#i need him to be phantom of the operaing around please

[hallahart]

here's 2000 words of self-indulgent solavellan veilguard reunion fic that is wildly noncanonical, apropos of nothing~

-

The Lighthouse, for all its depressing divorcée energy, is gorgeous—lots of magic lights, frescoes and paintings, high ceilings. Definitely nicer than the mud hovel Rook used to sleep in. But one mural (in what Rook is generously calling the living room—it has more of a tomb-like feel at the moment) is particularly eye-catching, seeing as how it’s about a story high: a woman reaching skyward, rising from the jaws of a snapping wolf with some kind of weird green geometric patterns surrounding her. 

“Who’s she?”

Rook doesn’t know Solas well enough to read him—the man is as impenetrable as Nevarran poetry—but they can hear his teeth grind from across the room. For a thousand year old god (or whatever), he sure is touchy.

“Must you pry into every nook and cranny?”

Rook ignores him, peers closer. “Oh, wait, I see it now. Green glowy hand, pointy ears. You know the Inquisitor?”

“I am surprised that Varric—“ he stops himself, starts over. “Yes. I knew her.”

He’s so obviously annoyed and uncomfortable that Rook has no choice but to wiggle their eyebrows. 

“Knew her, knew her?”

“The Inquisitor is of no concern to you.” Most people would probably backpedal when Fen’Harel looks at them like that, but Rook isn’t most people. They never really had a knack for survival instincts.

“Oh wow, you did, didn’t you?” Rook can’t quite imagine the standoffish man in front of them being romantic with anyone. He’s pretty…severe. They’re pretty sure he’s never smiled in their presence. “You know, I’ve never seen her in person, but those recruitment posters they put up back home—was she really so, you know…” Rook mimes some unlikely curves. 

Solas pinches his nose, and Rook is delighted to see a blush spread across his cheeks. “This conversation is over.”

Rook almost takes mercy on him. But apart from the sad silverware situation, this is the first glimpse of Solas they’ve gotten as a person and not some freaky wolf god with great taste in real estate. 

“So did she break up with you before or after she learned you were an evil trickster god?” They wiggle their fingers in mock menace.

Solas’ eyes flash and Rook knows they’ve gone too far. Whoops. Solas can’t kill them, not without possibly frying his own brain (or spirit, or whatever, Rook’s fuzzy on the details), but they’re sure he can make their life pretty damn unpleasant.

But all he does is sigh, the dark circles under his eyes deepening by the second, and holds up a hand. “Let us please focus on stopping the evanuris. Anything else is a…distraction.”

His voice is hoarse, and Rook immediately feels bad. Clearly this wasn't some meaningless fling (the twenty foot mural should have probably clued them in)—Solas is in it. Present tense. The sad empty rooms start to make a whole lot more sense.

You are the loneliest asshole I’ve ever met, they want to say.

“Yeah,” they say instead. “No problem. Plenty else to discuss. Ancient blighted gods freed from their eternal prisons, etcetera. Say no more.”

Rook can’t be certain, but they’re pretty sure the look on Solas’ face is grateful relief. 

What the hell happened between this guy and the Inquisitor that makes thinking about the gods that want him dead a relief?

___

Rook is lying on the couch pining over Taash and her stupid sexy crystal horn when Varric and Solas enter, already deep in furtive conversation.

The polite thing to do would be to let out a discreet cough to announce their presence. Rook burrows deeper into the pillows and holds their breath.

“Absolutely not, Varric,” Solas hisses. Sometimes he reminds Rook of a sad stray cat they used to feed. Very similar auras.

They come to a stop behind Rook’s couch. “Listen. I get it. Trust me. But if there’s anyone who can help us—“

“No. It is simply out of the question.”

“You’re going to have to face her eventually, you know.”

“There is no reason for the Inquisitor to involve herself. These are my mistakes to fix. Not hers.”

Rook can picture the pitying expression on Varric’s face. “Look around, Chuckles. Your Lighthouse isn’t empty anymore. Like it or not, you have to rely on the rest of us. And Ellana is already involved, even if you don’t want to admit it.”

“The Inquisitor is not—“

Varric scoffs in exasperation. “Took her arm off and can’t even say her name?”

Took her arm off? Whoa. Rook’s heard rumors, but…

There’s a brief pause. Rook can imagine the seething look Solas is giving Varric—it’s been pointed at them often enough. 

“Perhaps I should find a crossbow to name after her. Would that please you?”

Varric lets out a breath that’s half sigh, half chuckle. “Too soon. Way too soon.” 

Rook’s tried to pry into this whole romantic situation, of course, but Varric always deflects, saying something like Don’t even get me started or You’ll just have to pre-order my next book.

Another silence. Then Solas speaks again, his tone softening. “I have caused her enough grief.”

Varric sounds unmoved. “Yeah, by avoiding her for ten years. Has anyone ever told you that you’re impossible?”

“On occasion, yes.”

“Seriously, if you think she’s going to sit this one out now that she knows you’re here—“

Any gentleness is gone. “Excuse me?”

Varric’s nervous laugh makes Rook cringe deeper into the couch. “Yeah, about that… listen, you know it’s impossible for Sparkler to keep secrets from her. It was going to come out eventually, what with the whole ancient evil gods thing. I think she could put two and two together.”

Rook can practically feel the frost radiating from Solas’ voice. “You will tell her you were mistaken.”

“A little late for that,” Varric says sheepishly. “She’s, uh, arriving tomorrow.”

Rook winces at the slammed door that follows in the wake of this new information, and the movement is enough to give away their hiding spot. 

Varric peers down at them, his eyebrows raised. “You heard all that, huh?”

“Yeah,” Rook says, sitting up. “That was, uh…”

“Tell me about it.”Varric sighs, rubs a hand down his face. “Tomorrow is going to be a shitshow.”

___

Inquisitor Lavellan is very short in person. And she looks almost as tired as Solas. And she’s pretty–dark hair and skin, bright green eyes and a wry set to her mouth that looks out of place on the person who was supposed to be Andraste’s prophet. Rook was expecting someone a lot more dour and…Chantry-y. 

She’s also really obviously out of Fen’Harel’s league. No wonder he’s been pining for a decade.

She shakes their hand. “I’ve heard a lot about you from Varric,” she says.

“It’s an honor, your Worsh—uh, your Inquisitorial—“

“Ellana is fine,” she says—kindly, but impersonally, and Rook supposes she’s had this same interaction about ten billion times.

“Ellana, then,” Rook says, and she rewards them with a small smile.

“So you’re the one who interrupted the ritual,” she says. “With some rather interesting side effects, I hear.”

“You mean being magically linked to the grumpiest elf in Thedas? Yeah, interesting is one word for it.”

They’re arrested by the Inquisitor’s hand on their arm. “You could have been cruel to him, and few people would have blamed you. I must thank you for that.”

Her eyes are piercingly kind, and Rook suddenly understands how this woman had entire nations bowing to her will. They have no idea what to say, mouth dry.

“Still, I can’t imagine it’s been easy,” she continues, the wry smile back.

Rook shrugs, hoping their blush isn’t as red as it feels. “In terms of difficult personalities, he ranks a little below my Aunt Beryl, though Aunt Beryl couldn’t turn people to stone with—“

Then they spot Solas over the Inquisitor’s shoulder, hovering in the doorway like a ghost. He’s about as white as one, too.

“Inquisitor,” says Solas, his voice so void of emotion that it gapes like an open wound. 

Rook has a front row seat to the expression that plays across Inquisitor Lavellan’s face. Shock — she grabs the shoulder of her missing arm. Then something Rook can’t quite name—a deep well of some dark thing that makes them shiver, something they hope they never have to feel. 

And then her mouth settles into a grim line, eyes closing for a moment before she turns, back ramrod straight.  

“Solas,” she says, voice steady as she releases her shoulder. Solas’ eyes track the movement with his jaw set.

“You look well.”

It’s like he’s commenting on the weather. 

Rook, frankly, wants to throttle him. The woman you’ve painted onto every other surface of your house is right here, you idiot! Say something better than you look well! They try to communicate this through a series of glares, but Solas seems to have forgotten anyone but the Inquisitor exists. Fair enough.

“You look terrible,” she replies, stepping closer. Her voice is thick. Solas takes a step back.

“I think it best if we—“

“Solas,” she says, stepping forward again, and there is nowhere left for him to retreat. She has the Dread Wolf cornered. Slowly, as though taming a wild animal, she raises her hand to him, coming up to touch his face, the line of his jaw. “You’re really here.”

Rook backs away, knowing this is very much not for their eyes and ears, but—well, they’re nosy, and so they pause in the doorway, shamelessly eavesdropping. Luckily the two elves seem to have forgotten Rook’s even there.

Solas exhales roughly at her touch, ten years of tension rushing out of him in a moment. “Inquisitor—Ellana, I—“

“Hush,” she says, and drops her forehead to his.

Solas’ face crumples. “How can you—I do not deserve—” Rook can barely hear him.

“We have plenty to catch up on,” the Inquisitor murmurs, her voice gentle. “But you are alive, and safe. For now that is enough.”

Like a dam breaking, Solas reaches out, his arms wrapping around her like a drowning man, tight as a sieve. Rook is pretty sure he starts to cry, a sob coming from deep in his chest and shaking his entire frame.

Okay. Enough. Rook’s pretty sure Solas would actually murder them if he remembered they were still there. So they make their exit and ease the door closed without a sound.

They’re happy for him, despite everything. And they really hope they don’t fuck on Rook’s favorite couch.

[corroded-hellfire]

Summary: You help Eric through an anxiety attack

Note: Obsessed with Eric and I need to protect him from the world, please and thank you. Also, Frodo divider created by me 😊

Warnings: anxiety, panic

Words: 1.5k

The carved out hull of the decimated subway car offers little in the way of protection, but with the power out it seems likely not to cause any unwarranted noise. 

Eric ushers you in before himself, the light from the fluorescents of the station giving the two of you just enough to see by. The seats and bent handrails cast gruesome shadows across the small space, and you decide to take advantage of one particularly large pocket of darkness in the corner. 

Your back presses up against the cool metal, dented from God only knows what. Slowly, you slide down to the floor and Eric lowers himself down beside you. Both of you are caked with dirt and there’s blood smeared against one leg of your jeans. Luckily, it doesn’t seem to belong to either one of you. 

A steady stream of water is somewhere near, the comforting sound letting you breathe just a little easier. Eric must feel the same because he dares to lean in towards you and speak softly.

“Are you okay?”

Never did that seem more complex of a question. You’re not okay in the grand scheme of things, but you’re currently still alive and, for the most part, unharmed. 

“I think so,” you whisper in reply. “Are you?”

Eric nods, rubbing his hands up and down his shins, the worn brown material wearing even thinner in a few spots now. 

The two of you were fortunate to run into one another in an alleyway between two buildings—the only stroke of luck either of you have had lately. A natural ease quickly proved that you worked well together and seeing as neither of you wanted to be alone, the choice was obvious. 

Even though it’s only been roughly twenty-four hours since you’ve met, with all you’ve been through in that time, it feels as if you’ve known Eric for ages. There was no denying how cute he was either, but your brain barely had time for fleeting thoughts like that when your focus is on staying alive. 

“How’s your hand?” Eric asks.

You look at the offending appendage, purple from bruising, slightly swollen, and throbbing. Though, it’s slightly better since you’d found that bodega and swiped all the Tylenol and ibuprofen they had. 

During the initial chaos of the invasion—is that what to call it? —your back was up against the brick wall of an apartment building and a man was sent hurtling in the air towards you. Your hand had the misfortune to get crushed between the high velocity man and the brick wall. Ever since you’ve met Eric, he’s been helping you wrap your hand and always checking in on it. 

“It’s sore,” you admit. 

“Let me see?” Eric extends his hand.

Taking a deep breath, you place your injured hand in his. 

Warm, calloused fingers undo the binding currently covering the wound and toss them to the subway floor. It feels nice to let your hand breathe a bit, get some air. With just a featherlight touch, Eric traces his index finger around the mottled skin. The delicate touch sends goosebumps up your arm. If he notices them, he doesn’t say. 

A sense of disappointment fills your gut when he releases your hand to get fresh bandages. You chew on your chapped bottom lip as you watch Eric rummage through the Phantom of the Opera tote bag you’d snagged from one of those tourist gift shops. 

He sprays a bit of disinfectant spray on your hand, the mist feeling doubly cold after having the warmth of his large hand enveloping yours. Next comes a fresh bandage. Eric always applies them so carefully, making sure it’s not too tight but gives your hand some support. You watch him as he works, your eyes taking in the small details of his face while he’s busy focusing on something else.

His dark eyelashes are so long that they kiss his cheeks with every blink. The curls on the top of his head are messy from everything they’ve been through, but it’s unkempt in a charming way. It amazes you how dry his lips are from dehydration, yet they still look so pink and inviting. 

Eric secures the bandage on your hand, and you momentarily move on to admiring the color and depth of his eyes when you realize he’s finished and no longer distracted. 

Heat comes to your face, so you lift your injury up to inspect it, hoping to give you a minute to cool down. 

“Thank you,” you whisper when you lay your hand back down in your lap. 

“Of course.”

The good thing about needing to keep quiet during all of this is that none of the silences could be interpreted as awkward. It’s just self-preservation. 

It goes on that way for about ten minutes before you feel your head get heavy and decide to lean it against Eric’s shoulder. It’s not long before he gently rests his head on top of yours. Despite the circumstances around you, a small smile grows on your lips.

But your peace doesn’t last long. A groaning of metal and the now too-familiar skittering of legs or pincers or whatever they’re called. 

By the sound of it, you guess that the creature is coming from your left, somewhere down the subway track. But there’s no reason for it to know you’re here. As long as you can remain quiet, the monster should just pass you by without trouble. 

A hitch in breath from beside you grabs your attention though. Your head jerks in the direction of Eric to find his breathing speed up and his eyes widen in that recognizable panic. 

Pressing one hand to his shoulder, you get his attention and his head whips to face you. With your other, injured hand, you hold up a finger to your mouth for him to stay quiet.

Eric nods but the rate of his breathing only increases. You shake your head and lean in towards him. 

“Breathe.” The words could barely be considered a full whisper. 

You’ve helped him through these anxiety attacks a few times now so you try to tell yourself you can do it again. You can’t blame the poor guy for being so scared, either. 

The clicking of the approaching monster comes closer then stops. It feels as if time pauses while you wait to see what will happen now. 

Smashing the play button, the creature falls from where it must have been crawling on the ceiling, to land on the subway platform.

Eric jumps and you see his teeth clench together as he tries to keep the panic at bay. 

Step by crunching step, the being stalks closer to your subway car. Even though it can’t see you, instinct tells you to get further out of sight.

As silently as possible, you scoot over so there’s enough room for you to lay flat on the floor of the car. Eric glances down at you and you motion for him to do the same. He gives you a quick nod and with shaking hands, moves to lay down next to you.

Within the cramped space it’s hard for two adults to lay flat, side by side, so Eric ends up on his side, facing you. If you turned your head to look at him, your noses would brush. 

One long black limb stretches out from the creature and crushes a piece of metal right outside your car—probably the remains of an adjoining car. 

Eric’s anxiety spikes again and before you can think about it, you wrap your arm around his shoulders and bring his body down on top of yours. 

It’s not the most comfortable angle for either of you, almost awkward. But Eric wastes no time grabbing onto your waist, his head falling to the juncture between your neck and shoulder. 

Consciously, you slow your breathing down in hopes that Eric’s will follow your lead. 

Another crunch of metal rents the air and you both jump, clinging tighter to one another. Eric’s grip on your body changed positions slightly, and now his head is resting right over your heart. 

You glance down and watch as Eric visibly calms. He takes a few deep breaths and lets his eyes slip closed as he lays against you. 

It takes you a few moments to realize what caused the change. Eric’s head is on its side, his right ear directly over your heart. He’s listening to your heartbeat. And it’s calming him. The thought alone makes your heart rate speed up. 

Slowly, you reach up and gently rest your hand in his hair. He tilts his chin up so he can see your face and you give him a small smile. The one he gives you in return brings forward the confidence to begin running your fingers through Eric’s soft curls. 

The two of you stay that way, listening as the creature moves farther and farther away, until you can’t hear it at all anymore.

But even then, after the immediate threat is gone and everything seems peaceful and calm around you, you both still stay that way. His hands holding onto your body, his head over your heart, and you carding your fingers through his curls. 

Maybe this subway car is a better place to be than you originally thought. 

[cherubimcore]

phantom of the opera ! au

pairing: logan x reader

author's notes: i have been writing this since last month, i still don't think is really that good but i'm happy with it, i did re-read the phantom of the opera and did my research to write this fic (still i could have made some mistakes) so after saying all that happy halloween! 🎃

“the phantom of the opera really existed, but he wasn’t a cold translucent body that resembles a person nor a floating sheet with holes for eyes, the phantom of the opera was a broken man with such a guilt on his shoulders that made him feel like a monster, everyone thought of him as a monster but every time i looked at him i only saw a man that suffered his entire life, that needed someone to love and cherish him despite his flaws and i love i love i love him and he loves me back with the same passion”

- (l/n), (y/n). diary of (y/n), 1870

your day ended with whispers amid young dancers and singers in the dressing room.

“i saw the phantom today while we performed!”

“you saw him?”

“as plainly as i see you!”

“what does he look like? please tell us!”

while taking off your corset you started to pay attention to their words when you heard the mention of this phantom, everyone was uneasy (to say the least) in the opera house because of the rumors of a ghost wandering around, especially after the death of the stagehand after a performance not long ago.

“well… he was in one of the boxes, box five you know, the box on the grand tier, next to the stage-box, on the left”

“this is ridiculous!” you said, a hand on the hip and furrowed brows “you wouldn’t be able to see anything in box five from the stage, let alone a person!”

“it wasn’t a person!” the girl you still haven’t learned the name snapped as if she couldn’t believe someone was doubting her testimony, she then sat down again with a terrified expression “it was him, i’m sure of it, the phantom! it was the monster that killed mr. buquet!”

“mr. buquet was found hanged” you clarified trying to put some sense in the girl’s head, as much as you were also scared of the thought of working in a haunted opera with a killer ghost, you also tries to use logic in every aspect of your life, and everything related to this rumor was not logic “he killed himself, that had nothing to do with this phantom of your because he simply isn’t real”

another one of the girls who hadn’t been talking all that much clenched her fists.

“i want to hear you say that when he comes after you!” she hissed “let’s go, girls”

the other dancers gathered their belongings and left the room.

in a blink of an eye you were alone.

it was already difficult enough being the new girl, but now you were the new girl everybody hated.

with a sigh you plop down on a chair in the corner of the room and start to think.

there were things concerning you more than this stupid rumor, worries that came before you got hired in the opera.

you always loved to sing, with both your parents being musicians, you were surrounded by music since you were born and throughout your life the only thing that made you keep going was your dream of becoming a lead soprano, the lead soprano, someone who’s voice would be remembered for the rest of eternity, so you practiced and practiced and practiced to one day perform on stage and hear the praises of the public, infatuated with your voice.

but after the death of your parents you stopped singing completely, not feeling the joy you once felt only the grief consuming your soul, it took years for you to start singing again and by the time you started once again, you were already a bit rusty, but you couldn’t give up, even if your parents weren’t here anymore you would make them proud.

but doubts always lingered in your mind ever since you got hired in the palais garnier: what if you couldn’t make your parents proud? what if you weren’t good enough? what if even if you practiced 24/7, 7 days a week you still wouldn’t get the lead soprano role like you always wanted?

what if you simply were a failure?

your took a deep breath feeling tears running down your cheeks and quickly dried them with the sleeve of your costume.

you get up determined to bury those thoughts so deep inside you they wouldn’t be able to claw their way back and ruin you.

you were going to be the lead soprano.

people will love your voice.

your parents will be proud.

whatever it takes.

a couple days later after making that promise you were in your dressing room after another performance still breathing heavily from the intensity of the spectacle, behind your door you could hear whispers and footsteps meaning people were already leaving the opera for the night, you knew you needed to leave sooner or later but your mistakes on stage kept plaguing your mind, it had been days since you had a proper night of sleep and some of your co-workers started to take notice of the heavy bags under your eyes but you simply couldn’t sleep knowing your goal was so far away, especially when you caught the other singers saying you were “singing like a crock”after practice, questioning how someone like you has been hired in the infamous palais garnier.

so you wouldn’t sleep, if you wanted to be better than all of them you needed to practice twice as hard.

you took a deep breath while locking the door to make sure no one would interrupt you and started to undress from your cherubino costume, you still didn’t know why the directors made you play a breeches role even if it your voice wasn’t the right tone for this character, and put some actual comfortable clothes before taking off your make-up.

with one more look at the mirror you started to sing.

your sweet yet insecure voice filled your dressing room, it was a promising voice, but it lacked control and you knew it, your voice faltered at some point making you sigh, frustrated. you couldn’t reach the higher notes and it tormented you, with a groan you opened your mouth to start again.

but before any sound could come out of your throat you felt a presence in the room.

suddenly a deep and seductive voice echoed off the walls, as if coming from every corner at once “you are forcing it”

your breath was caught in your chest as you looked around, but saw no one.

