#i probably shouldn't hit post

[captainswan618]

Finally got around to watching this video and now I'm frothing at the mouth because holy SHIT it fits him so well

[nemesis-is-my-middle-name]

and happy pride to these assholes. it's still june so i can technially still make that joke right

[linoguy]

-.-

[mechahero]

//lambdacore

[kim-ruzek]

also i woke up to a lot of troll asks in my inbox which like, idk why when i see i've got asks i'm always like ooh people are talking to me bc it's always that bloody troll and i KNEW i'd wake up to a ton, but also it's hilarious because one of the asks says 'i'm not a troll' like dude you sent me a LOAD of insincere asks. you're a troll.

[medicinemane]

Never think that I've stopped talking about Ukraine or that I've forgotten

I follow things every day, every day hoping for some kind of miracle that means the fighting is over, russia will leave every inch of Ukrainian soil, no more bombings... but... I know it's probably some time off... I'm not stupid, I just hope people can stop dying

I follow it every day, hear all the horrible news, keep up to date with things like the Kursk counteroffensive where Ukraine has taken a great deal of russian territory (which shows russia has no red lines)

I just don't share most of what I see on here because I don't want people to get fatigued... there's so many horrible things going on in the world, I don't want to burn people out

I'd rather someone be active and able to do a little than having to just turn off and disengage with everything to avoid losing it

All I ask is that you support Ukraine, they're just trying to exist. Just trying to live normal lives. I just hope you can support the "no civilians deserve to be bombed" platform, and say they don't deserve to be bombed by russia

If you've ever got any questions, it's not like I'm an expert, it's not like I'm living it, but I do follow things every day and it often seems like I know stuff other westerners haven't hear about... so ask away

Anyway, just never think that just cause it's been a bit since I mentioned Ukraine that they're not still on my mind

You hear less for your sake, but I keep coming back every day, and even I don't remotely see the true scale and horror of it, only snippets of... photos, videos, stories people share online

[tea-cat-arts]

Aight 👍

Canon facts about Shang Qinghua:

1. He is competent both as a peak lord and a spy. He was not suspected. Not even by Shen Jiu. And he was generally respected enough in his field and his duties. I don't get the impression anyone was close to him as he was often away for work but he was friendly and not disliked

2. He didn't work after exposed as a spy. Mobei just let him be idle and follow him around. He wasn't running Mobei's court or acting a servant he's just hanging out and being allowed even in spaces he wasn't supposed to be by virtue of Mobei wanting him there.

3. He doesn't fight but he's not expected to and no one really cares except Cucumber

4. Liu Qingge was going to execute him when he showed up at Binghe's palace looking for Plant Shen but the Mobei fought him to protect Shang Qinghua and destroyed half the palace in the process

5. Shen Qingqiu for all he complains and pokes at Shang Qinghua also says they're friends at least once (even though he denies it later) and goes to protect Shang Qinghua from Zhuzhi Lang but Mobei beats him too the punch

6. It is is said that Shang Qinghua is getting beaten 3 times a day but Mu Qingfang is not at all suspicious or worried about Shang Qinghua and the only time anyone notes him being roughed up is Shen Qingqiu noting that his mouth is a little swollen on the corner in one of the extras and puts it down to Mobei hitting him again. Therefore we have no evidence that these are vicious serious beatings with broken limbs. They probably at most left a bruise that was easily healed

7. Shang Qinghua cultivated his golden core before Shen Jiu

9. Linguang-Jun's spies though Mobei was treating Shang Qinghua very well and favoured

10. Luo Binghe does not hate or have bad feelings towards Shang Qinghua. He lets him follow Mobei everywhere, Shang Qinghua revealed Shen Qingqiu's identity as Plant Shen, and Shang Qinghua gave him good advice for nabbing Shen Qingqiu. Further evidence is even if he's annoyed by Shang Qinghua dropping in on him and Shen Qingqiu during their honeymoon he allows Shang Qinghua to eat the extra food in the pot. He let someone else eat some of the food he makes for his Shizun. (Personal headcanon here: Shang Qinghua is his favourite Martial Uncle and the only one he willingly calls Shishu)

[palimundo]

I'm never eating calamari again

[vigilaent]

rules have been updated !

[yikesmary]

options — choi seungcheol x reader

summary: where cheol tries his best to make sure your pregnancy cravings are satisfied—by buying what seems to be the whole convenience store

notes: this can be seen as a pt. 2 to this one shot I wrote back in June of last year (I did not know it's been that long since that has been posted wtf), but it can also be seen as a standalone. I got a burst of inspiration suddenly, so enjoy the one shot! <3

disclaimer: I am not pregnant, so whatever I write about pregnancy is through pure guessing, and also, if I decide to google it! so yeah :)

masterlist

"Did you leave any food for the other customers who might want to eat tonight?" you asked in amusement, watching Seungcheol put what seemed like the fifth plastic bag filled with food from the convenience store onto the table.

"Well, you kept on texting me things the baby might want, so I decided to get everything you've been craving and maybe some things that might work," Seungcheol explained, a bit out of breath from how many times he had to go back and forth.

"Baby, don't you think this is a bit too much? I don't even think baby girl will want a fourth of these," you said, rubbing your pregnant belly.

