#i really like future trunks

[xx-meat-clown-xx]

apparently im watching dragon ball z now. not sure why. just started happening. marijuana really is a gateway drug after all.

[dailycupofcreativitea]

Mullet Trunks to honour the mullet haircut I got a couple of days ago :D

[mclynch]

worlds strongest boymoder

[the-real-jojo]

hikari no willpower

[guidingthulite]

what a polite young man! i sure hope he wasn't saying some untranslatable cursed pun that made his best friend react like that!

[shannonsketches]

Every time I talk to a DB fan who doesn't know or doesn't agree that the whole franchise is an adventure comedy first and an action series second I feel insane but then I find an old Toriyama interview,

You made some comedic scenes where you have minor villains Pilaf & co. appear; how did you come up with a balance between laughs and fierce battles? Do you pay attention to the difference between comedy and battle in making a work “entertaining”?

I believe that, when you combine comedy and serious battles, both of them might come alive even more. As for me personally, though, I much prefer drawing dumb jokes to battle scenes.

as a bonus, every time I'm like 'idk I didn't really like most of the DBZ movies prior to Yo Son Goku and Friends Return and BotG,' and get the 'whAAaaT they're so gOOD' (from my brother, tbh askdjs) but they all seemed really Action-Drama and About the Fight Scenes and I'm like 'meh kinda boring tbh' I get to gaze upon,

In the latest movie, Toriyama-san, you participated in the production from the scriptwriting stage for the first time. What is the reason for that? Was there anything you noticed in coming face-to-face with the work after so long?

I was told about a project for Dragon Ball in its first animated film in a long while, and I read the story outline; while the beings “Beerus, God of Destruction” and “Super Saiyan God” (which goes above Super Saiyan) were interesting, the themes were heavy, and I felt that the world was a bit different from Dragon Ball. Rather than telling them about this or that problematic spot, I thought it would be faster if I just wrote it out concretely, and while I had intended just to give them a model―”for example”―my hand wouldn’t stop, and ultimately, I ended up writing almost everything, including the dialogue. I am reflecting on the fact that I did something terribly rude to the scriptwriter.

Akira "It was bad so I fixed it, oops" Toriyama, Absolute Legend

[thegreatsaiya-z]

Quick sketch of an adult Trunks vs. Future Trunks bc it just seems unfair that Future Trunks gets stuck in an absolutely ruined timeline post Super so. Instead he should be allowed to stick around the main timeline i think

[ap-kinda-lit]

No no not thinking about Trunks time traveling to the early days of the Frieza Force/when Planet Vegeta was destroyed and seeing first-hand what Vegeta had to live through as a child, then afterwards, when he sees present Vegeta again, Trunks hugs his father and tells him he loves him nope not thinking about that

[un-pearable]

thinks about gohan. thinks about goku jr.

[ferahntics]

“I would reunite you with that pathetic runt ,

but by the time I’m finished, even he won’t recognize you!”

[scalproie]

I have a whole essay about vegeta in me but my phone is at 9% so youre all spared right now

[keylimejuice]

dragon ball gt rocked, y’all were just haters :(

[insaneasylumpsychics]

hurricane hit us really hard :(

[reasonsforhope]

Ancient redwoods recover from fire by sprouting 1000-year-old buds

Article | Paywall free

When lightning ignited fires around California’s Big Basin Redwoods State Park north of Santa Cruz in August 2020, the blaze spread quickly. Redwoods naturally resist burning, but this time flames shot through the canopies of 100-meter-tall trees, incinerating the needles. “It was shocking,” says Drew Peltier, a tree ecophysiologist at Northern Arizona University. “It really seemed like most of the trees were going to die.”

Yet many of them lived. In a paper published yesterday in Nature Plants, Peltier and his colleagues help explain why: The charred survivors, despite being defoliated [aka losing all their needles], mobilized long-held energy reserves—sugars that had been made from sunlight decades earlier—and poured them into buds that had been lying dormant under the bark for centuries.

“This is one of those papers that challenges our previous knowledge on tree growth,” says Adrian Rocha, an ecosystem ecologist at the University of Notre Dame. “It is amazing to learn that carbon taken up decades ago can be used to sustain its growth into the future.” The findings suggest redwoods have the tools to cope with catastrophic fires driven by climate change, Rocha says. Still, it’s unclear whether the trees could withstand the regular infernos that might occur under a warmer climate regime.

Mild fires strike coastal redwood forests about every decade. The giant trees resist burning thanks to the bark, up to about 30 centimeters thick at the base, which contains tannic acids that retard flames. Their branches and needles are normally beyond the reach of flames that consume vegetation on the ground. But the fire in 2020 was so intense that even the uppermost branches of many trees burned and their ability to photosynthesize went up in smoke along with their pine needles.

Trees photosynthesize to create sugars and other carbohydrates, which provide the energy they need to grow and repair tissue. Trees do store some of this energy, which they can call on during a drought or after a fire. Still, scientists weren’t sure these reserves would prove enough for the burned trees of Big Basin.

Visiting the forest a few months after the fire, Peltier and his colleagues found fresh growth emerging from blackened trunks. They knew that shorter lived trees can store sugars for several years. Because redwoods can live for more than 2000 years, the researchers wondered whether the trees were drawing on much older energy reserves to grow the sprouts.

Average age is only part of the story. The mix of carbohydrates also contained some carbon that was much older. The way trees store their sugar is like refueling a car, Peltier says. Most of the gasoline was added recently, but the tank never runs completely dry and so a few molecules from the very first fill-up remain. Based on the age and mass of the trees and their normal rate of photosynthesis, Peltier calculated that the redwoods were calling on carbohydrates photosynthesized nearly 6 decades ago—several hundred kilograms’ worth—to help the sprouts grow. “They allow these trees to be really fire-resilient because they have this big pool of old reserves to draw on,” Peltier says.

It's not just the energy reserves that are old. The sprouts were emerging from buds that began forming centuries ago. Redwoods and other tree species create budlike tissue that remains under the bark. Scientists can trace the paths of these buds, like a worm burrowing outward. In samples taken from a large redwood that had fallen after the fire, Peltier and colleagues found that many of the buds, some of which had sprouted, extended back as much as 1000 years. “That was really surprising for me,” Peltier says. “As far as I know, these are the oldest ones that have been documented.”

... “The fact that the reserves used are so old indicates that they took a long time to build up,” says Susan Trumbore, a radiocarbon expert at the Max Planck Institute for Biogeochemistry. “Redwoods are majestic organisms. One cannot help rooting for those resprouts to keep them alive in decades to come.”

