#i remember it as robert the ugly lol

[ephemeral-gremlin]

boys with guns (and knives)

[babyrdie]

An underrated relationship?

Note: I'll use excerpts from English translations here, and the use of a word considered ableist is here. Just letting you know if this is something you want to avoid.

I'm going to hijack this ask and make it about Thetis because we appreciate her on this profile! Anyway, now developing the answer…I think Thetis and Hephaestus!

In The Iliad, Patroclus takes Achilles' armor and goes to war. After his death, Hector takes the armor. Therefore, Achilles has no armor to take revenge. When the Nereids console him for the death of Patroclus, Thetis decides that she herself will look for armor for Achilles. She goes to the blacksmith god Hephaestus, who owes her a favor because Thetis saved him when he was thrown from Olympus (with armor made by someone as talented as Hephaestus, no wonder this led to conflict after Achilles' death over who would get it lol I still think Ajax should have kept it)

Upon being visited by her, Hephaestus immediately remembers how, when no one else tried to help him, Thetis and her sister Eurynome were the only ones to do anything (here, Hera is the one who threw him from Olympus and the reason is that Hephaestus had a disability). For nine years he was raised by the Nereids.

And the famous crippled Smith exclaimed wannly, "Thetis — here? Ah then a wondrous, honored goddess comes to grace our house! Thetis saved my life when the mortal pain came on me after my great fall. thanks to my mother's will, that brazen bitch, she wanted to hide me — because I was a cripple. What shattering anguish I'd have suffered then Thetis had not taken me to her breast. Eurynome too, the daughter of Ocean's stream that runs around the world. Nine years I lived with both, forging bronze by the trove, elegant brooches, whorled pins, necklaces, chokers, chains— there in the vaulted cave — and round us Ocean's currents swirled in a foaming, roaring rush that never died. And no one knew. Not a single god or mortal. only Thetis and Eurynome knew — they saved me. And here is Thetis now, in our own house! So I must do all I can to pay her back, the price for the life she saved... the nymph of the sea with sleek and lustrous locks. Quickly, set before her stranger's generous fare while I put away my bellows and all my tools."

The Iliad, XVIII, 459-479. Translation by Robert Fagles.

In the Hymn 3 to Apollo, Hera is angry that Zeus had the goddess Athena without her. She decided to have a child without Zeus (yes, without him. In this version, Hephaestus doesn't have a biological father), but she was embarrassed for having given birth to a son who had a disability. Because of that, she threw him from Olympus (yes, it wasn't because he was ugly). But Thetis, seeing Hephaestus, took him and took care of him with her sisters. (something that Hera doesn't seem to have expected to happen)

[...] Thereupon queenly Hera was angry and spoke thus among the assembled gods: “Hear from me, all gods and goddesses, how cloud-gathering Zeus begins to dishonor me wantonly, when he has made me his true-hearted wife. See now, apart from me he has given birth to bright-eyed Athena who is foremost among all the blessed gods. But my son Hephaestus whom I bare was weakly among all the blessed gods and shrivelled of foot, a shame and a disgrace to me in heaven, whom I myself took in my hands and cast out so that he fell in the great sea. But silver-shod Thetis the daughter of Nereus took and cared for him with her sisters: would that she had done other service to the blessed gods! [...]”

Hymn 3 to Apollo. Translation by Hugh G. Evelyn-White.

In Posthomerica, the king of Aethiopia and demigod of Eos Memnon is part of those who sided with the Trojans. He kills Antilochus, a very important friend to Achilles. Achilles takes revenge on him by killing Memnon, but before that there is this dialogue in which he talks about the greatness of his lineage. And the one he emphasizes the most is his mother Tetis, talking about things she has done. One is how she saved Hephaestus. (The "Aeacus' aweless son" is Achilles)

In stern rebuke spake Aeacus' aweless son: "Memnon, how wast thou so distraught of wit that thou shouldst face me, and to fight defy me, who in might, in blood, in stature far surpass thee? From supremest Zeus I trace my glorious birth; and from the strong Sea-god Nereus, begetter of the Maids of the Sea, the Nereids, honoured of the Olympian Gods. And chiefest of them all is Thetis, wise with wisdom world-renowned; for in her bowers she sheltered Dionysus, chased by might of murderous Lycurgus from the earth. Yea, and the cunning God-smith welcomed she within her mansion, when from heaven he fell. Ay, and the Lightning-lord she once released from bonds. The all-seeing Dwellers in the Sky remember all these things, and reverence my mother Thetis in divine Olympus. Ay, that she is a Goddess shalt thou know when to thine heart the brazen spear shall pierce sped by my might. Patroclus' death I avenged on Hector, and Antilochus on thee will I avenge. No weakling's friend thou hast slain! But why like witless children stand we here babbling our parents' fame and our own deeds? Now is the hour when prowess shall decide."

Posthomerica, 537-562. Translation by A.S. Way.

According to Pseudo-Apollodorus, there was both a version that Hephaestus had a biological father and that he didn't (although some now believe that it isn't really clear whether Zeus is his father in Homeric tradition). Because he contradicted Zeus by rescuing his mother Hera from her punishment, Zeus threw him from Olympus. He fell on Lemnos (a place closely associated with Hephaestus), but Thetis saved him. I imagine that, unlike the versions where Hera is the one who threw Hephaestus (where he's a baby), here he was probably an adult.

Hera gave birth to Hephaestus without intercourse with the other sex, but according to Homer he was one of her children by Zeus. Him Zeus cast out of heaven, because he came to the rescue of Hera in her bonds. For when Hercules had taken Troy and was at sea, Hera sent a storm after him; so Zeus hung her from Olympus. Hephaestus fell on Lemnos and was lamed of his legs, but Thetis saved him

Library, 1.3.5. Translation by Sir James George Frazer.

Hephaestus was rejected, but Thetis welcomed him. She didn't care that he was a disabled god as Hera did. Neither she nor the Nereids, since Thetis took him to be raised by her and her sisters. In the version where Zeus is the one who throws Hephaestus, Thetis also didn't care that she might get in trouble for rescuing a god punished by Zeus. In the Hymn 3 to Apollo, Hera doesn't seem happy with Thetis' attitude. Considering how Thetis was raised by Hera and how she cares for her to the point that one of the reasons attributed to Thetis denying Zeus was Hera (an attitude Hera valued! Hera and Tethis' relationship is also underrated!), Thetis deciding to save Hephaestus anyway is really something.

Personally, I prefer Hera's version because I like to think of Thetis and Eurynome with the baby Hephaestus, and the excited Nereids watching him forge during the nine years he was with them before being readmitted to Olympus. It's a really cute!

[nerdylilpeebee]

lol im not the person u were arguing with but the thing abt aileen wuornos is that she is always apart of those "MOST EVIL PPL ON THE PLANET" lists when there were tons of male murderers who literally tortured and raped their child victims. who tortured prostitutes til they died of shock. who kept women in their shed/trailer/basement to abuse them in unspeakable ways. aileen was mentally ill (as were most male murderers) still she didnt torture her "victims", she just shot them. she didnt rape, strangle, electrocute or burn her victims alive til they go into shock. she didnt dismember or eat her victims body parts. she wasnt getting off to to murdering them which is probably the most disgusting part of what most male serial killers do. she just shot and robbed them. and ppl act like shes litcherallay satan. its cuz they think "noooo it could have been ME!" and i bet thats also why you hate her this much (ugly enough to buy sex). just think about it. are robert maudsley and aileen wuornos EXACTLY THE SAME and JUST AS EVIL as literally any male serial killer??? like ed kemper, jeff dahmer or like literally HUNDREDS that have tortured kids to death????

Firstly, there are NOT hundreds of serial killers. XD Honey, serial killers are incredibly rare. There are not hundreds of them. If there were, this would be a SIGNIFICANTLY more dangerous world.

Secondly, most serial killers in general have a psychology that means they're "getting off" on their kills, in the sense that it gives them psychological satisfaction. There is no phenomenon for "most male serial killers" where they get sexual satisfaction from it. That is not a thing.

Thirdly, not being as bad as Jeffery Dahmer, who I believe was a cannibal if I'm remembering the details correctly (I may be wrong) does not mean you're still among the most evil people on the planet. You're a serial killer. That makes you among the most evil people on the planet. A normal, non-evil person does not become a serial killer.

Fourthly, how EXACTLY do you know that Aileen DIDN'T "get off" on killing her victims? All serial killers get satisfaction from killing, that's why they serial kill, it's part of their psychology. So how do you know she's some exception to that rule?

Fifthly, I would never purchase the services of a sex worker. XD I have no interest in sex with someone I have to pay to do it with. That has nothing to do with my hatred for a fucking serial killer, nor does have it anything to do with most people's. Very few, if ANY, hates Aileen because "oh it could have been me," they hate her because SHE'S A FUCKING SERIAL KILLER.

[scarfacemarston]

I love Rdr2 with all my heart but when i play it i don’t have that “wild west” feeling because of the setting. With Rdr you really get that western vibe because the whole game is set around New Austin, West Elizabeth and Mexico which really give off that western feel to the game. It sucks because when you finally unlock that region of the map in Rdr2 there’s practically no content there so it just feels empty. If the rumours about the remaster/remake are true i will be so excited because Rdr was my entire childhood 😭❤️ I still remember spending my entire days in the house in the living room and playing Rdr on my brothers Xbox 360 😂

LONG post ahead because I'm obsessed with Rdr 1. You described my feelings perfectly! People don't realize that Red Dead 1 is a true Western. It (as you probably already know) is based on the Spaghetti Westerns. For those who don't know, those are the films with Sam Elliot, John Wayne, Clint Eastwood, Paul Newman, Robert Redford, etc. You all may have heard of The Good, the Bad, and the Ugly. If not, I guarantee a lot of you have heard the theme and not known it. Here it is. It's also where the third pointed guns come from. (I think) Yeah, people don't realize that the game is lonely on purpose. This game takes place when ALL the outlaws are dead except for a few - and that John (Who retired), Javier (Who seems to not really be doing too many outlaw things at the time.), Bill (who is being a full-on evil bastard of an outlaw.) and of course, Dutch. Spaghetti Westerns are meant to show men with gruff exteriors, but good hearts. It's a shame that people won't try it out and, in my opinion - complain too much it's not like RDR 2 and not anything Arthur related, or the graphics suck. Like, really, people? I love rdr 1, and I actually like the game better than rdr 2. I love the missions, and the soundtrack is amazing. (Rdr 2 has an AWESOME soundtrack, too, but it's just different.) The side characters are just hilarious, and there are some truly heartbreaking moments to balance it out. I cried so much when John was finally able to return home and then the end, of course. It was brutal. It was the first time I ever cried over a character in a video game. I truly like Arthur, but I really like John better, and I wish Rdr 2 didn't do him so dirty. I understand he is younger and was an ass- but they really didn't do much with him. : / It's caused the fandom to think of him as the laughing stock when lots of magazines at the time voted him as one of the best-written video game characters of all time. (This was before rdr 2, of course.) John's voice then was just...excuse me while I thirst. It was different than it was in rdr 2 as you know. So yeah, you really know how to make me blab. lol

[kulturegroupie]

And um sorry if Jimmy is “rancid” then why did groupies fight over him? There was a story about two groupies getting into a fist fight over yardbird Jimmy. I’m sorry would they want him if he was smelly? And why is it that Pamela said he would get ready in the mirror like a girl. Smelly people don’t get ready and put curlers in their hair. And he also smelt like Pantene. Or that time that jimmy’s girlfriend Charlotte was talking about how pretty jimmy was while she was showing a fan a video of him at one of the zeppelin concerts (this is one of the times she let someone in because Jimmy wasn’t there and she felt bad). What I want to add to that is that smelly people aren’t pretty. So if he is considered pretty by other women than he probably had some good hygiene. And how he would like to light candles in his hotel room. Ok maybe when he was drinking or smoking he probably didn’t smell as nice, but that’s because of the alcohol and the cigarettes they smell bad. Ok um that’s it sorry for the rant lol.

dw anon, i feel you. tbh i feel like jimmy's one of those people you either absolutely adore or can't stand. also he's considered pretty by a lot of folks, but he doesn't adhere to beauty standards and i've seen a lot of people call him ugly as well. i remember someone said he looked like a "sewer rat" on pinterest and someone else called him the real-life version of a muppet (😭??). i thought very few people actually liked him looks-wise before joining the tumblr fandom. he's such a cute man, and very charming, in my opinion, though apparently not everyone in the classic rock fandom thinks the same. robert is way more popular among casual fans.

[libbymonroerandomthings]

My Top 5 books that I’ve read this year, 2022!

no one asked for this but whatever! I read 37 out of my goal of 40 books this year. I was so close! Do you think if I read some of my nephew’s little toddler books could I count them towards my goal 🤔!? I’m not really going to give a summary of any of the books, just my general opinion and feelings towards them. Also, Spoiler warning for all books (I think I did really good job at not giving anything away but still just be careful anyway).

So here is my favorite 5 books from this year. ❤️

1) A Memory of Light by Robert Jordan & Brandon Sanderson.

I actually will saying the entire ‘The Wheel of Time’ series is in the number one spot. But I reduced it down to A Memory of Light (AMoL) since it’s the final book of the series. After 14 long books, AMoL wrapped up an incredible series that I’m completely obsessed with. The thing that was talked about since book 1, The Last Battle, was in my book 175 pages long and 6 hours long with audiobook! The Last Battle was epic, traumatizing, emotional, infuriating and so much more! Egwene, Rand, Nynaeve, Mat, Perrin, Faile, Elayne, Min, Aviendha, Siuan, Thom, Lan, Moiraine and all the 200+ characters living my heart and I will forever cherish this series. I can’t wait to re read it over and over again and recommend it to anyone and everyone! If anyone cares The Gathering Storm was my favorite book out all 15 and Egwene is my favorite character!

2) Legendborn by Tracy Deonn

I have another post one here doing a more detail explanation of this book and my love for it (link below)! I seen Legendborn in the book story for two years and alway walked past it. But one day I seen it and it’s sequel, BloodMarked, sitting on a table calling me. I’m glad I finally listened to it because it’s an amazing YA Fantasy book. I felt seen within the main character, Bree. I remember explaining Legendborn to my dad and I must have done a good job because he decided to read it and loved it.

