#i need to write these two again

[aviss]

Hear me out, if Dorian Pavus apprenticed under Emmrich in Nevarra in his teens, he probably not only picked up fom hin not just spells, but also the love for facial hair.

Imagine, of you will, baby gay Dorian with a massive crush on his necromancy professor, who not only knows all there is to know about the death, he's also soft spoken, erudite and openly bisexual, coming back to Tevinter with the first wisps of his signature mustache, and a new need to be himself openly. No wonder he'd rebelled and gone off the rails.

Also, imagine Felix seeing him for the first time and making fun of his mustache, and Dorian defending it because it looked so good on Emmrich.

[theangrypomeranian]

Thank you, BP!! I love these two so much and I'm so happy that art of them finally exists! You're the beeeeeeest! 💜

A commission I did for @theangrypomeranian. I love a good rare pair. 💜

[ottersandfandoms]

Full Analysis/breakdown of the asmodous crystal exchange because the episode broke me and this is how I cope. Warning: long

So the first shot we have is Stolas sitting on his bed in apprehension, then Blitz jumps up on the balcony. Blitz starts the night off like any other, bringing out his bag of sex toys and just speaking in an unworried manner. Yet we have the sad music playing in the background that lets us know this is temporary. It’s NOT a normal night. Stolas knows this too and he’s just quietly watching.

Stolas finally speaks and he stutters at the beginning. This is really happening. He disregards all the other things Blitz brought and instead just asks for the book.

This is when Blitz first starts noticing something is up. We see a quick shot of his smile dropping. He was all worried about Stolas getting bored of him earlier and wanting the book back and now he began to actually think those fears are being proven true. Even if he doesn’t admit it, Blitz has a big fear of not being wanted and just pushed aside, like he has been for most of his life. 

So when Stolas admits he needs the book back Blitz panics. His fears are true. He begins to hurriedly speak and makes excuses. This book is his livelihood and the reason for his jobs so it makes sense why he is scared of losing it. He leans in and tries to initiate sex. It works every time with Stolas so why wouldn’t it work now? Stolas begins to grow sad. He does want to have sex with Blitz. But he knows that would be unfair so he gets up.

Blitz is terrified. He desperately begs Stolas for the book. Blitz is being put in a vulnerable situation and he doesn’t like it. His whole life could be destroyed if he can’t keep his business afloat. He wouldn’t be able to support himself and couldn’t support Loona. He would “do anything” to keep it.

But then Stolas shows him the crystal. Stolas presents it to him in a happy tone. He tries to be happy and hopeful even though he is clearly still very worried. Maybe everything will be ok. Maybe Blitz will reciprocate Stolas’s feelings and everything will be great.

Blitz thinks Stolas is joking. He doesn’t understand why Stolas would do this. Now his job is safe but his relationship with Stolas is not. His deepest fears are being proven once more. 

He’s not good enough.

He goes into this state of wanting to please.

When Blitz was a child, his dad clearly saw Blitz as the weakling compared with Fizz. And no matter how much Blitz tried to prove himself, it was never enough. “I can do better” is almost juvenile in its phrasing. A desperate plea and promise that might diffuse the situation. Blitz reverts back to his childlike self where he was always last choice and flung aside like he didn’t matter. Imagine how many times he said that exact sentence to his father.

Stolas explains. Stolas actually does a good job of saying what he wants. He is clear and to the point, emphasizing asking what Blitz wants. During Stolas’s speech, Blitz glances back and forth at the crystal, trying to make sense of what’s happening  and then at Stolas. Because he does want to stay. He likes Stolas. If he didn’t care, he would've taken the crystal and left, but he didn’t and chose to stay. Stolas finally just finishes his speech by confessing his feelings. He says them in a frantic way; he is putting himself out there but there is hope there too. 

Blitz thinks he’s joking. Of course he would be. Why could Stolas actually seriously care for him? How could Stolas care for him? The only possible explanation has to be that Stolas is joking. So he puts on a roleplay because he thinks it’s what Stolas wants. He refuses to accept there may be something more.