-via Science, December 1, 2023

[luveline]

𝐧𝐨𝐭 𝐟𝐚𝐮𝐥𝐭, 𝐣𝐮𝐬𝐭 𝐥𝐨𝐯𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫

When someone hurts you, you and Aaron both need time to get better, and to put things right. fem, 8k

cw canon typical violence, graphic scenes and imagery of assault/battery, recovery, mentions of being sick, issues eating. established relationship, lots of angst and comfort, hotch being vulnerable, jack being sweet 

˚‧꒰ა ✮ ໒꒱‧˚

You lay backward over the luxurious stretch of the couch and sigh as your spine gives a sharp crick. Your head feels heavy after a long shower, your arms ache from a day at work, but the feeling of soft cotton on your legs deters any moping. 

I hope these are more comfortable, his note read, a white post it note stuck to a boutique bag. You wrap an arm around your waist remembering how Aaron’s message had made you feel: spoiled, and considered. 

You’d mentioned in passing that all your pyjamas are old and rough as a consequence, thought nothing of it, and promptly forgot about the conversation entirely. 

When Aaron finally comes home tonight, you’re going to give him a proper thank you. You can imagine his reaction to such a thing, his smile as he says it’s no problem, his eyes shuttering closed as you press a kiss to his cheek. You hadn’t realised how prevalent affection would become in your life after meeting him, but everything he does inspires love. Awful, soft, marshmallowy love where he looks at you and you want to sit in his lap. 

You slide your phone up your chest lazily and click the button on the side to light the display. Aaron hasn’t claimed to know when he’ll be home tonight. All he’d said was to let yourself in. 

It’s odd but not the worst thing in the world to be alone in his apartment. There’s less and less free space each time you visit as Jack begins to outgrow his and his fathers lodgings, but there’s never a stain or bad smell, the Hotchner apartment feels homey. You’re excited whenever you’re invited to spend the night with them. 

Maybe some time soon he’ll ask you to move in, or better, to marry him. You’re not a hundred percent sure how you feel about marriage, about being someone’s wife, but there’s a great well of pleasure to be found in the idea that Aaron would want to marry you. He makes you feel loved already in a hundred different ways but the ring might be nice, like a symbol to signify how much you mean to him. 

You rest your hand across your eyes. It’s silly to think of. Sillier to want so soon. You’ve been together for just under a year, and you have no false hopes about rushing into the future, but it’s certainly a future you want with him (and with Jack, too). He’s taking things slowly for a hundred different reasons but he loves you, and gifts like your new pyjamas cement that. He really listens to you. 

Your phone rings a moment later. 

You smile at the screen. It’s nice to be in love with someone who loves you too. 

“Hey,” Aaron says when you answer, his voice warm even through the phone, “I didn’t think you’d answer.”

“How come?” You sit up with a little start. 

“It’s getting late, honey. I called Jess and Jack was already gone.” He doesn’t say anything further. 

“Are you okay?” 

“I wanted to hear your voice, I think.” 

“Well, where are you?” You struggle to envision him speaking saccharinely like this where his colleagues could hear him. He’s nice to you often, but he’s a reserved man. 

“I’m just,” —a crunching sound of metal, the trunk of his car closing— “about to get in the car. I’ll be home before ten. Can I have you until then?” 

“I don’t see any reason to say no. But do you think you could come home a little faster? I have a crick in my neck.” 

“And you want me to fix that?” 

“You always fix my neck.” 

“How have you done it?” There’s a sound you assume to be the car door closing, but you can’t hear anything beyond that. 

“I have bad posture.” 

“You have perfect posture.” 

“No, it’s quite bad.”

He laughs loudly. It took some time to draw the humour from him but he isn’t as stony as you’d think, and for a while he didn’t have much worth laughing for, anyways. Whenever you hear it, you try to prompt it twice. 

“You don’t have to lie to me, Aaron, it’s just like when you said my weird rash wasn’t weird.” 

He laughs again, to your pleasure. “It wasn’t weird, it was a heat rash, I promise. You act like you’ve never seen heat rash.” 

“One of us goes to hot cities all the time and one of us lives permanently in Virginia.” 

“What are you talking about? Virginia’s far from cold. You’re being argumentative, I can see your smile in my head. I’m never going to fix your crick if you keep acting like that.” 

“No, don’t be like that,” you laugh, tipping back into the cushions. “You’re always such a sore loser.” 

“What did I lose?” 

You can tell from his tone that you’ve promised yourself one of those hugs that borders on a straight jacket tightness, his face tucked into your neck as he asks you to repeat yourself. What did I lose? he’ll ask again, kissing your chin, the line of your jaw. Tell me clearly.  

“It hurts,” you say honestly, “please don’t be mad. I really need one.” 

“I’m not mad… I’m going under the overpass, my signal might cut out.” 

“Okie dokie. Hey, did you eat? I can make you something for when you get home. I got groceries.” 

“I’m not hungry, but you can make yourself hot cocoa, and I’ll drink it when I get there,” he says. 

“Or I could make us both some?” 

“It’s much more fun if I drink yours before you can, honey. You know that—”

You pause in the quiet, then hear a quick beeping. You pull your phone from your ear and find the call disconnected. 

Cruel overpass, you think. 

Sure he’ll call you back, you take your phone into his kitchen and set about finding all the things you’ll need for hot cocoa. One mug, because you should hate when he forces you to share, but you love the feeling of his fingers on yours as he takes it and the thankful kiss he dots on your cheek. 

The kettle is uncomplicated. You toy with the stovetop, set the kettle on the burner, and let the temperature rise. It begins whistling lightly a mere thirty seconds later. 

You click your phone on again. He’ll have passed through the tunnel now and will be calling you back any minute. You stare at the phone, hoping to summon him, slouched over the counter with the tin of cocoa powder by your fingers. The kettle whines with growing heat, but cool air kisses your back. 

Goosebumps rise. Up and down the lengths of your arms, the back of your neck—

A sudden chill. 

The lack of air comes before the hand, the pain a rush, a burst to be away from. Leather on your neck creaking without sympathy as a hand tightens and drags your body back against something hard. 

Not Aaron. Your scream comes strangled under cruel fingers as you fight to move forward again, straight for the burner, the kettle shoved across the burner grate and exploding with scalding water, heat of the burner kissing your chest— you scream, only it’s worse than a scream, sound from the deepest part of you forcing itself past the heat at your neck as you try to fling yourself away from the pain. 

