in utter contempt for traits Miles sees as weaknesses, especially how Tails went down the path of Science and technology instead of his magical Chaos force heritage, implying that Miles went down a more mystical path instead of Science, but from what we see in the comic Miles is more in the political field, by that I mean he manipulates all the political aspects of Moebius.

His actions throughout the comic run make him out to be smart, picky, but also cold, calculating and always 5 steps ahead of his own team and Adversaries, this leading to Alicia making him the Suppression Squads leader behind the scenes, while she is the figurehead "ruler."

---------------------------------------------

That's Anti-Tails, Who throughout this I'll be reffering to as "Miles." Now you may be thinking, "Why make a post on an extremely obscure and hardly used Archie character? Why not someone Like Tails, Shadow or a more popular Archie character?"

Well, it's because I believe that Miles had the potential to be one of Archie's most intresting original characters, I believe he could've easily held his own "Suppression Squad" comic run, but Archie Unfortunately really underused him and wasted his potential, but hey...

That's where us fans come in!

---------------------------------------------

This post is All about Miles Canonical self, every canon fact I can find about him and his full story in his short run during Pre-Reboot Archie Sonic, and my own personal headcanons in the later post.

But...before I get into any the headcanons, I need to teach those who don't know him about him, I need to talk about his Canonical self..so, let's get into it. Headcanons will be in the follow up post.

Canonical Apprearnces.

(Reworded from the wiki)

First appearance

The first appearance of Anti-Tails was back when the character was just "Evil Tails" and it was of him joining the Anti Freedom fighters in an attempt to take over Mobius Prime, prior to the downfall of Eggman.

He and his evil allies pretended to be the good Mobius Prime versions, and struck knothole with acts of mayhem, vandalism and overall mischief, a common thing on moebius. The real Freedom Fighters soon returned to set things straight, but their initial attempts to defeat the Anti-Freedom Fighters failed as their Anti-Mobius selves knew their moves as well as they did. Sally Acorn came upon the solution: switching combat partners. When he faced Rotor, Evil Tails proved unable to overcome the larger and stronger Mobian. Defeated along with the other Anti-Freedom Fighters, he was sent back to Anti-Mobius, where they continued to cause mayhem despite the efforts of the kindly Dr. Ivo Kintobor (Anti-Robotnik) to stop them.

This was the last we saw Evil Tails for awhile, however we did see a cameo of him along with every other tails when they all came together and formed Titan Tails.

The Suppression Squad

Art by Pota on Pixiv

Some time passed before his next appearance, and in that time "Anti-Mobius" went through changes in its name, now "Moebius." And all the characters changed alongside it.

Miles had assisted Boomer in stealing Dr Kintober's goal posts in order to allow the Suppression Squad to have access to inter-dimensional travel. Scourge obviously took this opportunity and went straight to Mobius Prime, along with a few other members of the SS, Miles being one of them, and they attempted an assult on the Freedom HQ, where we see Miles' and Tails face off, with Miles declaring to not be referrd to as Tails or Anti-Tails, but instead just "Miles".

He also indicated his disgust at Tails for having chosen a path of Science and study, despite having a strong connection to "Chaos force", aka magic. This has led to people believing Miles himself is a magic user.

When Metal Sonic attacked Scourge, believing him to be the real Sonic, Miles stayed back and observed instead of helping his king. Now, you may think that's betrayal, but in reality Miles didn't help because he did not wish to undermine Scourges strength, so instead he observed. Soon after Sonic came onto the scene he showed his willingness to help anyone, even his enimies, and this gave Miles an idea:

Let's team up with the freedom fighters to betray Scourge, that's the new plan.

Miles later met up with Sally, Bunnie, Antonie and Tails to offer an alliance, but didn't let Tails speak and showed his contempt to the original version, telling him, "Please don't talk, little boy, We're trying to have an intelligent conversation." Sally accepted the offer, knowing she needed all the help she could get for taking down Scourge.

Upon returning to Scourge, pretending to be running from the freedom fighters, Scourge asked for a summary on his mission, that being "bomb New Metropolis" but Miles ignored him however, instead reporting to Alicia (Anti-Sally) that his mission was a success. Immediately thereafter, Alicia told the Suppression Squad to, "Show our King just what we think of him", with Boomer and Patch clearly readying for battle

However, Miles was doubling up his betrayal, blasting both Sonic and Scourge back into Moebius for them to Duke it out there, with Boomer sealing the portal behind them. An ethical debate followed this, between Sally, Alicia and Miles, the trio being ordered to get the goal posts ready to be able to return the freedom fighters to Mobius after both groups agreed to make sure Scourge was defeated on Moebius by Sonic

Miles was as shocked as the rest of the group to find Scourge had defeated all of his opponents as Super Scourge. When the rest of the Knothole Freedom Fighters and Suppression Squad were quickly defeated, Scourge turned his sights on Miles, identifying him as the mastermind behind the betrayal.

Miles, cowering in fear, denied his role in betraying Scourge, who was threatening to beat him for his betrayal. However, Miles was saved by Silver the Hedgehog and unlike the rest of his allies, wasn't even hurt. Following Scourge's defeat and Miles' attempt to recruit Buns Rabbot into the Suppression Squad, Miles spoke to Alicia about who would be their new leader. Alicia explained that while she may be the figurehead ruler, they both knew Miles held the real authority at this point, to which Miles grinned.

That was the last we see of Miles in the Archie comics, he unfortunately isn't in the post reboot because he's now owned by Ken Penders, so we'll never see him again. Below is all of his official designs, and after that is my final thoughts on the character.

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My overview of Miles as a character.

I'm no Character analysist so I'll make this short and sweet, my review of Miles is that he's a Character with alot of potential, but he went wasted, not on purpose, but thanks to the lawsuit.

I believe that if that lawsuit never happened, and that arc was closed up nicely Anti-Tails would of became a far more realistic and grounded Character, and probably pretty popular too. Miles to me is a kid who was manipulated into a life of crime and now believes that's what is right, and I think that could of been an arc for him, mellowing out and becoming a true king for the people of Moebius. I also like how when Scourge goes Super and goes to Miles to confront him, he dosent stand up to him, he dosent become strong, but instead he cowers in fear, hes terrified and tries to lie, to me, that makes him feel more grounded, and I like that.

Personally I wish Miles was more popular, I wish he got more spotlight than he did and I wish his story got concluded, but with what we got, I think he's pretty good, and pretty interesting too! I've seen alot of ideas float around for this dude, all of them making sense in they're on way, and to be honest? His lack of story kinda helps make him more accessible.

Tl:Dr: I like Miles alot, and I hope this post helps you lot learn more about him and overall, gets more people down to write with him, draw with him and explore him!

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Would I change him in any way?

Yeah, there's one key part of Miles (from what we got) that I think was wasted. Now, what is that? What would I change about a Character I've mostly praised? Well...

I wish he was magical. In the Archie comics Tails is actually strongly connected to the "Chaos Force", not as connected as Shadow, but still VERY connected, and guess what? Miles and Tails ARE biologically the same, same DNA, and in that bit of the comic, Miles calls Tails out on something he should have no idea about if he himself isn't connected to the same thing (or Moebius equivalent). To me at least this kind of implies Miles is magical too.

Basically, I'd give Miles' moveset a touch of magical abilities, connecting him to Moebius' "Anarchy force". I think it would help separate him abit more from Tails, while also connecting them, because whenever you have science and magic together...they clash.

But yea that's all I'd change in what we got, just hints of magic, some magic attacks here and there. I think it'd be pretty neat, and it'd have the science Vs magic aspect with him and Tails relationship.

---------------------------------------------

Lets finally wrap this up! At least, for now.

Thank you so much for reading all this If you did, it, this took me alot of hours, and I, I think it's over 2000 words now you madman. Why not spend your time doing something more worthwhile? Why not...have fun? meet someone? Go on a date? Live your life? Why read a post on an obscure Character, mainac.

But in all seriousness thank you for reading my post, I really like this character (clearly) and I want to teach people about him, and I hope this post has done that! Post 2. There's going to be a sequel post going over all of my personal headcanons, and possibly a 3rd going over community ones. Keep ya eyes out~

But yea, big read, now you lot know about an obscure Character, and this was fun to write! But now I'm gonna end this post with a fun fact:

Miles and the Suppression Squad were going to have one more arc, it was teased at the end of issue 196, but unfortunately it never got written. That would of been really neat but unfortunately it never got to happen.

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BON'VOYAGE, HEDGEHOGS!

[insanityred]

Hey I just finished reading Keeping Your Character. I really enjoyed reading it!!! I loved your characterization of Lambo! She is a very entertaining character that I never got bored with! I also thought your time skips were well placed and made the story continually interesting. Mukuro has such an interesting and cute relationship with Lambo. I also enjoyed how you fleshed out Ken and Chikusa and their relationships with Mukuro and Lambo! I loved the initial bonding moments of brutally murdering the Estraneo family and the very unhinged mentalities of the group!!! I adored how she impulsively chose to negotiate with the Vindice for the group. The continuous detail to Lambo’s hatred of anything that could control her mind and thoughts is delightful!!! Overall I love how you built the relationships between Lambo and everyone else!!! Each one feels interesting and yet realistic! I also thought the Amano-force was an extremely intriguing mechanic that I look forward to being further explored if you write more!!!!! The slow build of interest Reborn and Tsuna have about Lambo is delicious because even though I as a reader have more insight I relate to that feeling so much! Did Lambo guess any of the real reasons the Amano-Force kept Levi alive? Is the Amano-Force confirmed? I personally hope that Lambo gets to murder Levi! Her taunts against Levi were top notch. I’m looking forward to seeing further into the relationships Lambo develops with the Varia but especially with Xanxus and Squalo! I’ve got a lot of enjoyment from the puns! I would love to know more about your flame lore on a meta level or later in the story!!! I similar to Mukuro found the contract idea top notch. I cannot wait for Reborn and Iemitsu to find out about the contract that Tsuna signed!! It was so in character and funny that she also got super important and rare info from CEDEF for something she had already committed to. He’s probably going to get so much remedial training for signing contracts. Are the Omakes canon to the universe? The Varia arc is one of my favorite arcs and so if you regain inspiration I am looking forward to seeing the whole arc but especially the reactions to Lambo’s fight and how the Mist battle will change!! I would love to read more if you ever write more but even if you don’t ever continue the story it has made it into my favorite fanfics ever and probably my favorite KHR fic ever!!!! Thank you for sharing your writing!!! I hope you are doing well.

this was incredibly sweet of you to say. I really appreciate the long review and I'm really glad you've enjoyed my story!

I've been in a bit of a slump lately, but KYC is a story that I constantly get little ideas for all the time. I don't think I'll ever give it up entirely.

thank you for reading my work and taking the time to comment like this!

[crusherthedoctor]

Can you list anything you unironically like in the games (and cartoons and comics) that you don't like?

I won't bother mentioning music, since that goes without saying and is to be expected for a Sonic game... unless you're Chronicles.

Sonic Adventure 2 (mixed gameplay-wise, annoying story-wise) - While I prefer Sonic's SA1 levels for a number of reasons, I still think his and Shadow's gameplay in SA2 is fun on its own merit. I also don't mind the treasure hunting gameplay returning or how big the levels are this time around, since Knuckles and Rouge are still fast and not '06 levels of slow. It's mainly the gimped radar that creates the unfortunate domino effect of making them a problem.

- Introduced Rouge, one of my favourite characters for how playful she is and how she's a lot more nuanced and intelligent than you'd expect.

- Some genuinely good scenes, like Eggman's trap on the A.R.K and Sonic escaping from the G.U.N. helicopter.

- Had some good ideas going for it, like the Pyramid Base and the Biolizard as a scientific monster instead of an ancient one.

- Despite my thoughts on the backstory itself (or rather, its execution), Shadow has enough depth and subtle qualities and occasional unintended hilarity to stand out from the typical dark rival characters you see in media.

- The Last Scene's music in particular is one of my favourite cutscene tracks in the series.

Sonic Heroes (mixed gameplay-wise, loathed story-wise) - The gameplay is fun when you're not being screwed over by repetitive combat, overly long levels and/or ice physics.

- Boasts some of the most consistently Genesis-worthy environments in the 3D games, up there with SA1's and Colours'.

- The in-game dialogue that isn't the same tutorial drivel repeated ad nauseam can be interesting, funny, etc.

- Reintroduced the Chaotix, which provided me with another character I quite like in the form of Vector.

- Bringing Metal Sonic back in full force and front and center in the plot after a long absence (not counting cameos and the like) is a perfectly fine idea. Just... not like this.

Sonic Battle (decent yet repetitive gameplay, mixed story-wise) - Emerl's arc is compelling, and it earns the emotional weight of having to put him down at the end.

- While some characters are iffy (read: Amy), other characters are extremely well-handled. Shadow is probably the prime example.

- Gamma's belly dance healing animation is fucking hilarious.

- When I was young, and the game was first announced, I was really excited about being able to play as Chaos. This proved to be my downfall when it turned out he was arguably one of the worst characters in the game due to being slower than me during the writing process, but I still recall that excitement fondly.

Shadow the Hedgehog (comedy classic) - The sheer amount of legendary stupidity this game has going for it makes it practically impossible to actually hate. It helps that it's not quite as white-knighted on the same level as '06... usually. You know you're in for a unique experience when you hear a gunshot every time you click something in the menu.

- By extension, Black Doom never gained an unironic fanbase like Mephiles/Scourge/Eggman Nega did, which means I'm a lot more willing to take Doom's dumbass brand of villainy in stride. He even has a unique design... a terrible one that rips off Wizeman granted, but alas, even that is a step-up from Fridge Shadow and Bumblebee Eggman.

- Despite being... well, Shadow the Hedgehog, some of the environments would fit right in with any other Sonic game, like with Circus Park, Lava Shelter, and Digital Circuit. Even the Black Comet levels look pretty cool.

- This game understands amnesia better than IDW does.

Sonic '06 (what do you think?) - The obvious one: Shadow's character was handled pretty well, even if it came at the cost of everyone else being a dummy and being forced to interact with Mephiles.

- Like SA2, there are some good moments, like the Last Story ending sequence with Sonic and Elise.

- In the greatest form of irony ever, I like Solaris as a concept and design(s), and its backstory has potential to serve as a parallel with Chaos without being a complete ripoff. Iblis sucks, Mephiles sucks, but I'm fine with Solaris.

- Introduced legendary characters like Sonic Man, Pele the Beloved Dog, Hatsun the Pigeon, and Pacha from The Emperor's New Groove.