Ever since you and Seungcheol found out you were pregnant, he had become an even more attentive husband, if possible. He had insisted that you were not allowed to lift a single finger throughout your pregnancy, saying that you shouldn't get tired.

You had to go to the bathroom in the middle of the night? He would wake up the second you called his name, helping you from the bed and waiting outside the bathroom to make sure you didn't fall in or something (it had happened once, and Seungcheol was both worried and amused at the time). You were hungry? Seungcheol was already ordering something from a food delivery app or cooking one of the doctor-approved dishes that he taught himself to make.

He also made sure all of your pregnancy cravings were satisfied, which was why you've found yourself with what must've been the entire convenience store stock in your home. "So where do we start?" you asked, watching as he brought out a ton of different food out of the bags—chips, samgak (and regular) kimbap, ramen packs, and even ice cream from the bags.

"We should probably see if baby wants the already made food, and the ice cream can be a dessert?" He suggested, but you were already eyeing up your favorite ice cream from even before you got pregnant.

Seungcheol saw that you were looking at the ice cream and without fail, gave it to you before going to the freezer in order to put the rest in so they don't melt. "Thank you," you grinned, a mouthful of ice cream, which made him shake his head in endearment.

"Here, smell this," he said, giving you an open bag of chips.

You looked at him weirdly, yet smelled it. "It smells... like chips?" you said and smelt it one more time just to be sure.

"Does the baby want this?" He asked.

"Oh, not really," you shook your head, and he closed up the chip bag and proceeded to grab another bag, presumably to do the same.

"This one?" Seungcheol asked, giving you what looked like the last item, which was a cup tteokbokki.

"Oh, yeah!" You excitedly said.

"Really?!"

"No, I just wanted to make you happy, but the baby's really not liking it," you sighed.

Seungcheol sighed, which made you feel guiltier, as he had bought all of this food, and it was nothing you were currently craving. "I'm so sorry, Cheol. Maybe I can eat something—" you were saying as you were picking up a package of sweet bread, but quickly dropped it once the smell hit your nose.

"No, you shouldn't have to force yourself to eat if you don't like it. It's not your fault our daughter might just be the pickiest eater ever. I'll just bring all of this to practice tomorrow and the guys can eat all of it," Seunghceol shrugged.

You still felt guilty, which he must've seen by the look on your face, which prompted him to grab you gently so he could give you a hug. "Maybe there's something in the fridge?" He suggested, holding your hand and using his thumb to caress the back of your hand.

You thought about it for a moment before releasing Seungcheol's hand, to which he pouted when you did and walked towards the refrigerator. You looked through the fridge, but nothing caught your eye.

Until a bright orange Tupperware lid caught your attention and you grabbed it. Once you opened it, you looked at Seungcheol sheepishly. "I found something to eat.." you said.

Seungcheol stood up walked over to you and looked at the Tupperware. "Isn't this the japchae Mingyu and Jun made?" he asked, and you nodded.

"I guess I'm gonna have to ask them to make you japchae every time you crave it. Or learn it myself,"

taglist: taglist: @belladaises @winterpaos @minhui896 @baekhyunimochibbh @x-alightinthedark @whywontyousetfree @coffeesandrains @slaveofmydreams @bmkgemz @dandycharmer @outrologist @stagefrjghts @dahliatopia @exo-saranghajaaa @uhlatcha @watermelon-sugars-things @miniminimingi @venzline @withloveyjh @lockburn-castle @userjunhuii @mypsychicpizzaworld @violetvoo @maevadobreva @soonyoungblr @baekhyunstruly @ryusol @dunixxd @minhwa @ovai @scorpiobitch88 @icyminghao @cookiehaos @duskunt1ldawn

[prettyboykatsuki]

mixed messages | r. sukuna

✮  tags ; gn + afab!reader, unhealthy relationships, not cheating but reader flirts with gojo while tipsy for fun, undefined relationships, fingering / making out, jealousy, modern!sukuna, sukuna and yuuji r brothers 18+

✮ wc ; 2k

✮  a/n ; a snippet / extension of my modern sukuna post for @arguablyferal. i hope it gives a clear-ish idea of what he's like!!

some more like. relationship explanation in an authors note at the end.

✮  synopsis ; you've never been able to get a good read on him. would he really come to a party just to keep you from flirting with another guy ?

somehow you doubt it.

He's hitting on you.

Gojo is, you think. Though you can't be sure since it feels...a little conceited to believe that a guy like that suddenly developed a genuine interest in you. You can think of a couple reasons he would hit on you, all of them to do with getting on Sukuna's last nerve in their never-ending rivalry.

But it's weird because it doesn't really feel like he's just messing around. As in, it doesn't seem like it's just for that reason.

You know Gojo. Not as close as Shoko or Getou might but enough to comfortably call yourself a distant friend. A little more than acquaintance but less then close.

He's facetious—melodramatic, really—totally by design. By necessity, some of it is an act, but you're good enough at reading him to know what's playful and what's not.

That's why you think that Gojo is really hitting on you. He's using the fact Sukuna, your...whatever, isn't here attending with you. He was supposed to be here but he flaked last minuted on coming with you. You ended up taking Yuuji and his friends though, anyhow.