You fall with a hard clout. “Stay still!” comes out enraged against the back of your neck. You drop to your knees, the pain lighting flaring up your chest, your gaze frantic as you search for a flame that isn’t there. You’re not on fire, you’re crawling and then scampering up into a standing position when the heavy weight drops itself on you again and smashes your face into the floor. 

All your fight leaves you. Your ears ring. Your panic wanes but the pain stays alert in your mouth. 

A hand grabs you by the back of the head and drives your face into the ground. It’s like light in your eyes and your nose, the brunt of it, the crack of your bone and the hot trickle of blood that swiftly follows. You gurgle in pain, spluttering and gagging against the linoleum, waiting for Aaron to turn you over and say sorry. It’s an accident.

Blood drains from your nose in spurts to match your racing pulse, so much blood you can see your eyes reflected in the dark stretch of it. Water drips down the front of the stove, your breath aches and begs, and your attacker takes a measured breath. 

He flips you over. You can’t slide away, there’s nothing left in you, your head a second body as he raises something. 

Your phone rings on the counter. 

“Please, don’t,” you plead with a sob.

You pass out as the pain connects. Just as quickly as it started, your body takes the reins. 

—

There’s a strange darkness waiting for you. Like waking before your alarm and stealing those last minutes, body aching, not wanting to get up and face the day. Aaron gets up early every morning, sometimes as early as four AM, and whenever you get up with him your eyes hurt for hours. 

Nothing, nothing, nothing. 

Hey, hey, I think your boyfriend’s coming.

What will he make of my handiwork?

You didn’t stay awake long enough for that one, did you? But you’re waking up now.

The pain is enough to wake you up again, a hot drag down the side of you to your hip and in. You aren’t aware of the sounds you make, but you can hear them. Your panicked squealing as the heat presses further and further in. Your crying, and your whispering, “Stop, stop.” 

“There’s handsome,” the dark voice says. “I’ve gotta go hide somewhere, does he carry after hours? I think I’ll find out.” 

“Oh,” you say, feeling sickly. You attempt to curl into yourself, when did you turn onto your back? “No,” you mumble, lips wet with something hot. 

“Honey?” a voice asks. 

“Honey,” you repeat, woozy again, darkness falling in all over again, where it stays. 

Honey, are you in here?

—

The window behind Aaron’s shoulder is cold. Rain patters fast like floods, thunder occasionally chewing through clouds, and Jack Hotchner cries sluggish tears into his dad’s shoulder. 

Aaron has his eyes closed. They’ve been at this for a while. “Shh, shh shh, buddy,” he says softly, patting the bottom of Jack’s back. He’d sway him back and forth if his arms weren’t about to fall off. 

Jack squirms closer, no room left between them. 

“I know it’s scary,” Aaron says. 

Jack just cries. This approach of quiet support isn’t working; Jack isn’t a baby that needs to be put to sleep, he’s a panicking little kid, and Aaron needs to change gears. He ushers him away from his chest and crosses his arm behind Jack’s back. Careful, he shifts Jack’s weight to free his other arm and brings his fingers up to the silky brown hair dropping onto Jack’s forehead. 

“She’s okay,” Aaron says, stroking Jack’s hair. His little forehead is clammy. “She’s not hurting. I know it looks scary, honey, but… she’s just resting.” 

Jack looks him in the eyes. “Her face.” 

“I know.” He nods emphatically. “It’s hard to see. Blood isn’t nice. You don’t have to see her again today, not if it’s too scary.” 

Jack lifts a hand to Aaron’s face. Clumsy but with clear attempts to be careful, he wipes at the skin under Aaron’s eye. Aaron bites back a smile. 

“I look tired,” he says. 

“Yeah.” Jack brings his hand back to wipe his eyes. He sobs as he does it. Aaron can’t describe the ache it gives him to see it. 

“Buddy, I’ll do it. Let me wipe your face. I can do it.” 

Jack drops his hands. Aaron turns his hand and wipes the smudge of Jack’s tears from hot cheeks, testing the waters with a little smile. 

“I couldn’t see you under all those tears.” 

Jack does a little smile back. “Yes you can.” 

“I couldn’t! But now I’ve wiped all your face I can see you again. You’re handsome, did we know that?” 

Jack giggles. He sniffles, and he presses his palm to Aaron’s neck. “I don’t want her to be sad, dad.” 

“She’s going to be sad, because something scary happened, but it’s okay. I’m gonna take care of her.” 

Aaron would offer to take him home, but they can’t go home. They may not go home for a long time —the team is still trying to work out how someone made it into the apartment without alerting the building’s security or Aaron’s internal system. And then escaped again without Aaron’s notice. Until then, Aaron has to make a decision about a safe house, for himself, Jack, and Jess, though she's extremely unreceptive to the idea. 

Aaron has to look after Jack, and he needs to take care of you. 

“What do you think, bud?” he asks, cupping Jack’s head in his hand. “Do you want to go home?” 

“You said I can give her a hug.” 

“If it’s too scary, we don’t have to. I don’t want you to get upset again.” 

“I’m not scared. I want to give her the hug,” he says. 

Aaron pulls him in for a hug of his own. “Okay, buddy. Just try to think of it like this. She’s where she needs to be to get better. Everybody here is looking after her. She’ll be okay soon.” 

Aaron looks over Jack’s head down the hospital hallway. It’s a quiet ward, and here between the main ward doors and the hallway that leads down to the individual rooms there’s complete silence. Night is approaching quickly again, and with it comes Aaron’s panic. Your head turned into a puddle, your face lax of expression in the dark. He can’t stop finding the women he loves bloody and on their backs. 

“Ready?” he murmurs. “Can you walk with me? My arms are tired.”

“Yeah.” 

Aaron puts Jack down gently onto his feet. He neatens his hair, chucking him under the chin as he goes to see his smile. He’s so pretty, like Haley was, with shiny eyes. He’s a beautiful kid. Aaron takes his hand and together they make their way down the hallway to your room. 

You’re sleeping. 

Aaron herds Jack through the door and to the plastic covered chair by your side, where he lifts him up and sits him down. He stays between you both. Jack isn’t scared of you, just the blood, but he wants to show Jack that he’s going to protect him from anything he needs protecting from. He also desperately wants to touch you, and reassure himself that you’re still breathing. 

He looks for your hand. Your pinky finger is splinted, but he can take it with care, give the palm of it a squeeze. 