The Rivals duology (apathetic outside of Nega-related grumbling) - There were some cool zone ideas in both games that were sadly let down by the restrictive and limiting gameplay. I particularly like Colosseum Highway for thus far being the only full-on Roman level in the series instead of merely having a couple minor hints of Roman, and Meteor Base for the unique scenario of the space station being built into an asteroid. These level concepts and others deserve a second chance IMO. (At least Frontier Canyon got a second chance in the form of Mirage Saloon, amirite?)

- Ifrit has a better design than Iblis. Not saying it's amazing, but the Firebird motif it has going on is a lot more interesting for a fire monster than the Not-Chaos schtick they had with Iblis.

Sonic and the Secret Rings (a very frustrating gaming experience) - Erazor Djinn, A.K.A. Qui-Gon Djinn, A.K.A. Dr. N. Djinn, A.K.A. I'll Take It On The Djinn, A.K.A. Not From The Hairs On My Djinny Djinn Djinn, is one of the best villains not associated with Eggman in the series. He's a Mephiles-type character done right, and there's actual weight and reason to his actions, however sinister or petty.

- I don't have strong opinions either way on Shahra as a character, but the Sonic/Shahra friendship is sweet and well-handled.

- The ending is one of Sonic's greatest moments. The sheer contrast between how ruthlessly he deals with Erazor and how comforting he is towards Shahra speaks volumes... Still gonna make fun of the mountain of handkerchiefs though. (Before anyone lectures me, I understand the significance of it and can even appreciate it from that angle... doesn't mean I'm not allowed to poke fun at it. :P)

- Another game with some redeeming environments. I love the aesthetic of Night Palace, and Sand Oasis looks gorgeous too.

Sonic Chronicles (my personal least favourite game in the series) - Uh...

- Um...

- Er...

- I like Shade's design?

Sonic Unleashed (overrated game and story IMO) - The obvious two: the opening sequence and the Egg Dragoon fight deserve all the praise they get.

- Seeing Eggmanland come to life was an impressive moment to be sure. While part of me does feel it didn't quite measure up to what I had in mind (ironically, the Interstellar Amusement Park ended up being closer to what I had in mind), it still looks badass and works well for what it is. I also don't mind the idea of it being a one-level gauntlet... key word being idea.

- Obviously, the game looks great. Not a fan of the real world focus (real world inspiration is fine, but copy-pasting the real world and shoving loops in it is just unimaginative), but it can't be denied that the environments look good.

- This game pulled off dialogue options a lot better than Chronicles did, since they didn't rely on making Sonic OoC.

Sonic and the Black Knight (just kind of boring all around) - Despite my gripes with the story (Merlina wasn't nearly as fleshed out as her unique anti-villain status deserved, which ends up severely undermining the ambition of the plot in more ways than one, and the other characters go from being useless yes men for King Arthur to being useless yes men for Sonic), I will admit it provides interesting insight into Sonic's character.

- Like '06 and Secret Rings, the ending is very nice... well, aside from Amy being an unreasonable bitch ala Sonic X at the very end.

Sonic the Hedgehog 4 (apathetic) - The admittedly few new concepts sprinkled within had promise. They may not have been as fleshed out as they could have been, but level concepts like Sylvania Castle and White Park, bosses like Egg Serpentleaf and the Egg Heart, and story beats like the Death Egg mk.II being powered by Little Planet, all could have been brilliant had they been better executed.

SatAM (apathetic outside of SatAM Robotnik-related grumbling) - I'm not a fan of the environments on the whole due to them looking too bland or samey, but there are some exceptions that look pleasant or interesting, like the Void.

Sonic Underground (apathetic) - The character designs make me feel better about myself.

- Does "large quantities of unintentional meme material" count as a positive?

Sonic X (mostly apathetic outside of Eggman's handling) - Helen was a better human character and audience surrogate in her one focus episode than Chris was throughout his entire runtime.

- Actually, most of the human characters not named Chris were legitimately likable. Including everyone in Chris' own family not named Chris. Hilarious.

- Despite arguably having the most Chris in it, I actually don't mind the first season that much, partly due to slight nostalgia from seeing it on TV when it was new, but mostly because Eggman actually acted like a villain for the most part, and certain other characters weren't quite as flanderized yet. It's season 2 and onwards where things started going off the rails IMO. (Incidentally, Helen's episode was part of season 1...)

The Boom franchise (apathetic) - Along with Chronicles, the games provide yet more proof that just because someone isn't SEGA/Sonic Team, that doesn't mean they're automatically more qualified to handle the series.

- The show had some good episodes here and there, and Tails' characterization was probably the most consistently on-point out of the cast.

- Despite not exactly being favourite portrayals for either character, even I'll admit that many of Knuckles and Eggman's lines in the show on their own were genuinely funny.

Archie Sonic (pre-reboot is mostly terrible, post-reboot is mostly... bland) - Whenever I doubt myself as a writer, I think back to Ken Penders, and suddenly I'm filled with a lot more confidence.

Sonic the Comic (apathetic) - Fleetway isn't a comic I tend to recall much of aside from how much of a loathesome cunt Sonic is, but IIRC, Robotnik's portrayal is pretty good. Different, but good.

IDW Sonic (stop pissing me off, comic) - Putting their handling aside (and being too obviously "inspired" by MGS in the latter's case), Tangle and Whisper are good characters IMO.

- Same goes for Starline, before he was killed off-screen and replaced with Toothpaste Snively.

- Execution aside (noticing a pattern?), the zombot virus was a fine concept on its own and an interesting new scheme for Eggman.

- I get to remind myself that I've never drawn scat edits and posted them publicly on Twitter.

[broxklynn]

The End Of My Candy Love

Warning!

Alright, so. This post will contain a lot. First of all, it's gonna be really sloppy. I'm very emotional person and I easily get attached to games, movies and stuff. I know it's a bit weird, but yeah, I'm a weird person. Anyway, that's why there's a warning: there's gonna be a lot of sloppiness, grammar mistakes (at least I think so, specially since english isn't my native languange) and it's probably going to be long. So, if you're intrested in reading my thoughts about everything - good luck.

First Adventure

I first heard about "My Candy Love" in 2015, six years ago. So, I was basically a baby (I'm pretty young). And I started playing a year after, I got totally obssesed with Lysander and I fell in love, seriously, haha. I was into writing back then, but I couldn't find any ideas on "what to write?" and MCL gave me just that - inspiration (that's most likely why I'm just a romance freak).

My Story

You know, I was a child so I couldn't really pay for AP, but I always found some kind of way to get them. But then I got my phone I just used money from that, geez, I was nuts. The old AP system was so iconic, looking for Nathaniel, finding Kiki, I'm gonna miss it.

Anyway, I got along with Castiel pretty well (which suprises me 'cause I found about walkthroughs in 2017, like year after, so maybe it was because I was a brat?), but I adored Lysander. Oh, I also loved Ken (I was so sad when he went away) and Nathaniel. After I met Armin, I liked him too.

Again, being a child and playing a game like this I came across all diffrent kinds of emotions. I was laughing, crying, dying from embaressment (this thing with Nath and locker room, aaa) and getting seriously mad (Deborah's arc, Priya, Charlotte). I remember impatiently waiting for new episode to come out or crying my eyes out during Lysander's amnesia plot. Jesus. I loved the way Castiel was teasing Candy, I loved this cute-clumsy Kentin, I loved the old Nathaniel, I loved Armin and most of all - I loved my precious Lysander. I adored the interactions between characters, how funny or cringy they were and how much fun I had. I even like this secret-dating plot even when it got on my nerves. I still remember staying up late to watch videos like "lysander illustrations" and stuff. I also really enjoyed reading MCL manga and I spent hours trying to translate it from Spanish to English or my native languange (funfact: I still haven't finished it! I don't know where to find those mangas) or trying to draw something from the game up ending up terribly failing. Anyway, I was crying during the prom thing, my Candy was so grown-up, I got emotional, haha. So, 40 episode came in. I was pretty excited 'because, me, being extremely naive (I got to say, I've never had a problem with Beemoov before, I started playing MCL in 2016 and Eldarya in 2017, so there were no major issues with them, only the price of PA, I think) thought that my Lysander is going to propose (I was a child, ok?) and maybe, there's going to be a second season with us living together. Haha, how naive I was. Whole episode 40, really got me tearing up, I was a wreck, seriously (When Kentin couldn't take Candy's bra off I lost it or this whole ananas thing in Castiel's route, omg). But I finished it feeling happy. I truly enjoyed spending my time on this game. But, then this whole university thing came out. And the fact, that Lysander, Armin and Kentin won't be with us foe the next season. I spent entire vacation crying (I was a kiddo, ok?) and being mad at everyone. I felt like I got robbed. It was horrible.

"A New Chapter"

I was one of these people who just couldn't accept the change. Not in the world. Never. They stole my Lysander, Kentin and Armin from me and changed AP system to some kind of bullshit. God, I was mad. Really mad. Seeing Castiel was quite nice, but I didn't fill the void of my baby. But, oh, my, God. When I saw Nathaniel I just couldn't believe. I said I was mad? Then I was furious. I really liked the old Nathaniel, he had his own vibe, his backstory, his character and it was just, damn, amazing. But they changed him completely, for what? They wanted the second Castiel? Yeah, they got it. Priya as a love interest was quite a good move, tho. I even though I didn't like her (in highschool or in university) I liked the idea of adding a female interest. But the thing that hurted me, was the fact that Lysander was taking care of the farm. Like, no! He didn't want that. He didn't like the countryside. He had such a potential to become a author and Beemoov didn't let him. God, that broke my heart. Anyway, I didn't spent a single penny on MCLUL, but I have to say - I kinda enjoyed it. You know, it was the guily-pleasure kind of thing. I didn't like it as much as I liked highschool, but there were some good or funny moments. I loved Rayan's kiss scene. I adored Chani. Or Hyun making us watch "Toy Story". Nathaniel's ulgy green hair or all these crazy threesomes. I liked it. Kinda. I hated Nath tho. The ending, hm, it was okay, I guess? I do feel sort of nostalgic thinking about it 'cause I got some nice memories from it, in the end. But yeah, going on.

Love Life

Oh. My. Lord. I was so sceptical about it. Like, I was sure that, at this point they're going to do "My Candy Love Mid-Life Crises" next or some other shit. But in the end, I "kinda" like it. It wasn't good like highschool or fresh like university, but I was nice to see new chapters with our annoying-cringy Candy, that I love (btw, I started playing other otome games and I realized that Candy wasn't that bad). Meeting Eric was nice, even tho, this whole cheating plot really got me ragging. Like, damn, Beemoov, seriously? And if you going this, why not with old LIs? Just kidding. Anyway, I truly enjoyed meeting Dan and Eric, the two of them were quite a characters. I won't forget them, hah. I was happy with single ending, 'cause I think about it as a "open ending" when my Candy can go back to my baby and everything's going to be alright.

Regrets & Complaints

Now, now. Where do I start? AP system was a freaking nightmare. Replacing old Nathaniel with some kind of weird Castiel was a nightmare. Removing Lysander, Nathaniel, Armin and Kentin was a nightmare. Not finishing plots was a nightmare. And why in the whole Love Life I haven't seen Amber once? Why Alexy never mentioned Evan like they're not brothers? Why Castiel doesn't care that I was dating his bestfriend? And why, in the world, after changing the system finding Kiki is so damn easy? Why AP is so expensive? So many questions!

All The Good Times

But, I got to say. I will never forget this bitchy Castiel, cookie-monster Ken following us around. Or cute Nathaniel. Castiel buying Candy some kind of weird McDonald's. Or Lysander's parents exposing him having crush on Candy. Or seeing Kentin kissing Amber (ew). This super akward-funny sex ed lesson. Deborah's arc and losing my shit over it. Or Thomas (this weird child) stalking my Candy and her LI in the park. And Lysander asking us how to hide a body, aaa. Or Armin telling us he loves us. Or Kentin. And Cookie ripping this huge teddybear apart. Or the water fight in Kentin’s spin off. And crushing on Alexy and later on finding out he’s gay. Or spin-the-bottle game and Lysander getting jealous. Or Dake, being a creep for entire game straight. Or guessing what was guy's surnames. And for sure, I will never forget this demonic Kiki dog.

What it worth it?

In the end, yes. Have I ever told you that I want to become a professional writer? Silly dream, I know, but writing is a huge passion of mine, and well, my first story was based off My Candy Love (it is cringy as hell, but I feel kinda nostalgic thinking about it). All these years spending on playing game that I wasn't supposed to be playing was amazing. It was one of the best experiences I had in life and I will never, ever forget that.

What now?

Well, Beemoov is working on a new game and I'm kinda optimistic. I know, it's really naive of me, but I want to believe that they won't f*ck this up, this time. And going back to Sweet Amoris, well, I truly missed this place! And the teachers... And Kiki. I wonder, when it will be released and will Beemoov finally open up about telling us surnames and ages of love interests. Anyway, I want to believe they learnt from their mistakes.

In the end. Thank you, My Candy Love, for creating so many memories. I will be forever grateful. 

(I just re-read this post and it seems like I have really love-hate relationship with this game)

[cardsbizarreadventure]

I’ve seen a fad where people describe their original character’s personality with a few canon characters from different series.

What characters do you think you could combine to make Joelle?

☆꧁✬◦°˚°◦. ♠ ♣ ♥ ♦ .◦°˚°◦✬꧂☆ Thank you for the ask Mel! It actually took me a good amount of time to even decide upon who would be most fitting to build Joelle. Since she has some of my own self insert in her , but really which oc doesn't? It was kind of hard to decide xD But I think I've managed to collect the ones that are pretty relatable with my character. So here it goes!

Lucy - Elfen Lied If I have to be honest I've never would of thought upon how similar Joelle and Lucy stories are. I was never intending to have so many similarities with this specific characters until recently I stumbled upon a video that made me remember a bit more about the anime and how it played out. Lucy is a very interesting character , born with a 'sickness' ever since she was little kind of reminded me upon Joelle's origin as a pillar both past and present . Lucy has been bullied , barely knew any kind of friends and because of her 'sickness' everyone was after her because what she can cause with her powers , until she stumbled upon one that really liked her for who she was [Kind of gives me the possible Joseph or Rei vibes but without the romantic kind of intent that was implied in the story because Lucy did fall in love with her best friend.] She was brought into a lab to keep away from the outside world and experimented on , until she broke out and was given a chance for a second life regardless of what she had witnessed and did in her youth.

Ren Tao - Shaman King A few aspects that I can collect from Ren are the anger he has built for humanity that really matches with Joelle's story . Because when she ended up in the XPD facility where they did various of experiments on her and basically played her like a toy she began to pile up a lot of anger upon those people creating an image in her head that they were all the same . But after meeting with someone who opened her eyes to the world , she began to have another look upon things and wanted to try and move on and heal but also find a new purpose in life .

