#i often don't like anime style comedy at all a lot of it is based on tired tropes and stuff

[alicenpai]

BABES WAKE UP. DUNGEON MESHI TRAILER DROPPED

come talk to me at anime north tomorrow about dungeon meshi im all caught up 🥹🫶

seeing this tankobon obi from a while back with the anime announcement on it feels so nostalgic now!!!

edit: Lines in Motion is so real for this one. love their video essays

[psi-spectacular]

I don't like hazbin hotel (shocker)

A lot of the problems come down to three things: 1. Viv's issue with being unable to let a concept go, 2. Her inability to maintain a consistent tone, and 3. The fact that it only has eight episodes. Look at helluva boss for example. So many villains get cliffhangers that say "oooOoOoOo I'm gonna reappear in another episode, just you wait!!" And they either just don't or the execution is completely flubbed stryker-style. And what is the show supposed to be? Is it a slice of life comedy about imps killing people on the surface? That concept was basically abandoned like five episodes in. A serialized drama about a complex relationship? Nope! the exploration of Blitz and Stolas's toxic relationship is returned to status quo for gag comedy. OOP! We've got two new characters to center the episodes around while abandoning the core cast!

Now look at Hazbin. I really liked the pilots concept! The idea of sinners being redeemed was interesting, the animation was nice, the characters were compelling, and I was really interested to see how they would develop over time and become better people! Then episode one of the new season comes out. Suddenly its about how heaven sucks actually (Off topic but can we talk about how in the opening exposition, Charlie talks about how angels kill demons to keep them from rising against them, and then in the meeting with Adam talks about overpopulation? What's up with that?) and quickly turns into a war against heaven plot.

You know the main concept of the show? Redemption of sinners? Yeah. I can count how many episodes are about that on a couple fingers. And count how many characters are actually there for redemption on two. And there are so many side characters they like to focus on rather than, I don't know, Focus on Charlie?

Thats another problem! Charlie barely has a focus. You'd think, as the main character, she'd get some sort of development, or some kind of arc, or at least more of a personality than "sunshine princess with big dreams". I don't use this word very often or very lightly, but shes very much mary-sue ish. Her obvious issues (IE seemingly weirdly fundamentalist christian ideas on redemption, constant overstepping of boundaries, the fact that she barely seems to put anything into her relationship with Vaggie while Vaggie falls over herself to make sure Charlie's happy, Very visible savior complex) are never discussed or adressed, and the fact that her hotel is based on an idea that doesn't have any evidence of actually even being possible is only ever addressed by antagonists who are supposed to be in the wrong. She doesn't change, she doesn't do much, but still manages to get everyone to sacrifice themselves for a hotel they're supposed to be super attached to. But we're never shown WHY they care.

And don't get me started on the side characters. The V's are only important in 1-2 episodes and never again, Carmilla exists as a plot device, Lucifer's... Lucifer, Adam is a one-note sexist strawman, and they just... Keep introducing characters. Pentious, Cherry, Mimsy, Cannibal town! You care about these characters! You must you must you must!!!! What do you mean you don't know who these characters are? Of course you do! They were in the plot important pilot that you have to get on youtube to watch!

These characters could have been explored so much better if there was more time in the show. Yes, thats the fault of Amazon, but when you're working with constraints, you need to learn how to work within these constraints. Keeping the "Heaven bad, hell good" thing for the second season while leaving the first season to focus on character development would have made the final battle so much more impactful. It's like an anti steven universe. People complain about how much filler steven universe has, but without that "filler" we wouldn't care about the characters as much as we do. Hazbin hotel, on the other hand, is like watching all the "intense, plot important" episodes without any context of who these characters are and why we should care about them.

At some point, when you're working in the industry, you need to learn that you need to trim the fat. Get rid of certain characters and plot points. Kill some characters off if you need. Wait to introduce a concept. If you can only work with a short amount of episodes, focus on making a good story with well developed characters first and a grand finale later. If you can wait, Wait. If you can't, don't. I know there's a second season but I genuinely don't know how it can go from here. Adam's dead, a sinner is redeemed, the hotel was rebuilt bigger and better than ever... what now?

TL;DR Hazbin Hotel reminds me of me and my friends old edgy gods and goddesses discord roleplay from when I was 13 than an actual planned story.

Sorry for the essay. Its honestly painful seeing something I looked forward too for years flop so hard on the execution. I love the concept, the songs, the animation is.... okay, Angel dust is best boy, but everything else is just eh. Mid. It tries to be so grandiose but I just felt bored and very confused throughout the whole thing, and very uncomfortable during episode 4. Its not offensively bad (hell, its barely even as offensive as people say it is) But its just. Not good in my opinion.

[ladyloveandjustice]

2023 Anime Overview: SHY and Migi & Dali

SHY

Premise: In a world where every country has a superhero, 14 year old Teru is Japan's. Her hero name is Shy, and that's exactly what she is-- she's a bit of shrinking violet at times and deals with social anxiety, which makes the public part of being a hero a struggle for her. But with a mysterious boy going around and turning people's hearts and pain against them to make them into dark, painful threats, she and the other heroes are going to have to step things up.

SHY is very much a magical girl show with am American-style-superhero coat of paint, and that's really what draws me to the series. Powers are based on your heart and emotions, the heroes friends and loved ones have their pain and despair manifest as terrible powers when induced by an outside force and then our heroes having to reach out to these people with love and compassion...it is so magical girl core. There's even a magical battle where mother and daughter must reach out to each other!

Also very distinctly magical girl-esque is how a lot of the series is focused on Teru and her cute girl bff having yuri undertones. Said friend calling out her name even activates Teru's "heart" and her powers truly awaken. IDK Teru that's pretty gay.

It does some things that are cool to see in a superhero show- like centering female characters and featuring a disabled superhero. This Anifem article also has an interesting take on one of the fights.

It's also not overly fanservicey so far either, though Teru mentions once that her leotard is skimpier than she's comfortable with (apparently magic assigns them their clothes) which sucks, (and it highlights her rear more than I'm comfortable at times considering her age). Let her have pants! But hey, after dealing with MHA's bullshit, I'll count my blessings that it's a regular leotard.

SHY is often a little silly-- the fact that apparently every country getting a superhero ended ALL WAR somehow is so ridic it wraps around to being endearing. It's also engages in some national stereotypes --for instance the Russian superhero who is Shy's mentor whole schtick being that she's always drunk (but you see it's okay because her alcoholism is based in her childhood love for her parent and she's fine and). There's a weird moment where an adult acts like she's going to kiss a teenager as a prank, and the pacing is a little uneven.

But when it hits, it really hits, and you really root for Teru. Seeing a superheroic take on struggling with social anxiety is fun, and Teru's passion and strength shines through. I'm excited to see more of her adventures, and fortunately a second season is confirmed!

Migi & Dali

Premise: Orphaned twins Migi and Dali perform an amazing con to get adopted by a couple (who mention preferring to adopt only one child)-- they decide to pretend to be only one person, a boy named Hitori, with one of them always just out of sight as school or at home. They go to absurd levels to keep this up because they have an important goal-- their mother was murdered in this town, and they're going to do all they can to find her killer. But what mysteries does this suburban town hold?

It's hard to put Migi & Dali into words, but I'll do my best. It starts out as an utterly absurd show that plays it's "spookiness" so ridiculously that it becomes comedy (Mother's Basement compared it to the potato chip scene from Death Note, and I think that's apt, though it's very much intentional with this show). Seeing the ridiculous lengths the twins go to in order to keep up their con is amazing. Situations like them assuming their foster mother must be scalping children because they don't understand what a wig is or one twin throwing on a wig on so the other twin (who should know what he looks like because he can LOOK IN THE MIRROR) doesn't recognize him are hilarious.

But then the show also becomes a tightly plotted and genuinely tense murder mystery that is incredibly moving at times? WHAT? All while keeping up it's signature brand of goofiness and absurdity! Side characters I did not expect to care about go through great development, Migi and Dali have some great character arcs, there's some genuine commentary on abuse, the damage you can do to children by forcing perfection on them, the struggle of being a foster kid, grief and recovery and more.

There are some things to warn for--parental abuse, rape through deception (def framed as bad, but yep. that happens), general harm to children, a very uncomfortable strip search of a child that involved ass-grabbing, and the weird bits where teen characters are kidnapped and forced to dress up and act like a baby (which turns out to be very thematically important and follows an interesting arc of being played partly for comedy at first then becoming deadly serious later) and of course the murder and stuff you'd expect from a murder mystery. (There's also some stuff involving infertility I think is fraught, but I can't really get into it without spoiling).

I know that's a huge list, but the show is definitely very rewarding--entertaining and full of more incredible twists and turns that one show has any right to be. Including the greatest housekeeper of all time, i would follow her into hell.

I can't get into more without spoiling, but yes, if you can handle this weird, wild ride, you should absolutely go on it. Sano Nami was a true talent.

[midnight-rice]

@lildoodlecat answering this on my sideblog so as not to confuse the tales fans on my main 😅

--

aaaaaa i'm being invited to go off about a random fixation???? thank youuuuu that's so sweet ;_;

OK SO i feel like I should preface by saying I'm probably not the prototypical fan of this show? I watched it more recently when I was older so my nostalgia isn't based off of childhood memories, I just found a really fun show during a kind of depressing time of my life (2020 lol need I say more?). Also a lot of the fans seem into the shipping scene which is fine i guess but i think they're all sleeping on the potential of the adorkable found family of superpowered teenagers who all live together unsupervised and don't even know each other's real names (seriously they're in costume 24/7 and call each other their work names 😂).

I'll guess I'll start this pitch by listing my favorite things about the show in descending order… which means starting with the animation of all things 😅 There are so many well-animated movies and shows out there but I have yet to encounter one so visually appealing to me personally than Teen Titans (2003). I'm a cartoonist at heart, I generally love exaggerated facial expressions for comedic purposes but Teen Titans really hits for me because it's deliberately styled after anime, with familiar visual language like the red blush lines of embarrassment or the large sweatdrop of anxiety. IIRC Teen Titans was produced by Warner Bros, aired on Cartoon Network, and largely outsourced the animation to Korea, but the homage to Japan is so strong that not only is there a variant of the opening theme performed in Japanese but also the one (1) movie they made is set in Tokyo.

But on top of the silliness of the visual gags the rest of the show is also super well animated, especially the fight scenes!!! Sure some sequences are a little stiff but you can tell that's because they were saving the budget for something like a 360 rotation of the entire group mid-battle (something that seriously impresses me in 2D animation) or a hand-to-hand death match that was almost certainly mo-capped of professional martial artists. Robin in particular is my favorite to watch because he is canonically skilled as an acrobat AND a martial artist and the animators Understood That!! The squash and stretch! The swipes! The smears! I'm swooning 😍 He is a skrunkly rubber band and I love him. (also random side note but i love how much their team's strategies involve yeeting each other at the enemy 😂 like "there is a problem, i'm gonna solve it by throwing my friends at it. i'm sure it's fine BeastBoy will probably turn into an elephant by the time he gets there and not go splat against the monster literally made of concrete")

Moving on from the gorgeous and creatively choreographed fight scenes, I'll try to capture the overall vibes I love about it the most. I'm someone who's always down for a story that's character-driven, balanced between comedy and angst, and above all is genuine and true to itself. In other words, I really respect the tone and way a show handles itself, and Teen Titans (2003) really delivers here. Some episodes are the wackiest nonsense you can imagine (every season has one episode I dub the "pink elephant episode" because its whole purpose is to flex the East coast animation influences in purely abstract sequences often accompanied by music). Some episodes are alarmingly dark and edgy (as an angst and whump lover, my favorite episode is S3 ep31 Haunted in which Robin has a mental breakdown and violent delusions so intense they're worried he's going to go into cardiac arrest… in a kid's show 😅) But what matters most is that both types of episodes are presented with as much gusto and geniuine effort as it is possible to cram into a 23 minute runtime.