The blood matted in your hair has finally been washed away after a turbulent day, as well as the staining that marred your face. Your nose is broken, and looks it, the bruises so fierce your eyes have turned puffy and your top lip has inflamed. There are second degree burns in multiple places but most affectedly on your chest. There’s a stab wound at your hip, allegedly done with a small blade. It nicked your small intestine. The bandages laid over you are a lump under your hospital gown. 

Aaron looks at you, and he feels a passionate disdain for himself. He wishes he could… be someone else. Someone who doesn’t have such a deep connection to a job that hurts the people around him, over and over. Haley used to say he was obsessed with being the hero, but this doesn’t feel heroic. 

“Do you wanna give her your cuddle?” he asks softly. 

Jack stays sitting. 

He’ll have to give it to you himself. Careful, Aaron leans down over your prone body and presses a half kiss to your ear, the only place that won’t hurt. 

You have an IV drip going into your arm, painkillers, an ECG monitor to the left. The room is white but busy, you’re a burst of colour against it all, your cuts and bruises, the evidence of violence he can’t remove. Aaron’s tired. He perches on the gap of bed by your leg and holds your hand, turning to Jack, who watches with a frown. 

“She’s sleeping,” Aaron says. 

“When can she come home?” 

“In a few days.” He feels the pad of your hand, terrified of your broken finger but needing to hold a part of you. 

“Why is she sleeping all day?” 

Traumatic experiences are exhausting. “I think she might want to be alone, so she sleeps.” 

“Should we go?” 

Aaron shakes his head. “I think we should stay. When she wakes up again she’ll be happy to see us, because we’re not strangers.” 

“We’re family,” Jack says. He’d liked that, when the nurse asked you how Aaron was related to you. Family only.

“We’re her family,” Aaron agrees. 

If he somehow miraculously fell out of love with you, you’d still be family to them. You’ve given so much of your heart since you met them. Aaron wants everything you have to give. 

You wake in a slow, slow upheaval. It takes effort on your part, the opening of sore eyes, the dreary decision to face your pain. Your hand jumps in his but relaxes when he shushes you, your slimmer fingers stilling under his rubbing thumb. For a split second, you keep your gaze half-lidded, jaw soft, like you’ve been indulging in a stolen nap. 

Then your breath catches and you screw your eyes tightly. 

“You’re okay,” he says, quietly, and not as lightly as he means to, “you’re okay, you’re okay, you’re okay,” in quick succession. 

“Hurts,” you say, and gasp, a whine stuck in your throat. 

He doesn’t know what to do. Jack shouldn’t watch this but he can’t leave you alone. “It’s okay,” he says, holding your wrist to stop it climbing up your bruised face. 

You were worse the first time you woke up. Catatonic, then sobbing. You mumble and whimper now, pain threading goosebumps down your arms. 

“It hurts too much,” you say. A sob falls out of you like you’ve been ripped open. 

Aaron doesn’t think, but an instinct sparks. The pain, to hit you right out of the gate like this, to make you say something like that when you’ve always always made your problems small, must be torture. It must feel new and sudden all over again. 

Aaron checks that Jack is alright and leaves the room. He looks down one hallway and then the other, but there’s no nurse around —he races to the reception desk and begs the two nurses there for help with you, “She’s in intense pain,” he says, grasping the desk. 

The nurse he’s more familiar with clears her throat. “Mr. Hotchner, she’s already had enough motrin for two people at your request, she really shouldn’t need–”

“Pain is just as important to treat as the injury.” 

A second nurse puts her salad down with raised brows. “Do you want to overdose her?” 

“Excuse me?” 

Aaron has always seen himself as a gentleman, but the argument that ensues is tricky to navigate while remaining respectful, and he’s no closer to better treatment for you by the end of it. He gives each nurse a disapproving glower and takes his phone from his pocket, turning on the spot, ready to call whoever it is he needs to call for a second opinion. He’s not gonna listen to you cry when there’s no need. 

He pushes the door open with the phone still clutched in his other hand. Jack’s climbed onto your bed. He cuddles your face, sitting by your pillows and bent over you protectively. 

Aaron lets out a breath. 

“It’s okay,” he says, his arm behind your head and his arm on your shoulder. “W’gonna take care of you.” 

“I know,” you say, crying without sound, shaking under his arms.

His cheek smushes against your forehead. Your eyes are closed and your face braced for contact Jack doesn’t make, careful not to hurt you as he rubs his cheek into your skin. Your blankets are falling off of you from the squirming and your bruises shine with tears in the light, but Jack has calmed you down some. 

Aaron shouldn’t have left Jack with you. He’s been so scatterbrained since he found you when he should be the opposite, but Jack is doing better than Aaron managed alone. 

“I’m sorry for crying,” you say slowly. “I’m hurting, but it’s not bad. I’m okay.” 

“That’s good. You have a big scratch on your face, and bruises.” 

“I know.” 

“Dad says you have a bruise on your tummy too.” 

“I got lots of bruises, but it’s okay. Don’t worry about me.” You bring your hand up injured and uncaring to rub his leg. “You’re being a really brave boy, thank you.” 

A tear rolls down your cheek. 

“It’s teamwork,” Jack says. “I hug you and you hug me.” 

“Is that what you want? You want a hug?” 

“I want to go home,” he says, hugging you harder. 

You grasp his arm loosely where it’s just under your chin. “Jack, can you move your arm?” you whisper. 

Your breath comes quickly, but Jack moves his arm away from your bruised neck and you try to calm yourself down. 

Aaron jolts himself back into action. “Sweetheart,” he says, rushing to sit Jack back and give you more space. “Are you okay?” 

“I’m fine.” 

He watches. Not sure what to say. Not sure saying anything is wise. You squint at him through your lashes, eyes opening slowly, your mouth a line pressed hard to stop from crying. 

“I think it's time for Jack to go home,” he suggests gently. 

“Yeah,” you say, eyes swimming with tears. 

“No.” Jack squeezes your head again, to your panic. 

“Jack, buddy, please don’t touch her neck,” Aaron says, grabbing Jack from your pillow. 

He erupts into tears again. Frantic and vying for you, Aaron tries to calm him and he kicks against his chest, tears turning to disgruntled sobs at not getting what he wants. You wince, pressing your face completely into the pillow. 

Aaron carries Jack from your room, phone in hand. 

—

Is she breathing? Can she talk? 

I don’t– I don’t know, I don’t– She’s breathing. Honey, can you hear me? I don’t know what to stop. I don’t know where it’s all coming from. 