Stolas takes this as a mocking rejection. His hope has been squashed. Stolas is so used to being mocked that he immediately takes Blitz’s ‘roleplay’ as Blitz making fun of him. Stolas has been mocked by the people, the other Goatia, Stella. Blitz is just another one to add to the list.

He accepts the supposed rejection and walks away. Blitz now realizes he wasn’t joking. He is legitimately surprised that Stolas would want anything true with him. Blitz has this worldview of nobody truly wanting him; finding him useful, sure, but actually wanting him…that would be impossible. Stolas’s confession is a stark blow to that worldview and it makes sense why Blitz needs time to accept this.

This is where Stolas makes his mistake, he doesn’t give Blitz time to think through this. He takes Blitz’s confusion as rejection, not stopping to consider that Blitz is just as scared as he is. His hope is now totally gone. Both Stolas and Blitz are eerily similar in their fears. They both just want to be wanted but where Stolas shrinks away in sadness, Blitz lashes out.

And that's exactly what Blitz does now. And he doesn’t stop.

He doesn’t want to deal with his own hurt feelings so he instead blames it all on Stolas, to hide the fact that he may be blaming it on himself. The thing is, most of what Blitz says is true. Stolas repetitively called him a plaything and ‘little imp’ so it makes sense why Blitz doesn’t fully believe him. Blitz has always been the inferior one in his relationships. With Fizz, With Verosika, with Stolas, with countless demons. This has caused him this inferiority complex that he can’t escape. 

Blitz has tears in his eyes and he is truly breaking down. He has spent so long trying to convince himself that Stolas doesn’t care and now suddenly he does? He still hasn’t actually accepted that Stolas cares for him. He can’t accept that and that makes it all more painful. It has to be some lie or game and he is begging Stolas to stop playing. To stop complicating things because that will force Blitz to think about how he feels.

"Let's go!"

Blitz fully expects Stolas to yell back. he is so used to being in arguments where the other person will lash back as well. And Blitz almost wants this. He believes he deserves it.

But Stolas doesn't...

Instead he takes Blitz sceaming the wrong way. You see this heartbreaking scene of Stolas starting to cry. Stolas has spent his whole life being told to be quieter, be more controlled, less emotional. Him crying in front of someone, rather than alone really emphasizes the hurt he is feeling. And then there is of course the most heartbreaking line: “I didn’t realize you think so low of me”.

Everyone thinks low of Stolas. He is the “pathetic” Goatia prince who is constantly scoffed at and bullied. Blitz was his escape from all of that, but now he believes Blitz thinks the same as everyone else.

But Blitz DOESN’T think low of Stolas. He thinks low of himself. 

Blitz realizes he fucked up. He went too far and hurt Stolas.

He realizes that Stolas misinterpreted what he said because Blitz was never really talking about Stolas, he was talking about his own feelings. We can see Blitz actually try to reach out to Stolas. He needs to let Stolas know that he doesn’t think that. You can hear him start to say “I’m sorry-” but as he’s saying that Stolas portals him away. 

Blitz “What the fuck” perfectly encapsulates his feelings. He doesn’t understand what happened but he knows that he messed up. Blitz needs to let Stolas know that he actually cares about him and apologize for what he said and Stolas needs to understand that Blitz needs some time.

Blitz never once said that he doesn’t care, only that he doesn’t believe Stolas can.  

[suja-janee]

what are your thoughts on Harumi x Kuai Liang (I need to see them in your art style)

To be completely honest with you, I’m still neutral to them- but he looked pretty happy in the recent trailers!

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[da-birb-writes-sometimes]

How You Turn My World; Chapter 3

As the reality of your situation sets in, you try your best to survive in the Underground... and find a way out. Little do you know though, someone else is trying to find you.