They don't hold back with the visuals (so many unique POVs and I love the sponge-like texture in the backgrounds), or the acting (all of the voice actors are top-notch though I can't unhear Lloyd Irving as Robin 😅), or even the score (seriously this time around I was marveling at how well the music accents the emotions of the scene as well as the content, like supervillain Billy Numerous having a repeating banjo motif to represent his duplication powers and Southern US origins). I actually think the worst part of the show is the content itself 😅 this is where it becomes clear it's a kid's show, through cliched tropes, ham-fisted morals, and predictable dialogue, but as someone who's still obsessed with Tales of Graces you can probably guess that cliches aren't something that bother me too much, not when they're being performed with whole-pussy effort 😂

When I first watched the show I watched every episode (all 5 seasons, the movie, and even the lost episode) and made a list of ones that I felt like I enjoyed the most. That's what I've been using to guide my current rewatch, because there are episodes that are a little too childish or moralized or weird to me. If you want me to forward you the list I'd be happy to, but I will admit my selection is very biased toward my own tastes that you might not agree with, and that even my least favorite episodes still have decent entertainment value… with the exception of season 5 😅 idk if this is a controversial opinion in the fandom but I do not care for the last season of Teen Titans at all, you can skip it. I don't know the exact details but there were clearly some developmental and probably networking issues at this point in the series' life, and it shows in the drastic drop in quality (especially in the animation, going from glorious sakuga to powerpoint slides hurts my soul 😭). The content also suffers a bit, going from 4 seasons purely focused on the main 5 with some side characters along the way, to expanding those side characters into the main focus which, although I like them, means that none of the characters feel quite as developed since the focus is spread across too many.

Anyway I guess that's the gist of my pitch 😁 thanks for lending me a platform from which to yell from, I have no idea why I fell back into this fixation rn but it's twice as satisfying when I get to talk about it with a willing audience 💜 thanks Jay!!!!!!!!!!!!!!!!!!!!

[coralinnii]

Hi....If you don't mind, can I ask, what are your top 10 (or top 7) favorite media (can be books/ manga/ anime/movies/tv series)? Why do you love them? Sorry if you've answered this question before......Thanks....

If I’m being honest, I have been more into just listening to music during my free time more than anything and while I read a lot of manga, my goldfish brain would blank out if someone were to ask me anything about it. However, I will tell you my list of definite rewatch/reread series though some of them are pretty old or obscure.

My Top 10 (in no particular order)

Welcome to Demon School, Iruma-Kun (manga/anime)

At first, I watched it mainly for the fun aesthetics (cute colourful characters with spooky backgrounds) but I fell in love with the characters and world-building of this series. The whole cast, be it main or supporting, are absolutely amazing and capable of running a story arc of their own even without the main cast which is seriously impressive. And while the anime only just scratched the surface, the author really built the setting of this series with great thought, with its own politics, history, systems, and culture that impacts the story well. No random fact is without purpose and I love it.

The Disastrous Life of Saiki K. (manga/anime)

I’ve been watching anime since I was 4 so I can confidently say that I’m familiar with many classic anime tropes and cliches. This series is like a kudos to longtime anime fans with its jokes and jabs as it follows a strong psychic boy being absolutely done with the insanity of his life as he tries to keep his powers a secret from his schoolmates like a sports anime jock, a shojou girl, delinquent gone good, etc. The comedy coming from this deadpan omnipotent high school student is just an absolute delight. I kin Saiki so much

Nope (movie)

I’m a real fan of horror movies, especially those with undertones that bring a critical element to humanity. While I love all of Jordan Peele’s current works, Nope has got to be one of my favourite movies overall. I’ve heard of some of the criticisms people had with the film (pretty ironic ones too) but I personally love the pacing and suspense of the film. While it’s fun to watch monsters and killers get crazy from the get-go (that’s why Saw movies and slasher films were popular) but Nope touched on that all-too-real fear of not knowing what’s going to happen. That fear where you’re afraid but you’re not sure of what yet.

Petshop of Horrors (manga/anime) and the sequel Neo Petshop of Horrors (manga)

Speaking of horror with critical undertones, I was obsessed with this manga series that came out in the late 90s. I would try so hard to find a way to read this series every chance I could growing up. It’s a sorta episodic style story that stars a mysterious petshop owner that often becomes a suspect in the deaths of people who have bought animals from his shop. I love the philosophy of each new story that touches on humanity and how different (or similar) we are to animals. It questions our societal norms, expectations, base desires, mythology, what it means to live, and what is “acceptable” in our world. Unfortunately, the series was never fully translated and only published fewer copies than typical manga series due to reasons I’m not too sure of (possibly conflicts with ownership and company copyrights at the time, think Baccano situation). The series had an anime but even that anime only had 4 episodes (I still highly recommend it however). I’ve managed to get a few volumes for myself and I know people are selling certain volumes online but I have to save for essentials so collecting them is unfortunately a lower priority now.

Pokémon (video game/manga/anime)

Is this a cop-out? Nah. To this day, I would still have to physically fight myself to not buy plushies and games when I’m already broke af. Pokémon might be one of the first animes I have ever seen (I have seen both sub and dub because my brother found a way) and I would still on occasion go back to rewatch literally any season and any movie of theirs, Nintendo really hit the marketing jackpot with this franchise. The creativity and design are so iconic and memorable that it’s so easy and fun to get into the fantasy of going on an adventure with your favourite Pokémon. There’s of course some nostalgia at play since I loved the moments where my older brother would watch the movies with me and my cousin and I would collect the figurines together.

One Piece (manga/anime)

Is this also a cop-out? Don’t care. I LOVE ONE PIECE! I will sacrifice my time and tears for this series. I have legitimately managed to rewatch this 4 times in my life (granted I started when it only had 400+ episodes so I had an easier time) and I would willingly cry over a flashback, a whale, even a boat over and over again. The action and story-telling of this series just keeps me running back for more even if I keep meeting dumb gatekeepers (yea, people don’t believe me when I tell them I’m a One Piece fan, what are ya gonna do?) I haven’t watch the Netflix live action yet but I probably will once I get my friends to watch with me (I like to fangirl with friends~)

Forget my Husband, I’ll Go Make Money (manhwa)

Despite my blog probably being best known for the villain/ess series, the banner of my blog is not an isekai villainess story but a fantasy series where a woman who can see the past, present, and future tries to make money while being married to a foreign prince before expecting a divorce (because she assumed he rather marry for love than for political reasons). Fun fact, this series was actually one of the foundations when I was writing the villain/ess story for Leona. The art and main couple are just absolutely delightful, I can’t help but reread it as it returns for a new season. Not only is the art just gorgeous, the main couple is just so gosh darn entertaining with their conversations, personal dynamics, and hilarious misunderstandings. Just beautiful.

Hotel Del Luna (K-drama)

Leave it to my interest in horror to love a romance drama with ghosts in it. It’s funny, it’s cute, and some of the ghost’s backstory is heartbreaking as well. This is a great story to just have a nice cry out. I love the story, I love the music, but most importantly, I love IU! She is my queen and every scene she is in, she kills me with her fashion, her haughty character, and her tragic backstory. She and the male lead was such a fun twist of the typical k-drama relationship where she was the powerful but broken character who ended up being healed by the kind, hardworking character. I've watched this 3 times at this point, but I still cry Every. Single. Time. No exceptions.

Hell Girl (anime/manga)

If I haven’t sold you on how I was probably that kid with creepy interests, maybe this will convince you. This was my go-to show back when I was in middle school. There is no excuse, I just really love the psychological horror of this series. In the show, there is a website you can access at midnight where you can ask Ai or Hell Girl to send your most hated person to hell, with the price that you will go there too when you die. While there was a linear storyline in the background, the episodes were always new people who requested Ai’s help with different cases of their own hell on earth. It touches on some really heavy real-life topics but what made it memorable to me was how sometimes I would feel saddened by the choices the people in the show made. Sometimes, they’re in the situation where all they can do is curse someone to hell but then was it really worth losing your chance at a happier afterlife? I watched this show with some of my friends who either saw Ai as a villain for sending people to hell, or a saviour who helped these people find an escape from their torturer, and that honestly made me think about what it means to have that much hate in you. I always wondered if I was ever in that situation, what would I do if given the chance?

Big Hero 6 (movie)

Arguably the first Marvel-Disney movie since Disney bought Marvel, I remembered people having weird thoughts on the usually cartoony company taking over the superhero franchise but I fell in love with everything that was this movie. It had Marvel-style action mixed with classic Disney wholesomeness and gut-wrenching emotional moments. I loved the message and warmth that was in this movie. Having an older brother myself, I couldn’t imagine how I could go on if I lose him but watching Hiro being so well supported by Baymax and his friends cemented within me the importance of helping others and that supporting those in pain can be as powerful as stopping bad guys (sappy, I know but hey I’m now learning to be a preschool teacher so this really stuck with me). Tadashi’s recorded message brings me so much comfort that I didn’t realize I needed. He may have been the closest thing to a Disney crush for me.

[katyspersonal]

So this new fantasy anime this year, Delicious in Dungeon, is great, it's both a comedy and a dark fantasy. I saw a few clips of it and now I'm hooked, currently watching ep 1

I gotta say it has interesting concepts of fantasy and magic

Considering how Black Magic isn't bad in this Fantasy World, it's really just ancient magic that is dangerous to use if you're not careful which begs the opinion that Magic isn't bad or good, it's just Magic, which is a nice revelation to me

Aww.. To be honest I like receiving asks like these, even if don't always answer them, because they're like admission that people find me 'approachable' enough to talk about their interests with! Despite what my posts seem I do like to listen too, not only talk xD

That being said, I do see Dungeon Meshi cross my dashboard sometimes and it already seems like a really cool thing for me too! I love designs and art style a lot! Though so far my only pins are the fact that there is that really autistic guy who is probably relatable and does 'that' face that I fucking love anime characters doing very often, that there are lesbians (?), that the creator is very meticulous with details consistency and very good with body types and that one of the characters becomes a monster or something...? (BASED dragon with feathers added in which I developed the taste for after Sоulsborne lol). All valid even if they're just bits and pieces

I assume that my dashboard hasn't been very spoilery then which is good? Because the bit you mentioned is not what I heard of before! It is exactly the type of dichotomy that I prefer everywhere; 'limiting but safe and checked' vs 'has more potential but you have to be strong/careful Or Else' rather than 'good or evil'. If this story also has 'light' magic and addresses the potential of using it for evil too my respect is going to shoot OVER the roof, I think xD Having classic AtLA show flashback where "evil destructive" fire magic was at the same time warmth and light, whereas "good healing" water magic could be used for twisted things like blood manipulation from what you've mentioned! I loved that idea on powers even since then. There are no good or bad tools, just good or bad uses of them!

Maybe I'll look into it.. I haven't watched any show in suuuuch a long while.

[s10127470]

X-Men: The Next Mutation (Revised)

I'm sure some of you reading know by now, almost a year ago, as one of my earliest posts on this site, I shared an idea I had for an new cartoon based around the X-Men titled "X-Men: The Next Mutation"

And people really seemed to like it.

But looking back at it, while I don't think its bad by any means, I do feel like I could've gone into more detail on a few things.

So in honor of the recent release of the long-anticipated X-Men '97, I've decided to revised the concept and make it a little more fleshed-out.