3) Tomorrow and Tomorrow and tomorrow by Gabrielle Zevin

This was the first book I read by the author Gabrielle Zevin and I like her writing style. This book is beautiful written and it’s great story that goes back and forth in time. I loved and hated Sam and Sadie multiple times throughout the book. I’m not a massive gamer but when I’m in the mood, I can get lost for hours playing, so I loved the gaming and game building aspect of the book. Sam, Sadie, and Marx were written beautifully with depth and empathy and their humanity and emotions really shines throughout the book. It’s a good book that shows the messiness, the ugly and the beautiful and great parts of friendships.

4) Act Your Age, Eve Brown by Talia Hibbert

This was a cute, funny, refreshing and hilarious read. Out of the three Brown Sister books (Get A Life, Chloe Brown and Take A Hint, Dani Brown), I enjoyed Eve Brown the most! I also related to her more then I did with her sister, Dani and Chloe! Plus, that first spicy moment between Eve and Jacob was… 🥵 hot! Chloe and Red’s public spicy part in their book is my second favorite. If you want to read some cute, well written spicy books I recommend Talia Hibbert Brown Sister trilogy. If you read it start with Chloe then Dani and end with Eve.

5) The Jasmine Throne and The Oleander Sword by Tasha Suri

I’ll link my more in-depth review of this series below. Basically these two books fueled my need for good sapphic high fantasy! If you want to read about morally grey characters, a slow burn romance, war and betrayal, a magical system, messy family life and epic world building then this is the book series for you.

If you can tell, I love fantasy books, romance books and even better if their sapphic lol! If you have any good recommendations for those categories or any book in general you really love, feel free to recommend them to me! My goal for 2023 is 55 books!

[tea-with-evan-and-me]

She has ugly feet I think Emma has a quit nice feet

kinda scared to google "emma roberts feet" because i know it's about to be some fetish websites lol but i just remember this one time emma wore these heels on the red carpet that i guess didn't fit right, and her super long toes were dragging along the floor outside of the shoes.

[screadingchallenge]

Behind the Keyboard: Volume 4

Behind the Keyboard is a series of interviews with different Schitt’s Creek fanfic authors. The series will last as long as there is interest (from authors) and capacity (from me). If you are an author from the Schitt’s Creek fandom who would like to participate, send a DM to this account.  

Each author was given ten questions. The first five questions are the same for every author, the last five will vary.

Remember, this year’s Reading Challenge begins July 15, so polish up those MFL lists.

Let’s meet our next author:

@blackandwhiteandrose​

How many fics have you written? 

As of the current moment I have 85 fics posted on A03 (and one that’s finished and  waiting for me to figure out a title). The actual number of fics I’ve written over the years would be considerably higher, though.

When did you publish your first fic on AO3? 

April 6, 2020

Describe your writing process from “Oh, I have an idea” to pushing publish on AO3.  

Saying that I have a process is giving a whole lot of credit I do not deserve. LOL Generally it goes something like: * get an idea (could be a title, dialogue, or a scene)

* take like, three sentences worth of notes * just start typing * ask my CFOs (chief flailing officials) to take a look and see if it makes any sense/is worth continuing * repeat as necessary until I feel like it’s finished * get the beta eyeballs (and thank them profusely) * post and hope for the best

Tell me about your most recent fic? What do you love about it? Is there anything you think you could have done better?  

Despite being a totally not sportsy person, I love sports AUs so I was very excited to try writing one. I’m really happy with how breakaway came together and let me do a different version of Hockey!Patrick.

(I also just think it’s fun to have friends who are willing to entertain all your dumb questions about a subject you’re clueless on and will help you get it right.)

If I were to have done anything differently/better it would have absolutely been an epic, multi-chapter fic that covered their whole relationship. Unfortunately, that’s not how my brain works, but maybe there will be a prequel one day. What advice would you give to someone who’s thinking about publishing their fic for the first time?

Very honestly, I’d say “just do it”. You really never know if something is going to hit or not, but I think it’s better to try something and toss it out there and hope a few people like it than just wanting to do it and never going for it. But, very seriously, before you hit post, have someone else look it over. Ask someone who will be honest with you and tell you things like “this sentence is unnecessary” or “I have no idea what this means” or “I don’t think you understand how commas work” (all comments I have received!), etc. As writers, we know what we’re trying to say, but someone who isn’t in your head is a very, very valuable resource when it comes to reading. The best idea in the world won’t get the attention it deserves if it’s hard to read.

What’s one thing that you’d like to say to your favorite Schitt’s Creek character? 

I’d love to be able to talk to Season One David or just-moved-to-Schitt’s Creek Patrick and say the same thing to either of them, “Just wait. You have NO idea what’s coming.”

When did you start writing? 

I remember reading a story I’d written aloud in 4th grade, so at least since I was 10. But I wrote my first fanfic in 1999.

What is the favorite scene you’ve ever written?

There are several very strong contenders for this one, but I think I can narrow it down to two:

Patrick & Nico at Rose Apothecary in Where He Is Now or David listening to Robert talk to Helen in beloved - it was the first time I’d made myself ugly cry while writing.

Are you interested in writing original fiction? 

Yes and no. I have long dreamed about it, but at this point I’m not sure it’s something I would/will actively pursue. Do you write for any other fandoms? Which ones? 

I do, I also write for 9-1-1.

[esther-dot]

I always thought cold as ice was a warning for dany about her current husband, as he ended up betraying her/plotting to kill her. Didn't know people use it as foreshadowing to Jon/aunt ship. this ship is so weird lol

Why do none of my anons recognize the beauty of that line? ☹️

Beneath her coverlets she tossed and turned, dreaming that Hizdahr was  kissing her … but his lips were blue and bruised, and when he thrust  himself inside her, his manhood was cold as ice. (ADWD, Daenerys VII)

I mean, it’s a line with these vibes

(I think someone else used this gif first in reference to ice dick/the targcest that was promised, but I can’t remember who)

What more do you want?!

Your interpretation of the line is so clear and sensible I hesitated to even post your message because it tarnishes my rep as a conspiracy theorist. I can’t allow sense and logic here. For shame!

Dany concludes Hizdahr was behind the poison attempt

She found herself thinking of Meereen, of Daario, her love, and Hizdahr, her husband, of Irri and Jhiqui and sweet Missandei, Ser Barristan and Reznak and Skahaz Shavepate. Do they fear me dead? I flew off on a dragon's back. Will they think he ate me? She wondered if Hizdahr was still king. His crown had come from her, could he hold it in her absence? He wanted Drogon dead. I heard him. "Kill it," he screamed, "kill the beast," and the look upon his face was lustful. And Strong Belwas had been on his knees, heaving and shuddering. Poison. It had to be poison. The honeyed locusts. Hizdahr urged them on me, but Belwas ate them all. She had made Hizdahr her king, taken him into her bed, opened the fighting pits for him, he had no reason to want her dead. Yet who else could it have been? Reznak, her perfumed seneschal? The Yunkai'i? The Sons of the Harpy? (ADWD, Daenerys X)

so your conclusion makes sense. I wasn’t sure if she was right or if this was the author setting her up for rejecting compromise when she returns and going all hellfire.

When I was responding to the previous ask, I realized just how many times “ice” in Dany chapters is associated with Jon, so I understand why people would think the ice dick is Jon’s. My thought was a) it doesn’t sound romantic even if it is sexual b) an ominous husband thrusting things into Dany reminded me of these quotes:

"Daenerys Targaryen has wed some Dothraki horselord. What of it? Shall we send her a wedding gift?"         

The king frowned. "A knife, perhaps. A good sharp one, and a bold man to wield it."  (AGOT, Eddard II)

and this

 Littlefinger was the last. As Ned looked to him, Lord Petyr stifled a yawn. "When you find yourself in bed with an ugly woman, the best thing to do is close your eyes and get on with it," he declared. "Waiting won't make the maid any prettier. Kiss her and be done with it."                 

"Kiss her?" Ser Barristan repeated, aghast.

"A steel kiss," said Littlefinger.                 

Robert turned to face his Hand. "Well, there it is, Ned. You and Selmy stand alone on this matter. The only question that remains is, who can we find to kill her?"  (AGOT, Eddard VIII)

The blend of violence and sex in Dany’s chapters is pretty consistent, and Martin uses swords as a euphemism for a penis, so he has associated this more broadly too. And of course, in Davos chapters we’ve been given the story of a man stabbing a woman in the heart to save the world which gave birth to the “Jon will sacrifice a willing Dany to save the world” takes and would you look at that, our word again:

Davos was remembering a tale Salladhor Saan had told him, of how Azor Ahai tempered Lightbringer by thrusting it through the heart of the wife he loved. He slew his wife to fight the dark. (ASOS, Davos V)

Maybe Dany’s dream was a premonition of the poisoning, that makes sense, but I definitely think Martin is also taking this other stuff somewhere I don’t like. I think Jon will be the one to kill Dany to save his family/Westeros, and it feels to me like his increasing references to a man stabbing a woman is building to that. Unfortunately.

[phoneybeatlemania]

Hi, did you see Elliot Roberts' retrospective of John Lennon's discography? Any thoughts? I've seen it twice and still don't know what to think about its accuracy though I shared a lot of his opinions (musically).

Hiya @starlablog!

I really like this ask, since Ive been meaning to talk about Elliot Roberts for awhile now! Im actually quite familiar with him, since Ive been watching his Beatle videos since he started creating them! I think Ive seen all his videos so far? 

[Prefatory note: Ive seen all his videos I think, but cant remember most of them That Well, so im mostly going off of what I recall from his John Lennon video here since that ones still fresh in my mind]

Opinion time: I think theres definitely a gap in the YouTube market, in terms of Beatles content. Theres lot of people who discuss their discographies very analytically, but without being emotionally tuned in to other facets of their work (i.e understanding their works autobiographically/psychologically). As someone who cant read sheet music and frankly refuses to learn (my brother calls it “ugliness on a page” lol), this is SO FAR from the type of content I want to see—I love talking about their music, but Im always more interested in discussing how elements of their own emotions and psychologies and autobiographical circumstances etc. relayed into their discography. There are a few youtubers who Ive seen making videos focussing on their autobiographies, talking about the Controversial stuff (i.e Cynthia and Julian; Yoko) that we typically discuss on different forum platforms—but these videos are all about 5 minutes long, which really isn’t enough time to get a nuanced and well-sourced perspective on anything.

Even if were refraining from talking about their personal lives in a lot of depth, I still thinks it’s just way more FUN to discuss how creative they actually were in their music, and how they came to make their songs (i.e John telling George Martin he wants A Day In The Life to sound like the end of the world), instead of: “and then they used a C major!”. Like who cares??????? Not me :/

This is essentially why I Quite Like Elliot Roberts—because he’s the only YouTuber I know of who makes videos vaguely resembling the type of Beatles-content that would cater to me: not overly-analytical, employing elements of their autobiography into understanding them, and emotionally tuned in. Plus, he brings a bit of Fun and Personality to his discussions, that I don’t typically see with the (boring) music-analyists. 

However, I think his discussions of the band can be lacking in some respects: the main thing for me I think is that his understandings of the actual relationships between the band can be fairly surface-level, I guess. I like that he’s a little more emotionally-tuned into the dynamics between them then other youtubers, but I still think he could delve further into this element :/

I know Ive gone off on SUCH a tangent here, but this all essentially leads me to my opinion on his John discography ranking: I, like you, shared a lot of his opinions musically (I would say my favourite JL album is Plastic Ono Band; Whatever Gets You Thru The Night is a stone-cold SLAP etc.)—but again, its just........missing some things Here and There (and everywhere) in terms of analysis. Almost had to throw my laptop across the room when he demoted mother-fucking-I Know (I Know) to being just  a “cute” song. At least pick up on John literally lifting the opening rift to that song from Ive Got A Feeling, Elliot I am *begging* you (I will pay you real cash!!!!!!!!!). 

Personally, Id love to see YouTube videos with content more similar to the types of things we hear talked about on Beatles-podcasts or in books! Hence why in the summer, Im planning to maybe give this a go? I don’t think id make a particularly good YouTuber, but idk man, somebody’s gotta do it, so I guess I will lol. 

Anyway, not sure if Ive articulated this quite the way I wanted to, but please share your thoughts if you have any! :) 

[capsized-heart]

l’ incendie

Pairing: Hal x Reader

Summary: You grew up as witness to the atrocities committed under the British crown. Lord Grey is your father and newly pledged councilman of the royal court. Now, England has a new boy king, one who is set on keeping peace in Europe. You are determined to see England burn, even if it means corrupting the lionhearted boy of Eastcheap.

Word count: 10k+

Warnings: explicit smut, strong violence, sacrilegious imagery a blowjob in a chapel lmao

A/N: l’ incendie ; French translation for fire

..so..I watched The King back in November and have had this idea in my brain for the past 2 months now?? It literally consumed me. All throughout my last few weeks of classes and final papers, this is honestly all I could think about, like I’ve been bumping the soundtrack and rewatching the film to plan this, I looked at Lord Grey’s true lineage (he aint Scottish btw I made that up..but he really was related to King Edward lol).......I’ve just had to get this out of me for so. long. and I’m so happy that I finally have! It feels like this huge weight is gone, but I’ve enjoyed this creative process so much, like it’s so exciting when you hyper-fixate find a new piece of media that you enjoy so much that you dive completely and utterly into everything about it that you can get your hands on, and this is my piece for this!

And my boy Timmy?? Had no fucking clue who this guy was before I saw the film, now I’m writing fics about him a;sdkfjskj but you’re here reading this so. we’re both guilty.

I love story arcs like this where you see a character’s slow descent into corruption and having it revealed that someone was talking in their ear the whole time....i eat that shit right up. Reader’s character is heavily inspired by Lady Macbeth. Using wiles, using sex, etc. Ooh baby. I had fun with this. 

gif credit to @michonnegrimes​ 

Scotland was once your true home. Moors, lochs, rugged mountains, biting cold, all. You remember the endless mist and gloom, the wet winters of your childhood that made the creaking wood of your cottage whistle and moan. Summers were warm and mild and the highlands bursting with rich green and sunlight, running through fragrant fields of heathers, bluebells, myrtle with your skirts damp with dew, shrieking and choking on laughter as your older brother, Callum, chased you all throughout your little village of Kirkcaldy. Laughing himself, grabbing at you and wrestling you down into the mud, blossoms, and river water.

