#i say all this because i was looking at people's opinions on this season and it seems like every change ppl dislike is a change i LOVE

[jjmaybankssurfergf]

Ok first off im pissed, rudy doesnt deserve hate for his character dying at all. That was his choice and the directors, and he is not unprofessional either. Who we should most likely blame is madison bailey and her girlfriend mariah, mariah is the one who started the who unfollowing bullshit and madison bailey went along with it. I honestly dont actually give a fuck either if madison bailey stans and mariah stans give me hate, sorry but this woman is nasty. Rudy is an awesome actor hes been in 3 movies on screen then in a play, and obviously as we all know that play is called Romeo and Juliet. Which he had to kiss and cuddle and hold hands and be affectionate with his co star every night for a month. What im trying to say here is that this is not rudys fault, he actually takes his work seriously. Unlike bailey she likes to cause drama, she excluded rudy a lot on season three when they were working and he had to be on his phone just to try to ignore her shenanigans. Im tired of rudy always getting blamed for things that werent his fault, we need to start talking about bailey and how she acts unprofessional and how she treats others. She never gets hate because of her looks and body, and im fucking done. Rudy is not doing well mentally because how she acts towards him, her acting sucks and she gave rudy nothing while he tried to work with it. Jiara shouldve never happened either sorry but jiara sucks. And if people bring up the stunt double this is my opinion but i think thats baileys doing, because once again in Romeo and juliet, rudy didnt seem to have a problem with the kissing or the cuddling and other affectionate things, its his job and thats what hes supposed to do. So this gives the vibe that bailey is at fault, because one we never see her really giving the jiara vibe like rudy was trying to do and two she sucks at acting. hate me and unfollow me if you want. but its not rudys fault.

Ziggy 🌼

[lokideservesahug]

Unfounded Opinion

-°•°•°•°•--•°•°•°•°--°•°•°•°•--•°•°•°•°-

Pairing: Josep 'Pepe' Maria Martí x gn!reader

Notes: Haven't written for Pepe before and Don know how many of you read about him but here we are regardless.

Warnings: None, Youre kind of a hater but that's about it!

Summary: You shouldn't be so irked by the guy who took your old seat. So what is it about Josep Maria Martí that grinds your gears?

-°•°•°•°•--•°•°•°•°--°•°•°•°•--•°•°•°•°-

You watch the F2 race with an Eagle eye. You know as well as anyone that your friend and old teammate, Ollie Bearman has a seat for next year. Heck, even his new teammate Andrea 'Kimi' Antonelli has one. So you've long since learnt to not keep an eye on him at the start of the race and instead just check in on him periodically. Your attention is turned to the back if the grid, a place that you find your attention drawn to quite frequently as of recently.

Pepe seems like a nice guy. Scratch that he appears to be so incredibly lovely. Even your old competitor (and teammate in a different sense as you both raced for Red Bull) has messaged you saying that Pepe is lovely. And that's saying something because depsite how nice Isack is, he can get very hot tempered when on track, and you'd seen people be at the wrong end of that far too many times to count.

So why on Earth, if all of your friends liked him, did you feel a certain twinge of dislike for him? You hadn't even had a proper conversation with the guy and yet here you stood, quiet resentment coursing through you as you look at the man that took your spot in the Red Bull F2 livery.

Pepe's starting near the back of the grid today. And depsite him clearly having talent, he's had such a poor season this year. Too many 'wrong place, wrong time' occurrences or just strokes of sheer bad luck. And you know that if what you say ypu feel is true, you should be happy at his misfortune!

You push down the conflicting emotions and focus on the now changing lights. 3,4,5 and the minute the lights go out you feel a pit in your stomach. You hardly have any time to question why though when the one of most horrific crashes you've ever witnessed happens in front of your eyes. You gasp, hand flying to your mouth.

You stare at the replay. The same tragedy replaying over and over again like a broken record. Repeating in the same way that you'll sure it will also repeat in your dreams. Without thinking you bolt up, you race to the Red Bull pit wall, you spot Isack and walk over to him. You don't even get a word out before he's sending a string of broken French and English curses. You're to used to his behavior so you don't pay it any mind. Well that and you're kind if focused on something else entirely. Someone else... Not that you'd ever admit that of course.

And if by magic (or by reading your mind,) Isack understands the war waging in your mind. He raises an eyebrow and smirks. You give him a suspicious look "What?" His smirk just widens. "Nothing, I just thought you hated him." You tilt your head and go to respond but the sound of increases hustle behind you makes you turn.

There, somehow relatively unscathed stands Pepe. You let your eyes linger on him for a moment (and the way that the Sun catches his face, making his eyes shine a gorgeous colour, one that you're sure you'll memorise). You shake yourself out of the thoughts if dreaming of a colour until the end of your day's. How corny. You turn back to Isack only to find him walking behind you, grabbing your arm to pull you with him as he walks.

He adresses Pepe in a way that can only be said by a teammate that truly cares about their counterpart. "How are you mate? That looked horrible." Pepe let's out a dry laugh and you let the melodic sound wrap around you as if it were a warm embrace.

Wait a minute...

No, no, no, no, no, no, no!

No!

Oh gosh you can't be thinking like this. You can not possibly be thinking about caring for Josep Maria Martí. You barely even know the guy. You nearly groan aloud out of force of habit but stop yourself. You, however must have imagined stopping yourself as Pepe's eyes finally meet yours. You give him and embarrassed smile and small nod. He just gives you an uncertain nod and his eyes linger on your form for a moment longer before he turns to make eye contact with Isack again.

After a few minutes of them talking, an engineer approaches Isack to let him know he needs to get into the car. Isack bids his goodbyes and a small "Glad you're alright." to Pepe and just smirks at you. You watch Isack's retreating figure ans then slowly turn to Pepe in realisation. "Are you not going to the medics." Pepe smiles slightly and shakes his head. "I did but they said I was alright." You shake your head. "Well that's a lie. No one could have a crash like that and still be alright. Are you sure they checked everything?"

Pepe just gives you a soft grin and nods. His eyes however are drawn to something behind you as his eyes meet the camera not far behind your head. He acknowledges the camera and you turn away slightly, as if trying to convince yourself that your one moment of concern for the Spaniard wasn't just caught on camera for millions to see. You try and instead focus your attention down the pitlane to see the other drivers get in their cars when you hear Pepe's voice. "Thank you for checking." You turn to him and give him a tight lipped smile (that feels far too sincere for your liking).

Before the two of you can let the moment last any longer however, an engineer wraps Pepe up in talks of the new race start. And you duck away to the side of the safety barriers, trying to become invisible to the masses.

☆-☆-☆-☆-☆

"You two looked cosy..." You look up at your phone to give Isack a confused look. "A) How did you get in here and B) what are you talking about?" Iscak just grins and tosses his phone next to you on the bed. You pick it up and scroll for a moment. Looking at a thread of tweets containing both photos and comments about you and Pepe earlier today. Youjust groan, you were only around him for all of a gew minutes and that's what the cameras decided to pick up? "You've made many waves online today. And now everyone is talking about you and shipping you!"

You groan and flop back onto the bed and groan in to the duvet. Isack just chuckles and you look u to send him a harsh glare. "Not helping." Your frustrated words only serve to make him laugh harder and you let your head fall back onto the duvet. "Everyone needs to shut up. I me he's so..." Isack raises an eyebrow, curious as to your next words. You've made no secret if your distate for the Psnaiard over the last fewonths. Yet he's never quite been able to squeeze and exact reaso why out of you. "I..." You look for Isack before rolling your eyes. "Don't need to explain myself to you. Isack just groans and this time you smile at his frustrated demeanor.

☆-☆-☆-☆-☆

"Good luck out there." You turn behind you, the familiar voice that you can't quite place catching you off guard. "I- thank you." You stutter briefly as you meet Pepe's eyes. Not at all expecting him to be here, let alone wish you good luck. The surprise must be evident on your face because Pepe looks down with a bashful smile which also makes you feel a bit guilty. "Where are you watching from?" Pepe looks up at your obvious attempt at civil conversation for the first time. "Just the Red Bull garage for practise but Red Bull said Isack and I can go in yours or Max's on race day." You glance down at the floor, the thought of Pepe in your garage feeling far too civil for your liking, conjuring up far too many thoughts of Pepe in civil, domestic and even romantic scenarios. "You can stay in mine on Sunday of course."

Your heart beats wildly in your chest at your brazen words. And if you'd have blinked you'd have missed the small flash of shock across his face and signature grin finally being aimed at you. And gosh you hate to admit it but it makes your stomach flutter slightly. "You want your first experience here to be one of victory of course." Pepe let's out a low chuckle and you try to ignore the warm feeling that the sound brings you. His eyes meet yours again and you nearly feel yourself get lost in them until a call of your name interrupts your moment. You thank the intrusion of one of your engineers however and you give Pepe a small smile and mutter "It was nice to see you." Before scurrying away, not bearing to see his reaction.

Isack approaches Pepe and slaps him on the shoulder. Pepe's grin and softened eyes change as he squints and turns to his teammate . Before Pepe can even mutter a word, Isack cuts across him. "You're hopeless mate." "I don't know what you're talking about!" Iscak just laughs at his friend's words and walks futher into the garage. Leaving behind a confused and blushing Pepe.

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Thank you for reading, I hope you enjoyed!

As always, likes, reblogs and especially feedback is always welcome!