So without further ado, let's get started!

A lot of my previous points from my original post still stand, but just to recap....

This series would essentially be a spiritual successor to Rise of the Teenage Mutant Ninja Turtles.

Just like that series, it feature will an all-new take on the X-Men. Though they wouldn’t nearly as drastically changed. Along with that, the series will make the X-Men more powerful than most of their other iterations through Secondary and Tertiary mutations.

In the comics, from what I’ve read, additional Mutations are rather rare, only happening to few mutants.

Essentially this series will be expanding on the concept of Secondary Mutations, as in this universe, they’re far more common among mutants, with about 90% of the population often experiencing them during early adulthood.

Tertiary Mutations, however, are a lot rarer, with only some mutants experiencing them in their lives.

Though on this case on Mutations, they would be categorized and labeled in a similar fashion to the Quirks from My Hero Academia.

The animation for this series would be done by Flying Bark Studios, the same studio that not only did the animation for Rise, but also other shows like Glitch Techs and Monkie Kid.

And I mean….you seriously wouldn’t want a Marvel cartoon with animation like this?!

I can already feel the whiplash people would have after seeing something like this (and X-Men '97) after having spent a decade with Marvel cartoons with stiff and cheap animation.

As for the art-style, in contrast to the more realistic (and obviously MCU adjacent) style that Marvel’s previous cartoons had used during most of the 2010s, X-Men will have a far more stylized and exaggerated.

Originally, I choose ArtFrenzyBoris as the one do the art-style for this show.

But after thinking about it, I feel like fellow Deviantart artist Garth2The2ndPower would be a perfect choice as well.

Her art-style just screams that it would translate well to animation.

The best way I could describe her style is like a perfect fusion between Japanese anime and Western cartoons.

Its look is quite reminiscent of anime, but you can clearly tell hat it was made in the West.

Plus, it looks like it came straight out of an action cartoon from the mid-to-late 2000s/early 2010s.

Another awesome thing about her style is just how incredibly expressive it. I love when animated characters are allowed to actually feel, well, animated.

It just makes them feel more alive in my opinion.

And given the animation studio Garth would be working it, that’s a must.

Anyway, here’s just some of the art she's done….

Similar to Rise of the TMNT, the series will sport a more comedic, light-hearted tone than its previous iterations and be more episodic with some story arcs sprinkled about. I know some people are gonna have a problem with the first detail thanks to one particular show that I’m not gonna mention making people think that anything remotely comedic involving long-existing superheroes is automatically bad. But similar to Rise, despite being more light-hearted and comedy focused, it won’t shy away from dramatic or emotional moments. As for the latter, that won’t be problem since the 90s show and X-Men Evolution did the same thing as well.

Also, might be a bit controversial, but the way mutants are viewed in this universe is a bit more neutral than most iterations. While some of humanity still hates and fears them, others are actually fine and even like them. I’ve always liked it when the X-Men actually had human supporters (or at least humans who actually appreciate what they do), which most adaptations almost never really explore.

The series will also feature various romantic relationships. Some iconic, some rare, some that were set up but never explored, some popular with the fans, and even some that have never really been considered. Also, there will be no relationship drama (or at least drama that isn’t melodramatic or shit). Yes…that does mean you-know-what will be not featured in the series in any kind of way…..and I think we will all be better off for it. 

As for the X-Men themselves, the roster is a little smaller than I initially shared for the first post.

And unlike the first post, I'll actually be diving into their characters apart from their powers.

But before I do that, I do want to bring up this cool detail.

The X-Men in this series (at first), will be wearing team uniforms similar to their teen years.

And this is what they'll look like.....

Done by TheScarletMercenary, I've always felt these outfits were a perfect modernization of the classic X-Men outfits from the 60s.

Also, there will be some variations on these outfits for some of the X-Men.

Anyway, let's go ahead and actually talk about the team themselves, starting off with the leader himself and the first X-Men, Scott Summers, codename: Cyclops.

This Scott is quite similar to his Evolution counterpart, being far more confident, outgoing and optimistic than most of his other iterations. But he does still have that great sense of discipline and responsibility (which could be the result of his father being an Air Force veteran), that made him the perfect person to be the leader of the team.

Scott himself hails from Anchorage, Alaska, is 18-years old, stands at 6’0 and weighs 187 lbs, has fair skin, a slim (almost gangly-like) but fairly lean build, shaggy brown hair in a curtains style and his eyes are usually covered by either his trademark yellow visor with red lenses or his pair of ruby-quartz sunglasses.

As for his backstory, it's largely the same as in the comics, with only two notable differences.

His younger brother Alex (who I'll touch more on a little later), wasn't separated from him and they actually got to grow up together.

His childhood wasn't tampered/monitored by "you-know-who".

As for what he's capable of....

Scott's Primary Mutation is Optic Blast, which grants him the ability to shoot powerful beams of ruby-colored concussive force from his eyes. However (like in every other iteration), he can’t exactly control them due to a childhood injury. So he has to always wear either his visor or sunglasses in order to keep them at bay. But he does have enough control over them to control the trajectory, size and even density of his beams. From being wide enough to demolish a wall, to light enough to bounce off surfaces. He’s also a surprisingly skilled tactician for someone his age, possesses an uncanny sense of spatial awareness and is trained in hand-to-hand combat.

His Secondary Mutation is Energy Channel, which grants him the ability to harness the energy of his optic beams throughout his body. As you would expect, this grants him new abilities. These including being capable of augmenting his speed and strength to superhuman levels, granting himself the power of flight, and shooting his concussive beams from other parts of his body beside his eyes like his hands and feets.

As for his voice actor, Scott will be voiced once again by his recurring VA, the ironically named Scott Porter.

Next we come to the second member of the X-Men, Jean Grey, codename: Psyche.

Jean is what would expect from any version of the character: spunky, outgoing and caring, she’s sort of like the big sister of the team.

Jean herself hails from Trenton, New Jersey, is 18-years old, stands at 5'5 and weighs 130 lbs, has fair skin, an hourglass figure with a bottom heavy build, red hair in a bob-cut, green eyes and red lips.

As for her backstory, it's largely the same as in the comics and other iterations of the character.

Jean's Mutation is Psionic, which grants her various telepathic and telekinetic abilities. Apart from the obvious reading the thoughts of others and moving things with her mind, she can also project psionic energy (which is colored pink) in the form of concussive blasts, use said energy to also create various constructs and use telekinesis to grant herself the power of flight.

The reason I didn't put down her Primary (which was Telepath) and Secondary Mutations (which was Telekine) is because Psionic is essentially a combination of the two.

Yep! Jean is one of the only two members of the X-Men at the start of the series that already has their Secondary Mutation, since just like in the comics, she was an early bloomer.

As for her voice actor, Jean will be voiced once again by her recurring VA, Jennifer Hale.

Now we come to the third member of the X-Men Henry McCoy, codename: The Beast.

This Henry (along with the 90s animated Henry) is a true return to the Beast we know and love.

He's intelligent, well-mannered, and one of the most mature and level-headed members of the X-Men, due to him being one of the oldest members. But he still has the wit, playfulness and wisecracking nature of a teenager.

Henry hails from San Diego, California, is 19-years old, stands at 6'2 and weighs 302 lbs, has fair skin, a broad and muscular build with a posture and figure akin to that of an ape, abnormally large hands and feet, long blue hair that was tied up in a ponytail and blue eyes.

We also have the first X-Men with some difference to their uniform!

Henry's wouldn't wear any gloves or boots and his uniform wouldn't have any sleeves.

As for his backstory: Henry’s Mutation awakened the earliest out of all the X-Men, with him having it since the day he was born. This unfortunately led Henry to have a rather sheltered childhood. But during his teen years, he would start sneaking out and secretly playing as a star quarterback for the football team of the local high school. But once he joined the X-Men, he finally got the chance to experience life outside his home without having to do it in secret.

Henry's Primary Mutation is Primate Atavism, which granted him the pinnacle of human intelligence along with a body akin to that of an ape, with the physicality to go with it. His physical capabilities seem to be an amalgamation of various primates. He has the strength of a gorilla, the speed of a monkey, the dexterity of a chimpanzee, the agility of a gibbon and the flexibility of a orangutan.

His Secondary Mutation is Genetic Atavism, which allows him to switch between different animalistic forms whose capabilities are an amalgamation of the animal family they represent. These forms include a feline form, a canine form, a bovine form, a bear-like form, a boar-like form, a pachyderm-like form, and a rhino-like form. But his primary form and the look he'll be rocking for the entire series once his Secondary Mutation awaken would be a sasquatch-like form.

This form would grant Henry a muscular, sasquatch-like build, blue skin, blue fur all over his body, large clawed hands, large feet, sharp teeth, pointy ears, long messy blue hair and blue eyes.

It would also increase his height from 6'2 to 7'2 and his weight from 302 to 402 lbs.

The form would also keep the abilities of Henry's Primary Mutation, but enhanced to far greater levels.

As for his voice actor, Henry would be voiced by Yuri Lowenthal, who I've always felt would be perfect for a younger version of the character.

No offense to his recurring VA Fred Tatasciore, but I don't think he has quite the range to pull off an convincing voice for young man.

Next we come the fourth member of the X-Men and the second-in-command Ororo Munroe, codename: Storm.

This version is a mismatch between her typical portrayals and her Ultimate iteration. Being one of the oldest members of the team, Ororo is quite mature and surprisingly wise for her age. She also has a street-smart and witty side to her as well. And for someone who spent most of her life on the streets, Ororo has this odd sense of regalness and composure. These traits have made her essentially the second-in-command of the X-Men.

Ororo hails from Cairo, Egypt (but was originally born in Kenya), is 19-years old, stands at 5'11 and weighs 145 lbs, has dark skin, an hourglass figure, white shoulder-length hair in the form of braids, blue eyes, gold lips, a black headband and gold lightning bolt earrings.

As for her backstory, it's largely the same as in the comics, except she never got worshipped as a goddess among a tribal community.

Ororo's Primary Mutation is Meteorological, which grants her the ability to manipulate all forms of weather. From thunderstorms and tornadoes, to blizzards and tsunamis. She can also generate and manipulate electricity, manipulate wind, water and ice/snow, alter the temperature of an entire environment at will and her own body temperature depending on her current environment, use wind currents to fly, has an uncanny sense that allows her to predict weather patterns, and thanks to her time as a thief, is skilled in picking locks and physical combat.

Her Secondary Mutation is Element Phase, which grants her the ability to transform her entire body into either an electrical, wind, water or icy form. This not only makes her nearly invulnerable to damage (as most physical attacks would just phase right through her), but also enhance her physicality in some ways. Her electrical and wind forms would grant her superhuman speed, agility and reflexes, her water form would grant her elasticity, and her ice form would grant her superhuman strength and resilience. She can also create physical constructs out of the elements, even with her own body, the Secondary Mutation grants her much greater control over the weather than before, and she can even turn into an elemental giant by absorbing the elements (like the air and water) around her.

As for her voice actor, she would be voiced by previous recurring VA, Danielle Nicolet.

Now we come to the fifth member of the X-Men Wren Worthington, codename: The Angel.

You may have already noticed that I referred to Angel as Wren Worthington instead of his full name, Warren Worthington III.

Well that's because in this series, Angel is a female rather than a male.

The reason why I choose to do this is because seen a lot of recent fan reimaginings of the X-Men having Angel either being a female or non-binary, and I thought that would an interesting change to do for the character.

Personality-wise: she’s spirited, carefree and often has her head in the clouds (both figuratively and literally).