Character; Lilia Vanrouge

Content; Gender-neutral reader, more shenanigans, getting more into the meat and bones of this fic

Content Warnings; Swearing

Word Count; 3.2 K

Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 |

Do not put my work into AI - I will push you into the Bog of Eternal Stench

Your night for the most part was uneventful. The horrid screaming had thankfully went in the opposite direction, away from your tree-top abode. Although throughout the night, little crowds of glowing eyes had amassed at the bottom of the tree, but they made no attempts to reach you. Even though they couldn’t reach you, you couldn’t help but feel unnerved, since all you could see was their eyeshine, and hear them chittering to each other.

Great, they’re probably pointing and laughing at the new fool in town. ‘Oh, look, Jim, a new plaything! Don’t they look stupid hanging in a tree like that? Fufufu.’ But you kept quiet, and just watched them, as much as they did you, making sure they didn’t try any funny business.

They didn’t stay for long though, either leaving due to their curiosity being quenched, or from how boring you were trying to be; silent, and watching, not moving. If worse came to worse, you would have started chucking rowan berries at them; if fae don’t like the tree, they probably wouldn’t like the berries either.

Eventually, the dark night dissolved into the dim glow of dawn, and once you could actually make out your surroundings and it wasn’t just one large mass of darkness, you started making your way down the tree. You were a bit proud of yourself, seeing that you had 1) survived the night, and 2) not fallen out of the tr—

Snap! … you celebrated too soon, since the branch you were using as a foothold gave way, and you tumbled your way to the ground. At least the fall wasn’t too high up, but it still stung like a bitch, and you’d definitely have a bruise; both to your body and your ego.

At least there was no one around to see you eat dirt.

Sighing, you rubbed your eyes, and smacked your cheeks; fighting off sleepiness. Focus; you need to get home. Read the damn book Mr. Sparkles gave you… damn prick is probably gonna call in a favour later…

With a still sore butt, you found a mossy rock that looked somewhat comfortable and sat down, opening up your ‘How Not to Die in Fairyland; For Dummies!’ book (not really the name of it, but it was damn close).

“Chapter nine; how to leave the Underground,” you muttered, flipping to the page. Weird, it’s only one page? 

“While leaving the Underground is possible, it is a task that not many have accomplished. 

Of the possible ways include;

Finding a portal; typically an enchanted faerie ring, or royal portal.

Finding a fae and tricking them into owing you a favour

One should leave the Underground before their thirteenth day. Should you stay beyond thirteen days you will not be able to leave the Underground, and will be a permanent resident.”

You shut the book, taking in a deep breath. What has it been, ten hours? It was hard to tell, the blurring of time. But at least you had a rough time of twelve days to find a portal — or have a fae owe you a favour — and get the hell back home. If worse came to worse, you were not above some benign trickery so you could see your idiots again.

…

…

Lilia had arrived home safe and sound, slept in his warm bed, and had some of his … delightful home cooking before he was due back at the castle. And while he was eating the somehow overcooked yet still raw eggs, he couldn’t help but wonder how the little Beastie was doing; how you were doing.

He didn’t technically owe you any favours, since he had given you that handy dandy book — if anything, you owed him, since you did say ‘thanks’ and everything — but curiosity is a fickle thing, and you seemed interesting. Humans typically reacted more when they ended up here, and made no proper moves to ensure that they made it back. But you, the little Beastie? Lilia saw a fire in your eyes, of both ire and determination. You wouldn’t give up easily, and while it was entertaining, he also knew that trouble could, and most likely would, follow wherever you go.

Last time a human like you ended up in the Underground… it didn’t end well (said human nearly burnt the Queen’s labyrinth down to the ground). Hopefully though, you didn’t prove to be as foolish, or as obsessed with fire as the last human. Who knows, maybe you would even escape! If you didn’t though, the court could use a new fool, and you seemed amusing enough to please their majesties whilst not incenting their ire.