“who’s there?” you asked with a trembling voice.

“someone who can help you, if you trust me”

a shiver ran down your spine.

it was him.

you just knew it.

the phantom.

somehow he passed through your locked door, now you were the one locked inside with him.

“why should i trust you?” you replied with more courage than you actually felt.

“because i can make you into what you wish to be and more, everything you dream can be yours… if you accept me as your mentor.”

you hesitated, torn between fear and a strange attraction, feeling a shiver run down your spine. you knew you should fear this man, you knew you should get out of the room screaming for your life, but the promise he made, to reach the greatness you so desired, was irresistible.

“yes” you whispered, sealing your fate.

from that night on, the phantom became your shadow, guiding you through every note, shaping your voice until perfection, but his presence was overwhelming. you felt his gaze at all times, as if he could see through you, knowing every thought, every emotion, you even questioned at one point if he could actually read your mind.

your classes first started in your own dressing room, you remembered the first time you actually saw him, after countless times asking him to show himself, you lost your breath, the man was breathtaking, he had a strong built body beneath dress-clothes that hugged his body perfectly even with those clothes you could tell he had a hirsute physique especially because of his mutton chop sideburns, he also had a unique hairstyle that reminded you of cat ears for some reason.

“you…” you looked at him puzzled “you are the phantom of the opera?”

the man chuckles while looking around the room lit by a soft light, the only thing he could think about was how he never had seen it so close.

“that’s what they call me?” he smiled at you, you noticed he had animal-like canine teeth, a small detail that, alongside his other features, made your knees weak.

you smiled at him.

“what should i call you?” you asked “since you are my mentor now, how do you want me to call you?”

he looked a little shocked when you make that question, as if no one had asked him that in a long time.

“logan” the man you once called phantom answered, a little out of breath “you can call me logan…”

overtime, something strange began to happen, it wasn’t just your voice that was changing, your heart raced every time you heard his voice. you longed for his teaching, for his presence.

logan also started to change, instead of coaching you as far away as possible he started to get closer and closer to you, slowly he would open up about his past but nothing that would indicate how logan ended up in the opera house and you were scared to ask questions and end up pushing him away, what had started as mere admiration on both parts grew into something deeper and darker.

you began to seek him out, even when he didn’t call you, the thing you most wanted was to see who the man behind the grumpy face was, why was he living in the opera? where were his family? what was he hiding?

your heart races with an inexplicable pull towards logan, a fascination you can no longer deny, with all those feelings and questions in your mind you decided to follow him deeper into the shadows.

it was difficult to put your plan into action, you started to understand why logan laughed when you said people called him “phantom”.

logan really had the gift of appearing and disappearing to his heart’s content as if he didn’t have a physical body.

but you knew better.

after failing multiple times to follow him you started to watch the man even more closely every time when you were together, and when you weren’t you wandered around the opera trying to understand the architecture and looking for secret passages and hiding places that would allow logan to pass unseen amongst opera workers and yourself.

to be honest you felt a little bit ridiculous doing this but you knew, even if it would sound ridiculous to someone else, it was the only possible explanation you had at the moment.

and it didn’t take long for you to find out what you were looking for.

and it took even less time for you to find yourself in the underground catacombs of the paris opera house.

“what am i doing? what am i doing? what am i doing?” you chanted to yourself while looking at the damp walls and flickering lights in what felt like a haunted place at the time, but then you started to actually think about what were you doing and who are you doing it for.

you were doing this for the man who found potential in your voice at a time you were unsure if you actually had any talent for singing.

you were doing this for the man that held you so delicately when you were crying your eyes out when you didn’t get the role of eurydice, a role where you practiced so hard with him and you felt you were letting him down because of your failure.

you were doing this for the man that, when you mentioned that to him, he held your face still wet from your tears and made you look into his eyes, instead of finding him looking at you with an angry expression and telling you he really was disappointed with you, questioning why he decided to be your mentor actually you were met with the kindest eyes you had ever seen in your life while logan whispered “you will never let me down”

you were doing this for the man that never let you touch his hands saying they had done more harm than good, that they are dangerous but you always notice the longing expression, showing a desire for you to ignore his words and look past his facade and love him besides his faults.

and you do.

you do love him besides his faults.

you are doing this for logan, the man that also loves you besides your own faults.

a lost soul, yearning, just like yours.

your thoughts were interrupted when you heard his voice.

“you shouldn’t have come, (y/n). these halls, this life… it’s not meant for you.”

ahead of you, logan’s form is barely visible, his black clothes blending with the darkness.

the man speaks without turning, his voice both haunting and tender.

“but i must understand” your voice wavers, not from hesitation “you… you’re more than a phantom, more than the stories they tell, i’ve felt it since the first time you sang to me.”

you took a few more steps closer.

“you say this is not my world, but i feel like i belong here with you, in the music, in the dark”

“what about your dream?” logan finally turned to face you, even in the badly lit room you were in, the pain in his eyes was unmistakable “your dream to be a lead soprano? your dream to make the world know your voice?”

you giggled.

“i can still do all those things, i never said i wanted to be famous,” you confessed “i want to be a legend, the lead soprano who made people reach nirvana once in their life to never be seen again.”

logan looked puzzled, he couldn’t understand how someone like you would prefer a life in darkness with him instead of the glory of being in the spotlight where you could have everything you wanted.

“you don’t know what you are saying” logan’s voice trembles as he gestures around him, to the cavernous, endless maze of catacombs “this is not beauty, it is madness, a prison. my past, what i truly am… are not things you would wish to see.

you stepped closer to him, your hand outstretched but not quite touching the man in front of you.

“then show me. show me your past. show me your pain” your breath catches in your throat as you speak “i want to know, logan. i want to see what makes you… you.”

logan inhales sharply at hearing his name on your lips, as if you had unraveled a sacred secret. he looks away, conflicted, his shoulders tense. but you move even closer, your fingers brushing the edge of his suit.

“if you follow me any further, (y/n), there will be no turning back." logan's voice softens, filled with sorrow. "my world, my heart - it will consume you."

he looks into your eyes, pleading with you to turn away, pleading with you to think again and leave him in the darkness and live a better life.

but seeing the determination in your face, he sighs defeated.

"very well... follow me"

logan continues deeper into the labyrinth, and you, unwavering follows. the air grows colder, the walls narrower making you feel as if the weight of the earth is pressing down on you, it didn't take long for you both to reach a hidden chamber. inside, candlelight flickers over rows of old mirrors, sheets of music, and a grand organ, half-covered in dust. the remnants of a tortures life, a man that forgot the world above.

your breath catches as you step into the room, your eyes scanning the relics of his past.

"this..." your voice is soft, filled with wonder and sadness. "this is where you've been all these years?"

you turn around to face him, logan watches you as if waiting for you to recoil in horror, but when you don't, when instead you step closer and places your hand gently on his, something breaks inside of him.

"this is all i am" logan's voice, rough but tender, breaks the silence "a creature of the dark, of pain. nothing more."

your eyes fill with tears, but still you don't look away.

"no. you are more than that. you are music, you are passion, you are love. logan, i see you and i love what i see."

gently you took his hands and place in on your cheeks, logan's eyes are filled with disbelief and emotion, met your.

"you don't know what i have done, you don't know what these hands are capable of"

"then show me and let me love you anyway"

in that moment, something shifts. the darkness no longer feels suffocating but intimate, a shared space where two souls, both broken in their own way, find solace in each other.

[yona049]

𝕻𝖍𝖆𝖓𝖙𝖔𝖒 𝖔𝖋 𝖙𝖍𝖊 𝕺𝖕𝖊𝖗𝖆 𝖝 𝖗𝖊𝖆𝖉𝖊𝖗

Part 1

Part 1

Part 2

Part 3

Part 4

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Disclaimer!

This is a story following the events after the Phantom of the Opera (2004) and only follows the movie and not any other adaptations!

Started with this fic a few years ago and finally continued bc I couldn't find any new fic's to read! 🥺

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(For ambiance~)

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Y/n stood with her feet planted infront of the burning Palais Garnier opera house, the ashes of a once red stage curtain falling on her bare shoulders. The only bit of warmth was the costume she was wearing.

A red fire dancer, her hair still in perfect shape. Tho it seems that the other staff of the Opera house weren't as lucky.

Her home was burning down infront of her eyes, and snow did nothing but usher on the burning flames of rage.

This was the doing of one Phantom of the opera. The damned demon took it all from them, their home, their jobs and even Christine Daaé.

The lead singer and great musician that made Y/n dance like never before, Christine's sweet melody made her feet float inches from the ground as her soul danced in sync with her body.

One shiver crawled up Y/n's spine when she heard an unghastly scream. Her feet simply lept to it, only to find a man crawling out of the burning opera house.

"Monsieur!" she cried out to him.

His face seemed to have already been caught by the fire and he barely wore anything but a shirt and his trousers. Y/n fell to her knees beside his weak body.

"Don't worry, Monsieur, you are out of the fire! Please, be still! You are injured. "

She trembled watching blood force its way through the thin gaps between the snowflakes. Blood still warm enough to melt and merge with ice to water.

In a desperate attempt, Y/n pulls off the bottom part of her dancing grown and desperately looked for the point of injury when she finally found the wound on the calve on his leg.

Tieing it tightly before Y/n hoisted him up to his feet.

"Please lean on me, we need to get further from the flames!"

He didn't speak, only grunted in pain. His voice was deep, without effort as if he was willing to Perish without hesitation.

Y/n took a moment to gently touch his burnt skin on his face, he didn't seem to whine. It was as she thought, the wound was not from the fire that had engulfed many others in its treacherous flames.

She shakes herself awake and quickly focuses on the problem at hand.

"I have strength to carry you, but you'll need to carry your consciousness for a little while longer!" she shutted, her voice swelling with pity for him.

'What happened to this poor soul?' She wondered and dragged his feet though the snow.

Y/n didn't know his name, nor his origin from the opera house. Perhaps a operator for the theater special effects? Or perhaps a member of the audience, sitting among the red velvet seats and nearly getting crushed by the chandelier falling loose from its hinges.

It wasn't long after when Y/n and the other performers were taken to a nearby inn. Perhaps it was the will of a greater power that the Opera managers didn't leave them to rot on the streets. Rather to reclaim insurance funds or come around a lone?

At least, she hoped that was the case. But for the moment, she was afraid of what might happen.

The opera house had been home for the last eighteen years of Y/n's life. No, certainly more!

Her father was a dancer, and her mother's legacy had been lost among the chatter and rumors of the opera.

Y/n's father had passed when she was only ten. Now, she was eighteen years older and she promised to follow in his dancing steps to fame.

Still engulfed in her thoughts Y/n stared into the small oil lamp flames while she sat on the bed of the inn. The figure of a woman danced in the red and orange colors.

This seemed to distract her from the man waking up from his exhausted slumber behind her.

He winced with a grumble when Y/n's head turned to face him. His palm covering the burn on his face that she saw before.

"Monsieur?" she whispered in an effort not to frighten him.

His gaze slowly trailed to Y/n's worried expression, but his palm never left his face.

Y/n took this opportunity to explain their predicament.

"Please, do not be frightened. We're in an inn, the managers have sent us to wait until they can reclaim funds."

She stood up to take the bowl of water and cloth to dampen the burnt flesh on the man's face.

She knelt down beside the bed and lightly lifted the damp cloth to his face. His eyes met hers, but Y/n only stared in silence hoping he'd understand her efforts.

Tho he was hesitant, his palm lightly lifted from his face. She feared the wound was still hissing with pain. Lightly the cloth is placed onto his eye and he gave a simple sigh of relief.

Silence filled the room, it would've seemed like only the stars were their witness if it weren't for the drunken cheers from the bar below.

Finally the man took a breath and spoke.

"What of Christine Daaé? Has she been found?"

Y/n's breathing seemed to betray her when her body couldn't fathom the gentle voice the man muttered. She tried to form words, creating a stutter.

"Y-yes, it um, It seems she has been retrieved by the Viscount Raoul de Chagny. She has offered many services to those who did not escape the flames unscathed." she whispered and willed herself to not look into his captivating eyes.

He looks to the side and gives a simple smile, seeming satisfied with his thought.

As soon as his skin was dampened once more he tried to stand with a gasply hiss of pain.

"Monsieur, please be patient! Your wound is still open and fresh!"

He grits his teeth before taking his seat again but looking back at the fireplace.

The rest of the night remained quiet, like he didn't have need to ask her anymore questions.

An awkward night spent sharing a room with a stranger. He fell asleep quickly with exhaustion.

Y/n couldn't sleep. Things ended so abruptly! How could she? Her love died in the fire, her home, belongings. She had nothing to her name anymore.

Y/n quietly stood up from the bed trying to keep noises to a minimum. Avoiding the creeking floor boards and opening the window to look outside.

The smoke from the Opera house covered the sky, no moon in sight. This quiet moment with her thoughts caused her throat to close up and her eyes to push tears.

As quietly as she could, she tried crying everything out, to no avail. Morning her loss took more than just a moment of soft tears.

"I'm sorry my love, Aloïs, I couldn't save you!"

She whispered. Her lover in the theater house had been burnt in the flames because he pushed her away from falling beams.

"Aloïs?"

She gasped when the voice lurks from behind her caught her off guard. The man stood up from the bed and had walked to right behind her without her hearing him.

"Monsieur! I'm so sorry, did I wake you?"

He shakes his head before spotting Y/n's shivers. Looking back at the blanket on the bed, he grabs it with one hand and swings it across her shoulders.

A gentleman! Y/n wasn't sure many workers from the Opera were quite so kind.

"You knew my Aloïs?"

He nods before leaning on the wall next to the window.

"Indeed, he helped me with costumes, more specifically Masks." The man mumbled folding his arms across his chest.

Y/n quickly realized what he meant when the dim light shone on his burnt face. Aloïs was the lead costume designer for all actors, singers and dancers in the opera. He'd certainly be willing to help a gentleman like the man stood next to her.

With a small giggle she put her hand on his shoulder.

"Of course, Aloïs would do something like that. I'm sorry if I make you uncomfortable without a mask."

He looks at me confused almost relieved that he wasn't the one in trouble for once. That someone genuinely asked if he was uncomfortable instead of rushing him away and out of sight.

"You're apologizing? Mademoiselle-"

"Y/n, please."

He seems to smile before leaning closer and wiping a lingering tear off Y/n's cheek.

"Y/n, my name is Erik."

Small talk lasted for a few more hours until the sun started to rise.

All members of the Opera house were called to the outside of the Inn where Monsieur André and Firmin would enlighten them of the situation.

Monsieur André took the lead standing ontop of the inn balcony.

"Listen all! I'm afraid we have terrible news you will all now be let go from the Opera house!"

A sudden uproar of voices filled the street and Y/n felt my body wobble a little from shock. Erik stood beside her with his hand on the small of my back trying to stabilize her.

Monsieur Firmin then took the lead and explained:

"This was a terrible tragedy! And with the business in shambles we have no hope of reviving it, thanks to our generous sponsor, Viscount Raoul de Chagny, we will be giving out warm clothes to help with your resignation."

They both quickly scurry out of view back into the inn, likely out the back door leaving the crowd in shock and anger.

Y/n bit her lip feeling another wave of sadness overcome her. Quick breathing and a pounding heart for the unknown future that lied before her.

"Fools!" She hears Erik mumble under his breath.

"We must go quickly!" he said grabbing her hand and pulling her through the crowd to the front.

They got their clothes, thanks to Erik for getting them there early enough to take a few extra pieces of clothes.

Even with a wounded leg, Erik managed to take them to a proper alleyway to get dressed in the clothing.

He dressed first, then stood at the front of the ally to let Y/n get dressed keeping a look out.

A gentleman walked by peeping into the alleyway, but Erik growled loudly and with his burnt face scared the gentleman away.

"I'm done!"

Y/n smiled walking out with the costume she wore neatly folded in her arms.

Erik seemed to smile at her for a very small second then it quickly fell away, he brought his palm to cover his face.

"May I?"

He looked at Y/n confused until she gently took his hand and pulled it away.

"This might not be as good as Aloïs's handy work."

She looked down at her costume before quickly ripping off a piece of the skirt. She used the edges to tie it delicately around the side of his face tracing over it.

"You shouldn't have to hide! People are children! Gasping at the first strange thing they see." Y/n declared.

Erik chuckles but only for a second before going back into a smile.

"Perhaps."

He offers his arm which Y/n gladly took. They walked out into the crowded streets.

The sights were great and all the small shops and children seemed so foreign to her. In the Opera house they only had wooden or stone walls with the occasional windows high up in the building. The space of an open sky and streets going as far as the eye could see was a breath of fresh air.

A few hours later, Y/n suddenly realized that neither Erik or herself currently had a place to live, she have no living family to rely on.

Walking around the city for the first time in years distracted her from the dormant thoughts about the trouble we were in.

She looked back at Erik ready to ask him if he has a plan, but his eyes were sparkling. He was bewildered and intrigued by buildings, people, sounds and other sights. Y/n was starting to wonder if he'd ever been outside the Opera.

She felt a smile spread across her face from the warmth radiating off Erik.

"Erik, have you never-"

"Hello little mis!" a voice from behind her.

Three men quickly surrounded them and Y/n felt her body shrink into fear. Her lack of outside experience made her forget about the rats lurking around the city.

"Well, well! Give us a smile! How much?"

Y/n felt one of the bigger men behind her run his hand down her back.

She jump forward from his touch ready defend herself however, Erik pinched her arm tightly between his bicep and torso.

Y/n looked up at him and noticed the grimace clenching of his teeth.

"Now, this is unfortunate, just as I was starting to enjoy the outside." Erik fumed.

The man reaches for Y/n's behind again but this time Erik uses a closed fist to swing right into the man's nose.

He pushed Y/n off to the side, just hard enough for her to delicately hit the wall. She watched while this night old acquaintance fights off three large men with a bit of wood he swooped off the ground.

Using it to jab into the first mans forearm and then kneeing him in the groin.

Erik kicks the second man in the side, and to their luck, the third starts running. Finally all three run at the first sight of blood.

Erik breathes heavily before dropping to a knee with a loud grunt,clutching his injured leg from the fire.

"Erik!" Y/n ran to his side and wormed her arm underneath his arm and around his torso.

"We have to leave before they bring friends." Y/n stammered.

Her eyes dart around to land on a Inn with a tavern at the ground floor. The sun was setting again so soon and the candles of the tavern were lit.

She walked with Erik and quickly made their way inside to set Erik down in the corner of the tavern by a table.

"Oi!" The barkeep yells at us.

"Out!! You don't have no money!"

Looking at their clothes Y/n understood exactly how he knew we had no money to spend.

"Please! This man is injured, we need-"

He interrupts Y/n again.

"No money, no service! Out!"

Y/n bit her lip hard, thinking of anything to pay this man until she got a small shred of an idea.

"I dance!"

This makes the barkeep stop and look back at them. He leaned against the bar and waited.

Y/n realized he wanted an example before she swallowed the lump of pride in her throat.