“Yield! Yield to the English crown or perish, wretched witch!” Callum would boom in mock play, tickling your sides until you’re gasping for air and tears stung your eyes.

“Aye! I yield!”

“What? You mad girl! Take it back! We are Scots!”

And then Callum would descend on you with all the wrath of England and you’d be howling with giggles and screams.

Returning home at nightfall smelling of wind and rain with vibrant wildflowers tangled in your hair and dirt streaking the skin of your cheeks, still plump with baby fat. Scarce food, but stomach full of adventure and blissful naivete. You were happy. 

Your father would scold you promptly before his voice would soften a touch, smoothing back your hair from your face. Round, curious eyes and missing teeth. A feral, untamed child. 

Daughter of Lord Thomas Grey. His precious girl. So much of your mother in you, the same fight, the same spark and love for life. Until you had ripped her body from the inside out and she had lost too much blood, the wet nurses unable to stop the bleeding and she had given her last breath cradling you lovingly against her naked chest.

You had killed your own mother. 

In your early years, Callum and your father gave you nothing but warmth and protection, the sole surviving daughter of Grey lineage. But a child can only be sheltered for so long. Your world is a man’s world. Your country is no stranger to bloodshed. 

The Anglo-Scottish Wars have endured for as long as you can remember, rebel leaders beaten down by English captains and more Christian blood staining the lush lowlands with every day. Robert the Bruce. Percy Hotspur. Blood all the same.   

You are bleak, wild, uncivilized in the eyes of the English. 

It’s all your people have ever known. Weary, resilient Scotland. 

You have no memory of your mother, your earliest memory being the image of William Wallace’s torso strung up in the village square and the ensuing riots that had truly put the fear of God in you, mounted soldiers and civilians clashing in a fury of slick, gory steel, longswords and blacksmith daggers, a fear so raw and primal it struck you frozen and you’d soiled yourself in the midst of chaos. Callum had grabbed you and raced the four miles home as you bellowed atop his back with great, ugly heaves, snot and tears dribbling down your chin. 

You didn’t need to understand the politics of rebellion or Wallace’s stake in it all to understand a massacre. 

You have no memory of your mother, only murder in the name of the English king. 

But you’ve learned to nurture that little glowing kernel of survival, of the fighting spirit and grit inside you that had evidently cost your mother her life. You’ve kindled it, watched it ignite with every passing year of war, your body flourishing into the figure of a young woman with embers in her soul. A stable simmering of flushed coals beneath your skin, glistening in the pools of your irises, ready to flare up and burn all you touch should you choose to. 

You feel it now as a jostling carriage takes you to Northumberland, England. You sit quietly, watching the hills of Scotland tremble by, eyes hungrily drinking up as much of its strong landscape as you can.

Your father and brother have already gone ahead to England to make arrangements for Callum’s recent engagement to Isabel, Countess of Essex and only daughter of the Earl of Cambridge. You are reuniting after a lonely week, perhaps your last, to ever see your homeland. 

Callum’s betrothal didn’t come as much of a surprise, rather, you’ve been counting down the days until your village lifestyle was doomed for inevitable change; for years, your father has been preparing the two of you for noble life outside of Scotland. Son and daughter subjected to the arts of chivalry, proper etiquette, gentility. The best that your little village could accommodate.

Your father and his maternal ancestry have interestingly long influenced the English courts, as his title of Lord would suggest. Through his grandmother’s side, you are distant descendants of Margaret, Duchess of Norfolk. 

King Edward himself. Now cold and buried in London’s Westminster Abbey. 

The coals jump, flames twisting at the idea of relatives long dead sitting idly on the opportunity and resources for a coup d'etat, instead choosing to line their own pockets and watch your country crumble from the comfort of their English estates. 

The carnage and murder of monarchy feel that much more personal to you. 

With your brother’s new marriage, Callum will acquire lordship and be gifted property in Essex. Your father will be secured a seat in the king’s council. You will be given rooms and hospitality in the castle as a noblewoman available for marriage. As Lady Grey. 

A lick of fire coils up your throat. 

God save the king. 

**

The switch cracks so hard against the skin of your knuckles that your lip draws blood when you bite back a scream. Pain diffuses up your arm in fractured, ringing jolts and your eyes flood with hot tears. You hazard a look at where an angry welt has already started to flush, red and pulsing on the back of your hand. 

“Again.” Says Miss Hunt.

Your gaze falls to the open manuscript in front of you, to the passage that you’ve rehearsed aloud for the past two hours. Your tongue works nervously in your mouth, swallowing. Sweat glistens your brow. You think you may even be trembling. 

You draw in a quick breath and begin again:

“Time and tide wait for no man.

The life so short, the crafts so long to learn.

People can die of mere imagination.

And gladly wolde he lerne, and gladly teche-”

Another crack and this time you can’t restrain the cry that leaves you. You blink back the heat blurring your vision, set your jaw when Miss Hunt clasps her hands coldly behind her back and looks down at you over her hooked nose. 

“Your voiced consonants are absolutely horrid, girl. Don’t close up your mouth. If you are to perfect the King’s English, you are to completely forget that savage dialect before I cut out your tongue. Am I understood?”

Miss Hunt gives you a smart swat to your cheek.

You nod quickly. 

Another stinging swat.

“Am I understood?”

“Yes, Miss Hunt.”

Satisfied, she turns on her heel, granting you a few precious moments of quiet, of rest. Afternoon light filters into the chamber in dusty, silvered shafts, hueing the book’s pages in a drab of diluted grey. The inked words of Chaucer bleed back up at you as you settle your breathing. 

This English sits like gravel in your mouth, low and rough and choking up your throat. Sharply iambic, as if everyone is talking down to the other. 

England’s English sounds slow and stupid.

You wonder if Callum had this much trouble mastering the accent. You wonder if Callum, as a Lord, has ever been slashed with a switch.  

Since your arrival to England and for the better part of a year, Miss Hunt has dissected every syllable of your speech through bodily punishment and repetition, ripped out any trace of Gaelic, any remaining trace of Scotland on your tongue and sutured it back together with mouthfuls of Chaucer and pompous, exaggerated vowels. 

But pain, degradation, and humiliation are wonderful motivators. And to your horror, it has worked.

Your father recently introduced you to a few councilmen out of courtesy and as the sister of the soon to be Lord Grey of Essex. You politely discussed politics, entertained banter and jests of marriage proposals. None questioned your status as an English noblewoman. 

Masquerading with voice and poise. 

But that hasn’t stopped your secret, unseen resistance. 

Miss Hunt may have taken your language and cadence, but her practices have only shown you the true powers of speech, knowledge, shown you just how intimidated and afraid all of England is of the bold north, of any European empire threatening its legitimacy. 

A cowering dog with raised hackles and snapping teeth, but only so out of mad fear. 

The harder Miss Hunt pushes, the deeper you dig into your own studies. By day, you are her sole pupil. By night, by candlelight, you are the pupil of Cicero, studying rhetoric and the power of spoken influence. You’ve also begun to study French as a means to bolster your wiles and mental arsenal. 

You are already a so-called savage by blood. Learning the language of England’s arch rival will do nothing to hurt your reputation. 

You feel a bead of sweat slide down the base of your spine as the switch swishes impatiently in Miss Hunt’s clutches. Oral recitation and the simultaneous reduction of your accent demands every ounce of your concentration. You know already that if you are hit again, the skin will break and you’ll only be reprimanded harder. Miss Hunt is sadistic and cold with her beady eyes and that ugly high starched collar.

“Again.” Her voice clips evenly.

So, you inhale a strong, supportive breath and begin again, pushing down the smolder in your chest.

**

The day of the wedding is cloudless and full of sunshine, a rarity for England. Callum has been bustling about the chapel’s back rooms in nervous energy all morning, fixing his hair and dress shirt over and over. You send your father to go and calm him down as you tend to Isabel, shooing him away quickly so your father’s mirrored jitters won’t affect her before the start of the ceremony. She gives you a small smile of thanks.

Isabel looks beautiful sitting in front of the mirror as her maids finish arranging her hair. Back straight as a board, plump lips and cheeks the color of a rosy, coral pink. You help to pull the veil over her face and the thin fabric does nothing to mute her radiance.

You see the flickering range of emotions in her eyes as she sees her own reflection. The life that all women are fated to live. Her last moments of true freedom, uncertainty for the future, and that small, significant trickle of vanity at having a perfect day of her own. 

You see it all. After all, you are a woman. 

She relaxes a bit when you lay a comforting hand on her shoulder. Her gaze finds yours in the mirror. 

“You and I will soon be sisters,” she laughs softly. You give her a pleasant smile.

“I would want nothing more.” 

Her throat works as she swallows tears, gives you another radiant laugh. “Someday, you will be sitting here, too.”      

The truth of her words causes your smile to weaken, but you quickly hide it by busying yourself with her skirts and lace. Your world is a man’s world, even outside of war-torn Scotland. One man’s world, to be exact. 

King Henry IV.     

“And I expect you, my dear Isabel, to be at my side when that day comes.” You say to her. She nods kindly. 

Your brother and Isabel are married a few hours later beneath the rainbowed, iridescent wash of stained glass and chiming church bells. And as the newly wed couple beam at you and their close company of friends and family, as you see Callum hold his wife proudly on his arm, you think that the bride and groom may truly love each other despite their arranged marriage. The possibility of such a happiness makes you grin wide and the familiar coals to simmer down ever so slightly.     

The reception then moves to the chapel’s outdoor gardens. Ornately trimmed hedges, chirping birdsong, bubbling marble fountains, and the sweet fragrance of daisies and roses perfume the budding spring air. 

The sun is warm on your skin, the air brisk and comfortable. You keep your fur lined mantle draped around your shoulders, your embroidered sleeves catching hints of daylight, the jeweled metalwork glittering about your waist. And with your hair twisted with ribbon and pinned back with a light linen caul, even Isabel herself murmurs that you look as refreshing and incandescent as the flowers surrounding you. You smile back teasingly, whisper that no one could possibly compare to the blushing bride. 

As sister of the groom, you mingle politely, accepting congratulations and kind regards.  

You see familiar faces, lords and fellow council members alike, and some of those not yet well acquainted. You meet Cambridge, Isabel’s father and a bird of a man. Gangly limbs and a flittering that accompanies his quick movements, but cordial and gentle. He tells you the union of your families will be prosperous, benign. You agree.  

Then, Cambridge is pulled aside by a young man. Cambridge seems to recognize him instantly and clasps him into an embrace, chuckling heartily.

“Hal! You made it!” he exclaims. The two talk together briefly before the young man turns to you. 

He’s tall and lean, broad chested with sloping shoulders. The angular planes of his face are undeniably handsome, a strong nose, full dark lashes and brows that frame his bold complexion. Black, unkempt curls and soft, hooded green eyes that hold an undertone of vigor, like his very gaze has commanded attention his entire life. They flicker over you quickly, as if you’d imagined it yourself, a trick of the light. 

You don’t miss the way they linger at the exposed dip of your neckline, however.

“Aren’t you going to introduce me?” He then asks of Cambridge, his voice a soft murmur and his eyes never leave you. 

Cambridge looks quickly between the two of you, as if acknowledging your presence again for the first time since this young man’s interruption. He burns bright red, stammering, then gestures to the stranger beside him.

“Of course. My lady, may I present my cousin, Henry. Prince of Wales.”  

The suddenness and sheer absurdity of it all almost makes you burst out in laughter.

Cousin? King Henry IV’s eldest son is the cousin of your father-in-law? 

With this marriage, you realize your family is now tied to the most powerful family in all of Britain. Yet, no one in the wedding party seems to have even acknowledged the presence of the boy prince dressed simply in dark cloak and tunic.

And then you remember. Prince Hal is a drunk, a dangerous playboy from Eastcheap. His claim to the throne is as illegitimate as the probable dozens of children from his bedded girls. 

And asking for a formal introduction from his cousin? It’s utterly laughable, pathetic even.

Hal’s gaze is unwanted, skin prickling from where his eyes trace the curve of your chest in a way that makes you feel vile. 

So, you wet your lips, pretend to wordlessly accept his flirtations and give him a slow flutter of your lashes. The reaction he so craves from you as his chin tilts back in delight, hungry to see more. 

“Your reputation precedes you, my lord.” Your words drip with venom. Flowery girl with a serpent’s sharp tongue. 

The barb makes Hal’s features tick in surprise, shock before settling back into a cool demeanor. 

“Then you’ve heard of me.”

Your mask of amour stays firmly in place.  

“It is hard to be deaf against such defamatory gossip.”

Hal hums softly with a hint of a smile, breaking his gaze to look out over the reception, ego obviously bruised. Cambridge goes pale as a sheet.

Isabel suddenly swoops in with the apology of wanting to introduce her father to a newly arrived guest and excuses him, hauling him away by the arm. Cambridge looks relieved to go.

And then it’s just the two of you beneath the halo of rose-tinted light. 

“Beautiful ceremony.” He says simply. Hal is incredibly soft spoken for a prince and you find yourself unconsciously leaning in to hear him speak. Part of the intimate charm that makes him so alluring to women, you think. A whispered promise only for you.   

“I thank you, sire.” 

He takes a step forward. It startles you, enough for him to crowd you against the garden trellis wall. Ivy and lavender press into your back, dancing in the same breeze that peppers goosebumps down your spine. You shiver softly. Hal steps closer.

“I pray this is not the last of today’s festivities?” His words ghost over your throat, tickling the shell of your ear. 

“No, sire. There will be a dinner tonight,” you reply just as quietly. You understand the game perfectly because it is the same one you have been playing your whole life. You indulge him, fire sparkling behind your fluttering eyelashes. “Surely your cousin will be expecting your attendance.”

Hal leans over you, hair tickling your face, green eyes glimmering. Up close, you see that freckles and beauty marks dot his skin. “I’m sure he will.”  

You think you see him incline his head as though to kiss you. For a moment, you’re frozen, entranced. 