Wren hails from New York City, is 18-years old, stands at 5'11 and weighs 145 lbs, has fair skin, an hourglass figure with a muscular build, long blonde hair, blue eyes, sky blue lips, black bird earrings and a pair of big white wings on her back.

As for her backstory: Wren was born into a life of wealth and privilege. However, everything change when her Mutation awakened, which brought her into conflict with her father Warwick, the CEO of Worthington Industries and a hater of mutants. He desperately tried to keep the fact that his daughter was a mutant under wraps. This led to Wren having something of a sheltered life during her adolescence. Thankfully, the X-Men came along and Wren was finally able to be free.

Wren's Primary Mutation is Avian Flight, which granted her bird-like wings that allows her to fly. Her body is also naturally adapted for aerial transversal, can fly at superhuman speeds and possesses enhanced lung capacity and eyesight.

Her Secondary Mutation is Healing Light, which grants the ability to manipulate a special kind of light with healing properties. She can also use the light in an offensive manner and thanks to its properties, Wren also has an accelerated healing factor similar to another member of the X-Men.

As for her voice actor, she would be voiced by Grey Griffin, who I felt would be perfect for a female version of Angel....or any character voiced by LOB.

Next we come to the sixth member of the X-Men Kurt Wagner, codename: Nightcrawler.

He's what you would expect from any version of Kurt: kind-hearted, well-mannered, caring, and a devoted Catholic.

Kurt hails from Germany, is 17-years old, stands at 5'7 and weighs 164 lbs, has blue fur-like skin covering his entire body, a slender build, shaggy dark blue hair, full yellow eyes with no visible pupils, pointy elf-like ears, slightly fanged teeth, three fingered/toed hands and feet and a long pointy demon-like tail.

As for his backstory: Kurt always had it rough. Ever since he was born, he was cursed with the appearance of a demon. He was able to make the most of it by becoming the star of a traveling circus, which made people believe his appearance was just part of the act. However, when the public discovered that wasn’t the case….they didn't really take it well to put it lightly. Luckily, the X-Men came in time to save Kurt him from a slow and painful demise.

Kurt's Mutation is Shadow Move, which grants him the ability to teleport anywhere in a limited radius through a cloud of black brimstone. Thanks to his peculiar physiology, he’s also naturally agile and flexible, can become nearly invisible in shadows, has night vision and is a skilled swordsman.

Yep, Kurt is gonna be showing off his swashbuckling skills here! Three-Sword Style BABY!

As for his voice actor, he'll be voiced again by his recurring VA, the previously mentioned LOB, Liam O'Brien.

Now we come to the seventh member of the X-Men Piotr Rasputin, codename: Colossus.

Piotr is want you would expect from any version of the character: a gentle giant with the heart of the artist.

Piotr hails from Russian, is 17-years old, stands at 6'9 (7'4 in steel form) and weighs 260 lbs (495 lbs in steel form), has fair skin, a broad and muscular build, black hair in a flat-top almost buzz-cut like style and blue eyes (full grey when in steel form).

Also, just like Henry, he doesn't have any sleeves on his uniform.

As for his backstory: Piotr used to live a simple life as a farm boy. But after his Mutation was exposed, he and his family found themselves in great danger. But thanks to the X-Men, the Rasputins found a new home here at the Westchester District, where they could remain safe.

Piotr’s Mutation is Organic Steel, which grants him the ability to convert his flesh and skin tissue into a steel-like substance. This steel form grants Piotr incredible strength and resilience, and when matched with his use of hand-to-hand combat, makes him the team’s resident powerhouse.

As for his voice actor, he'll be voiced by his recurring voice actor, Chris Cox.

Next we come to the eighth member of the X-Men Bobby Drake, codename: Iceman.

Bobby is what would expect from any version of the character: playful, fun-loving and a bit of a prankster and show-off.

Bobby hails from Boston, Massachusetts, is 16-years old, stands at 5'4 and weighs 135 lbs, has light skin, a slim build, shaggy brown hair and light blue eyes.

He also has short sleeves and pant-legs on his uniform, wears no gloves or boots and rocks a black durag with a red X-Men symbol at the center (similar to his Ultimate counterpart).

As for his backstory: Bobby lived a fairly normal life with his family. But when his Mutation awakened, fearing that his family would be put in danger because of it, he ran away from home in order to keep them safe. But he eventually found a new home here at the Westchester District.

Bobby’s Mutation is Moisture Freeze, which grants him the ability to convert the moisture around him into ice and snow. Apart from the obvious freezing objects and creating ice and snow, Bobby also possesses a high resistance to low temperatures (so much so that he can coat himself in a flexible armor of ice) and can create various constructs out of ice. These include the likes of shards, shields, pillars, melee weapons and slides (the latter of which he uses to travel quickly across long distances).

As for his voice actor, he would be voiced by Jason Marsden. I've always felt Jason Marsden would make a great Iceman, and he did a good job as the character in X-Men: Destiny. And chances are, he could've become a recurring voice of the character if Marvel hadn't enter their "the X-Men don't matter anymore" phase because they were huffy about the move rights.

Now we come to the ninth (and the last member of the X-Men with a Secondary Mutation) James Howlett, or Logan as he prefers to be called, codename: The Wolverine.

Personality-wise, he's pretty similar to his iterations from Evolution and Wolverine and the X-Men.

Where still keeps his gruff and tough nature, but he's far more responsible, level-headed and laid-back when compared to most of his other iterations.

Logan hails from Canada, stands at 5'2 and weighs 295 lbs, fair skin, a stocky and muscular build, black hair in his trademark devil horn style, a five-o'-clock shadow and blue eyes.

As for his outfit, it's practically the iconic yellow and blue suit. Mask and all!

Backstory-wise: Most of his past is completely shrouded in mystery to the characters and even himself. But they do know that he’s by far the oldest (in spite of his appearance) and most experienced member of the team, having fought in some of the biggest wars of the 20th century. Not too long ago, Logan was once their enemy, constantly trying to take us out. But after finding out that he was being forced to do so in order to save his family, the X-Men decided to help him and out of gratitude, he joined them team.

Logan's Mutation is Healing Beast, Model: Mustelidae. Similar to Jean, it's the combination of Primary and Secondary Mutation. Initially, this granted Logan an accelerated healing factor, which allows him to heal from injuries much faster than the average human, superhuman physicality, enhanced animalistic senses and a pair of razor bone claws that he can eject from his knuckles. But thanks to Weapon X, government genetic research facility project, Logan was made even stronger than before. His healing factor has made so powerful that he’s able to quickly heal from even the most fatal of injuries, his physicality and senses have enhanced to even greater levels and even his claws are now coated in the near-indestructible metal known as Adamantium. A few years later, his Secondary Mutation finally awakened, which granted him the ability to transform into a man/were-wolverine, which enhanced his physicality and animalistic senses to even greater levels. And even more so with the berserker rage the form gave him. Unfortunately, Logan barely has any control over his form, which puts everyone around him in mortal danger, so he rarely ever uses it.

As for his voice actor, you already know who I have in mind.....the one.....the only.....STEVE BLUM!

Now we've made to the tenth and final member of the X-Men Kitty Pryde, codename Shadowcat.

Kitty is what you would expect from any version of the character: an intelligent social butterfly whose also a massive lovable nerd with a passion for computers.

Kitty hails from Chicago, Illinois, is 14-years old, stands at 5'0 and weights 95 lbs, has slightly tanned skin, a slim and slightly petite build, long curly brown hair tied up in a ponytail, hazel eyes, pink lips and multicolored braces.

As for her backstory: Kitty was a near straight-A student and an expert at computers. However, this often made her the target of bullying, which only got worse after her Mutation got exposed in public. But luckily, she found a new school to attend.

Kitty's Mutation is Phase Shift, which grants the ability to make her entire body intangible, along with anything she touches.

As for her voice actor, she would voiced by Jennie Kwan, who you'll known best as Suki from Avatar: The Last Airbender and Chun Lin from Street Fighter 6.

And accompanying her is none other the little dragon himself, Lockheed!

It's actually to think that this series would mark his first major adaptation in anything.

It's weird how despite being the companion of one of the X-Men's most prominent players, they've never had him appear in anything outside of the comics and video games.

It's sort of like the case of Franklin Richards, where despite being the son of the two of the members of the Fantastic Four and a major character in the cast, he's never made an appearance outside of the comics.

Anyway, Lockheed is what you would expect from any animal companion: Playful, mischievous and loyal to the nth degree.

As you expect: He's a purple dragon with full yellow eyes similar to Kurt, and stands at 2'6 and weighs 20 lbs.

Backstory-wise, it's pretty accurate to how it was in the comics.

Being that Lockheed comes from a race of aliens that resemble dragons known as The Flocks, who've been at war with the ravenous alien race The Broods.

Lockheed end up getting stranded on the Broods' homeworld and was being hunted by the aforementioned Broods.

During that time, he would encounter Kitty, who, along with the rest of the X-Men, were brought to Broodworld by force in order to be experimented on.

And it's history ever since.....

As for his voice actor, he would be voiced by everyone's go-to for providing animalistic vocals, Dee Bradley Baker.

Well that's all I have for now.

This is gonna be a multiple-part series.

For this first part, I did want to cover the recurring characters/allies, the villains and even some potential episodes, but I felt that it would make this post a little too long for most people.

So I decided to just dedicate this first part to just introducing the X-Men of this series.

I hoped you all liked this first part and if there's anything you want to know about this version of the X-Men, let me know!

[hihi-heart]

Been a while (I think?) but, do you often or sometimes listen to j-rock/band music on Spotify if you feel bored?

Ex.: Alice Schach & the Magic Orchestra, pitcher56, any CHAINSAW MAN related rock OSTs, etc.,

/genq

To my knowledge, I haven't gotten into much j-rock. I do sometimes listen to modern Japanese music. Listened to BABYMETAL during its earlier years, though only out of curiosity.

The only j-rock song I can think of is Senbonzakura or "One Thousand Cherry Trees", a vocaloid song about Japan's westernization and militarization during the Meiji restoration and Taisho Era.

(From here, I infodump about the song's intricacies and go over other Japanese songs I enjoy. Couldn't help myself. Keep reading for my analyses and overviews!)

The song's actually pretty fascinating. It uses a lot of idioms and indirect meaning, typical for older-styled Japanese songs. The idioms include references to weaponry, religion, and period imagery.

The song's visuals use an over-the-top pop portrayal of the time periods. To simplify, the time had a mix of Japanese tradition and western sensibility.

Miku's outfit is based on a army uniform but includes furisode kimono sleeves, a miniskirt, and shoes that combine loafers with geta sandals. Really leaning into the song's historical and anachronistic themes.

All of these aspects have caused some localization problems. Some English translators have put in a pro-war message that isn't explicitly stated. I will say, war propaganda songs then were incredibly subtle at the time, more than Senbonzakura. Both because that was the style at the time and probably to have more effective propaganda.

I'd say, one should expect anything made in modern Japan to be anti-war. They generally don't want a repeat of WWII.

-

Other Vocaloid Songs I Listen To

"Ah, It's a Wonderful Cat Life" is just a cute song about two cats in love. The boy cat wants the girl to join his life as a stray. The girl, however, is a house cat and doesn't want to leave her pamper life or her owner. Both yet still want to be together. This one is just nostalgic, grew up loving this one.

"The Tailor of Enbizaka" is about a kimono tailor who kills a man's family out of a jealous delusion that he's her lover. Like Senbonzakura, the lyrics never states this explicitly but the tone and visuals make it obvious.

Fun fact: The red, green, and black pattern on the side is based on kabuki curtains.

"Feathers Across the Seasons" follows an old folktale called Tsuru no Ongaeshi or "Crane's Return of a Favor".

