#i need more lore lmao

[ilikestuffthatsparkles]

I need more of this shit please provide more of this shit i need it

in modern asoiaf wex is theon’s 12 year old algebra tutor (child genius and teenage dirtbag buddy comedy duo situation) who theon enlists to do the accounting for his business (selling vapes filled with water to kids in the park for 50 bucks each) until lysa finds out he sold robin an ‘e-cigarette’ and calls the police. wex lies to the cops for theon (who’s now temporarily blinded after lysa maced him) so theon is forever in this seventh grader’s debt but the only thing wex asks for is a date with asha because he knows it’ll piss theon off sooooo bad. asha thinks it’s the funniest thing in the world also she hates theon so she and qarl take wex out for ice cream while theon vents in his journal (robb said his therapist recommends it to blow off steam) until he gets bored and punches a hole through the wall next to a neat row of other punched holes covered by posters of half naked men covered by pictures of half naked women. their business is failing btw bran keeps stealing the pre-janked vapes from theon’s bag so he can give them to jojen (neither of them vape they just like to have them) and theon is convinced that the police are watching him and taking his vapes before he can sell them so that the government can force him to get a job because ramsay (lab partner in biology who always smells like pepperoni and b/o) told him about area 51 and now theon’s really scared of the fbi monitoring him and busting up his fake vape business and putting him away for life in one of those freaky facilities ramsay won’t shut up about where they torture you and probe you probably (he tries not to think about the probing because it makes his stomach feel weird). ok good night i loveyou

[driftsart]

Wait so, where does the story for the au take place, exactly? Are the Autobots and Cons still on Cybertron? Are they on Earth? When does it take place? :3

Autobots

The Autobots are divided up to look for Decepticons.

- Team Prime is Sentinel's group that changes location every now and then. Sometimes they're in autobot base (on earth) and sometimes they're on cybertron.

-Ultra Magnus' group of Autobot travel from Cybertron to Earth and back to carry messages, sometimes other autobots from one place to another, etc.

- The Earth Autobots are the autobots who have settled on Earth. Some of these include: Jazz, Prowl, Rung, Drift, etc. They live in autobot base and work alongside humans, except for Drift, who doesn't like to stick around near other autobots for long.

- Other autobots: Many autobots are allowed to travel between the two planets, others are on Cybertron, capturing all the decepticons there and others are on Earth trying to find the remaining decepticons there.

Decepticons

The decepticons are mostly scattered across earth and Cybertron, in hiding.

- Megatron's group, are in hiding since they first landed on Earth. With spare parts from their escape pods, they created a ship-like home, well hidden with Earth's nature. It's somewhere on a very very tiny island, not even found on maps.

- Tarn's group (Tarn, Arachnid, etc.), (Are Decepticons who are against autobots but against Megatron too. They see Megatron as weak and pathetic and they think the decepticons will lose because of his gentleness. They believe Megatron should be replaced) Is on Cybertron, because they refused to cower and escape Cybertron like Megatron.

- Captive Decepticons: Captive Decepticons are those who were unlucky and got caught by autobot soldiers. They're almost always sent to autobot prisons on Cybertron, where they're treated terribly (they're kinda like Concentration camps). Blitzwing's one of them.

--------------------------------------------------------------

Important Time Periods:

These time periods were the ones with most important parts that are important to the story.

⬇️⬇️

WW1

- WW1 was when the Decepticons arrived on Earth. It's when humans first made contact with Cybertronians.

WW2

- WW2 was when the autobots first landed on Earth. Sentinel was the first to arrive alongside Optimus. While Optimus was distracted with humans and trying to become their allies, Sentinel made some bad deals with the wrong allies.

- Blitzwing and many other decepticons were also captured by both autobots with the help of Sentinel's human allies (the axis 😬). Some were given to the axis for experiments while others were taken back to Cybertron to prisons.

Present

- The younger autobots start to become suspicious of Sentinel and begin doing their own research alongside their younger human allies. Some even start talking to some decepticons that are held captive.

- Tensions between the autobots rise and the younger ones refuse to follow orders more than usual.

- The Autobots are getting closer to finding Megatron's group.