She slowly pulled her coat off revealing a very inexpensive dress they received from the Managers.

Low cut to account for all bust sizes and too long skirt for all heights of woman in the Opera house. Throwing the coat over Erik she leaned close to his ear to whisper.

"Hold on, I'll get more help and medicine for that leg."

He groans grabbing Y/n's arm, objecting to what he knew she'd do. She felt her heart want to cry at his genuine worry for her pride. She gently lifts his hand off before turning back to the bar keep.

She looked down at her skirt before lifting it and tieing it into a knot showing just above her knees.

The musician with a pocket fiddle in the corner starts playing a rhythmic song and patrons start coming in.

Y/n puts on the best smile she could muster before starting to move her legs and hips.

Y/n felt the gazes of every drunken basted, but worst of all, she felt Erik watching her. Intrigued or Disgusted? She wasn't sure. She hoped for the latter. It was the better of the two.

Moving her hand over a rich looking patrons shoulders before spinning to the bar and smiling at another gentleman.

For what felt like forever, Y/n danced following each rhythm of each song played.

Getting a small tip from some patrons before she stopped and leaned against the bar.

Out of breath with her chest moving up and down rapidly. Another song had ended. She wasn't sure how much longer she could continue, her legs burnt from no warm up before hand like she knew she had to.

The barkeep, more likely the owner of the inn, pushed a glass of water toward her.

"Well done girl! We haven't had this many patrons in a while."

He praised but Y/n growled and reached out to him with an open palm.

"I did my part, I need payment."

The barkeep looks disgusted and Y/n was afraid for a moment he would refuse her payment. Thankfully he reached into his apron pocket and gave her a good hand full of coins.

Before she could pull her hand back he grabbed her wrist and smirked.

"Come back, with a better attitude, and you can make twice as much."

Y/n gritted her teeth looking away knowing its a large possibility she'd need to come back for more payment.

She pulled her wrist back then ran to where she'd left Erik only to spot him with an angry expression.

"Erik?"

She knew it, he was disgusted! She hesitated in front of him. He only managed to lean forward and pull the knot out of her skirt letting it cover her legs again.

He looks away but patted on the seat beside him. Y/n felt her body once again shrink in on itself as she sat beside him.

She took this opportunity to count the coins and realized they had enough to rent a room for the night and for her to go buy bandages and medicine.

Once they were in the room she felt a very strange hole in her heart, she felt like she'd betrayed him. She was sure he'd leave the next chance he got. She basically did what he'd tried to prevent in the first place.

She sat on the bed facing away while Erik used this time to wash up in the wash room and apply the medicine and bandages himself.

"Y/n."

His voice stood out from the muffled cheers downstairs.

His hand traveled to Y/n's and he sat beside her on the bed.

"I'm sorry."

Those small words made Y/n breath a sigh of relief before she felt his arms wrap her into a hug.

She'd never cried in front of anyone or at least she tried to avoid it as much she could, so how is it possible for this man to have seen her cry twice.

His chin rested on her head as she sobbed. It felt like she would never stop. Until Erik started humming. A soft but familiar tune. A song from the Opera house used in one of the famous plays.

It was beautiful, an angel of music. A voice she didn't know she longed to hear. In sleep he sang to her, and in dreams he he came.

Y/n slowly calmed her sobs before her body fell into a limp sleep and exhaustion.

Erik smiled before slowly laying her onto the bed, however she was clenched onto his shirt so tightly, Erik gave in and layed with her on the bed.

He looked at her calm face wondering how she was able to remain so strong though everything, even taking care of him aswell as herself.

Feeling his heartbeat similarly to the first time it did when he saw Christine. He placed a gentle kiss on her forehead and slowly pulled her into his chest, keeping her covered from all the worldly wrongs.

[sunshine-for-serotonin]

My lord i would give you my firstborn for more Erik content, hes literally my babygirl.

Hello my darling!! I decided to do some cuddling headcannons for you as well as some random tidbit headcannons!!! {it’s extremely unorganized} this can be read as any Erik of your choosing, but some specific phantoms are mentioned once or twice!

I’m not super proud of this, but I felt like I had to feed you guys something.

I am not officially back to my full tumblr writing, but I am hoping to make a steady return! Also, I made a Lerik bot on Character.ai if you guys want me to un-private it and post the link. :)

When you cuddle with Erik, no matter which version, you basically have to plan on taking the first or second half of the day off.

He’s very touch starved, so he doesn’t like letting you go unless he absolutely has to, and even then Erik will probably throw a fit of some kind, too desperate for your touch to even think about how it may affect the rest of his opera house.

He’s not ashamed about voicing his need for you either; if you try to leave, he will drop down to his knees and blubber like a child, begging for you to stay and love on him. If it’s a specific person that is causing you to leave, Erik will threaten to kill them! It doesn’t matter if it is the managers, Meg and Madam Giry, or even Christine (should she stay there after the whole final lair scene and the phantoms activities die down)! It doesn’t matter! They don’t matter! The only thing that matters is you and your love! Erik needs you, (Y/N)! He needs you to love him until he can’t think! For you to cuddle him and kiss him like he’s your beloved pet!

Concerning you being friends with Christine, Erik absolutely despises it! She had already abandoned him for the Vicomte, she can’t take you away from him too! She mustn’t! No, if Christine even tried to advise you away from him, he would make sure she wishes she never approached you!

Please, if he starts on one of his tangents about you leaving him for someone else, make love to him and tell him what a good boy he is. It’s a sure fire way to calm him down, and Erik, even though he is likely significantly older than you, loves being coddled and reassured that you won’t leave him.

you will find that almost all versions of Erik prefer to be held rather than just hold you, with the exception of Cherik. It’s not because they’re selfish! It’s because Erik needs you to hold him in order for things to feel okay, and it feels good that you would hold him of your own free will and kindness. If he was the one completely holding you, he would be worried you didn’t actually want to be close to him!

To expand on that a little more, Cherik is the only phantom that prefers to be the big spoon. All the others want you to press against them from behind and wrap your arms around their waist, pressing kisses into the sensitive skin of their neck. {as mentioned in one of my previous posts, Kerik is a horny bastard and will probably start getting hard if you’re not careful.}

Get them to lay on top of you.

Do it. Well… do it if you can handle them crying from emotional release, anyway.

Laying on top of you will give Erik the feeling of maternal care and nurturing he never received as a child, and it’s bound to make him cry from the sheer love he feels for you and the feeling of love you’re giving him, and even then the abandonment issues and childhood trauma just overflows from him like a fountain of sadness.

For versions of Erik where his deformities are a little more open and wet, like Meriks, you’ll have to reassure him that you don’t mind touching it. That the feeling of his open flesh against your skin doesn’t bother you, and that you’d love to cuddle him regardless.

Phantoms with deformities like Meriks are almost always between a rock and a hard place when it comes to cuddling you because on one hand, they’re worried about you seeing their deformities up close and so they’ll want to lay their bad side on your chest so you can’t see it as well. On the other hand, they’re paranoid about you finding the feeling of their deformities gross against your skin and making you uncomfortable.

It’s a lot to unpack when you cuddle Erik, or even give him attention in general, but you will find that it is well worth the effort. Erik loves you and would burn down the entire world to make you smile, and yet he finds himself feeling he is unworthy of even mere scraps of your attention and love, but you always reassure him otherwise. :)

[sarawritestories]

Wishing You Were Somehow Here Again

Cassian X Fem Reader

Summary: Life isn't worth living without your mate by your side.

A/N: I'm making my angsty mood everyone else's problem. 😘 I also got misty eyed writing this

Content Warning: PLEASE READ CAUTIOUSLY Suicidal Ideation, Self Harm, suicide attempt, Death of a Main Character. Grief

ACOTAR MASTERLIST

Title inspired by this song:

You couldn't escape him. Every where you turn, it was as though he was there. His scent, his clothes, his weapons it was suffocating. Cruel. Two years. You only had two years with Cassian before he fell in battle. Two years with your mate.

How cruel the mother was two years of stolen kisses, late night snacks, morning runs, and his constant need to have his arms around you. With him, you were safe, loved, and cared for.

You had begged him not to leave to stay home with you. He simply pressed his forehead to yours and whispered, "I promise to come home to you, Sweetheart." You sobbed as he pressed his lips to your and then kissed your tears away, "I am the General of the Night Courts armies. I have been to many battles and have always come home. I will come home to you sweet girl." Another soft kiss, "I love you."

With a wobbly lip, "And I love you. Be safe." You hand him the necklace that he gave you for solstice of an eight pointed star. He wrapped the chain around his neck and took to the skies.

When Rhys and Azriel returned, your eyes searched everywhere for flashes of red. Only to notice Cassian's brothers had streaks on their mud ridden and bloodied faces from where they shed their cheers. It was Rhys who held out his hand, and you hesitantly took it. He held your palm up and placed something cold in it when he moved his hand, the eight pointed star necklace caked in dirt, and blood stared back at you. Shock riddled your body as Rhys said in your mind, I'm so sorry, Darling

Shaking your head, you clung the necklace to your chest. You found it difficult to breathe as you reached through the bond. Calling out for him, only to find the other side empty. Hollow. Hands were on you as you collapsed to the floor and sobs overtook your body. Still pushing love down the bond, only to be met with cold, dark air where his warmth and love used to be. You screamed, "Cassian!" Over and over until your voice became dry and you ended up dehydrated.

Az scooped you in his arms and brought you to your bed where the faint scent of Cassian remained and a fresh wave of tears came. What if the smell faded? Would your memories of his smile, his eyes, his long, onyx hair be gone too. Az just sat and held your hand until your sobs turned into hiccups and exhaustion pulled you into sleep.

After two months, you were finding it hard to get out of bed. The necklace tucked to your chest, wearing one of his shirts, and you still reached out to the dulled golden string. You hoped that it was a bad dream.

Rhys and Az would alternate taking care of you, making sure you were fed and made sure you stayed hydrated they had a schedule and a pattern that you picked up on.

You had overheard them talking about trying to get you out and into society again. You barely saw the point, your mate was ripped away from you, and now, colors were dull, music fell flat, nothing was worth seeing without Cassian.

You sat up from your bed and sighed, and you wanted him hear in your arms in. You wished that he would appear again. You hung your head low because you knew that was wishful thinking and that he would never come back.

You pulled something out of the dresser on his side, trying to fight the tears as a fresh wave of his leather and Sandalwood scent flooded your nose. You headed to your bathroom, placing the Star pendant around your neck. Not noticing the tendril of black watching your movements. You whispered to the void, "Az, Rhys, Please forgive me. Mother, please take me home to my mate."

You took the knife, and pressed it to your skin, Az and Rhys hadn't noticed the faebane you stole from Rhys' office that you took in concentrated doses to slow your healing. You watched as the blood pooled against your wrist as you dug the blade deeper to drag down.

You heard the door slamming open and hurried footsteps to the bathroom, "Y/N!" Az shouted as he grabbed the knife from your hand had a shadow bring him a towel to wrap around the wound. He pressed your back to his chest and held you close whispering words your couldn't distinguish in your ear.

You blinked. Once. Twice. Three times and anger bubbled over. You began to thrash in his arms his strength out matched yours. "You bastard, I wanted to go home to my mate! I don't want to be here without him! Why would you do that? Let me die!" Your screams turned into cries, "I just want to die."

Rhys walked to face you, tears streaking his own face. "Darling. He wouldn't want that for you."

You sobs continued, "What about what I want?" Your voice cracked. You leaned your head back against Az shoulders. "Why did the mother have me meet my mate only to take him away. I only had two years. You both had centuries." The cries turned to whimpers, "It's not fair." Az began to rub soothing patters around your waist. "I wanted more time."

The two males had no words, so they both just sat on the floor with you and let you sob. Your constant murmuring of time stolen and wanting to be with Cassian.

And once you had cried yourself to sleep, did Az and Rhys have madja heal your arm and place you in Az's bed, both agreeing that you were not to be left alone for a while. The two males watched you sleep with a crease between your brows.

And even in your sleep, you tugged on the fading gold thread. Never knowing that somewhere in the afterlife, The General was desperately tugging back.

[blackleatherjacketz]

Shadow and Sin: Chapter 7

Elijah Mikaelson x Female Reader

Summary: Having just recently moved to New Orleans, you get intimately acquainted with both Mikaelson brothers, but don't find out who they truly are until it's too late.

This Chapter: Elijah comes to your rescue after you and your brother get attacked.

Warnings: Blood and Gore, Violence, Compulsion, Brushes With Death, Blood Drinking, Kissing, Loving Touches, More Phantom of the Opera References

Word Count: 2.1k+

Read the rest of the story HERE

“Drink.” Elijah orders you, cradling the back of your head as he presses his open wrist against your lips. The hot viscous fluid pours around your mouth as your weakened body slumps against the alleyway, barely able to register what he’s saying, let alone what he’s trying to do.

You manage to squint up at him in response, feeling your heart beating so fast that it nearly rattles your ribcage.

“Please drink, little Lotte, it’ll heal you.” His words are laced with an unmistakable urgency as his breath becomes more erratic, his concern for you more evident than ever. He tilts your head forward again and practically forces your mouth to open against his skin, the salty metallic liquid flooding your taste buds until you have no other choice but to swallow it. “That’s it, take a little bit more.”

Allowing it to fill your mouth completely, you begrudgingly down another bitter gulp as the rest of it spills down onto your chin and chest, mixing with the coagulated blood from the bite on your neck. His morbid cure oozes down your esophagus and settles into the pit of your stomach, allowing his features to slowly come more into focus; his eyes wet with sorrow as he waits for the sanguine solution to work its magic on you. Once a pillar of self control, now a nervous wreck riddled with regret as he strokes your hair, his jaw clenching in anticipation.

The blood he gave you suddenly steadies the deafening sound of your rapid heart rate, the panic quaking its way through your nervous system eventually following suit. It quiets the alarm bells in your head, gradually easing the sharp yet throbbing pain in your neck and the crippling fear that widens your eyes.

Holy shit, he was right. It healed you, somehow. HE healed you.

“Look at me.” He whispers, taking his wrist away before grabbing onto your chin, inspecting your wound as it miraculously seals itself up. “I need to get you off the street, somewhere safe.”

“Is Austin okay?” You try to turn your head to look over at your brother, but Elijah’s grip on your face forces you to keep your eyes only on him.

“I wouldn’t worry about him. Your brother’s going to be just fine, trust me.” He stares into your eyes, stroking your chin with his thumb as he instills that truth into your psyche. “Now let’s get you home.”

“Alright, but...” You keep staring at him, still too shocked to ask him any more specific questions that race through your mind as your body recovers from the attack. “Shouldn’t you be taking me to the hospital? Or the police station? Somewhere, anywhere else?”

He swallows hard and picks you up off the ground without a word, tucking his elbow beneath your knees to carry you like a bride across the threshold. The hot Louisiana air rushes past you in a soothing breeze as you cling to his neck and shoulders, taking in that dark scent of his as it mixes in with the blood splattered across his suit. He continues to carry you through the quarter at lightning speed, blurring past some of your favorite spots until you practically float up the stairs and reach your apartment’s doorstep much quicker than you thought humanly possible.

Only you know now that he’s not human, no matter what he may look like on the outside.

“There’s no need for a hospital.” He turns his head toward you, his lips grazing over your cheek as he lowers your feet onto the ground. “My blood should have healed you completely.”

“Your blood,” you repeat back to him, not stepping away from his embrace as you try to accept the gruesome truth that stains his pristine white shirt a deep burgundy. “Thank you for saving me, but umm…” You look down at his ruined sleeve. “What about you? Your wrist, it was bleeding, wasn’t it? At least, I could have sworn it was.”

“I’ll be fine,” he smiles, almost amused by your concern for his well being. “I promise. One of the perks of being a vampire is that I heal almost instantly, which is why my blood could heal you. Now, let’s get you inside.”

“Right,” you nod, hoping that if you repeat what he said to you in your head a thousand times or so, it might make it easier for you to accept.

You turn and pull your keychain out of your pocket, fumbling through them until you finally find your house key, noticing that your hands and arms are still caked in blood. Trying to compartmentalize the issue, you focus solely on sliding the key into the slot, shakily turning the handle before opening the door to your home away from the monsters that had attacked you. Still holding onto his hand, you attempt to bring him inside until you feel him forcefully tug backward, stopping as if there were some sort of invisible barrier between him and your doorway.

“You have to invite me in.” He states solemnly, as if it’s some piece of common knowledge that you just haven’t been privy to until now.

Right. Blood, healing, vampires, invitations. This is all becoming a little too real, no matter how excited your inner thirteen year-old self is right now.

“Please come in, Elijah,” you say out loud.

And just like that, the invisible barrier between you disappears as he walks into your apartment, still holding onto your hand.

--------------

“So who were those guys, anyways? Part of some rival vampire gang?” You run a washcloth under the kitchen sink as you try to collect yourself, to make sense of everything that’s happened tonight as the water slowly begins to heat up. You take your time wringing it out as you wait for him to answer until you suddenly feel him behind you, his chest gently pressing against your shoulder blades as he whispers into your hair.

“Something like that, but they won’t ever harm you again.” His bloody hands graze over your arms, encasing your hands as the water falls down your knuckles, saturating the dried blood before he smears it away, sending a wave of warmth up your spine. “Here, allow me.”

His stern tone wavers a little as he takes the cloth from you, his hands nearly dwarfing yours as he begins to rub your skin in slow circular motions until it’s no longer stained that shade of muddy red. You can’t be sure whose blood covers more of the cloth now as he squeezes it out before starting again on your other arm, both of you watching it disappear down the drain.

Once your arms are clean, he takes your hand and turns you around toward him as if the two of you were back on the dance floor of that bar, watching you with a desire that has a whole new meaning to it now that you know the truth about what he is. His eyes seem to darken, but don’t burn that infernal red like the man who’d bitten you earlier tonight, instead only warming you from the inside out as they quietly take in the sight of your face and neck.

Oh no, your neck!

“Are you okay with this? You’re not tempted to… bite me, or anything, are you?” You refuse to relinquish the washcloth he tries to tug away from you as your thoughts of caution come a little too late. You realize now that you’ve let your romantic ease with him override your new knowledge of his potential for violence, putting you both in a compromising position as the space between you closes.

“If I wanted to drink from you, I would have done so already.” He states in that firm, cold tone that you secretly love as he pulls the cloth from your fingers. “But I’ve already fed tonight, and my interest in you lies elsewhere.”

“Elsewhere?” You smile, unable to stop the twinkle in your eye as his words make you feel a little bit safer. You assume that he wouldn’t have gone to all this trouble to save your life if he wanted to take it the very second you invited him in, but you had to ask, just to be sure.

“To answer your question, those men are part of the underbelly of New Orleans, part of a world that the city likes to cover up with extravagant tourism and ghost tours.” He explains, wiping the bulk of the clotted blood off your neck as his other hand keeps your shoulder steady. “For centuries now, it’s been the reason that so many souls flock to the quarter, to experience the magic and danger of it, all while blaming it on the spirits inside the bottles that they drink.” He wets the cloth again, wringing it out one-handed before bringing it up to your chin, a small smirk crossing his lips at the image of your mouth drenched in blood. His blood. “But then people like you often get caught in the crosshairs, and that’s not what I ever wanted for you.”

“What you ‘wanted for me’?” Your brows knit together as you try to make sense of it all, wanting a bit more clarity than his stoic generalizations are giving you. Was he involved with Klaus, or this… Marcel Gerard that the other man had mentioned before? Or was he simply just in the right place at the right time for him to save you?

Elijah purses his lips together and washes behind your ear, the warmth of the washcloth soothing your previously broken skin as he holds you close, making you forget the rest of your prying questions for the moment. You close your eyes and let him clean you, getting lost in the pleasant feeling of the fabric washing away the horrors of the night and the sensation of his hands on your body.

You can’t help but think back to the other night when you were covered in paint with Klaus in his studio, and now you’re here covered in blood with Elijah. Both of these men are caught up in something much more maudlin than you can even begin to grasp. You get the feeling that choosing either of them would put you in a highly dangerous position, but Elijah had just saved you, no questions asked, while Klaus seemed intent on corrupting you to the core. The images of the Emperor and the King of Swords come up in the forefront of your mind before you open your eyes to take in his handsome features by the light of the moon shining in through your kitchen window.

