#i really enjoyed the show!!
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carryondrawing · 6 months ago
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izzenithal · 11 months ago
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Percy “Has Been Waiting to Use This Meme as an Excuse” Jackson, and Annabeth “Never Seen a Meme” Chase
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perfectlyripeclementine · 9 months ago
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when someone finds something that really works on you and they go OH. and you can see their brain go ✨ and they do it again and again for the pleasure of watching your desire for them make you short-circuit
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chloesimaginationthings · 6 months ago
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Vanny mixed up FNAF Help wanted with Digital circus,,
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poorly-drawn-mdzs · 9 months ago
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You keep telling yourself that Namari.
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voylitscope · 9 months ago
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Did you know that between 1939 and 1941 the NYC Tax Administration and the Works Progress Administration collaborated to take photographs of nearly every building in all 5 boroughs of New York City? And that you can see these photos today thanks to NYC Municipal archiving? This is, obviously, amazing for hundreds of reasons. For the purposes of this post, it's fantastic because this is a very real address:
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And when I put that address into the photo locator map, I get this:
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Going from there, we can walk around the surrounding blocks via photographs. And if we assume that Steve and Bucky's pre-war apartment was fairly close to the Barnes', then these photos from 1939 to 1941 are a historically accurate trip to their neighborhood.
So, let's explore some pre-war Brooklyn. For your fic inspiration needs, your feelings, the general Stucky vibes, or just because:
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160 State Street, bigger and without the map.
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(If you ever feel like making the details of a fic incredibly historically accurate, there are so many real businesses to choose from in these photos.)
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Like I said, there are pictures of nearly every building. This is just a small collection of the images I grabbed from the immediate blocks around 160 State. You can walk around the neighborhood in more detail, or anywhere else in 1939-1941 New York you want on the map I used.  
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mintypsii · 1 year ago
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i can't believe one piece invented gay people
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lilybug-02 · 2 months ago
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City of Tears. But Mini.
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I wanted to make an atmospheric art piece with Dewi. And the City of Tears is one of the most sorrowing, beautiful, and grand places to do that. This is a lot of firsts for me regarding the architecture and lighting. The shadows cover a lot, and it may have been too much. I'm happy with how it turned out tho.
No idea how Dewi found his way into the City. Probably magic. Probably plot too :) But oh boy, he is experiencing childlike wonder in his raincoat!
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This is a better show of the line detail I needlessly covered up in the final lol
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aethersea · 2 months ago
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I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.
it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"
plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.
anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.
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thatthirstyweirdo · 18 days ago
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Since I have nothing to post YET might as well show this sketch that I wanted to do in digital and just 😭 never did
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egophiliac · 1 year ago
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so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!
god I hope this reads properly
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heph · 5 months ago
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Wilson is constantly in a state of mild rage (because of House) in this show 🤔
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justheblueberry · 29 days ago
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there are those for whom we weep, the young, the bright, the fair
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otaku553 · 10 days ago
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New blorbo :)
Also a silly interaction with this piece
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jimmysea · 10 months ago
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I'm not going anywhere.
LOVE FOR LOVE'S SAKE (2024)
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forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.
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