[skyblueartt]

Henry Emily. what an interesting fella! (click for better quality boooo tumblr u suck)

[kirkwallsquad]

The Veilcast Episode 2: Before The Veilguard

in this week's episode, max chats about veilguard lore, all the companions, and manages NOT to go on an hour-long tangent about how hot davrin and taash are.

people and posts i reference in this episode:

@felassan, specifically the companion compilation post

@dalishious, specifically the catching up with thedas post

elle tchi's post about animating lucanis, which as a non-twitter-user i can't find or link to rn, but @biowho posted these screenshots

@bryceypants' post about emmrich being a sweet bean (with gorgeous fanart by @timethehobo)

@anneapocalypse's dragon meta post

[pardonmydelays]

fit check

[ahalliance]

i think a crucial aspect of the codebreakers dynamic that is sometimes overlooked is how likewise enamoured phil is with étoiles . like étoiles is the god of praising and hyping people up so people tend to focus on how much étoiles thinks phil is the coolest guy ever but do not forget that phil also thinks étoiles is the coolest fucking guy to ever guy he will never pass up an opportunity to talk about how cool and strong and funny étoiles is . their relationship is built on their mutual ‘WOW this guy is awesome’ feelings for one another and it is amazing

[anxiously-sidequesting]

I think I've already said this once before but I really wish there was a feature in Wizard101 where important events, lore, and dialogue in the game were documented somewhere so we can view them whenever we want. like unless we video record the events while it happens, take pictures, or just go through the whole entire fucking plot with another wizard character there's no way to ever revisit those moments and that SUCKS??????? like wizard101 has some of the best lore ive ever seen and I don't wanna have to level up my wizard all the way to level 100 just to see that iconic grandfather spider scene or grind through azteca just to find that one epic fourth wall breaking moment 💀 i want to revisit all the incredible and funny and weird shit we've all gone through Immediately. Like damn remodel the library so that it actually keeps records and dated films of the things we've gone through so it can actually be useful instead of it being Just A Building (rants about this for so long that even Jesus smacks His lips)

[hlkproductions]

woe, kuravy upon ye

[robinfollies]

some design comcepts for older lily + lewis!!! my latest and greatest headcanon for them is that in the future they get gems and can do magic of their own :33 i just think it’d be neat,,, something to do with their love of magic!!!! 🥺

[mrlarkstin]

I can't wait to post my Jazu fic and really lean into his story and his lore. I love Jazu and he's been a joy getting to write and work out!

Please look forward to more catboy lore. I made this guy JUST for Zoraal Ja and Gulool Ja. SE didn't put another parent in and I KNEW what I had to do.

I love Jazu. I LOVE him.

Old Arcadion Champion. The hidden lover of Zoraal Ja (not really willingly), father to Gulool Ja.

I love this mfer.

[genericpuff]

The Kiss Bet Episode 172 - Hot Pot and Venting About How I Want My 70 Cents Back

Okay, look, this isn't a post I was expecting to make today but it's something that just happened and I have to fucking talk about, so let me preface this with some context.

I had to buy coins recently and because I switched to using my iPad for reading comics on, I got a "new reader" type deal from Webtoons for a coin bundle that got me like 100 coins for $5; because technically it was a 'new account' as Webtoons operates their in-game currency model on apps, not on actual emails (meaning if you use the app on an Android phone and then switch to an Apple iOS device, they're technically two separate accounts which you sync the reading data between via the account info linked via the email, therefore they have two separate coin wallets).

So with more coins than I knew what to do with, I decided to start FastPassing The Kiss Bet again, which I had recently stopped FP'ing around the S3 mark, as it's recently devolved back into the "will they won't they" trope, but instead of between Sara-Lin and Joe, it's between Sara-Lin and Joe's younger brother (the "true endgame") Oliver.

Now I don't mind the ship in essence. Joe was definitely not gonna be endgame, it was always gonna be Oliver, anyone who's read any amount of romance before - especially high school romances - knows how this shit tends to go, and The Kiss Bet isn't exactly trying to be groundbreaking or subversive in any way, it knows exactly what it's about and what it's trying to accomplish.