You turn your cheek and his lips brush your temple. He hesitates with a low chuckle, keeping his close proximity.

“Then, I will see you tonight, my lord.” You whisper. Your fingers graze his arms as you sidle out of his reach. You can feel his eyes on you as you go and rejoin the other guests. 

You leave him burning. 

**

The tavern teems with merriment and the sound of fiddle, fife, and drum. You feast on broiled meats, roasted potatoes, greens, sweet breads and cakes until your stomach is full to bursting. 

 The glow of candlelight is lush and sensual, throwing shadows over the faces that only hours before you had shared with in prayer and communion in the church of God. Now, every attendant indulges in debauchery.

You’re drunk, blood pounding with mulled wine and spiced ale and cider. Pleasantly warm and head swimming, watching Callum and Isabel and friends and family dance about the room as if possessed, twirling in swirls of colored fabric that make you laugh and clap along in breathless euphoria. 

You catch a glance of a figure standing in the doorway. You see the motion of a glass moving to lips, throat working to swallow drink. When the glass falls, you lock eyes with Hal.

You beckon him forth with a crooked finger. He grins wickedly and sets down his cup. 

Despite the obvious wine in him, his steps towards you are sure and true and his hands feel good against you when they caress your waist, pull you against him.

You play coy and twist out of his arms. He groans. 

He follows you like a dog until you’re in the midst of spinning bodies and then you turn to him. Giving him the permission to finally touch you.

His eyes ignite. He splays a hand on the middle of your back, perfect pressure, authoritative, the other gripping you tight and then you’re both cackling with drunken mischief as he guides the two of you across the creaking wooden floor. 

You let him support you, lean against his chest, enjoying the sensation of being held so close. The thrill of feeling wanted. 

Even if it is all a charade. 

The strings and beat of thumping drums careen to a crescendo that has the entire tavern whooping and hollering in delight. You break apart from Hal to join in as the music flows through your limbs, absolutely enchanted, throwing back your head like that feral child from girlhood.      

Hal looks just as wild, the rumored wayward prince. Long, dark locks falling in his eyes, tunic unbuttoned and disheveled. Light and shadow dancing across his face in a manner that makes him look devilish.  

He pushes a glittering goblet into your hands, eases his strong fingers around your own to help bring it to your lips. You see the unmistakable red slosh of wine and wordlessly drink. He watches you tip back the goblet, watches rubied jewels of crimson spill down the sides of your mouth and down the skin of your throat.   

“That’s it. That’s a good girl.” He cooes. 

The flames feel desperately hot, flushing your skin and cheeks, burning bright behind your lips. Or perhaps it's the alcohol? Or the prince’s wandering touch that now seems to be cupping your breast, tongue lapping at the trails of wine…

The heat is suddenly too much and you push away to a secluded corner filled with empty tables to catch your breath. Hal slumps beside you. His head lolls, dipping to press another whisper of a kiss to your jaw and his weight feels comfortable against your side.

You don’t know what comes over you. Perhaps you truly are possessed.

You turn into him and then your hand is reaching between his thighs. 

Hal exhales sharply in your ear. You harden your touch, feel him widen his stance to accommodate you. He braces an arm behind the small of your back, supporting himself on the space of the wooden bench as your fingers slip below the waistband of his trousers. 

He gives a strangled sigh when you grip him tight and begin to coil your hand. His head lolls once more, nuzzling into the crook of your neck, panting, bursts of hot breath fanning over your throat. You feel your own breath quicken, feel yourself getting excited.

You mesh your other hand into his curls and pull him closer, press your body flush against his. Hal moans, keening, his arm now around your waist. You shush him quietly, tightening the hold in his hair.   

To any patron, you look as though you’re only consoling a drunken boy, simply talking in the muted light. The shadows hide you both but the flames shine in your eyes.     

“Enjoying the festivities, my lord?” You sigh into his cheek. 

“Please don’t stop..” Hal whimpers. 

You chuckle through a half-lidded gaze and work him harder. It’s delicious, erotic. 

You hold all power, all of England in your delicate grip. 

You watch his mouth fall open, dark brows furrowing, feel him tense against you before the eldest son to the crown spills himself onto your fevered palm with a sharp gasp, chest heaving.  

“Good boy..” you murmur with a cheshire smile, running your fingers soothingly down the line of his jaw. Hal shudders with aftershocks, eyes closed, forehead glistening with sweat. 

Before he can attempt to try and reciprocate the favor, you wipe your hand on his cloak and stand to fetch another drink. 

**

You avoid Hal afterwards and don’t see him again for the remainder of the night. You think he must have gone home with another girl to satisfy himself and it makes you smile knowing you are responsible for laying that trap, for letting him taste pleasure, driving his desperation and taking it all away just as easily. 

Your brother and Isabel spend their honeymoon in London before returning to her home in Essex. They write to you, informing of their safe arrival at the new estate and that you will have to come visit in the very near future. It warms your heart. You already miss them terribly. 

Soon after, your father is awarded the scarlet, fur-trimmed peerage robes of the House of Lords and with your new rank, you experience the privilege of wealth for the first time. 

Rich foods, dresses and flowing silk skirts, cosmetics, more books and manuscripts than you can imagine. You glow with health, beauty, pride, and sharpened wit.

But you have not forgotten your burning flame. Aided by money and status, your little light only grows stronger.

**

King Henry IV dies of sickness on a warm March morning. It had only been a matter of time, the stubborn man had been calling your father and the other lords to his bedside for the past several months to continue to discuss the politics of his own wars. In his dying breath, Henry IV saw that his empire had fallen to civil strife. 

Court and kingdom are called to witness the coronation procession and as you stand with the lords and ladies of the crown inside Westminster Abbey, inside the church containing the tomb of your distant descendant King Edward and the generations of his forefathers, the same Gothic abbey where British monarchs have turned men into rulers and tyrants, you watch the archbishop anoint Prince Henry of Wales with holy oil. 

His curls have been trimmed clean, his bare skin and body presented to be blessed with the sign of the cross. All old ritual, old prayer and Latin incantations that have been performed for over a thousand years.

So what is a new boy to wear the crown?

Beneath the arched stone cloisters, baptized in the sunlit streams of stained glass, you watch that same ceremony unfold again with burning heart. And harmonized by the tolling of bells, Hal is dressed in royal robes, regalia, scepter and all, shedding the title of prince as you all pledge homage to your new King of England.

“All hail King Henry.” The archbishop calls out to clergy, God, and country.  

“King Henry!”

**

Neither you nor Hal feel the heat of embarrassment when the court is ushered into the dining chamber and you meet again in candle and firelight. The feast is an intimate setting, shared by the company of Hal’s new council, clergymen, and close family. Your father is seated alongside Cambridge, Chief Justice William Gascoigne, and the archbishop; even his sister, Queen Phillipa of Denmark, is in attendance.

Hal’s appearance and demeanor is surprising to you.  

He looks striking, handsome as ever in his new robes and you can sense that familiar aire of charisma and confidence you remember from the wedding as Lord Chamberlain presents gifts from the monarchs of the world. A jeweled vase from King Wenceslas of Bohemia, a trinket of a mechanical bird from the Doge of Venice. Hal is jovial, good humored and merry. 

The presence of his cousin and sister seems to comfort him greatly. And rightfully so, considering he now sits on the throne of his dead father. Dead as well is the alter ego of the delinquent prince.

Like a spoilt child opening wrapped packages at Christmas. The privilege of royal blood. 

When the final trunk is presented, a gift from the Dauphin, you quite nearly let out a low snicker. 

A ball for the boy king.   

You see Hal hesitate before picking it up and the silence throughout the chamber is long, uncomfortable. The entire court seems to be holding its breath. Yet, you know there is an aspect of truth to the Dauphin’s gesture. 

A boy indeed. You recall Hal’s touch and him gasping into your neck, his muffled begging, how quickly he had finished in your hand…

Then, the cool magnetism returns to his features. He locks eyes with you and you wonder if he is thinking of the same moment. You are both proud challengers, wielders of personal charm. 

You wonder how long it will take to break him completely.    

There’s a glimmer in his gaze you think to be from the blazing hearth as he tosses the ball once against the chamber’s stone wall, then catches it deftly with youthful poise. 

**

After the coronation dinner, the court is dismissed and you find yourself to be one of the last remaining patrons as guests trickle out into the adjacent hallways and disperse through the rest of the castle. You deliberately hang back, watching your father, Cambridge, Phillipa, and William slip through the doors, slowing your step so that Hal can catch sight of you.  

“Lady Grey,” you hear. His voice is galant, hushed with that same temptation of seductive promise. With your back still facing him, you can’t help but smirk. 

You feign surprise and turn.     

“Yes, my lord?”

Hal beckons to where he stands by the fireside. You gather your skirts and join him in the welcoming nimbus of light and warmth. When you bend to curtesy, his fingers find your chin, tilting your eyes to his own and forcing you to rise to your feet.

“None of that is necessary, my dear,” he whispers. He keeps your face cradled between thumb and forefinger, a delicate pressure, one that makes you feel precious as he holds you close. “Tell me, did you enjoy tonight?”

“Immensely.” You smile. Indeed, you have. The Dauphin might as well have spoken on your own behalf.  

Hal hums, pleased. His thumb brushes the corner of your mouth, then eases in between the petals of your pink lips. You purse them ever so slightly and watch his self-control start to simmer. The candles burn low around the two of you, the only source of light emanating from the hearth itself. You are reminded of how the shadows flickered on the planes of his face the night of the wedding. Now, you see the same shadows again, but as king.  

“I want you to have something.” He says finally.

He looks reluctant to break his touch from you, but you see his hand disappear within the folds of his robes. He then produces a glittering pendant with a golden chain, a necklace that looks ablaze.

Amber, you realize. 

The surprise that crosses your features is genuine. Baltic amber set into teardrop sterling silver and gold, a gift from Rupert of the Palatinate and the kingdom of Germany. An extraordinary piece.

Hal’s hand finds your waist and you turn to offer him your bare neck, pulse pounding. You have no say, no power to even deny this token of affection. 

His caresses against your skin as he fastens the chain are soft and featherlike and you can feel his breath on the top of your spine. The pendant is heavy, rich with precious stone and gilded metal, settling between the valley of your breasts. It feels cold, but shines like an inferno. 

He lingers, tracing your shoulders when his mouth presses to your ear. 

“Turn. Let me look at you properly.”

When you do, the weight of Germany itself, of foreign and fallen kingdoms and countries, conquered and pillaged and burned, simultaneously settles between the tender skin of your sternum. 

Hal’s eyes cloud with dark delight when he sees the flaming amber. He takes your chin back in hand, angling your face every which way, studying how the firelight glints off the pendant with a sensual curiosity. 

“Beautiful.” He murmurs. 

Your body begins to react on its own accord, chest rising and falling with faster breaths, your cheeks blooming. 

“I thank you, my lord.” 

Still cradling your jaw, he brings himself closer with only a whisper between the two of you. His crimson robes seem to swallow you completely, like the gaping maw of Britain’s lion, a mantle of blood. He speaks into the gap between your mouths, yet you feel every word upon your lips.

“With this gift, I expect to see you more around my court, Lady Grey. Am I understood?” 

The tension he commands is unbearable. He watches you carefully, dark eyelashes fluttering. Trapped like a pinned butterfly. Then, you understand he’s waiting for a verbal response. 

“Yes, my lord.”

He releases you.

The pendant suddenly feels more like a collar. 

You’ve underestimated Hal. He is just as much the player as you.

**

You keep your promise. You see Hal daily in passing, often dressed in full regal attire as he comes from the council chambers, your father, William, and the rest of his train tailing close behind. The twinkle in his eye when he sees you is discreet, reserved only for you. The amber pendant remains fastened around your neck at all hours of the day, even while you sleep and bathe, like fire and ice between your breasts. A piece of Hal always with you. 

The two of you are a queer, twisted pair of sweethearts. You’ve yet to be fully intimate since that wedding night, but the pressure that ripples with every fleeting glance, every grazing touch of lips and skin is enough to prove your attraction for each other. Or rather, the attraction to the game. 

You keep Hal on his toes, never fully give in even when he invites you out for evening strolls in the palace gardens and the safety of darkness envelops you both. It is your nightly ritual to walk the grounds together amongst hushed breezes and chirping crickets, you as a means to unwind before bed, and a way for Hal to clear his mind of the day’s tolling demands. 

And tolling they are. Despite his bravado, he is easily irritable, tense. You listen when he speaks to you plainly about his frustrations for the court and archbishop, how they all expect from him the same swift retaliation of his father. 

You find Hal’s consciousness of this want to break tyranny quite curious. Sons are typical to idolize their fathers and see past faults. It is why you know how cruel kingship has endured in Britain for generations; learned behaviors become expected and change more difficult. You’ve even seen that same behavior in your own brother.

And Hal’s trust in disclosing even this to you is telling. The thread to unravel the boy king.

Tonight, you dare to pull at it, heighten your girlish wiles and offer him a lingering kiss and soft words. You tell him that Christendom is damned and tease that it’s his own fault his council is made up entirely of old, graying men, your father included, when he could have anyone else.   

Hal’s spirits seem to lift a little with a ghost of a smile, understanding you perfectly as his arm snakes around your waist. He pulls you into a secluded labyrinth and settles into the stone seat of a fountain, pulls you atop his lap. The kiss he returns is fierce. 

Without the burn of alcohol to subdue your senses, every touch is intensified tenfold. Hal feels it too, his breath coming ragged as he breaks the kiss to mouth down the skin of your neck, the dip of your collarbone, your chest. His hands wander beneath your skirts.

“It is only polite that I return the favor..” You hear him say.

Your mind is reeling. You knew this moment would eventually come, yet you feel ill-prepared when his fingers brush your core, his other hand gripping the back of your neck. You gasp, finding his lips in another tangled kiss, straddle him completely. 

It’s strange, exhilarating to be on the receiving end of your little game. 

If you are to truly break Hal, you are to first make him believe that he holds any sort of power over you, to reverse that dynamic you had set the night of your brother’s wedding. 

You are to let him touch you. 

And like the flaming sword of Raphael, Hal’s pendant, it is time to finally draw upon your fire. 