Edward Elric - Fullmetal Alchemist When ever I would look at Ed I could actually see a few aspects of Joelle as well , because of his own determination to fix what he has done in the past and return his brother back to his original body , reminds me of how Joelle wants to protect her new family and find a way to stop evil from prevailing . It also gives a pinch of hint upon how him and his brother were trying to bring back their mother , is a similarity upon how Joelle wanted to bring back her own mother but instead she ended up releasing a curse that later on haunts her , the same way Ed and Alphonse tried to bring their mother back and ended up creating a homunculus being. Sadly I haven't watched brotherhood and I really need to , but I'd assume I'd find even more similarities if I do so~. But I do however see a lot of pieces of Ed in Joelle!

Misaki Ayuzawa - Kaichou wa maid-sama This goes a bit on her emotional side to be honest. Misaki is a perfect representation of Joelle , a strong and very responsible individual and yearns for a piece of romance in her life that will assure her that they will stay with them for who they are . A perfect aspect of her Tsundere side because she is very conflicted and very confused when it comes to these sort of things. I absolutely adore her strong character and how she is able to handle so many responsibilities , reminds me upon her current position in the SpeedWagon foundation , a lot fear her because of how she would act and how her attitude just goes across the room, but a good amount also admire her when they get to know her personally and understand her better upon why she is the way she is , that she has a very gentle side to her.

Chise Hatori - Ancient Magus Bride Another little lost soul that was being sold to the world. Chise has always been one of my most favorite characters once I started the anime , the aspects of her that I see in Joelle are the growth she managed to accomplish with herself , she used to have a normal life a happy family , but eventually that turned around when 'dark beings' (which would hint the cults of Hearteater) began to make their way into their life and make it more dangerous to be around , and even the fact that her own 'blood and family' tried to kill her is the hint of her father that almost killed her. [But in the anime it was the mother that tried to.] She eventually ends up in good hands which help her see the world with different eyes and find who she really is and help her discover her own courage and determination that she wants to do better for herself and others around her .

Shigeo Kageyama - Mob Psycho Little little shy Mob~. He was one of my main inspirations if I have to be honest because a lot matched with the two of them. This comes around her more doubtful and shy side. Mob is a perfect representation of both Joelle's moods , when she is sweet and respectful to a menace and a deadly being if they come near their family. Her relationship with Reigen matches with the one me and my friend Mel have with Joelle and Yorie . Let's not forget about how crazy batshid he went when they took his brother away and he was willing to do everything in his powers to save him... but there was also the fire in his house.. now that is basically the next level of Chapter Death in a sense. But for real there are a lot of aspects behind Mob that I connect with Joelle and how her character is displayed~.

Yuuji Itadori - Jujutsu Kaisen Yuji is the aspect of Joelle that exists kind of rare but it's still there , it's her little goofy side , but the amount of love for her friends and family is also there . His determination and courage to protect his new friends is the same as Joelle trying to protect her own regardless of what kind of burden both of them carry that can cause the destruction of the world, even if the the two of them might appear weak to most they would always throw themselves in danger to protect their loved ones , but later one begin to grow in personality and strength . Maybe I can even connect a tad bit Sukuna and Chapter Death because both are the representation of the final stage when the 'scary' takes over and would basically erase your existence . Yuji and His friends remind me a whole lot of Joelle and her own little crew and how each of them help each other and will always be there no matter what. Basically the hero that wants to save everyone and doesn't really care what happens to them , as long as everyone is safe .

Manjiro Sano and Ken Ryuguji - Tokyo Revengers These two go in pair ~. I see a big portion of aspects of the two in Joelle and each of them kind of represent her 'goofy' and her very serious and respect side. Mikey is a bit more laid back and chill but at the same time very scary , a bit how Joelle is in a sense how she can be so calm on certain occasions until she finally snaps and beats the crap of anyone who doubted her and called her 'small and helpless.' This is the aspect I enjoy the most between the two because they underestimate their opponent and then get their ass handed to them , that's how the two kind of go xD. Draken would be maybe her grown up and mature side in a way and the one that keeps things in line when ever there is justice that needs to be served because no one is allowed to hurt their friends and family. Very loyal and determined and even jump down to apologize for their wrongs to try and correct themselves and possibly help their friends understand the situation a little better , unless there is no way out they always try and reason first before jumping into action.

Nezuko Kamado - Demon Slayer / Kimetsu no Yaiba [New Add] I almost forgot!! Honestly I can't forget to include my favorite little goofball . Another little demon that I can see a lot of personality traits and aspects in Joelle as well. Nezuko and Tanjiro are also a good representation of both Jericho and Joelle in a sense because of how strong their bond is beyond anything . I don't want to spoil anything in my current arcs because I want to keep it a surprise since I have a whole lot of things to decide on . Nezuko displays Joelle's very protective side and very caring one as well the side of value she feels towards her surroundings and regardless of being a little 'different' she still is the same person no matter what happens and will never lose her humanity even after being 'cursed'. And even be a little bit of a hint of her sensitive and cute side too regardless that she doesn't show it too often xD.

Saitama - One Punch Man And last but not least , I put him on the bottom because at the beginning when I was creating Joelle I would always think of Saitama and how she was going to play out of sort of a joke that is really powerful and kind of blunt in a sense . But now she has grown so much and has so much potential , story and personality behind her that you can't even imagine! Saitama was maybe my very first inspiration when I created her because for some odd reason I really like OP shid and I mean literally xD. I don't know why but I just do , but regardless of Joelle being kind of OP orientated , later on when I began to play out her story I started to balance her because I wanted her to seem a bit more real other than I just came here to kick your ass and you're dead now lmfao. She still has some funny little aspects of Saitama behind her that's for sure , but she is completely different now and I am super proud of what a long journey she has gone through and grown so much as a character ^ ^. Thank you so much for sending in dear!!I really enjoyed this ask <333!! - Cards

[naivesilver]

Top five (or ten if you want) Scorpio, Espio and Charmy moments!! i want to know more about these guys :)

Scorpio, we gathered once we stopped laughing about it (briefly. Very briefly. To be honest we're still laughing), is Vector's evil twin who lives in a parallel universe and is played by Tom Hardy. Just so that all the people reading this post can be on the same page as us.

Ashsjskfhjfhjfh I love you. Never change.

Ask me my top 5 anything

So...Chaotix time, uh? Let's see.

1) Zombot Arc (IDW comics)

An easy guess, if you know me at all. Watching these poor sods lose Charmy to a virus, find him for the briefest time and then get torn apart again, only for Espio to have to fight his zombified family until the very end...It was a blow to the stomach after the other, and yet it really gave the reader a sense of how tied they are to each other. Espio especially got a focus that he isn't often on the receiving end of, which was very nice to see.

And now, for the panel that irreversibly broke me:

2) The case of the Pirate Princess (Sonic Universe)

Genre-mashing at its finest. Three detectives (who are also idiots) are tasked with rescuing a princess (who technically doesn't want to be rescued) from a bunch of pirates (who are actually better at this found family thing than most) and accidentally find a lost treasure in the process. The treasure, by the way, isn't worth squat. And they don't even get paid well. But hey, at least they made new friends!

I dunno, this arc is just so very sweet. They bicker all the fucking time, but in a very peculiar, believable way that most siblings will know at first glance. Plus, they let Charmy be an actual kid in this, and you KNOW I'm a kidfic fan first and a human being second. He asks Espio for spelling help! He makes friends with everyone! He wants reassurances from Vector that he can still be a detective! The entire story ends with them using what little money they got to buy him something! I love them so much!!!!!!

In short: perfect dumbasses, all of them.

3) Hedgehog Hunt (Sonic X)

They're running a cafe in space. Child labor laws apparently don't exist there so Charmy is involved too. Espio refuses service to Doctor Eggman in multiple annoying ways. Vector plays the piano and becomes oddly reminiscent of Morgan when he was playing for Achille Lauro, and THEN goes to buy spaceship parts in a space mall because Sonic and friends are going incognito.

I don't know, man, I don't have an explanation for any of this. It's amazing to see, though.

4) Galactic Gumshoes (Sonic X)

You know when you are assigned a task, set out to complete that task, mix it up with something else and end up completely unrelated shit? This is exactly what happens to them in this episode. They're sent to deliver some clothes and while they're at it they try to kidnap two children. As one does.

It's just so quintessentially them, though. Charmy literally mocks Vector while the guy (who is, lest we forget, his boss and father figure) gets beaten ON HIS OWN SHIP! Espio is so done with everything and the narrative always forgets him! Sonic X was wild, guys, I'm so glad I rewatched it in quarantine.

5) Penders era Archie comics as a whole

Listen. These comics weren't good. In fact, they were ugly as sin and with awful storylines. But they were so atrocious that they accidentally become comedy gold, and I can't NOT mention them.

Charmy was a teenage prince with a betrothed, and his friend overdosed on Lemon Sundrop Dandelion (yes, you're reading the beginning letters correctly). Vector was a misogynist. Espio in the future had a Littlefinger goatee and two daughters whose only purpose was to snog the local bad boy. They don't actually do anything useful beside harassing Knuckles' girlfriend and occasionally eating fast food meals. If I were to make this stuff up no one would believe me, and yet Ken Penders kept a straight face and put it in actual, physical comics.

Dark times for the Chaotix then, folks. Dark times.

[charlieconwayy]

D3: The Mighty Ducks (1996) is the best Ducks movie and a flawless coming of age movie

It’s no secret that The Mighty Ducks are a beloved trilogy. The three films spawned a professional NHL team named in their honor, 2021 sequel series, as well as many knockoff films released in the 1990s. But with any movie series, fans tend to rank the films and have passionate opinions on which is the best. For most Ducks fans, the answer is simple: D2. It has the Bash Brothers, Team USA dominating, the iconic “Ducks Fly Together” scene and two Queen songs. What’s not to love? But upon a rewatch of the trilogy, I came to realize that it’s not D2, or even the original, that is the best in the series.

It’s the criminally underrated 1996 D3 that for me, is the most mature and has the most heart. Perhaps it’s that the Ducks are now old enough to carry their own weight on screen. Perhaps it’s that the film takes a look at trauma, specifically trauma in teenagers, and how that manifests itself. Perhaps it’s that the film is maybe ahead of its time, in the way it discusses classism, racism and sexism. There is so much about this overly hated film that makes it the best Ducks movie and a perfect coming of age film.

The movie starts presumably a few years following the Ducks’ win against Iceland. They all look noticeably older - definitely older than the middle schoolers we left behind in 1994 - and all of the male Ducks’ voices have dropped a few octaves. Gordon Bombay, played by Emilio Estevez, is presenting the team (except for unfortunately, Jesse Hall, a leader among the Ducks who would’ve made for a strong presence in this mature film, as well as Portman, but we’ll get to him later) with scholarships to his alma mater, Eden Hall, a preparatory high school in Minnesota. Charlie Conway, played by a young, pre-Dawson’s Creek Joshua Jackson, is the Ducks’ captain and unspoken leader. There’s been much debate over the years over whether or not Charlie is the true captain of the Ducks. Adam Banks, played by Vincent Larusso, is far and away better than practically every Duck combined. Fulton Reed, played by Elden Henson, has shown more maturity and leadership at this point. It’s probably true that the Ducks as a team think that Charlie is Captain because of Bombay’s favoritism towards him (and his mother), but I think that this film makes it abundantly clear why Charlie is the captain. 

D3 is Charlie’s story. We see that in the opening scene, when Bombay tells Charlie he will not be following the team to Eden Hall, accepting a job instead in California. We learned in the original Mighty Ducks film, that Charlie and his mother left a bad situation in Charlie’s father when Charlie was very young. We also hear about Charlie’s mother, Casey’s marriage to a new man in the D2, who we can assume from what Jan says, that Charlie doesn’t like. We see in that first film, Charlie’s reaction to Bombay announcing that he is leaving the Ducks after the two of them have formed a bond. It is very clear that Charlie deals with abandonment issues, stemming from trauma in his early childhood. Charlie freaks out when a D3 Bombay announces the same thing, and storms off. 

Change is the biggest theme in D3. We see how change affects each of the Ducks, even those who don’t get many lines. Some, like Russ Tyler, played by SNL’s Kenan Thompson, think it’s a good thing. All of the Ducks don’t come from good neighborhoods and we assume that most of them don’t have the best home lives, especially when Charlie tells their new coach, Orion, played by Jeffrey Nordling, that the Ducks are the only good thing that any of them have had. Going to a preparatory school should be a good thing for them. But for most of them, it’s not. The new Ducks (who by the way, three of which are people of color, and one of which, is a woman) are immediately told that “their kind” is not welcome at Eden Hall. The Varsity team claim that they feel this way because the captain’s younger brother was not admitted onto the JV team because of the Ducks’ scholarships, but it’s very clear what they really mean. Russ commented that he’s the only black person on the whole campus earlier, and he, Luis Mendoza (The Sandlot’s Mike Vitar) and Ken Wu (Justin Wong) are the only people of color we see in the film. Change takes a toll on each member of the team. We see it the most in Charlie, but we also hear from Fulton on how the separation from his best friend, Dean Portman (Aaron Lohr), who decided not to enroll at Eden Hall, is taking a toll on him. Connie (Margerite Moreau) and Guy (Garrette Henson) have presumably broken up, as the two small scenes we get of them, they are arguing. It’s a transition period, one that the first year of high school often is. But it’s also a look on how a rich, white privileged world is vastly different than the one that the Ducks are used to. 

Coach Orion seems like a hardass, especially when he tells Charlie at their first practice that he will no longer be “Captain Duck” (as coined by D2’s Gunnar Stahl, played by Scott Whyte, who now plays the level-headed Varsity goalie Scooter). This, to the Ducks, is a line in the sand. Ever since Bombay turned District 5 into the Ducks four years previous, Charlie has been their captain. They’re in a whole new environment, where the man who gave them so much happiness and so many friendships isn’t, and their “little Duck tricks” won’t work anymore. Orion thinks Charlie is a showoff, and perhaps he is. This Charlie is vastly different than the sweet, shy Charlie we see in D1 and D2. But this Charlie is older, has just been abandoned by a man he considered a father, and is being harassed on a daily basis for being, as Varsity Captain Reilly puts it, “white trash.” I find it hard to believe sometimes that fans can look at Charlie from the outside, and not see who he is on the inside. All of Charlie’s closest relationships that we see portrayed in this movie, are with women. His mother (who he, as a teenage boy, says “I love you” to in the final scene of the movie), his teammates, Connie and Julie, who he gets a lot more screentime with, and with new love interest, Linda (Margot Finley).