But it's almost become a little too good at this. Because in playing the "will they won't they" game for so long with a character that we know is endgame, it's basically been weeks and weeks and weeks of-

That said, after I caught up on the recent FP episodes, it seemed like stuff was finally moving a little bit. We were finally meeting Oliver's mom and his stepdad who he has a fractured relationship with, Joe was finally getting with his true endgame girl, Vicky (who's totally not an exact genderbent version of Joe lmao) and Sara-Lin was finally realizing she had feelings for Oliver.

And then the newest episode came out, Episode 172 - Hot Pot and Venting.

CAUTION: FASTPASS SPOILERS FOR THE KISS BET OFFICIALLY BEGIN HERE!

Already I was a little petty over the title like "lmao ok clunky title but whatever". I swept it off as not a genuine criticism, just me being a nitpicking asshole over what's essentially Fluff: The Comic.

The episode cost 7 coins, which is about roughly 70 cents, albeit closer to a dollar for Canadian readers (here's something they don't tell you about Canada - our Monopoly game currency is just as fucked as it looks) and that's where I'm gonna get into my second disclaimer that I need to be perfectly clear about (and it'll be what we get more into later on in this post).

I understand the principle of paying for art. I understand fully that many of these webtoons are being produced on tight deadlines by creators who often can only afford 1-2 assistants, if any at all. I understand and fully agree that creators deserve to be paid for their skills, time, and efforts, not just as creators working on the hellsite that is Webtoons, but as artists in general who deserve to make a living the same as anyone else. Anyone who follows my stuff here knows I'm an artist myself so I would never debate the ethical necessity of paying artists for their work.

However.

I can say that, and also agree with the people who have stated in discussion circles such as on /r/webtoons that a lot of the comics that have started charging 7 coins have been suspiciously delivering less comic since. And it's not even so much in the literal panel count, the liquid volume of these comics have remained the same, but the calorie count has dropped significantly. Food metaphors aside, what I mean is that despite many of these comics maintaining their 40-60 minimum panel count requirement, they have in fact reduced the actual amount of content that happens in them, and The Kiss Bet's newest episode is a stark example of what I mean.

I am going to start by posting only post three panels - three panels that literally sum up the entirety of Episode 172 and what it chooses to spend its time on.

That is it. That is literally all that's established in this episode. I'd tell you to go read it yourself, but honestly, this is genuinely one of those rare times I can honestly say that a 40+ panel episode is not worth 70 cents and you'd be better off, and that's saying a LOT when these episodes are only priced at the cost of a gumball. At least Lore Olympus has entertainment in how bad it is most of the time, Episode 172 of The Kiss Bet is just nothing. You will literally get more substance and flavor from an actual gumball.

Literally every other panel in this episode is either repeating the same dialogue (Sara-Lin saying the same thing multiple different times to express how Oliver is holding her hand or how his stepdad is a dick) and then Sara-Lin and Oliver staring at each other. Over. And over. Again.

I am not joking. I did not cut anything out in that sequence. That is where the episode ends. Complete nothingburger, seemingly cut off right as it was just getting started like Cait Corrain's career.

Out of the entire episode, there were 45 panels. So I can safely assume Ingrid's minimum panel requirement is at least 40 per episode, that's me assuming the best that she didn't exactly meet her panel minimum at 45 panels on the dot.

Out of those 45 panels, there were:

Two actual unique backgrounds that weren't gradients or just a single piece of furniture

4 separate panels of Sara-Lin freaking out over Oliver holding her hand and wondering if he even noticed

10 panels of Sara-Lin staring at Oliver either dumbfounded or asking him to repeat himself (or apologizing over nothing)

5 panels of the characters saying nothing

11 panels of Sara-Lin repeating information in different ways that could have been accomplished in half that time

Two separate occasions of Oliver getting Sara's attention from off-panel, literally formatted the exact same way both times (and both followed by reaction panels of Sara-Lin staring at him dumbfounded)

Way too many panels of Sara-Lin blushing in response to Oliver being an asshole tbh like literally this guy's a douchebag, Joe may have been the "out of her league" love interest but at least he was nice and didn't treat Sara-Lin like someone who just bought a Husky as a "starter pet" ???