You're letting him do it. He's serious about hitting on you, and he probably knows you're not very serious about returning his feelings.

But you're entertaining it, despite yourself.

Everyone you know is looking the other way while it happens too. Gojo is leaned close, sitting next to you in a plastic chair, and you're just a little bit buzzed. Humid summer air warms your skin, makes you want to sink into the night.

You're not touching, but you're too close for not-quite-friends. Gojo edges on touchy. A soft nudge here and there, the kind of proximity you shouldn't have. Gojo is a breath away, sober because he doesn't like alcohol.

And he's super friendly, which is nice.

A beat of silence settles between you as the night rolls in a little heavier.

Gojo says you what you assume he's been thinking about all night, without any real introduction.

"You should break up with him," He says, just over a can of soda with a kind of sincerity that makes you restless. You feel your nerves flip.

Your mouth moves before your mind has a chance to fill in the answer. You laugh. "I know."

"You're really too good for him, tsk," Gojo laments, clicking his teeth. Playful again, using just enough drawback so that you don't suffocate in the honesty. You shouldn't entertain this but the attention is nice. "And gosh, you're so much more fun without that dark cloud hanging around you, y'know"

You giggle unconsciously at the thought of Sukuna as a dark cloud. Big and broad with a deep voice—it's an astute comparison. Shaking your head, you give him a playful glance. "Am I really more fun? I feel like I'm not as good a conversationalist as a certain someone,"

Gojo smiles at you proudly. "I'm having fun at least."

You close your eyes and take another, much longer drink. "Yeah, me too."

"If you know you can do better, why bother with him? I figure that bastard might be holding you hostage but," He's serious again, brows raised. "You've got more options, you know?"

You shrug, absently. You don't know the answer yourself. It's one thing that Sukuna never quite lets you leave but it's another thing you come back to him every time. You settle on your reply with closed eyes then laugh a little too loud. Gojo doesn't startle.

"Who knows? But you know, thank you anyway. It's good to have options. Maybe it'll knock some sense into me,"

Friendly again. He's a nice guy you think.

"If it doesn't, make sure to give me a call. I'm pretty great too, y'know."

You give him a lighthearted smile.

It's hard to hear much over the loud thump of music. You're not very in touch with your surroundings and the pleasant air around you all but swallows you.

It takes you a minute. Longer than you care to admit, to realize that someone is approaching you. Even longer to realize who.

Sukuna is looming over you and Gojo when you finally look up.

"Having fun?"

You blink, pulling away to make sure you're hearing correctly. Sinking back into your chair, your eyes flicker up to whats casting shadow overhead. His voice almost bellows, deep and coarse but not loud.

"I thought you weren't coming," Is all you can think to say. Sukuna rolls his eyes.

"Yeah. I thought so too,"

He doesn't ask you to get up as much as he tugs you towards him. He's careful not to pull too hard but you come up still on a stumble, drink still in hand, and face in his chest. Your heart thumps, embarrassed by the sudden warmth. His hand sits on your lower back and suddenly there's a conversation happening overhead.

"Quit sticking your nose where it doesn't belong," He spits. He's talking to Gojo you realize.

"Be careful there, nii-san. You're gonna make it seem like you care."

Sukuna tenses under you before he relaxes again - rolling his eyes. He's not happy about it but you can hear that he's trying not to let it show.

"Stay out of it." Sukuna demands. Gojo whistles.

"Sure, sure. You two have fun there."

Sukuna turns you around like that, your face still in his chest as he drags you away. You hear Gojo laugh faintly as you walk further away from the crowd.

__

You don't really get any explanation from Sukuna as he packs you and himself in the backseat of his car.

He's quiet the entire walk there, and the air is so heavy your lungs can't find a breath around it. He doesn't say anything to you even as he opens the back door. He tells you to get in but doesn't show any emotion you discern.

Instead you end up laying in the backseat with Sukuna over you - cramped as his tongue slips all the way into your mouth and his hands grab your waist. All too sudden, without any ceremony at all.

You kiss back because he's being so suffocating and it's all you can think to do to appease him. As soon as he lets you breathe, you put a hand on his chest and push him away.

You make eye contact but he still hasn't said a word. "Are you mad?"

He sneers. "You tell me,"

He ducks down again to kiss you and you let him this time, doing your best to gauge what exactly he's thinking. You know he's upset, rather - but it's weird. Something is different about it.

His mouth is hot as he hands slide underneath your shirt further- his knees keeping your legs apart as his thigh presses against your clothed sex. You shiver, moaning into his mouth and Sukuna swallows the noise. Gasping, you pull back again.

"All you do is piss me off you brat," He tugs your lip back between his incisors as he speaks, voice bordering on a snarl. "You should know better than to cozy up to that idiot."

You squirm. "I wasn't cozying—"

"You think I'm fucking stupid? Think I don't got eyes to see with?" And then, like he's predicting your next question. "Yuuji texted me."

"And you came?" You stop, keeping him from going any further. "You came 'cause Yuu-chan sent you a picture of me and Gojo-kun....?"