Where’s the worst of the blood? 

It’s everywhere. 

Abdominal? Chest? 

I can’t tell. I can’t tell. 

Mr. Hotchner, you can’t panic. Does she have a chest wound?

Yes. Yes, but– 

Is she conscious? How’s her pulse? Be ready to start chest compressions. 

Honey, can you hear me? 

Your name said clearly. 

“Hey, can you hear me?” 

“Yes,” you murmur. 

“If you need a minute, that’s okay.” 

You cover your mouth with your hand. Emily Prentiss has a soft voice like your boyfriend’s when she wants to have it. She’s never spoken to you like this, none of his colleagues have, but since the incident, everybody treats you like you’re made of glass. 

Cognitive interviews are meant to happen immediately after an accident, but you weren’t up for company. Aaron promised this would be on your terms, that Emily is the most practised, and that she’s reaped the most information from them than the rest of the team. So far, it’s worked to drag bad memories to the surface. 

“Maybe we should start from the beginning.” 

There isn’t a beginning. There’s just conversation. Aaron’s hand on your heart and his shaky voice, so unlike him.

“Okay.” 

Emily reaches for your hand. She smiles, and her nice features get nicer. That’s another thing they all share, good looks. “Okay. What did you notice, in the kitchen? It’ll help if you close your eyes,” she reminds you. 

You close your eyes. 

“What stuck out?” 

“Nothing,” you murmur. “I’ve been in there lots of times, and nothing ever changes.” 

“Nothing? Not even the drawings on the fridge?” 

“Jack’s particular about his best work, even if I think they should all be on display.” 

Emily’s voice turns to a shard of itself. “What did you do? Can you take me through it step by step? Make yourself a cup of hot chocolate.” 

“I never got that far.”

“What did you do?” 

“I filled the kettle.” 

“What kettle?” 

You don’t understand the need for specificity, but you answer. “Aaron got it for me, when he… he told me he loved me, and when we got home he’d bought me a kettle and a bunch of stuff to make my being there easier. The kettle, because… he said something about superheated water. How the microwave can be dangerous, and this would be easier than a pan.” 

“Alright. Okay, and what did you do after that?” 

“I put the kettle on the stove.” You lit the burner, and heat kissed your palm, and suddenly the room had felt cold. “I got goosebumps.” 

“When?” 

“The kettle started to whistle, and it was cold.”

“And then–”

“Then he grabbed me.” 

“Yeah,” Emily says softly. 

You touch your nose. “I tried… He didn’t feel like a person. He didn’t feel like someone I was fighting, it was just painful.” 

“Like he was quick on his feet?” 

“He was silent. I didn’t hear him until I made him fall.” 

“How big did he feel?” 

Your stomach churns. Big. He’d felt big. 

Where’s the worst of the blood?

“He said he was going to hide,” you remember. 

“He said that? He said ‘hide’?

“Yeah. And he asked me if Aaron carries after hours.” 

“When was this?” 

It’s a headache. You try to remember more, because that’s what they need right now. If you ever want to go home, if you want Jack to go home, you need to remember more. The BAU are good, but nobody can make a map out of slivers. 

“That was at the end,” you say. 

“After he stabbed you?” 

You wince. “Yes. After.” 

“You’re doing so good,” she praises, “I just want to fill in the gaps.” 

“I can’t remember. I was unconscious.” 

“When Hotch found you?” 

“No, before.”

“Before?” she asks. 

You’re sick of sitting there with your eyes closed. Sick of your hands shaking with nowhere to hide them, and sick of feeling sick, your nausea as present as the stinging pain of your burned wrist against your sleeve each time you move. 

You open your eyes and look around the conference room for something interesting. How nice would it be to think of something else for a few minutes?

“He called it handiwork when he cut me. Asked if I thought Aaron would like it,” you say, bordering monotonous as your gaze fizzles, unfocused, across the room. 

“Okay, Y/N. Okay. I know you’re tired.” She reaches for your hands to squeeze at the same time. “You did really well. Any details at all are details we can use to find him.” 

You’re not in the mood for talking anymore. Tears burn your eyes, waiting for a blink to set them loose. 

“I want to see Aaron,” you confess quietly. 

“I’ll find him for you.” Emily stands but bends, the dark of her hair a contrast to her pale face. She’s lovely, and her hand is gentle on yours. “Are you okay? Can I get you something to eat?” 

So Aaron’s not keeping that to himself. “I want to see him, please.” 

“Yeah. Okay.” 

This is a horrible room. It’s not their fault, but the big white board is tacked with bad photos of grisly cases —currently your own. You stare at a photograph of your blood in the kitchen and don’t know what to do. Should you look away? You hadn’t realised you bled so much. 

You turn your chair toward the door. Emily looks back as she leaves and smiles at you softly, but your eyes are already moving to the smaller dry erase board by the doorway. It’s ‘Hotch’s turn to clean up on Thursdays. How strange that they make the boss clean the conference room. 

You can picture him picking up coffee cups and wiping down the table. You can always picture Aaron. 

You can see him hovering over you, his hand pressed to the bloody mess of your hip to stop the blood. 

“It’s okay,” you whisper to yourself, wanting to break from the memory, following Aaron’s example. “It’s okay, it’s okay, it’s okay.” You repeat it into your hands, head tilting down. You sink until your knuckles touch your knees. 

That’s all he says when you panic. He’ll say it over and over again until you can breathe right. I have you, I have you, you’re okay. 

He’s much quieter this time. You hear his footsteps, his familiar gait, your head pounding too hard to move. Aaron makes a sound between a sigh and a hum, like he’s saying a sorry hello as he kneels in front of you. His hand takes your face, rubs softly over your ear. 

“My head’s just hurting,” you murmur. 

He doesn’t respond. You sit together for some time as your mind races with bad memories, your fear a rush of goosebumps down the lengths of your arms and thighs. It’s hard not to think about what happened, mostly because you’re still a walking bruise, your stitches sting when you move, the blisters on your chest ache, all of it inescapable. But it’s your anxiety that plagues you most. You’re in a constant state of dread. 

You had no idea someone could hurt you as badly as they had until it happened, and now you’re desperate not to be hurt again. 

“You have to look after me,” you say eventually, throat sore with how awful it feels to say. 

“Yes, I do.” 

“Please don’t let me get hurt again.” 