“It was naïve of me to think that I could have you and not get you caught up in my mess.” His hand switches from squeezing your shoulder to cupping your cheek, having wiped all of the blood off of your skin. “I warned you that the phantom kills despite Christine, not just for her. What I forgot to do was remind myself of that fact. I wanted to be your Raoul, Little Lotte, but…”

“But what? You can’t see me anymore just because you’re a vampire?” Goddamnit, you’d just decided to stop seeing Klaus, and now Elijah’s backing out, too? You can barely wrap your head around dealing with the loss of one, let alone both of them at the same time. “I don’t want Raoul, Elijah, it’s never been that for me, okay? I want Erik, The Phantom, I want you!”

A hint of a smile tugs at the corners of his mouth. “You know not what you ask, but if that’s true I’ll take care of it. I’ll take care of them, make sure that you’re protected. You have my word.”

“Take care of who, exactly?” You raise your eyebrows at him, hating not knowing the whole story, especially when it’s putting your life at risk. You understand that it takes time to open up to people about certain details of your life, but you’re way past all that now.

Elijah sighs and weaves his fingers into your hair, pulling on it just hard enough to make you look at him again. “Those men that attacked you were random criminals looking for a bite to eat, nothing more. They weren’t connected to any other vampire. In fact, you don’t even remember what they said to you or your brother. All that you can remember is that you were bitten, and that I saved you.”

“Right, you saved me.” You repeat back to him numbly, a docile smile spreading across your face.

“You won’t go out into the quarter after midnight again unless I’m with you, is that understood?” That ice cold timbre returns, quickly chilling you to the bone as he delivers his last hypnotic order of the night.

“I understand.” You nod into a kiss on your forehead as he drops the blood-soaked washcloth into the sink, wrapping his arms around you in a tight yet affectionate embrace.

“Good, now let’s get you out of these clothes.”

-------------------------

Tags: @hcqwxrtss123 @hayleym1234 @derangedangel

[justhauntley]

Okay okay okay long post but,

I need to say this cause it's nearly midnight and this idea is keeping me awake! Please tell me if you like the sound of the idea or if you think it's a bit of a stretch lol

So I started thinking about this today and cannot stop but y'know those Danny Phantom AU where Danny has a space obsession but everyone assumes it's actually a protection obsession?? I had an idea where, what if they're not assuming and Danny's pretending to have a protection obsession because he doesn't want his rouges to feel guilty about keeping him from his obsession?

Here me out! What if Danny feels like pretending to have a protection obsession is necessary to keeping his rouges happy and content while fulfilling their obsessions? He wants them to be happy because it means they'll be more satisfied and will come around less (he hopes). His rouges are more than happy to attack because they feel like they're helping Danny fulfill HIS obsession!

Eventually Danny starts to think of it like he's performing for those around him, like he's the star of the show he didn't realize he was in- He finds himself watching plays and operas and broadway shows and he enjoys them?? Which he didn't expect! Soon he becomes a bit obsessed with putting on the perfect performance for others, but obviously that has side effects on his mental health.

Maybe we can bring in some Ghost King Phantom? Like he becomes the Ghost King once he's graduated university or something and to his surprise, Frostbite tells him that he has a new Performance Obsession and of course this can give an opportunity for angsty spirals... Also if I'm being completely honest, the design and personality I have in my head for him is reminiscent of Furina from Genshin Impact, which I'm pretty sure was an accident, especially because I finished the newest quest yesterday... But whatever... I'll worry about it later.

If enough people like the idea I'll probably put a story and designs together, might even throw some dpxdc into the ring who knows, I sure don't! Anyway, my first time actually putting thought into an AU idea and I'm having a lot of fun with it. Let me know what you think!

[seeingivy]

the time of your life

actor!eren x f!reader

**part of my method acting fic, masterlist here

content: character death (LOL), very immature fifteen year old humor (that was cross confirmed with real fifteen year olds), idk reader and eren being mad corny

an: tried my best to make this chapter fun but I will just POST WHAT I HAVE BUT THE NEXT ONE IS ONE OF MY FAVS IM SO EXCITED

previous part linked here

--

Things settle down after the panel, and Eren convinces you to put all your energy into finishing the season. Because you’re going to prove them wrong and now you just have to do it. And as much effort as you put in, the rest of them all make it fun too. 

And Eren’s right. 

They really are great - funny, charismatic, and idiotic in their own ways. 

The inside jokes start one week after filming when you’ve finally learned everyone’s names. And, of course, it starts with Reiner. You and Historia are so tired after filming that you quickly run back to the townhouse just to get snacks from the main kitchen. With the mention of food, Sasha’s following, and then Connie, suddenly, everyone’s marching back together. 

Except when you get there, Reiner is in the kitchen. Not only is he shirtless, but he’s also doing some next-level opera singing. For some reason, he’s trying to sing both parts of the Phantom of the Opera and… actually succeeding?

Connie leans over, whispering. 

“Look at those mommy milkers.” 

You all burst out laughing, which stops Reiner in his tracks. And he momentarily stops and scratches his head before he keeps singing, this time serenading all of you. He’s taking Ymir by the hand and swinging her around and holding hands with Jean as they rock back and forth that even Mikasa’s snorting at the sight of him. You're all sold after that. 

Speaking of Mikasa, as solemn and quiet as she can be, she’s gotten you into quite a bit of trouble. Trouble meaning severe back pain. When she first moved into your room, she mentioned that she was a bit of an early riser. She likes to work out to get her blood moving before shooting, claiming that “it gets her in the zone.” 

Somehow, she convinces you and Sasha to join her one morning, and by the end of it, Jean and Marco are dragging you both back to the house by your legs, having to shove the two of you in an ice bath. 

You just didn’t realize that an early riser meant four in the morning, and working out means an all-intensive full-body press. Levi’s pissed at you and Sasha for being stupid enough to think you could keep up and you’re both mad at Levi for having such little faith in you. 

In true dad fashion, Levi’s always lecturing you guys. More like pretending to be mad, berating you around the set. But you know that he cares because the second that you guys ask him for something, no matter how stupid it is, he’ll be the first to give in. 

Exhibit A? Marco and Jean recently find out that Levi became a triple threat from doing his own stunts on Bond - including a quadruple flip. They’re both so intrigued by it that every time they see Levi, they force him to do it. 

“Levi.” 

“No, Marco. I’m not going to do a flip.” 

“Do a flip! Levi, please please please please please do a flip. It’s just so fucking cool.” 

“Watch your language, Jean. You need to wash your mouth out with soap.” 

“I won’t say fuck for a week if you flip, Levi. Please!” Jean says, shaking Levi’s hands as he talks. 

Levi begrudgingly rolls his eyes and then backflips in the living room, earning half hearted cheers. It was cool the first eleven times, but Jean literally asks him to do it daily. It gets old fast. 

“That was so fucking cool, Levi! Thanks.” Jean says, running off. He bumps into Sasha, who's clearly going to throw up as she runs past. 

Levi’s sick and tired of Jean. And Hange too. And himself for thinking that filming with a bunch of teenagers was going to be a good idea. 

After finding out that Sasha will quite literally eat anything you put in front of her, Hange’s started a dangerously horrible game of seeing what Sasha will eat without paying attention to it.

Ketchup on watermelon, ice cream with salt in it, cake with mayo. It’s become so disgusting that you can’t tell who people are more grossed out with - Hange for making the concoction or Sasha for eating it. (It’s Sasha) 

Armin’s taken maybe twenty before and after pictures of Sasha during these “experiments” that Hange runs and then sticks them onto the kitchen wall - perfectly labeled with the food Sasha ate underneath them. 

And he loves taking pictures so much that there’s now a big wall at the front of the set of just individual and group pictures, Armin’s little pictures and commentary tacked to the wall. 

One of Jean and Sasha playing video games, labeled “the great war” 

Another one of Ymir and Bertholdt tackling each other, labeled “ice cream gate” 

And one of Eren pinching your cheek, labeled “the l/n-jaegers” 

Right. In another life, you’re all convinced that Connie was destined to work for the paparazzi. Because every time you and Eren are together, he somehow manages to capture a picture at the worst time - making something innocent look like totally not.

Like when you and Eren share a blanket on set because there’s only one left. Or when he helps you put the harnesses on and his hands are around your waist for two seconds . When you guys share the breakfast burritos on set because they’re too big to eat alone. With context, they’re not that bad. 

But Connie always catches it at the worst time and then posts it to his fucking TikTok account. His stupid series has garnered millions of views, and you’ve both tried to convince him to stop, to which he refuses

And when you tried to get Erwin involved, he only supported Connie more - stating it was good press for the show. He’s named the series “the l/n-jaegers” hence the label on the polaroid.  

There’s currently 32 different parts. 

But you know you can’t stop him even if you tried because Connie proves to be the most menacing idiot on set. Him and Annie have developed a horrible habit of pranking everyone on around - Levi, Hange, and Erwin specifically. It’s not that Annie loves pranks, she’s just the only one who can keep a straight face. 

“Hey Hange.” 

“What’s up, Annie?” 

“There’s this guy who works in hair and makeup. He has a few ideas for the Female Titan costume design. He wants to talk to you.” 

“Oh. What’s his name?” 

“Ben Dover.” responds Connie, the look on his and Annie’s faces blank. 

“Ben Dover?” Hange repeats the rest of you, trying you shoving your faces into the script to stop laughing as they respond. 

“Yeah. They said they’ve talked to Erwin before. He’s been working with Hugh Jass, on the makeup team.” says Annie. 

Erwin walks over, the look on his face confused. And it just gets worse. 

“Who is Hugh Jass? I’ve never seen him before.” 

“Oh, he’s hard to miss. Really big guy,” responds Connie, his face breaking a little. 

Levi walks over, and when Annie talks again, it’s the final nail in the coffin. You and Eren are literally smacking your hands over each other's mouths, the tears spilling out of your eyes to not give them away. 

“Okay, we’ll go over there now. Thanks for telling us Annie, Connie.” 

“Cool! They’re waiting with Ben Overbich.” 

“What?” 

“Ben Overbich. It’s Swedish, sir.” Annie responds. 

Levi shrugs as he, Hange, and Erwin walk off to go to talk to the costume designers. And when they all walk away, you’re all panting on the floor, gasping for breath. Connie keeps mimicking Erwin, saying Hugh Jass, and Berholdt keeps quoting it’s Swedish sir, which doesn’t make it any better. 

When they return, Levi and Erwin are all yanking you by the ears onto the set since the costume team told them what the jokes actually meant. And there’s something so presidential about Erwin naturally that when he starts lecturing you, it starts feeling like he’s giving a sermon. 

“You guys are premier faces in the industry. Imagine how people would feel if they found out you were making crude jokes like you were fifteen years old.” 

“Sir.” 

“Yes, Ymir.” 

“We are fifteen years old.” 

You’re all snickering as Erwin continues, Hange rolling their eyes as he goes on. 

“You should know better. Ben Dover is not a funny joke. Huge asses are nothing to laugh about. You should wish to have that type of issue.” 

Jean leans over, whispering in yours and Eren’s ear. 

“The divine truths of humanity.” 

You laugh and Erwin stares you down, Eren smacking you for laughing out loud. 

“Y/N. Up.” 

You groan as stand next to him, the lot of them laughing at you, as Erwin stares you down. 

“Erwin.” 

“Y/N. What did you learn in class yesterday?” 

“Uh. States and capitals?” 

“Perfect. Name them all.” 

You groan. Of course, you get stuck with Erwin and his weird punishments. He always quizzes you guys on random stuff from your classes when you take too long on set or are late to a table read. And you’re usually free from that, but Jean’s stupid comment got you. 

“Uh. Okay. California is Los Angeles.” 

“Wrong. It’s Sacramento.” 

“I’m Canadian, Erwin. This isn’t even fair.”  

He shakes his head dismissively as you keep going, literally getting every single one wrong. And when you reach the fifth incorrect state, Eren takes his stand, helping you with the rest of them. 

“Eren. No one asked you if you knew the states and capitals.” Erwin says, pinching both of your ears as they all laugh.

“Can’t leave my girl hanging here.” 

“Your girl?” repeats Connie and the rest of them widen their eyes, leaving you and Eren to be met with a bunch of “oohs” and “aahs”

Which only flusters Eren even more. And makes your cheeks burn.

“That’s-that’s not what I meant! It’s because we’re co-stars! Like the leads, that’s why she’s my girl! Not any weird reason.” Eren stammers, the tips of his ears pink and his eyes not meeting yours. 

No one believes him. 

-

“Eren.” 

“Hm.” 

“Hot sauce.” 

He leans over in the chair, opening the packet of hot sauce and handing it to you. The crew got breakfast burritos again , meaning you and Eren were slouched up in your chairs eating. The scene that was being filmed was primarily a scene for Jean and Marco, but you and Eren always love to watch everyone else act. 

There’s something about the energy on set - Levi directing everyone around, everyone getting in the zone that gets you excited. All jittery and nervous and thrilled that people are going to see this amazing thing that is airing in a few weeks. 

You hand Eren the burrito and he instinctively reaches forward, swiping his thumb across your bottom lip. His green eyes focused on your lips and you can feel your heart rising into your throat. 

“Eren.” 

He looks up, right into your eyes. 

“What are you doing?” 

“Oh, my bad. You had some sauce on your lip.” 

And then he takes the excess sauce and licks it off his finger. 

“Did you just-” 

“Y/N, be quiet. They’re starting.” 

You try your best to focus on the scene but all you can think about is yours and Eren’s knees bumping against each other, your fingers brushing across as you share the food, and Eren licking the sauce off of his finger. You try to brush it off as you lean over and whisper into his space.

“What scene is this, Eren?” 

“Don’t remember. I was so busy trying to check my own lines I forgot to read ahead.” 

You nod as Eren scoots closer, the two of you leaning forward as you start paying attention to the scene. Jeans walks closer and that’s when you realize it - Marco leaning against the wall, all charred and slumped over. 

“Hey. Are you…. Marco?” Jean whispers, his voice shaking. 

Eren instinctively reaches for your hand, crushing it in his hold. You look over to find Sasha and Bertholdt giving you the same confused looks as you all keep watching, Jean acting on. It seems like no one read the scene before watching it. 

Jean’s a good actor. Such a good actor that you think he’s actually crying, that his voice is actually wavering. And that’s when you realize it. 

Marco just died. 

Your mind is running at a million miles per hour. Does that mean he’s leaving? He’s not going to be in the show anymore? You guys were all supposed to spend four or five years together filming together, but how is that fair if he’s already dead? That isn’t even an entire season-

Eren’s squeezing your hand into oblivion as the tears are falling out of his eyes, his face looking all types of broken as you glance over. 

“Member of the 104th Cadet Corps and Captain of Squad 19… Marco Bodt.”  

The director calls cut and the crew starts moving around, Jean helping Marco up from the ground as he brushes the tears out of his eyes. And when you catch sight of Erwin, you’re blazing fire angry. And it seems like you’re not the only one, because Ymir and Mikasa are following your suit. 

“Erwin. What the hell?” you say. 

Erwin and Levi look down at the three of you, confused. 

“You can’t just kill Marco! That’s not fair, the show hasn’t even started yet and you already killed him off.” Reiner says, crossing his arms. 

“Erwin. Cut it out of the show. You can’t do this.” Mikasa responds, glaring at him. 

Levi pinches the bridge of his nose as he bends down, Erwin joining him so you’re all level heights. For some reason, angry tears are building in your eyes and your chest is burning, because…you miss Marco. And he’s not even gone yet. And it’s not fair that he died so soon and his character is all but sweet, so why does he have to die and-

Levi places his hands on yours and Reiner’s shoulders as he talks, his voice soft. 

“Are you guys upset that he’s going to be leaving?” 

You all nod, the tears finally flowing out of your eyes and streaming down. You can see that Reiner’s crying too, Mikasa swallowing her own tears. 

“Yeah. Erwin, Levi he’s our friend. And I’ve never really had friends like this and I don’t want him to go away and-” you choke out, stammering on your words. 

Levi squeezes your shoulder as you hiccup and Erwin leans forward to press all three of you in a hug. Levi’s hands are in your hair, whispering something under his breath about how you’re all sweet kids. 

They both let you go and you look over to find Marco, still in his death makeup, hugging Eren, who has tears streaming down his eyes too. And when you walk over, Marco opens up his other arm, you and Eren and Jean and almost everyone crushing him into a hug, the discomfort sitting in your chest. 

As you all trail back to the townhouse after set, quiet for once, you’re all milling around the main room, aimlessly. You and Armin are playing a very underwhelming game of Uno, Reiner and Marco half-assedly playing Mario Kart, and Mikasa’s teaching Ymir how to braid her hair. 

Hange walks in and plops down between you and Armin, the polaroid camera in her hand. 

“Hey, you guys.” 

“Hi Hange.” you both mutter, flipping the cards down. 

“Got an idea. You know, this shows kind of… dramatic . A lot more of the characters are going to die, but it doesn’t have to be a sad thing.” 

“It is sad. That means Marco’s leaving and we won’t see him anymore.” you say, boring your eyes into Hange’s. 

They lean forward to pinch your cheek, softly laughing as they continue talking. 

“You’re so sweet. He’ll be back to film other scenes, yeah? And you’ll definitely see him again.” 

You both nod, agreeing with Hange. They hand the camera to Armin, whispering the plan in his ears and then duck out of the hallway. And when you and Armin have everything you need - the industrial box of Rocky Road ice cream and the camera - you head to the center of the room, Armin standing on the couch to get everyone’s attention. 

“When you fall off, I’m going to fucking laugh at you, Arlert.” says Ymir, looking up from braiding Sasha’s hair. 

“Shut up, Ymir. Listen, we should make a deal. Every time a character dies, we all eat ice cream. Play games, stay up late, and then at the end of the night we’ll add their picture to the wall. So we don’t forget them . Like, one last hurrah or whatever. ” Armin says. 

“You sound like Hange.” Annie mutters, flicking Reiner in the forehead. 

“It was their idea. But we should. If Marco’s leaving in a few days, I want to spend all the time I can with him, having fun and-” 

“Yeah. I want to.” says Marco, which has almost all of you agreeing.

You and Armin start by opening the tub of ice cream, all eleven of you refusing to get bowls and instead leaning over, bumping heads as you eat. 

“Eren. Move your big head.” 

“Shut the fuck up Connie. Your bald head is bigger than mine.” 

You all start snickering as the two of them argue, smacking each other and rolling off the couch. And when Marco suggests that you play truth or dare, you all start nervously giggling as you go around the circle, all jittery from the sugar in the ice cream.

Reiner asks Connie to share the last dream that he had, which he begrudgingly shares is that he kissed Ymir. Ymir is thoroughly disgusted. Historia gets dared to call Erwin dad by accident, which just leads to Erwin giving Historia a lecture about how he appreciates that she can see him as a father figure and that he is already very proud of all of the work Historia has put in. 

Bertholdt has to eat a spoonful of mayo, which he consequently throws up and Armin gets dared to steal something from the set. He takes Levi’s coffee cup and hides it in the storage room, which he is sure to get an earful for later. 

“Eren. Truth or Dare?” Connie asks. 

“Dare.” 

“Kiss your favorite person in the room on the cheek.” 

They all start giggling as they stare you down, your cheeks burning at the thought of Eren pressing his lips to yours. Connie and Bertholdt are making kissy faces at you, Ymir and Annie leaning over to pinch your cheeks. 

And you brace yourself, for when Eren’s going to press his lips into your skin. Except he doesn’t.  He leans over and kisses Armin on the cheek and you try your best to hide your…disappointment? Sadness? But that’s on you. 

Why would you assume you’re Eren’s favorite person on set? 

Everyone boos at Eren for picking a copout answer and you pretend not to be offended as you keep playing the game. And on hour two of playing, Levi comes and yells at you all to shut the fuck up and go to bed , which leads to Armin taking the picture of Marco - all cheesing and smiley and tacking it to the wall. Connie takes a sharpie and labels the wall “fly high angel” to mark the occasion. 