Taglist: @nikfigueiredo @mysoulispainted @leclercings @d3kstar @hiireadstuff @a-beaverhausen @nichmeddar @lozzamez3 @stinkyjax @marymustdie @littlesatanicassholebitch @mehrmonga @insanedeathwish @ems-alexandra @a-disturbing-self-reflection @cherry-piee @thatgirlmj

[sage-nebula]

I loved the first three episodes of season 2, but I have to say that I do have issues with how Vi's character arc was handled.

I might change my mind on a rewatch, but it seems that the switch was flipped very quickly for her. When she first turns down the enforcer badge, she does so citing the fact that enforcers murdered her parents as the reason. This is a valid reason, and one that Caitlyn incorrectly says she understands.

(Caitlyn knows what it is to have her mother killed by an individual. She doesn't know what it is to have her mother killed by a police state that continued to beat and brutalize her and her loved ones as a child, and then be asked to join up with them. It would be as if someone suggested that Caitlyn team up with Jinx, in a way, but even then it isn't quite the same. Caitlyn does apologize later, but she apologizes for "springing the badge" on Vi; I don't think she realizes that their circumstances are still vastly different.)

But then two scenes later we see a drunk Vi lamenting how Caitlyn wants her to join "the peanut patrol" -- and this is a very trivializing way to refer to what is, again, an oppressive police force that not only murdered Vi's parents, but also physically assaulted her during her own childhood and did the same to people she loved. It's the very same police force that "saved" her from Silco by throwing her, at around age fourteen or fifteen, into a prison where she was starved and beaten for years. (She says herself that she would "lie on the cold floor, hungry and bloody" -- so yes, she was at times denied food.) "Peanut Patrol" is what you call mall cops or campus security; people without any actual authority or power to hurt you. It's not what you call a literal police state that has given you complex trauma throughout your childhood.

Then, immediately after that, we get Maddie gushing over how she looks up to Vi and how Caitlyn stood up for Vi's honor, and this . . . changes Vi's mind? Or at least makes her less hostile toward Maddie? Maddie talks about how "the sheriff betrayed us" -- but again, that's the same person responsible for throwing Vi into Stillwater and no one cared. They don't care about the people they beat and oppressed, they only care that they were betrayed. But Vi is just . . . okay with this. And seems to be changing her opinion because Caitlyn really fought for her right to become a cop uwu.

Then the staged attack (which no one knew was staged, but was) happens. And after that, Vi agrees to join up with Caitlyn and become an enforcer. Because she loves and wants to protect Caitlyn, I guess? That's the best reasoning I can glean from what we were shown; she was moved by Caitlyn vouching for her yet again, saw that Caitlyn was in danger during the attack, and then decides to join up. To me, it seems like it's all about her love for Caitlyn, which is extremely weak when, again, you compare it to the fact that enforcers killed her parents and she was oppressed by them her entire life, and it isn't like Caitlyn said anything in the episodes that would make Vi think that she wants to change that. (You could argue that Caitlyn vouching for her was enough, but Caitlyn saying that Vi is One of the Good Ones really shouldn't have made her feel that way.)

And then there's the 180 her opinion did on her sister, which I think hurts the way they transitioned Vi into being an enforcer even more. What we're supposed to understand is that Jinx firing on the council is what made Vi change her opinion entirely -- even though, moments before that, she was trying to reassure Jinx that everything would be okay after Jinx killed Silco. Yes, Jinx had her "here's to the new us" speech, but I still don't understand after all this time why Vi didn't speak up when Jinx said that Vi couldn't "love [her] like she used to." Just earlier in that scene she was saying that she did, that nothing would change that. And she lets her go that easily? She doesn't try to say anything more, she just lets Jinx continue believing that she was right?

I understand that Jinx chose the "jinx" chair. I understand that Jinx was asking Vi to do horrible things (namely, murdering Caitlyn). But even after that, Vi was telling Caitlyn not to shoot because, "please, she's my sister." So even after Jinx wanted Vi to kill Caitlyn, Vi was still trying to reach her. Yet Jinx blows up the council -- a council that Vi herself has witnessed wanted nothing to do with helping fix the Silco problem, and she has no idea that they were deciding on peace in that moment -- and Vi suddenly turns. As if Vi herself hadn't encouraged Powder to keep making bombs in their childhood, promising her that one day they would work. As if Powder didn't grow up under the mentorship of a big sister who wanted to bring the fight to Piltover herself one day.

I think showing more internal conflict within Vi would have helped. If she had chosen to join the task force because she wanted to make sure that Jinx would be alive when brought in, because as appalled as she was at the carnage (because violence is only okay when she does it) she still loved her sister, and was willing to fight her but didn't want to kill her, that would be one thing. But I think the writers made a mistake that a lot of writers make, which is that, they know the character's inner thoughts so well that they think it'll be obvious when it isn't. The shift in Vi's character seems entirely based on "Jinx did a Big Violence and I'm not okay with that even though I always encouraged her to do it when we were kids" and "My new girlfriend loves me and I love her, too" and it feels disconnected with who Vi was even in the last episode of season one.

(Well, the "completely giving up on her sister" feels disconnected. Vi was always upset with Jinx doing violence, as we see in their reunion in episode six of season one, because again, violence is only okay when she does it. Her little sister, who she again encouraged to make bombs and promised Powder that they would work someday, is just Not Allowed.)

With all that said, I do think -- or hope? -- that we're supposed to see a logical disconnect within Vi. During their confrontation in the temple, we get an exchange where Jinx points out the awful things that Vi has done since becoming an enforcer -- plastering the wanted posters so that others would stop Jinx for her, and especially poisoning the air of the undercity. Not only did Vi rationalize that course of action a few moments prior ("we cleared the streets to keep people safe" -- you aren't keeping people safe by suffocating them, Vi! you should remember that from your own childhood!), but then she says, "I'm done blaming myself for your mistakes," which -- what is she talking about? Jinx isn't the one who put the wanted posters up. She isn't the one who flooded the Lanes with the Grey. These are actions that Vi, along with the task force, took. Those are her mistakes. Ones she should take accountability for, but is refusing to. Instead, it seems she's now blaming Jinx for her mistakes and wrongdoings. Which is kind of funny, because it's like, Jinx has done plenty wrong. Why not blame her for shit she actually did, eh?

Oh, but on that note: "I never thought my [sister] would orphan kids." It took me a moment to remember that the child Jinx orphaned was Ren, but I mean, Vi, sweetheart, you and Jayce killed a child last season when you were busting up a shimmer factory. Don't you remember that? Again, this is "violence is only okay when I do it." Vi definitely has a hypocritical streak going on when it comes to Jinx, and I think that we are supposed to recognize that. At least, I hope we are. I'll have faith in the writers that we are.

Anyway, those are my thoughts on that. I'd like to specify for anyone who has read this far that, no, I do NOT hate Vi, although right now I'm definitely more on Jinx's side because I think it is always morally right to oppose the police state, and again, Vi is coming across as a hypocrite. (Also stupid as fuck because, girl . . . Jinx is Powder is Jinx. Your sister grew up. Jinx did not "kill" your sister and is not "staining her memory." You are acting like a clown. Get it together.) But characters having flaws is a good thing, as it makes them more interesting, so it's okay that Vi is a hypocrite. I just wish that it got explored a bit more, especially re: her decision to join the enforcers and flood the Lanes with poison gas to "protect people" lmao.

Anyway. Can't wait for episodes 4 through 6!

[sockatoothewafflebird]

okay so i found this s1 and s2 intro comparison video and i'm going feral about it. i have a lot to say. i think the intro poses some very important theories and ideas and i'd like to post my take about it. this is about arcane btw

i made a comment about this on the video itself but there's a lot more i wanted to say. in short, the comment said:

season one's intro focuses on the surface-level ideas of the characters. each one is either decked out in their gear or holding their weapons, or whatever things make them who they are. i think it's super cool for that, but season two's focuses solely on lighting and the characters themselves.

as another post mentioned, all of the characters are in very generic clothing, with nothing but them to observe. no gear, no weapons, no items, other than viktor holding his mask (the same way he held the book last season mind you) and the medardas with the rose. they're going to be stripped bare in this season.

the lighting is made so it highlights their faces, their posture, their body language. we're not looking at characters in a show anymore. we're looking at people.

that's the big main idea of all of this, but there's a lot more to talk about, so i'll put the rest under the cut so nonone has to scroll for hours to get past this post if they don't want to read everything. and there are a heap of season two spoilers under the cut as well, just beware.

anyway, we start out the intro with vi. let's take a really close look at this because holy shit.

we start with her sitting there, in nothing but a tank top (and i think not even a bra lmao) and she brings her hand to her face and smudges her tattoo. the tattoo with her name on it. the tattoo that helped maddie nolan recognize her.

and then the pink strip of light HIGHLIGHTS IT. that's her name, that's who she is, and she smudged it. it's probably a tattoo so the smudge in the intro is lore symbolic than anything, unless you can just easily remove tattoos in the league of legends universe. but anyway, yeah, she's having an identity crisis. she doesn't know who she is anymore.

next, we have jinx. parallel to last season's intro vi and jinx are back to back. but in this season they're sitting down. while vi is sitting, contemplative, her sister stands up and shoots.

i think comparing this with s1 is very important. in s1 vi and powder are a carving, cut from the same stone. and there they are in season two, now their own people, now walking away from one another. it's a very clever way to present their dynamic in my opinion.

it's important to point out that vi sits down and the light illuminates her smudged tattoo, while when jinx stands and shoots the light highlights her eye. i'm not sure what to make of it but it's interesting.

let's move on to ekko!

so, when it switches to him, we can see him standing alone in an empty room, the light making it so he has two shadows. they move bit by bit, like the hands of a clock.

i think that's a really cool detail because, for those who don't know much about league of legends, ekko's ability in the game is time-related. what it means for his arc in s2 i'm not quite certain on, but i have a really big theory i'll talk about in another post soon.

on to the next bit, viktor! unfortunately there's a 10-image limit on mobile and i dont have a computer right now so i'll continue this in another post. also i don't want this to be pages and pages long... so stay tuned cause ive got a lot of shit to say lmao.

made a new blog tag, just search arcane intro analysis in my blog and you'll find all posts relating to arcane's intro. more to come!!!