Total silence. You sniffle at his lack of an answer, only slightly comforted by his hands at your wrists now, pulling them from your face. “Let’s sit up,” he says, standing himself. “Come on, let’s sit up. You shouldn’t be putting so much pressure on your abdomen.” 

You lean back and everything aches like a stretch after a long run or a bad night’s sleep. 

Aaron pulls a chair next to yours. When he sits, your knees are pressed in between one another’s thighs, so close he could hug you. You might need one.  He’s given you a ridiculous amount of them each day, some for him and some for you. 

He has with him a takeout box and a bottle of water. 

“Here,” he says, popping the seal of the drink. “Three sips.” 

You feel like crying, but you drink. He opens the takeout box to reveal a normal looking sandwich already cut into two halves, but he takes a plastic knife from his pocket, peels away the wrapping, and cuts the sandwich again into quarters. 

“I’m gonna be sick,” you say. 

“No, you’re not. You won’t be.” He presses the sandwich flat with his hands and holds it to you until you take it. “Please, Y/N. You only have to eat what you can.” 

“I don’t want it.” 

“Please.” 

“Did Emily tell you about my interview?” 

He reaches for your thigh. Mildly unlike him when you aren’t at home. You assume it to be a tether for your sake. “No. Is there something you think I should know?” 

“I don’t want to say it again.” 

“Then you don’t have to. Someone will tell me when I get back.” 

You pinch the fluffy bread in your hands, eyeing wearily at the wet insides. “Can I come with you?” 

“You’re having trouble in the cognitive interviews, you won’t want to hear what we have to say.” 

You split the sandwich in half again, watching as salad and mayonnaise ooze from the bread. 

“If you don’t eat, you won’t get better,” he says, a touch stern. 

“I can’t eat when you won’t let me come with you.” 

“I’m not the only person capable of protecting you. I…” He circles your wrist before you can make a mess. “Can you please eat it?” 

You take a bite to appease him, your stomach roiling, food wet and cold on your tongue. You eat the whole quarter queasily, a lump at the back of your throat begging you to stop. 

Aaron takes an empty hand and rubs it tenderly. “Thank you,” he says, that rubbing turned more forceful, his hand journeying to your elbow and back again. 

It’s sweet how attuned he is to your needing his touch, but mortifying. This entire experience had been embarrassing from start to end. Couldn’t defend yourself, can’t get to grips with it, and can’t keep anything down. Aaron looks at you and your bruises and you wonder if he’s seeing you with blood matted in your hair, or hearing you beg for him to get you something stronger. All you’d wanted was a sedative. 

“I’m far from the only person capable of protecting you,” he says. 

“You saved me,” you say. You mean it in every sense of the world. 

“…This is my fault.” 

“I want to be with you,” you say honestly. “I don’t feel okay by myself right now, I just need you, or I feel so sick I wish that I died.” The anxiety is marrow deep. 

Aaron looks gutted. “Don’t say that.” His hand goes back to yours, back to tenderness. “I know you're scared.” 

“Then why won’t you listen?” you ask weakly. 

“I’m listening to you,” he says, his tone a dulcet, pleasing softness you’ve never ever heard before, “I need you to be safe, and I need Jack to be safe, and I can’t do that while he’s still out there.” His brows pinch together, agonised. “I’m sorry you’re scared. I didn’t protect you. But I won’t let anything happen to you again.

“I love you. Please believe that I’m doing what’s best for you right now.” 

You turn your head away. He cups your cheek regardless. 

“I love you,” he says again. 

“I know.” 

“No, I love you.” 

He’s saying sorry.

“I love you,” you mumble back. 

“How are you feeling? Is anything hurting more? Weeping?” 

Your eyes are heavy at his touch. “You only looked at me a couple of hours ago.” 

“Alright. Can I kiss you? I need to go.” 

You don’t answer. Aaron kisses your chin, your jawline, the type of roving, teasing kisses he’d give as he squeezed your sides, only he doesn’t squeeze you, he can’t without hurting you. His hand hesitates just above your deepest wound. 

His bright kiss works to spark a modicum of life back into you. Not a lot, but enough. It was likely his intention, some quick prodding kisses to remind you of something happy between you both. 

You curl your fingers over his hand and turn your face for a chaste peck. He smiles, the curve of his lips evident and relieving against yours. 

“Someone will take you back to the safe house, okay? Give Jack a kiss for me,” he says. 

You nod. Aaron strokes your cheek. 

—

Your assailant could have killed you while you were vulnerable, but he didn’t. “He assumes he’ll have another chance,” Emily surmises. 

“That’s cocky,” JJ mutters. 

“It’s telling,” Aaron says. “But he won’t.” 

The coaching has been extensive. You, sick, a breath from tears and hurting, your shoulders in his hands and his grip too tight. If someone tells you I’m dead, you wait. If Morgan tells you I’m dead, you ask Rossi. If he says I’m dead, you ask Emily. You can’t believe the first thing someone says. No one is going to move you from this safe house to another without seeing me first. If I do get hurt, you and Jack will be moved separately. You will always get my confirmation before you’re moved. 

I’m not gullible, you’d said, wincing at his sharp tone. 

It’s not about that. People will lie, and they will lie well. They will talk their way into the house if you let them. You can’t let them. 

I won’t. 

He’s racing against a countdown, because no matter what he says, what you know, or how many agents wait outside your house, sometimes it’s a force of will. 

Foyet didn’t need much more than that. 

He admittedly feels on surer footing knowing where you are. The decision to guard you without putting you in WITSEC is aching and scary but better, too. He knows where you are. He can be there in ten minutes. No guessing games, but no hiding for you either. 

Your dread is taking over everything you do. Today’s the first day since you came home almost two weeks ago that you could function without a live-in nurse or Jess there to look after Jack, and already he’s worried, because he’d convinced you total honesty was what’s best for the both of you, and so your texts are candid. 

One an hour for his sake, more if you're up to it.

Threw up my beta blockers. Jack misses you, he wants to make you a Lego boat and fishing rod, but I’m not sure how to do it. Please make sure you eat dinner. 

Your next message makes him smile, thankfully. I’m kidding about the dinner thing. Ha. I had one of those gels you got for me, and Jack wants fries, so I’m making waffle fries. 

He texts back quickly. Eat dinner. Please tell Jack I miss him too, and don’t worry about the boat, he’ll work it out. Then, feeling awful, he adds, I love you

Aaron should go home. He’d feel better if he knew he was there to help you keep your medication down, but if he leaves… He knows his team will give you everything they have, but he has more. He can fix this. 