Except his dumbass writes angle instead of angel. 

You all shuffle back to your rooms, giggling and laughing, and you and Eren giving each other a smile as you switch into your respective rooms. 

- 

You hear a knock on your door and instantly jump up, ready to duck out of set to go get slushies with Eren. Except when you swing the door open, Jean’s standing at your store instead of Eren. 

“Oh. Hi Jean.” 

“Hi…is-” 

“She’s in the shower. You’re welcome to wait for her here if you’d like?” 

You swing the door open and he flops onto Mikasa’s bed, watching your fan spin around on the ceiling. 

You’re not sure what it is or why Jean and Mikasa are assuaged from the barrage of teasing and cooing that you and Eren get whenever you’re around each other, because you’re almost a thousand percent sure that the two of them are worse than you and Eren. 

Because they actually like each other. You’ve often come home from filming or playing games with Bertholdt and Historia to find the two of them sitting on the floor, holding hands while watching a movie. Or Jean giving Mikasa bracelets or telling her that he thinks she’s really pretty. 

Maybe they’re not paying attention and that the only person who knows is you. Or maybe it’s because they don’t turn red or deny their feelings, because they actually like each other. You and Eren aren’t like that, because in earnest, you two really are just friends. 

“You okay? Your room must be pretty empty.” 

Marco moved out earlier today. Not a single dry eye in the room. 

“Yeah, that’s kinda why I came. Sometimes it just feels kind of lonely, but I think Levi and Erwin might move someone in with me or put me with Connie or something.” 

“That’s nice. It’ll be fun to have a roommate.” 

He nods, cracking his fingers as the shower runs behind the two of you. 

“Hey Jean.” 

“Hm.” 

“Do you mind if I ask you a question?” 

“Shoot.”

You sit up, hopping off your desk chair and onto the bed where Jean was sitting. He’s leaned back against Mikasa’s perfectly propped pillows, lazily swinging the charm of his necklace back and forth on the chain. 

“How do you know you like Mikasa?” 

He looks up from his chain, giving you an inquisitive look, before answering. 

“Dunno. I like being around her. Like, whenever I’m in a room, the person I want to be next to is her. Or the first person I tell good news to and I want her to know like…random things about me. My moms name, my first pet, how I hate my first grade teacher. I just like to share things with her. Like how it feels when I'm with her you know - like...like that's Mikasa. She's my girlfriend."  

“Oh. Okay, that makes sense.” 

He nods, plopping back down on her pillows and twisting the chain in his hands again. 

You halfheartedly nod as Mikasa rolls out of the bathroom, giving you two smiles as she takes the seat next to Jean. You give the two of them a smile as you pad out of the room and straight into Eren and Armin’s across. 

“Hi. Mind if I sit? Jean and Mika are-” 

“Sure.” Eren says, scooting over on his bed and patting on the sheets. 

“Where’s Min?” 

“Ah. With Erwin. I think he’s taking the Marco thing kind of hard.” 

You nod, shuffling on the bed as Eren shuts his laptop, leaning back onto the headboard. 

“Are you okay, Eren? With him being gone?” 

“Feels weird. It kind of just makes me nervous for who else will leave us, you know?” 

Us. 

“Yeah.” 

Eren tangles his hand with yours at your side, taking turns cracking each of the knuckles on your fingers. 

“Do you ever wonder why they tease us so much? For being friends?” 

He angles his head over, the wisps of his brown hair tickling on your forehead.

“Like. Mikasa and Jean really like each other. They’re always holding hands in my room and-”

“What? They like each other?” 

“I think so. I don’t know, they’ve never really hid it from me.” 

“Well, you’re sweet. You’d never make fun of them for that. I had no idea that they liked each other. They’re probably just not outward with it in front of everyone else.” 

“And we aren’t outward with anything. I don’t know, we just act normal and they’re always like saying this stuff about how you and I-” 

“Y/N.” 

You stop talking as he squeezes your hand three times, almost like a little knock signaling you to stop talking. 

“I think they just… don’t get us. You and I are special. I just feel like I’ve known you forever and that we really fit together and I think they can sense that or something. And they think it’s romantic even if it’s not, you know?” 

“Yeah.” 

He squeezes your hand three more times, the words knocking through your head. Special. Fit together. Not romantic. He leans over, green eyes staring into yours. 

“You and me. Always?” 

You nod, swallowing hard as you lean back. 

“Plus. They can’t kill us off. We’re the main characters.” 

- 

You shuffle in your seat as the director yells action, as you look down at Eren, tied up against the post in the middle of the set. You’re filming the scene where Levi is supposed to just kick Eren’s ass in the middle of the court, to prove to the other characters that they can control him and his titan powers. 

Except you’re on your fifth take of this scene, Eren getting increasingly frustrated because Levi’s been yelling at him all morning, claiming that he isn’t acting good enough for the scene. Levi’s a bit of a perfectionist, meaning he won’t let anyone leave until the scene is perfect the way he wants it. 

Eren especially. You could always tell that Levi was always more fond of Eren than everyone else, but you never thought that would mean Levi would be extra harsh on him. Which is clearly just pissing Eren off today. 

“Maybe we should dissect her just in case!”

“Wait. Maybe I am a monster, but she has nothing to do with that! Nothing at all!” Eren screams, his voice straining and his eyes pinching shut as he wrestles against the handcuffs. 

“As if we could believe you!” 

“It’s a fact!” 

“You’re defending her? She must be one of you!” 

“No!” 

Levi stomps into the middle of the set, leaning down and getting level with Eren. And then he starts yelling at him. 

“Eren. You can do so much better than that. You have to give it your all or this isn’t going to work.” 

“I am giving it my all. You’ve had me working for five hours now and I-”

“So? You have to get used to that type of time commitment if you want to be the best like you said you did and-” 

Eren and Levi keep going back and forth, Hange signaling at you from the back of the set as you both arise from your chairs, leaning down to meet them. 

“Levi. Go easy on him, we’ve been-” Hange starts, 

“No. He can do better than this and I know he can. He just doesn’t want to. If he would just put in a little effort, it would be better.” 

“Levi, maybe you’re being too harsh on him-” you start. 

Levi rolls his eyes as he stands up, calling for a break as you unhook Eren from the post. The second you unlock him, he storms off straight off of the set. 

“Hange.” 

“Yeah?” 

“Can you take a longer break from us? I’ll talk to him.” 

“I’ll talk to Levi. He just…he knows Eren can be really good. That he has potential. He’s just trying to get him there faster because he wants Eren to do well.” 

“I know, Hange.” 

You shoot them a smile as you run into the storage closet, yanking out the tandem bike and heading to find Eren. 

- 

You kick the rocks in front of you as you hand Eren the slushie, anxiously looking over at him. He’s still radiating anger, from the way his shoulders are tense and how his knuckles are nearly white against the cup. The two of you biked in silence and even the cashier could tell Eren was having some type of fit today. 

“Eren.” 

“Yeah?” 

“Do you want to talk about it?” 

He sighs as he leans into your touch, resting his head against your shoulder. 

“I just-I’m trying really hard to get it. And Levi’s always just so hard on me, I can’t even tell if I’m doing a good job or if I can do this or-” 

You reach down, crushing his hand in your hold, as you respond. 

“Eren. You’re doing a really great job. Even Levi thinks that. He just… he knows you’re great and he’s trying to tap into that.” 

“I know, it just makes me wonder sometimes if I’m cut out for this. Or that Best Actor savant that I-” 

“Eren. You’re going to get it. I know that for a fact. It might not be this season or the next, but you will get it. You’re- you’re literally amazing, I just know you’ll be one of the best of our generation and-” 

“You’re just saying that because-” 

“I’m not! I really do think that, I- I’d even bet on it for you. You’re the best person for this role and you’re perfect for it and in general too and I just think you should be more confid-”

“Y/N, I-”

“Like really, I think you have the chops to be great. I can’t even believe I have to be your costar because I am infinitely mediocre next to you when you’re just so amazing and already have so many credits and-” 

You’re cut off by Eren’s lips on your cheek, pressing a soft kiss to your skin. You reach up to the skin as you look over at him, positively bug eyed. 

“You-why would y-” 

“The other day. You are my favorite person on set. I just didn’t want them to make fun of us for it.” 

“Oh. Right, I-” 

“Finish the slushie. We’ll go back after.” 

When you return, Eren finishes the scene in one take. And gets Levi’s golden stamp of approval. 

- 

When you and Eren film the last scene of the season, on your last day of shooting for a few months, you can’t help but feel a despair in your chest. Everyone else was already long gone, having given your wistful goodbyes and promises of keeping in touch until you come back to (hopefully) film the second season. 

Which leaves you, Eren, Erwin, Levi, Hange, and the crew to film the last scene. The backstory of how you and Eren came to be, where he wraps the scarf around your neck. 

While you love having everyone else around, it was nice to have a few days of just you and Eren, where you can soak in his company before you have to be apart for a few days. You make ramen together in the mornings, he teaches you how to play video games, and you talk about almost anything and everything in those three days.   

And when you go to film the scene, the despair of being apart from him…from your best friend really settles in. You’re sure it makes the scene all the more better. 

“It’s cold…. I don’t have anywhere to go home to.” you say. 

Eren walks over, his voice uncharacteristically soft, so gentle when he wraps the scarf around your neck that it makes your cheeks burn. 

“You can have this. It’s warm, right?” 

Grisha walks forward, placing a hand on Eren’s shoulder as he says his line. 

“Y/N. You should come live with us. You’ve been through plenty.” 

And when you look at Eren, you can feel your heart beating as he says the next lines. And for some reason, this version of Eren feels less like the character Eren and more like the real Eren. 

Your Eren. Tandem bikes, slushies, squeezing hands three times Eren. 

He reaches forward, squeezing your hand three times like he was reading your fucking mind, as he says the next line. While he acts dismissive, you can see the warmth in his eyes, and it feels like something else. Like he’s trying to hint something at you, tell you something you can’t exactly pick up on. 

“Come on. Let’s go back already. To our home.” 

And when you squeeze Eren’s hand three times back and trail off out of the shot of the camera, you both smile at each other, Eren turning to face you. 

“See you in a few months?” 

“Yeah.”

“Call me every day?” 

You roll your eyes as you reach over to flick his forehead, to which he pinches the sides of your waist. You squirm out of his hold, the feel of his fingers ticklish as you both laugh. 

“Yes, Eren. I’ll call you every day.” 

“Okay, good. Don’t forget me when you become famous overnight.” 

“You’re so full of shit, Eren. That’s not going to happen.” 

You’re totally wrong, for what it’s worth. The first episode of Attack on Titan airs on Friday. You and Eren start trending on Saturday.

--

next part linked here

taglist: @platrom @k0z3me @kayleegomez @yihona-san06 @besenpai @sweetenertea @mykyoon @violetmatcha  @rebeccawinters @cutiejg @bokutosthings @bookwrmm @mblrrr @wheredidmycrowngo @somethinginyoureyes7 @chilichopsticks @okaystopwhore @you-always-made-me-blush @itzmeme @firelordazulaaa @whoami-72 @g-ghostly @intimacywithceline @erensmoodygf @cocomellxn @princess-ackerman @jaegerfiles @cacapeepee @squirrelspoetry

pls comment on this post or any of the chapters if you want to be added to the taglist <3

[phantomonabudget]

We need to talk, Pham. Stop shaming Christine Daaé.

I have seen this behavior consistently for the 30+ years I have been a Phan. What's worse is that I see A LOT of it from grown women. I see posts calling her foolish for leaving Erik. Slut shaming her or calling her a gold digger. Calling her stupid, weak, or unworthy because a "real woman" (presumably the women posting these absurd notions 🙄) would have loved him better and been worthy of his awesome talent and capacity for love. 😳🤮

It's disturbing, disheartening, and disgusting. And it needs to stop.

First off, none of these characters are real, so perhaps let's take things a little less seriously in general. It's a fictional story. I get it: we all love it, and probably love the Phantom's character. That's fine....I've made a 20+ year career dressing as the dude, for crying out loud. 🤣 Maybe we all identify with Erik/The Phantom to some degree. Regardless of the version of the story, if the actors or authors do their job well, we *should* feel pity and compassion for him. But feeling compassion and completely ignoring the character's dangerous and abusive behavior are two very different things. It has the potential for some severe consequences in the real world.

By shaming Christine for leaving Erik at the end, you are potentially telling young people that staying in abusive relationships is the right thing. You make them think that if their significant other is talented, misunderstood, been abused themselves etc, then they should stay and love them into a healthy relationship. That if they just love their abusive SO harder, sacrifice themselves a little more or for a little longer, or keep putting that person's needs above their own, that the relationship will suddenly become this wonderful, euphoric experience. It won't. As a survivor of longtime abusive myself, I can tell you from experience: it doesn't happen that way.

Celebrate healthy relationships and enforcing healthy boundaries. Stop shaming Christine for fighting for and winning her life and saving the man she loves.

And please stop calling this a romance. It's the antithesis of romance.

I am sick of members of this Phandom completely ignoring Erik/The Phantom's behavior to justify their blind adoration. Erik is an abusive and dangerous character, and extremely toxic. He lies to and manipulates Christine using her trauma from her deceased father. He kidnaps her, multiple times. Threatens her and her colleagues. He extorts hundreds of thousands from the business managers. He endangers dozens of people with the chandelier crash, and effectively holds hundreds hostage for months or years at a time with his reign of terror at the Opera.

Then there are the murders. Several of them. Probably been at that for awhile so we can assume it's far more than the two we see in the show. We don't know his actual body count, but we do know he's adept and comfortable taking human life.

And yet, I see some mature phans out here completely ignoring all those things and still shaming Christine for leaving him. Why? Because he's "sexy" (author's note: PLEASE go re-read Leroux. Please). And he's talented. And has so much love to give. And is misunderstood. And society was terrible to him...so it's all fine. 😳🤮 She should have just stayed and loved him like he deserves to be loved. 🙄

Recently I saw a post shaming Christine and the justification was that Raoul was so much worse. He isn't. Is he a perfect character? No, not at all. Does he make mistakes and try to use Christine? In some versions, yes. Does he run around extorting, manipulating, threatening, and killing others? Also no.

Pleasw don't ever use LND!Raoul's character assassination as some kind of justification, because he's still the most sane, normal human being in that show, and Erik is still 1,000 times worse than Raoul in LND. Also, using LND as justification for anything makes for a very weak and uninformed argument.

"Hurt people hurt people." Ever heard that phrase? Abused people sometimes abuse others, especially if they haven't done the work to heal themselves. Their previous abuse does NOT entitle them to abuse others. That is always a deliberate choice and those choices have consequences. The dangerous, disgusting rhetoric I see in the Phantom community basically excuses toxic behavior because Erik was previously abused and nothing is his fault. That is simply not true. Those that abused me were previously abused. Didn't make my abuse hurt any less. And I made the choice to do the work so that the abuse stopped with me. Previous trauma is a reason for the behavior, but it is NEVER, ever an excuse.

And don't let the fact the dude can sing or that he's a snappy dresser blind you to his toxicity.

We can all enjoy the Phantom character's complexity and love him, while still acknowledging his flaws and holding him accountable for his deeply inappropriate choices.

We talk a lot more these days about trauma, toxicity, and self care. And yet, as a community, we still shame the character of Christine Daaé for doing the healthy, correct thing. The ONLY thing. And in doing so, we set a disturbing precedent for our young or vulnerable Phans who now might think that staying in toxic relationships in the real world is okay.

Please do better, Phandom.

[kedsandtubesocks]

Your boyfriend is missing - but that shouldn’t be a cause for concern… right?

pairing: Satoru Gojo x fem!reader

wc: 5.6k

warnings & tags: 18+ ONLY MDNI. dark elements. roleplay that can be read as yandere like behavior, heavy prey/predator, stalking, moment of home intrusion, fear & knife play, sexual allusions, a lot of licking and spit, finger sucking, themes of terror and fear, feral Gojo, aftercare, reader is called (doll, pretty, baby, angel) also everyone is alive & nothing hurts AU…if I missed anything please let me know

a/n: this is my second submission to Willow’s Haunted House Collab! To be honest…this is my first time writing content like this so I’m a little nervous about posting this piece so I appreciate you taking the time to read and hope you enjoy! Also big thank you to @willowser & @skeletoncowboys for being the best (and worst) little devils on my shoulder to get me to write this

You’re still surprised Shoko knows this many people. But then again a part of you isn’t.

The Halloween party fills every inch of her nice Tokyo apartment. The array of colored lights dance against the wild costumes and you wonder if you’ve slipped into a pocket of wonderland.

Taking a sip of your drink you also now curiously wonder if your faux blood sucking boyfriend has fallen down a rabbit hole himself.

The original plan was to go in matching couples outfits. But once your slightly erratic boyfriend spotted the dracula outfit at the costume store his grabby hands immediately snagged it.

“I’ll look hotter in this one. You understand right, angel?” Satoru triumphant grin said enough.

Begrudgingly, you did. And you couldn’t deny how gorgeous he looked.

White summer cloud hair slicked back, the realistic fake vampire fangs he wore, and even borrowing your eyeliner to add shadow like depth around his piercing baby blues -

He was the dream of every dark supernatural romance novel.

Now among the blaring music and excited chatter of the party your handsome vampire has slipped through your fingers.

Your feet are starting to ache and your soft bed is calling you home. So you decide to scan the crowd for him.

From your spot in the kitchen your attention flickers out to the thick of the party in the living room. You spot Haibara laughing so bright and looking adorable in his spooky scarecrow costume. Nanami stands beside him, simple devil horns on top of his head and a slightly amused grin coloring his distinguished features.

Geto, dressed in his rather impressive phantom of the opera costume, has been attracting a small crowd. He sits on the couch telling scary stories with the others around him. The look of both a composed storyteller and eager listener paints his handsome face even with the mask covering half his face.

Your eyes continue their search among the party.

Along the stretch of the wall lined with grand windows stands an ink blot like figure.

The apartment’s dim soft lighting mixes with the fun colorful lights strung up. Strange shadows fall among the space and at times you’ve caught it playing tricks on your eyes.

Except you clearly can focus on the striking presence across from you.

The stranger wears an all black cloak that makes them stick out against the windows.

And they wear a ghost face mask that completely obstructs any hope of discovering who this is.

The mask stares out so blankly and it’s a bit unnerving.

People chat unphased. A small group even starts an impromptu dance circle at the new upbeat pop song playing. Everyone exists unaware, or possibly uncaring, at the strange presence of the ghost face.

Yet this person stands so still. The mask also seems to be staring directly at you.

It could be someone needing a small break from the party the same way you lingered in the kitchen alone.

Then ghost face lifts a gloved finger up to the mask’s lips.

Shh…

A strange flutter you can’t fully describe rises in your gut. You simply brush off the action as someone being funny.

You now leave the kitchen to fully hunt for your missing boyfriend.

“Have you seen Gojo?” You ask around but the answers are all the same.

“Nope!” Haibara’s bright response comes with an unworried smile.

“No thank goodness,” the same answer comes from both Nanami and Utahime.

“Maybe he turned into a bat and flew away.” Geto, ever the teasing jokester, has you rolling your eyes.

Shoko jokingly even says “who?” when you ask her.

Now you think your boyfriend has decided to be childish and hide in the bathrooms or closet. Because who else would try to be funny and run away during a party but Gojo.

Shoko, with a carefree wave, grants you free range to explore her place.

You’ve been here plenty of times, but now with so many people in the space an annoyed edge bubbles in you. You want to go home. Now you’re having to peek around hoping to spot your ridiculous boyfriend. And there are no signs of him.

Annoyed and frustrated you snag your phone to simply message him.

[Where are you?!]

It takes a moment, but a message comes in from ‘My Bestest Most Handsome Boyfriend Ever.’

Said boyfriend simply replies with one lone emoji.

[🤫]

Another message rushes in. It again is nothing but emojis.

[🤭😘]

Simmering annoyance doubles, tempting to turn into frustration, and you rapidly message him back.