“Hmm, wonder if their majesties have felt the intrusion,” Lilia hummed to himself, cleaning up his dishes. He could easily just magic it away, but the trip to the mortal realm had taken a lot out of him, so he was stuck doing some good old fashioned manual labour, not that he really minded. Doing the dishes was better than being digested by some mangy, overweight, cat.

A crack of lightning sounded outside, disrupting the otherwise beautiful and peaceful day. “That answers that question!” Lilia sounded too cheerful for what many fae considered to be a bad omen, as lightning rarely meant a good thing when it concerned the royal family.

A raven came to rest on the windowsill, eyes glowing green; a messenger.

Lilia tapped its beak, letting the message play.

“General Vanrouge, I require you to apprehend the trespasser on our land, lest they taint the soil,” the raven recited Queen Maleficia’s message. “Shall you deem it necessary to use drastic measures, so be it… To call this number back, place a coin into the raven’s mouth. To save this call—”

Lilia groaned, but coughed up a bronze coin so that the Queen didn’t send more ravens to his house on his day off. “Our guest shall be dealt with swiftly, I assure you of that.” Lilia ended his call, the raven blinked, coughed out the coin, and flew off in a ruckus of cawing.

He sighed, and cracked his back. “Hopefully our guest can understand… and not hit me with a broom this time.” With a snap of his fingers, Lilia poofed into his trademark green sparkles, and he was a bat again. Instead of being lost in the mortal realm though, he was off to find you, who was most likely lost in the Underground… hopefully you didn’t get eaten or fell into the bog again, since he doubted the Queen would want a dead(?) or putrid smelling guest.

“Beastie, Beastie, Beastie, wherever could you be?”

…

…

“Where the hell am I,” you wheezed. You had been walking for a good bit, since hey, the bog really smelled bad, plus you didn’t want to stick around long enough where the creature that was screaming last night decided to come back and make an appetizer out of you. So, you were walking. Where to? You had no idea, all you knew was that you needed to find a portal somehow, of the mushroom variety, or royally produced.

Currently, you were fighting gravity and making your way up a steep hill, but you knew you would be able to see over the dense forest canopy once you reached the top, and maybe, just maybe, you would be able to make sense of your bearings. Would you know where you were once you reached the top? Pfttt, no, but at least you would know what exactly was around. A sulfuric rotten egg-smelling swamp was one thing, but you wouldn’t be all too surprised if you found out there was a man-eating daisy patch or some other nonsense here.

Finally, you made it to the top of the hill, and you caught your breath before looking out towards the horizon. To the north, the sea of trees continued for what seemed forever. East, the trees made their way into a grassy plateau where there seemed to be a village of some sort in the distance; quaint. South, uh, the swamp, definitely not going back that direction, you’ve had enough of that swamp. And west, a castle, surrounded by a maze.

“An enchanted faerie ring or royal portal,” you muttered, weighing your options.

You had about twelve days left to get out of this place. You could spend those twelve days trying to find a so-called ‘faerie ring’ in the forest since those things were mushroom circles, but the chances of finding an enchanted one seemed to be slim to none. On the other hand, castles usually equaled royalty, which would equal portal. Knowing royals though, they were probably batshit insane. Also, if they felt like you were lying or trying to dupe them? Hey, they could apparently turn you into a slug or some other easily squishable being if they wanted to. And you really didn’t want to be turned into a slug… now at the moment at least.

“Forest,” you looked at the forest, “or castle?” You could also go east, but the grassland didn’t exactly scream portal potential or had any rowan trees (or any trees for that matter). “That is the question. Look for weird mushrooms and maybe get eaten by some critter, or potentially piss off some royal and end up as said critter. Hmmm.”

You groaned, and flopped down to the ground; both options weren’t all that appealing, or even guaranteed that you would find a portal. Rolling over to your stomach, you opened up the book again, seeing if it had anything that could help you make up your mind on the options in front of you.