You hate how good Hal is at this. He knows just where to caress inside you, the right amount of pressure, the weak spots at your throat and just below your ear. Your competitiveness takes over and you push him back against the fountain, start to circle your hips, grind yourself down on his hand and grip at the rich fabric of his tunic to better anchor yourself. 

His eyes pool with lust with every sigh from your lips, watching you closely. He rolls his thumb, picks up the tempo of his fingers, relishing the sight of you slowly falling apart on top of him.  

But it isn’t enough. You lean in and wrap your arms around his neck. He responds in tandem, gathering you close as you rock against him, the friction of his thighs sending you closer and closer to that threshold of pleasure. 

“Please..I need t-to…” you whisper into his neck, into his mouth. 

Words of magic. Hal’s expression flares with masculine pride, the delight of pleasing a woman. 

The last of the day’s golden hour spills over you both in glowing, peached splendor and with the sound of the fountain’s rushing water as your only witness, you muffle your final moan with a desperate kiss, bliss pulsing behind your eyelids. Hal keeps his fingers where they are, coaxing the last waves of your orgasm out of you, cradling your chin with his other hand as his lips part yours, slipping tongue as you come floating back down to earth.

You’re dazed, flushed, lazily kissing when he removes his fingers. Slick when you suck them into your mouth and taste yourself. The velvet of your tongue makes him shiver.

“Now, what ever are we going to do about your council, my lord?” You murmur once you catch your breath. You gently kiss his fingertips.

Hal only smirks and pulls you to him.

**

Your plan begins to take motion. With each passing month, you worm your way deeper into Hal’s heart with honeyed words and empty promises. He confides in you more and more as he grows wary of his councilmen, trusting only the pretty face he sees in the privacy of his bedchamber each night. Graced against silk pillows. 

You sense the crushing pressure upon him, his own doubts and fears. You slowly leech away his magnetism, his charisma, and take it for yourself. His eyes dim, harden with resolve. Gone is the assurance for peace. Hal instead grows cold, timid, questioning his every move. 

You only burn brighter.  

**

There is talk that a French assassin has breached the castle.

You hear the conversation for yourself when your father and William are called down to the dungeons, hear Hal speaking directly to this assassin as you linger at the top of the stone staircase. 

“Qui êtes vous?”

“J'ai été envoyé par le roi de France pour vous assassiner.”

Hal’s voice is cool, calm as he pries for details. The assassin’s responses are noticeably vague. You infer it to be out of his own self interest. 

Then, nothing. Days go by with no direct action from Hal.

You grind your teeth. War with France would be the perfect fruition of your schemes, the final act in a tragedy deemed to be an epic of British monarchy. War with France would show Europe and the rest of the world the extortion and murder of the English crown; not that these neighboring countries needed such a reminder. But England and her king have been blind for too long.

Previous attempts at quelling war had caused Percy Hotspur to rebel, Prince Thomas of Lancaster to push on and die alone on foreign soil. 

Is Hal not trying to prove himself in this same way? Proving he is not like his father? Just as Thomas had wished for his peers to see him as a commander and better equipped to bear the crown despite being the youngest son, is Hal not guilty of this same charge of public approval? 

And having the privilege to sit idly atop a throne amidst all this makes your blood boil. Idleness is instability, you’ve learned this years ago. 

You will be the one to push Hal to war.

**

You are sewing one afternoon in an empty chamber when the strained voices of your father, Cambridge, and William reach your ears. Hushed and argumentative, it draws you to your feet, possesses you to lean against the frame of the door and just out of sight.

You hear the disgust in your father’s tone when he speaks of the king. The weakness in forgiving France, the lunacy of Hal’s ascension. It amazes you, grips you tight at hearing such passion and loathing; you’ve never heard your father speak this way about anyone, let alone the head of England’s monarchy. Slander and defamation carry swift punishment. 

You learn that he and Cambridge have been approached by French agents. The three men debate quietly as you stand against the door, nearly panting. A coup d'etat? The idea excites you more than it should. But you perish the thought quickly before you can get ahead of yourself.

Why only approach the two of them? Surely to turn England’s people against their ruler, a greater number of conspirators would prove to be more efficient? You know distrust is not uncommon among Hal’s council, so possible traitors would not be hard to find.  

This approach means your father and Cambridge have been judged weak in character by the French. Insecure, lacking, most likely to bend at the knee for candied prospects in exchange for loyalty.

And now as you eavesdrop on your own father, you know Lord Grey does not have faith behind his king and is too afraid to do anything with it. You know that if you had not gathered this knowledge for yourself, you would never have been told so, unseen as all women are expected to be.

These French agents and councilmen think they hold all power with their debates and their meetings in private, oblivious to the fact that it is women who move the world. Women like you, wielding their very sex to push these men as pawns. 

Are men not born into this world by women? Do men not seek a woman’s tender embrace for love and comfort and to carry on long, unbroken lineages of royal blood?

Your own father, as all his peers, are blind to the influence you bear over Hal. Even Hal himself. 

**

You find yourself in the king’s private quarters one cold night, sitting in front of the hearth and watching the crackling, shimmering flames that warm the room. The soft silence is comforting to you as you sit bathed in orange glow, wrapped in furs and waiting for Hal’s return. 

Your mind wanders. You think of the French assassin still held captive in the dungeons beneath your feet, how the man had been granted asylum in exchange for a confession. 

“Quel était le l'ordre?”

“Que je devrais tuer le roi d'Angleterre.”

And with the French approaching Cambridge and your father, it is certain, undeniable that tension is thick and stakes high for all of England. 

You are standing on the very brink of war, standing flush at the edge of a swallowing cliffside with dragging winds and dark, inky waters swirling beneath you down below. Waiting to embrace you, like the jagged shores of St Kilda, the northern shores of Scotland. Calling you home like a siren’s song. 

And Hal only needs one final pull before you both fall together. 

The chamber door opens and the king steps inside. His presence is stormy, like a cold wind blowing into the room. 

He’s dressed handsomely in a navy tunic and dress shirt, a mantle that drapes over his burdened shoulders. Yet, his hair is mussed and disheveled and you can see the tightness around his eyes. His once youthful glow now gone, but a sharpness to him that you think resembles a pike; diligent, wary, and still capable of hurting you if you’re not careful.

You pretend to quickly wipe away tears before you stand to greet him. Hal sees this and his brows draw together in concern, further contorting his expression into one of pain. He comes to the fireside.

“Good evening, my king,” you say as he takes your hands.

“What upsets you so?” he asks you directly. His voice is strained, sets your pulse aflutter more than it should. You give a small, breathless smile, a shake of your head.

“Nothing of your concern, just innocuous thoughts, my lord. Let us go to bed.” 

But you do not move in the direction of the luxurious canopied bed, one you have grown intimately familiar with. You stay exactly where you are and let Hal’s mind race.

His fingers grip your chin and when you meet his eyes, they’re bold and smoldering, the first touch of life in them you’ve seen for sometime. His grasp is strong and a muscle ticks in his jaw.

“Speak freely to me. Please,” he whispers. “Of all people. My dear, speak true.” The last word falls like a plea from his lips. You suppose it is one as he pulls you closer. A boy desperate for truth, constricted and poisoned by a council of vipers.

Unknowingly turning to the girl with the pretty mouth as she pours poison into his ear. 

At this, you bite your lips and summon tears that spill forth, pool your vision. You let the familiar sensations take over, the shortness of breath, the depleted posture, and pretty soon you’re trembling, weeping in Hal’s arms.  

“This assassin. It frightens me,” you say finally, broken. “If he had fulfilled his order and taken you from me, left me here all alone…oh, Hal. I’m so afraid.” 

His thumb circles your cheek, silent. You sense that dangerous cocktail of anger and darkness simmering just beneath his skin. Anger at the world, anger reserved for his dead father.

“France means to have you killed, Hal. Then what of us?”

Us? England?

Tears drip down your neck and onto your rising chest. Where you’ve left the first clasp of your blouse carefully unbuttoned. You press yourself to him ever so slightly, look up through tear-soaked eyelashes and embered iresis. 

“Then what of me?” you whisper.

Hal’s lips are crushing against yours. You feel every ounce of his anguish, every bit of tension wound tight in his frame, every doubt, every fear. You feel the restraint as he cradles the back of your neck, his other hand finding your waist as he pushes you flush against him. The dichotomy to feel love, to feel comfort and safety and to relieve and dispel just a hint of the pressure building inside him. The dichotomy to conquer, the urge to channel this animosity in a way he must be familiar, to ravish you completely. 

With your bosom rising and falling so sweetly, eyes glittering with tears, looking almost divine with firelight circling the shine of your hair in a golden halo, you watch Hal’s walls collapse. You let him succumb to that mirage of safety and warmth, to ease his conscience. You will both get what you want, eventually. 

You break apart to kiss the line of his throat, his pulsepoint, where you know he’s weakest. Hal gasps as you thread your fingers through his curls, bring your lips to his ear in a soft lull.

“May I have you tonight, my king? Completely?”

His response is immediate, yet wordless when he tilts back his head and feels your mouth against his jugular, the hand at your waist tightening. 

At last, you lead him to the bed with the intent of christening it. 

He pulls you atop him, helps you unthread the bodice of your nightgown. Despite the blazing fire behind you, the air chills your shoulders, your chest as you slowly expose more and more skin, finally letting the thin fabric pool around your waist. The feel of his bare hands cupping your body fuels you, act as your catalyst. Soft, firm. 

The amber necklace swings like a golden pendulum when you stoop to kiss him again, his fingers ghosting over the skin of your back. Hal’s desires are plainly stated as you feel him harden against your inner thigh.

There is no time for coy deception tonight. You make quick work of his tunic, leave his trousers and instead unfasten and pull him through, positioning where he wants you most. Hal is already nearly panting.

You arch as he settles inside you, a biting stretch that has both of you sighing when you bury yourself into the crook of his neck. Something long-awaited. You stomach the discomforting pressure and set a rhythm, one that has Hal cursing into your hair.

“You must protect the women of England, my lord,” you whisper. “Who will do so if you are gone?” You punctuate your point with a well-timed swivel of your hips and Hal moans low and guttural. “Your wives and children. Can you protect me?”

Hal’s arms wrap around you, nearly choking on pleasure. “I will. Anything for you. Please...” 

Unseen by him, you grin. You can practically hear the crashing ocean waves, to feel the quench of water at long last! You think you could make him do anything in this moment with how enthralled he is in bliss. 

You sit back and Hal’s hands glide over the smooth expanse of your stomach, watching his eyes grow dark, the amber pendant swinging between the two of you. The discomfort in your belly is gone and you start to mirror Hal’s pleasure, head falling back, sighs growing louder. 

And as the two of you finally fall from the cliffside and towards the waiting waters, Hal gives a soft cry, vision rolling and you feel his heat spill onto your inner thigh. You kiss him until the strength drains from his body, a true succubus as Hal at last descends into sleep, relaxed. 

You have the king’s word. 

**

You awaken the next morning to find the bed empty and cold. Surprised, you dress alone and return to your chambers to call for your breakfast. When you send for your father to share his company, the servant returns and tells you Lord Grey is currently engaged and his presence cannot be requested.

“A meeting, you mean?” You ask the servant rather crossly. Why must everyone speak to you in riddles? You obviously did not sleep much the night before and had trouble long after Hal had finished, like a slumbering babe beside you. Typical.

Your mood sours further in that you won’t be able to share this meal with your father. You despise spending mornings in solitude. It seems like it’s been ages since you’ve last seen each other in private, with no councilmen lurking about.

“No, my lady,” the servant stammers slightly, the words stumbling out of his mouth. “Lord Grey is condemned and is forbidden from taking meals before tomorrow morning.”

“What?” You growl at his vagueness. Your anger and irritation rise hot and fast and you’re tempted to hurl the glass cup of strawberries at this blubbering young fool. 

“Lord Grey and Cambridge await execution tomorrow morning for treason, by order of the king.” 

Your world stops. You send the servant away with a ghost of a whisper.

When the door snaps shut, you laugh mournfully. So the gossip had come to naught. Hal had indeed kept his word. Your stomach turns in nausea. Food is suddenly the last thing on your mind.

You rush to your writing desk, overturning bottles of ink, hands shaking when you retrieve quill and parchment, attempt to pen a desperate letter to Callum with a fevered hand. But before you can draft a single sentence, your blood turns cold.

You have not heard from your brother, from Isabelle in weeks. Have your worst fears already come true?

Glass and fruit explode against the far wall.

You tear out of the room like a bloodied banshee in search of Hal, fingers tinted crimson from cut glass and mashed berries. 

And if thy right hand offend thee, cut it off, and

cast it from thee: for it is profitable for thee

that one of thy members should perish, and not

that thy whole body should be cast into hell.

One of Miss Hunt’s chosen passages from the book of Matthew comes crashing into your mind. You are like Eve, you think. Bearing the burden of Original Sin with lust and curiosity. You have tasted the fruit and have seen the evils of mankind. Never in your wildest dreams could you have imagined your plan backfiring so horribly. 

Now, hellfire awaits your father, for you when you draw your final breath your last day on this earth. Suddenly seeming to loom that much closer. 

You approach Hal like Samuel’s ghost did to King Saul on the eve of war, the Philistines instead of the French. Interchangeable, cycles of warfare that have dawned for milenia and will continue until the end of time.  

He looks terrifying, colder and more severe than you’ve ever seen, outfitted in those horrible blood red robes that one coronation dinner long ago you had once thought he looked becoming. 

You know with one wrong word you could be joining the two men to die at first light. Your mind races. 

“My lord, to think my own father had been plotting against you sickens me,” you speak slowly. The sentence stings like venom in your mouth, damning your father. Hellfire burns brighter. But it is the only way you can protect yourself. Your grisly appearance, your quick breaths, it is all to sell your story. “May I accompany you tomorrow morning as witness?”

Hal’s lips twist into a hint of a smile, the shadow of his former self. “Of course, my dear. Lord Grey may have failed his fatherly duties as protector, but I will not.” 