[Satoru I wanna go home and if you keep up this up I’m leaving you]

You’d call a ride or see if someone can take you back. You would leave him here.

A notification chime comes.

[let’s play a game baby 🤍]

[oh so me trying to find your ridiculous ass around Shoko’s apartment isn’t a game?]

[so rude!]

[but maybe it is 😜]

You call his phone. It goes straight to voicemail and you want to scream.

You angrily type out another message and hit send.

[fine whatever, you do whatever you want I’ll see you at home]

His reply rushes in surprisingly fast.

[head home angel, I’ll see you when I get there 🤍]

Now that sparks a strange curious peak in you.

But still so annoyed you angrily close your messages. You’re about to head out of the corner of the hallway you’ve been hanging out in.

So deep in your thoughts, you take one step and run into someone -

The ghost face stranger.

You thankfully don’t collide into him. However, your step falters seeing how close the person is to you.

The black robed body fully faces you, their back to the party, as they stand so direct.

“Oh, uh excuse me.” You mutter and avert your eyes worried as you slide past the stranger.

Not a sound comes, not even a reply. The chilling silence, the looming presence, the dark shadow blocking out the light, it feels like you’re trying to tiptoe past something dangerous.

Out of the hallway you check your phone again.

Still nothing from Gojo.

“Fine, stay here.” You huff out loud thinking maybe he’ll hear you.

A soft whisper of your boyfriend’s voice comes.

“…Baby…”

It cuts through the party even on the gentle breeze you heard it. Quickly you look around, but nothing. Still no sign of Satoru. You glance over your shoulder to check behind you.

Instead of being at the previous spot in the highway, ghost face now peers out from the edge of the hallway's entrance.

The plastic hollow mask continues staring so directly at you that a strange unsettled alarm twists your stomach.

It couldn’t be….

But then again…

You shake away curious and cloudy thoughts wanting to form. Turning on your heels you rush to Shoko’s side and announce you’re going to head out.

Nanami, like a true golden knight he should’ve dressed as, offers to drive you home. Haibara happily decides to tag along. Before you head out, a message alert rings from your phone.

[Come find me downstairs!]

You groan. Of course he managed to slip away from the apartment entirely.

“Sorry guys. I’ll meet you two down in the garage. I think I know where my idiot ran off too.” You sigh and thankfully Nanami understands with his saintly patience.

As you slip into the hallway, the noise of the party fades into a muted soft hum.

After navigating Shoko’s labyrinth-like apartment building you arrive at the main floor downstairs. And of course, your boyfriend again is nowhere to be found. In fact, the beautiful sleek modern lobby is vacant. Normally someone sits at the front desk that is currently empty. In the dark evening, the quiet lurks with an unsettling hollowness.

So you quickly message Gojo.

[where are you??]

No response.

You should’ve known this was going to happen.

The eerie silence, the lack of commotion in this normally occupied space, a strange anxiety swarms in your chest. It drains out the annoyance you had for your boyfriend because now, you just want to leave.

Not wanting to stay here anymore you simply head to the elevator and press the button for the garage.

Footsteps echo behind you and you turn.

Behind you is the ghost face stranger.

Standing so terrifyingly still a chill runs up your back as if you’re staring down an actual ghost, trying to process if this being is real or not. The hollowed out eyes, the deep morphed wide frown, all of it intensifies against the pristine lobby.

Then ghost face tilts their head. The small movement seems so innocent, curious even.

The elevator dings its arrival. Hesitantly you step into the lift while trying to keep your eyes on the stranger.

Once fully inside, a moment of pause comes. It again is just you and the mysterious figure staring at the other.

Suddenly, as if possessed, ghost face runs straight towards you.

Fear rips into you visceral and dizzying. You choke on a scream. Faster and faster he approaches. You shakily scramble to slam on the button to close the elevator doors.

The black robed stranger races closer.

The doors start closing. An arm outstretches hopeful to stop the elevator and terror sinks its fangs into you.

The doors however shut fast.

You’re left staring at the white masks unflinching. The doors fully shut and you watch ghost face disappear out of sight.

The elevator ride is quiet, but your loud heartbeat drums rapidly in your ears. The taste of fear in your mouth has you wondering if you unknowingly transformed into a small creature fleeing from a monster in the woods.

You exhale slowly trying to steady yourself.

The garage thankfully arrives quickly and Nanami and Haibara already wait for you there.

“Are you alright? You seem shaken up.” Nanami notices you with keen eyes.

“Yeah!” You lie as truthfully as you can, even summoning a smile to add to it. “Just feeling a little under the weather now. So I’m just ready to get home.”

That appeases Nanami and the three of you head out.

“So did you find where Gojo went!?”

“No.” You sigh, answering Haibara’s bright question.

“I’m sure he just got called away somewhere and forget to tell you!” He positively suggests.

“Or he’s just playing a trick on me thinking he’s being cute when he’s actually just being a headache.” Your dull annoyed comment has Nanami snorting amused and it warms you.

It helps as a chill air breathes into the dark evening. Softly, a distant rumble of thunder comes. A storm approaches. As you head up to the apartment you already happily think of cozy blankets to end the night.

“Satoru!” You call out.

Silence greets you. So much for meeting you at home.

You start the search again. The bathroom, the extra guest bedroom and even the guest bathroom are all once again Gojo-less. You even check underneath the bed and feel silly when you open up the laundry hamper thinking he could have squeezed himself in there as a prank.

But you realize you would’ve at least heard ridiculous giggling at this point. So, you give up.

Ready to turn in for the night you exhaustedly slip out of your costume and into cozier clothes.

You also decide to try calling your dumb boyfriend again. You left your phone charging in the kitchen and head back to grab it.

A flash of lightning comes, a bright surprise illumination dancing from the window. It draws your attention away for a split moment.

You turn and now before you the ghost face masked stranger stands in your kitchen.

Terror seizes you and you freeze in its grasp.

Ghost face’s presence in your warmly light kitchen reminds you of someone taking a sharpie and placing a solid swipe against a scenic painting. It is a terrifying distortion.

“Satoru.” You snap even though your voice wavers.

The masked stranger shakes their head.

No.

“Sorry doll,” You don’t recognize the voice replying to you. It’s deep warped and distorted. Plus your boyfriend never once called you that - doll.

“Don’t know who this Satoru guy is, but he’s lucky gettin’ to come home to you.” The deep and static like masculine voice purrs.

Your heart drops into your stomach

Now truly staring at the cloaked intruder, you realize how large ghost face is. His broad shoulders fill out the space and he radiates an imposing looming force.

Your eyes stay focused on him but you realize if you move fast, you could maybe reach your phone charging.

So you bolt with all your might.

But the masked man is faster.

In two rapid steps he stops you. With a gloved hand the stranger yanks you into his hold. A scream almost escapes you. But it’s knocked out when ghost face curls around you from behind.

A strong sturdy arm wraps itself across your chest.

“Now now doll,” the intruder tsks light. “And here I thought we could play a lil’ game.”

The gleam of the knife comes first from the corner of your eye. Then, the pointed tip starts running up the side of your body with a delicate leisure ease.

Your eyes go wide as the large kitchen knife effortlessly tracing up a path closer to you. It drags across your clothes, slow and unbothered in its pace.

“You know,” ghost face muses. “You really are a cute one.”

A twinkling glee leaks into the distorted voice.

“Let’s play that game I mentioned, yeah?” He continues.

Your throat goes dry as the knife now drags easily up your chest closer to your face.

“I’m a big fan of hide and seek.” The masked man purrs.

The solid arm that was across your chest now slides up allowing his gloved hand to softly curl around your neck. There is no pressure, just the simple chilling sensation of his presence against your skin. It’s a reminder that at any moment he could tighten his hand on your throat.

“You’re just so cute that I wanna chase ya and keep you forever.” His voice manages to drop deeper, entrenched in something dreadfully haunting.

“I’ll give you five minutes to go run and hide,” he whispers softer and deeper. The white plastic of the mask gingerly scrapes against your face. Your body coils a tense knot of emotions you can’t even seem to sort through.

“And then, I’ll go and find you.” His voice oozes out a rich low confidence.

Then cool metal presses against your cheek. Your eyes snap down and find a knife lying flat against your face. Your heart trips over in itself.

Confused panic now clashes with something dangerously dark you dare not name. It only worsens when a gloved thumb strokes your throat soft, reverently, and a heat licks up your body.

“Get to hidin’ doll… run.” Ghost face whispers.

Then he violently rips himself away from your body and like being unleashed from a cage you bolt.

You don’t even turn around to look at the masked man. Instead you dash further into the apartment.

Your first thought is to crawl under one of the beds. But your heart pounds so fast that any true proper thoughts get scrambled.

All you can think of is the closet, the large walk-in closet you share with Satoru.

Rapidly you rush inside it. You wonder if you should hide standing up along your boyfriend's large amount of tall clothes that could possibly hide you.

Until you spot it - a wonderful carved out space you can crouch in.

Once you wiggle your way in you try settling into the space. Breathing slowly in and out you try to gather yourself together. The length of Satoru’s clothes you hope will work as a cover or even a makeshift barrier to hide you.

Safe within the smell of the cologne lingering on your boyfriend’s clothes, you close your eyes to settle yourself down even more.

You sit in the silence. Tension crawls on your skin.

Time begins feeling sticky and the minutes seem to all glue together. You don’t know how long you’ve been in here or how long you will be.

Then heavy boots slowly march into the bedroom.

Your eyes snap open. The footsteps are leisurely, imposing. Your heart jolts hearing every step.

A slow dread that has been spilling into you like an hourglass now shatters as the footsteps draw closer to the door. Out of panic you can’t help but move your hands over your nose and mouth to keep quiet.

The door creaks open and your heart stops.

Your body tenses up at the sight of the black thick boats stomping into the closet.

Then the light of the closet flickers on illuminating the space.

“You in here, pretty?” the masked man calls out.

The air in the room evaporates as you stay as quiet as you can.

From the way his boots shuffle he seems to be glancing among the hanging clothes trying to find you in the space you thought of hiding in earlier.

A sigh comes from your masked intruder, soft and defeated almost.

He starts walking out of the closet. You rationalize that he must already be bored of trying to find you here. A small dosage of relief fills your body. Your eyes even shut close again as you exhale.

You take a moment to gather yourself in your sheltered space.

Simply breathing in and out, your hands stay against your face to keep you quiet.

Wearily you open your eyes.

Ghost face now kneels before you and peeks at you through the dangling clothes.

You’re thankful your hands still clutch over your face because you let out a small squeak of a scream.

His gloved waves at you gently and teasingly.

Before you can move, before you can even stand up, firm hands dart out. Ghost face grabs your ankle and drags you out of your little hidden cave.

Your body slides out with such ease, without any hesitation. You can’t even process how fast it happens. All you can do is stare up at the looming man above you staring down with the hollowed out soulless eyes.

His entire frame, large and imposing, blocks most of the light from the closet. It bathes him in a hauntingly eerie superposition of a black stain against a sun.

“Hi there doll,” He coo’s. “Knew you couldn’t escape from me.”

His gloved hand reaches out and holds your face firm.

The knife’s sharp edge drags up your body, a slow and casual pace. Your heart crawls into your throat as you lie beneath the power of this haunting force.

It’s simply you and him.

And then the ghost face mask man suddenly giggles.

It’s a playful giggle you know so well that not even the voice distortion can hide it.

It’s the one you hear whenever you trip over your own shoes, or when your boyfriend happily steals your fries…

“Satoru.” You breathe out steadier than you expected. A range of emotions tingles all over your body.

“No.” The voice replies but there's a twinkle in the tone now. “It’s me…scary ghost face man!”

“Satoru.” You repeat firmer.

“Who’s that? Is that your boyfriend? He sounds hot.”

You roll your eyes and are about to sit up when ghost face instead sits back releasing his firm grip on you.

The hand previously on your face moves to the mask and lifts it up.

Even before the rest of his face is revealed you spy the widest toothy smile ever. The mask completely slides up and now shining blue skies stare at you.

The eyeliner he put on earlier for his vampire costume is now a smudged mess from the heat of the mask. It paints him in a grunge like appearance that unfortunately for you looks devilishly hot on him

Still, you can’t help but pout at him.

“You should’ve set a timer. I don’t think you waited a full five minutes to let me hide.” You challenge as you start taking off his gloves.

“Yes I did! I even went and took a few selfies on your phone to let the time run!” Satoru challenges back pouting.

Of course he took pictures.

You can’t help but snort. However as you slide off the thick black gloves, your eyes gloss over a bit. The high, the adrenaline, the fantasy, is fizzling away.

Before you can even say anything, Gojo cries a dramatic sob. He flops down to lie completely on top of you.

“Satoru!” You wheeze as he clutches onto you like a childish koala.

Dramatically loud, Satoru wails your name. He rubs his sweaty face against yours. Yet, his bare hands hold you so delicate.

“Are you okay?” Your boyfriend gently asks genuine, low and cautious as if someone else can hear him.

You nod on an exhale. Your body strangely enough feels comforted with the weight of your protector against you.

Your face turns to burrow against his. The scent of his skin, the soft warmth he constantly radiates, all become a lifeline guiding you back.

The sensation running through your body reminds you of walking out of a haunted house attraction or even finishing an intense scary film. Those types of experiences become a way of facing terror as something fleeting, giving you a moment of fear without truly being in actual danger. It’s why you had even jokingly suggested this play in the first place.

Satoru and you had been costume shopping when he first tried to jump out and scare you. Instead he wore a ridiculous deformed bunny mask.

You simply stared at him bored and told him how ridiculous he looked.

“Aw! Where's your Halloween spirit babe?!” He cried.

You shrugged then went back to glancing at the adorable witch costumes.

“Maybe if it was another mask I saw you chasing me in I’d get scared.”

“Oh yeah?” His voice dipped in an intrigued low purr. “You want me to chase you around?”

“Satoru!” You had hissed in embarrassment and even swatted at him.

Gojo leaned down closer making sure nobody heard him as he whispered to you.

“It’s okay, angel. I kinda wanna chase you around too.”

The true serious conversation that occurred at home after that shopping trip led to this exact moment and you still can’t believe it.

Earlier in the week Satoru had coyly suggested wearing the ghost face costume instead of his vampire one. You had playfully shrugged and didn’t think he was serious.

But of course, you shouldn’t be surprised at anything your boyfriend does any more.

“I still can’t believe you managed to change at the party without me even knowing.” You comment.

“Oh that was easy! I just used Shoko’s private bathroom. I even told her to play along if you came looking for me. She also called us sexy freaks.” Gojo happily chirps, a bit proud, and your face heats up so fast you want to claw it off.

You could never look at Shoko again for the rest of your life, but you would manage.

Satoru shifts now to slide you better into his arms as he maneuvers to rest on the floor beside you.

You and him clutch each other warm and tight.

“As fun and hot as this was…I don’t like seeing you look genuinely scared.” He mutters softly against your forehead.

“You had been doing so good and looked so brave. I felt proud. But when I got you in here, you really did look so spooked.” Gojo continues. His voice trails into a soft tone you’ve learned is reserved only for you.

You had been scared, got caught up in the atmosphere.

“You just did your job a little too well.” You joke with a dry chuckle.

“Obviously.” Gojo scoffs. “Did you expect anything less?”

He really is a terror in his own way and you playfully pinch his side.

“You’re lucky you didn’t get too scary. If you did, I would've had to call my strong sorcerer boyfriend to beat you up.” You tease.

“Oh? Your strong sorcerer boyfriend? Are you sure he isn’t the strongest?” Gojo muses bright.

“Not really.” You grin.

He scoffs.

“You might as well have just taken the knife and stabbed me with it because your words have injured me!”

“Heal yourself then mister strongest sorcerer .” You deadpan.

Playfully Gojo lightly bites your cheek.

“But are you okay… Really?” His tone holds a tenderness and undertone of worry.

“I am, I promise.” You squeeze him firm and tight, even begin rubbing your hand against his shoulder.

“Are you feeling okay?” You ask firmer now.

Gojo nods, snuggling his face closer to you.

There on the floor, you and Satoru decompress. You find it comforting. After such a high adrenaline play, simply resting with him on the floor feels as if you are easing back into your skin. It’s the solidity of reality settling.

“Wait, how did you manage to change your voice?” You perk up curious.

Satoru happily whips out a simple handheld voice changer.

“I wanted to go all out.” He proudly explains with a beaming grin.

“Please tell me you didn’t use a real knife, did you?”

“Of course not!” Gojo shrieks insulted. “I bought a real fancy prop one online when I ordered my fangs!”

For some reason the thought of him spending money on an expensive movie like type prop makes you almost squawk in horror.

Satoru even playfully stabs your side with the fake knife. The poke comes hard but does nothing and you swat at him annoyed now. He snickers gleefully, a devilish gremlin.

His large calloused hand slides up your face. It kicks you out of your thoughts and your attention flickers back to Satoru.

Your boyfriend stares down at you with an interesting gleam in his eyes. His oceanic eyes are like that of a hunter gazing at its prey with a collected composure trying not to jump and consume.

On top of his cloud hair the ghost face mask still sits.

Satoru Gojo leans above you a beautiful terror of a sight. The gleam from the closet’s light illuminates a faint halo-like glow around him. It also electrifies his bright blue eyes. The black kohl liner now even makes them stand out even more.

The dormant arousal that had simmered earlier now reawakens raw in your body as warmth trickles across your skin. Your eyes even haze over as they stare at his soft lips.

Before you can even say anything, Satoru sweeps down fast and low. A creature striking fast, he captures your lips with his.

His tongue without hesitation licks into your mouth with a devastating dizziness. You clutch onto him tight and desperate. He’s kissing you like you will fade away at any moment, or like he’s enjoying his reward.

His lips chase after yours so messily, sloppily and without any finesse. Teeth click and even spit seems to slip more and more around your mouth.

Suddenly he starts licking at the spit that’s coated your lips and corner of your cheek. He seems possessed as he simply licks at you without any care. Gojo slides his tongue down to your jaw and tastes the salt of your skin.

He nips and bites softly at every inch of you he can reach. You’re reminded of a beast trying to consume with a feral want. A prickling heat now scourches across your body.

Caught up in that same frenzy Satoru kisses down your body over your clothes until he reaches your shorts.

Wearily you open your eyes to glance down at him.

Between your legs is a sight that melts your brain. With his holy angelic eyes, electrified and blown out, along with the terrifying ghost face mask on his cloud head, Satoru is a blissful frightening sight.

He breathes out your name, a ghostly whisper.

Cerulean eyes are now bottomless oceans as he kisses your core over your shorts repeatedly. You whine breathless and desperate, wanting him closer. Glancing down, you see Satoru once more stares up at you with a devouring hunger that has your eyes closing overwhelmed.

He fucks you there in the closet. The taste of it is wild, a frantic claim.

You and him end up entangled with each other, sticky and exhausted still on the floor. The clothes hanging above create a soft canopy.

Satoru’s fingers run up your arm tender while you rest in his arms.

“Who knew the ghost face mask was gonna do that for us huh? Guess Shoko was right. This really means we’re really a pair of certified hot freaks now.”

You screech a horrified sound and want to pummel your annoying boyfriend.

“What!? This is hot as hell baby!” Gojo argues back proudly, almost smug, and it only makes you angrily wiggle away from him.

Of course he keeps you firmly captured in his strong hold and doesn’t budge an inch.

“What if we try this again but with another mask?” Satoru asks dreamily.

“You’re already a clown, you don’t need another mask.” You reply.

“BABY!?” He sobs out absolutely horrified and dramatically hurt. You laugh and curl tight against this stronghold of a man.

“You wound me! I absolutely for sure have internal bleeding right now!” He continues sobbing while he burrows his face against the top of your head.

Being on the floor for so long starts aching so you slowly sit up. Gentle warm hands begin rubbing your back while you stretch. Glancing around at all the discarded clothing littering the floor, you spot the ghost face mask. In the heat of the moment your fingers had carded through Satoru’s soft hair and the mask slipped off.

It so innocently yet hauntingly stares out with those vacant hollow void eyes. A strange urge crawls up your neck and sinks its fangs into you. Grabbing it you turn back to Satoru who stares up at you with a dreamy softness.