On a snowy mountain lives a happy couple. The man eventually becomes ill, leaving the woman to provide for both and earn money for medicine. The woman is hinted to actually be a shapeshifting crane that the man once saved. She then returned to him as a woman to marry him. As favor for saving her, the wife weaves and sell cloth made of her own feathers, sacrificing her own wellbeing for her husband's life. It's implied the husband dies, leaving the crane wife a grieving widow.

Some think the wife also dies, after using her last feather. I don't think that's the case though. But, like poetry, it's inappropriate to reference death directly, so without visuals, both deaths are ambiguous.

-

Other Japanese Songs

Easy Breezy by Chelmico. I just heard the song from the anime Keep Your Hands Off Eizouken! It's a fun song about creating and having fun regardless of what other people will think of you. Very appropriate for Eizouken, funny considering I don't think it was made for the show.

Nippon Egao Hyakkei or "Hundreds of Japanese Smiles" by Momoiro Clover Z. This song is mainly based in Rakugo, a traditional form of comedy. A single storyteller tells a long tale to build up to a big punchline. These stories rely on wordplay and delivery, so it's a bit hard to get into without a innate understanding of Japanese. The music video also uses elements of kabuki and festivals.

It has a simple message of enjoyment, to just laugh regardless of what strife comes along your way.

Through these songs, I realized that there's a common sentiment to enjoy life regardless of social expectations.

-

Pacfiic Overtures

I wouldn't be me if I didn't mention Pacific Overtures. This musical is American-made. But it's based in Japan before the Arrival of the Black Ships and then before the Meiji Restoration. The original production is styled mainly after kabuki with a gradual westernization in visuals and instrumentation.

Pretty much every song here is great, my top three being The Advantages of Floating in the Middle of the Sea (the song above), There is No Other Way, and Someone in a Tree.

I recommend watching the original version then the 2003 Japanese prodution. That one removed the explicit kabuki elements, opting to use the more subtle parts of Japanese culture with a modern taste. (Using the 2004 Broadway revival since that was based on the Japanese one.)

-

As you can tell, I prefer songs based on traditional music and history, something a little more that I can sink my teeth into. Also musicals but that's a topic for another day. Sorry for rambling, had to take the opportunity.

[sammiethelattie]

Tom and Jerry (Singapore) Series Review

So a few hours back, I watched all seven episodes (pilot included) of the Singapore-based Tom and Jerry cartoon released so far. I won't go into details for each episode, but I will voice out my general thoughts on the series overall.

STORY AND SETTING

As the title suggests, this take on the titular team of troublemakers is set in the state of Singapore. As a result, various references to Singapore's history, culture and national landmarks and locations are sprinkled throughout this mini-series. These settings serve as set pieces for with the cat and mouse carnage is carried out. While I am not Singaporean myself (far from it), I do know for sure that Singapore is represented quite well. However, while prevalent, the references are not overbearing and share centre stage with the stars of the show quite effectively, giving Tom and Jerry both fresh and familiar settings, situations and props to play with.

As for the stories, while not exactly far removed from the Tom and Jerry formula (some episodes even bringing to mind scenarios from the classic era), there's enough of a fresh spin on it to keep it from just being a retread of said classic scenarios. And while the 3 minute of runtime does mean that the pacing is a bit more frantic than in most other versions of the series, this also means that the episodes don't outstay their welcome. Think the earlier episodes of Paul Rudish's Mickey Mouse shorts.

ART AND ANIMATION

Okay, now for the aspect that will most likely draw the most ire of the fanbase, as well as perhaps slight confusion from the average casual viewer. Let's start with the Elephant in the Room: The character designs. They're fine. Sure, they are markedly different from what one normally associates with the franchise, but it's far from bad. The titular characters, as well as Spike who appears in about two episodes in minor roles, are rounder and cuter looking, but also highly expressive and with enough of a wacky edge that can play into the comedy aspect of the show; AND they're still recognizable as who they are supposed to be. As silhouettes together, you can tell the art-style is different, but it's still Tom and Jerry (less so with Spike, who is proportioned a bit more like an actual bulldog). Their colors are also brighter and more saturated; Tom has never looked bluer (and Jerry has never looked more orange. Spike is still gray though.) The characters are also (almost) consistently shaded, unless the situation or setting permits otherwise, which isn't often.

The backgrounds in this series are rich and vibrant, much like everything else in this series, but they somehow find a way not to overpower or compete with the characters that inhabit them. And now the animation: which is most likely the best thing about the show from a visual standpoint. It is definitely not cheap looking at all, and is consistently fluid and snappy when it needs to be. Clearly, a lot of love was poured into this aspect of the show. As for the actual slapstick being animated, it's serviceable. There are points where I actually found myself audibly giggling or laughing, or at least quietly acknowledging how well put together some of it is. Clearly, whoever choreographed the slapstick at least understood Tom and Jerry enough that this aspect was done so serviceably.

SOUND AND MUSIC

Ah, now for the more mixed aspect of the show: the audio.

I'm not sure if it's the print I watched that had a compromised mix, but well... that was just it. The audio mixing was 60% of the time good and 40% of the time kind of iffy. While previous versions of Tom and Jerry have grappled with this hurdle to some extent (what with combining archived audio from William Hanna and Mel Blanc with more modern sounds), this is probably the worst it's gotten. It's not unbearable, but it is distracting enough when certain sounds and vocals either don't fit, stand out too much, or are simply missing. And it's like that for almost all seven episodes. And as for the character's yelps, laughs, screams and gasps, mostly original, new clips are used. But as the episodes go on, more and more classic screams are heard in the episodes. Normally I don't mind this, especially if it's handled masterfully, but this is one of those instances where I wish they stuck to a lane, and I note that the lane more suited for this cartoon's presentation is the lane of new screams and yells. Though they can have one or two classic "̷̢̦̩̋̔̌Ạ̴̉̽Ă̸̧̜̬͑̏Ä̸̯̥́̅̓ͅÀ̶̪̺͝ͅĀ̴̝͌̂A̴͕̅A̴̝̺̒̈́Ȃ̸̼Ą̶̤̠̏͛A̸̢͓̿̃̅A̶̛̯͂̌Ă̵̰̥͠A̸̰̳͆̎Ạ̸̥͖̀A̶̞̦̩͌̾́H̴̛̻̬̿̏Ḥ̸̟̙̀H̵̛̛̠̙͌"̴̠̲̓̂'s. Just as a treat.

Now, the music on the other hand is pleasant to listen to. Some instances and phrases of it are even evocative, or even outright reference certain notable stings and melodies from the classic Tom and Jerry series; even down to the tempo becoming more frantic to match the actions of the characters. That aspect, I admired. Unfortunately, sometimes that too falls victim to some of the questionable mixing that runs through this series.

FINAL THOUGHTS

Nothing beats the classics, that much is true. In fact, this wouldn't be here if not for it. But you cannot go wrong with giving this mini-series a try. It is a well made, well put together (for the most part) labor of love, or at least respect, for both Tom and Jerry and the world they inhabit. So if you're a fan of Tom and Jerry, or at least just want something well made for the kids, or you always asked yourself "What if Tom and Jerry lived in Singapore?", then this series will do you no wrong.

FAVORITE EPISODES (SO FAR)

Sky's the Limit - A fun little romp with kites and drones.

Count on Merli - Features a cute iteration of Merli, Singapore's Mascot, who just wants Tom and Jerry to get along. But they don't seem to wanna listen. Poor Merli.

Colorful Chase - Simple for the plot point that they used, while they could have done more with the concept, it was only three minutes. And for three minutes, they did good.

LEAST FAVORITE EPISODE

What's that Smell? - The pilot. Passable on its own, but isn't as Tom and Jerry as the other episodes. Also it's the pilot. Things are bound to be weird.

[pinchraccoon]

Katamari Damacy Mini-Review

Recently I decided that I would stream the lovely, lovely little game Katamari Damacy: Reroll. I'd always heard about the game and how it was largely received positively, but I had never gone and actually engaged with it myself. I played from start to finish in one sitting, and mostly ignored side-content, but what I did play, which is to say opening to credits, was absolutely joyous.

Katamari, for those who don't know, is a game where you have to roll up an increasingly large amount of items to remedy the small problem in that all the stars in the sky disappeared because of your father, The King of All Cosmos' mistake.

I don't typically like to refer to games this way, but Katamari is "quirky." In the best way, Katamari is random, near non-sensical things happen at every turn, and the game itself takes note of how nothing in it makes sense. In some ways, it can be described as "campy," as its commitment to this weirdness is never forced and always taken at face value. It never makes fun of itself, it's just inherently funny, and confident in how funny it is conceptually.

Katamari rhetorically is a breath of fresh air to me, as so often now it feels that "funny" games just get away with lampshading and saying that they're nonsensical and how "wacky" all the things happening in it are, when really at best it's a typical game with very little new to offer regarding it's inherent gameplay loop that reflects that silliness. Katamari does not have this problem.

The inherent awkwardness of rolling around the titular Katamari makes for really good comedy! Rolling a giant ball of bicycles, animals, potted plants, rat traps, and all other manner of items into a wall on accident because the controls are intentionally somewhat unwieldy is just flat out funny, and it makes the actions that you're doing consistent with the game's writing style.

Katamari Damacy is an incredibly cohesive package more than anything else. Everything about it is meant to make you smile, and it ABSOLUTELY succeeds! Speaking of smile inducing, however, one of the greatest aspects of Katamari Damacy BY FAR is it's INCREDIBLE soundtrack.

I really can't even begin to express how lovely these commissioned songs are for this soundtrack and instead feel that it would be best to link my favorite tracks and let you listen for yourself briefly.

Katamari's soundtrack is extremely varied, and provides a lot of the levels an absurdist kick to them that really really sells the comedy of the game, and additionally, the music all hits unbelievably hard. In all honesty, if you wanted to study for my Video Game Music based Gameshow, Original Sound Tracking, then I'd say familiarize yourself with this soundtrack, as there'll probably be a track from this game for at least the next few episodes without fail.

I really, REALLY, loved my time with Katamari Damacy, and would absolutely recommend it to anyone who needs simple, silly, fun in their lives right now. You can watch my playthrough of the game below!

[chaos0pikachu]

Oof, ok I have a lot of questions for this post and I'm hoping we can all have like genuine discussion about this.

First off, I think folks would benefit from reading from more academic sources about the history of Japanese BL, like this article by Meiji University professor Fujimoto Yukari: The Evolution of “Boys’ Love” Culture: Can BL Spark Social Change?

While it may be tempting to associate Takumi Kun with "the first BL" I would disagree since many other works predate it - Kaze to ki No Uta is an animated film that came out in 1987 after all and no, I don't believe we should be separating animated works from live action works if we're discussing Japanese cinema history. I also don't think fandom can have a discussion about the origins and history of BL without acknowledging it's shojo roots.

I also find it historically inaccurate to say BL only started to emerge in the early 2000's when it had been thriving since the 80s with the expansion of doujinshi works - CLAMP have been making BL or at least BL adjacent works since the 80s and 90s with both their Captain Tsubasa doujin & series like Tokyo Babylon (1990) and X (1992) - not to mention the launching of several BL magazines like Be x Boy (1993).

But the big contention I have in regards to the information presented in this post is this bit:

Here’s the thing, the Japanese have a very specific taste to their cinema. They have a style and lens that they stick to and (with a few noted exceptions) they pretty much haven’t deviated since the 1950s.

Can you provide any sources for this? I ask, because the idea that a country's cinema hasn't changed in over 75 years having gone through multiple wars, various cultural upheavals, and expansion of technology, is a rather baffling claim to make without any sources to back it up.