He ignores your question. "Take your pants off,"

You make a face at him but oblige, hands unbuttoning your jeans as Sukuna practically tugs you out of them and your panties in one go. He sits back up on his legs and maneuvers carefully to keep his hands between your thighs. His middle finger runs through your slit, palm putting pressure on your clit.

He's rushing more than normal, mouth crushing yours again in a kiss so heavy it makes you gasp. You feel like you're imagining it but each time you pull back - his teeth sink into your lips until they're throbbing from how hard he's bitten them up.

He's possessive. Always has been. He's territorial over you in one way or another over everything, but it's usually only when you threaten to leave. There's a merit to what Gojo said about keeping you held down. But even in that, there's never any emotion stronger than annoyance to follow your little tantrums. You wouldn't call what you feel now desperation by any stretch.

But it's something more then simple possession and it makes you ache.

"I wasn't gonna do anything with him." You say half-way between a breath. You see his jaw tick with irritation at the mere thought. "It was just for fun—"

He quiets you with his fingers. With his hands, rough - spitting hard on your clit from where above making it splatter against your thighs. His fingers fingers the thick layer of spit and drag them down against your throbbing clit to make it wetter. He touches you hard and fast, places kisses against your jaw and collar before sinking his teeth into the clothed shape of your tits.

His fingers find your pussy not long after. Thick, scarred, intrusive - he slips them in one at a time. As much as he knows you can take until he touches that spot inside of you that leaves your whole body tingling. Knuckle deep, he presses his palms up against your clit to make sure you have the right friction. You moan his name loud, eyes rolling up into your head,

The windows are starting to fog.

"Sukuna,"

He grabs hold of your face with free hand, bordering on a snarl. It's mean you think, but more then that there's a genuine frustration to it that makes you shiver almost shamefully.

"You're mine." He sneers. You feel your cunt twitch unhelpfully at but Sukuna doesn't budge. Doesn't even go to make fun of you He just keeps growling, leaning in to kiss you - forcing his tongue into your mouth and pulling away again. "Get close with that bastard and I'll kill him."

Your stomach flutters in arousal at the aggression in it. The unreasonable, unhelpful, trained part of your brain nearly screams. He wants you, he wants you, he wants. It makes you wanna—

"G-gonna—gonna cum, fuck, Sukuna."

He kisses you again, murmuring against your lips. "Cum,"

Your thighs clamp around Sukuna's wrists as he continues to finger you, grinding yourself the edge of his palm as you ride out your high. Your voice pitches into a high whine, spine arching. It's rushed but intense, scratching the itch but not enough to tamp down the heat completely. You squirt around his fingers in a full blown gasp and find you can barely get your head above water.

You cum hard, convulsing. He doesn't move his hand until you grab him by the wrist and shake your head. Surprisingly, he listens easily and pulls away.

You pause and stare at him after you've caught your breath.

"What's wrong with you today?"

"Stay the fuck away from that guy."

You roll your eyes. "He's right. It's starting to sound like you love me or something. I wasn't gonna sleep with him anyway so chill out."

He scoffs. "Don't even fucking dream of it. I'd kill you both."

You take a second to look at him. You can't read him to save your life. But he's looking back at you, into you maybe, in a way that makes you wonder if there's something about him you're missing. You wrap your arms around his neck just to see if he'll tell you to stop clinging.

He doesn't though.

"Did you really come all the way here 'cause of what Yuu-chan sent you?"

He glares at you. "Are you deaf? Didn't I say that?"

"But then it sounds like you were jealous."

He rolls his eyes. "You're stupid."

"....You were jealous? Really?"

"Shut up already," He says. And maybe it's the alcohol but you swear his face goes warm. "And seriously stay away from that idiot. If I see some shit like that again I'm locking you in the house and chaining you to my bed."

"Weird proposal but okay."

"Dumbass."

"You love me,"

He rolls his eyes and goes to kiss you. Doesn't deny it, you notice. You pretend not to be giddy.

"Whatever."

✮ extended authors note ; hi!! i hope sukunas personality made sense here.

my point with sukuna in modern is that i think it takes away a lot of his unsavory aspects but the deep sense of possession and ownership sort of stays. this is a modern au so he's different from canon in many ways.

he has a hard time committing but he also does not do things he doesnt want to so him spending time with you and wanting your loyalty are both genuine desires. he understands why you're entertaining gojo's flirting and rationally knows it's unfair to want loyalty from you.

but he's into you so he gets. fucking pissed anyway. skjsjd. anyways i hope u liked it and i hope it made sense!! i just wanted to add this incase!!!

[irisintheafterglow]

kid megumi starts a fight. you and satoru finish it.

being fresh out of high school while simultaneously taking care of a second grader was an interesting experience, to say the least. today was no different.

"oh my god; he what? i'll be there in a second, fucking hell," you sputter as you all but shoot upward from your desk, sweeping the post-mission paperwork to the side and grabbing your car keys from the bedside table. the car makes strained vrooms while you impatiently pump the gas pedal, accelerating down the street like a bat out of hell. swerving into the nearest parking space you could find, you forcefully swing open the door to the front office to find satoru waiting in a plastic chair. he mutters an exasperated oh, thank god under his breath before standing and taking your hand, leading you down the hall to the principal's office.