“Oh?” He catches the sight of the mask and sits up. His curiosity sparks awake playful and fast. “What do you have in mind?”

You softly shush him and gently slide the mask over him.

With it completely covering his face, knowing fully it’s him and not having to pretend, does break the illusion.

However, it cracks open something new that is dangerously raw and hungry.

Your thumb strokes the side of his face where the soft latex of the mask covers his cheek.

Leaning forward you kiss him over the mask. You taste the annoying synthetic fabric of the mask. Yet a wild heat comes when you feel his lips through the fabric. Satoru’s hands slowly run up to your shoulders to hold you as you kiss him through the fabric.

It ignites a delirious frustration that feels so good. His mouth desperately tries to feel you against the fabric that quickly starts to get wet.

Another raw idea flashes in your mind. Softly you pull away from his lips. You think of Gojo and how his tongue claimed you in a flurry.

So with a soft tentative kitten like attempt, you lick at his lips through the mask.

Something wild unleashes itself in Satoru. He rapidly sweeps you into his arms with his godly strength and simply lifts you up from the floor. His lips moan against yours.

“Keeping this on.” Gojo slurs as he rapidly moves you and him towards the bed.

You shake your head rapidly agreeing. The plush bed hits your back.

Above you, once again the ink stain presence of ghost face stares down at you. Your fingers do ache to run into his hair, across his delicious undercut. But those simple aches are crushed against the clear sight of your Satoru as ghost face. You vividly see Satoru’s broad shoulders, feel the touch of his bare hands caressing your thighs so intently.

“I caught you fair and square, my sweet little treat.” Now it’s his voice, unmodulated and clear as crystal, cooing triumphant underneath the mask.

“Now… I think I wanna unwrap you again.” Gojo whispers and it slices under your skin deliciously.

Beautiful debauched arousal rapidly consumes you as you claw at him wanting him closer.

“You like knowing it’s me under here, baby?” Satoru continues. His fingers begin kneading into your soft thighs, anchoring himself to your body.

His long fingers softly swipe into the slick arousal pooling between your legs and a whimper flutters out of you.

“Me too.” Gojo whispers, almost admitting with a quiet glee.

“I like knowing I'm under here getting to chase you, knowing I’ll always catch you and have you all to myself.”

Pulling his fingers out, they shine coated in your wetness. He slips them under the mask. Suddenly the sound of him sucking fills the room and your mind melts even more.

Satoru groans, drunk on pleasure. Even with the mask hiding his face it somehow heightens the moment and you claw at his arm firmer.

Taking the hint, Gojo slides fully between your legs to draw closer to you. He now takes the fingers in his mouth to slide them into yours.

Your eyes close and roll back. You suck on his wet fingers covered in his spit and the faint linger of your arousal. He begins grinding against you and you moan needed more of him all over again.

It's delicious and dark, this beautiful cobweb of desire you and Satoru are caught in.

“That’s it, angel. Let’s keep enjoying our fun little fright night, yeah?” Your ghost face lover purrs and as you sink into lust’s heavenly darkness, you find you couldn’t agree more.

[obscure-imaginations]

GHOST headcanons based upon the movie! Spoilers under the cut.

Notes: I am not interested in “unmasked ghouls” so keep that out of here. I am also not comfortable with xtians and/or c*tholics interacting with ANY of my posts. I can't stop you from enjoying GHOST, but GHOST is a sacred thing to me and my spiritual practice, and for my own personal mental health, go away, please. (Very upset about the asshole who wore a cross shirt to the concert and ended up in a few shots. Disrespectfully, fuck you)

-Not a headcanon but since the “new guy” already has a mitre? I’m praying to hells below that it’s Papa III.

-The reason Aether was replaced by Phantom was because Aether broke a leg doing a stunt. He couldn't heal in time, and since he’s already an older ghoul, he decided to just retire. Dewdrop is still adjusting to the change, choosing to engage more with Rain than Phantom.

-Sunshine is half air, half fire. She plays air instruments but you can see her fire heritage ignite when the pyrotechnics go off!

-Only certain clergy members are “permitted” to see spirits. Both for the protection of the general populace and for further protection on any important magics. This generally creates the “talking to yourself” illusion amongst the high ministry.

-Adding onto that for the canon, that’s why no one sees the spirits of Papas I-III. Sister Imperator couldn’t have them going around speaking against her!

-But that spell is breaking now that Sister Imperator is down…

-”Frate Imperator” just means “Brother Imperator” in Latin. Sister gave/attempted to give Copia a demotion, as Imperators are only advisors to the Papal line.

-The dancers are all Siblings of Sin! Usually it’s just Papa and Ghouls plus a couple tech people that get to go out touring- they hire a lot of “regular” people to help, like the humans for dress and stage, to keep up appearances. They don't need crowds swarming where the ministry is, after all.

-The orchestra ghoulettes are air and quintessence ghouls. Air for the string instruments and piano, but you could also feel the power they hold. Especially the opera singer. Quintessence ghouls have dominion over spiritual magics, and they definitely used that to their advantage to create a stellar performance.

Now for the angst.

-Even though Copia is very upset with both Imperator and Nihil lying to him for all these years, as you saw, it’s hard for him to stand up to them. He’s always had that problem and it still persists in (un)death.

-The twins are humanoid demonic familiars to Nihil. When he died, they died too.

-Due to Nihil’s neglect and generally shitty Papahood, his band ghouls did not like him. Thus they didn't give a fuck when Nihil and Imperator had their little fight. They took the opportunity to snag Nihil’s cash and had a tour of the city.

-Even though Imperator was the one in dire need of medical attention, I appreciate that the ghouls ran to help Copia first. They all knew she was bad for the clergy- killing the past 3 papas will never be forgotten, no matter who’s in charge. It was only when Copia waved them away did the ghouls go to look at Imperator.

Sorry for any Imperator and Nihil fans but I just cannot stand them 😅

-As seems to be the horrible, horrible canon judging by the one little scene… Nihil has a foot fetish. 🥲

[sukunasdirtylaugh]

suguru geto x f!reader, phantom of the opera inspired, mentions of flowers, slight mentions of nobara, first encounter, angst (nothing bad, they just meet and don't touch)

a/n: this idea has been bugging me for about two years and I wrote this in 20-30 minutes so please enjoy this. writers block is definitely a curse. hitting my head against the table trying not to delete this challenge

"you are the new pupil the academy speaks of?"

"well," you humbly try to navigate this conversation, hands clasped against your stomach with a camellia between. "I don't know what they say of me, but I was the pupil who sang at the festival of the camellias."

"so it was you. tell me, was it also their doing to put you in such horrendous dress? or was it you?"

"I..." the boldness of his words leave you speechless for a moment, "no, the director requested leaves to be added to the dress. said it made it more realistic."

"pity," the man scoffs, "you come to the greatest academy of Paris only to be adorned like some cheap second hand-“ he sighs, “I can forgive the terrible fabrics, but what I can't was the way they had you singing that song."

"song?"

"your voice," he clarifies, "these fools have you singing in octaves that will destroy your chords in 10 years max." he sneers. speechless, he continues. "what you need is someone who appreciates the talent you have, not squander it."

the historic dressing room was adorned in soft lighting. a vase, containing camellia's, was given to you by the vice president of the academy. they stand on a wooden surface not far from you. before the man whose voice you can only hear only hear speaks, you feel him notice the small camellia between your hands.

"In ancient China, the camellia was perceived as a union between two souls. The calyx part of the flower represents a man, while the petals symbolize a woman. normally, the petals and the calyx separate when a flower dies. In the case of the camellia, the calyx and petals fall away together. For this reason, this beautiful blossom is believed to signify undying love."

you freeze, as if the man were right behind you. you dare not look up at the mirror, for his presence lingers.

"I'm not going to hurt you," he says, voice softening for what feels like exclusively meant for you. his pale fingertips make no intent to touch you from behind, but the pad of his index feather lightly caresses the petal of the flower in your hand. "I could never hurt something as beautiful as this." he whispers.

the air suddenly grows very intimate, and your heart pounds in fear or anticipation. waiting what will soon happen next. the man behind you stands in a way that is close and intimate yet does not touch you. how can someone be yet both alluring, seducing, and respectful?

"In Latin," he speaks, "camellia means helper to the priest." his finger lingers around the petal for another moment, removing himself from your peripheral view.

"will you?" he asks. "be my camellia."

before you can say anything, you are startled by a sudden knock to the door. "hey!!" nobara calls, "why did you lock yourself or something? are you dressing? come out! the director wants to have a word with you!" and it all feels like a scene straight out of a movie. the lights resume to their usual glow, the man no longer behind you when you turn, and nobara suspects nothing when you open the door.

was this really a dream? 

[evanpeterswifeyyy]

Phantom of The Opera rant because I just watched the full movie of my favorite stage play and it’s on my mind.

Warning: controversial/ unpopular fandom opinion. Key word: OPINION. Excessive yapping—I’m pulling up recipets yall. This is actually an essay. Despite that, I will definitely make some spelling mistakes, explain things poorly or repeat points. I am human, thanks.

I’m not sure if this is controversial or not, but I don’t fully understand how people like Christine and the Phantom together. At a basic level, I can understand why:

- It has dark romance themes/ tropes (totally different topic I could rant about)

-It’s taboo and edgy, kinda raw

-Many actors who play the Phantom are conventionally attractive

-Christine and the Phantom usually have more on-screen chemsitry (chemistry does not always mean romantic, please be mindful of that)

So, I wanted to write a small little essay picking apart why I believe The Phantom and Christine are a toxic and abusive pairing.

This is not an attack on anyone who pairs them together, nor do I honestly care that much if you do, I just don’t see many in-depth second opinions about this.

With this knowledge, proceed at your own discretion and be respectful:

I want to start off with the main reasons why I believe the Phantom and Christine should NOT be paired together. To preface, I have only seen TWO pieces of media related to the POT. I will be using those as my evidence, as they are also the most popular reditions of the play that I’m sure most of you will know and reference yourself.

Those being:

The 25th Anniversary stage play with Sierra Boggess and Ramin Karimloo

The Phantom of the Opera screenplay starring Emmy Rossum

To begin, in the screenplay Christine has been shown to have known the Phantom since she was a child. Throughout multiple reditions, Christine has always been portrayed as in her late teens to early 20’s during the main events of the play and the Phantom is depicted somewhere around his 40’s-50’s. That in it of itself is creepy.

I understand that age gaps are a big topic in fandoms and media, and I would have little problem with this age gap if it weren’t for the fact that it is implied many times that he has been training her to sing since her father died. To get to Christine’s level in the opera, that would take years. Even if she already had vocal talent. Meaning that she was a minor when he met her.

That would be grooming. Literally.

To add onto this point, I want to paraphrase and quote some of the things the Phantom says to/ about Christine.

“Sing for me, my angel of music”

“Since I first heard you sing. I have needed you with me, to serve me, to sing. For my music”

Now, anyone can interpret these lyrics differently, but how I interpret them is:

He is using Christine for her voice. He has groomed her (in multiple ways) and polished her voice to sing so he can use her for his music. I mean, he literally kills and threatens people who do not allow Christine to be the star of every play once the main events happen.

He calls her his “angel of music”. Which might be endearing, if you remember the fact that he has been grooming her since she was a child to “serve” him. This is an objectifying name. He is saying this in contrast with Christine’s angel of music, which is a literal angel that her father promised to send her. To Christine, her angel of music is her father’s love and legacy. For The Phantom, it is his magnum opus: Christine.

Speaking of Christine and her “Angel of Music”. This leads me to my next point:

The Phantom pretends to be Christine’s father/ angel of music to manipulate and trick her.

During both graveyard scenes (the musical and the screenplay) Christine says:

“Angel or father, friend or phantom?”

The way I interpret this:

It is not a coincidence the comparison. [The split/ play on words]

Angel or friend?

Father or phantom?

Christine believes the angel to either be her father, or an entity he sent. When the Phantom says to her in the next moment:

“Have you forgotten your angel?”

That is him admitting he knows that Christine has believed he was the angel of music/ her father teaching and guiding her this whole time. And in the same song he is manipulating her, putting back on the facade of being her “angel of music” and leading her back to him—where Raoul has to snap her out of it.

Raoul has to literally tell Christine that the Phantom is not her father in both the play and the screenplay. Further solidifying the fact that she believes that the Phantom is her father or a being sent by him.

If we take that into fact, that means that the whole time up until at least now, she has only seen the Phantom as a fatherly figure.

Now, let’s talk about the final confrontation.

I’m already hearing the “but she says she loves him at the end!” Or “then why did she kiss him?!”

Glad you asked!

The final confrontation is the most blatant showcase of the Phantom’s delusion and abuse.

First, lets it back to the fact that the Phantom is shown to be a murderer. Someone who kills for their own benefit without remorse. Christine says it herself, and there are multiple scenes where she speaks of the Phantom and is afraid. She believes the Phantom may even kill her if she does not comply with his rules.

Quotes/ Paraphrases here (from the broadway and movie scripts):

“(to RAOUL, pleading)

Raoul, I'm frightened -

don't make me do this

Raoul, it scares me -

don't put me through this

ordeal by fire

he'll take me, I know

we'll be parted for ever

he won't let me go” (Christine talking about doing the Don Juan play)

“RAOUL

When will that be?

It's an engagement,

not a crime!” (Raoul fighting with Christine about hiding their engagement. It’s implied here that Christine is hiding their engagement from the Phantom because she knows it will upset him.)

The most damning piece of evidence:

“CHRISTINE

Twisted every way,

what answer can I give?

Am I to risk my life,

to win the chance to live?

Can I betray the man

who once inspired my voice?

Do I become his prey?

Do I have any choice?

He kills without a thought,

he murders all that's good

I know I can't refuse

and yet, I wish I could?

Oh God - if I agree,

what horrors wait for me

in this, the Phantom's opera?” (Christine speaks about the Phantom after being told she is forced to play in Don Juan)

With this information, we know that the Phantom kills for selfish reasons. He will do anything to get what he wants. Regardless of even the feelings of Christine.

Back to confrontation, Christine in the movie is shown to have the Phantom force her to put on the wedding dress. She clearly does not want to do it, but feels threatened by him to do so.

The whole time she is uncomfortable. Then, he captures Raoul.

He gives her an incentive and she only has two choices:

-Admit she loves him to free Raoul

-Deny she loves him and kill Raoul

Now, if you know anything about incentives and abusive people. This is the most toxic thing to ever do. It is completely self-serving and both Christine and Raoul know that he is going to kill him regardless and is pressuring her to lie and say she loves him.

Quotes/ Paraphrases:

“CHRISTINE:

Farewell my fallen idol and false friend

We had such hopes, and now those hopes are shattered!

PHANTOM:

Too late for turning back, too late for prayers and useless pity!

RAOUL:

Say you love him and my life is over

PHANTOM:

All hope of cries for help; no point in fighting!

RAOUL/PHANTOM:

For either way you choose, he has to win/you cannot win!”

The Phantom is not doing this out of love. No one who loves someone would threaten to kill the person they love/ choose instead of them. The Phantom up until this point is possesive, infatuated and obsessed wih Christine. There are no signs of real love from him. It is all self serving and an idolized image of Christine.

When Christine shows him a bit of kindness during this moment I believe she is being genuine, but I also believe she’s only doing it to save herself.

Christine feels pity for the Phantom because she realizes during this encounter that he has been traumatized and isolated so bad that he feels he has to torture others to get what he wants. That he truly believes that no one but Christine will love him, and therefore he must make sure at all costs that he will get what he wants. Christine, being empathetic, tells the Phantom that she hears him.

I don’t think Christine kissing the Phantom is out of love. Not in a romantic sense. Christine kisses the Phantom not only to save her and Raoul’s lives, but also because she is feeling pity for the Phantom. He has never felt the physical touch of another person as he says in his own words, so she kisses him.

This obviously works, and she sets him free.

Lets talk about the musical because there’s a scene after this where she returns while the Phantom is wallowing after freeing them.

I still don’t think Christine returns because she loves the Phantom. Up until now, she has no reason to except for the fact that she finally humanizes him. No, I think that this scene just further solidifies that she yes, she loves the Phantom. But not in a romantic sense. From the beginning she has been shown to have a fatherly view of the Phantom, and I believe that paired with the memories of her father and the years they spent—she returns because she continues to see her father in him and feels pity for him. She wants to help the Phantom be happy because he brought her a piece of her father. Possibly she even still believes that he was in fact sent by her father to teach her music and take care of her in some way.

This is my interpretation of the scene.

A point I see brought up A LOT when it comes to justifying Christine’s romance with The Phantom is:

“Well, Raoul is abusive in the second rendition and her and the Phantom have an affair.”

Have you ever seen Cinderella 2? Have you ever heard of it? There are 3 Cinderella movies.

But we all refer to the first one because A. It’s the most popular and a classic B. The other movies sold poorly because they were bad and nobody asked for them.

My point here is: so is Love Never Dies.

I said what I fucking said. Cry about it.

But lets imagine for a moment if we took Love Never Dies as part of the main canon:

I don’t think Christine should be with Raoul either.

Another point I see a lot is: “They just meet again and instantly get engaged”

Which yes, that’s definitely a point of contention.

But considering just The Phantom Of the Opera in this case, they have known each other since they were kids. And considering the time period the events are set in, this is actually not that surprising or uncommon and makes sense. Even if Christine didn’t love Raoul, given her position, it would have been beneficial for her to get married. And it might as well be someone she’s known for a long time.

But if you were to ask me, without being forced to choose between Raoul or the Phantom, I would tell you that I believe that she should be with neither.

Both are abusive towards Christine. One just more literally stated than the other.

Edit because I forgot to add this crucial point:

The Phantom of the Opera was NOT a story created by Andrew Lloyd Webber (the man who created the musical adaptation and scores)

It is a story from 1910 by french author Gaston Leroux. If we take that context into consideration, (as someone who has not yet read the book) the movie (based on the musical) and the musical are not accurate representations of the original material or intention.

There were definitely creative liberties taken or misinterpretations. Especially with Love Never Dies.

There were black and white movies made of the story as well. The Phantom is specifically portrayed as a real life monster. This image of him being a handsome man with a scarred face and tragic past only happened in the 20th century.

I believe that is the conclusion of this rant/ essay. I know this probably won’t get a lot of reach, but if you read this whole thing (whether you agree or not), thanks a lot. Truly.

Hopefully this will add more discussion to the topic and give people a more open minded view on the topic, and realize the real nature of the Phantom. There are so many ways to interpret and art piece, and time and time again, this is what I see in it. So to see people romanticize their relationship always gives me the ick (ofc, you do you boo, I can’t stop you). So I’m tired of arguing individually with people, so I might as well have a full reference to come back to.

I’m sure there’s more evidence and points I could have made, but this is long enough. Regardless, I hope you can take away something from this, and if you want to possibly hear about any more of my controversial opinions—leave a note so I know! <3

[agentofteamvaliant]

Musicals Aren't Supposed to Have Encores | Luke Dunphy x fem!reader

Based on season 4 episode 14 of Modern Family: "A Slight at the Opera."

Warnings: None? Two eighth-graders kiss a few times... does that need a warning?

Word count: 2,052

Summary: Luke and Y/n step up to new roles in "The Phantom of the Opera" performance their middle school is presenting. Cam doesn't know what to do when the audience calls for an encore at the end of the show.

A.N.: Notes vs notes became a very hard thing to keep track of while writing this. Because I had notes, as in musical notes that you sing or play. And notes, as in theatre notes, directions as to what to do, and ideas of what needs to change. The struggle of being both a music kid and a theatre kid is real.

------------------------------------------------------------------------------

"What do you mean Genevieve is sick?" Cam exclaimed to the girl's mother over the phone, "First our Phantom falls ill, and now our Christine? Does the world think our theater department is filled with actors?... No, of course, I'm sorry. I hope she feels better soon."

Theatre never goes exactly as planned. You're bound to have bumps along the way. Cam was prepared for that. He had backup props and backup lavaliers. What he hadn't prepared for was for both his Phantom and his Christine to get sick.