Scanning over the table of contents, there was nothing about where to find a portal in the woods. There was, however, a handy dandy chapter on fae etiquette, including government specifications… 

You looked up towards the castle again, eyeing the maze. And started coughing out into laughter at your situation. “Pfttt, didn’t I wish that the Goblin King would whisk me away from my life,” you wheezed. “And here I am! In the fucking Underground with a labyrinth?!” Your laughing subsided into a tired sigh, and you set your eyes back towards the castle. “The irony is astounding really.”

At least you didn’t have to worry about some baby being turned into a goblin… right? 

No, no, you only wished for yourself to be taken away, no one else. But would that mean you would end up as a goblin? Fae? Or as some weird pet or servant to a fae? Hopefully not… and at least you had the somewhat credible book that Mr. Sparkles gave you. 

Shit, I owe him a favour though… CURSE YOU SARCASM!!!! 

Well, maybe Mr. Sparkles will cut you some slack, since ya know, you did save him from Grim… but you also did hit him with a broom… and insulted him… I am so fucked, aren’t I?

…

…

You eventually got to the entrance of the maze (the labyrinth?), and sat down on a bench outside of it, huffing and puffing. “Does everything want to–” you stopped that sentence, knowing your luck, if you said it out loud, it was bound to happen. “Never mind that…”

“Never mind what?” A voice said to your right.

You shot up and whipped your head around, coming face to face with a door(?) with a face. “I-”

“You never mind!” A second voice said, and on your left was another door, sending its counterpart a dirty look. “You know better than to meddle in such affairs!”

The right door, which was a weathered red, rolled its eyes at its neighbour. “Bah! Curiosity killed the cat-”

“But satisfaction brought it back. I know!” The left door, a brilliant blue, huffed. “Ignore them, they do this to everyone.” They sneered (if doors could sneer) to their neighbour. “Don’t you have anything better to do than trick people?”

Did I just get in between these two during something?

The red door got offended, turning even redder by some means. “Like you should be one to talk! ‘Oh my dear traveller, one of us two doors is a liar and does nothing but lie! Do not let my neighbour fool you!’ It’s the same every single time with you!”

It’s giving bitter divorced couple who for some reason still live with each other—

“I would do no such thing!”

“LIAR!”

“NO YOU ARE THE LIAR!”

You groaned, their bickering was starting to give you an all too familiar migraine. “Will both of you shut up?!”

Both of the doors tch-ed at your remark but stopped their nonsensical arguing, and you rubbed at your temple, easing away the building tension. But they turned their attention to you, looking at you with a mix of curiosity and something else… doors couldn’t be fae… right? The book didn’t say anything about talking doors… could they be portals? It couldn’t be that easy, nothing was ever that easy.

“Did anyone ever teach you any manners, mortal?” The red door huffed, turning its nose up at you. 

The blue door looked at you with a similar expression, “Yes yes, awfully rude you know! Lucky it's just us though, and not the mistress. Oh ho ho! She would turn you into a newt for that!”

I wasn’t too wrong about them turning me into a slug I guess… would a newt be an upgrade in this case? Since they have bones— 

“And you’re a door,” you deadpanned, “you both haven’t been polite either, ya know?” You had better things to do than kissass to two sentient doors, so no, you weren’t going to be polite. “So the sooner you tell me which way to go, the sooner I’m out of your… splinters?”

The doors grumbled but didn’t raise any objections.

“As you may have overheard, one of us is a liar,” they both said at once. “One of us will lead into the labyrinth, whereas the other will lead you back to where you started your journey.” They both chuckled, looking at you with amusement. “It is up to you to decide which is which.”

You looked between the two doors, weighing your options. “And what if I just walk into the labyrinth? What happens then?”

The blue door hummed, “Well, it would eat you!” … why did it sound all too cheerful about that?!

“So I don’t really have any other option then, do I?”