"is he okay?"

"he's fine, i promise." you look at him skeptically, remembering all the times megumi was "fine" yet had scrapes that satoru didn't know how to clean up. "i'm serious. i saw it myself. the nurse cleaned up his nose and iced the hit on his face."

"he got hit in the fucking face?" your jaw drops in shock and you quiet your voice to a hushed whisper outside the principal's office door. "what the fuck happened that he got punched in the-"

"fushiguro's guardians, please come in. we're ready for you," an irritatingly nasally voice calls from inside and it takes all of your willpower not to blast the door open until it's shredded to pieces. megumi's principal sits behind an obtrusively large wooden desk, with the boy sitting by one end and two empty chairs at the other. you immediately drag one of the chairs over to sit by his side, but a wrinkled hand stops you. "please sit across from him, not beside him. he must receive proper punishment and that begins with accounting for his own actions," the principal instructs you and you catch satoru's jaw clench in restrained anger. he wanted to tear the principal's head off for telling you what to do, especially since it was regarding megumi.

"i'll decide where i want to sit, thank you," you reply with forced politeness, sliding the chair next to a defeated megumi. he scoots as close to you as he can and links his pinky finger in yours. it's small, but you know he's trying to manage his anxiety along with yours. satoru shrugs indifferently at the principal but shoots you a proud wink when no one is looking. "they cleaned you up, yeah?" you ask megumi softly and he nods, wincing slightly when your knuckles lightly brush the bruise on his cheek. "i'm sorry, baby-"

"fushiguro instigated a fight with three sixth grade students, all of them older than him. we believe he may have developed issues dealing with his emotions, specifically anger," the principal informs you and you make a great deal of effort to wipe the glower from your face. "student witnesses say that he struck first, and-"

"do you know why he started the fight in the first place?" your eyes narrow on the scrawny, shriveled man behind the oversized desk and he shrinks away slightly.

"no, b-but we believe that violence should not be-"

"violence or not, shouldn't you be responsible for understanding why this occurred outright?" your voice is strained and tense, slightly shaky with repressed anger. you stare daggers into the old man's sunken eyes and catch satoru watching the whole scene with pride. here was a man who knew nothing about a child you considered your own, trying to argue that he started a fight for no reason when you knew megumi would never harm a bee, even if it stung him. before you're able to start a physical fight with the idiot school official that probably saw more board meetings than actual students, satoru's voice cuts in.

"forgive me, but i don't appreciate your tone-"

"we'll be sure to properly discipline him at home, sir," he states emotionlessly, and you wordlessly thank him for wrapping the meeting up quickly. after a few more glares and aggressive signatures on paperwork waiving the school of any responsibility for megumi's injuries, you walk out of the office with satoru's arm around your shoulders and megumi's hand grasping yours. "alright, firecracker. you fizzled out yet or do we need to take you to a kickboxing class real quick?" he presses a tender kiss to the side of your head, clearly unbothered by the way you barreled through that ridiculous meeting.

"put me in an empty field away from people, and i'll make a kickboxing class look like a fucking knitting circle," you mutter vengefully as satoru chuckles under his breath.

"alright, megs. you gonna tell us what happened or are we actually going to need to get you a therapist?" megumi glances off to the side, irritated, but you squeeze his hand once in reassurance that, no matter what happened, you'd figure it out together.

"they were hurting tsumiki," he says quietly and both you and satoru freeze, looking at each other in careful understanding. "she was saying it was just a joke, but i caught her crying while we were walking home."

"so, you decided the best option was to fight them," you say slowly. satoru's hand rubs loving circles on your shoulder and you ask the question you've been holding onto since he called. "well, did you beat them?"

"i did, and that's why everyone is so angry," the boy shrugs and you huff a tired exhale. "are you mad at me?"

"no, megs. i'm glad you defended your sister, but i wish you'd told us what was going on before acting on your own."

"yeah, we could have helped you," your boyfriend whispers and you elbow his stomach lightly. not yet, you mouth to him. let's drop him off first.

"the kids said they were going to get my parents involved. is that why you're here?"

"yes and no," satoru says, opening the car door for you as you slide into the passenger seat. he could have warped back to the school, but he'd silently indicated that he wanted to drive all three of you back. "yeah, we're here to come get you; but, unfortunately for those shithead kids-" you turn to face him in the backseat, a conniving smile creeping onto your face.

"we're not your parents, and we're gonna need those kids' names."

if you enjoy my writing and would like to support me, you can buy me a coffee on my ko-fi! you can also check out my full masterlist here :)

[sawyingthroughthewasteland]

part of me wants to try using the polls since i have them to see if any of my followers actually are interested in my writing and to see if anyone is secretly begging me to write a new chapter or some shit but also I know if I get little to no responses I'll feel really sad and unmotivated so uh

i dunno

[whereserpentswalk]

Hi, I saw one of your latest posts talking about the gender "segregation" where you state that women's only spaces shouldn't exist. So, if that was actually real, do you think me, a cis lesbian woman, should I be using a changing room or a bathroom used also by people with penises?

I would feel very uncomfortable being naked near someone who is biologically a male and I have the right to say no, no matter how they react, cis women's feelings matter too and nobody can tell me when I should be uncomfortable, same thing goes for sports, cis women could get physically hurt if a biological male played against them and this had already happened in a school in the US.

