#i might have to just call it in and do it later because

[amirasainz]

What about Norris reader (17) and Oldie and Kimi Antonelli have a crush on her. Lando, ever the overprotectiv brother, doesn't like this and the other drivers use it to their advantage, because they find this really funny. Reader is just clueless and thinks the boys are really sweet to her♥️♥️

Wait, why do I ship these three??

Enjoy reading and send some requests!!!

-xoxo, babygirl 💕

Two for one

The bustling energy of the Mexican Grand Prix electrified the air as Yn Norris wandered around the paddock, wide-eyed with excitement. Her older brother, Lando, had arranged for her to come along this weekend, and she was thrilled to be there. Being just seventeen, this was one of her first big Grand Prix weekends on her own, without her parents or siblings (except Lando) and she couldn't wait to soak it all in.

As she explored the paddock, she suddenly heard her name being called. Turning around, she found herself face-to-face with Kimi and Ollie, both of whom had driven in Free Practice 1 that day.

"Yn! Fancy running into you here," Ollie greeted with a wide grin.

Kimi smirked, giving her a casual wave. "So, what do you think of Mexico so far?"

Yn smiled brightly. "It’s incredible! I’m so happy Lando invited me."

"Oh, he invited you, did he?" Kimi asked with a sly grin, glancing over his shoulder as if expecting Lando to pop out of nowhere.

Yn laughed, rolling her eyes. "Yeah, but he’s already being overprotective. He thinks I'm going to, like, get lost or something. I just wanted to go look around by myself, but he practically assigned me a bodyguard."

Kimi and Ollie exchanged amused looks. "Well, we’re here now. So, if you need someone to show you around or keep you company, I think we can handle that," Ollie offered.

"Yeah, you’re in good hands, Yn," Kimi added with a wink.

---

A little later, Lando noticed Yn with Kimi and Ollie, and immediately, he felt his older brother senses tingling. He walked up to them with an exaggeratedly casual stride, hands stuffed in his pockets but eyes locked onto Kimi and Ollie.

"Hey, Yn," Lando greeted her, then quickly turned to Kimi and Ollie. "What are you guys up to?"

Ollie raised his hands defensively. "Just chatting with your sister, mate. Nothing serious."

Kimi chimed in, smirking slightly. "Yeah, just giving her some company. It can’t be fun to wander around here alone."

Lando narrowed his eyes. "Well, she’s not alone. I’m here."

Yn rolled her eyes. "Lando, I’m fine. You don’t have to act like I’m five."

"Yeah, Lando, she’s fine," Ollie teased, nudging Lando’s arm. "Besides, it's not like Kimi and I are troublemakers."

Max, who had been watching from nearby, wandered over, grinning as he picked up on the situation. "Oh, looks like little Norris has some admirers."

"Yeah, careful, Lando," Checo joined in, laughing as he walked by. "You know, they say these drivers are charmers. Better keep a close eye on her, or she might run off with them to Yucatan."

Lando scowled, crossing his arms. "That’s not funny, guys."

Ollie looked at Yn, feigning a wistful expression. "Yucatan, huh? That could be fun."

Yn rolled her eyes again, laughing. "Ignore them, Ollie. You’re all acting like children."

Kimi leaned closer to her. "Maybe. But you know, Yucatan does sound like a pretty great idea."

Lando stepped in between them, giving Kimi a warning look. "Don’t even think about it, Antonelli."

Kimi laughed, but there was a hint of nervousness. As much as he enjoyed teasing Lando, he could feel Lando’s big-brother protectiveness radiating off him in waves. Still, he couldn’t resist pushing a little.

"Relax, Lando," Kimi said, holding up his hands. "We’re just here to make sure Yn has a good time."

"Under my supervision," Lando shot back, narrowing his eyes. He put an arm around Yn’s shoulder. "You’re staying close to me for the rest of the weekend."

Yn groaned, but Lando’s resolve didn’t waver.

---

The next day, Lando was more determined than ever to keep an eye on his sister. Every time Kimi or Ollie got close, he’d swoop in, leading her away or blocking their paths.

Eventually, Pierre caught onto the whole situation and couldn’t resist chiming in. "You know, Lando, if you keep this up, you’re going to scare away all her potential boyfriends."

Lando shook his head, exasperated. "That’s the plan, Pierre."