[deskraven]

(Below are some personal thoughts on Nightshade and queer representation. OG poster I have nothing against you and this is not an attempt to persuade you into liking Nightshade. Your feelings are valid and I understand where you are coming from.)

Nightshade is an icon to me in Season 1. I always joke about "fox news is not wrong that Nightshade is trans-ing people" - they are a key factor I started using nonbinary pronouns in real life. So sure, my opinion on them is biased - there might be too much insertion and projection involved and I'm looking at them through rose-colored glasses.

So let's start with facts instead:

"The character's very existence is unnecessary" is a very subjective statement. There is a thread on Twitter that asked "(Without saying its woke) What's your reason for disliking Earthspark?" While many pointed out that there are too many Terrans and only 2-3 of them are well developed / interesting, the 2-3 they listed are very diverse among the comments! The following are all direct quotes:

I never found most of the kids/terrans entertaining (except for Nightshade and Jawbreaker)

... only Nightshade and Hashtag are interesting, the rest have the personality of a piece of cardboard.

A few of the Terrans feel underdeveloped, Thrash and Hashtag feel like nothing characters compared to Twitch, Jawbreaker, and Nightshade.

the Terrans don’t really stand out from one another in terms of personalities except for maybe Hashtag and Twitch.

The other terrans that are not twitch and thrash are really boring and lame

All of these are valid statements. I'm not accusing the original poster to be mistaking a subjective feeling as a factual statement - they very well clarified that this is their own personal feelings and acknowledged that Nightshade is a popular character. I just want to use the opportunity to show how diverse people's feelings can be.

I also don't think Nightshade "solely exists to make a statement".

If so, people who didn't even hear their statement should be really confused what the character is even here for. We do have such a group of people - in the Japanese dub, Nightshade's nonbinary identity wasn't revealed until their conversation with Sam. I'm not Japanese so I can't say for sure, but there were a lot of Japanese fanart about them prior to "Home" being aired in Japan. It seems that they are well-liked.

Now my opinions:

Nightshade has a very tasteful introduction and implementation. I see the "came flying in to throw all sorts of people into a tizzy" as part of their personality - which I cherish. I also see the "forced, self righteous, and more than a little annoying at times" as part of their personality, which I cherish even more because it reminds me of many queer neurodivergent friends of mine.

But Nightshade doesn't just appeal to queer people. A friend of mine adores them for a very specific line they said, "You've just proven you don't really know me - because I was never lost!" She's a cishet Chinese woman who doesn't know much about US queer culture, but she remembers saying something similar to her parents.

But even if they really are just a tasteless boring character who exists for the sake of representation, I wouldn't say they shouldn't be there either. I would sure be angry - a year ago I was enraged by the portrayal of Lake Ripple (Elementals) because this nonbinary character really literally serves no purpose. It is frustrating when there's finally a nonbinary character on big screen yet they are just a soulless background cardboard. But most of Lake's cisgender relatives are also background cardboards, yet no one would say they shouldn't exist in the first place. Imagine if all it takes to make a character's mediocracy tolerable is to remove their minority identity - it's unfair.

Anyways I like Nightshade very much they are the second perfect transformer character imo ^ ^ It's a pity they got shafted in S2 and S3 but they will forever live rent free in my heart and I unironically love how you described them as "self righteous and more than a little annoying at times" and "came flying in to throw all sorts of people into a tizzy". These are the reasons I love them and I couldn't have put it any better.

I can never change your dislike for Nightshade. But have you considered that Nick basically reduced their role in the show because of all the controversy? It's harsh to think that they shouldn't be there. This show has studio interference written all over it.

Today is the die I become hated.

Le sigh.

I recognize that studios have their money hungry fingers all over everything, but that does not change what Nightshade, and other similar characters, represent. I think Nightshade's very existence is unnecessary. Even without the controversy, the character is just kind of there for no real reason other than making a statement. For me, Nightshade feels a great deal like the ridiculous arrogance of Elita-One in Transformers One.

Both characters are there to leave a message, one that could be good if done correctly. But due to its implementation, it comes off as forced, self righteous, and more than a little annoying at times. Elita was an attempt to represent girl power that went sideways by making her worse as a person. Nightshade was a studio's shot at reaching more diverse audiences that just came off as out of the blue and tasteless. Nightshade has very little purpose, even before people got upset, my point remains. Additionally, the character is largely there for diversity rather than actual functionality in the show.

For all I care, your character could be named Squishy von Veek and could go by screams of the damned as pronouns, so long as said character is USEFUL to the story and makes sense in the lore. Nightshade sadly does not check any of these boxes for me, at least not in initial implementation. There was no lore groundwork, no tasteful introduction. It just happened and Nightshade came flying in to throw all sorts of people into a tizzy.

I will admit though, the design and name for Nightshade rock.

[best-enemies]

Just watched S09E11 of CSI, 'The Grave Shift', after last night's 'One to Go'. I don't think I'll ever recover from Grissom, my favorite character, leaving the show, but his exit was still beautiful and so, so Grissom. Him just telling the team "Yeah so, I'm leaving" and having little moments with each of them, warmed my heart (the character that represented me the most was David, who had to bolt out of the room after Grissom said, "I'll miss you, though", barely managing to hold back the tears before leaving).

And oh my god. His reunion with Sara. They didn't even need words and it was absolutely perfect. Watching Grissom feel physical pain from his break up with Sara broke my heart -- you can see how much he loves her. I hate that they'll break up again; I don't remember how or why exactly, but it feels unnecessary, but I'm comforted by the fact that, ultimately, they'll end up together for the rest of their lives.

One of the things I love about this episode is how they all paid a little homage to Grissom and, near the end, Nick, who was offered Grissom's office, invited Greg and Riley to share it with him. Fits right in with Nick's sweet personality. I love how he says they need all the good energy from that place. He's really Grissom's n#1 pupil ♡

(Shout out to Hodges, one of my favorite characters from this rewatch, walking in and bringing the pig fetus saying it belongs there. I love how bitter he is after Grissom left and how he's not willing to get over it any time soon. Forget David, Hodges is the character that represented me the most, lol).

I need to say, my brain completely ignored the fact that, when Grissom offered Ray Langston a job as a CSI he said that it was an "entry-level job". Instead, I thought he'd get the job as the team leader and it was weird for me to see him being so inexperienced at a job. But all of that is because, one, I haven't rewatched CSI in ten years and forgot about like, 97% of the show and two, I have rewatched Hannibal way too many times and got used to Laurence Fishburne playing a boss, and a damn good one. I do like his character, though!

I'm not a fan of Riley though. I don't know why, she seems mostly competent at her job, fit right in, but at the same time it's not really like she fit in? I felt like maybe she could have had some adaptation into the team, after all she was replacing a long-time team member, Warrick (will talk about him later). Her introduction and adaptation into the team felt a bit sudden and "inorganic" and maybe that's why I don't love her sassy remarks and sort of 'cool girl' personality. Yeah I love Sara but I don't love Riley for the reasons listed above. That could change, though!

Warrick. Oh, man. For Gedda/For Warrick were the most painful episodes to watch and I stalled for months. Some of the team got to have a nice last moment with him, others didn't. It broke my heart how at peace he was in his last hours, hanging out with the work fam, feeling relieved for not losing his job, which was a huge part of his life. I do hate that it had to end like that for him. I get that his death represented the loss of innocence, and that that team wasn't going to last forever... but it's just really painful. To know that he didn't have anyone else, only his soon, which we don't know if he was able to see often...

Too many things happening at once, too many changes, and bumpy ones, but I hope we'll get into a smooth road once again.

[zincbotted]

some people be saying the most batshit insane shit abt travis mcelroy

[vindieselsfacebook-blog]

Omg I was positively foaming at the mouth reading this - thank you for sharing! As the self-proclaimed no. 1 AYITL defender, you're beautifully articulating so many of my opinions, too. I must chime in with some thoughts of my own:

I agree that it feels cozy and comfortable for me, too! It was never going to look as gorgeous as the early seasons filmed traditionally with Michael A. Price at the helm as cinematographer, but the colors and lighting are so much richer and beautiful than S6-7. I think a lot of people bristle at all the cold blues in the first episode, but babes, it's Winter - that's the point??? Fall is stunning. The sets look more expensive and lived-in than a lot of the original series does. On a cozy Sunday night, the episodes I most think about turning on for comfort-watching are the pilot, the last 3 in S4, sometimes the last 3 in S7, and AYITL!

AYITL has SO much gratifying closure and growth - I haaate when fans say they hate it because it feels like no one has grown and they've just been immaturely frozen in time. That's the point! They finally are!!! Wouldn't you prefer seeing that to being told it happened off-screen years ago?