Again, I don't usually like being a dick about the coin costs, and I definitely don't like being a hypocrite in telling people they should pay artists for their work while simultaneously posting their paywalled content like this, but I think there does come a point where it feels more irresponsible for people to not be aware of what they're about to pay for and how little they're going to be getting. This episode is literally one of the best - and worst - examples of how far the romance genre has fallen on the platform - when it's not being overtaken and oversaturated by problematic series that romanticize abuse and sexual assault, it's being dragged to death with the most boring executions of tropes that everyone has seen before and is only exciting for anyone who's never read a book or watched a romance movie, period.

And here's the thing where I do approach a bit more "hot take" territory, but every time I see this argument come up about episodes not being worth the coin cost, I see others who rightfully argue that 70 cents isn't that much to pay for what you're getting - weekly episodes of work that are usually always delivered on time, with more panels than you would ever typically see in a free to read comic.

But here's where I take issue with that argument, as much as the principle of it is sound, it misses the overall point: readers are paying for entertainment first and foremost, so can anyone who's actually paying for regular refills on their app currency step away from this and truly call it "entertainment"? Nothing was gained. The comic had 45 panels to say something, anything, and managed to not even squeak out so much of a word. Even the silent moments have no substance, they just reiterate information that we already know.

Do we really need another panel of Sara-Lin blushing at Oliver? We've known for weeks now that she has a crush on him. Do we really need another panel of Oliver getting Sara-Lin's attention? What is this actually showing of their chemistry? What is being shown here that hasn't been shown numerous times - with and without dialogue - for weeks now? What does the comic have to show for itself after four seasons?

Another point of the "it's just 70 cents, don't be an asshole" argument that people seem to miss is it's not 70 cents. It's $1. Because if you want to buy a single episode of the Kiss Bet, you can't just pay for the individual episode in isolation, you have to pay for the coins first, and $1 is the absolute bare minimum you have to pay to get 10 coins, which will only pay for one episode of a 7 coin series - of which there are many now, basically any series that's 40 panels or more will cost 7 coins and, shocker, those are the series that WT will tend to promote most, you'll rarely see the 5 coins series in the banner ads, and that's not even getting into how there are more and more series cropping up that have 5+ episodes behind FP rather than the traditional three.

So if you're someone who's (almost definitely) keeping up with more than one series? You can't just pay the $1, you have to pay at least $5 for 50 coins, and that will NOT go far anymore or cut as evenly as it used to when just about every series is now 7 coins. Webtoons knows fully well what kind of game they're playing by making the new coin cost an uneven number while still offering increments of 5/10 in their coin bundles. They undoubtedly want you to be left with an uneven number so that you'll be easily lured into buying more coins so you don't 'waste' the uneven amount you have left that isn't enough to buy the episodes for the series you want to read. Obviously this is more speculation and not fact, but it's a common business model and with the series that have adopted the 7 coin count model (rather than starting off with 7 coins outright) such as The Kiss Bet and Lore Olympus, it's becoming abundantly clear that either the creators or the platform itself is encouraging these series to meet their panel minimums with as little content as possible in order to get more money out of readers who are barely even being drip fed actual entertainment and narrative progression, let alone spoon fed.

And then there's the waiting. The goddamn waiting. So many of these series guilty of siphoning their content off through a hose that they're deliberately standing on are designed intentionally with the most egregious cliffhangers in mind to keep their audience hooked so they'll undoubtedly FP next week. Do you know what that amount of waiting does to a comic? To its readers? First off, it artificially extends the actual pacing of the comic to make it feel longer than it is, when in reality, many of these plotlines are happening in a vacuum of very short bursts of time. Case in point, Lore Olympus is commonly confused for having a plotline that takes place over the course of months, when actually when laid end to end in order of cause and effect, many of its subplots - including the romance of Hades and Persephone - takes place over the course of days. This over-inflates the plotline's actual depth and, even worse so, it makes it harder for readers to keep up with information that's being delivered, as it often takes weeks for that information to actually go anywhere - so by the time it does, many readers have straight up forgotten about it.