This is followed up by:

In film style there’s atmospheric (cinematic and sweeping, think Kurosawa) vs live action manga (think cartoonish + sound effects, stylized framing and staging techniques meets slapstick).

Can you provide some examples of which of Kurosawa's works you're thinking of here? Or what you mean more specifically by "atmospheric" it's a really general and broad term here.

Atmospheric isn't often used to describe Kurosawa's work in film circles in my experience and research. Atmospheric isn't even a film genre, it's the use of visual and auditory techniques to create a specific tone in a film. It's a combination of cinematography and production design, it's a film technique not a genre nor does it equate to "cinematic" or "sweeping".

[Often if one hears "atmospheric film" the association is going to lean more towards smaller scale and/or more introspective films: Blade Runner, In the Mood for Love, 2001 Space Odyssey, Solaris (1972), almost anything by David Lynch.]

For Kurosawa's work it is very dependent on what work we're discussing; his most famous works in American/western culture is certainly his period piece dramas: Seven Samurai, Yojimbo, The Hidden Fortress, Sanjuro, Rashomon, etc. I wouldn't call Seven Samurai, Yojimbo, or The Hidden Fortress "atmospheric" at all, cinematic I can agree with, but it's not at all an introspective film. It's an action adventure film, almost all of Kurosawa's period piece films are action dramas or action adventures. I mean, The Hidden Fortress inspired Star Wars lol Matashichi & Tahei are not characters I would associate with sweeping atmospheric cinema.

This contrasted with "live action manga" is also strange considering Japan's cinematic history of adapting manga to the screen for literal decades.

For as long as America has been adapting novels for the big screen, so has Japan been adapting manga and to equate "live action manga" with slapstick which cartoonish sound effects and thus comedy is doing a huge disservice to that history.

Lone Wolf and Cub and Lady Snowblood are neither slapstick nor comedy and both were released in 1972 and 1973 respectively; both are based on manga. There's also the more well known and popular adaptions like Death Note, Attack on Titan, Bleach, Full Metal Alchemist, Blade of the Immortal, Boys Over Flowers, GANTZ, City Hunter and so many others. None of which would qualify as "slapstick".

This is pretty thorough misinformation to be propositioning without anything backing it up. This also, once again, ignores the existent of animated films in Japan's overall cinema history.

If the definition of "atmospheric" is cinematic and sweeping and "live action manga" is cartoonish and slapstick, where does Mamoru Hosoda's work fit in here? Hideaki Anno? Makoto Shinkai? Keishi Otomo? Ryusuke Hamaguchi?

Where does the High & Low film series or the Fable series fit into this dichotomy? What about films like Tag (2015) Battle Royale (2000) or Kingdom (2019 & 2022)? Where does Godzilla (1954), Shin Godzilla (2016), and Godzilla Minus One (2023) fit?

How can you look at those 3 Godzilla films - not to mention the Toei Monsterverse itself - and claim a majority of Japanese cinema falls into two categories and "haven't deviated since 1950"?

Everything seems to be bifurcated in Japan. Now, on a very few occasions they can tread the line between the lanes, and borrow bits and pieces from different approaches, but most of the time they stick to those lanes pretty cleanly. 

Once again, I have to ask if you have any examples or sources to back this claim. It's a rather massive generalization to make on an entire country's cinema history that goes back as far as the late 1800's. I know you list some BL examples like Cherry Magic vs The Novelist, but your claim isn't just about Japanese BL - which I don't feel confident in agreeing or disagreeing I think @ineffable-opinions has more historical knowledge in this regard than I do - but about "Japanese cinema" and Japan as a whole.

Another thing to know about the Japanese film industry?  They take little to no interest in or guidance/feedback from the international market. They do not care. Their attitude, when something like Cherry Magic does well outside of Japan is… oh do the internationals like that one? How quaint. That’s special. Should we consider… distribution? A second season? *yawn* how tiresome.

Once more, it's the generalization I'm taking issue with here. Do you have sources to back this up?

Hirokazu Koreeda's Monster (2023) was nominated for multiple international awards including: Asia Pacific Screen Awards, Asian Film Awards, British Independent Film Awards, the fucking Cannes Film Festival, Munich Film Festival, and others. Ryusuke Hamaguchi's Drive My Car (2021) was nominated for an Oscar, as well as various Asian film awards and won 3 Cannes awards. Godzilla Minus One (2023) and The Boy and the Heron (2023) just won Oscars at last years ceremony. You don't get nominated nor win these awards without at least small bit of campaigning.

Part of the backlash against Devilman (2004) was in part because American Hollywood was showing up and out against Japanese films of the time. Dynasty Warriors wasn't created solely because a Japanese game studio is hella obsessed with the Three Kingdoms story. Nintendo and Gamefreak wouldn't set numerous Pokemon games in non-Japanese places if they didn't care about their international audience.

There's like, so many Japanese films on Netflix - , HBO Max has almost Akira Kurosawa's filmography (or at least his most famous films) available, Mubi has some of the best and difficult to find Japanese films available on their platform - like Taboo - Amazon has loads of Japanese films and series, Disney & Hulu are jumping on the anime and Japanese tv series train, Crunchyroll is thee hub for anime including animated films.

So clearly distribution isn't an issue nor is not caring about their international audience. If that was wholly true Crunchyroll wouldn't run a simulcast for various series like My Hero Academia or Demon Slayer.

The issue more likely is that studios that produce BL series either have a hard time selling to distributors or getting a good deal for the rights to the work itself. Gmmtv more than likely didn't have the contract on lock for world rights which are different from domestic rights to a property. Distribution deals are complex and have a lot of factors involved.

While I think it's stupid of Netflix to not snag Semantic Error for a distribution deal - tho they did snag Heaven's Official Blessing as did Crunchyroll - that speaks more to corporate execs not seeing the monetary benefit in queer media (especially lower budget queer media) more than Japan being a scary isolationist country.

Look man, I'm not trying to be pendeja, but I twitch hard when it comes to grandiose generalized statements that spread misinformation.

Japan has a hugely diverse and interesting cinema history, as a country it's industry has had one of the most notable and vast impacts on cinema globally. It didn't achieve that by being stagnant imo

but idk man maybe I'm wrong and Japan has been stuck in a crystalized state for a 1000 like Link in Breath of the Wild

Hi fave bl encyclopedia ❤️

So my question is about Japanese bl, like I don’t understand it! Please help 😭

So I know japan is like the motherland of yaoi and they pretty much started it all, and they make some pretty graphic and explicit bls ( which is not my cup of tea tbh), but then they also have shows like cherry magic and keita and the most recent KEI X YAKU (I am watching this one rn, and I actually like it so very much) but for the life of me I can’t figure out why these shows are made with zero intimacy between the main couple, not even a simple innocent kiss?!

are these shows considered more mainstream? Are the yaoi only allowed in fandom space? And not in mainstream media?

Just why are these shows made the way they are?

Don’t get me wrong CM and KH are two of my absolute favorite bls of all times, but I still don’t get just… WHY?

Hi! 

The Weeds of Japanese BL 

So I am going to go off of this blog post on the history of Japanese BL and yaoi and only bother to repeat myself if strictly necessary. 

Top 10 BLs Out of Japan - top 10 plus history of BL (part 1 in the series on the history of BL)

Otherwise there would be a lot of rehash. 

So my question is about Japanese bl, like I don’t understand it. Please help! 

So have you read the above post? Because if you haven’t reading that will at least give you some kind of foundation for your understandable confusion.

But part of most people’s misunderstanding over Japanese BL actually has to do with the nature of Japanese cinema. 

Here’s the thing, the Japanese have a very specific taste to their cinema. They have a style and lens that they stick to and (with a few noted exceptions) they pretty much haven’t deviated since the 1950s.

In film style there’s atmospheric (cinematic and sweeping, think Kurosawa) vs live action manga (think cartoonish + sound effects, stylized framing and staging techniques meets slapstick). 

In yaoi there’s light (sweet, clean, bright, airy) vs dark (erotic, serious, gritty, rough). 

In the sexual sphere there's prudish & chaste vs kinky & explicit. 

Everything seems to be bifurcated in Japan. Now, on a very few occasions they can tread the line between the lanes, and borrow bits and pieces from different approaches, but most of the time they stick to those lanes pretty cleanly. 

I can’t figure out why these shows are made with zero intimacy between the main couple, not even a simple innocent kiss

Generally speaking, the shows that are very light very sweet and very bright, cartoony, with lots of slapstick elements will have little to no sexual contact at all: so Cherry, Mix Up, Ossan, Same Difference, Mr Unlucky, Our Dining Table to fall into this category.

They'll owe a lot more to Shōnen-ai (which is turn has a lot to do with Bildungsroman) which means it's more gentle and tends to be a journey of self discovery for the uke - undertaken by younger characters (or younger acting/seeming innocents), and thus (like YA) much less sexualized.

(I am not going to comment on KEI X YAKU since I didn’t watch it because it appears to be a bromance.) 

are these shows considered more mainstream? 

Sort of, it’s more that they’re just considered a different category. Like how USA draws a distinction between the amount of sexual content that is allowed in a sitcom versus a soap opera. Similar kinds of topics, frameworks, filming style, and target demographics dealt with, but expectations around nudity and sexuality are way different. Different air times and lengths too. 

This doesn’t seem weird to me because I grew up with soaps vs sitcoms. But if I step outside of my upbringing, it’s odd right? The nature of the sexual content is so different, but they’re mostly both family dramas with a ton of romance. And then the “late night” (read sitcom timeslot) soaps came along kinda blending the two. Ah... the 90s. 

Where was I? 

Okay so, why are they different? Because Japan thinks of them differently. 

Another thing to know about the Japanese film industry? 

They take little to no interest in or guidance/feedback from the international market. They do not care. Their attitude, when something like Cherry Magic does well outside of Japan is... oh do the internationals like that one? How quaint. That’s special. Should we consider... distribution? A second season? *yawn* how tiresome.

Which is why a JBL will drop locally, get mad pirating and illegal subs and such, and then about half way through suddenly show up on a distribution platform like Viki or GaGa pretending it has always been there.

Can you sense my frustration? This is why backlist is so hard to get hold of too. But it KEEPS happening. 

Like Japan just forgets about us.

Which is probubly because THEY DO. 

Japan cares about their own internal market interest and style way way WAY more than any other BL producing country. (I would argue including Mainland China.) 

Japan respects Japan’s taste.  

PERIOD. 

End of discussion. 

Look at the HAIR.

I rest my case. 

When I talk about the fact that Japan has an unchangingly firm point of view? This is what I mean. 

Set your expectations based on what Japan has done in the past, because that is what they will do in the future.

You will never be disappointed. They will hold steadfast to their traditions, the good, the slapstick, and the kinky. 

Are the yaoi only allowed in fandom space? 

Cherry Magic I would call both mainstream, popular, and live action yaoi. 

Plenty of yaoi of this type (and back in the day) has very little on page kissing (or anything else for that matter), either. There is a whole sub-genre of sweet, or even clean, yaoi. Which is not to say it didn’t piss me off that they couldn’t actually kiss in Cherry Magic. Especial with that elevator fake out and the dead fish kiss from the side dishes. Very disappointing. 

Might be expense involved. Talent ain’t cheep in Japan, might be too costly to have them kiss. 

Or they just being coy teases about it. 

Basically they brats, and we in a non-con kink relationship where they promise but never deliver kisses in some kind of weird passive aggressive D/s dynamic. Also, VERY Japanese.  

Oh shit, my dating trauma is showing. 

Ignore that last bit. 

Just why are these shows made the way they are? Don’t get me wrong CM and KH are two of my absolute favorite bls of all times, but I still don’t get just… WHY? 