I think the only thing I really disagree with you on is your more pessimistic takes on Lorelai and Rory, but especially Rory. "Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family." I totally disagree with this. I think Rory is a chronic people-pleaser with shaky self-esteem. Her family thinks the world of her and she often really struggles with the weight of those expectations. She's expected to succeed where Lorelai failed not just to justify Lorelai's entire life's ambitions, but heal her grandparents' wounds, too. Her father left her and shows little to no interest in her. Her paternal grandparents tell her to her face she's a disappointing mistake that ruined lives. It's not that she has no idea how to deal with not getting what she wants, but she has no idea how to deal with failure when she was doing all she thought she had to to succeed. She's a list-maker, a studier, a rule-follower - when things don't follow her obsessively planned plan, she melts down. Her worst decisions are made when she finally explodes after bottling up her emotions. People often say Rory never suffers consequences but that also isn't true? Headmaster Charleston enforces rules and punishments on her multiple times in S1 and nothing is simply handed to her at Chilton. She really struggles those first few episodes. Dean publicly breaks up with her and calls her out on her shit with Jess. She flounders her first year at Yale struggling to get her articles published then having to drop a class because she can't keep up. She tries to date and has a tough time connecting with people. Mitchum is an asshole to her and makes her doubt her entire career path. She doesn't get the NYT fellowship. The list of Rory's struggles, failures, and consequences go on and on. I really don't get why people seem to gloss over them? Because her mother loves her and believes in her in spite of these things...? Why do women in fiction seemingly have to "earn" love and support?

"Rory’s life rhymes with Lorelai’s." Obsessed with this line - what a beautiful way to put it!

I've truly never thought of a what a perfect metaphor coffee is for Lorelai's vices. You're soo right and it's soo good! Having Luke be the provider of her favorite coffee is also just *chef's kiss*

One of my favorite parts of AYITL is Lorelai redirecting Richard's inheritance from Luke's business to hers. In contrast to her begging for the tuition money in the pilot, this time feels like an empowered decision. Her dad wanted Luke to expand his business because he felt like his daughter's partner should be taking care of her. She says no, I'm the one taking care of myself and expanding my own empire - I don't need my husband to do that for me and I can honor my father's legacy myself. :')

Just to nit-pick, I must remind that Lorelai never "refused" to expand the Dragonfly - she literally couldn't and I think that added to her feelings of frustration and being stuck in place. There was no space at the existing building, protected wetlands preventing expansion, and she couldn't afford another property until she thought to use the money from Richard. Also, as symbolic as it would've been, the Dragonfly Annex isn't the Twickham House. Kind of glad tbh as I always found the Twickham House ugly as hell lol. I hate that storyline for multiple reasons, but the top is that it feels sooo not like Luke or Lorelai???

I'd love to defend Gilmore Girls: A Year In The Life for a minute (I don't usually make long posts and may delete this later for that reason) because I feel like writing something inconsequential.

Other people get lots of comfort watching the original show (especially in the fall). I feel cozier watching AYITL. The characters are much older; the dizzy, flighty, still-growing-up feelings for Lorelai and Rory have faded, and it's full of moments that make it clear that certain things in their lives are definitely always going to be there. Constants. Luke, Stars Hollow, family, Kirk, Taylor, the changing of the seasons. Now - for my defense. (I'm rambling.)

Okay, many, many people don't like the revival. I understand. It's different in a lot of ways from the original show, and lots of expectations were not met. When I first saw it, it threw me too. But I didn't dislike it. In fact, the more I rewatched it, the more I thought it was almost better than the first show. The leading ladies are not flashy young stars anymore - Rory is Lorelai's age when the OG show first began, and Lorelai is gracefully and fabulously careening toward grandma times with all her wit and charm, all her most comfy habits, and it makes me want to hang out with her more than Season 1 of the show ever did. And I think the fact that ASP came back to write for these characters again and end it on her terms, at last, was an absolute win, and I love how she did it because it fixed so many things I thought were wrong in the show.

Lorelai is self-centered, terrified of commitment, and has no idea how to put others before herself and not run away during the hard times - unless something involves Rory.

Rory is self-centered, thinks she is special, and has no idea how to deal with not getting what she wants. The consequences of her actions almost never directly affect her, and when they do, said consequences are quickly stamped on and snuffed out by her mother/friends/family.

Emily is self-centered, desperate to be in control, and finds her worth in what other people think, in how things look, and that includes what Richard thinks.

In the show, Lorelai has moments where she learns to stay and learns to put other people who are not Rory before herself. Those moments don't last. She definitely has good intentions, but they're all conditional. She only has good intentions up to a point - and that point is usually when someone or something threatens her happiness and feeling of safety, or Rory's happiness and feelings of safety (understandable; that's her child).

In the show, Rory is told she is the sweetest kid in the whole world. Rory is told she'd never do anything to hurt anybody. Rory is told she's special, she's smarter than her peers, she's not like other girls. Rory 100% believes that. She also probably has a bit of a problem with living up to that image - she wants to be all of those things, and thinks she is, and can't handle it when it seems like people think she's not. (That may or may not have something to do with Christopher, who always had somewhere more important to be, or with Lorelai, who was so cool and strong and sure of Rory.)

And the show has moments, too, where Lorelai has to face the music and see that she's screwed up or is hurting someone with her behavior (Max, Chris, Luke, Jason, Emily, Richard, Sookie), but very very often, Lorelai breezes her way through that music and keeps moving, and flits to the next thing or person that will make her happy, because she does not know how to stay and stand and fix what she's broken. Because it only matters if she is happy and if Rory is happy. (The same thing goes for Rory in the show - consequences come, but Rory rarely has to properly deal with them herself. She is coddled and propped up the whole way.)

Now, to my point!

I watched AYITL and noticed something was different right away. Lorelai is with Luke (she should be), who is the opposite of her - constant, loyal, selfless, determined to stay no matter how hard things get. But they're not married. Lorelai is scared to really commit, and marriage is one of the hardest things you can commit to - ever. And Lorelai is not happy. Rory, for her part, is not perfectly settled as a reporter or a journalist or any of the things she was always told she could be. And she's not happy. And Emily, bless her, has lost her husband and her false sense of control is spinning away, and of course, she is not happy.

And A Year In The Life takes the show's clumsy half-arc of these three Gilmore women and perfectly completes it.

Lorelai's fear of commitment and habit of bolting when things get hard drives her to push every new chef out of the Dragonfly, refuse to expand the inn to better accommodate Michel's needs, shun Rory's tell-all of her past mistakes, shame Richard at his funeral and break Emily's heart, and worst of all, nearly wreck the closest thing to a proper relationship she's ever had: the one she has with Luke. She can't face that she misses her father, loved her father, and that maybe her mother is right about her relationship status. She can't face that people might read Rory's writing and see all her flaws and all her mistakes growing up in printed ink, and she can't run from that. And when Rory insists, Lorelai cuts ties. Lorelai has spent years avoiding marriage with Luke. She has spent years hurting her mother in an effort to defend herself at all costs. And she has spent years ensuring the Dragonfly Inn is exactly what she wants it to be; because changing it would be uncomfortable, and as a result, she won't commit to a new chef, she won't expand, and she's about to lose Michel the way she lost Sookie.

Rory's bubble of self-centeredness and assurance that she's special is popped with the needle of reality at last: she is not special. She's a young woman who has to actually work hard to find a job and make some money, like everyone her age. She is talented and she is smart, but she's not God's gift to journalism, and people keep saying no, and people keep asking her to prove her skills and her merit, and she doesn't know how to deal with that because everyone has always told her she can do anything she wants and she's the best. She wants a distinguished career and can't find anyone who will take her on; she tries to write for a raging batty feminist (hello Alex Kingston I love your work) and that goes sideways; she wants Logan Huntzberger but she turned down his proposal and now he's engaged and it has to be a secret; she wants somewhere to live - just not Stars Hollow because she's better than the thirty-somethings stuck back home. She wants Lorelai to approve of her book and insists her mother give her this, as if Lorelai hasn't always given her whatever she could. And when Lorelai says no, Rory does what she wants anyway and almost fractures their relationship over it.

Emily's control is completely gone - she can't control her emotions, she can't control her tongue, she can't control her maid or her maid's handy family, she can't even control a stupid painting of her late husband. She's on a downward spiral and her anchor is dead. She tries to regain a sense of worth, because surely that will bring happiness back. She tries to gain it from how many possessions she has, that doesn't work. She tries to gain it from Jack, who is not well-suited to her but he makes a matching accessory to the life other people will see. That doesn’t work. She tries to gain it from therapy with Lorelai, control her daughter at last, that doesn't work. She tries to control Richard's headstone, that doesn't work. She even tries to find solace with her beloved D.A.R, and she finds that emptiest of all.

A Year In The Life has these women finally face their flaws head-on and grow. The way characters should.