It's absolutely not okay that so many of these kinds of series are normalizing literal slow burning for an audience who's paying to be entertained. It's not a "slow burn". It's just slow, and deliberately so. It's absolutely NOT FUN to follow a comic that does not go anywhere week after week. It's frustrating. And before long, it starts to feel like gambler's fallacy, where readers have to essentially gaslight themselves into paying into it more and more convinced that it has to pay off eventually, based on a promise that was never actually made, only assumed in good faith. And readers should not have to fill in the bulk of the content that isn't happening with their own imaginations, which is something that happens a LOT in these series that spend so much time on the characters just staring at each other and saying nothing. It's not 'plot' to just draw characters blushing and have your audience fill in the rest of it entirely on their own. This is certainly a technique in writing, but in the case of The Kiss Bet and other comics like it, it's much less of a valid technique and more just flat out manipulating your audience into falling so hard into the sunk cost fallacy trap that they don't notice they're being robbed blind by the plot that hasn't actually happened - and they've been paying for that financial and emotional robbery out of their own pockets and brains every step of the way.

Again, I do not care about the coin cost in and of itself, seventy cents IS still an incredibly cheap price for weekly updates of a series that has to put out so many panels each week. But as a reader and a customer, I should not be leaving these updates with less information than what I started with. And I'm someone who's incredibly old school by webcomic standards, there are comics that I follow that have updated 1-2 pages a week for over a decade that manage to do more with their limited pages than Lore Olympus and The Kiss Bet manage to do after entire hiatuses filled with pre-production time.

Why does this page of Alfie manage to move both the intrinsic plot of the titular character as well as the external plot that's going on around her in one page made up of 5 panels better than what The Kiss Bet can do in 45?

Why does this page of Tamberlane manage to convey more information about the world's lore and the people in it in a way that's emotionally driven and clearly affecting the characters without outright info-dumping than what Lore Olympus has managed to spit out onto its plate since S3 started over a year ago?

How does Tales from Alderwood manage to be more entertaining and convey more meaningful storytelling through its characters in a single page consisting of zero dialogue than what The Kiss Bet can convey in its silent panels of staring, blushing, and repetitive stuttering?

Why are the creators who are relying entirely on their own efforts, resources, and ability to generate income through community interaction and support putting out better work with less panels and on slower schedules for FREE than what we're seeing from professional creators on a professional publishing platform who are being paid to do this as their job?

There's this saying in the tattooing industry: good work isn't cheap and cheap work isn't good.

At this point, 70 cents is not a 'bargain' as many people like to argue in defense of the creators. And while I do want to have good faith in the creators who don't pull this shit, the creators who clearly go above and beyond to do what they do in the pursuit of storytelling and polishing their craft to be the best piece of work that it can be - the comics that are worth paying 70 cents and beyond for - are not the comics that Webtoons is promoting to people. The creators of the works that genuinely deserve more than 70 cents per update are being left to fend for themselves without support from the platform, while those that aren't worth the price of even a flavorless gumball are consistently winning the Wonka Golden Ticket lottery.

The cost of 70 cents is relative. For some works it's a genuine bargain. For others like the The Kiss Bet and Lore Olympus, 70 cents is not a "bargain", it's not a "good deal", it's exactly the value of what you're paying for - cheap work that isn't good.

[dolxiba]

uaaaah god i love sydney my grippy socks gf...

[imavikingo]

[mellonieee]

It's great that death of the author is a thing and I don't need to care about what the writers intended because otherwise I would have to acknowledge that season 10 made it so that Anti Cosmo and Anti Wanda moved without leaving a forwarding address to their son, which would effectively be abandoning their child. That's not even getting into the fact that it was implied in one of the worse season 10 episodes. Why would they move anyway, they live in a literal castle and it doesn't get any better than that, lol.

There's a few things in FOP lore that I'm keen to ignore, like the idea that Crocker powered fairy world. And other minor stuff that wouldn't work in my own personal world-building and work-in-progress magic system. Cherrypicking what I want from the later seasons and discarding the rest is kind of fun. I've practically made Chloe and Sparky completely different characters in my mind.

[banesberry-anomoly]

Hey does anyone wanna hear me talk about our interpretation of the minecraft lore and taxonomy of the mobs + some of the flora

[deus-ex-mona]

some couples say “yappari kimi nanda kimi janakya dame nanda” / “as expected it must be you; apart from you no one else would do”

other couples say “suki sugite yabai” / “i can’t even describe how much i love you”

but m y ship says “watashi no kokoro anata/omae no mono ni natteru” / “my heart belongs to you”