I know it is super frustrating. I would like it if they just put at least one kiss in there too. 

Here’s the thing: I happen to like Japan’s lanes, even as I am frustrated by them. Because when they do it well, they are square root of it all. 

Get it???

SQUARE root? 

Because, ya know, no kisses = so square. 

Okay I’m pushing it. 

But also the other lane gives us kisses = great = MURDER DEATH MUTILATION!!!! 

Oh, Japan. 

Here’s some interesting stats on Japanese ‘s BL (or more properly LAY - live action yaoi) for you: 

As of early 2022, there’s still only about 55 of them. 

High heat erotic LAY & pinks: 21 

Light cheerful LAY in which there is little to no kissing, or it’s very dead fishy: 21 

LAY that managed to be very yaoi but actually strike a balance between the two: 12 (and I include all the Takumi-kuns in here and they seriously might not qualify because... Takumi) 

I just did the count for this post and it’s wild how even the split was. 

(I’m missing some and not all are really BL, but with a sample of only 50+ it’s not really statistically viable anyway). 

If you want to really understand how Japan adapts yaoi you should delve into Love Stage!!: 

Read the yaoi manga 

Watch the anime 

Watch the Japanese live action adaptation 

Watch Thai BL adaptation

It’s a pretty informative experience. Tells you a lot about Japan’s relationship to the industry and genre that they started and how yaoi is treated differently in the different mediums. 

But honestly, the answer to your question is gonna really frustrate you. 

This is all just Japan being Japan, and it’s the way they approach BL. Because it’s the way Japan approaches cinema. 

Because, in the end, even if we call it BL, Japan is always going to do LAY, and that is kind of its own creature. The starter to the sour dough, not the bread that results. 

Because Japan is always going to pick their lanes and stick to 'em. 

Having said that, here’s some LAY that actually manages to have all of the things we expect from BL including kisses! 

Seven Days  

Given 

Life: Love on the Line

Restart After Come Back Home AKA Risutato wa tadaima no ato de

Utsukushii Kare AKA My Beautiful Man

That last one is absolutely amazing. See me lose my tiny mind over it and how it manages to be SO yaoi and SO Japanese and SO WONDERFUL despite everything. Or perhaps BECAUSE of everything. 

Utsukushii Kare is a BL that actually no other country could make. It’s PURE uncut Japanese live action yaoi and it’s AMAZING partly because of that. 

Mr. Unlucky (AKA Fukou-kun wa Kiss Suru Shikanai!) is an interesting test. 

I, and many other aficionados of LAY, expect it to have no kissing. But it’s already odd in that it got its distribution sorted before it started airing. Like a goddamn adult. This is confusingly un-Japanese of it.  

If Japan produces this as a slapstick comedy, in the vein of Kieta Hatsukoi (AKA My Love Mix Up), but it actually has decent kiss like Utsukushii Kare? It means Japan, whether it likes it or not, is finally being influenced by the popularity of Korean & Thai BL. 

But if it doesn’t give good kiss, it means they are still sticking to their established traditions. 

And this being Japan, my money is on the later. 

Let’s see how much crow I eat in a month.

More on Japanese cinema here.

(source)

[emilococoartwork]

Basically, it's Fairly Odd Parents in the Milo Coco style!

While we all wish that 'Fairly Odd Parents' didn't overstay its welcome, there was a time when we thought the show was more than "fairly" good. As a child, this Nickelodeon cartoon about average boy Timmy Turner and the magical adventures he has with his fairy godparents Cosmo and Wanda granted me a lot of enjoyment in its peak.

What worked about FOP was how it managed to put fantasy creatures into a contemporary setting, it was able to apply cartoon based humour to the cyclical structure of a fairy tale. The show followed its own formula, which Timmy would use wishing to improve his life. But these wishes would lead to certain consequences, that way, it would work morals into its stories. It really showed what type of wishes a child would make if they could happen in our world. It played around with tropes, as the depictions of mythological beings and wishes turned out differently than you'd expect.

Its use of gag-related humour was both sharp and funny. The show could get tongue-in-cheek with how characters referred to plot points, like how the opposite circumstances happen. The designs are formed from geometric shapes and bold outlines, they still have a distinctive flare. The animators were able to magically bring life to these ideas with snappy timing. 

The characters were able to pull off these goofy lines with sincerity. Timmy was one the younger viewers could sympathise with and learn from. Both Cosmo and Wanda worked well off each other, as the dim-witted comic relief and nagging voice of reason. The other characters managed to leave an impact with their exaggerated traits, like the conspiracy nut Crocker. Who pursuits to prove the existence of fairies. Yet he reacts and fails in an over the top manner. Sure the writing could be hokey and the characters would become victims of 'flanderization', it still made up for it with a good balance of humour and morals. 

But after a brief hiatus, FOP introduced the fourth wheel to the main cast. When Cosmo himself gave birth to the fairy baby, Poof (yes....really). For many fans, this was seen as the point where the show jumped the shark through a giant pair of scissors (so to speak). Something definitely felt 'odd', but we all thought what could possibly go wrong? Well, the writing was starting to become less witty and charming, often relying more on pop culture and sophomoric humour. The character's flanderization became more apparent, as they were reduced to their exaggerated traits. The supporting characters were put to the side; while more main characters were added as it went on. Now I for one don't blame Poof (as I like his character design), and I do think the second half of seasons do contain certain gems if you know where to look for them. But when Sparky was added, that's when I felt the show started to run on fumes. Did the last 2 seasons need to exist? I ask you.

If there's any point where FOP lost any dignity it still had, it would be the live-action movies. What could have been a funny/whimsical coming of age story that passes the wand to a new generation failed to utilise it's characters. The acting is ham and cheese, the production values are camp; what may have been funny in the original series does not translate to live-action. And for what, to completely contradict the ending that 'Channel Chasers' had set up. They're not the worst trilogy of films, but still, they’re not the conclusion viewers would’ve hoped for. When you put them together they leave you so disenchanted, you wonder if the show was ever good in the first place. For many fans, this made them realise that the show (for lack of a better term) lost its magic.

If 'A Fairly Odd Movie' was good (or at least decent) and the series ended right there and then; people would probably hold FOP in similar regard to 'Phineas and Ferb' and 'Futurama'. Not necessarily as one of the deepest shows or comedy gold, but the series had a charm that was all its own. But alas, it just became another children's franchise. But it no longer became what we remember it to be. Sadly, Cosmo and Wanda kept their incumbency, until it was eventually put out of its misery. Even though I still look back fondly on Timmy's earlier wishes, the reputation of them and their creator have been forever tarnished.

With the news of a live-action retelling, maybe Cosmo and Wanda's story could be told in a different timeline instead. It doesn't have to stay in Dimmsdale. But that's just wishful thinking. 

Fairly Odd Parents belongs to its respected owners and creators.

[emilococo]

Basically, it's Fairly Odd Parents in the Milo Coco style!

While we all wish that 'Fairly Odd Parents' didn't overstay its welcome, there was a time when we thought the show was more than "fairly" good. As a child, this Nickelodeon cartoon about average boy Timmy Turner and the magical adventures he has with his fairy godparents Cosmo and Wanda granted me a lot of enjoyment in its peak.

What worked about FOP was how it managed to put fantasy creatures into a contemporary setting, it was able to apply cartoon based humour to the cyclical structure of a fairy tale. The show followed its own formula, which Timmy would use wishing to improve his life. But these wishes would lead to certain consequences, that way, it would work morals into its stories. It really showed what type of wishes a child would make if they could happen in our world. It played around with tropes, as the depictions of mythological beings and wishes turned out differently than you'd expect.

Its use of gag-related humour was both sharp and funny. The show could get tongue-in-cheek with how characters referred to plot points, like how the opposite circumstances happen. The designs are formed from geometric shapes and bold outlines, they still have a distinctive flare. The animators were able to magically bring life to these ideas with snappy timing. 

The characters were able to pull off these goofy lines with sincerity. Timmy was one the younger viewers could sympathise with and learn from. Both Cosmo and Wanda worked well off each other, as the dim-witted comic relief and nagging voice of reason. The other characters managed to leave an impact with their exaggerated traits, like the conspiracy nut Crocker. Who pursuits to prove the existence of fairies. Yet he reacts and fails in an over the top manner. Sure the writing could be hokey and the characters would become victims of 'flanderization', it still made up for it with a good balance of humour and morals. 

But after a brief hiatus, FOP introduced the fourth wheel to the main cast. When Cosmo himself gave birth to the fairy baby, Poof (yes....really). For many fans, this was seen as the point where the show jumped the shark through a giant pair of scissors (so to speak). Something definitely felt 'odd', but we all thought what could possibly go wrong? Well, the writing was starting to become less witty and charming, often relying more on pop culture and sophomoric humour. The characters' flanderization became more apparent, as they were reduced to their exaggerated traits. The supporting characters were put to the side; while more main characters were added as it went on. Now I for one don't blame Poof (as I like his character design), and I do think the second half of seasons do contain certain gems if you know where to look for them. But when Sparky was added, that's when I felt the show started to run on fumes. Did the last 2 seasons need to exist? I ask you.

If there's any point where FOP lost any dignity it still had, it would be the live-action movies. What could have been a funny/whimsical coming of age story that passes the wand to a new generation failed to utilise it's characters. The acting is ham and cheese, the production values are camp; what may have been funny in the original series does not translate to live-action. And for what, to completely contradict the ending that 'Channel Chasers' had set up. They're not the worst trilogy of films, but still, they’re not the conclusion viewers would’ve hoped for. When you put them together they leave you so disenchanted, you wonder if the show was ever good in the first place. For many fans, this made them realise that the show (for lack of a better term) lost its magic.

If 'A Fairly Odd Movie' was good (or at least decent) and the series ended right there and then; people would probably hold FOP in similar regard to 'Phineas and Ferb' and 'Futurama'. Not necessarily as one of the deepest shows or comedy gold, but the series had a charm that was all its own. But alas, it just became another children's franchise. But it no longer became what we remember it to be. Sadly, Cosmo and Wanda kept their incumbency, until it was eventually put out of its misery. Even though I still look back fondly on Timmy's earlier wishes, the reputation of them and their creator have been forever tarnished.

With the news of a live-action retelling, maybe Cosmo and Wanda's story could be told in a different timeline instead. It doesn't have to stay in Dimmsdale. But that's just wishful thinking. 

Fairly Odd Parents belongs to its respected owners and creators.

[digitalta]

( you probably get these a lot but...here i am)

i've read antithesis about 3 times, i always stopped reading around chapter 66 because it was too painful, but it's one of my favorite works in fanfiction. i convinced my sister to read it (it's like...the second fanfiction she's ever read) and she's absolutely engrossed, and today is the day i finally finished reading this tragic masterpiece. (now there's a void in my heart).

what i mean to say is...thank you (for the angst, for the drama, for the comedy, for everything). i don't know what to say or even how to say it, this is such a humane and tragic story that touched me so much that i can't even formulate a semblance of what i really want to say and what it means to me. so, thank you.

oftentimes i found myself so entranced in your writing that i feel like i didn't register the best pieces of writing and identified what could be some quotes to add to my all time favorites.

by chance, do you have a compilation of antithesis's best quotes or poetic tidbits you can share with us please?

and thank you, really ♡

So, I got this Ask a few days ago, and I’ve been sitting on it and looking at it constantly.

First- no. The number of messages never EVER take away from the meaning behind them. I could receive four messages, or four hundred, and I treasure each and every one. You are an individual with completely unique experiences and views. You deserve to be treated with kindness and respect, not thrown into a list of messages from nameless people.