I think now is a great time to talk about the shockingly impressive way all of the female characters are portrayed in this series, particularly this movie, especially for a 90s sports film. Connie has always been a leader on and off the ice. She’s in a relationship with Guy, but it’s not her only character trait. Dubbed “the Velvet Hammer” by Averman (Matt Doherty), she stands up for herself, and for her shy teammates (she literally shoves Peter Mark - a character cut out of D2 and D3 for good reason - in D1 when he insults Charlie) and stands up to the entire Varsity team despite them telling her that they hope they can “fight” with her later. Julie “The Cat” Gaffney (Columbe Jacobsen) is the second best player on the Ducks, despite the little ice time (thanks, Bombay) we see her have. She is the first person to tell of the Varsity, telling Captain Reilly that his little brother “just wasn’t good enough.” She’s a huge facilitator in the fire ant prank and despite the very weird and out of character game she had against the Blake Bears, shows that she deserves the number one goalie slot that Reilly gives her - despite what Goldberg, and the obvious underlying sexism there, have to say. I’ve also always been very impressed with Charlie’s mother, Casey (Heidi Kling). Although she has a romance with Bombay in D1, she makes it clear from the get go that her first priority is Charlie. We know that she took the two of them away from an abusive situation, and she’s a goddamn hero for that. Her scenes in D3 are limited, but they always show her chastising Charlie’s antics and encouraging him to stay in school. It goes unsaid, but it’s clear that she knows that he’s not going to get an education this good in the problematic public school system. But according to Linda, Charlie’s love interest, the private school system is no better. The first time we see Linda, she is protesting the “outdated” Warriors team name. This was in a 1996 kids movie, no less. She holds her own against Charlie, calling him out when he’s wrong. No one aside from Charlie, and maybe Fulton, get much screentime or lines aside from Bombay and Orion, but her presence and the point of her character is clear - not every rich person agrees with the horrible things that wealthy people do. 

Back to the plot.

When the Ducks receive their positions, they learn that Banks, as a freshman, has made Varsity. From an outside perspective, they seems obvious. Banks is the best player we see in any of the films, definitely miles better than the losers on Varsity, so it seems obvious that he would be promoted. But Banks is unhappy with this. Adam Banks is a fan favorite character, definitely due to the sweet, understated performance by Larusso, but we don’t see much of him. From what we do see of him though, he underwent a huge character arc from D1 to now. In D1, Banks goes against his father’s protests and joins the Ducks, claiming that he “just wants to play hockey.” Here in D3, we see that Banks is utterly miserable despite playing with some of the best players in the state, purely because he’s not with his friends. At the end of the film, he makes the (questionable) decision to rejoin the Ducks and go against the Varsity. But Varsity seems to feel that Banks fits in with them, for obvious reasons. He’s the only Duck who comes from an affluent background, and he’s definitely the most clean cut. Captain Reilly is visibly angry in the final showdown with the Ducks that they no longer have Banks on their side, as if he’s betrayed “his kind.”

The turning point of the film comes when after Charlie has quit the freshman team (no longer the Ducks), Hans, a father figure to the Ducks and Bombay, suddenly passes away. It’s an insanely dark moment for a Disney film, especially when Bombay returns to the funeral and reminds the Ducks that it was “Hans who taught them to fly” and Charlie storms off, crying. I think Joshua Jackson, in the Ducks films, as well as in Dawson’s Creek, is phenomenally good at portraying teenagers who wouldn’t normally be seen as leading men. Who let their emotions overtake them, who have anger issues, who deal with familial problems. Characters like that in leading roles were almost unheard of in the 90s, and in the upcoming scenes, it reminds us why this side of Charlie that we’ve seen throughout the movie is not the only side of Charlie.

Bombay takes Charlie to the rink to see Orion skating with his disabled daughter, who was injured in a car accident. He reveals to Charlie that Orion quit the NHL to take care of her, and this immediately changes Charlie’s opinion of him, but he’s still unconvinced about rejoining the team. The next scene is without question, the greatest and most important scene of the trilogy. The last two films spent way too much time telling us how great of a person Bombay was, how he was the Minnesota Miracle Man,despite us seeing so little of that onscreen. We see him making mistake after mistake, hurting the team, being an unjustified dick to those around him. But this scene more than makes up for all of that. I’ve put the quote from this scene below.

Bombay: I was like you, Charlie. When I played hockey, I was a total hot shot. I tried to take control of every game. I wound up quitting. So I tried the law. I ruled the courtroom, but inside, I’m a mess. Start drinking. Man, I was going down. But then this great thing happened, maybe the best thing ever - I got arrested and sentenced to community service. And there you were - Charlie and the Ducks. And as hard as I fought it, there you were. You gave me a life, Charlie, and I want to say thank you. I told Orion about all of this when I talked to him about taking over. I told him that you were the heart of the team and that you would learn something from each other. I told him that you were the real Minnesota Miracle Man. 

Charlie: You did?

Bombay: I did. So be that man, Charlie. Be that man.

It’s a callback to D2, when Jan tells Bombay “Be that man, Gordon. Be that man.” This scene is flawless. Every good thing that has happened to the Ducks, came because of Charlie’s heart. It came because of that game when Charlie refused to cheat, and made Bombay see his wrongs. It came because of when Bombay first tried to quit the team, and seeing how hurt Charlie was, agreed to stay. It was Charlie who stepped out of the game against Iceland so that Banks could play. It was Charlie who found them Russ. Giving the credit to a young, emotionally unstable teenager, rather than their Emilio Estevez, hotshot Bombay, is the best thing this series ever did.

This movie, in my opinion, is nearly flawless. Every moment has been planned to make the same point - change sucks. Especially when you’re a teenager. Even more so when you’re a teenager with trauma.

[shihalyfie]

“The 02 characters didn’t get any character development”

Yes, they did.

“But -- “

Yes, they did.

Having had the gift of having rewatched 02 recently, I have to say that it still really, really confuses me how the hell people get this impression. It’s not even “I’m trying to see the best out of this” but that I genuinely do not get it, because as far as I’m able to see it’s pretty much literally right there!! This isn’t even tinfoil hat tier!

But in case you have any doubts, sit down because Shiha’s gonna sit here and write a meta about the 02 kids, and how they are perfectly reasonable characters that developed properly fine over the course of the series.

(All below translations of 02 dialogue are by PositronCannon.)

So the first thing to understand about 02 is that it is fundamentally made with a very different writing approach from Adventure in the first place, and therefore it is not meant to be compared in a one-to-one fashion.

This is a point I’ve said many times over and over, and I think it’s to the point where it shouldn’t even really need official clarification, but I’m just going to go ahead and bring up the words from Director Kakudou himself:

For instance, we had the prior series stick out in terms of its points about “what it means to be oneself”, and for 02 we made it so that you would pay attention to “the relationship between yourself and other people”.

Right, so: 02, by design, does not use Adventure’s character development methodology of “self-awareness”. It is built from the ground up by having its characters and character development predicated on relationships instead of singular characters. This might seem a bit odd on its face, but no man is an island, and, in fact, changing the way you interact with other people and with the world in general does speak a lot about one’s personal growth in its own way. And this also means that if you try to analyze 02 by holding it to Adventure-based standards of “character focus episodes” or the like, you’re already on a losing battle.

This means that character growth in 02 is not presented in a way where it’s up-front and center, but rather something you have to glean over the natural course of the series. We’re working off relationships, so you have to actually pay attention to the natural interactions between the characters or what they say even during “off-hours” -- the focus-episode format used by Adventure doesn’t apply here anymore. And it’s something apparent enough from how “evolution” is a metaphor for “personal growth” in this franchise -- in Adventure it was via the Crests, which meant self-awareness, but 02′s key evolutionary trump card is Jogress, which relies on the strength of relationships.

One thing I have to say in terms of my experience as a 02 fan is that I’ve found I actually appreciated it significantly more as an adult than I did as a kid, and that, in general, a lot of the things to appreciate about 02 are things that you really viscerally feel and understand when you’ve gotten that degree of life experience under your belt. Unfortunately, this is kind of a double-edged sword, too, because it ends up becoming the kind of series that often risks going over the heads of the very audience of children it was supposed to be targeting. It’s got a lot of very nuanced depictions of mental health and the childhood experience that are maddeningly subtle, to the point of possibly going over one’s head or even coming off as illogical without sufficient life experience, or simply just not being as visceral (the entire theme of “parents stroking their own ego with their kids’ achievements” hits the hardest when you’re college age).

So what this means is that 02 doesn’t exactly hand its themes or character development to you on a plate. But it is there, once you actually start looking for it.

Let’s start off by talking about our main core cast of characters. Adventure and 02 prided themselves on the fact that they tried very hard to not be adherent to anime tropes, but rather to portray well-rounded, nuanced characters that felt more like actual kids you might meet at school. So how does the 02 cast fare in not being pigeonholed anime tropes?

Daisuke: Even though official freely admits he has “the most anime-like personality”, it’s hard to say he actually falls that much into the generic shounen archetype. For one, he’s actually shockingly humble and polite in certain situations (he’s consistently polite with his elders, and is very quick to admit his own limitations). Actually, he comes off as a surprisingly friendly and deferential person -- it’s just that he happens to have somewhat of an abrasive exterior, and even then it’s implied heavily in the first half that this stems from a lack of validation and purpose. (He actually “deflates” really easily, so you can’t even say he’s all that arrogant past the surface.) Certainly he’s simple-minded, and kind of an idiot, but his abrasive exterior is actually pretty deceptive.

Miyako: Miyako floats an interesting duality of simultaneously being aggressively feminine and being aggressively un-feminine -- not necessarily in the sense she tries not to be feminine (on the contrary, she absolutely embraces it), but more that she’s also an aggressive, “inelegant” mess in ways atypical for a lead heroine in a shounen show, who are usually either cute or “badass action girls” and not...a mess. Despite that, she is also consistently portrayed as capable of heavy emotional depth and being very genuinely kind and concerned about others, which are not in any way diminished by the fact she happens to be an aggressive mess with a severe case of foot-in-mouth syndrome. It’s an interesting mix of character traits that you don’t see often.

Iori: “Designated young characters” usually fall into the “cute” archetype a la Adventure!Takeru or Tomoki, so it’s interesting that the youngest one is actually the most mature one, and impeccably polite at that (having been raised by a family that emphasizes formal manners and propriety). Even more interestingly, nobody actually treats him like he’s that much younger, and he’s given the weight of respect in a sense that has nothing to do with his age (think about how there are indeed quite a few kids who simply just get along better with older kids). Yet the series doesn’t shy away from his youth, and his overly black-and-white view of morality is portrayed as immaturity in its own way, along with the occasional “slips” in his facade or manners indicating that it’s still something he has to consciously focus on.

Ken: Ken’s development goes without saying (it’s one of the most consistently praised aspects of 02), but it’s also interesting to note the unusual way the series plays his redemption arc. Instead of making him a typical “jerkass anti-hero who learns to get a bit better”, the series completely blindsides you by revealing that Ken is, in fact, a naturally soft-hearted and kind boy, and then plays up the mystery of the severe kinds of trauma that would lead him down that path. And ultimately, even though the cause is revealed to have supernatural influence, the series also makes it clear that it doesn’t matter -- that, whether it was his conscious “fault” or not, he still is responsible for what he did. And on top of that, it also scorns the usual “redemption by sacrifice” mentality by pointing out that it’s a cop-out -- it doesn’t actually solve the problems that were caused, and, in fact, a much better way to make up for things is to fix them going forward.

Takeru: Takeru had the “designated young character” role in Adventure, and it turns out that once one of those gets a few years older, they’re naturally not going to be nearly as pure and innocent! The “sweet child” from Adventure has now grown into having slightly pettier emotions, even to the point of grudge, and things he won’t let go of. Oh, and also, trauma from three years prior is still going to have impact on an eleven-year-old kid. Who would have thought.

Hikari: Adventure’s most infamously inscrutable character also seems to have gained some individualized, not-quite-innocent traits of her own (observe how she deals with Daisuke’s advances), and, moreover, it turns out that her deferential humility and refusal to open up about her problems is...not a good thing! when it starts to actually bite her in the rear in front of her friends. Yeah, it turns out that being the “quiet cute girl” actually has its own mental health drawbacks. Oops.

We’re doing pretty well, actually! At the very least, they certainly feel like they already have the Adventure/02 brand of character nuance, where their personalities are inherently varied and nuanced enough that you may not quite find characters like them elsewhere. On top of that, we definitely get to see what makes these characters “tick” -- we get a lot of depth into their thought processes and what their likes and dislikes or strengths and weaknesses are, and that’s something 02 still completely beats out a lot of other kids’ shows or even certain other Digimon entries with.

But here we’re talking about character development. So what do we know about them at the very beginning of the series?

Having watched 02 in Japanese a few times and being very used to the core cast’s latter-half characterizations, rewatching the early episodes always strikes me really hard in the face with genuine shock at how shallow the kids -- especially Daisuke and Miyako -- start the series off as. It’s understandable in terms of the context of the series -- unlike the Adventure kids, who were thrown into a “survival, need to get home” situation off the bat and thus already understood the need to be wary, these kids started off having comparatively easy access to home at any time, and didn’t have a constant sense of danger and survival looming over their heads. It naturally took a lot of time for the gravity of the situation they were in to start really hitting them, and so even the relatively straight-laced Iori didn’t exactly take it all that seriously at the beginning.

Yet while it took them a significantly more delayed time to understand what they were dealing with and take it as seriously as they needed to...they started cultivating something else in the meantime.

02′s first half is especially full of “random banter conversations” that seemingly involve nothing in particular, but, in fact, that’s actually part of the point. One thing I have always been quick to point out in regards to 02 is that it is rather unique among Digimon series in how it goes out of its way to portray its core cast as having become friends even in pure daily-life social friend terms, even if it had absolutely nothing to do with Digimon incidents -- these are kids who genuinely enjoy each other’s company even in the most mundane of situations. This was something that wasn’t the case for the original Adventure kids -- having been a group of kids thrown together by necessity, even though they most certainly kept in touch and trusted each other as fellow Chosen Children deeply, they started floating back into their own different social clusters after the events of 1999. Relationships are multifaceted, after all; you can still have a deep relationship and bond without necessarily being friends on a social level.

But already, off the bat, Miyako brings food for her new best friends, and it’s implied that she’s the main ringleader behind holding the picnic -- a picnic that started off having no intended relation to the Digital World territory war -- in episode 6. And, to be quite honest, can you really blame these kids? Even the Adventure kids wistfully entertained the idea of a long-term fun adventure through the Digital World in Adventure episode 54, wanting to enjoy its beauty and fun in a situation where they weren’t constantly running for their lives. Now that this luxury is actually available, why not take advantage of it -- and bond further with the others in the process? And for the rest of the year, these kids actively end up spending mundane conversations together and bonding to the point that, by the time we get to the end of 02, these kids have just genuinely bonded so much that they really come off as a cohesive, inseparable unit that would actively choose to spend time with each other if given the opportunity. In fact, even going through all of the TV Digimon series that exist as of this writing, I would say Appmon is the only one that really competes with 02 in portraying its core cast in this manner.