Rory: Rory is confronted with the fact that she is not special and has to move home like everyone else her age and get a job she does not want, because that's life, and that's what everyone else has to do in the real world. And when she's at her lowest, pouting, she gets advice from someone who has faced his own flaws long ago and has grown and who knows her at her best, and encourages her to get up and work hard (Jess Mariano, ladies and gentlemen). And she does. Rory hits bottom and takes Jess's advice and works at understanding her mother, who is not perfect, and even goes to interview her father, who is also not perfect. She fights with Lorelai over the book and insists on her own way, and when Lorelai refuses, Rory can only blame herself. She has a rabble-rousing night with her LaDB boys and winds up sleeping with Logan in one more bubble of fantasy, one more umbrella-jump of escapism, like the old days, because Logan is her weakness. And when she wakes up the next morning, Rory turns and walks away from Logan and the affair and her insistence on having what she wants regardless of who she hurts (hello, Dean Forrester and her affinity for taking spoken-for men) for the final time. And the consequences of her desires? She’s pregnant. (Come on, we all know the baby is Logan’s; Rory’s life rhymes with Lorelai’s.) She goes to Christopher to interview him for the book and is subtly asking her father why he wasn’t in her life, because she needs to know what to do with her baby and her lover. She didn’t go to Lorelai to figure that out. She went to her dad, because the truth is, Rory didn’t have her father, and part of dealing with the consequences of her actions is to work out how to take care of this baby and whether or not that means involving the father. She’s owning up. She goes to Lorelai and offers to give up this book; she doesn’t make excuses or whine, she wrote the book anyway because she believes in it, but when she’s gotten three chapters in, she respectfully goes to her mother and asks her to read it and then, for the sake of Lorelai, not herself, Rory promises to quit and throw the book out if Lorelai does not approve. Because Lorelai is more important to her than herself. Rory has worked hard and made mistakes and gotten pregnant and she has stared the world in the eyes and seen she’s not special. And she has to deal with that. And she does, finally, deal with it. And she’s happy.

Emily: Emily is confronted with the fact that nothing is inside her control—except what she does. Worth does not come from what she owns or who she’s with or what she’s wearing, and it didn’t come from her marriage, either. That wasn’t why she married Richard anyway. She is miserable and alone, and part of that is her fault. She married Richard because she loved him, and she keeps coming back to Lorelai because she loves her, and she opens up her house to Rory when Rory needs a place to write because she loves her. Emily looks around at what she has and recognizes what has worth and what doesn’t, maybe for the first time, with clear vision. She recognizes that she can’t control everything. At first, that fact keeps her down. She forgets what day it is, the curtains are closed, and she doesn’t get up in the morning. No Richard, no Lorelai, no reason to move. And then Lorelai calls her, and tells her about who Richard was and what Richard did and how it mattered, and that inspires Emily. She can get up. She buys a place on Cape Cod, totally opposite of the sort of life everyone admires and expects to have worth, and she does what she’s really always been best at—she loves. She takes care. She took care of Richard, she took care of Lorelai and Rory when they needed it, and she takes care of Berta and her wonderful family, instead of having a maid take care of her needs. She packs up and moves out, she sends Jack away, she reveals the D.A.R. for what it is and quits them forever, and she takes a job at a whaling museum because she just likes it. It’s nothing fancy, and neither is her oceanic house or the music she plays in it or the clothing she wears, because none of that is worth anything anyway. Her family is. Her friends are. She gets the painting of Richard done right and brings it with her, and she gives up attempting control of everything and only takes control of how she behaves. She gives Lorelai what Lorelai needs for the Dragonfly, and her only stipulation is that she gets to spend more time with her daughter and Luke. She loves, she takes care of others, she helps. And she’s happy. And now, the best for last. The star.

Lorelai: Lorelai sits in that stupid Stars Hollow Musical and hears a song that perfectly describes her problem—it’s never or now. Make a commitment. Do something hard. Make your life about something other than your momentary present happiness and comfort, the way you do with just Rory, sometimes, but make it a permanent change. Make change permanent! Don’t run away! …And then she runs away. She’s been miserable, she’s hit bottom, like her mother before her and her daughter after her. She’s losing friends, she’s losing Luke, she’s losing Emily, she’s losing Rory over the manuscript, and it’s all her fault. Lorelai tries to breeze past it. She does Wild. She does what she’s never done before, she does something hard and uncomfortable, but she does it for herself, and therefore it doesn’t quite work. She tries to hike, Dipper Pines won’t let her hike, she meets other women her age who think this hike is gonna fix things, it doesn’t, and she gives up and goes to get coffee because that’s her go-to. (Coffee is speedy, bad for you, and only a temporary rush—kind of everything Lorelai clings to, actually.) But the coffee shop is closed, and when Lorelai is denied that allegorical Band Aid, she goes around back and sees a great view and finally finds clarity. She didn’t need the hike—she needed to think. She needed a moment of silence and introspection to gain the insane courage to finally stop moving, stick around, and face her fears. To put her eyes on herself and then take her eyes off herself and onto other people—namely the people she loves. Lorelai calls Emily and cries, because it’s hard to do this, it hurts, but with one story, she proves she loved her father, and she knows her father loved her, and the fact that she’s calling shows that she knows Emily loves her too, and she loves Emily, and has loved them both all along. It gives Emily the strength she needs to get out of bed. That was hard, but Lorelai did it. And now she’s going to do more hard things—she’s going to commit. It’s never or now, and Lorelai chooses now. She goes home and the first thing she does is propose to Luke and become Lorelai Danes overnight. Hard. Scary. Just right. She patches things up with her daughter, and chooses Rory over herself—for the hundredth time, yes, but when it’s at its hardest for her to do. “I’ll read it when it’s done.” Lorelai expands the Dragonfly using one of the biggest monuments to her fear of commitment – the Twickham House. She goes to Emily for help, which is also super hard, but this time it’s not for Rory – it’s for her, and it’s for Michel, and it’s for the Dragonfly. And she accepts Emily’s affectionate terms. Lorelai chooses Rory, Luke, Emily, and Michel over herself, and commits, and she doesn’t run away. And she’s happy.

And all of it is earned. Finally earned.

I could talk more about the incredible writing, about ASP at her best, about the perfect themes and scenery and the very intentional end to Paris, Lane, Kirk, Taylor, Dean, Jess, Logan, Chris, and the general cast’s stories, but I’ve already rambled for too long.

Suffice it to say: A Year in the Life is my Gilmore Girls. It’s best version of the story. I think it was expertly done. Not perfect, but an ending that was earned.

[anastacialy]

y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'

[melissa-benoists]

i rewatched criminal minds: evolution for the first time and goddamn i love the way they’ve rebooted cm so much. i love that it feels more serialized than the other seasons (tho obviously not completely serialized because they still have a monster of the week), i love that there was more gore, i LOVE that they got to swear, i love that the episodes are longer and we get more room to breathe with emotional moments, i love that reid is not there (sorry to reid fanboys i just don’t care about him that much) and i really really fucking love that paget got to have her natural hair color and not that awful wig. i also really love the cinematography? bc i swear to god it’s different from previous seasons and it’s a nice change from the way procedurals are normally shot (not that the cinematography is award-winning but i feel like there is definitely a difference between earlier seasons and evolution. though maybe it’s just the different aspect ratio idk maybe i’m insane). anyway i’m not gonna say that evolution is groundbreaking or that it’s the best tv i’ve ever watched but god i think this rewatch has made it my favorite season of cm

[arcane-ish]

I mean, why would getting beaten for years make her kinder?

I have a kinder view on her, but my verdict after S2 Act 1 was also that Vi has no connection to Zaun.

My head canon is that she was far away from Zaun for a long time and after she emerged it was completely changed. Zaun was the idealistic warm place of her childhood to her and when she came back she found it "poisoned" by Silco. She doesn't feel at home there anymore. Maybe she blames it for "ruining" Powder.

The frustrating part being, okay, even if Vi is the kind of person who dislikes and looks down on the dirty immoral parts of Zaun (rather than seeing that as a result of their oppression or seeing beauty and potential in the depravity there), she has been to Ekko's tree. She has seen the nice/happy/friendly parts of Zaun. Shouldn't she feel at least protective of those?

My take is that the approach of the writer is that Vi has a more general sense of morals. She protects people who get attacked, whether it is a Piltover Elite or the little Zaunite girl. She has indeed neither class conciousness nor hard loyalty (in season 1 her goal was to bring down Silco and she had no problem teaming up with Piltover to achieve that goal via the chem factory raid, she didn't even think of rallying Zaunites against Silco, she went for what was easiest and the biggest stick)

And I don't see how that is that much of stretch. If Vi is not a big thinker, why should she have class conciousness? Having just pariotic loyalty to a place without class conciousness or larger historic context is something that still works for a "not a big thinker" person, but I could easily picture the writers seeing Vi a decidedly not that. There are plenty of scenarios where unthining patriotism isn't a good thing, so the writers might actually see that a creative wrinkle that Vi is more of a universalist who doesn't distinguish anymore where people are from. (and yes, maybe people who get treated with prejudice react by locking deeper into that identity, but it is not that out of the ordinary that they could also react with "it shouldn't matter at all where people come from")

IMO Vi emerged from prison and felt like she didn't have a home anymore because her second family was dead and everything she knew looks different. And yes, Vi's first family was killed by Pilties but her second family died becuase of an inner Zaunite struggle. So is it really that out of the ordinary that she might have mixed feelings about Zaun?

The way I read it Vi at this moment doesn't particularly like Zaun and she's feeling her way around. She feels like she doesn't belong there, doesn't fit in there and so she's trying to feel her way around if she can fit into Piltover (especially if Caitlyn is luring her in with "actually we are trying to reduce harm to Zaun, it's moral of you to join, because you are actually trying to make things easier").

Act 1 ends with Cait and by extension Piltover rejecting her. And based on the trailers it looks like Vi is going to dive deep into self hate and with that deep into the most violent parts of Zaun. Which to me suggest that this reflects that she has a low opinion of Zaun, that this is where she goes when she's at her lowest and self-hatiest.