Reading the story isn’t easy for some people. It’s all a matter of perspective, and how we can connect with it and how we can hurt from it. I am so proud of you for finishing it, and finding meaning at the end. 

There are...sections? Of the story that I am incredibly proud of. Pointing out quotes from memory is impossible based on the insane length of the fic.

So I tried to find individual portions that meant a lot to me, as an author and writer. I have a style of writing that I started to refine much further in the story, which appears often in the end. Surrealism and lyrical twist that is more akin to poetry than standard literature. Those lines are the ones I’m most proud of.

A few more popular quotes are those I still enjoy.

Truth be told, moments I actually enjoy appear in the middle and towards the end.

Ch. 36: "I could have been raised to kill Potter." Adrian tried again, desperate in his attempt to scare the man.

"You could have been," Remus agreed, with the faintest glimmer of sympathy, "And if you were, I would give you freedom to live away from expectations or requirements. I would give you an opportunity to follow what you want to do, and not what you were raised to do."

"It wasn't your fault Adrian," He repeated carefully, "and I'll tell you that every day for however long it takes for you to realize that. You weren't abandoned because of who you are. It wasn't your fault."

Ch. 37: He had never thought of her as someone with individual dreams and desires, an individual life that everyone would mourn and miss and remember.

She hadn't...she hadn't (or had she always been?) a person, in his eye. She was just an object, a possession of the wrong side…He had left her behind, left her lying in a pool of water too weak to stand or speak. He had turned his back on her and left her on the floor.

Ch. 38: The man's eyes were bulging, his hands were gasping against his torn and butchered chest.

"He is prey," Nagini simplified, "Prey are eaten."The man gasped something wetly, it sounded faintly like a plea.

What had he done. What had he done?

Ch. 40: "I know, I just...I do things on my own." Adrian paused, trying to elaborate but struggling with the words.

"Ah, I know how you feel." Remus smiled slightly, something nostalgic and yet so terribly pained, "We all have our own burdens to carry."

Ch. 40: Luna noticed, and she smiled something soft and sad."You know, I think you'd be a wonderful thestral.”

Ch. 44: She turned, opening her mouth and displaying saliva and venom soaked teeth, as long as dinner plates, "And do you, Cerastes, have anything to your name that make others cower? Or are you a hatchling child who dreams of prey far too large for his teeth."

"That's not true," Adrian shook his head in denial, knowing his face was flushing ugly with his anger. His scars itched and his eyes were burning and his nose was filled with disgusting snot.

"Are you crying?" Barty asked, sounding like he was going to burst out laughing, "as if the Dark Lord would find you useful!"

"Master," Lutain unhooked from Barty's leg, slithering across the distance, "Master that is not true,"

"It is," Adrian swallowed, a lump the size of a walnut was lodged in his throat.

Ch. 45: "That's why you wore this dress." he realized, speaking out loud as the epiphany struck him. "So people would stare at you. Instead of staring at me."

"People always stare at me," Luna offered dismissively, "I'm different and people don't like that. I think it scares them, like thestrals do."

Ch. 46: Luna smiled enchantingly, "Adrian you're good at spells."

"I'm really not," he automatically blurted.

Luna's eyes searched his, flickering from one back to the other, "Why are you arguing? Why do you think you're so...mediocre?"

"Because I am!" Adrian blurted, face feeling warm as he flushed against his will. Luna's spell faded out. She whispered it once more, squinting into his face as if looking for something in particular.

"I don't think you are," She confided, "I think you're brilliant."

Ch. 46: Adrian's throat moved three times as he nervously swallowed, "I...I'm not good enough n-"

"I'm afraid you're going to do something stupid for the approval of someone that doesn't matter." 

Ch 50:  "I tried, but the little demon went savage on Mundungus again, stabbed him with a fork and looked right happy with it." Sirius grimaced.

Ch. 50: "How was your summer?" Luna asked curiously. "You look terrible."

"You know, most times you're supposed to compliment me first." Adrian dryly commented, "It's wonderful to know you're so sweet."

Luna shrugged, "You look like something's eating you."

Ch. 50:  Skylar's jaw flexed, twitching as he refused to look away from the window, "Cedric really...I saw Cedric die. I saw him die, and you saw someone die, right in front of you, years ago."

"I was young," Adrian swallowed, his throat felt dry, "I barely remember it."

Skylar gave a single bark of laughter, bitter and sharp, "You don't- you don't just...just forget about it." 

"Yes you do." Adrian blurted, not even hearing the slightly pained whine in his voice. 

Skylar looked haunted, "I...I remember his eyes. They...Merlin, his eyes."

"I don't think I'll ever forget it," Skylar admitted quietly, "What Cedric looked like. Laying there, on the grass. He, he was just...alive, and then… and then he wasn't."

"It wasn't your fault." Adrian spoke, his voice a hoarse whisper.

Ch. 54: “You’re not unlovable, silly.”

Ch. 56: “I could set this entire room on fire,” Adrian mused quietly. “I could burn this entire house down and kill you. burning people smell a lot like burning meat.”

Sirius realized, that he was afraid. He was quite afraid actually.

Ch 57.: Adrian stilled, pausing as if in thought. He looked at Remus with half lidded eyes, the yellow far too bright to be anything but alarming. "Do you like me, Remus?"

Remus felt as if he was mourning for the loss of something gone, which was impossible. Adrian was right there, but he felt so far away. He felt as if he had changed truly, as if something hideous had condemned him to something so foul, he had accepted it.

"Of course I do," Remus spoke, voice strained and distorted through his distress, "Adrian, you know I do. Why would you ever think I wouldn't?"

Ch. 58: "I thought I was insane." Adrian mused without much emotion, "Disturbed. Psycho. Spastic. Mad. Mental. Thick. Freak." Adrian's body twitched in a small spasm, "Loony." he practically hissed out.

Remus breathed through his nose carefully, "Who called that to you?"

"Nobody," Adrian murmured quietly, "Everyone. They think it, everyone does. Selwyn has a few screws loose. Selwyn is a freak."

Remus gently set aside the comb and scissors. He ignored the few scraps of hair, and instead slid forward slightly so that his weight was a nearby presence for Adrian.

"That isn't even my name," Adrian whined, shaking across his shoulders, "I- I just want to be good."

"You are good, Adrian." Remus assured him, "You're exceptional."

Ch. 60:  "Oh I know," Adrian hummed back, carefree as if truly it was barely of importance, "my life is a tragedy. I think I hadn't cared to truly involve myself to my full capabilities. Now...now with a deadline, I think that It's time for me to step forward."

Ch 60.:  "You love me," Adrian whined out like a dying animal. (Which, he supposed, he was).

Ch. 63: I know what it is like, to be unmade.I know what it is like, to be nothing.And through that, I know I am not.

Ch 64.:  "I'm surprised you never noticed, in all honesty." Adrian mentioned with a wry smile, "after all, professor. I have my mother's eyes."

Ch 65.: For now, all Adrian had was himself.In the sweet smelling heather and deep earthy peat bogs out of sight, in the moonlit shadow of a moss covered mountain which towered over an isolated cobblestone road cut from the mountain itself; Adrian found peace.

Past Chapter 65...honestly, each chapter is filled with absolutely gorgeous one liners. I pulled out small quotes above that I found really stuck out to me, or had some sort of important meaning. It would be impossible to pull out every single quote, basically because it would take so much time.

What’s your favourite?

[drmatchupmode]

Hello! May I get a match up from DR2 or 3 with a guy? I'm a straight girl, 5'3 and petite. I'm very pale with bright long pink hair, glasses and green eyes, septum piercing and tattoos. I'm very quiet around people, introvert and don't show much expression, but warm up to friends. I play video games, draw, watch anime, read fantasy novels, and fire dance. I'm also Wiccan and dress witchy/Gothic style. I'm short tempered and will speak my mind. Hope that's enough info lol thank you so much

Hi!💕 Thank you so much for requesting! Before I get into the matchup, there is something I’d first like to address. I am so sorry for my unexpected absence :( !! I will make a separate post about it as I do not wish to ramble with my explanation in this matchup. Either way I hope you can enjoy this matchup! When realizing this matchup three specific characters came to mind, narrowed it down to two then one. 

Based on your given description, the person I decided you’d be best matched with is…

K1-BO (Kiibo)!!!

Alright, I realize this may or may not seem like a strange choice, but to be honest I see I lot of potential for this match! There are quite a few reasonings as two why I matched you together, the first of them being personality traits you posses. Kiibo is at first introduced to be very polite and serious but also friendly and kind. He is also very well-intentioned and desires get along with everyone. If you tend to be a bit closed-off and introverted while socializing, many people perhaps would not be prompted to approach you, Kiibo nevertheless of how you initially act would try to befriend and get to know you. Furthermore Kiibo would also be respectful of your introverted nature. Although he might try to get you to socialize and interact with others once in a while, he’d never be forceful about it; quite the opposite, he’d try to be very polite and understanding about it, even if he sometimes does not fully understand human socialization. Whilst Kiibo can be a bit sensitive with certain topics (*cough* robophobia *cough*), he is also incredibly rational. In times when your short-temperedness might get the best of you, a rational and level-headed partner would be best to help you out. The fact that you like to speak your mind I think would prove very beneficial to Kiibo. In times where he needs to be provided with other than his rational  assessments, a more “human” standpoint/perspective on something would in time help him get a better grasp of human elements and characteristics. Also as Kiibo sometimes has trouble with sarcasm and reading moods, so a more direct partner would be best. Continuing from that same point, another reasoning of why I matched you two together is because I believe you’d have a very positive impact on Kiibo. At times Kiibo has shown to have concerns about identity, developing himself and of being accepted. As someone who has their developed their own sense of individuality, I think you’d be able to teach him quite a thing or two. With your broad scope of interests you’d be able to help him understand and introduce him to many new cultural aspects of humanity. He’d be very eager and curious to know about your interests, hobbies, beliefs, philosophies, etc. He’d also be very accepting and welcoming of anything new he learns from you while having tremendous amount of respect and admiration for you.

Headcannons:

Is very respectful towards your introverted nature

He tries to get you to socialize at times, but if he notices that you are uncomfortable in any way he stops

To make sure you aren’t uncomfortable in social situations he asks if you are okay a lot

Honestly is kind of a worry wart at times

If someone makes a bad remark on you being quiet or not very expressive, he will immediately defend you

When your short temper gets ahold of you, he calms you down with a cool and rational head

Really really appreciates your honest nature

Overall very gentlemanly towards you

He’s really dedicated to the relationship; takes the relationship very seriously

At the same time he is often embarrassed and shy when doing something romantic

He often tries to hide the fact to make you happy and for you not to not take him seriously 

Though he does not necessarily like playing video games, he appreciates the technology behind them 

Doesn’t admit it but if you pay more attention to the video game than him he gets jealous 

Loves to see you draw, often asks you to draw stuff for him

Also loves to watch anime with you, he surprisingly likes the slice of life/comedy genre

Occasionally gets offended with sci-fi/mecha anime, as “they portray robots in an unrealistic manner”

He often gets you new fantasy novels for you to read

Is amazed at your fire dancing, he thought it looked so cool that he once tried it for himself………it did not end good

Once you introduced him to Wicca he became fascinated with all of it’s practices, traditions, etc.

Asked you if he could become a Wiccan too, you didn’t know robots had religious preferences???

Very earnest, honest and committed to you

Will be loyal and faithful till the end 

Other Options: Kaito Momota, Rantaro Amami

Hope you enjoyed the matchup! If you feel like you weren’t portrayed correctly/I misinterpreted your information let me know and I’ll make the corrections!