Carlos joined the fun, laughing. "Be careful, Lando. Vegas is just around the corner. Blink, and she might end up running off with Kimi or Ollie. Maybe even both."

Ollie, who had overheard, grinned, raising his eyebrows at Yn. "What do you think, Yn? Should we book tickets?"

Yn chuckled. "Oh, please. Lando would probably have a heart attack before we even left the airport."

Lando glared at them. "I’m serious. You two better not get any ideas, you stinky whankers."

Kimi shrugged, but his smirk didn’t fade. "Relax, mate. We’re just keeping her company."

Charles joined the group, looking thoroughly entertained. "I can’t wait for Vegas now. If this is how Lando is in Mexico, Vegas will be legendary. Maybe we’ll all get invited to Yn’s wedding."

Lando groaned, running a hand through his hair. "You all are impossible."

---

As the weekend progressed, Kimi and Ollie kept finding small ways to get Yn’s attention. They’d save her a seat, bring her snacks, and keep her laughing with stories and jokes. Each time, Lando was there, watching like a hawk.

At one point, Yn turned to him, exasperated. "Lando, seriously. I’m just hanging out with friends. Can you please relax?"

"I am relaxed," Lando replied, not convincing anyone.

Yn shot him an annoyed look. "You’re practically breathing down my neck."

Ollie leaned in, whispering, "Told you he’s overprotective."

Kimi chuckled. "You’re handling it well, though."

Yn laughed, shaking her head. "I think it’s actually you two who are nervous around him."

Both Ollie and Kimi exchanged guilty looks, though they quickly covered it with their usual confident smiles. But every time Lando was around, they seemed to straighten up a little, wary of his watchful eyes.

---

On race day, things hit a peak. Kimi and Ollie had managed to catch Yn alone, and they were chatting animatedly about everything from their goals in racing to funny stories from the paddock. Yn was laughing, completely unaware of the fact that both boys were subtly vying for her attention.

But it didn’t take long for Lando to find them, and he wasted no time inserting himself into the conversation.

"Hey, Yn, you ready to come to the garage?" he asked pointedly.

Yn glanced at Kimi and Ollie apologetically. "Duty calls, I guess."

Ollie gave Lando a pleading look. "Come on, Lando. Let her hang out with us for a bit longer."

Lando raised an eyebrow. "Why, so you two can keep flirting with her?"

Kimi flushed, stammering, "W-We weren’t—"

Yn stared at him in surprise. "Flirting? Seriously, Lando? We’re just friends."

"Exactly," Lando said, taking her by the arm. "And that’s all you’re going to be."

Max and Charles, who had been watching the entire exchange, burst into laughter. Charles clapped Lando on the back. "Relax, Lando. You’re acting like you’re her father."

Max nodded, grinning. "Good luck keeping her under control in Vegas. Don’t be surprised if she elopes with one of them. Or both."

Lando scowled, his grip on Yn’s arm tightening slightly. "Not happening. Not on my watch."

Yn sighed, throwing Kimi and Ollie a helpless look as she was guided away. They exchanged amused, slightly nervous glances, but it was clear that they weren’t about to give up. She blew them a kiss, which both Kimi and Ollie pretended to catch. Ollie put his "kiss" to his heart while Kimi put his on his cheek.

As Yn and Lando walked off, she glanced up at her brother, shaking her head. "You know, if you keep acting like this, no one’s ever going to want to date me."

"That’s the point," Lando muttered under his breath.

Yn laughed. "You’re ridiculous."

"And I’m your older brother," he replied, smirking. "Get used to it."

Behind them, Kimi and Ollie shared a look, nodding in silent agreement. They’d have to work harder to get Yn’s attention without incurring the wrath of overprotective older brother Lando. But they weren’t about to give up. After all, Vegas was coming up soon, and as much as Lando hated to hear it, the weekend held endless possibilities.

[thelindenpapers]

"who taught you that suffering in silence was noble, and how would you shutting up have benefited them?"

It's often something you learn when you're in an abusive or oppressive situation.

Especially long-term.

And especially if those long-term situations occur multiple times throughout life.

I grew up in an extremely racist/misogynist community.

They learned that they couldn't bully or intimidate me ...but they would pick on anyone who tried to defend me.

And that later expanded into them shunning or bullying anyone who I let on that I liked, or even worse, was crushing on.