Having already found and lost hope in having Luke play the Phantom, Cam felt he was running low on ideas and patience. So, he turned to his assistant director/stage manager: Y/n.

"Well, Y/n. What do you think?" Cam asked.

"About which?" she replied, "We've got a couple problems right now."

"Either. Any. All. I don't know," he was obviously at the end of his wits.

"I think that you should show Manny the video you have of Luke so that he can see what you want him to be doing," she offered.

"Alright," Cam agreed, calling Manny over to watch the recording, "And what about Christine? I hate to say it, but Genevieve was the only soprano we had who could--"

"Luke has to do it," Manny cut in, before rushing off to undo the damage he had done.

"Well, that solves that problem," Y/n said cheerfully.

"I doubt any of them even know all the words, let alone the right notes, the right timing..." Cam trailed off, "Luke could you run 'The Phantom of the Opera,' please?"

"The whole show?" Luke asked, surprised.

"No, the song," Cam clarified with an exasperated shake of his head that looked much more like Mitchell's mannerisms than his own.

"Uh, sure, yeah. I don't know my cue without Christine's part, though."

"Y/n, could you sing Christine's parts until I figure out a replacement?" Cam requested turning to her.

"Well, I don't normally... but I guess I could... I do know the words, and the notes, and the timing and blocking... Sure." She replied.

The two walked over to the piano to practice. Y/n hadn't gotten more than four lines in when the whole theater was staring at her. Cam realized that maybe his Christine had been hiding in plain sight just like his Phantom. Her vibrato was perfect. Her voice paired perfectly with Luke's. Y/n and Luke looked up shocked when the entire ensemble came in perfectly on cue to find that Cam was conducting them like a choir. Y/n smiled at Luke, as they turned so the entire cast was rehearsing together. When they got to the part where Christine climbs up in notes, everyone's jaws hung open. Y/n herself was a tad surprised at how cleanly the notes came from her chest. Sure she loved to sing. Sure she had practiced this entire musical what felt like a million times. But to hear it in a theater. To hear how creepy her friend Luke could sound, perfectly portraying the Phantom. To hear the song all around her. It felt unreal. Especially when she got to the E6. She knew that for Genevieve they had lowered it, but she also knew that she could hit it. So, she ditched the note Cam had given the original Christine and chose instead to follow the regular notes of the song.

"Y/n," Cam started once the song was over, "You need to play Christine. Your voice is perfect. You know all the directions I gave. You understand what I'm trying to do with this show. Please, we need you as Christine."

"Okay, okay," she replied quickly.

They were very lucky that the costumes, which had been brought in for different actors, fit Y/n and Luke almost perfectly. Everything after casting Y/n had been rushed chaos. She had called her mom to bring her a pair of white heels since the original shoes didn't fit. But she neglected to tell her mom why she needed the shoes, simply insisting that the show sounded amazing and her family just had to come. Standing backstage, Y/n and Luke were talking while she used safety pins to shorten his cape. They didn't exactly have a replacement stage manager after all and she had offered to continue with both roles.

"You look really pretty," Luke commented as she stood up and handed him his pinned cloak.

"Thank you," she replied, a slight blush creeping onto her cheeks, "you should wear suits more often, you look quite dashing. I'd lose the mask though, your face is too cute to be covered."

Now it was Luke's turn to blush. He knew that Y/n was good at flustering people, of course he did, they had been best friends for years and she was his long-time crush, but he had never found himself on the receiving end of her flattery.

"Hey!" She called out quietly to one of their castmates, "That's not where that prop goes. Go put it on the prop table where it belongs."

"You know we're supposed to kiss, right?" Luke asked when Y/n turned back to him.

"Yes," she answered, "Poor Genevieve and Marcus, do you think that's why they're both sick? They had to kiss so much in rehearsal."

"Oh yeah, poor things, they had to kiss someone over and over again," he said, sarcasm dripping off every word.

"Careful," Y/n chided, "I'll kiss you over and over again."

"Like that's a threat," Luke snarked, before remembering who he was talking to, the confidence leaving him at once, "--I mean, we should probably practice at least once. Just, so we're on the same page. Know what to expect."

"Hmm, probably," she said slowly, before grabbing his hand and pulling him toward her.

Y/n kissed him gently, sweetly. And then it was over, and Luke decided he would do whatever it took to be able to kiss her again.

"Alright," Cam called, all the actors gathering around, "Uh... Luke, Y/n if I could talk to you for a moment after we're done. Alright, everyone, this is going to be great, there's nothing more we can do at this point. I know we've had a few hiccups, but I think we've come out stronger. So, good luck. Just, don't think about the audience. Be loose, speak clearly and enunciate, and have fun. Break a leg!"

When he had dismissed everyone else, Y/n and Luke walked over to Cam.

"Ah, good," he began, "I just want you to know how proud I am of you. And I wanted to make sure you didn't have any questions. Last minute confusions?"

"Nope," Luke said.

"None," Y/n confirmed.

"Good, good. And the kiss, I know we didn't talk about it. You're both alright with it?"

"Yep."

"Yes. We made sure to go over that with each other. We're on the same page. We know what to expect," she clarified, smiling at Cam, before looking at Luke with what he swore was a smirk.

"Wonderful. Then I'll go introduce our show, and we will begin," Cam said before leaving with a flourish.

The show was going perfectly. The audience was already captivated and they were only five songs in. When the iconic opening notes to "The Phantom of the Opera" began to play Y/n could feel people shift in their seats. She felt the pressure to perform the song well but didn't find herself nervous. One glance at Luke told her he felt the same way. Hearing how their voices melded together perfectly, Y/n was filled with giddy happiness. She couldn't have really explained it, but it pushed her further. When she began her climbing notes they were even stronger than they had been earlier.

They had taken an intermission between the two acts, and Y/n was enjoying some lemon honey tea, while a speaker next to her played "Something to Believe In" from Newsies. Luke was sitting in a makeup chair, across from her with his own cup, fidgeting as prosthetics were being applied to his face. In between taking sips of tea, the two were softly singing along to their favorite musical number, causing the poor kid trying to do Luke's makeup to continuously snap at him for moving his head.

"And if I'm gone tomorrow"

"What was ours still will be"

"I have something to believe in"

"Now that I know you believed in me."

Out in the audience, Haley had arrived during intermission and was now entering the theater with everyone else.

"I left the house as soon as I got your text," Haley exclaimed to Alex, "I can't believe Luke is playing the lead!"

Backstage, Cam called quietly: "Curtain's up again in five! You're doing great, y'all!"

Finally, they were reaching the end of the play. Alex was clinging to Haley's arm, practically holding her breath. By that point she had all but forgotten that her brother was playing the Phantom, having become deeply invested in the story. Not until Christine was standing, turning the Phantom to face her, did Haley lean over to Alex to whisper: "Can you believe that's Luke?"

Then, Christine kissed him.

"Oh my gosh," Alex exclaimed lightly to her sister, "They like each other."

"Who?" Haley replayed, "The Phantom and what's-her-name?"

"No, Luke and Y/n."

"Oh, yeah, duh. They have for years."

Then, Christine was kissing him again.

The curtain came down and then raised again, leaving the cast to bow. They led the audience in applause to the sound crew, the lighting crew, the musicians, and then Cam who joined them on stage. The curtain went down again, but the audience's applause didn't die down with it, rather it picked up. A few parents in the audience called for an encore, and soon the entire theater joined in.

"We don't have an encore," Cam quickly whispered to the cast, "Musicals aren't supposed to have encores. But they seem to really want one, does anyone have anything?"

"We do," Luke said, looking at the girl next to him.

"We do?" Y/n questioned, her eyebrows raised.

"Sure, 'Something to Believe In,'" he told her, before turning to Cam, "From Newsies."

"Are you sure?"

"We know the whole thing by heart," Y/n assured him.

Cam walked out in front of the curtain.

"Well, ladies and gentlefolk. You asked for an encore, so an encore you will receive," as Cam spoke, Manny ran to tell the pianist what the encore would be.

Cam continued, "But first, I'd like to thank my terrific cast for getting over humongous hurdles, especially my incredible leads, who only stepped into their roles today, having previously not been a part of the cast, but the crew. And who, just now, pulled an extra song out of their hats, like theatre magicians,"

He looked at the pianist asking, "We're ready?"

The pianist confirmed he was, indeed, ready.

"This is 'Something to Believe In' from Newsies," Cam said with a smile, before walking off stage.

The curtain had risen again, revealing that the mobile set pieces had been removed. There stood Luke and Y/n, the former of which had changed slightly: he had ditched his suit jacket, rolled up his sleeves, messed up his hair, and was standing so the audience could only see the normal side of his face. Their plan was to run the scene from first line to exit, and that's exactly what they did.

Sitting in the audience, Alex and Haley quietly squealed to each other. For years, they had been having monthly movie nights, just Haley, Alex, Luke, and Y/n. And each month, they watched one of four movies. Newsies being one of those movies. They had often joked that Y/n was like Katherine, joining another family. And each time "Something to Believe In" would start, someone would say it must be one of the best love songs ever, and the rest of the kids would agree.

Boy, did the two actors have fun with it. The nudging, the kiss. The playful looks turned to silent flirting. Everything they wanted to do in their own lives, and the song required all of it. When the curtain lowered for the final time, the audience erupted in cheers. Backstage, Cam ran to Y/n and Luke, engulfing them in a hug only a proud director/uncle could give.

I don't own Modern Family or any of its characters/plots. I don't own The Phantom of the Opera or any of its characters/plots/songs. I don't own Newsies or any of its characters/plots/songs.

[slashingdisneypasta]

Horror Villains x Fem!Reader || Excerpts

Plot: Receiving a message from him specially for you.

Includes: Erik Destler, Inkubus, Jim Bickerman, Mayor Buckman and Stuart Lloyd. Obligatory pattern?? What pattern?

Warnings: Inkubus' is kindof sinister but what for you expect (side note- any guesses to whats inside the box? XD ) and Stuart's, reader is in university (I'm thinking around the 25 mark though). Also I wrote these in the notes app on my phone so I'm sorry if their are typos 😅

Tagging: @marinerainbow , @masqueradeball , @thecourtofgraywaves , and @your-mxnd-is-mxne .

Erik Destler

You felt the note be tucked into the palm of your hand when everyone was panicking because the lights switched off suddenly (of course, you had an inkling who was behind that fiasco immediately. Everyone did) and everyone was plunged into darkness. You breath had hitched, but then the lights turned on and there was no one next you- just your friends asking if you were okay and saying that it was the phantom.

You kept the piece of parchment in your fist hidden until you were able to slip away, say you needed some fresh air, and step out of the theatre to stand under a street light and open Erik's note for you; doing your best to flatten out the paper from its squished state with your hands.

His scrawl is a little smudged, and two of the corners are burnt, but you manage to make out his words. He's got lovely handwriting you think, a giddy smile twinging at your mouth.

_____

My dear,

After the show is over, I wish for you to meet me in my quarters.

There will be candles lit to lead you there, you only need to slip away from your frivolous companions and sneak down into the depths of the Opera house, if you're brave enough. I'm tired of the cat and mouse game you've been playing with me. Every flirtatious wink and pretty smile you send to my loge, every flash of your skin when you know I'm hidden there in your dressing room, every kind word you speak of me when others curse me... If your efforts are coming from a genuine desire to meet, I'll be waiting tonight. If not, I'll desist my watching. My listening. My attention.

That's my promise, and my offer- please consider it.

I hope to see you later, tonight. Enjoy the show.

- The Phantom

_____

A broader grin spreads across your lips as you finish the note and flick through it again, the important bits (the fact that he noticed your attempts to garner his attention at all, his offer, his hope). You've always been intrigued by the Palais de Garnier, and especially by its phantom~ There was truly something irresistibly fascinating about it- almost sexy. You can feel the excitement literally fluttering inside you like the wings of butterflies as you go back into the theatre and eagerly away the end of the show.

Inkubus

When you got home and pressed messages on your answering machine and heard that voice, you remember it clearly because it was so distinctive, and ardent, and sure, and so thick with something equally threatening, and... licentious, you immediately felt your blood run cold. The man at the busy coffee shop. Who sat with you at your table when their were no seats left and smelled like blood and looked at you like prey.

You didn't give him your phone number. You didn't even give him your name.

"Y/N... if you thought you would just brush me off and forget me like a random passerby, a footnote in your little life, you were mistaken. I told you, I have a few tricks up my sleeve~ "

You click to the next message numbly.

"In case you haven't deduced already, I also know where you live. And in case you think that I'm bluffing," the sound of a dark, soft chuckle revibrates from the speaker. "I left a small gift for you in your lovely bedroom. I'll give you a moment to go have a look."

Without a thought, you drop your bag and rush to your room after the click, stopping when you get there and cautiously pushing open the door. There you find a small box left in the mess of pillows and unmade blankets that is your bed that definitely wasn't there when you left in the morning, placed perfectly in the middle atop the covers, which you pick up carefully in one hand and take with you back to your answering machine; assessing it warily while you walk. It's wood but painted a terrible charcoal black, the paint coming off like soot on your fingers, and theirs a lock. You try to lift the lid, but without a key you won't be able to open it.

You press next on your answering machine, once again; eyes on the box.

"You'll get the key to what's inside next time we meet- and I promise, we will.

Y/N you have my full attention, and when I want something I generally get it. This is but a warning- by the months end, you'll want me just as deeply as I want you."

Jim Bickerman

He doesn't own a phone (he used to, but the telemarketers drove him up a wall and the old flip phone ended up in a lake somewhere) so when you get to his place, using the spare key tucked away under a little daffy duck figure on the porch, you see a tape recorder with a note taped to the front on the kitchen bench. "Hm," You hum, leaning your forearms on the bench and carefully unrolling the tape off the little beat-up machine and the note that says 'Read me' in thick permanent marker scrawl. Throwing away the tape, you press play and leave the tape recorder on the bench as you open up the freezer and pull out a pack of frozen potato gems. As you practically live here, even when Jim's not there too, you feel perfectly comfortable making yourself up and after work snack.

"Hey there, pumpkin. I'm off on a spontaneous job, got approached by a fella at the bar wantin' a couple protected deer off his property in Massachusetts. So I'll be off for about a week. Wish me luck I dont get in some trouble with fish and wildlife, eh?... " Sighing, you kneel by the oven and preheat according to the instructions on the bag. A week?? Crazy old man doesn't even have an email to contact him at! "but hey, pay-out promises to be good, the kid's got that new money look in his eye, so if all goes well when I get back I'll take ya out somewhere without a funky smell hm? You can wear something real pretty, and I'll pay. Course, you know the dress I like best." A grin quirks at the corners of your mouth, shaking your head. You do, you got it while shopping with him one day. "House-sit for me while I'm gone, won't ya?" Is that even a question?? He knows you love this place, it's off the beaten track and the lake's a quick walk from here. Not the lake he grew up next to, thank goodness; a really pretty one you love to read by while he fishes. Or just sit next to alone. "I tried to tidy up a bit but as we speak I'm in a rush, here. There's chocolate in the fridge and it's all yours. I'll miss ya, pumpkin, love ya. See you in a week."

After putting the potato gems away in the freezer to wait for the oven to preheat you pick up the tape recorder and take it with you to the livingroom, opening up a window to let in the fresh woodsy air before getting comfy on the couch and rewinding the tape.

Mayor Buckman

The note with your name on it folded neatly and left on your make up table beside a perfect sunflower when you got to your dressingroom after a show wasn't a surprise. There was always a note. Buckman never missed an opportunity to remind you that you're on his mind.

Pulling one side of your shawl over one of your bare shoulders, you take a seat in your dressing room chair with all other beautiful shawls and dresses and skirts of myriad materials and styles and colours strewn and hanging over the back, fold on leg over the other and lift up the flower, first; smiling and holding it delicately to your nose, feeling the soft petals on your cheeks.

You're approached plenty gentlemen in your line of work, being an actress on the stage. They find you beautiful, they love your voice, they think you're sweet. They want to add you to their collection of lovely things they've touched, or had.

But none of them were like Buckman, which is why you chose him.

He didn't look at you like you were a thing to have had. Not something to charm once and then never put anymore effort into; he always looks at you the same way with the same cheer and interest. He genuinely likes you, he likes talking to you, and he continues to prove it.

Next you pick up the note and flick it open for to read it slowly, feeling your heart flutter in your chest like no man's ever did before him- or ever have since.

_____

Steller performance as always sweetheart! Lord, I had the worst, most obnoxious boy next to me talking all the way through the show but I swear- I barely heard a word he said when you were on stage. How on earth could a fella notice anything else?

You were just magical, darling.

Anyway, I got a couple of boring mayor things to do get done quickly now while everyone's still milling about the theatre, I just wanted to tell you privately how amazing you were, in case none of the other idiots around here convinced you. I'll see ya at home later tonight. I'll make you something tasty for dinner. I love you.

- George

_____

Taking a deep breath, pause for a moment. You try to retain your graceful, sober togetherness because you're acclaimed actor and you don't get worked up over a silly man's sweet words... and fail; using the note and cover your goofy grin and closing your eyes shut, shaking your head.

Stuart Lloyd:

Finally at the bus stop, you open your phone for the first time and check notifications after a long, long day of work. God, that cinema is driving you up a wall. You can't wait to get that Masters, get a good job and get the hell out. 2 months to go.

Noticing an audio message amongst all the school emails, personal emails, and tumblr notifications, you think how odd that is- who leaves phone messages? Why wouldn't they just text you? A gentle humorous grin spreads across your mouth when you realise that it's from Stuart.

Of course, you think. Stuart's not terrible with technology, not at all, but it still just seems very him to leave a voice message rather then type out a text to you. He would never use emojis, either, you think. He's more likely to spend an hour composing you a short poem then quickly tap a small 'dimwitted' image to express his feelings.

After pressing play, you hold your phone to your ear and look out for the bus; blowing air out of your cheeks in exhaustion.

"Hello, uh, Y/N. I hope you're well, and um... you don't mind, that I uh- that I found your phone number in the employee files. I was unsure how to reach you, and I wasn't sure that our shifts were going to match up at all before um... before you left." You should mind, you think, but you don't. Stuart is always overstepping boundaries in that odd half nervous half holier then thou way and yet you... never mind. It's hysterical and you like him. "Um- for a better job I mean. I remember you saying you were going to leave, because well- because your course is ending, right? Congratulations, by the way. I don't think I said that. You must be... you must be very proud. Um- anyway- the reason for my calling, yes. I- " abruptly the tone beeps and Stuart's voice clips away, having taken way too long and been cut off. Pouting, you take your phone away from your ear and look for another message- and there is.

"Thank goodness, Stuart." Pressing the phone once again to your ear with an exasperated, fond grin, you shake your head. "Good grief."

"Right, um, I was too slow. My bad. What I was saying is I... I was wondering, if b-before you leave and I... miss my chance, if you wanted... " He clears his throat, and you start to feel anxious, heartbeat getting faster in your chest. You chew on the inside of your cheek. Where is he going with this? Why does he sound so nervous? "If you wished to a- accompany me on a... a date? I- look, I'm sorry if you feel that this is coming out of left field but I have not met a more pleasant person to be around for a long time, and I- " Stuart's voice clicks away from you again and you curse, quickly pressing the next audio message. There is 1 more message after this.

"It happened again. I apologise. What I'm saying is I appreciate you. And I'm not looking forward to working without you again in 2 months. And you're a- a very pretty young woman. If this comes off as... creepy... due- due to my age, or something, I apologise. I only thought that I would- that I should, give it a try. Thank you."

You start the final message.

"Oh!! I'll be working the next couple of days eight am to four pm- In case you wish to call me back whilst I'm available. Or not. Um, yes that's all. Have a lovely evening."

... for a few moments you remain holding the phone to your ear, head just rolling.

You never thought about Stuart romantically until this moment, he made your insides flutter but you never dared to go there. You pushed it down, you put the butterflies away in a box as best you could. But now they're out again and the fluttering is hard to ignore.

Before you can think anymore, you're calling him back.

"Yes? Hello?"

"Where do you wanna take me on our date?"