“Nope!~” They both gave you cheerful smiles, and you were half tempted to go off into the woods and find that magic portal by your lonesome. At least then you wouldn’t have to deal with a pair of divorced doors, and a human-eating labyrinth that belonged to some mistress that would turn you into a newt if she felt like you were being snippy with her.

You sighed. Of both the doors, the blue one seemed more sympathetic, whereas the red door was more harsh… “Okay, red, open sesame!”

The red door looked shocked that you picked it over its counterpart, but it opened nonetheless. The blue door grumbled that you had chosen its neighbour over it, but stayed quiet.

When the door opened, all you could see was black. 

“Do you actually lead anywhere?” You threw a rock in, but no sound came out. 

The red door was silent though; apparently, when it was open, it couldn’t talk. And while you didn’t miss the bickering, you really wanted answers, and the blue door wasn’t saying anything either. 

Sighing, you walked forward, hoping that you had chosen the right door. Once both of your feet were over the threshold, light started to filter in. Did I choose right?! But before you got too ahead of yourself, you felt the ground give way under you, and you were falling; falling towards an all too familiar sulfuric-smelling bog. 

“SHI-”

…

You were back in the bog of eternal stench, and spitting the rotten egg-tasting water out of your mouth again. And this time, Mr. Sparkles wasn’t here to make you magically smell better either. Nope, you were stuck smelling horrible until you could find a change of clothes.

Crawling out of the water, you grumbled and hissed curses towards that red door. Of course, you would end up here again! Why not! Laugh it up, Underground! Laugh it up!

“I hate it here,” you seethed, wringing out as much water as you could from your clothes. 

Shit, the book! But the book was still dry… Fuck you, book. Fuck. You. Of course, the book would stay free of wet and stench, whereas you were now shivering, since the water was frigid, plus you were angry and embarrassed that you had been deceived.

It was no use though just sticking around here lamenting and fuming. So you hoisted yourself up and marched back to the labyrinth; and even though the trip was a good three hours, your anger and pettiness drove you forward.

“YOU-” you hissed, pointing a finger at the red door.

The red door looked at you, looked to its blue neighbour, and then back at you before it started laughing. “I see someone took a little dip-”

You got up in its face, “Fuck you, asshole.” You turned around and marched up to the blue door. “Open up,” you cracked your knuckles, not breaking eye contact. And either your intimidation worked, or your smell was so offensive that the door just wanted you gone; weaponizing the stench works wonders against prissy doors.

“Th-” You remembered your first blunder; do not thank the fae. “You are too kind.” And you stepped through the blue door, which was as dark as the red one, but once the door closed, you didn’t find yourself back in the damned bog. You were now in the labyrinth, and perhaps a step closer to finding a way home.

…

…

…

Lilia found himself in the bog, looking around for the Beastie (you). But they were nowhere to be found, save for a wet spot on the grass and some torn-up moss.

“Ah,” he suppressed a laugh, “they fell in again, I see. Poor Beastie.” At least they’ll be easier to find.

He summoned a glass orb, a looking glass of sorts, and looked inside of it. “Show me the human,” he whispered, sprinkling it with some green magic. “And show me their location.”

The glass orb multiplied into three. The first orb showed a close-up of your face, an annoyed yet determined look on your face. The second orb showed that you were surrounded by hedges. And the third and final orb showed that the hedges were actually the Queen of the Underground’s personal labyrinth.

“… at least they can’t really run off anywhere.” But this wasn’t a great turn of events. Many people, both human and fae alike, had tried their best to navigate the labyrinth. But it was a fickle thing; you had thirteen hours to reach the castle, and if you didn’t within those thirteen hours? You would be stuck within it, as one of the beings that tried to stop trespassers from reaching the castle.

Lilia pinched the bridge of his nose, “Beastie, what have you gotten yourself into?” And he turned into a bat, flying off to try and find you. While the Queen did want you apprehended, Lilia would rather it be with his own hands, and not be held liable for any further actions or decisions you made.

...

...

...

...