Again, remember: this is a series where characterization is dependent on how the kids treat others and interact with them, so you do actually have to pay close attention to these interactions and see how they change over the course of the series.

So once the episodes start coming in play, we actually learn a lot more about what happens when the characters start breaking away from their shallowness. For instance, episode 8, one of the first key episodes to understanding Daisuke’s character:

Daisuke: He'll be a great opponent. We didn't face off in the last tournament. Takeru: If you had made it to the finals, you would have, right? Daisuke: Don't remind me... Hikari: Can you win? Daisuke: It's not about winning or losing. Right now, all of the boys who play soccer in this country want to be like him. Just thinking about playing against him makes me excited!

For all Daisuke initially seems to be arrogant, he’s actually not that incapable of humility. Far from it, actually; he does have a genuine love for soccer and the spirit of the game, and, when completely and obviously unmatched, fully admits he has no chance and is set on enjoying the most he can out of it anyway. I feel like Daisuke’s surface-abrasive attitude really does throw off the fact that he’s a lot more genuinely humble than he’s given credit for. In the end, he’s satisfied enough with the accomplishment of pulling off one sliding tackle against Ken, and is able to enjoy that -- a foreshadowing of how the latter half relies so much on the fact that he’s capable of enjoying simple pleasures and being straightforward about them.

I find that this scene is really underappreciated, too (mainly because it gets lost in all of the other major things in this episode) -- while Daisuke jokes about his accomplishment, it only takes a single comment from his respected senior Taichi to shut him down.

There’s a huge reason I constantly emphasize that Daisuke respects his elders -- this part tends to get lost in translation a lot (especially the American English dub, which just smashed this aspect out of him wholesale, among other things) due to it being a bit reliant on Asian senior deference and cultural propriety, but Daisuke is respectful not only out of societal obligation but also because he genuinely respects his elders! The way he looks up to Taichi and chases after his approval is genuine, and even his interactions with the other Adventure kids have a major hint of him having genuine respect and deference to them. Daisuke is just a deferential person in general -- note that while his crush on Hikari tends to manifest when he’s at his most shallow, he’s actually the one putting Hikari on a pedestal (considering it his own responsibility to impress her), so he’s not actually as assertive as he tries to come off as. The first half of 02 arguably has him deflating more often than he actually stands his ground...and this is a trait of him that starts to actually change quite a bit over the course of the series.

Miyako comes to terms with the fact that maybe she’d been taking this whole Digital World adventure thing too lightly in episode 10, indicating that she actually does have a good sense of priorities when they become increasingly clear! This is actually very important, because it fleshes her out as someone who’s emotionally sensitive -- too emotionally sensitive, to the point that “emotional sensitivity” is just as much of a driving point behind her later breakdown in episode 18, this time from taking her duties too seriously. Miyako is a very id-driven person, and so a lot of the early series is her struggling to find a proper balance on how to adjust her emotions in an increasingly escalating situation. Her heart is in the right place, she’s just not someone with an inherent sense of preparedness to deal with this kind of problem.

We get into the secondary Digimental arc, and there’s a noticeable consistent thread that all of them involve admission of personal faults. This is something that tends to throw people off at times -- wait, having bad traits about yourself is what awards you? -- but the point is that this isn’t like Adventure’s Crests, where things came from proof of exercising the virtue, but rather admitting that there are ways you need to improve, and showing a will to improve in that manner. In the end, people are not perfect human beings, and sometimes even understanding that you’re deficient is half the battle -- after all, the second half is all about a certain character named Ichijouji Ken coming to terms with some very, very serious personal problems.

In episode 11, Daisuke completely admits that he doesn’t feel he understands the concept of friendship the way Taichi and Yamato et al. see it, also latently admitting that he doesn’t see himself as worthy of the Digimental of Friendship. Beyond betraying a lot deeper issues within Daisuke that he seems to have actually had a background lacking in friends and sources of validation, he actually acts very self-effacing when admitting his issues to Taichi and Yamato, ultimately culminating in him calling himself pathetic. Or, in other words, he does want to be a better friend and to understand the concept better, and is harsh on himself for not doing better (which, of course, ultimately leads to how he eventually does gain better relations with the rest of the group and reaches out to Ken).

In episode 14, Miyako admits that she’s shallow and judgmental and tends to jump to conclusions based on first impressions. Recall that she’s comparing herself to Mimi in said relevant scene -- Mimi, whom she admires, and actually spends part of the episode trying to understand and empathize with the mentality of. This is not a statement of Miyako being proud of herself. Rather, this is Miyako being very straightforward about the fact that she needs to try harder to see through the essence of things and to see through to the emotional core of. Again, something she actually does start developing over the course of the series.

In episode 16, Iori gets his first major lesson on the limitations of being too stuck on principles in his attempt to be honest. Recall that Iori’s later character arc is very dependent on him realizing that his own view of the world is too black-and-white. It’s great if you could never tell a lie to anyone, ever, but in the end, that’s going to reach limitations of practicality -- after all, as Jou points out, what Iori did ended up not actually hurting Jou in comparison to the incredible amount of hurt it would have caused everyone by being too stubborn, and thus Iori would have failed to keep his responsibility to help the others because of one narrow-minded principle.

Hikari even gets in a bit during the infamous episode 13, where we learn that her “passive” attitude is biting her in the rear. In Adventure, Hikari’s passiveness and reticence had mostly been used as satellite development for Taichi (his insecurities as an older brother and his obligations to her), so this is actually the first time we get to see a proper perspective from Hikari’s side, and it turns out that his overprotectiveness has actually caused her to get dependent. But even though Taichi is the one the episode actually focuses on, the larger focus is more specifically on the fact that Hikari is too passive -- that she sees being taken by the Dark Ocean as an inevitable thing that’s just going to happen unless someone else steps in on her behalf. Takeru, of course, is having none of it.

Once that’s out of the way, we go back to taking a look at the subtleties of everyone’s interactions. While everyone generally tends to focus on the second half of episode 17, it’s also pretty interesting to see how the 02 kids react to hearing about their seniors’ adventure in the first half -- remember that this is the first time the 02 kids are actually given any real depth about the degree of 1999′s events that’s not just random points of hearsay, and the way the new kids react to it indicates that they’re thoroughly floored. It’s later established that they didn’t even get the full story (it may not even be possible, given that the Adventure kids’ experiences may well have gone even further beyond what we got to see in 54 episodes), and yet the new kids are overwhelmed. 02 itself does not shy away from the fact that the younger kids really have no qualms about deferring to their seniors if need be, and treating them with utmost respect.

Another minor note, which I pointed out in my Daisuke meta earlier, is that the beginning of this episode is pretty much the last time Daisuke ever shows outright hostility towards Takeru for his relationship with Hikari -- it’s something you have to glean by squinting, but the implication is that the insecure and clingy Daisuke actually got to learn this episode that the two of them had a pre-established shared experience that he himself may not understand, and that it wasn’t just Takeru randomly swooping in and snatching away the closest thing he had to a friend for no good reason.

Once the Kaiser infiltration arc begins, episode 18 ends up being one of Miyako’s funniest episodes, but it’s a bit distressing that a lot of people in the fanbase often never let Miyako live this incident down, when in actuality this was explicitly not a good mental health day for her. (This is basically the equivalent of pinning Mimi as a conceited, self-centered jerk based on the fact she was one for a fashion in Adventure episode 25.) The beginning and ending of this episode establish that this is basically a result of Miyako...trying her hardest. She’s scared as hell, but she also learned in episode 10 that this is something she needs to take seriously, and the stress puts her into a mental breakdown. This is why she ends up having a heart-to-heart with Hawkmon at the end; her heart is in the right place, but she needs to find a way to channel her emotional sensitivity in a way that doesn’t make her into a complete mess.

And note that her own voice actress, Natsuki Rio, even pointed out that Hawkmon’s actions had enough of an influence on Miyako’s character that she had to play her differently thereafter.

At first I always played her with Maximum Excitement, and I kept thinking “someone, please, stop her,” but the more straight-laced Hawkmon did his best to pull her in and hold her by the reins (laughs). Thanks to him, Miyako became a lot more of a put-together person…thank goodness Hawkmon is her partner!

Episode 19 has two interesting things of note that I want to point out -- first of all, starting from the very beginning of the episode, everyone ditches Daisuke because they’re independently going in to infiltrate the Kaiser’s base. Note the complete lack of a plan here whatsoever -- everyone’s just going in on their own -- and the fact that everyone expects Daisuke to come up with what he wants to do on his own. For all it’s worth, even though Daisuke may have a designated protagonist aura to him, within the story itself...nobody actually sees him as a leader at this point in the series (and, to be fair, he’s never really tried to claim the position, either).

It’s similar to how Taichi was never recognized as a particular leader of the Adventure group until Adventure episode 28, but in regards to the full team dynamic, it’s actually inverse -- the Adventure kids were capable of making tactical plans together as early as episode 20, but fell apart emotionally in short order as soon as Taichi was gone, whereas here, the kids are fond enough of each other to hang out socially and support each other emotionally, but they take a while to get any real cohesiveness as a fighting group.

The other is that Iori personally witnesses Takeru’s sudden whiplash into his grudge against the darkness and the Kaiser, and it scares the hell out of him.

Takeru eventually laying a punch on the Kaiser is a pretty awesome moment (and, really, Ken kind of deserved it, so it’s hard to not cheer for him), but it’s also important to note that within the context of the series, this is not a good mental place for Takeru to be in. Iori, the person who should by all means sympathize with hatred of evil things at this point of the series, is still extremely unnerved by Takeru’s actions here, because he’d always seen Takeru as a mature person who’d always kept his composure, only to show a drastically different side of him that he hadn’t even shown a hint of before. That kind of “two-facedness” and emotional repression -- and this way of venting trauma in general -- cannot be good for Takeru at this point in time, and it’s also an important moment for Iori when he later admits during the two’s Jogress arc that he’s having a bit of a hard time understanding him.

And so episode 20 comes, and Chimeramon pretty much takes out the entire party, leading to this conversation.

Takeru: Let's escape. Daisuke: Escape? Takeru: We can't fight anymore. Our mission has failed. We'll retreat and wait for another chance. Hikari: You're right. We have no other choice. Iori: Understood. Daisuke: No. Miyako: Daisuke? Daisuke: We can't just say "another chance" like that. If we leave now, they'll keep attacking anything in sight. We don't know if we'll be able to get into the fortress again. So this is our only chance! Hikari: That's crazy... Iori: Exactly! Miyako: They're all back to their Baby forms... Chibimon: Daisuke... Daisuke: But...didn't you all see it? Destroying those towns...and all we could do was watch quietly. I don't want to see that ever again. I won't let them do whatever they want! So I'm going, even alone. I won't give up now. After getting this far, all I can do is go forward!

Why is this moment important? This is the first time Daisuke has actually stood a firm ground against anyone else in the party -- and not only that, with the entire party standing against him.

Recall that I mentioned earlier that, in spite of Daisuke’s abrasive attitude suggesting otherwise, he actually has a tendency to “deflate” pretty quickly when people tease or criticize him. He spends the first half of the series having a lot more bark than he actually has bite. Earlier in the series, if the entire party were to go against him, he’d be more likely to begrudgingly go along (while complaining) -- in fact, he actually did just that at the beginning of episode 7! But now that push has come to shove, Daisuke’s own sense of morals and bleeding heart have won out. (While his decision here is definitely a bit reckless, he does have a point; if they’d retreated, they might genuinely lose any future chances.) Even with the entire party telling him to pull back, he refuses to accept what they want him to do, and pushes forward.

This is where Daisuke first starts to really make strides towards what becomes his eventual major role in the group as “the one who pulls people forward”. It’s a moment after which the rest of the group themselves also start to treat him with more respect now that he’s proven he’s not just a doormat, and that when it comes to there being a real problem with real priorities, he does have the resolve and initiative to keep going.

Also, a very important point is that he immediately says he’ll go alone if he has to. He doesn’t begrudge the others for wanting to fall back, and has no condescension towards them; he just can’t stand the fact that he himself is being asked to sit it out.

So, you know. Episode 21 happens. Ichijouji Ken goes through some real trauma as Wormmon dies in his arms. And all Daisuke has to say is...

Daisuke: You should go home. There are people who are worried and waiting for you! Go home!

Remember when I pointed out that 02 takes a very unique perspective on Ken’s redemption arc, pointing out the futility of being too trapped in the idea of symbolic penance and focusing more on actively taking steps in the future to make up for and fix things? Here’s our first major sign of this, and Daisuke’s eventual approach to Ken -- Daisuke does not choose to scorn or lambast Ken for what he’s done, even though there are a lot of things Ken deserves to be harped on for, but rather instructs him to take the first active step towards fixing his mistakes, in this case fixing things with his family.

Episode 22 is Daisuke’s own “fanbase will never let him live this down” moment, but there’s still some interesting things to note here. Firstly, Daisuke’s “relapse” happening exactly when it seems like his duty to the Digital World is done and there’s nothing to do besides community service doesn’t seem coincidental, especially when this exact episode actually dedicates a full scene to Takeru, Hikari, and their partners going “...now what?” Secondly, as I touched on earlier, note that Daisuke’s never really seemed to have any resentment against Hikari for not responding to his affections -- in fact, he still considers it his own (and V-mon’s, by extension) duty to be the one to impress her. It’s a surprisingly refreshing take on the “shounen hero with a crush on a girl” trope, because in the end...Daisuke isn’t actually all that possessive of her, he just really wants validation from her, and respects her a lot.

More importantly, though -- note the way Daisuke handles this topic. He’s not actually mad at or resentful of Takeru anymore. In fact, he’s mulling on the topic and wondering what he could do to be on that level. Yup, even when Daisuke’s being shallow and jealous, he’s still learned to handle this issue ever so slightly more maturely than he would have at the beginning of the series.

This is also important because only one episode later, once Daisuke becomes disappointed again at Takeru and Hikari walking off on their own, Miyako intervenes -- not only so that Takeru and Hikari can have their space, but also so that Daisuke can have some genuine fun and something to do. This is a very blink-and-you’ll-miss-it moment in episode 24, but it makes it very clear that Miyako was looking out for Daisuke’s welfare, too, and I think it’s very important in light of the events of the prior episode. Miyako, who had always been fumbling on what to do with her emotions, is starting to properly channel them into managing the dynamic between the team and checking in on how everyone’s doing, and that starts to guide her actions and relationships for the rest of the series.