He can’t fix this, god, his head hurts badly. You’re covered in cuts and bruises and burns and he thinks he can make up for that? You’ve been brutalised. Aaron can’t believe this is happening again. 

He rubs his brow. 

“You okay?” Emily asks. 

When he looks up, JJ is gone. 

“I’m fine.” 

“It’s okay if you’re not.” 

He’s not fine, but he knows what she’s asking. “I’m okay enough to do this,” he says. 

It’s hard not to confuse you with memory, your hurting similar to his own, your situation one that he’s already lived. Haley will haunt him for life. It doesn’t usually feel as punishing as he fears he deserves: he gets to remember the best parts of her everyday. He sees her in Jack all the time. He sees her in you, occasionally —you’ll touch his hair or rub his arm like she would’ve done, and it doesn’t make him miss her any more than he does, he’s not in the business of wishing you weren’t yourself, he loves you, but he remembers her. Aaron remembers how he failed her every day. 

He can’t fail you, too. 

“Is it ever easy?” Emily asks. 

Aaron looks around for a bottle of water. “Is what?” 

“Being in love.” 

He thinks about it. “I must make it look hard.” 

She laughs softly. “Sometimes, yeah.” 

Maybe that’s not fair, then, to you. For him to make it seem difficult to love you. To fail to correct Emily when she asks. 

He chooses his words carefully. “Loving her is the easiest thing in the world. But… I continue to work a job I know makes me hard to love in return.” And that puts you in danger. 

It doesn’t feel wrong to be sincere. Perhaps it’s easier with Emily. She saw so much of him during Foyet, and she’s family, truly. He can tell her how intense it’s felt. 

“Well, it doesn’t seem hard for her,” Emily says. 

He shakes his head. 

She continues regardless, “Even during her cognitive, she mentioned the first time you told her you loved her. When it was over she wanted to see you over anything else.” 

But I put her here, he wants to say. Or doesn’t want to say at all, but instead knows with surety. 

“She can’t eat if I’m not home,” he says. What a thing to do to someone. “It’s my fault.” 

Emily smiles, hair slipping off of her shoulder as her expression turns to playfulness. “I think you’re seeing it all wrong. Something bad happened to her, and you’re so safe to her that you make it better when you’re with her. That’s not fault, Hotch. Just love.” 

He turns his attention back to the board without another word. 

—

When the day comes, when they find the man who hurt you, you’re sitting at home with Jack Hotchner in your lap. You’re laughing at his laughing, cartoon fish on the TV, and Aaron’s got a gun in his hand fifty miles away. You both giggle, nearly in hysterics as the safe house living room glows pink and red, Jack’s favourite character swimming hurriedly across the screen, as Aaron negotiates the arrest. 

Usually capable of mediation, Aaron finds his patience completely unravelled. He offers the UnSub two choices: he surrenders now, immediately, and he keeps his life, or he deliberates and Aaron kills him. 

He has reason to believe the UnSub will try again, of course. Will keep hurting you until it sticks. 

He goes home satisfied.

“Dad’s home!” you say excitedly, your movie long finished, your thighs numb and stitches stinging where Jack has leaned against you. You encourage him off of you as the front door closes, the cold air from outside rushing in. 

“Honey?” Aaron calls. 

“Yeah!” You stumble into a standing position, sure you look about as disgusting as you have since the situation began, promptly sitting back down as head rush hits. 

Jack races for the door, meeting Aaron in the hallway with a whoosh. “Hey!” 

“Hi, buddy, what are you doing?” 

“We watched Finding Nemo,” Jack says, “and now I’m hugging you, duh.” 

“Duh. Well, I need to talk to Y/N for five minutes. Can you wash your hands for dinner?” 

“Yeah.” 

“You okay?” he asks. 

“I’m fine.”

You hear the sound of a light kiss, and then Jack rockets across the hallway and up the stairs. Aaron walks into the doorway, tie still knotted but with no suit jacket, and you know what he’s going to say before he says it. He wears a strange expression.

“You got him?” you ask. 

He puts a white bag on the coffee table, looking down at you fondly. “I got him.” 

“How did you find him?” 

He crouches down in front of you. He’s so careful to be harmless to you now, so tentative. “You’re not the only woman he hurt. We dealt with him in the past. From the information you gave Emily during your interview, and the information he left behind, we found him… If you weren’t as brave as you are, I couldn’t have kept you and Jack safe.” He holds your knee. “Thank you.” 

You stare at him. Staring, wondering what he means. “Brave?” 

“Brave.” 

“I’m a coward.” 

He shakes his head. “No. You’re not.” 

All you've done for days is cry and throw up and bleed, literally. You’ve ruined clothes and sheets, thrown up in his lap, terrified and aching. Each time was met with the same gentleness. A kiss on the cheek, or a hand rubbing your back. Is that bravery? You feel like a baby. 

Aaron’s brow is relaxed. He takes your two legs into his hands, and he looks at you with a reverence that leaves you breathless. 

“You’re hurt forever because of me,” he says quietly, you strain to hear him, “because of who I am, and what I choose to be.” 

“How can you say that? It’s not your fault.” 

“It wouldn’t have happened to you if I hadn’t missed his MO the first time.” 

“You’re not putting the knife in anyone’s hand,” you argue. 

“But it keeps happening.” 

His hair shines dark and wet. It must be raining outside, the safe house walls are thick, the windows shuttered permanently, you haven’t heard a peep. You stroke it back from his forehead. 

“Remember… when we first got together, and you told me you were sorry for how hard being with you could be. And I said it was okay, that it wasn’t hard, and you said it would be?” 

“I remember,” he says, practically mouths. 

“I was so afraid when...” You swallow roughly. “I still am. But not– not of you. Not of what you can do. When you told me it was going to be hard, I thought, well, it’s worth it, because I really liked you then and I love you now.” Tears collect in your eyes. Safe. I’m safe. “And you look after me, so– so–” 

You stop as your voice turns to glass, worried you’ll make a fool of yourself and cry in his hands. 

“I didn’t want this for you,” he says. 

“Nobody wants this. Bad things happen to everyone, but who has someone like you to look after them?” 

He breathes out heavily. “Please… don’t cry.” 

You wipe your cheeks, taking a lengthy pause before you say, “I’m okay now.” 

He looks at you in silence. 

“Come and sit with me,” you say, scrubbing your cheeks, hot tears cooling on the backs of your hands. “Your knees.” 

He actually smiles. It changes his entire face. “What about my knees?” 