Tags; @afunkyfreshblog, @cheezy-moon, @eynnwwyjth, @ithseem, @lucid-stories, @ryker-writes, @twistwonderlanddevotee, @xxoomiii

~~~~~~~

Author's Note; After a little break from writing this fic, I'm back! I hoped you enjoyed this chapter, even if it was only for the pay-phone/raven and the divorced bickering doors!

If you liked this, do check out my masterlist for more content!

[s0fter-sin]

one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules

the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)

almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)

they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning

(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)

even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)

so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim

it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character

the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring

we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)

it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other

sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[fuumiku]

Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization

The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.

If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:

Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.

Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.

It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.

Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.

[bamsara]

Hey chief you've been sitting on the new chapter for a while what's the current word count? (also crumb? little crumb for us perhaps?)

I have about 70k worth of draft written but thats DRAFT and incoherent rambling so not an actual idea of the chapter word count, but since I've been talking about SL Monty latley I think it's fair to throw these here

[disposal-blueeee]

VARGASTOBER - day 28 : fantasy

[purplemoonabove]

Sooo the writer in me finally woke up from my obsession and here’s what she came up with:

Picture this: Part 2 of Wicked, with a post credit scene.

The audience see Glinda arriving into her bedroom, tired but also ready for a new tomorrow as she gets ready for bed. Only to pause at the sight on her vanity: a black rose, no stem and sitting [center] in front of her mirror, [also aligning with her standing reflection when seeing it].

Confused, she looks about and only see her window, opened but hardly enough space to let a single rose in. Now cautious, she heads over to the vanity, reaching - then pausing, hesitating - then reaching out to touch and pick up. Only to gasp and drop it as the flower’s petals turn color — black to pink. She then recognized the flower, being the exact to the one she placed in Elphaba’s hair [during the Popular song, before claiming Elphaba as beautiful].

Overwhelmed by emotions, she freezes as her eyes tears up, but breaks out of it when the window door opens further to let the wind in, causing the flower to shift and Glinda to catch it in time before it could fall. Holding it in her palm, [Ariana makes] Glinda feels a sense of calming [Imagine that a sensory touch of Elphaba’s magic is on her palms, a tiny lingering that gives off the idea of her living and as it fades, it also implies her being hidden from Oz but now Glinda is aware of it].

A mix of happiness and sadness lays at her growing smile, later placed aside next to an emerald object [I’m thinking a broach, just a random black jewelry with a large emerald in the center that can remind her of Elphaba that she found somewhere without anyone questioning and/or noticing] near the mirror. Touching a petal, then tracing down to touch the emerald, a single tear shed but her smile stays as she then gets up, closing the window door and returning to get ready for bed.

[The camera view then lays at the two unique objects, symbolizing their personalities and existence - the objects a near swap of their respective beings’ personalities - that would be odd to see together but somehow worked. Then, from the audience’s perspective, as we hear the instrumental work playing, we reached a part where [Ariana and Cynthia’s off screen voices] Glinda and Elphaba sings a synchronized note to one word — “Unlimited”. The word bears a key note that gives the end of their story to the audience, as well a reference to Part 1 when both girls sung the word separately in Defying Gravity. Also off screen (CGI, really), the sunset then lays at the objects, the emerald shining in a near glow from the light (symbolizing how much Glinda means to Elphaba even when apart for good – get it? 🙃🥲 – as well Elphaba’s escape from the Emerald City during a sunset, and how the whole experience started with the use of the green bottle). And after the instruments lead the movie to its final end as the screen fades to black…]

DUDE.

I would CRY if this actually could happen! And would also call it first!

I AM OBSESSED!!

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[chalkrub]

super fun trade with @charseraph !

[yasmeensh]

Story update

I got to write a good chunk of the opening these past two days. Excited to get more work done over March break. And I can't wait to get to writing more about my daughter T-T But she comes in a bit later in the story. Still in the first act, though.

Some more character design doodles:

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.