Again in a world where even if she doesn't fuck with the darker seedier parts of Zaun and has no motivation to let's say be another Silco or Vander to try to slap down the chem barons, sort of pacify Zaun or even rally it. ... she could have just joined up with Ekko and tried to to just do nice things and help orphans.

But it seems likely that that's not how she's going to react. She could take her rejection from Cait and Piltover and react with rage "I tried to work with them, but they are actually monsters, let's fight them". Or she could have shut down, gone to the pretty place of Ekko's there and try to recoup there (maybe she's self-haty and scared that they would reject her for the things she's done?) and find herself by trying to do small nice things for people. But it seems like she reacts with self-hate because she's a pretty splintered broken person herself who is highly unsure about her place in the world.

But yes, Vi has zero class consciouness because she just doesn't think like that is just correct description of her character. That's just how she is. She's a mostly one track universalist.

I just don't think it makes sense that we impose what her trauma response should be (ie she should retch at every badge she sees) just because that's what we would like to see and we feel that this should be the "most logical" thing. People have all kinds of different trauma reactions.

And Vi has been on the receiving end of bad actions of Zaunites and if you put into the equation that she just genuinely doesn't have a class conciousness/doesn't think of things on that level, why shouldn't she have aversion and trauma reactions to Zaunites as well? She disliked Pilties and enforers because they enacted violence on her, but she also had violent run ins with Zaunites. That street kids brawl after the heist in season 1 was against Zaunites, she was there for the murder of Benzo, Silco to her knowledge killed Vander, she fought Sevika (and I still think she blames Zaun for "ruining Powder"). Maybe she even holds it against Zaun that the followed Silco (though even if she unreasonably idolizes Vander, shouldn't she at least see that Ekko's people uphold the memory of Vander? I wonder if Vi knows that the Vander statue exists).

In short, it's going to be interesting how her relationship with Zaun will evolve. If she will gain a more nuanced view on it or not. I can see a world where she finds out more about Vander's regrets and sees more nuance is necessary, I wonder if she will interact with the Viktor people and what her take on that will be. I wonder if she will find comfort and familarity in the fighting pits or if it will just be her self hatred and ultimately Cait "saving her" from the pits (whether actually retrieving her and luring her out with more tasks up in Pilotver).

I don't buy that Cait is that keen on the Noxians, so I could picture her asking Vi for help again soon.

Or maybe she'll team up with people to for example hunt the new monster Warwick. It's gonna be interesting if Vi finds her new community in Zaun in some way (ie teaming up with somebody to hunt Warwick, or fight Viktor, or rally people against the Noxians or reconnecting with Ekko after all). Or if she has trouble connecting with people and Cait and enforcers will remain the only thing that ever gets offered to her (after all she spelled out to Cait that she feels like she has nothing).

We know the story is highly slanted towards Vi ending up with Cait and probably even as an enforcer. The question is whether it will be with her getting a nuanced view on Zaun and trying to walk between the world, seeing both sides and negotiate between them (ie by keeping a positive relationship with Ekko or making new friends in the pit adventure) or whether the rift between Vi and Zaun will stay there (maybe they hate her for working with enforcers, maybe she is at odds with them again if she ends up trying to protect Warwick from them).

Having digested the first 3 episodes of Arcane 2, I'm ready to say something bold and brave, and I hope I don't get too much hate for it.

Vi is just not a nice person.

In season 1, I feel like I was maybe unfair to the writers by saying that "rushing the romance with an enforcer/1% like Cait" was "flattening" Vi's character. That it was bending her out of shape.

How could a Zaunite as maltreated as Vi so easily turn to someone like Cait?

I was told by shippers it's because Cait is the first to show her kindness in a long time, and I still think that's hogwash. She is fresh out of mega hell prison where enforcers beat her so often they lost track of it. I don't believe any amount of kindness could make you fall for an enforcer within 48h in this context. Not realistically.

But now?

Vi hears Cait dehumanizing Zaunites and doesn't fight back. It takes a few compliments to make her accept an enforcer badge. She's running around gasing the people of the Lanes, making excuses for it, while looking fresh out of a WWII horror movie in that gas mask.

And when the gas mask is off, she's wearing Claggor's goggles... Like, yeesh.

She's clearly blinded by Cait. And that's fine! I used to think it was the flaw of the writers trying to hurry a Caitvi ship along. Now I gotta admit, it looks like Vi just doesn't have strong morals.

She hates enforcers but she'll join them easily. Her wanna-be gf says we use toxic gas that has horrible side effects [cut to horror medical slides] and she says "yeah, it's for the good of the people, sure".

She sees Jinx and accuses her of killing Powder, and says she's tired of making excuses for her.

To WHO, Vi? We don't have you on screen apologizing to anyone for Jinx's actions. I'm sure things were said to Caitlyn, but like, yeesh.

She accuses Jinx of orphaning kids, WHILE WEARING AN ENFORCER UNIFORM, the same worn by the people who orphaned HER.

I give up. The writers knew what they were doing.

A flawed woman who wasn't made a better or more moral one by all the suffering she endured in Stillwater.

Vi is cool, but she's not super loyal, is a bit of a meathead, doesn't have her priorities in orders, leads with her fists and caves easily to her emotions. She's horny for Cait and not very interested in the fate of her community.

Being locked up and beaten didn't make her smarter or kinder. It just made her a better fighter.

It's kind of my bad for assuming that Vi "should be better", logically. If she's written as a human, then she should be flawed and yeah, I guess she fucking is lol

I'm curious to see if she develops some... class consciousness, or some patriotism of some sort, when everyone realises the Noxian offers of protection are a yoke. I'm a lot more curious seeing where she ends now that I've accepted she's cool while also kinda shitty. It's nice that it goes along Cait's spiral into villainy.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[requiemforthepoets]

he drives me crazy, it’s so beyond me 𖦹 LN4

PAIRINGS: lando norris x fewtrell!reader

SUMMARY: you’ve been hating on lando for a very long time now, since you were kids to be exact. only to realize that those hatred is only a mask for what you truly feel for him.

AUTHOR’S NOTE: i’ve been on a slump lately, have so many works unfinished but i don’t really have the drive to finish them lol but my break from uni is near, so maybe i’ll get the motivation to finish all of it. for the meantime, hope you’ll enjoy this one! :)

REMINDER: this is purely fiction, the way how the character is portrayed in my story does not reflect the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WORD COUNT: 3.3k

WARNINGS: typos, cursing, and playboy lando

Growing up being Max’s younger sister meant that you were always surrounded by his friends, and none of them irritated you more than Lando Norris. From the very beginning, something about Lando rubbed you off the wrong way. Though you had never understood why, there was something—an inexplicable annoyance that only grew stronger with time.

As kids, you tolerated him, well mainly because Max adored him and that they are racing karts together. You can’t just tell Max to stay away from Lando for no apparent reason, that would make look like an absolute ass. But as you all grew up, Lando’s behavior began to infuriate you even more, and it just got worse when he got to F1. He began dating girls and moving on as quickly as the seasons changed, never seeming to care about the trail of broken hearts he left behind. It wasn’t just his carefree attitude towards relationships or life in general; it was the way he would tease you every fucking chance he gets. If you tripped over a pebble or on air, he’d make a joke about it. Making fun of every little thing that he would notice about you. You just couldn’t stand it, and you couldn’t stand him and his whole existence.

But somewhere along the line, something strange started to happen. With all the teasing and eye rolls, you found yourself paying a little too much attention to him. Too much for your liking. It was almost as if you were noticing the first time how his aquamarine eyes sparkled everytime he laughed, or how his curly hair seemed to suit him perfectly. It made you mad—so fucking mad that you wanted to scream. How could you, of all people, start to like Lando Norris? Your public enemy number one.

Then the realization hit you like a shit ton of bricks. You were developing a massive crush on the one person you were supposed to hate. Surprised by the sudden realization, and you being you, instead of acknowledging it, you decided to bury it deep down, covering it with even more layers of loathing. If he said something stupid, which he always does, you’d snap back at him twice as hard. If he smiled that cocky grin, you’d glare daggers at him. But inside, your heart would be pounding, and it drove you crazy. It’s pretty much a fucking miracle that you have been able to stay sane.

One day, after a particularly annoying comment from Lando about your choice of outfit, you finally snapped. “You know, Lando, if I wanted your opinion, I’d ask for it. But I didn’t, so why don’t you just keep your mouth shut for once?” Then you rolled his eyes at him. You’re going out today, you don’t need this kind of negativity. “Besides, don’t you have your own fucking house? Why are you even here?”

Lando grinned, clearly enjoying how riled up you were. “I’m just saying, those shoes look like something a hobo would wear.”

You groaned in frustration. “God, you’re such an asshole, Norris! Do you ever stop to think before you speak?”

“Where’s the fun in that?” He shot back, winking at you.

You felt your cheeks flush, and not from anger. You wanted to punch him, but at the same time, there was this insane urge to grab him by the collar and kiss him just to shut him up. But instead, you turned on your heel and stormed out of the room, muttering under your breath about how he was the most annoying person on the planet.