Aaron sits on the couch next to you atop Jack’s blanket, a bag of pretzels tipping between your leg and his. You attempt to rake his damp hair into submission as his fingers run against your thighs, fishing for pretzels to put back into the bag. 

You’d like for him to grab you and kiss you harshly, give you one of his straight jacket hugs, some roughhousing, but you won’t get that from him until you're better, and even then, it’s up in the air. So much has changed. 

But not everything. 

“I love you,” you murmur, fingertips scratching down behind his ear to the back of his head. 

He turns to you, sagging with relief and exhaustion. “Kiss?” he asks quietly. 

You nod. He holds your cheek, and you close your eyes at the same time for a kiss. It’s not a lot, but you have time. He can give you another one when you’re both better recovered. 

He pulls away. You open your eyes, finding his closed, his face downturned. “I love you.” 

“I love you, too.” 

“Was Jack good?” 

“Jack’s always good.” 

“Did the nurse have anything to say about your chest?” 

“She said it’s healing okay. That I need to use, uh, scar patches when they start to scab.” 

“I can get those.” 

“I know, I knew you would.” 

He gathers you up for a hug. For a moment, you think he’ll move on, that the end of your nightmare will kill his remorse, but he breathes in, nose wedged against your cheek. 

“Do you think that tonight, we could pretend it didn’t happen?” You’d like to just sit with him, press your hand to his chest and doze. It’s the first night in a while that you’ll feel completely. 

“Yeah. I can do that.” He hugs you rather tightly. “Do you want to see your present?” he asks, relaxing his grip. 

“My present?” 

He grabs the bag on the coffee table and places it in your lap. “I’m worried it’ll remind you of bad memories, but I wanted you to have nice things then, and I still do.” 

In the bag, there’s a pair of pyjamas. Very different to the ones you’d been wearing when you were attacked, they were girly and sweet, soft in your hands, these are sturdy. Still soft, but thick. The shirt is short-sleeved and the pants cuffed at the ankles, a hoodie tucked underneath them, and a packet of minky socks. 

“Thank you,” you say. 

Thanks for everything, for saving you twice, for taking care of you at your worst, and for wanting you to have something comfortable to wear at the end of it. To have experienced an abjectly cruel battering will leave its marks in your forever, but you meant what you told him. He looks after you, and you love him. 

He kisses your shoulder. “You don't need to say that.” 

He doesn’t add anything else, his nose pressed to your shoulder, his hand on your hip. Whatever goes unsaid can be felt in the other’s touch. 

˚‧꒰ა ✮ ໒꒱‧˚

thank u for reading!! it’s been a long time since I wrote a fic for hotch and it’s hard to write him being vulnerable but I hope this is alright anyways and that you enjoyed :D please consider reblogging if you did enjoy it (cos that way my fics get shown to more people <3) ❤️

[thewritetofreespeech]

Nowhere is Safe

Pairing: Aemond Targaryen x Reader

Summary: you are awoken in the middle of the night to find out your nephew-in-law is dead and Aemond is trying to throw you out.

----------------------------⚔️--------------------------------

It was the dead of night. Which seemed to be when the most horrible, cruel, inconceivable things tended to happen.

You were fast asleep when the commotion woke you. The feeling like a dream. To the point that you try to ignore it and follow the path of more pleasant dreams fading off into your mind’s distance. The door flinging open, nearly off its hinges, was what fully woke you. “Bleeding hells!!”

“Thank the Gods you’re alright.”

You had seen wild looks in Aemond’s eye before. His schemes. His dark thoughts. His cunning designs. But this wild look was not something you were familiar with. Fear. Enough to invoke the Gods? Something you were fairly certain he didn’t even believe in. “What’s going on?”

The prince said nothing as he rushed across the room with all the speed & grace those years of fighting had afforded him and took you in his arms. Aemond was nowhere near as cruel as Aegon, but he wasn’t one for overly affectionate displays. The closest he would come were peaceful, tender moments after your most intimate times. Now you were starting to sprout fear. “Jaehaerys is dead.”

You pulled back from Aemond to look at him in disbelief. His expression smooth and calm like always. Impossible to read for most, but you knew he was telling the truth. “What?! How?!”

“He was murdered by an assassin in our walls.”

The words are so impossible to believe that you think you might still be dreaming. Yes. Dreaming. This was all a bad nightmare. A terrible nightmare. Who would murder a child?! Who would murder someone within the castle walls? Yes, this was war, but deep down you thought none of them really meant to hurt one another. A child….

“You need to pack.”

Startled from your thoughts and swelling grief at Aemond’s words as he moved away, already helping himself to one of your trunks, you manage to ask, “What…? Why? Where?”

“Anywhere but here.”

He was already throwing all manner things into your trunk. Books, trinkets, some sheer manner of clothing that was more decorative than clothing. All of it going into the trunk with reckless abandon. “Aemond. Aemond stop. Aemond look at me!” He eventually stopped when you grabbed his arm. Ready to throw a vase, flowers, water, and all, in with the rest. “I’m not going anywhere. Alright. I’m not.”

“You have to.” He insisted. “The palace isn’t safe. We must get you somewhere—“If the Keep isn’t safe, then nowhere is safe.”

Aemond seemed to want to argue, but his jaw shut and closed tight. Those sharp lines in his face looking like daggers in his anger. Because he knew you were right. If they could get in here, they could get in anywhere. And more the fools they, but the point was that nowhere was safe now.

“You can’t stay here. I…I cannot protect you here.”

That’s why he was afraid, you realize. Not that you might be dead, though he would torrent the skies if that had been true, but he was scared he couldn’t protect you.

You wrap your arms around Aemond and hold him tight. Who would be next in this ridiculous feud? Aegon’s other children? Rhaenyra other sons? Helaena? Aemond himself?

You feel your grief mounting as you think on it. Who would be next, and who was now lost. Of Jaehaerys sweet face and how you would comment often that you hoped your future children were half as sweet as him. He’d make a fine king, as long as he spent less time with his father. He..would…have made a fine king.

You didn’t realize you were crying until Aemond lifted your head from his chest. “You need to leave.” He brushed the tears from your cheeks, but they all scatter again as you shook your head furiously.

“No. Never.” How could you leave him here, alone, in this place. Where nothing and no one was safe. If you were to die it would be with Aemond. It was the promise you made after all.

The prince let out a sigh. More heaving of shoulder than want of sound. Then he pulled you into his arms again. “You’re a damned fool.” Still, he doesn’t ask you again.

part II III IIII