This more confirms how you far left activists don't care about us

I do not care about people's disgust when it comes to means of segregation. Do you think that during the 1960s there was no white person who felt uncomfortable sharing a bathroom with someone with dark skin when desegregation hit bathrooms and locker rooms? Do you think there's no white person who feels that way now (hell, a big reason American suberbs are a thing is that it allows white people to live in white only places post civil rights laws)?

How is your desire to feel comfortable through segregation any diffrent? There is a group you feel uncomfortable with in a space so you want it segregated, I suggest you either not use that space or find a way to be more comfortable. Society may have a responsibility for you to be safe, but there is no responsibility for you to feel safe.

And do you think nobody wants to be segregated away from you? You're literally a queer person, there are people who do not want you in public because of the exact same uncomfortablity with you. You probably have way more in common with trans people than most cis people do. If many people were allowed to remove what makes them uncomfortable from society, you would be forced into the closet. This isn't a hypothetical, the same people pushing for removal of trans people from society have same sex relationships as their next target.

Uncomfortablity is not something society can or should protect you from.

[feelingbat-ty]

This is inspired by @aflamboyanceofflamingos post about Tim choosing to publicly hate Robin as Tim Drake, cause to love or hate someone is the best way to hide a secret identity.

I started thinking about Tim coming into contact with his teammates as a civilian and Tim using this as an opportunity to take out all the grievances he has for his team in a way, that 1) Won't cause tension and fights. And 2) let him get away with being a petty arsehole, cause it's not like superheros can just go and beat up random civilians.

And well... my hand slipped.

--- You Can't Spell Spite Without Timothy Jackson Drake ---

The amount of times YJ comes across Tim Drake in the wild would be concerning if Tim didn't stalk them as often as his busy schedule allows (which turns out to be quite often). The Beta tube in the Batcave and another secret Beta tube in the bowls of Wayne enterprise's Francisco building allows Tim easy and direct access whenever he so desires.

And well, Tim never did grow out of his stalking phase.

It would be comical - if it wasn't maddening - how often they don't realise he's there. Most of the time he's stalking trailing a member of the team he's not trying to hide his presence, it wouldn't make sense for him to, not as Tim Drake.

The team have a tally board that sits in the common room, it's at 85.

85.

His team's situational awareness is absolutely appalling. 85, they've noticed him only 85 of the hundreds of times he's followed them around?

He complains to Dick about it, a lot. He's hoping Dick will give him some tips on how to beat situational awareness into his teammates thick skulls. He was the leader of the Titans, so he has to have something!

Dick - like the asshole he secretly is - just laughs at him.

He asks Cassie about it once. Why they don't find it concerning that they encounter Tim Drake: famous for being the civilian who 'beat Robin in a fight' every other week?

"I mean, You're usually right about these sorts of things, Rob. If you don't think Drakes an issue, then we trust you."

Tim can't figure out whether to feel warm and giddy at the fact that they apparently trust him, or to be annoyed at the fact that they follow after him like sheep. Not even doing their own research and recon (Cassie probably did. Kon and Bart? Yeah, hell would have a better chance at freezing over).

The first time was a coincidence. Tim had needed some space (from Bruce. From his deadlines. From his own mind...) and ended up wondering the streets of San Francisco with no real destination in mind.

An impulse turn led him onto the boardwalk and from there right to Superboy.

It was a bright and sunny day in Fran and Kon was glowing. Literally, because of the sun and figuratively from pride after he stopped a would-be pick pocket-er from pick pocketing an elderly lady.

He shouldn't. He knows he shouldn't, not when the team know of Tim Drake, know his face and all about how he hates Robin and makes it his whole personality. Not when the only thing that stops them putting Tim Drake on Baby Super villain watch is Tims general blasé attitude about, well... himself.

But is it oh, so tempting.

Especially because the month before, Kon had accidentally smashed Tim's favourite coffee mug in a series of event's (involving a yoga ball, shearing scissors, laser vision and a will from God himself) so convoluted that Tim was convinced it had been orchestrated for a solid week.

Was it a cheap mug from Kmart? Yes, but it's the principle of the matter!

As Tim’s left shoe impacts the side of Superboys face, a sense of manic glee overtakes him. Tim takes special care to seer this memory of Superboy getting hit in the head with Tim's shoe and the stupid face he makes as the ratty converse collides with his cheek, into his brain.

It's not much, but it's justice all the same for his once beloved mug.

Tim... might just be a tad sleep-deprived.

Superboy startles and lets out a frantic “Shit!” Assuming he’s being attacked by a surprise enemy (the kind that isn’t just civilians throwing shoes) he looks around, taking stock of his surroundings and looking for any immediate threats before glancing down at the shoe and visibly doing a double take.

His face is blank as he stares - undoubtably confused - at the shoe. A second later he's lifting his gaze, following the direction the show came from and staring right at Tim.

Tim, who (like an idiot) is still, for some reason, positioned how he was when he threw the shoe - arm outstretched and leg back to brace himself.