The next episode (25) is where we kick off not only the Jogress arc, but also the arc where we start going into everyone’s attitude towards Ichijouji Ken. This is important not only because Ken happens to be the effective central figure of 02′s story, but also because -- well, remember, 02 is fundamentally founded on the concept of relationships, so it’s only natural that the other kids’ relationship with the “team newcomer” will be a key aspect of the second half, and in relation to their own characters.

Remember how I said that Daisuke’s first-half character involved him being extremely deferential and often deflating whenever he was criticized or someone stood against him? At the time of episode 25, once again, pretty much the entire team is standing against him -- he’s the only one who’s this level of open-minded about getting Ken into the group, and everyone else is showing differing levels of opposition. But while Daisuke doesn’t begrudge the others for thinking this way, he also doesn’t back down, either, and reaches out to Ken on his own because he still really believes in what he’s doing. Now that he’s settled into what it means to be a Chosen Child, he’s started to gain a proper idea of what he wants to do, and what he feels needs to be done.

So, let’s recap everyone’s stances on Ichijouji Ken at the time of this episode!

Daisuke: Forward-thinking and optimistic; willing to believe that Ken should be given the chance to make up for his mistakes and that they should put everything behind him, even to the extent of believing that there’s probably a good reason for the more suspicious aspects about him (prior to the events of episode 25, it was unclear whether Ken was being a bit too callous about killing Digimon). Also the most actively aggressive in reaching out to Ken and trying to get him to join them.

Miyako: Forward-thinking; she openly states at the beginning of the episode that she thinks Ken’s learned his lesson, she’s just worried about whether he’s going to keep doing questionable things in the future (killing Digimon). Once it’s on the table that he’s not just doing this callously, she immediately is on board with him (to the point of even being the first in the group to use given name basis with him), but her stance on what to do with him is more on the edge of “give him space and wait for him to come on his own terms” (she ends the episode saying she’ll be waiting for him to come).

Takeru: States in the episode that he does believe that Ken’s changed, but doesn’t really know what he’s thinking (i.e. too inscrutable to really be sure about). The later episode 35 implies that Takeru was inclined to be a bit more sympathetic than you’d think otherwise, because he understands the trauma of losing a Digimon partner.

Hikari: Wants to wait a little longer and see how things play out. (Remember that Hikari has a known, consistent thread of taking a very passive approach towards things.)

Iori: Absolutely against it on sheer principle.

It should be noted that none of these stances are wrong. Iori sometimes gets a lot of flak for being the one with the most infamously cold stance towards Ken, but when you really think about it, Daisuke and Miyako are very lucky that their hunch about Ken was right and that he actually did happen to be a very kind boy who had a little too much trauma and some supernatural influence. The fact that Ken is a very emotionally withdrawn person for the rest of the series meant that the two of them ended up breaking through to him the most, but there’s nothing wrong with Takeru, Hikari, and Iori’s skepticism; Ken did some pretty shockingly horrible things in front of their eyes for the first half, and it’s entirely within their rights to determine how forgiving they want to be with him.

In any case, we get to episode 26 (the first Jogress), and most of that episode goes without saying, but I do want to emphasize Daisuke’s lines right before it happens.

Daisuke: If you die now, you won't be able to accomplish anything...I don't want that! Ken: I don't want that...There are still many things I must do.

Daisuke urges Ken not to go for the “suicidal penance” route not only because it sucks, but also because, as symbolic as it may be, it’s also counterproductive to the whole point of doing penance to begin with. If Ken really wants to make up for his mistakes, he’s only going to be able to do that if he’s actually alive to do it! There’s only so much you can do by drowning in self-pity by going “because I did this, because I did that” instead of actually taking responsibility for your actions.

02 itself is deliberately ambiguous on how much Ken’s transformation into the Kaiser was Ken’s own conscious will and how much of it was Dark Seed-induced supernatural influence, but one thing it’s consistent about is that it doesn’t really matter. Regardless of what the cause was, Ken did what he did, and it’s his responsibility to make up for it, and the only way to actually do that is to keep moving forward. The fact that Daisuke is so able to viscerally and directly address what Ken needs the most right now is what fuels their first Jogress, and why Daisuke becomes Ken’s closest friend through the rest of the series.

People have pointed out that 02 has a lot of moments of physical hits, but, notably, other than Takeru punching the Kaiser in episode 19 (which he really deserved, honestly), all of these hits are done with the express intent of bringing the other person out of a very, very deep mental abyss (Yamato punching Taichi in episode 10, Daisuke slapping Ken in 26, Miyako slapping Ken in 30, and Miyako and Hikari’s mutual slaps in 31), because they were in a state where words would no longer reach them otherwise. These are all circumstances of the kind where the person on the receiving end understands that they really needed a drastic wake-up call because of how deeply they’d fallen (and these aren’t some average mental abyss problems these kids are getting put through, either). It’s actually hard to imagine any of the 02 group getting in the kind of genuinely angry and vicious fistfights Taichi and Yamato would in Adventure, because of how close they are (the closest being Daisuke and Takeru grappling in episode 11, but it never got near that level) -- in fact, these kinds of things are done with the implication that they’re doing it because they trust the other person to not hold it against them (and in fact, the fact Yamato does this with Taichi in this way is intended to be read as a sign of how much better they’ve come to understand each other).

So, moving on with the series! The Giga House incident in episodes 28-29 is the first time the group works together in an organized effort, which is notable not only because it’s their first time coordinating with Ken, but also because it’s their first time properly coordinating at all. Remember when I mentioned that, back in episode 19, as much as the kids were pretty fond of each other and were great friends, they still hadn’t figured out how to actually fight as a team? Here we are, with them actually having started to figure that process out.

We then get to episode 30, where there’s actually quite a lot of interesting things to unpack.

Miyako: What's wrong with you? Daisuke: E-Eh? Mi-Miyako-san? Miyako: It feels weird when you add the "-san". Daisuke: Shut up! Man, you're all the same!

Miyako and Daisuke’s relationship is often misconstrued considering that they’re the two most chaotic in the group (their temperaments are very similar at times, which causes them a lot of friction), but I also think this blink-and-you’ll-miss it moment is pretty much their actual relationship in a nutshell. They fight a lot, and they’re ostensibly vitriolic, but they’re actually two of the most like-minded in the group -- they banter because they’re comfortable with each other. Recall that I mentioned that Daisuke is normally respectful with his elders, yet he’s the only person in the group who won’t use the -san honorific on Miyako (even though she’s the oldest)...but the one time he gets flustered and uses it on her, she tells him that it’s weird and he needs to cut that out. Or, in other words, “it’s not like you to be weirdly respectful of me like that, we shouldn’t have that kind of distance between us, stop it.”

(It’s also pretty notable that Miyako has never seriously used -kun or any other honorific on Daisuke, even right after meeting him -- the only other person she dropped honorifics on was Iori, whom she’d known prior to the start of the series, but she seems to have deemed Daisuke enough of a fellow disaster child that he merited dropping it.)

This is especially because, right after that, she recruits Daisuke into her plan to get Ken and Iori to get along -- in the end, when things really get serious, the two are incredibly like-minded (look at how in-sync they are when they scheme together).

30 is actually a surprisingly Miyako-centric episode, despite not ostensibly being one. For one, it says a lot that right now, her biggest priority is to get Ken and Iori to get along -- something that has absolutely nothing to do with herself. In episode 14, Miyako freely admitted that she had a tendency to jump to conclusions about people, and that she was shallow about aesthetics, but this is a very different Miyako from the one who harassed Daisuke for Ken’s autograph in episode 8, or immediately became distrusting of Digitamamon in episode 14. Instead, she’s simply just genuinely invested in seeing people she considers friends get along, and in a selfless manner -- one that has nothing to do with herself. She just really, really cares, a lot.

After all of the first-half hubbub of Miyako really having no idea of what to do with her emotions, the second half has her start channeling that energy into what’s always been one of her biggest strengths: checking on, connecting with, and caring about her friends. Daisuke may be an aggressive forward-thinker who can push everyone in the right direction, but unlike his predecessor Taichi, he doesn’t actually have particular charisma or leadership skills that can necessarily hold everyone together. In the absence of that ability, Miyako fills in for him, checking on the moods and feelings on everyone in the team and making sure everyone’s doing well. And that’s why she loses her temper and slaps Ken late in the episode -- because, really, she’s reached her limit on her “give him space” philosophy when he’s abusing it to be standoffish in a crisis situation, and, on top of that, she really, really did have a huge emotional investment in him.

Moving onto more Miyako in episode 31, her Jogress episode with Hikari, we get to see a little bit of the old emotionally compromised Miyako again, but -- much like the second Digimentals arc -- it involves the two of them acknowledging that both of them are not going about things the best way, and that there are things they can learn from the other.

Hikari: Miyako-san, you're a handful sometimes. Miyako: I knew that's what you thought of me... Hikari: But...I've always envied that. Miyako: Huh? Hikari: Because I can't be honest and say I'm scared or scream like you.

Miyako’s tendency to lose control emotionally results in her being insensitive much of the time, which she calls herself out on multiple times during the episode, and she can’t always be as “kind” as Hikari is -- but, on the flip side, her antics are something that can be a “light” (pun not intended) towards those who are falling in a bad mental state or into the darkness, and Hikari even acknowledges this when one of her trains of thought makes her break out into laughter. Miyako ultimately manages to get through to Hikari this way at the end of the episode, which results in a Jogress and mutual growth for both of them -- Miyako puts more thought into how to approach others (it’s pointed out at the end that she’s still thinking about understanding Ken and Hikari better), and Hikari gains more resolve and determination to fight against things instead of passively accepting her fate (she tells Takeru very directly at the end "I’m fine now. I’ll never go there again.”).

Iori and Takeru's Jogress is a little more complicated to the point where it spans multiple episodes, but a lot of it ends up having to do with the fact that the events of the BlackWarGreymon arc start really putting Iori's black-and-white principles into conflict -- it's wrong to kill something that's been proven to be alive, but it's also wrong to be evil. Putting a huge nail in that is that there's a stake in him forming a relationship with Takeru, but he doesn't really understand Takeru either -- the "two-facedness" he witnessed back in episode 19 scares even him, and he's so intimidated by Takeru that, in episode 35, he goes to approach Yamato about Takeru's past instead of asking the person directly. Takeru, hearing about this, complains that he could have just asked directly, but admits he understands why Iori did so.

By the way, I should point out that episode 35 is the last time within the TV series that Daisuke is portrayed as having a particular interest in Hikari, and it’s just in terms of being slightly more excited that Hikari is joining his meeting. At this point, there are actual important things happening in the Digital World, and he needs to take care of Ken, too, and so...in the end, once again, Daisuke proves that he’s actually capable of putting aside those kinds of more shallow things when he really needs to.

On top of that, this is when the kids start actively working with Ken in the real world (and, if post-02 materials are any indication, continue to hang out with him even for social outings). The choice to have Ken live in Tamachi instead of Odaiba facilitated his isolation from the group during the Kaiser arc, and during around the third quarter they were all grouping up in the Digital World anyway, but the fourth quarter actually has the kids make an attempt to include Ken in their real-world outings despite the distance. Tamachi is not temporally far from Odaiba (approximately half an hour by train), but it’s a bit of a nuisance to get to, requiring crossing a bridge to/from the Tokyo mainland and paying extra for the Yurikamome. But at this point, he’s an important enough friend to them -- and them important enough friends to him -- that they’ll make it work.

At the end of episode 35, Iori finally decides -- to the point of recklessness, something that would have been previously very uncharacteristic of him -- to try and appeal directly to BlackWarGreymon to get him to stop destroying the Holy Stones so that they won’t have to fight. It’s emblematic of Iori’s heart being genuinely torn, because he’s having such a difficult time rationalizing all of these conflicting feelings. This comes to a head in episode 36, when Iori loses his temper at the rest of the group for “playing around”, but Armadimon snaps him back to reality to remind him that they’re tired and hungry, and this can’t be neglected. Iori himself ultimately becomes the one to proactively suggest that they take time to sit down and eat, indicating that -- little by little -- he’s starting to shift his thinking a bit, after being so incredibly stubborn for much of the series.

This is what leads to Iori and Takeru’s Jogress at the end of the episode, now that Iori is flexible enough in thinking to understand the emotional id behind Takeru’s mentality. And likewise, Takeru’s started to loosen up by 36, too --

Takeru: Sure, darkness is frightening, and we would feel at ease if we could get rid of it completely, but I'm sure that's impossible. Ken: Impossible? Takeru: Where there's light, there's always darkness. Hikari: The brighter the light, the darker the shadow, right? Takeru: Yes. That's why I think it's important not to lose sight of the light inside you, no matter how dark it is.

The thing about Takeru is that while he deceptively seemed more open and playful than Hikari for most of the series, he was actually bottling up a lot of emotions in a way not entirely different from the way she did. (Note how, despite how tied at the hip the two constantly are, they almost never actually talk about their thoughts on each other; it feels like a relationship where they implicitly trust each other but are practically reliant on that implicit trust to maintain that close of a friendship at all.) And he’s been keeping those emotions bottled up until they exploded in less-than-healthy ways, initially distancing himself from Iori. But being a lot more open about his thoughts on the matter allowed them to connect better, and eventually Takeru came to embrace a somewhat more reasonable stance on the matter after observing Iori.

It also doesn’t seem like coincidence that this is the episode that ends with Takeru’s first major act of goodwill towards Ken.

This leads into episode 38, the Christmas episode. Fun things to note!

The episode opens with Daisuke and the other younger kids giving a “Christmas present” to their seniors in the form of letting them reunite with their partners. Remember how I said that the 02 kids always admired their seniors and looked up to them? Even this late in the series, the series does not shy away from the fact you’re supposed to see the 02 kids as their deferential juniors.

The Christmas party is, of course, notably, the first major moment of reconciliation between Iori and Ken, with Iori having gone through major harsh lessons about morality in the last few episodes, and Ken opening up more to the rest of the group. Said party is also yet another notable example of how much of a priority it is for the 02 kids to be “social life friends” and not just friends working as a Digimon incident team -- after all, having genuinely emotionally present friends is what Ken needs most in his life right now, considering that the party is treated as the first time he’s been truly happy in a long while.

This is followed by episode 39, which is notable as the time when Daisuke finally commits to switching to given-name basis for Ken, and actually opens the episode standing against Taichi -- because he's so worried about Ken that he needs to go join him. This is something that's lost a bit in translation, but although Daisuke stands down against Taichi, he's not rude nor does he overstep his boundaries with his respected senior (he even opens his statement in polite-form Japanese) -- he's just saying, firmly and politely, "I'm sorry, but I can't go, I have to go help my friend." It’s a notable moment because while Daisuke has been becoming increasingly assertive and aware of what he really wants to do, this is the first time we’re actually seeing him refuse to defer to the very senior he’d spent so much of the series idolizing and looking up to.