But then there were those moments when you saw the other side of Lando, the one that made your heart ache in a way you couldn’t even fucking explain. Like the time when he won his first race in Miami. The whole crowd erupted in cheers, everyone was celebrating his win and you found yourself smiling as he won his first race, a huge smile on his face as he celebrated. Your first instinct was to run up to him and give him a hug and tell him how proud you were. But then, almost immediately, you wanted to wrap your hands around his neck for making you feel this way. He had a unique talent for pushing all your buttons, and yet, no one could make you feel the way he did.

After the race, you all went out to celebrate, and as usual, Lando couldn’t resist teasing you. “Come on, admit it, you were impressed, weren’t you?”

You rolled your eyes, but couldn’t stop the small smile from tugging at the corners of your lips. “You were okay, I guess,” you said nonchalantly.

“Okay? Just okay?” Lando feigned hurt, clutching his chest dramatically. “I expected more from my biggest hater.”

“Well, don’t expect me to start fangirling over you now,” you shot back, though your heart wasn’t really in it.

Lando just playfully winked at you, and excused himself, walking away and waving at someone else. You couldn’t help but wonder what it would be like to admit it. To finally confess that maybe the reason why you hated Lando so much was because you love him in a way that no one else could. But you quickly dismissed that thought, shaking your head. There was no way you’d ever let him know how much he affected you. Not when he had the power to break your heart with a single word.

As the night went on, you couldn’t help but steal glances at him. He was the center of attention, as always, and yet, for a moment, his eyes caught yours, and he smiled. Not a teasing grin that he would always send your way, but a genuine, warm smile. It made your stomach do flips, and you quickly looked away, mentally cursing yourself for being so weak.

In the middle of the night, you found yourself lying in bed, staring at the ceiling, replaying the day’s events in your mind. You hated how he could get under your skin so easily, how he made you feel things you didn’t want to feel. It was maddening, infuriating, it drives you nuts, and yet…you couldn’t stop thinking about him. How was it possible to love and hate someone so much at the same time? You didn’t know. You don’t have an answer for the lingering questions in your mind and it drove you crazy.

“Why him?” You whispered to yourself that night, lying in bed and staring at the ceiling. “Out of all the fucking people in the world, why does it have to be him?”

You knew Lando could be a major asshole, but somehow, he was your asshole. No one else could make you feel this crazy mix of anger, frustration, and affection all at once, and despite all the annoyance, deep down, you knew you loved him. It made you mad, and yet, in some twisted way, it also made sense. No one else could make your heart race like Lando did, that can make you feel so alive, so frustrated, so utterly confused—and most importantly, no else could break your heart like Lando Norris, and you were beginning to think that maybe, you didn’t want anyone else to.

It has been three months since Lando’s first win, but the tension between the two of you hadn’t eased. In fact, it felt like it was growing stronger, pulling you into a confusing spiral of emotions. It was one of those days that you were grateful enough that you were back in uni, and have to forget about him even for a short period of time.

Though it didn’t last long, you can’t stay and hide in uni forever. So here you were, officially back home for a break, and you decided to stay at Max’s for the time being. Prior to arriving from uni, Max had already asked you if you wanted to come with them on their holiday trip, but you passed on it, making up some silly excuse and wanting to get the rest you need since you haven’t had the proper rest back when you were in uni. You wanted to avoid being in the same place with him as much as possible, you definitely don’t trust yourself to keep up the charade of hating him when your heart was screaming the exact opposite.

It was when they’re already back from their trip, and as usual, Lando is at Max’s place. You found yourself in exactly in the situation you’d been dreading. Max had invited Lando over to help him with something, and you figured you could just stay in your room, far away from the inevitable teasing from him. But when Max suddenly had to leave to deal with some urgent matter, you were stuck. It was just you and Lando, alone in the living room, with a show neither of you cared about playing in the background.

Lando being Lando, of course he wasted no time in getting into your nerves. “So, how long are you planning to hide up there?” He asked, his tone annoyingly casual as he sprawled out on the couch.

“I was not hiding,” you retorted, focusing on your phone and pretending he wasn’t there.

“Sure, you’re not,” he said with a smirk. “You’ve been acting pretty weird lately. You didn’t even come to the trip that we invited you on. Is everything alright?”

You nearly choked on your words. How could you even begin to explain what was wrong—that you were utterly terrified of how much you liked him? That every time he teased you, your heart skipped a beat instead of fuming with anger? That you couldn’t fucking stop thinking about what it would be like to kiss him.

“Everything’s fine,” you lied, hoping he couldn’t see the turmoil behind your eyes. God, you just wanted for this conversation to end or better yet, wishing for the ground to swallow you whole right then and there.

“Uh-huh,” Lando said, clearly unconvinced. He leaned forward, narrowing his eyes. “You’re a terrible liar, you know that?”

Your heart thudded painfully in your chest. “Oh my god, why do you even care?” You shot back defensively. “You’re just here to annoy me, right? So why don’t you just go call someone and bother them instead?”

Lando’s smirk faded slightly, and he studied you with an intensity that made you uncomfortable. “You think I just want to annoy you?”

“Yes!” You exclaimed, frustrated by his persistent questioning. “That’s what you’ve always done ever since, isn’t it?”

Lando shook his head, looking more serious than you’d ever seen him. “No. Not really.”

The shift in his demeanor threw you off balance. “What’s that supposed to mean?”

He hesitated, running a hand through his beautiful curly hair that you want to touch so badly. “It means that maybe I didn’t just do it to annoy you. Maybe there was another reason.”

You blinked, your mind racing to keep up. “What reason?”

Lando sighed, leaning back on the couch and staring at the ceiling. “God, this is harder than I thought,” he muttered to himself before finally looking at you. “Look, I’ve known you since forever. Yeah, I used to tease you because you were Max’s younger sister and it was fun. But somewhere along the way, it wasn’t just about teasing anymore. I think I did it because…I didn’t know how else to get your attention.”

Your breath caught in your throat. “What are you saying, Lando?”

“I’m saying that maybe I’ve had a crush on you for a while now,” he admitted, his voice quieter than usual. “And I’ve been acting like an idiot because to be fairly honest, I didn’t know how to deal with it.”

You stared at him in utter shock, your brain struggling to process what he’d just said. All this time, you thought your feelings were unrequited, that he was just being his usual annoying self, but now, everything was different. The anger, the frustration, the confusion—it all made sense now.

“I…I don’t know what to say,” you whispered, still reeling from his confession. “Honestly.”

Lando smiled softly, a hint of nervousness in his expression. “You don’t have to say anything, I just want you to know. I get it if you don’t feel the same way, or if you’re too mad at me for being a jerk all these years. But I wanted to be completely honest with you for once.”

The room was silent for a moment, the air thick with tension and unspoken words. You took a deep breath, trying to steady your racing heart. “Lando, I—“

But before you could finish, Lando suddenly stood up, crossing the room in a few quick strides. “You know what? I can’t fucking take it anymore.” And with that, he grabbed your face in his hands and kissed you, pulling you into a kiss that was both urgent and tender at the same time.

For a split second, you were too shocked to respond. But then, your body seemed to take over, and you found yourself kissing back, all the frustration and anger melting away in the warmth of his embrace. It felt like everything you’d been holding back, all the mixed emotions you’d been burying, finally broke free. When Lando finally pulled back, you were both breathless, staring at each other in stunned silence.

“Why did you do that?” You asked, your voice shaky.

“Because I’ve wanting to do it for a long fucking time,” Lando admitted, his thumb gently brushing your cheek. “And because I couldn’t stand the thought of you hating me for real.”

You shook your head, a small smile tugging at your lips. “I don’t hate you, Lando. I…I think I might be falling for you, and it’s terrifying to tell you honestly.”

Lando grinned, his usual cocky demeanor returning. “Well, that’s a relief. Because I’m pretty sure I’m falling for you too.”

You couldn’t help but laugh, the tension between you dissolving into something warmer, something that felt a lot like hope.

“You’re still an asshole, though.”

“And you’re still a pain in the ass,” Lando shot back, his grin widening.

This time, there was no venom behind your words, no hidden frustration like it was used to. Instead, there was a new understanding between you—a mutual acknowledgment that maybe the thing you’d both been fighting against all these years was exactly what you needed. When Lando leaned in to kiss you again, you realized that no one else could make your heart race like he did, and no one else could make you as crazy or as happy.

However, Lando’s confession and that unexpected kiss did leave you feeling more confused as ever. As much as you wanted to believe in the moment, in the warmth of his touch and softness of his lips, a familiar fear gnawed at the back of your mind. After all, this is Lando Norris that you’re talking about—the guy who seemed to switch girlfriends at lightning speed. You’d seen him charm his way through countless girls, only to move on without any second thought. The idea of being just another name on his list made your chest tighten with fear and anxiety.

As you sat still, still close enough to feel the heat radiating from his body, Lando looked at you with a hopeful expression, waiting for you to say something. But instead of responding with the excitement that was bubbling up inside you, all you could think about were the stories, the rumors, and the heartbreaks you’d witnessed.

“Lando,” you began, moving away slightly, creating a small but significant distance between you and him on the couch. “I don’t know if this is a good idea.”

“Why not?” His smile faltered, concern creeping into his eyes.

You bit your lip, trying to find the right words that won’t hurt him. “Because…” you trailed off, “I know you, Lando. I know your way with girls. Yes, I can’t deny the fact that you’re very charming and sweet when you want to be, but the way you get bored and move on quickly scares me. I…I don’t think I can handle being just another girl you get tired of.” You breathed out.

Lando’s expression softened, and he reached out to take your hand, but you hesitated. He noticed this right away and dropped his hand to his side.