I grew up with an abusive, fascist father.

He killed our dog. Why? Because it kept angrily and loudly barking every time he was trying to hurt Mom and me.

More than that: in my childhood community, anyone I tried to talk to would either ignore me like I was a ghost, or, shout slurs and death threats in my face. I'm talking early on in life: Before kindergarten, Kindergarten to at LEAST thru 3rd grade.

So:

You learn that anyone you like gets punished for the grevious faux pas of being liked by you.

You learn that anyone who tries to help you, gets hurt or even killed.

You learn that almost nobody comes to help when you cry for help.

You learn that even trying to talk or say 'Hi' to people, results in them suddenly appearing harmed or troubled or annoyed or angry, somehow.

...And why wouldn't I be silent?

As a feral kid, no one was going to listen to me anyway, no one was going to care how I felt about anything or about how anything was affecting me.

And if I did tell?

People frequently took the abuser's side.

Just as the cops did, the very first time I was finally old enough to threaten dad right back!

Don't even get me started on my marriage.

How long are you supposed to keep on telling a person, 'Hey, these are my needs, and I need your help to get something done about it please.

Hey, I should probably see a doctor, why aren't you letting me have access?

Hey, we really need to talk about our relationship. I don't know why you don't want to spend bonding time together.

Why are you making it so difficult for me to try to get a job or an education?

Why are you sabotaging my writing efforts?

Why do you get so upset at my physical activities?

What is with the panic when you see I'm trying to advance my tech skills?

Why does it anger you so much when I try to be proactive and vigilant in making us a comfortable and clean and helpful home?'.....

He actually complained to me:

"Why can't you just LIE?"

About being happy.

About being well.

So yeah.

Why would I want to ask his (or his parents) help in anything. I can't trust them at all.

Why would I allow someone to help if it might get them hurt or killed in the attempt?

Why would I bother to let anyone know? When, after SO many years of being stuck in a deep pit of a life, to help me would probably cause WAY more stress and take WAY more effort and resources, than any one person could possibly offer or endure?

Why would I do that?

When someone might decide to try and help, start the process -- decide partway through that it's all too much, and abandon the process: leaving me in a position that is less safe than where I started?

( Hell, sometimes that is an on-purpose thing. When a person feels bad, and knows they can't or don't want to help, but they'll make a gesture to make themselves feel good, not caring whether what they try to do is actually helpful or effective. )

And why would I tell people exactly what I'm going through, when so many around me would instead:

Victim-blame me.

Call me a liar.

Assume I was crazy.

Nod sympathetically and then use it as a way for them to feel much better about how they're doing in their own lives.

Say it's too much, say it's not so bad, or say others have it way worse.

Enjoy my explanation and my existence as a form of entertainment like I'm their personal IRL soap opera.

Or, use the information that I've given them about me as a way to hurt me further -- since they now seem to think that I'm some easy target, or that, in some twisted sense, abusing me further is somehow less morally bad, and more acceptable: because I've been abused before.....

So in their eyes, I'm 'Already soiled'?

'Already hopeless'?

'Already nothing'?

It's nothing to do with moral superiority.

It's survival.

...And I'm not saying it's right.

In an ideal situation, absolutely: being helped at any point in my life would have been great!

A healthier social structure would allow for this.

In a world where care was offered by the Community rather than by the individual, I wouldn't worry about speaking, just to find myself in worse trouble than when the 'helping' process started...

But this ain't a healthy world yet.

^^;

You asked why people feel that way.

So I've told you all the reasons why they might.

YMMV. 🤷🏾‍♀️

who taught you that suffering in silence was noble, and how would you shutting up have benefited them?

[stargirl-russo]

Sailor Song (Alessia Russo x Reader)

Summary: Joining Arsenal WFC was supposed to be the best thing for your footballing career, you were the best female footballer in the world after all. You didn't expect the unexpected longing of a certain blonde that came with it. (Hi! I've never written fan fics before but I was inspired by some I read and thought why not?! i hope you like it, i honestly might delete later or return it to drafts if I can? or even a pt 2??? idk lmk if you want more! enjoy. do I need to add warnings>....suggestive? angst? )

Recalling the exact moment when it happened was difficult to comprehend, maybe because you tried to completely erase the moment from your memory. You felt embarrassed, ashamed, and even a little disgraced with yourself. Why did you have to like another girl, a straight girl, who definitely didn't feel the same?!