We get to episodes 43-45 (the Demon mini-arc), which is also the culmination of the 02 kids having to face the limits of pacifism. This tends to throw off people who are coming in from Adventure, since the Adventure kids ended up killing Digimon with a lot more ease in the original series, but it’s also important to make note of the fact that the episode itself deliberately portrays a gap in mentality between the Adventure and the 02 kids -- with Hikari torn between the two. It also creates an interesting subversion of expectations when Hikari, the one you’d expect to be more on the pacifist side, is the one who’s already accepted that it may be inevitable, whereas Miyako, the more aggressive and belligerent one, is the one staunchly against it.

The reason for this “paradox” comes out of a single line from Hikari in episode 44:

Hikari: You’re the one who saved him, Miyako-san.

The Adventure kids never liked killing. They were never enthusiastic about it -- it was just that they were almost immediately put in a situation where the entire fate of the multiverse was at stake thanks to some unambiguously evil Digimon who wanted nothing but wanton destruction. Even then, it was pretty clear that they never enjoyed it -- Takeru professed a desire to avoid fighting in Adventure episode 12, and the pacifist Mimi went through a breakdown in Adventure episodes 45-50 trying to avoid casualties. But one of the most important lessons Mimi learned at the time was that pacifism has its limits -- there’s no point if it ends up in more deaths than it saves, because at that point you’re adhering to moralistic principles more than you’re actually saving lives.

The fact that the Adventure kids and the 02 kids have a “different mentality” isn’t just happenstance, but outright embraced. Daisuke, Miyako, and Iori never had to actually deal with a conscious Digimon that was unambiguously evil for most of the series, and Archnemon revealing that her motives were pretty much nothing but wanton destruction in episode 29 was the first major warning signal to Iori that his pacifism might have limits. And during this Demon mini-arc, it’s not like these Digimon are threatening multiverse destruction or anything -- it really does seem like a constant “glimmer of hope” that maybe, just maybe, they can save people non-lethally. Alas, they can’t.

Daisuke, being someone who’s inherently practical-minded, starts entertaining the idea that push may come to shove as early as episode 25, and finally makes his first statement about practical limits in episode 43. But the more emotionally caught-up Miyako and Iori end up taking another episode to swallow it, and they don’t take it well. Most of the attention in 44 is given to Miyako, and it reconfirms that, despite her aggressive exterior, she’s emotionally sensitive and empathetic -- and while killing LadyDevimon is framed as truly the only thing that could have been done in that situation, Miyako is not faulted for being emotionally compromised, nor is Iori likewise when he faces a similar situation with Takeru and is forced to confront the people whose lives were at stake.

Episode 45, when Ken opens the gate to the Dark Ocean, doesn’t really have much to add on top of what’s already there, but this is basically “the point of no return” when everyone confirms their own emotional investment in Ken and understanding that he’s not just reformed, he’s genuinely struggling under the pain of what’s been happening -- and this is before they find out about the truth behind the Dark Seeds, and that Ken’s transformation into the Kaiser may have been supernaturally influenced, too.

It’s also interesting to see the different ways each kid reacts to Ken as they support him:

Hikari, the most outwardly compassionate, goes to support him the second she notices him in physical pain; Takeru notices that it might work, realizes Ken needs the support, and joins.

Iori and Miyako reflect on how Ken’s putting all of his efforts in, and lambast themselves before joining. Interestingly, given the circumstances behind what’s happened up until now, Iori and Miyako criticizing themselves take a different meaning -- Iori, who’d been scornful of Ken until recently, seems to be regretting that he distrusted him when Ken had been trying so hard, while Miyako, who had been open to him since episode 25, seems to be upset that she’s sitting there and not doing enough when he’s in all of this pain.

And Daisuke, of course, the most “forward-thinking” of them all, gives Ken a speech about what he’s done so far and reminds him that he’s already done more than enough for “atonement” -- which is, of course, what directly reaches Ken the most.

And when we get to episode 46, and the kids, now knowing about the Dark Seeds, hold a roundtable (and emotional support group) to discuss what to do about the Dark Seeds, Daisuke’s the one with the most spirit and energy about it, but...

...the one actually leading the roundtable? Miyako.

Miyako: Sorry, that's all I can think of. Ken: Please don't worry about me. Miyako: (nods)

It’s subtle, but the scene in question does actually make a deliberate move in indicating that Miyako’s continuing to channel her emotional sensitivity and desire to go out of her way to help Ken -- of course, they all know how traumatic this is for him, but she’s the one who’s actively calling attention to how he must feel about it first and foremost.

Episodes 47 and after end up becoming yet another major wake-up call for Iori (seriously, I do not understand why people claim he had no character arc when this wasn’t even remotely subtle) when he learns that Oikawa, whom he’d pinned as “evil”, has a deep relationship with the father he’d grown up idolizing so much, and it completely flips his world around -- even though he had started to get a bit more open-minded, he’s still trying to rationalize what should have been, in his mind, two diametrically opposite things. It fuels his confusion and desperate desire to understand more, not just about Oikawa, but about everything he’d thought about morality and why people turn to evil.

So we get to the final arc of the series, and it involves a confrontation with BelialVamdemon -- but said finale is heavily dependent on talking to the Dark Seed children and inspiring hope back into them. This results in a conversation where everyone talks about their career dreams, and Daisuke admits that he wants to be...a ramen chef, which completely blindsides even his friends.

What’s with this arc?, you might think. And moreover, why is Daisuke ending the series still kind of an idiot? Even Miyako still seems to be a bit of a mess and chaotic. Weren’t they supposed to be growing into dignified heroes, like Taichi and his friends were last series?

Well, here’s the thing -- the fact that the 02 kids end the series comparatively “undignified” is actually very inherent to the core theme of 02 itself. There were more than enough episodes that established that said kids are heroic in their own way -- caring about others, fighting on others’ behalf, and learning important lessons about what’s important to fight about. That doesn’t mean they don’t get the right to continue being disaster children while they’re at it.

Why?

Let’s look at a few official statements behind the creation and intent behind 02 as a series. From producer Seki Hiromi, from the Digimon Animation Chronicle:

That came from an idea I had while reading a newspaper article. I read a story about a nine-year-old boy going to Columbia University, and I thought, “This boy is going to college because he’s considered a genius, and everyone around him will be in their twenties, and he won’t get to have any friends his age. What kind of life would this boy end up having?”

Or some very interesting statements from head writer Yoshimura Genki from the 02 Blu-ray box:

When I was writing Ken Ichijouji, the main idea for him I used as a basis was the conflict between “the self that has to be a well-behaved child when adults are watching” and “being able to be oneself”, and the pain that came from it as a result. So for instance, in the same way as the Pinnocchio fairytale, or the short story A.I. that was adapted into a movie, or many other works, there are probably universal worries that all children feel as they grow, but also, there were ongoing unimaginable, atrocious incidents happening with children at the time, and perhaps it was those social conditions that gave me a hint on what to do. I think I had some thoughts that I wanted to convey to the children who were living through that time. I was given the opportunity to put those kinds of feelings, as much as I liked, into episode 23, and I am truly grateful to all of the staff, including the director. ... Also, this is about Daisuke’s character, but I believe I paid particular attention to making him “a child who could be himself”. He has no special talents, and although he’s clumsy and scatterbrained, I wanted him to be someone whose strength was in his straightforwardness, and wrote him that way. 

Lying underneath the entirety of 02 itself is a theme about “children who are not allowed to be children”. Or, in other words, the pressure placed on children to be “talented” and “dignified” and “well-behaved”, often imposed on them by well-meaning parents who are unfortunately taking the opportunity to stroke their own ego, robbing them of the happiness and mental freedoms they should have as kids.

Ichijouji Osamu and Ken, who were placed under the pressure to be “genius children” and cracked under the pressure to please their parents. Oikawa Yukio, who was cut off from the Digital World in childhood by a well-meaning Hida Chikara, worried about his son getting into “foolish” talk. The Dark Seed children, who also fell victim to similar pressures that Ken did, and lost hope for life unless they could force themselves into that mold.

Takeru: If you want the Digimon to exist, if you believe in that, they will. Just like our feelings...Just like every child having the power to make their dreams come true. Keiko: That's just childish. Daisuke: You all have dreams for the future, don't you? Noriko: Dreams for the future? Takashi: I've forgotten that stuff. Daisuke: No way! You must have one! Takeru: It's nothing to be ashamed of. Takashi: Then, what's your dream? Daisuke: Mine? Mine's a ramen shop. I love ramen! I'll become the world's best ramen maker! Ken: I had no idea... Noriko: Well...actually, I wanted to be a kindergarten teacher. Hikari: Me too. Daisuke: What about you guys? Takashi: A baseball player! Keiko: I really want to be a pastry chef. Hiroshi: When I said I wanted to be a manga artist, everyone laughed, so I gave up... Takashi: We all had aspirations, and at some point we thought that wasn't allowed...But we were wrong, right? Daisuke: Let people say whatever they want! Noriko: You're right, we should be free to dream. Miyako: Not just dreaming. If you work hard, your dreams will surely come true!

Notice something about all of these careers mentioned? They’re all the kind of “overly childish” “wild dream” “undignified” “too simple” kinds of dreams that an average parent might be uncomfortably quick to shoot down because that’s “not good enough”. These are the kids who willingly accepted the Dark Seeds; they, much like Ken, probably grew up under parents who prioritized school performance and other “societally dignified” things that ended up eating away at their happiness.

02 has a lot of different themes, but the one that lies in its undercurrent from start to finish is “so why does a child have to be this way? As long as they still understand what’s important, do they have to be dignified people? Why can’t they just be free to have dreams and be themselves?” And Daisuke and his friends are there specifically to stand up against this mentality, and to remind Ken and the other victims of it that it doesn’t have to be this way -- that it’s okay to be your true self, and be a child, and not succumb to all of those arbitrary, shallow standards people put on you. Even if that means you’re still a bit of a chaotic disaster at the tender age of eleven.

Digimon, in the Adventure and 02 universe, have always been treated like a part of the self (they were literally conceived as a physical manifestation of the soul), but in 02 they gain an extra meaning of representing “the inner, deepest part of yourself that represents your wildest ‘childish’ dreams”. The symbolism of Ken spending the first half of the series trying to reject Wormmon for being “weak” -- in other words, rejecting his own kind-hearted self for not being the kind of “strong” entity he was pressured and groomed into being -- is not lost, nor that of the Dark Seed children gaining partners when they reconnect with their dreams and wishes, nor Oikawa finally, finally meeting his partner when he comes into contact with the past he’d really lost (and especially not the fact that his attempt to reclaim shallow reminders of said childhood involved trying to make his own Digimon).

And notably, the series’s finale (prior to the epilogue) ends not on Daisuke but on Iori, escorting Oikawa to the Digital World despite how completely impossible it would have been for early-series Iori to even entertain the idea, finally coming to truly understand what happened with him and being most personally impacted by his death.

But in any case, where are we with the characters? We’re here to talk about how they’ve grown and developed over the course of the series. Let’s recap:

Daisuke: Started off the series as an abrasive kid with more bark than actual bite, constantly deferring to others and easily deflating, relying on shallow sources of validation like wanting attention from Hikari; gradually gained an ability to identify what was important and put his foot down for it, embraced his forward-thinkingness to reach out to a heavily troubled child as a friend, and ended up surrounded by a friend group that loves and respects him.

Miyako: Started off the series as a shallow, flighty girl with poor control over her emotions and difficulty in appreciating the gravity of things; came to channel her emotional range into empathy for others and compassion, bringing other people together and taking care of them.

Iori: Started off the series as a straight-laced but too principled child who stuck to “rules of what’s right” not only in morality but also in way of acting; started to appreciate the emotional nuances and heart behind why people do what they do and how it’s possible to be more flexible in “doing good”.

Ken: Well, his character arc is pretty obvious, but -- again, while his arc of learning to forgive himself is well-known, less often pointed out is that it centers very heavily on not only having penance but also not being too hung up on the past, and the futility of drowning in self-pity and regret instead of choosing to take responsibility and act more productively going forward.

Takeru: Started off the series as a seemingly mature but deceptively inscrutable character whose duality made him hard to approach; eventually opened up with the help of others and showed a capacity for being more flexible with his personal grudges.

Hikari: Started off the series emotionally repressive and passive to the point of self-destruction; eventually embraced connections with her other friends and became more active in taking a stand for herself.

Hey, not bad!

And, again, this is not a series you should be reading in terms of “self-awareness” in the same way Adventure was, but in the sense of their “relationships” and how they interact with others. By being less abrasive and more assertive, Daisuke gained the respect of his other friends. By putting her emotional capacity into caring about others, Miyako became someone who holds the group together. By learning to think a little more flexibly and be less stubborn, Iori arrived at a position where he could more easily sympathize with others in the group. Takeru and Hikari both moved from their previously relatively inscrutable positions to ones who could more effectively interact with and open up to others. And Ken, of course, became someone who managed to integrate himself into a group of true “friends” despite everything he had done against them in the first half.

This, in the end, is how you get what’s one of the tightest friend groups in Digimon history. In the end, the relationships themselves are almost like characters of their own that got development -- I say very often that you could take two of the characters and have an excellent scope of how they’d interact and play off each other by the end of the series. And although they end the series as possibly one of the most shameless, undignified disaster groups out there...they’re certainly still heroic, and in any case, given the lessons they learned throughout their own series, they probably wouldn’t have it any other way.

[ahiddenpath]

Post Major Arcana Thoughts

I had a few “aha” moments about the Chosen while selecting and writing up the Major Arcana cards.  Of course, tarot cards are amazing for helping Seekers notice patterns and new ways of connecting ideas- that’s why we use them!  So I shouldn’t be surprised, but I still kind of am!  And I wanna share those thoughts beneath the cut.

When I say stuff like “outer strength” vs “inner strength,” I’m speaking in terms of my understanding of the tarot.  I’m sure there are many definitions for these ideas, in general.

Outer Strength (strength expressed as action) vs Inner Strength (strength expressed as resilience/maturity)

I assigned The Chariot to Yamato and Strength to Hikari.  The Chariot is about taking action, reaching goals through effort, and persevering in the face of obstacles.  The other half of the coin is Strength, a card about keeping calm and composed in difficult times, persevering through strength of character.  

You may think that The Chariot is ruled by fire (suit of passion) and Strength is ruled by water (suit of emotions), but in fact- it’s the opposite!  Isn’t that an interesting reversal!  

But I think The Chariot is ultimately about control: the Seeker must control their emotions, efforts, and energy on the task to see it through.  Self-control, self-mastery, self-assertion, which all point back to regulating emotions (water).  And, of course, emotional control is something Yamato struggles with- which is why this card is both who he is, and a goal he reaches towards (and something I personally really want to see him achieve- I’d love to read a fic dedicated to this journey). 