**

And so, with your hands wrapped in fresh bandages and stitchings, you stand in a courtyard with wind whipping around you, the only Christian woman among councilmen and knights as you watch your father lay his head upon the chopping block. His hair has been shaved off to ensure the killing blow will be swift and true. Shivering, pale, and damp with sweat, he looks like a ghost. Soon, he will be one. You want him to see you in these final moments, for him to know that you will utterly destroy this king, but you cannot risk the danger. 

Like the coronation, Latin prayers are recited, only this time they are prayers for your father and father-in-law to find peace in the afterlife. The last time you, Hal, Cambridge, and your father had shared company like this had been at the wedding. You know now that Callum and Isabel are truly dead. In the blink of an eye, Hal has slaughtered your entire family.

Weary, resilient Scotland.

You do not cry. You must show your loyalty.

“Requiescat in pace.”

Weak, fragile as Lord Grey starts to whimper aloud. No daughter should see their father, their protector through girlhood, like this. 

The axe glimmers in the sunlight and is brought down with deadly precision. Your father’s head rolls grotesquely off of his shoulders in a wet gurgle. His body is shoved aside and Cambridge is pushed onto the block next, now slick with fresh blood. 

Neither you nor Hal flinch.

**

You are now fatherless, Hal, kinless when you enter the neighboring chapel alone. You sit in the first pew respectfully, head bowed as Hal crosses himself and kneels before the altar. With his back to you, you study the firm line of his spine, his clasped hands with the beaded rosary held firmly between. Unmoving, statuesque. He prays for a long time.

Thou shalt not kill. 

You wonder if God is so forgiving.

The images of angels, of Mary and Joseph and flawless purity are what drive you to march up to Hal and kiss him hard. He hums in surprise, brows furrowed, the pressure behind his mouth mirroring yours when you grip the back of his head.

You want to kill him the same way he had murdered your father. But you settle with digging your fingers into the back of his neck and relishing in the way he hisses against your lips. You fumble blindly with the fastening of his trousers.

“What are you doing?” he growls.

“Shut up.” You bite back.

You’ve never been afraid of Hal before today, you’ve had no reason to be. You’ve been so careful to build the reputation and the facade he sees, using words and sex to push him like the chesspiece you had thought him to be. And he’d pushed right back.

You want to hurt him in the only way you can.

He cries out when you suck him into your mouth with teeth and harsh pressure. You’re anything but gentle, taking him as far as you can so that you’re choking and Hal is grunting and pulling at your hair and the lewd sounds of your lips and tongue echo to the tops of the vaulted ceiling. 

You’ve both lost family today. You are both selfish and full of quiet rage. The consequence of Hal’s choice is evident in how hard and wet you mold your mouth around him, how his hand tightens and pushes you farther down, wordlessly ordering you to finish him off in this holy church.

Like Christ Himself with bandaged hands, you twist and work at whatever you cannot fit between your lips. His hips snap forward, tears collecting at the corners of your eyes with burning throat, your scalp stinging from where he yanks back your hair, your linen caul disheveled. Saliva dribbles out of your mouth.

When his moans grow high and desperate, you take him out of your mouth and Hal’s release splatters white on the skin of your cheek, mouth still agape. He slumps forward on his knees, panting, as if still in prayer. The rosary dangles between his fingers. 

Thou shalt not commit adultery. 

The cross looms before you, silhouetted by candlelight. It is too much and you turn away.

**

If the change in Hal’s nature had not already been felt by all, it is seen in his dress. No longer does he donn the regalia of red cape and sceptre, but dark tunics and jackets that fit snug over the expanse of his chest. No more are the billowing robes, now replaced with tight military clothing and jackboots. A captain preparing for battle.

Hal recruits John Falstaff and countless other marshals for his campaign. It’s truly happening, you think. France will soon feel the wrath of England as your homeland and countless other countries have. 

The amber necklace sparkles.

Tomorrow, Hal sets sail across the English Channel. Another crusade to add to the Hundred Years’ War. You wonder if French women are just as lustrous as the rumors suggest. 

This is the last night you will be together like this for some time. The thought of Hal with another woman makes you quicken the hand you have around him and he gasps into your chest, spilling onto your thigh like that wedding night centuries ago. You’ve already made love countless times tonight, your bodies fitting together because it is only natural for two corrupt souls to find solace in the other. 

Masquerading with voice and poise. A boy from Eastcheap and a Scottish girl. 

As Hal shudders against you, kissing your throat and twining his fingers into your hair, he tells you he loves you.

You think you may love him too, in that twisted way of how fire craves oxygen. You need each other to fuel chaos. 

You understand better than anyone the burden of a child forced to grow up, the weight of decisions and the toll it takes. Only the strong can endure such hardship, only the strong can triumph and come out on top. It has been so forever, a law as old as the world. 

 The speed at which Hal is already hard again makes you chuckle darkly. He pins you to the bed, hovering, eyes bearing into you before he enters you just the same.

“You were made to be beneath me,” he rasps, gripping your face with a single hand. His eyes glitter in the low light. The double entendre of his words make you rake your fingernails down his back in angry lines of red. He sucks a bite into the skin of your collarbone. 

 You know that when Hal returns from France, he will no longer be yours. He will be changed, most likely to marry a foreign princess to ensure peace. You think of Isabel and how she had evidently been the one to put you in this position of status, how a marriage is a man’s means to gain power. A law as old as the world. 

Do you want him to be yours? The same way the English crown has raped and pillaged for the thrill of conquering the barbaric? A trophy? A prized kill? Still, the thought makes you bitter.

You say you love him back when he finds the spot below your ear, pushes your legs apart to drive into you that much harder.

There’s a bit of you that prays he will be victorious, that he will return to England and be yours again. But even if your paths do not cross in the future, you know you will see him again where the flames grow hot. Be that in his chambers or down below. 

[farty-city]

inside bo burnham review no one asked for

i enjoy other peoples commentary and i was writing down my first thoughts anyway so here it is

inside

first song/intro song

i like the phone screen on him, very reflective of how we have had phone screens on us

“roberts been a little depressed” osnskjdnfs

they were right “daddys made you some content so open wide” hjbfafn

intro

oh my god he looks awful

but like in a cute way

maybe

healing the world with comedy (second song)

the canned and queued laugher no exactly… is it a symbol or is it just funny.. who's to say. 

it think its a good first song, establishing he knows what he is doing is kind of useless 

“the indescribable power of your comedy”

he looks like marc maron rn

i like the synthed voice and synthesizer

the jesus allusion … yeah

“i'm a special kind of white guy”

this feels like he knows how he is perceived by fans.. Make happy was too much

his fucking dancing fksjdnfksj

i think he did a good job looking manic

the lasers lmao

Side 1

Bo made a huge gamble releasing this like,,, what if you just stumbled upon it and this was ur first introduction to him..

I bet its like when i comment dumb things on instagram comments and get that rush of hehehehe

NO NOT BO DEVELOPING BILLIE EILLISH VOWELS

Also this is exactly what he wanted like,, he just wanted to make his things and not deal with the crowds so..

To think i was like finding scraps of him performing at largo and stuff and now,, so much content

life imitates art

the way he's literally what he wrote hgbkdf

there is no authenticity with cameras

suicide ?

 facetime with my mom tonight

the blue light.. Yeah

o hblue like sad

i don't know how i feel about the electric music but i guess its no different than whatever else i listen to

this is sad wow

still catchy etc

side 2

i wonder if here will be any fart jokes

that is how the world works (songs)

the huge mess and then him in a sweater

this is reminiscent of that walmart muppets

he became tim minchin with a sock puppet

the “yes… yes sir” stoppp 

jkgdsnfijwkensfosnf

qbejfnjne

nerjgnoejns

bo making a political statement and a metaphor for activism and then making it weirdly kinky

brand consultant (bit)

man bun

i have to believe he filmed it with the beard because quarantine vibes and also bc he was tired of being seen as a child

white womans instagram (song)

i did not like that intro

BO AND GLASSES THANK GOD

the daisies wow just wow

underwear

“white womans instagram” or “bo burnham becomes a girlboss”

i like that he didn't lose his cadence like the way the rhymes are you can still tell its him

i don't get the mom part sorry

is it like how people are very superficial but also very personal on their instagrams

this part was legit sad

side 3

i wonder how he felt with cameras constantly on him

Although this is the point hes trying to make

lol seinfeld moment (bit)

unpaid intern (bit and song)

“barely people somehow legal” was so smooth woW

omg he was scatting

he was a man who would scat

oh my god what great news

the react clip omg

i cant believe he did that oh my god

observation/critisism and response to the “can anyone shut the fuck up” 

and as i realized what he was doing he was like “i have this need for everything i make to have a deeper meaning” oh my god

now the question is how long will this go on?

jeffrey bezos (song)

idk its catchy

and then theres him like sleeping and talking which kind of is part of the jeff bezos song

bug eyes salamanders hehe

sexting (song)

i do believe this is just a silly song 

the earrings tho omg

sounds like post malone hbkjdsnfskj

idk its still about like intimacy in quarantine and that stuff..

the knife (bit)

i know hes copying like other youtubers but like,,, what

stuck in a room (song)

the intro is very funny and relatable

classic bo i love it 

i will say this special has been more reflective but i suppose it has to be

“look whos inside again”

i like the end too, this is all a fabrication

this is the clip where hes staring at the projection of himself from his old youtube videos which is sort of more like an ending to the “stuck in my room” song

 sorry (song)

i love the 80’s style music and its like zumba

oh this is like an apology song

“father please forgive me for i did not realise what i did, or that id live to regret it” what a catchy line

i would say this is another more “classic” bo song where its self aware and funny

“my closet it chalk full of stuff that is vaguely shitty” 

camera falling

this deserves its own bullet because its silly

i'm turning 30 (bit and song)

i remember him talking about this on a podcast and like,, damn i didn't know this also happened LOL

i really like how he did the lighting 

“stupid fucking ugly boring children”

suicide talk (1)

this is interesting i like the use of the projection

this is something that could never have happened onstage

just like with the it being projected on him

i guess it could but it would have to be done differently and probably hed have to make it funnier to make it more engaging

intermission

i just checked this is about the halfway point.. Mh

i don't wanna know (song)

“i thought it’d be over by now”

i wish this was longer but i kind of like how its just a little snippet and then the cut

video game (bit)

“i guess i’ll cry again”

“is the dude big or is the room small” lol

hm depression

 feelin like shit (song)

ohh the lighting is fun again

this is the tone shift i suppose

the feels like supalonely and the new kind of music

atl

:(

panic attack 

everything all of the time (song)

feels like brandon rogers 

i enjoy this

this feels like “welcome to youtube” grew up

“a little bit of everything all of the time”

“apathys a tragedy and boredoms a crime”

ok olivia rodrigo

finishing the special (bit)

these feel like diary entries but as standup

interesting choice

jeffery bezos (2)

Why the seaweed suit

Where did he get that

the digital space (bit)

suit up, gather what is needed, and return to the surface

damn

pirate map anfdkjfnskjd

this was so stupid (affectonate)

that funny feeling (song)

the campfire vibes 

kenny loggins

i don't get it..

is it about childhood, is it about the present?

i think its talking about the end of content? 

“the end of culture”, to quote make happy

change and not liking it 

“we were overdue, but it will be over soon”

if the second half of the special is like a panic attack this song is like a momentary pause before it gets worse

“so ive been working on this special”/breakdown 

this was .. uncomfortable and genuine which i'm sure is why he kept it

all eyes on me (song/rant)

another sad thing to watch.. damn

me trying to tell if the audio was from make happy

i think he was trying to make it as if the audio was from make happy 

this feels.. familiar

and obviously that is the point

“come on in the waters fine”

the use of autotune during the talking part... yeah

sad that he was gonna make another special… and it would have been totally different than this

i’ve decided i like the homage to make happy

It feels like hes made peace with it

the montage of him waking up and the “i think i'm done”

and then of course the ending where he's watching it over to remind us that its all fabricated

possible ending song/ “i promise to never go outside again”

ngl he looks good in the shirt with the haircut hehe

which i feel like is what he wants up to notice

and then like not think after we saw all his breakdowns

“i want to hear you tell a joke when no ones laughing in the background”

i really like the medley

Final thoughts

I want a blooper reel, but this doesn't seem like the kind of special

I also wonder if the songs will be on like apple music, but again, doesn't seem like the kind of special

I'm happy for him, he got to be honest and open and show us the sort of panicky stuff

this self aware comedy is exactly the stuff that i think will be making a comeback in the next decade.  John better be pulling up with more deconstructed comedy. 

I hope this has given him peace

[princesssarisa]

I was just thinking of what I wrote in my comments on Prokofiev's Cinderella ballet and the tradition in that ballet of the Stepsisters being played by men.

I stand by what I wrote: that it is problematic to have men play women to highlight just how ugly, clumsy, unfeminine and laughable those women are.

But I also appreciate that in Sir Frederick Ashton's choreography, when Ashton himself and Sir Robert Helpmann danced the roles of the Stepsisters, that presumably wasn't all it meant for them.

Ashton and Helpmann were both gay men in an era that wasn't kind to gay men. Wearing those frilly, flowery dresses and coiffed wigs, prancing around the stage being unabashedly flamboyant and femme, and parodying famous ballerinas' solos probably meant something more to them than just making fun of the female characters they were playing.

Besides, Ashton's choreography creates some sympathy for the Stepsisters, especially the shy, awkward younger one whom he played himself. If I remember correctly, they're never really shown abusing Cinderella; obviously she's dressed in rags and not allowed to go to the ball, but the main person they bully and harass seems to be her father, not her. And their final scene gives them some pathos: after Cinderella forgives them, they cry, not in a comical way but in a subdued, genuine way, and then they slowly and sadly exit, hand in hand, while Cinderella and.the Prince take center stage.

So while there's still an element of "LOL, they're ugly men in dresses," of course, it's a more nuanced situation than just that.

[hannibalismos-jaaneman]

What are the Marvel ships that you love the most and hate the most?

It goes without saying that they can be fanon too

Okie this ask... I HAVE BEEN WAITING FOR YOU FOR SO LONG!

So imma cover almost all the ships that I can skim from over the top of my mind.

NOTPs: This might offend a WHOLE bunch of people lmao but I will give reasons for most of them. And please I am warning you beforehand, I DO NOT HATE ANYONE who ships them (except Thorki, 'cause ew dude stop).