“I get why you’d think that. I haven’t exactly been the most reliable guy when it comes to relationships, am I?” You nodded and he chuckled, “but this…this is different.”

“Is it?” You asked, your voice barely above a whisper. “Or are you just saying that because I’m here and it’s convenient?”

Lando shook his head, gaze so intense that you might melt and turn into a puddle any second. “It’s not like that, I promise. I know I’ve messed up before, but I’ve never felt this way about anyone. You’re not just another girl, and I’m not just saying that. I’m really serious about you.”

You wanted to believe him, you really did. But the fear of getting your heart broken, of being left behind like so many others, made it hard to fully trust his words.

“But what if you get bored? What if this is just a phase for you, and once you’ve had your fun, you move on to someone else?”

He looked at you with an earnestness that you weren’t used to seeing him. “I can’t blame you for being scared. But the truth is, I’m scared too. I’m scared because I’ve never wanted someone so much, something to work out this badly. I don’t want to mess this up. I know I have a reputation, but I don’t want that to be who I am with you. I want to be better—for you.”

You stared at him, your heart warring with your head. Could he really mean what he was saying? Was it possible that he could change, that you could be the one he was serious about? But even as the doubts swirled around you, there was a part of you that desperately wanted to take the leap, to believe that maybe this could be different.

“I don’t know if I can handle getting hurt,” you admitted, your voice trembling slightly. “I don’t know if I’m strong enough for that.”

Lando took a deep breath, his expression sincere. “I can’t promise that I’ll be perfect, but I can promise that I’ll try my best not to hurt you.” He said, tucking a few strands of your hair behind your ear, “I care about you too much to let that happen. But if you don’t want to take the risk, I’ll understand. I’ll back off if that’s what you want.”

You could see the honesty in his eyes, the vulnerability he rarely showed. It made your heart ache, knowing that he was giving you the power to decide where this would go. It would be easy to walk away, to protect yourself from the possibility of pain. But then again, what if he was telling the truth, what if this was real.

“No, I don’t want you to back off,” you finally said, your voice steady despite the nerves twisting in your stomach. “But I need time, Lando. I need to see that you’re serious before I can let myself fall for you completely.”

Lando nodded, relief washing over his face. “I’ll give you all the time you need. I’m not going anywhere.”

You smiled, feeling a bit of the tension ease, though the uncertainty still lingered. “Good. Because I’m not sure I could handle it if you did.”

As the two of you sat side by side on the couch, the show was still playing in the background, the atmosphere between you had shifted. There was no rush, no need to force anything. It was just the two of you, slowly navigating the complicated mess of emotions that came with falling for someone who scared you as much as they made you feel alive, and maybe that this was the start of something real.

[k8lynjoy]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[avis-writeshq]

pairing: early seasons!spencer reid x sunshine!fem!reader genre: fluff, roommate au warnings: reader is a pretty girl (YOU ARE A PRETTY GIRL !!!!!!) and she wears dresses !! feelings of inadequacy (aka, it’s so hard to find good guys now ☹️☹️☹️) she’s also taking her master’s degree at Georgetown  a/n: i love roommate reader so much guys !!! give me a million requests for them; i will write it ‼️🫶 wc: 936 part 1 | you are on part 2! | part 3

“Date?” Spencer asks despite his knowing, watching as you wrap a cardigan over your shoulders and fix the bracelet on your wrist.

He’s not in denial about how pretty you are. He remembers it, even back when the two of you were younger. Everyone loved you– following you around the playground and doing whatever you ask of them. You’re the sun, he accepted on a hot summer’s day, drowsy from the heatwave while you ate a bright orange popsicle beside him. You’re the sun and I’m one of the planets you allow to be near you. 

He’s not entirely surprised either when he sees you again, as beautiful as he remembered, surrounded by people of all genders with starstruck gazes, all enchanted by your brilliant smile and embellished words. He’s not surprised either when you receive so many propositions of romance. A little jealous, maybe, because sometimes he wishes that you would share an ounce of your sparkle with him. 

“Yeah,” you respond with a soft smile, fixing your shoes. “Going out for dinner. I’ll be home a little late, so don’t wait up, okay?”

“Okay,” he agrees, fiddling with the ends of his hair. “You’ll call me, right? If you need anything.”

Your smile widens and you nod. “Of course I will. Thanks, Walter, you’re the best.”

His cheeks glow warm at his middle name and he clears her throat. “Good night.”

“Good night!”

Then you’re gone. He doesn’t hear the way you return back to the apartment hours later but earlier than anticipated, or the way you dump your bags at the doorway instead of putting them away in your room as you usually do. He doesn’t notice the way the shower runs longer than usual, or the opening and shutting of the freezer door or the clanging of metal spoons. He wishes he did.

*** 

“I give up.” You grip the phone against your ear tighter, your gaze dark with frustration. “Hah, you’re on to talk! You’re getting married in November! Yeah, well, it doesn’t help. I hear enough of that from everyone. Bye.”

Spencer flinches at the harshness of your tone. He’s even more concerned at your initial words. You’re giving up on something? You’ve never given up on anything. That’s one of your biggest charms; you know exactly what you want and you’ll do anything to get it. Giving up is simply not in your vocabulary. Except for now, he supposes. 

“I am so– so  sick of this,” You huff, slumping onto the couch beside him, hugging a Tuxedo Sam plush toy that he bought you for your birthday a few years ago. “This is so stupid.”

“What’s stupid?” Spencer asks cautiously, placing his book down and turning to you.

“Paget is getting married in November,” you say, half happy but half sullen. 

He nods, perplexed. He knows all about the wedding, especially since you’ve come home after shopping for dresses and decided to get his opinions on all of them. “You’ve been looking forward to it since the beginning of the year.”

“I know,” you insist, frowning. “And I am excited! But lately she’s been pressing me to bring someone as a plus one and when I said that I’d invite one of my friends in my class, she insisted that this is a brilliant time to invite a boyfriend. And she keeps sending me off on blind dates lately and I’m just ugh!”

Spencer pats your shoulder in an effort to be sympathetic. “They haven’t been going well?”

“They suck,” You grumble. “Rude, stupid, inconsiderate– the list goes on and I am sick and tired of being treated like an idiot on every date I go on.”

“I see.”

“I know what I want,” you continue, squeezing the plush toy in your lap. “I see it all the time. With my friends and the people I care about. I know how I want to be loved; I know how I deserve to be loved. I just don’t understand why it’s so difficult to find someone who would love me the way I deserve to be. And I see all these people falling in love and getting married and having these wonderful relationships, I can’t help but wonder if I did something to be so unlikeable.”

“You’re not unlikeable,” Spencer says immediately, frowning. How can you say something like that? “You’re the most likable person I know. There’s just a lot that you’re not willing to put up with, things that a lot of men do that you don’t want to put up with, and they can’t understand that.”

He relishes the way you smile, smaller than your usual ones, before leaning your head onto his shoulder. His heart leaps into his throat at the contact, taking in the sweet smell of your perfume. He doesn’t understand how someone could ever dislike you– you and your brilliant smiles and your sweet disposition. 

“There’s an old Buddhist saying,” he begins slowly, watching as you take to drawing circles against the back of his palm, “that the act of bringing you and your soulmate together was 500 years in the making. So you’ll find someone. Or maybe you’ve already met them.”

“You’re lovely,” you murmur, drawing a heart then a series of squiggles onto his hand. 

His cheeks glow hot. “I could say the same for you.”

He thinks of the letters he’s written for you but never sent, all stored neatly in a box. There’s one envelope that sticks out from the rest– your favourite colour with a heart wax seal. He decides against giving it to you for the thousandth time.

reblogs are always appreciated !!

part 1 | you are on part 2! | part 3

[aryas-faces]

HotD + Sanitizing Rhaenyra Targaryen

In the show’s desperation to make Rhaenyra the hero, they have actually made Rhaenyra the worst character which is a travesty because book Rhaenyra is one of the best ASOIAF villains in my opinions

What went wrong with show Rhaenyra? Well for one thing, they are never going to make her the villain, it seems. Despite the end of season 1 making it seem like they were going that route. But looking back at season 1, we should have seen this coming

Rhaenyra didn’t kill Laenor, she let him escape. Rhaenyra didn’t feed Vaemond to Syrax, she had no say in his death. They don’t make it clear what she means by wanting Aemond to be “questioned sharply.” She’s innocent in all the above

And not only that, but they have set the story as a feminist crisis and not a succession crisis. This was the worst misstep they could have taken. Because not only Rhaenyra immediately sympathetic, but there is no chance they can go the book Rhaenyra route now because it would misogynistic. Imagine: A story about a woman’s power and throne being taken from her because she is a woman. A victim of the patriarchy. And then she becomes a tyrant and proves the sexist men right. That would be a terrible story

The book is not feminist story about a worthy woman being abused by the patriarchy. It’s about how power corrupts people. And Rhaenyra is the biggest villain in the story. If they went the book Rhaenyra route, she would be rewarding her council for Blood and Cheese. She would say “I will have my throne or my half brother’s head.” She would never offer to go Rook’s Rest, just tell Rhaenys to go. Book Rhaenyra and show Rhaenyra are two completely different people

And here is why I’m worried about season 3. There is no way to adapt the Rhaenyra Triumphant/Overthrown chapters without making her the villain. So either they are going to the book route and have people break out in anger the same they did with Daenerys, or somehow make it not her fault

Either way, they have written themselves into a corner