In contrast, the battle of compassion over force is ruled by fire- meaning that it’s very much active and passionate, even though the card itself is about gentleness!  Being kind and mastering the Self requires courage and conscious effort.  Even at 8 years of age, Hikari is almost eerily mature.  But while she’s a natural at compassion and composure, we see her struggle to assert herself and allocate some of that compassion towards herself and her needs.  So again, Strength is both who she is and a goal- and, of course, that’s ideal fic material.

But assigning them as opposite sides of the same coin makes me wonder- how do Yamato and Hikari get on, interpersonally?  They’re both intense characters, in their way- Yamato is loudly intense, Hikari quietly so.  And The Chariot is yin energy, while Strength is yang energy!  Oh, I need to know more about these two as... foils isn’t quite the right word, but it’s not exactly wrong?  

Taichi and Koushiro as Action Takers

Taichi and Koushiro are the do-ers of the Chosen, I like to think.  Which isn’t to argue that the others don’t do stuff- of course they do (for example, I gave Yamato The Chariot, so he’s no slacker)!  But Taichi and Koushiro are on their own level, here.

During the Dark Masters arc, Taichi is the one who pushes the team forward, even though everyone is exhausted and emotionally beaten- because he assesses that they will be caught and defeated if they stay in one place.  At the end of Tri, it’s Taichi who says- well guys, we have to do this, we have to stop Meicoomon.  Even though it’s understood that the Chosen are working together, Taichi is the one who takes on the burden of the decisions by making them, speaking them, and accepting responsibility for them.  This is, of course, a key part of why Taichi is a great leader- he takes the necessary steps to allow his team to continue functioning, even if they come at a high personal price.  And if there are moments where the team, er, isn’t functioning so well, he puts himself at risk to hold the line.

I don’t have to explain Koushiro as a proactive do-er, that’s pretty much his whole life, doing stuff/manifesting/creating/discovering.  And I think that, out of the Chosen, he best understands and accepts the difficult choices Taichi makes.  Obviously, Taichi makes mistakes and isn’t always logical (and definitely not always tactful, lol!), but in the clutch, he does what has to be done.  And Koushiro- he’s always trying to do what has to be done.

Something about assigning them as The Emperor and The Magician really drove that home, although it’s not a new thought for me.  Geez, no wonder these two get on so swimmingly!  They’re very different, but they’re both so driven to move forward and figure things out however they can.  Yamato, too- he’s sort a step behind them (he has the ability, and will step up if needed, but it’s not his natural urge).  Emperor, Magician, Chariot.  LET’S GOOOOOOOOOOOOO.

Miyako is a really cool character you guys

Okay, so tarot works by tapping into ancient archetypes, concepts/characterizations that have been around ever since humans have told stories.  I’m sure you’ve read a zillion metas about how the Adventure cast turns archetypes on their heads, and I’m not arguing- but to do that, you do need to evoke the archetype enough to subvert.  I personally think that I was able to find a fitting Major Arcana card for everyone...

Except Miyako.  

I was originally planning to give her Strength, but the card emphasizes calm, composure, quiet strength.  Every other card seemed to have a better fit for someone or something else.  In the end, I made her The Wheel of Fortune, owing to how dynamic she is, how optimistic, how ready to handle things- and, of course, by how she can overextend herself trying to be all those things.

But it got me thinking about how unique Miyako really is.  She’s smart and capable, she’s loud and confident, she’s direct and maybe a little too blunt, she’s mischievous and snarky and sweet and kind, but is allowed to make mistakes and have days where she isn’t running at 100%.  She’s allowed to have crushes (on boys and girls, at that!) and do kid stuff and also be mature!  She can make friends easily with anyone, boy, girl, her age, younger, older!  

Miyako really breaks the mold.  I respect the hell out of that.

Iori supports justice by defending the wrongfully accused

We all know Iori grows into a defense attorney after watching people change after making mistakes, after seeing the various ways people struggle.  We talk a lot about how 02 is basically the Ken show, and Ken has the single most loving character arc in Adventure- but give some props to Iori, my dudes!  The kid shifted some intense black-and-white thinking into compassion.  That’s amazing.

So yeah!  Using tarot to notice stuff = cool and fun and a good time!  Makes me wish I had a digimon deck D:

[capricornsicle]

I have a feeling your ask box and I are going to be familiar. You might be hot-taked out after that killer Satomi discourse. But whenever you’ve got it in you, I’d sure love to hear what you think about Kira and her Jeff-deemed-absolutely-necessary departure.

Oh, definitely. And I do love content, so...

Kira Yukimura was done so dirty by the writers and Jeffrey “I’m not racist I’ll prove it by arguing to poc calling me out for it on twitter” Davis. Her treatment was racist, tokenizing, and it wasn’t even high-brow racism. It was sloppy and lazy. If you’re gonna write all your characters of color off the show, commit to it. She went to the desert like 5 times before she stayed. Cowards.

Kira was only meant to be on the show for the Nogitsune storyline in 3b. However, fans liked her so much that, as with Theo in season 6, she was brought back for more episodes. The difference is that Cody Christian is white-passing and male and Arden Cho is not. Female characters don’t exist on Teen Wolf without a relationship to a male character. Hayden existed for Liam. Tracy existed for Theo. Melissa existed for Scott and Argent. Allison existed for Scott. Lydia, the female character with the most screentime of all of them, spent a lot of her time existing in relationship to Jackson, Stiles, Parrish (shudder), and other male main characters. Women on the show were reduced to love interests and mothers more often than not, and Kira was the same.

I loved her character. I loved her arc. I loved Arden Cho, who in real life is as sweet and kind as her character. I enjoyed her parents, both Noshiko, who’s surprisingly funny and a total badass, and Ken, who’s the most wholesome man in the universe. The only straight man we stan. I love him.

Anyways, Kira was getting a fun arc outside of being Scott’s girlfriend, with her parents and her powers and all, and then wham, white-passing boy shows up and no more main character status for Kira. Guess there wasn’t enough room to keep the only interesting plot line of all the ones happening in s5. Personally, I would have chosen Kira over the Marrish garbage fire of underage relationships, but that’s just me.

Then. The Skinwalkers. I could write a whole essay about them, but this is a Kira post, so I’ll limit it to her. At least Luther got sent to the moon for a reason. Kira got sent to the desert for “rEaSoNs”. There was no indication that her power was out of control, but every indication it wasn’t. She was growing and learning. Then, suddenly, she was “too powerful” so she had to go to the desert and disappear for a few episodes and then go back and forth for a while before they wrapped up sending Theo to the upside down or wherever he went and she could finally go... hang out with the people who we were told could help her control her power but who only threw spears at her and gave her a season finale ex machina. Then back to the desert with you!

You can tell something was going on backstage in her treatment. Arden Cho wasn’t informed she was being cut, she had to be told by fans. Her departure was carried out as swiftly as possible, and not for any real reason. Kira would have been tremendously helpful against the hunters and in a lot of later scenes, against the Ghost Riders (and let me remind everyone that KIRA WAS THE ONE WHO TOLD LYDIA ABOUT THE WILD HUNT), against pretty much anything. Immune to electrocution? Don’t help with the hunters who love electrocuting people. Sloppy writing through and through.

And what’s more is that Kira was cut just in time for the Scalia thing, which was so fucking rushed oh my GOD nothing has ever been less natural- this is a Kira post, calm down capsicle. Anyways, Kira got replaced as Scott’s love interest and not much else by a white girl, no hate on Malia or Shelley but much on the writers. I loved Malia and Kira’s friendship, and if anyone should have gotten with Malia, it should have been Kira. (The first time I saw Malia I wondered if we were getting another ambiguously brown character, actually, but no, just Georgian and well-tanned. But I bet not all my followers knew Tracy was played by a Chinese and Cherokee actor. Or that Nolan was played by a Mexican and Caxcan actor. Or that Theo was played by a Penobscot Native actor. The list goes on of white-passing POC who got to stay marginally longer than Black or brown characters.) The “Scott ends up with a white girl he has no chemistry with” threw me for many loops, especially after I was surprised to find myself liking Scira, even though I’m usually bored by straight relationships because of their one-sided focus and nonexistent chemistry. Kira got to be a character outside of Scott, and I liked their romance better for it, and then desert for a thousand years!

TLDR on the canon end of things is that Kira and Arden were done dirty by a group of powerful white men who wanted to tell a cishet white story.

Now, on the fandom end of things, I’m stepping into the real hot water. It’s safe to say that Kira’s story was sloppy and Arden didn’t deserve that ending, but it’s less safe to say that this fandom doesn’t treat her that well either. Here’s the most popular x Scott ships on Ao3, under the Teen Wolf tag with no other filters.

Scott and Allison. Scott and Stiles. Scott and Isaac. Then Scott and Kira, in dead last. Scott and Malia don’t even make the top ships list, probably because of how rushed and sloppy it was, but I digress.

People love Scott and Allison a lot, and I get that. I liked her too. I was also sad when she died. But, unlike a lot of sentiment I see in this fandom, I don’t think she should have been brought back to fight the beast in season 5 and get back with Scott. Not only do I think bringing characters back to life without very good reason and explanation (which they wouldn’t have, come on) cheapens their death, and that bringing characters back to life is weak storytelling in general, but let’s recall that Scira is still a thing in season 5. They’re still madly in love when Kira leaves. Allison should not have come back and love-triangled so Kira could be written off for a different white girl or so the massive amount of young white girls in the fandom who love Allison would be angry at Kira for breaking up their OTP. That would have been the one thing that could have made season 5 worse. (Well, they could have made Marrish a thing or killed Mason, but Jeff Davis thought about it and a shiver went down his spine because the ghost of Christmas future hears my name in its nightmares.)

Even if people aren’t “bring Allison back” campers, they largely ignore Kira’s entire existence. People who post gifsets and posts about Allison or Lydia don’t give anywhere near the same amount of attention to Kira. I see more Malia posts, actually. And while all of them had more runtime than Kira, none of them paired with Scott quite as perfectly, or had such strong independent storylines. Lydia almost did, but it kept petering out and she kept going back to main plot only. I see lots of appreciation posts for Allison and Lydia and Malia and the men, obviously, but NOTHING for Kira or Arden Cho. We all know what happened backstage because we read the same post in 2016 or whenever and then we all stopped talking about it.

Even the racism in this fandom skips Kira. Scott antis, I’m looking (controversially) at you. I’m glad Kira isn’t the subject of a bunch of obvious racism (as much as “bring Allison back!” makes it subtle), but not because she’s a forgotten side character. Kira made the main credit sequence! She has a sword! What else could you all POSSIBLY want?

And here’s where I burn at the stake: Kira was written off her own damn “look Fun Japanese mythology” storyline half the time so it could center around Stiles. A white boy. There were numerous issues with the mythology before that — “Oni” means demon, not “firefly samurai ninja”, and it refers to a similar mythology as the western “fae”, a large collection of creatures benevolent, malevolent, and in between, with different traits and origins. Kitsunes are meant to be red or white, not gold, and they’re foxes, not cats, animation team. “Nogitsune” refers to the malevolent class of “low” Kitsune, or “wild” Kitsune, who didn’t align themselves with the goddess Inari and do divine and pious work. There are many of them and the most they really do is harass people at shrines, not murder indiscriminately for funsies. They’re only malevolent in that they like doing bad deeds, not that they’re serial killers. And they’re not one of the usual 13 low Kitsune, two of which are bad of their own accord! (Spirit and Air. Google it!) They are meant to be dealt with by Inari-aligned high Kitsune, not your average tricky fox. Among other things.

So Stiles. Outside of the Kira storyline, he’s used in a lot of fandom discourse about racism and sexism. And queerbaiting. Y’all love a scrawny white boy. Anyways, Stiles gets possessed by the Nogitsune (that’s NOT how that works but okay Jeffrey) and suddenly s3 is about him. Kira’s not evil, now let’s look at Stiles being tired and messy and killing people. Dylan #1 did a great job playing that part, no hate on him, but the fact that a white boy became the main character in a Japanese (or Korean, if you’re Jeff, same thing) girl’s storyline is. Hmm. How do you call it? Blatant racism. And erasure. Which is racism. YIKES, Jeff. There is so much wrong with Stiles being the Nogitsune and controlling the Oni and his whole story (and oh my god the other guy who got possessed was also a white boy instead of a Japanese character played by the same actress Jesus fucking Christ). I’m not going into that, because that’s its own essay.

Anyways, because of how much this fandom loves Stiles, it’s easy to ignore how Kira and Japanese characters were treated. People project onto Stiles with glee. He’s white. He’s awkward. He’s (supposedly) not super attractive. (Yikes.) He’s ditzy and bouncy and all that fun stuff, but he also always saves the day. He got written off for most of 6b and he still saved the stupid day. And hey, dark!Stiles (let’s not get into calling him dark instead of Nogitsune that’s just too much wine we’d have to crack open to say it) is a fun trope and people like posting and creating about him. Except that he’s the white boy who took Kira’s storyline. Her independent story about Kitsune and the like was all given over to him, not just by the show, but by the fandom. So now every post about Kitsune is a Stiles post, even if it started with Kira. And because it’s Stiles, and this fandom loves him, and is easily offended by people leaning too hard on the glass house around them and him, Kira gets forgotten and swept aside. Everyone would rather talk about Stiles. Who is incapable of bad. Or cultural appropriation. But if you attack him you’re being ableist because he has ADHD. This is why I relate to Nolan for anxiety feels instead.

TLDR on the fandom end, y’all don’t treat Kira better than the show did. I see a few posts here and there from some dedicated users — typically the same people posting about Boyd, Deaton, Morrell, yeah that’s it I’m the only one posting about Kali. (Un-fun fact: Kali was not played by an Indian actor, but by a half-Black actor. Jeff Davis, when called out on twitter, said “wow ok idiots we tried to find an Indian actress but it was hard actually SUPER hard so shut up and stop telling me how to write MY show”, which is paraphrasing with intent to make fun, but exactly what he said.) Y’all who know about Arden and Kira should diversify your blogs to include more POC, especially ones where the actor AND character were rudely sidelined for vague white people reasons. Post gifs of Kira along with Allison, Lydia, and Malia. Post ship stuff of Scira too. Post about kitsunes, the origin story of the Nogitsune, when you post about the white boy who became the main character of that arc. Call the show out. Call the fandom out. Stop making every bit and piece of her story about Czechoslovakia White Boy. Demand Kira in any future runs of the show, if season 7 or whatever does happen. Include her in your fanfictions, in your headcanons, in your art. You don’t have to love her, but you have to remember that she’s as there as any of the white characters are.

This take is very hot. If I receive racist asks and/or messages about this, I’m going to make fun of each and every sender.