There is absolutely no way he wasn't the one who threw the shoe. If the stance didn't give it away, then him having one shoe (that shoe being a near identical ratty rad converse) probably did.

“What?” Superboy asks. He looks befuddled. A little amused, but mostly just confused. He's got a small, polite smile on his face that just reeks of Clark Kent's influence. Kon is obviously trying to model himself off of Superman - specifically Superman's polite and approachable "Grandma pinching worthy" vibe and not his fashion choices, since he's still got the leather jacket and sunglasses.

Tim makes a mental note to tell Kon that he has a really expressive face. Tim is literally reading all his emotions in 4K. They should probably work on that, it could be a liability in the field.

Tim briefly considers playing dumb and acting like it wasn’t him that threw the shoe, before dismissing that idea, Kon can be clueless at times, but he’s not a complete idiot.

So instead, he says, “that was a very open-ended question.”

And well, it was.

At the look Superboy gives him, he elaborates, “What, when said in that context, could mean literally anything! Like, ‘what was the purpose of that?’ ‘What’s your name, so I can in-prison you’ ‘What shoe size was that?’ Seriously, dude, be more specific!”

Superboy’s befuddlement takes a sudden nosedive to incredulity. “Okay, fine. Why did you throw a shoe at me?”

“Cause you work with Robin.” He says simply. He'd say 'justice' but then he'd sound like batman and like, thanks but no thanks.

“Cause I- what? You physically assaulted me with a shoe because I work on the same team as Robin?”

Tim, personally, thinks assault is a strong word to use for this situation, but he’s glad that at least some of his lessons on the proper terms and vocabulary are paying off.

He nods, cause that is indeed what he just did, he crosses his arms across his chest, and stares Superboy down.

Superboy who, looks like he’s regretting everything that led him to this moment. Tim relishes in that for just a little too long to be healthy. Probably.

Tim doesn’t really care. He told Kon (as Robin) that he’d regret breaking Tim’s favourite mug (accident or not, he's still not over it.) yeah, this might not be how either of them envisioned it, but Tim thinks this might just be better than beating Kon up as Robin in their next team training session. What better way to get someone back than to publicly humiliate them in front of all their peers? Shame he can't do that anymore.

Eh, who is he kidding? He’s still going to do that anyway.

“You’re only gonna throw one?” Superboy has a look on his face that’s similar to the one Bruce gets when he’s decided to give up and play along with the crazy. The one where he'll smile and nod, slowly inching out of the room, as Duke and Damian (There has truly never been a more terrifying duo) explain to him in vivid detail how they're going to use psychological warfare to make a shitty teacher at their school resign.

“Yes.” Why’d he throw both his shoes? He’d have no shoes!

“… Right. Why did you throw this one?”

All these questions!

“I like that one the least,” he shrugs, and it's true, the converse on his right foot has a little bi flag that Steph sewed into it back when they were dating. A throw pillow was the closest thing in reach at the time, so he sewed a little pan flag on it for her (he later did one on the breast pocket of one of her denim jackets).

“You are so freakin’ weird, dude! You throw a shoe at me! Because I work with Robin!”

Uh, yeah, we've already established that.

“How did you even get it off that fast!”

To be Honest, Tim is also surprised at how fast he was able to get his shoe off. One second he’s looking at Superboy the next he’s lobbing a shoe at his thick head.

Instead of saying any of that, Tim channels his inner Janet Drake, sticking his nose into the air and scoffing like Kon is the literal gum stuck on the sole of his shoe.

Kon, - because he’s no longer Superboy, he’s too fired up to hold onto the mask - shakes his head. It’s mocking, when he says, “You must be really shitty at throwing a punch if you had to resort to throwing shoes.”

Tim shrugs, “Well, I woulda thrown a fist, but you’re not worth a fist.”

Kon is silent and doing an amazing impression of a blobfish.

Tim turns and struts away before Kon has the chance to come up with a rebuttal, or just decides to punch him in the face.

He’ll grab his shoe later, after Kon leaves.

The basted incinerated his shoe.

[supersoakerfullofblood]

Point of View: the Biggest Thing You're Missing!

Point of view is one of the most important elements of narrative fiction, especially in our modern writing climate, but you rarely hear it seriously discussed unless you go to school for writing; rarely do help blogs or channels hit on it, and when they do, it's never as in-depth as it should be. This is my intro to POV: what you're probably missing out on right now and why it matters. There are three essential parts of POV that we'll discuss.

Person: This is the easiest part to understand and the part you probably know already. You can write in first person (I/me), second (You), and third person (He/she/they). You might hear people talk about how first person brings the reader closer to the central character, and third person keeps them further away, but this isn't true (and will be talked about in the third part of this post!) You can keep the reader at an intimate or alien distance to a character regardless of which person you write in. The only difference--and this is arguable--is that first person necessitates this intimacy where third person doesn't, but you still can create this intimacy in third person just as easily. In general, third person was the dominant (and really the only) tense until the late 19th century, and first person grew in popularity with the advent of modernism, and nowadays, many children's/YA/NA books are written in first person (though this of course doesn't mean you can't or shouldn't write those genres in the third person). Second person is the bastard child. Don't touch it, even if you think you're clever, for anything the length of a novel. Shorter experimental pieces can use it well, but for anything long, its sounds more like a gimmick than a genuine stylistic choice.