Thorki (self-explanatory)

Sylki (sorry but I just can't come to terms with the whole thing. And it's casual chaotic bi siblings energy for me tbh).

WinterFrost (absolutely NO interaction? Where did this one even come from? The comics? I don't remember them talking that much at all).

Romanogers (they protect each other and take care of each other and respect each other, even LOVE each other but it's platonic. I can't see them having a healthy romantic relationship outside the comics).

Stucky (lord, you can unfollow me now lmao. They're besties, period. HECK I SEE MY BESTIE AND ME IN THEIR RELATIONSHIP, we're both gay but that's beside the point, plus it makes sense lmfao. I'm Bucky and my bestie's Steve and yes, we have a hilarious friendship).

Steggy (idk, I've never been able to ship them. It always seemed very short-termed, like, yeah they were a thing but it wasn't MARRIAGE serious between them. I couldn't see them together, majorly because I had started shipping Daniel and Peggy together but ofc a woman simply CANNOT move over CAPTAIN AMERICA! Shit's gonna hurt in What If...? istg).

WinterIron (one word... wHat? No seriously. Why? Even this one, where tf does it come from? Ik Bucky was being controlled by Hydra but I wouldn't be able to fall for a person who killed my mom, just no. I could forgive them but nOpe, I wouldn't fall for them, absolutely not. Never, period).

IronStrange (literally just had one scene together where they were bickering like an old married couple but we have SEVERAL of these scenes with Stony. MAN, c'mon, they're literally not even good friends lmao. I see the "genius feeding the other genius' ego" dynamics but this wouldn't be a very long-lasting relationship. We all can LITERALLY SEE the end of it and it would be ugly).

BuckyNat (istg I would've been shipping them with my entire heart had Bucky not been her teacher and most definitely in love with Sam lmao. Like they radiate the typical assassin couple sexy vibes and like the whole relationship would be strong AF, I can see that (Seb, my man, I agree. They robbed you off of kissing Scarlett), I'm not blind, I just ship Sambucky lol).

WinterBaron (seriously, except for three ships with Bucky in them that have some actual sense are Sambucky, BuckyNat and Sarah and Bucky, all other ships are COMPLETELY the fabrication of a few of the True Believers' collective imagination. Ju- Zemo USED HIM TO SPLIT THE AVENGERS GODDAMN IT! SIMPLY LOOK AT HIS BODY LANGUAGE AS HE TRIED TO SELL BUCK TO SELBY, JUST LOOK! There was no use of him touching his face, but he did, he's not a thing okay? Just that).

OTPs- I don't think I need to specify anything lol?

Stony (lmao I had to begin with this one. Just- the helicarrier argument scene in Avenger 2012 (had to specify) and the sheer existence of ALL the Avengers shows, movies and their scenes together (pretty sure that's just Chris having a giant crush on Robert but not everyone needs to know that lmao). That's it. That's my explanation).

Sambucky (just watch TFATWS S01E05, you'll know what I'm talking about but yeah I've been shipping them since Civil War).

Lokius (idk, I just love them!).

WandaVision (who tf doesn't? Bitch, come 'ere I'll kick you outta this planet's orbital plane).

I've got ships from the comics and X-Men too but then tumblr might crash lmao.

That's pretty much all the ships I've got from the top of my head I guess?

[lilydalexf]

Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Chimerical

Chimerical’s stories aren’t at Gossamer, but you can now find them at AO3. If you have not read them, are you in for a treat! For instance, Regular People and Regular People Still are some of the X-Files fics I have read and re-read. You may also know Chimerical from her site Chimerical Publications, which was an extensive Mulder and David Duchovny fansite. Big thanks to Chimerical for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m not surprised at all that X-Files fandom is still popular, it was an amazing, creative show with iconic characters. Aside from just being entertaining, like all good Sci-Fi it asked deep, profound questions about the nature of relationships and humanity. It’s these things that people remember more than the MOWs.

However, I’m surprised to hear that my stories are still read, mostly because there is always something new, someone has a new take, and of course, we have the more recent episodes which provides all new fodder for writers, which is wonderful. But it’s super nice to hear that stories from the classic show still mean something. Also, I wasn’t a prolific writer, there are only 12 stories, but perhaps they struck a chord and people like to revisit them the way you like to re-watch a favorite episode or movie.

What do you think of when you think about your X-Files fandom experience? What did you take away from it?

Fanfic is certainly not new, but The X-Files was absolutely at the right place, at the right time. The internet was just really taking off, and it enabled fans to connect instantly in ways that hadn’t before. I remember that Fox used to send out Cease & Desist letters in an ill-considered attempt to stem fanfic because the Suits just didn’t understand what it was. Nowadays, of course, they embrace much of it, encourage it, even. Supernatural wrote whole episodes about it. But in the early days they were really stupid about it.

But what I took away from it was that great community can exist with people you have never met in person. There is a great sharing of ideas and love of great characters.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

It’s true, no Facebook, twitter, tiktok – it seems strange!

But I connected to fandom though the old Usenet message boards, you couldn’t wait until the episode was over until you could leap on and start discussing the episode. And it was painful if you were on the west coast as I was because you would get spoiled. In truth, it wasn’t must different than Twitter, just without the character limitation. But it was rather the wild, wild, west, no moderators and no terms of service. It could be a free-for-all, and some of the disagreements were legendary! For writing, certainly ATXC was the big dog for fic, and of course alt.tv.x-files for discussion. There were many different Yahoo Groups and AOL mailing lists, that catered to interests in fanfic (Friendship/Adult/Slash) or to the characters and/or actors.

But frankly, the main thing I remember was what a complete PITA it was to just get anything posted. There were all these size limitations and ASCII issues that don’t exist today, you had font and formatting limitations, which cause people to get weirdly creative with italics, bolding, quotes and so on. And you had to break your story up in weird way simply to jam it into the email because there were size limitations. And it never failed that no matter how many Beta Reads you had, you didn’t see that last damn typo until AFTER you hit the send button. There was no edit button, all you could do resend the whole damn thing. It was the fanfic version of the 20 mile walk to school through the snow……Kids today have it so easy!  LOL….

What did you take away from your experience with X-Files fic or with the fandom in general?

Actors are, and always will be, the face of the show. David Duchovny and Gillian Anderson are amazing actors, and the nuance they brought each week was a wonder.

But one of the things that the X-Files also did was make people aware of the people behind the scenes, the showrunners, the writers, the directors. This was also something new. For most TV dramas, most people couldn’t tell you who wrote an episode if you had a gun to their head.

But people knew the writers like Vince Gilligan, James Wong, Darin Morgan, and of course Chris Carter and Frank Spotnitz. And they knew the directors, Rob, Chris and the late great, Kim Manners.. It was like a repertory company. You could count on Morgan & Wong for the creepy, you could count of Vince Gilligan for the humor and relationship stuff, you could count on Darin Morgan for the “what the hell was that, but I loved it.”

So I guess what I took away was a deep appreciation for the craft, for the work. This carried over to other fandoms. I’m more aware of the creative team beyond the actors.

What was it that got you hooked on the X-Files as a show?

Believe it not, I didn’t watch at the beginning. I’ve always been a Sci-Fi fan but for some reason this wasn’t on my radar. I came in about the middle of Season 1. I was channel surfing and stopped the X-Files, it was the episode “Ice.”  I won’t lie, I stopped because I saw David Duchovny in a henley and I’m never one to pass by an attractive man. But as I watched, I became intrigued by these two characters, and their conflicted relationship with each other, even though I didn’t really know what was really going on. But I had to know more. That’s good writing, where you can walk in half-way through an episode and be captured.

I immediately checked out the old AOL Service forums and found a group. Of course, back then, there was no streaming, there was no BitTorrent. So, you just had to wait until when and if the network decided to show a repeat, which meant you were screwed if you were trying to catch up. But someone on one of the boards offered to send me VHS tapes of the episodes of missed. That’s fandom as its best - I’m excited about this and I want to share it with you. So in about a week I was caught up and hooked. I had to see how these two people’s story turned out.

What got you involved with X-Files fanfic?

I’ve always written as a hobby, taken many writing classes, have always written short stories, worked on a novel or two. I’ve got friends who are writers by profession. But the closest I ever came to doing it professionally was co-writing a play that ran for a month off Broadway many years ago, so I’m a dabbler, at best. I’m a big reader, and good stories always make me think, “well, what if this happened….”

So, X-Files wasn’t my first fanfic rodeo. I had been involved in Quantum Leap fandom and Beauty and the Beast, some Star Trek. Once I good hooked on the show, I immediately began searching out fanfic. But it took me a long time before I wrote anything. I’m not sure why, perhaps I was waiting to see where the story went. But X-Files was different in that it blended one of my favorite genres with a truly compelling relationship story. And I don’t just mean romance, it was a melding of two entirely different ways of looking at the world that was captivating. Scully was so strong and Mulder so complex, how could you not love them.

So, I enjoy writing, I learn from it. I learn from the feedback, both good and bad. I’ve never understood fanfic writers who say “just sent me nice feedback.”  No one loves criticism, and not all criticism is valid. But you learn from it. I’ve had people tell me they hadn’t looked at an episode from that point of view and they like it - and I’ve had people tell me that I didn’t know what I was doing, everyone knew that Scully would never cuss (to which I say, please, she grew up on military bases!)  But it helps you improve.

What is your relationship like now to X-Files fandom?

It was a period of my life I cherish because I met some friends who are still my friends to this day, all these years later because we found other things in common besides a show. It was great to share ideas and debate storylines. And it was a fun, creative, and exciting time. Each episode was must-see and then talking to my friends about it later was the best part.

I started to drift away when David Duchovny left the show. I thought then, and still think, they should have called it a day because the beating heart of that show was Mulder and Scully together. You can’t rip out half the heart and expect the patient to live. On an intellectual level, I got why Duchovny left, I got why Anderson stayed and I got that Fox was a fledging network back then and XF was a cash cow. But on an emotional level, it all turned upside down, especially when the much-promised “search for Mulder” never really happened.

Fans got angry. They were angry at David for leaving, they were angry at Gillian for staying, and they were angry at poor Robert Patrick, perfectly decent person, for merely existing. It got ugly and I got up caught up in that. Frankly, I was as much to blame as anyone in carrying on stupid arguments about crap that didn’t matter. And one day I just realized I’d let all the joy be sucked away, and this just wasn’t who I wanted to be, or how I wanted to spend my time. So, I took a break, I still watched the show as it limped on, but I disconnected from the fandom part of it. And by the time I’d had my break, the show was done!

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I’m always a fan. There are many shows I’ve followed and liked, Supernatural, Fringe, Walking Dead, but I don’t get involved in the internet drama. So, I don’t get as invested.

Who are some of your favorite fictional characters? Why?

I assume you mean besides Mulder and Scully!  In literature, My favorite writer is John Steinbeck and every character he created was indelible and singular. East of Eden is my favorite book and the characters of Adam & Caleb Trask, as well as Cathy Ames are so well drawn.  Of Mice and Men, Cannery Row, they’re all perfect.  Another favorite book and character is Alexandre’s Demas, The Count of Monte Cristo.  The arc that Edmond Dantès’ life take is quite Mulder-esque.  And of course, Harry Potter, I’m a sucker for a character fighting against overwhelming odds.

On TV, Sam Beckett from Quantum Leap.  That was an amazingly well-crafted series, also featuring a female show runner, Deborah Pratt.  I love the character of Raymond Reddington on The Blacklist, there is something about a completely unapologetic bad guy. I would have once said Dean and Sam Winchester, but sadly that turned into a case of staying too long at the fair and I stopped watching a couple seasons ago - But the early seasons rocked. Literally every single character in M*A*S*H was golden, and they knew when to call it quits. Thomas Magnum from the original Magnum PI. (People my age will still remember the “Did you see the Sun Rise, Ivan” episode!)

Do you ever still watch The X-Files or think about Mulder and Scully?

Oddly enough, a few weeks before you reached out to me, I watched the X-Files movie again. I remembered the incredible excitement when it came out. Fox did this tour across the county; it was like a mini-con. But I remember they had the trailer on a loop and my friends and I sat through it so many times we could recite the entire thing by heart. TV shows, such as Star Trek, had made the leap to movie, but I don’t believe a TV show had ever made the leap to films while the show was still on TV. But damn, it was good.

I watched the two recent XF mini-series. They did much to revive the old feeling, especially the episodes by Darin Morgan, who is a national treasure. And it was wonderful to see David, Gillian and Mitch. I’m sorry there won’t be more.

Do you ever still read X-Files fic? Fic in another fandom?

I haven’t in quite a while. Mostly because real life has interfered (work, personal stuff, Covid) over this last year and I have trouble concentrating. But I would certainly return to it, you need the escape of a good story.

Do you have any favorite X-Files fanfic stories or authors?

Oh yes! But they were all from the time I was writing. Lydia Bower, DashaK, BlueSwirl, XFBandit, Paula Graves, Taverl, Prufrock’s Love, and dozens of other are still on my PC.

What is your favorite of your own fics, X-Files and/or otherwise?

Like children, they each have their virtues but some may be harder to love than others. While I love a good smutty MSR, I was also a big fan of conflict resolution. So, I’m going to cheat and split the baby here. Based on feedback, I’d have to day my most popular story was Regular People and its sequel. And I really enjoyed writing that. It’s simple, it’s sweet, it’s what I hope for Mulder and Scully. The chance to just BE, if only for a while.

I wanted to try a slash story, so Wind River. That story was inspired by the murder of Matthew Shepard. I have dear friends in the gay community and I was so angry that this could happen in this country, so that one was about the need to treat people compassionately and who better to do that than Mulder and Scully.

But in truth, my own favorite is one that didn’t get much attention, called Rock Bottom. I wanted to explore that the fact Mulder and Scully, were, on occasion, just truly awful to each other and yet still reason to come back together.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I have a couple unfinished stories. There’s one from Quantum Leap, I want to finish first and when that’s done, I would like to finish the two X-Files that are half-baked.

Do you still write fic now? Or other creative work?

I do legal writing as a profession now, so I write all day long, but analyzing a case or a legal matter is not the same creatively and I do miss that, so I see returning someday, you need to feed your soul.

