there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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I think when people talk about things like desirability, they can miss the deeper point of why it can be important to analyze why people are seen as undesirable. It isn't just that a type of person is just... not hot... but often, it's the dehumanization of a person based on marginalized features.
For instance, I had a conversation with somebody about disability portrayal in media, and we had agreed that, historically, disability had been portrayed as a horrific ordeal. However, I think they missed the point as to why the "undesirable disabled" character was so appealing to a broader audience. The idea that disability is other, inhuman, and something that depersonalizes somebody from society is partly why those ideas were and are prevalent in mainstream media and culture. It is the idea that "nobody likes you. Nobody needs you. Nobody wants you" because of the person's marginalized body or experience or whatever it may be.
It isn't some superficial "oh why aren't I seen as pretty by everybody?" It is the knowledge that you are portrayed as undesirable in this way because it is a way to separate you from everybody else. It isn't about beauty, nor is it a selfish desire to be wanted by somebody. It is the desire to be seen as a person - an equal, regardless of who desires you or who does not.
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Ellie’s memory of the golfing scene and what it tells us about her.
🚨spoilers for tlou2🚨
I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:
The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.
There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.
The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.
Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)
Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).
Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.
This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.
On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)
To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.
But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.
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i fear that i don’t acknowledge enough the fact that i KNOW rhinedottir's evil !!! and she's horrible !!! and that she's wholly ireedamable !!! i know and love and respect that fact !!! i'd shoot myself in the frontal lobe if hoyo made her out to NOT be wholly evil !!!! but the reason i always go on and on and on about her humanity and complexity is because. SHE IS ALWAYS DUMBED DOWN !!!! TO JUST THAT !!!!
it's literally the greatest and most moving theme (IN MY OPINION!!!) in genshin, that human beings are COMPLEX !!!! and they're MORE than just evil or bad or wtv. we see this through every character to almost ever be introduced to us
-> literally just take arlecchino as an example. if anyone was at all paying attention to the discourse around her when the fontaine teaser dropped (and. 4.0 in general) it was the BIGGEST thing to watch people argue between "she's a harbinger, so she's clearly the most evil and the big antagonist of fontaine because of these accounts we have right now !!" versus the argument of "we've only seen ONE perspective of her so far, and it's no duh that all this stuff sucks -- but there's no way she's JUST gonna be all these horrible things,, because literally nobody to exist is just horrible and cruel with zero to no good in them. and also that'd make a shit narrative by hoyo in a story driven game" AND LOOK WHAT HAPPENED !!!! we saw !!! in REAL time !!! that while arlecchino was rightfully cruel and horrible and, yes the things she did were fucked up beyond belief and she should absolutely not be excused for any of it - she is NOT just evil ! she's shown to care, albeit in a fucked up way that only shows she's even more deranged ; but what's so incredibly important about her is the way that her being "evil" doesn't mean she's incapable of anything else. She is evil, yes— but so many of those evil actions have *motives* and *reasons* that explain them (but not excuse or condone!) and, although they don’t save her grace or anything of the sort, they DO show her true character. AND YHATS SO IMPORTANT!!!! She’s capable of being an antagonist while still being justified in some form, and given nuance and backstory and redeemable traits
I am !!! NEVER !!! going to say rhinedottir is a good person. she isn't! no shit sherlock ! how the fuck do you think im gonna go on and ignore the fact she sent both her kids to their deaths, and also fed one to another. dare i say, that is NOT anything good !!! suprise of the century !! woah !!! -- but what i AM gonna say is that she's much beyond that? hello !!
not only has the point of her having not a zero good trait or will in her body been. proven false over and over and over again. but it's such ! Sad and not compelling is character choice for her *not* to be nuanced and complex and justified in a fucked up !! — like do you REALLY think hoyoverse (who is clearly capable of, and likes to make) complex characters, who are horrible, while not being *only* those horrible things, would pass up a golden (haha) opportunity to make a characters whose entire existence is JUST that??!,!2????
believe what you want! Do what you want! This is a silly video game that will be eroded along with time in a hundred in so years ! But god so help me, please don’t be willfully ignorant to the complexity and nuance of characters, just because you want a villain. No villain , real or not, is entirely evil. People are complex and multi faceted and people really, really need to hop off this cart of going “okay but stop saying she’s multifaceted because it takes away from her being evil” because it DOESNT! If anything, it makes her so much more compelling . Which is something some people can apparently. Not handle.
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