Viewpoint Character: This is a simple idea that's difficult in practice. Ask yourself who is telling your story. This is typically the main character, but it needn't be. Books like The Book Thief, The Great Gatsby, Rebecca, Dr. Jekyll and Mr. Hyde, and the Sherlock series are told from the perspective of a side character who isn't of chief importance to the narrative. Your viewpoint character is this side character, the character the reader is seeing the world through, so the main character has to be described through them. This isn't a super popular narrative choice because authors usually like to write from the perspective of their most interesting character, but if you think this choice could fit your story, go for it! You can also swap viewpoint characters throughout a story! A word of warning on that: only change your viewpoint character during a scene/chapter break. Switching mid-scene without alerting the reader (and even when you do alert the reader) will cause confusion. I guarantee it.

Means of Perception; or, the Camera: This part ties the first two together. If you've ever heard people talk about an omniscient, limited, etc. narrator, this is what they mean. This part also includes the level of intimacy the reader has with the viewpoint character: are we in their heads, reading their thoughts, or are we so far away that we can only see their actions? If your story is in a limited means of perception, you only have access to your character's head, eyes, and interpretations, where an omniscient narrator sees through all characters' heads at once. (This doesn't eliminate the viewpoint character--most of your writing will still be in that character's head, but you're allowed to reach into other characters' thoughts when needed. You could also be Virginia Woolf, who does fluidly move through everyone's perspectives without a solid viewpoint character, but I would advise against this unless you really are a master of the craft.) Older novels skew towards third person omniscient narration, where contemporary novels skew towards first person limited. You also have a spectrum of "distant" and "close." If omniscient and limited are a spectrum of where the camera can swivel to, distant and close is a spectrum of how much the camera can zoom in and out. Distant only has access to the physical realities of the world and can come off as cold, and close accesses your character's (or characters', if omniscient) thoughts. Notice how I said narration. Your means of perception dramatically effects how your story can be told! Here's a scene from one of my stories rewritten in third-person distant omniscient. The scene is a high school football game:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” She shivered; the wind blew in. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, stuttered there, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” She met his eyes, which he pulled away. “You don’t mean that," Piper said. “Maybe not. He’s too confident, though.” The cloth of Carmen's uniform caved and expanded under Piper's fingers.

With distant-omniscient, we only get the bare actions of the scene: the wind blows in, Piper shivers, the cloth rises and falls, Carmen points, etc. But you can tell there's some emotional and romantic tension in the scene, so let's highlight that with a first person limited close POV:

“Sometimes,” he said. “Not much anymore.” “It’s not better, then?” Frost spread up from her legs and filled her as if she were perforated rock, froze and expanded against herself so that any motion would disturb a world far greater than her, would drop needles through the mind’s fabric. A misplaced word would shatter her, shatter him. “A little.” His tone lifted. “I don’t know if it’ll ever be better, though.” She placed a hand on his arm, thought better, and slipped her arm around his waist. “Did it help to be on your own?” He raised an eyebrow. “You were there.” “Yes and no.” “And the guys, the leaders.” “Come on,” she heckled. “Okay, okay.” Carmen sighed. “Yeah, it helped. I don’t think—I don’t know—I’d be me if they’d fixed it all.” She grinned. “And who might you be?” “Oh, you know. Scared, lonely.” He fired them haphazardly, and a bout of laughter possessed him which Piper mirrored. “Impatient.” “And that’s a good thing?” “No.” He sat straight. “Gosh, no. But I don’t want to be like him, either.” He pointed to the field; Devon recovered a fumbled ball. “He’s never been hurt in his life.” “You don’t mean that.” She spoke like a jaded mother, spoke with some level of implied authority, and reminded herself again to stop. “Maybe not. He’s too confident, though.” Piper felt the cloth of his waist cave and expand under her fingers and thought: is this not confidence?

Here, we get into Piper's thoughts and physical sensations: how the frost rises up her, and how this sensation of cold is really her body expressing her nervous fears; how she "thought better" and put her arm around his waist; her thought "is this not confidence?"; and how she reminds herself not to talk like a mother. Since I was writing from the close, limited perspective of a nervous high schooler, I wrote like one. If I was writing from the same perspective but with a child or an older person, I would write like them. If you're writing from those perspectives in distant narration, however, you don't need to write with those tones but with the authorial tone of "the narrator."

This is a lot of info, so let's synthesize this into easy bullet points to remember.

Limited vs. Omniscient. Are you stuck to one character's perspective per scene or many?

Close vs. Distant. Can you read your characters' thoughts or only their external worlds? Remember: if you can read your character's thoughts, you also need to write like you are that character experiencing the story. If child, write like child; if teen, write like teen; etc.

Here's another way to look at it!

This is a confusing and complex topics, so if you have any questions, hit up my ask box, and I'll answer as best I can. The long and short of it is to understand which POV you're writing from and to ruthlessly stick to it. If you're writing in limited close, under no circumstances should you describe how a character other than your viewpoint character is feeling. Maintaining a solid POV is necessary to keeping the dream in the reader's head. Don't make them stumble by tripping up on POV!