Where do you get ideas for stories?

Well that’s all over the place, much like my mind! Often I was inspired by something I thought was unaddressed in the episodes. That’s where the Just One series came from. Or it’s a Rosencrantz and Guildenstern kind of thing -- That is, what’s happening off screen while the main action is going on. I find that intriguing, and that’s where Risking Everything came from. The incident in By Coincidence actually happened to a friend of a friend and I thought it would make good fodder. Pentimento came to me following a lecture I attended at a gallery, what happens when you peel back the layers you thought were true. You never know what’s going to connect.

What's the story behind your pen name?

“Chimerical” means existing  as the product of unchecked imagination, given to unrealistic flights of fantasy- which seemed right for a fiction writer, especially for XF. In the early days, it became the phonetic “KiMeriKal” when I was on the old AOL service simply because Chimerical wasn’t available as a screen name! But I’m finally Chimerical1975@gmail.com!

Do your friends and family know about your fic and, if so, what have been their reactions?

Yes, my friends are aware, some of them have been my betas over the years. My brother knows I write, but I don’t think he’s ever read anything because he would find the smut elements uncomfortable coming from his little sister!

Is there a place online (Tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

The most recent versions of my stories are at AO3. If I ever get around to anything new it will be posted there as well.

Is there anything else you'd like to share with fans of X-Files fic?

Thanks for reading, thanks for remembering me, and it was a great time in my life. Fandoms are great communities as long as we can always remember there’s a human being at the other end of the keyboard.  Be kind, be compassionate, and never stop imagining the possibilities.

(Posted by Lilydale on February 23, 2021)

[thebluelemontree]

Hiya blue lemon it's me again. Do you have any criticism in the way GRRM wrote Sansa in book1/2? EX:.Sansa and Jeyne are BFF but we amolst never see the girls talking to eachother, and when JP is sex traffikced sansa just forget about her(we could have a scene where sansa try to find what happened to JP or at least grieve for her). Every time sansa appears as a non-POV in AGOT she's been mean and whe we have her POV she's mean for no good reason(SANSA III AGOT). >PART 1<

And the worst is why GRRM wrote sansa goin to Cercei to tell her the "Ned Plans", it's just bad writing, Cercei kill lady so Sansa going to her was OOC GRRM just wrote that to we hate Sansa And in the book it's not explained what "the Ned plans" was(And it was nothing imortant at all, and would make no difference at Ned's fate) so ordinary readers blame Sansa for Ned's death and GRRM does that too in book 2 Cercei put all the blame for Ned death in sansa nd "the Ned Plans" Your thoughts?PART 2

There’s a lot to unpack here. 

I get a sense that in the early books, George was not as comfortable writing female relationships as he was writing male relationships or even male-female ones. I mean, Catelyn has no female friends, no companions like Margaery Tyrell’s cousins, no fostering wards of her own, no correspondences with other ladies except that one letter from Lysa for plot reasons. This is just weird for the lady of two major houses. It is neglectful on George’s part to give most of the important social connections to men. This doesn’t mean he was totally inept at writing female relationships, though, and it does seem like he’s tried to improve upon highlighting the positive in later books.

By comparison, the positive side of the brotherly relationships are presented so strongly that it tends to smooth over the conflicts with many readers. Jon can feel envious and resentful of Robb, but the love and loyalty is always in the foreground. The conflict between Arya, Jeyne, and Sansa does have legitimate character arc and plot purposes, so this isn’t bad writing. It’s unfortunate that GRRM presses down so hard on the constant bickering and occasional nastiness, but he did write some positives (albeit they tended to be revealed in later books) and there are understandable reasons for the dynamics. It was not done in a totally unrealistic way. What’s depicted is a typical and relatable rocky period for that age group, and there was negative adult influence at play. It’s not a permanent feature of the sisterhood. It’s all there if you pay attention and you’re inclined to be charitable toward the mistakes of young girls.       

If a reader is already predisposed to see the bonds between male characters as more pure and more able to overcome the negative aspects, then they probably also view the bonds between female characters as inherently weaker and more fraught with conflict. Fandom misogyny is not GRRM’s fault. That sector of the fandom will always have contempt for girls for being girls, especially preteen girls. They will always hone in on their faults and belittle their virtues. 

I don’t think that is true that we hardly ever see Jeyne and Sansa talking. They are nearly always in each other’s company. There was real friendship between Sansa and Jeyne, because what George does do well with them, is realistically write the way girls cement their bonds. Young girls strengthen their relationship by communicating and confiding in each other. Sharing secrets, crushes, hopes, fears, and pieces of gossip builds trust and intimacy. Jeyne and Sansa do this all the time, even though they can have different opinions and disagree about a lot.  Yes, there is some one-sidedness in that Sansa socially outranks Jeyne and believes that makes her more mature and wiser than her friend. Jeyne is dependent on her closeness to Sansa as a highborn lady and future queen to rise successfully, so she’s not going to push back on Sansa’s dominance. This is also a reason Jeyne sometimes bullies Arya to supplant her as Sansa’s “sister.” When Sansa has something to share, she goes to Jeyne to talk about it. I think it’s hilarious that the girls have a debate over which castle Gregor Clegane’s head will get spiked. Sansa wants Jeyne at her side for these new and exciting events like the tourney. When things get serious and dangerous, they comfort each other. Again, this is not all George’s fault if some readers don’t recognize or value the way girls do friendships.  

It’s stated quite clearly why Sansa tries to not think about Jeyne or her deceased family members very often. It’s fucking traumatic and her survival while among her captors depends on mentally holding herself together. 

If only she had someone to tell her what to do. She missed Septa Mordane, and even more Jeyne Poole, her truest friend. The septa had lost her head with the rest, for the crime of serving House Stark. Sansa did not know what had happened to Jeyne, who had disappeared from her rooms afterward, never to be mentioned again. She tried not to think of them too often, yet sometimes the memories came unbidden, and then it was hard to hold back the tears. Once in a while, Sansa even missed her sister. By now Arya was safe back in Winterfell, dancing and sewing, playing with Bran and baby Rickon, even riding through the winter town if she liked. Sansa was allowed to go riding too, but only in the bailey, and it got boring going round in a circle all day. -- Sansa II, ACOK.

Following her father’s beheading, Sansa was in a suicidal depression for days. She wouldn’t eat, wouldn’t bathe, welcomed drug-induced sleep, and contemplated killing herself. If she thinks too much on those she lost, she falls to pieces. She can’t openly weep and mourn for “traitors” if her life depends on appearing to be loyal to Joffrey. Most of her grief is suppressed inside. This also includes asking too many questions she doesn’t feel psychologically prepared to hear the answer to. She was there when the decision was made to shuttle Jeyne off to Littlefinger; however, she has no idea this is going to result in Jeyne being sent to a brothel and worse. I would also keep in mind that even if she did ask, it’s not like Cersei or Littlefinger would ever tell her the truth. Why would they? Does she really want to hear lies and have to think about what the horrible truth might be when she can’t do anything about it?  When it comes to Arya, Sansa believes her sister escaped on the ship bound for home. She comforts herself with imagining that Arya is safe and free, and that’s enough to keep her going.  

And she prays and sings for Jeyne, wherever she is.

She sang for mercy, for the living and the dead alike, for Bran and Rickon and Robb, for her sister Arya and her bastard brother Jon Snow, away off on the Wall. She sang for her mother and her father, for her grandfather Lord Hoster and her uncle Edmure Tully, for her friend Jeyne Poole, for old drunken King Robert, for Septa Mordane and Ser Dontos and Jory Cassel and Maester Luwin... -- Sansa V, ACOK.

It’s only until later in the books that Sansa feels emotionally at peace enough to start remembering the good times with Arya and Jeyne without breaking down into tears. We can also see the conflicts weren’t always a thing, and the love was strong with all three.

Sansa began to make snowballs, shaping and smoothing them until they were round and white and perfect. She remembered a summer's snow in Winterfell when Arya and Bran had ambushed her as she emerged from the keep one morning. They'd each had a dozen snowballs to hand, and she'd had none. Bran had been perched on the roof of the covered bridge, out of reach, but Sansa had chased Arya through the stables and around the kitchen until both of them were breathless. She might even have caught her, but she'd slipped on some ice. Her sister came back to see if she was hurt. When she said she wasn't, Arya hit her in the face with another snowball, but Sansa grabbed her leg and pulled her down and was rubbing snow in her hair when Jory came along and pulled them apart, laughing. -- Sansa VII, ASOS.

It was most unladylike, but Alayne sound found herself laughing. For just a little while, as she ran, she forget who she was, and where, and found herself remembering bright cold days at Winterfell, when she would race through Winterfell with her friend Jeyne Poole, with Arya running after them trying to keep up. -- Alayne I, TWOW.

So it’s not even that the girls only bond through confiding. They run, play, and roughhouse with each other. It’s interesting that AGOT!Sansa tried to be so mature and proper, but now that she’s older, she’s remembering how good and freeing it was just to be a kid. But let’s not act like this part of the story is over. Jeyne is still very much alive and seems likely to run into Arya in Braavos. We can almost be 100% certain that Sansa will find out the truth about what happened to Jeyne and what Littlefinger did to her (and her parents), then watch out. Sansa will turn all that buried pain into a righteous fury at Littlefinger.  

Now as for Sansa being mean for “no reason.” Um... yeah, LOL. Sometimes she’s just a total unwarranted bitch to her sister, and it’s not meant to be a good look. Sometimes she’s superficial, insufferably immature and annoying, judgmental and prejudiced AND THAT’S OKAY. I mean, she sounds no better or worse than your average middle-schooler if they were of the privileged nobility. Guess what? Sometimes preteens are really like that. Sometimes siblings have ugly, knockdown drag out fights where they say horrible things to each other. Most will grow past those phases and still wind up just as loving and close. It’s realistic and believable. Sansa has flaws, but they aren’t deep moral flaws. She does an amazing job at growing, learning, and overcoming those flaws over the course of the books. In TWOW, she’s warm and affectionate with people, easy-going, nonjudgmental, and genuinely more mature than ever. She took the stick out of her ass and became a happier person for it. What’s the problem? What did you want her to be? Perfect? Unfailingly kind and loved by everyone all the time? She’d be a saint, not a multifaceted human being. Even with her occasional ugly side, Sansa is still a strong, smart, compassionate badass. I don’t care if some people don’t like her as she is written or if they vilify her with their misinterpretations or ignore her strengths. What bearing does that have on GRRM’s vision for her character? He never set out to write any character that the whole fandom would either unanimously love or hate.    

This is not bad writing. This NOT bad writing. This is GOOD writing.

*Sigh* Listen... this whole nonsense about Sansa being to blame for Ned’s demise has been going on since ASOIAF was written on clay tablets. You don’t have to listen to every stupid thing the fandom says about anything. It’s just factually wrong. End of story. This misinterpretation and reader inattentiveness is not GRRM’s fault, because he lays out all the details of everything that went down between Arya, Ned, and Sansa’s POV as it was happening. It’s totally understandable why an upset and frustrated Sansa would go to Cersei, the mother figure she implicitly trusts and admires. She didn’t go to Cersei to betray her father’s plans. She went to the queen to intercede in what she thought had to be some big misunderstanding, having no idea what was really going on or at stake. 

This is not OOC for her to go to Cersei after Lady’s death. The hand that killed Lady was her own father’s, a undeniable breach of trust that wounded their relationship. Ned just doesn’t really do a lot to deal with the emotional aftermath either. Ned and Sansa are very similar in turning a blind eye when confronted with unpleasantness from someone they love. Ned is also at that moment disillusioned with Robert’s failure to do the right thing after the Trident incident. He begs Robert in the name of their brotherly love and the love he bore Lyanna, and Robert turns his back on Ned anyway. Yet Ned immediately goes right back to believing in the best of Robert’s nature, despite all evidence to the contrary. Every sign points to this being a one-sided friendship with Robert being lazy, irresponsible, and completely selfish. Like father, like daughter. Sansa has a very hard time accepting that Joffrey and Cersei are not the people she thought they were, even when she’s seen some cracks. And since she can’t understand her father’s actions and the communication has been shot to hell between them, of course she runs to Cersei with her problems. Cersei can flip a switch and pretend to be kind, loving, and understanding. 

This is so typical of a teenage thought process:  “Dad just doesn’t understand and he’s making a big mistake. I don’t understand why he’s doing this. He doesn’t get how important this is to me. This will all work out if a sympathetic adult steps in and fixes it. Everything will turn out great and we’ll all be happy.” While Sansa is pouring her heart out about how it isn’t fair she can’t say goodbye to Joffrey, Cersei pretends to be that sympathetic mother figure that really understands her. How hard would it be then to pump Sansa for information? Like “Oh my sweet little dove. I know how much you love my son. Don’t worry. I’ll help you straighten this out. You said your father wants to send you away? How? When? What’s the name of that ship again?”  

And that line from Cersei’s POV is horseshit. Cersei is a liar and regularly lies in her POV to absolve herself of responsibility and force the blame entirely on others. In this case, Cersei is acting like she didn’t totally manipulate a trusting child to betray her.  We also know this is a lie because Ned was the one that told her himself of his plans to reveal the invest and remove her as queen. Sansa had nothing to do with that. All Sansa did was give Cersei information that allowed Cersei the opportunity to take her hostage before the girls could leave by ship. Cersei’s plans against Ned were already well underway. Sansa never came to her with the intent of knowingly betraying anyone, but she did have selfish reasons for going to the queen to complain in the first place. GRRM said himself that Sansa wasn’t to blame for Ned’s capture or death, but she did play a role in the events that transpired. That’s fair. All that makes her is a kid who made a not entirely innocent mistake, but a mistake nonetheless, which she immediately learned from. Does she trust Cersei or Joffrey again? Hell no.  

Relax, anon. It’s fine for her to not be nice all the time. It’s fine for her to have some realistic, garden variety flaws. It’s one of the most universal human mistakes to fall too hard and fast for the wrong person, act the fool over them despite all the red flags, only to realize you only saw what you wanted to see in them. And Sansa learned this lesson at eleven when some adults haven’t learned it at all. Relax. She’s a great, well-written, relatable character who has overcome most of these issues successfully.