Joining Arsenal this season was exactly what both parties wanted - you needed a change in scenery, and they wanted - no needed - a more clinical finisher like yourself. Everyone at the team was especially welcoming, considering your intimidating resume of accolades at such a young age - taking the women's football world by storm. You got on with everyone on the team, especially the Aussies, Kyra, Steph and Caitlin - being Australian yourself. But one particular teammate stood out to you the most, for more reasons than one.

You'd never forget the first day you finally saw and met the Alessia Russo in person, after admiring her from afar for about a year. She was absolutely beautiful, incredibly captivating and alluring. Words couldn't explain how you felt when you saw her at training, or heard her laugh or when she would smile - which was always. The way your heart hammered against your chest, it felt like you couldn't breathe, the butterflies in your stomach erupted like crazy. These feelings, they just felt...right. She made you feel so giddy and happy.

Although the thrill of this girl crush was very exciting, a part of you couldn't help but feel extremely ashamed. You were not supposed to like a teammate, let alone girls. You couldn't help but admire her gorgeous blue eyes, her long lashes, her soft voice, and her long blonde hair as you smiled shyly and shook her perfectly manicured hand, introducing yourself. Her southern british accent made you weak in the knees. "I can't wait to share the pitch with you this season."

You were absolutely certain that no one knew about this infatuation, crush or admiration, or how down bad you were - whatever you wanted to call it - with Alessia Russo. It was just so easy to get along with her, your calm natured and laid-back personalities working well together. Both sharing certain things in common, attending the same college in the US for football at different years, your love for fashion, travelling, and similar music tastes. She was just so sweet, genuine, caring, and just a ray of sunshine - you couldn't get enough. The chemistry you both had was clearly evident on the pitch also, as your styles of play complemented each other perfectly; turning arsenal's season around with each match.

It scared you how you strongly you felt about her, as she probably had no idea about the effect she had on you, and above all, probably didn't feel the same. And now you were going to continue to play alongside her and work with her nearly every day this season. You'd eagerly wait to see your cheerful teammate and greet her happily weekly at training. It was a blessing and a curse, but it was something that kept you going.

Hiding your sexuality was something you had no trouble dealing with initially as you just constantly immersed yourself with the football: whether it was with routine season interviews, the sponsorship photoshoots, the constant training or the glamorous award shows - it kept you busy, a distraction which led to you further cementing your place as the best young women's footballer in the world. It's not anything anyone really expected of you anyway, to like girls. Besides, you never spoke about personal matters to the media, so no one really assumed anything at first. Which was a plus.

You'd constantly make excuses to avoid going out with friends away from football, who wanted to enjoy a night on the town, bragging about the boys they'd make out with at clubs, or the crushes they had on them. Not that you could relate though, but a part of you wished you could feel that sense of normalcy. To fit in, to relate. No one had no idea what you were going through or how you felt. It got harder to find excuses to deny random set ups with guys. Your feelings for Alessia were actually driving you to insanity, you were most likely going through an identity crisis - but you were still in denial.

However, the longer you concealed your true feelings and the harder you tried to deny it, you found it harder each and every day hiding how you felt about the certain blonde. It became more difficult to suppress your feelings, you wanted to talk to someone, - anyone - but you were afraid with how they would react if they found out. Besides you weren't going to embarrass yourself if she didn't even feel the same, what would be the point of coming out anyway right?!

But maybe you should've controlled yourself. You should have ignored her, distanced yourself even. It was fine though, you were just acknowledging that fact she was really gorgeous, and you weren't crushing on her - or so you told yourself. But the not-so-subtle glances at her during the training sessions said otherwise.

The glancing became constant, admiring her whenever she'd move with or without the ball or take a drink of water during break. You just couldn't help but admire her longingly. Thinking of believable excuses when being called out by the outspoken Katie McCabe became more difficult to articulate. You were certain Alessia was oblivious to this, and she was - for the time being.

It was supposed to be a post game interview focusing on the team's accomplishments this current season, given the difficulties the team faced at the beginning of the year. You expected to answer questions about your valuable contributions to the match and the squad, not some irrelevant, personal, stupid, phased, feelings that had nothing to do with football.

The lights were brighter than usual in the media room, you were riding a high after your incredible individual and team's performance. You couldn't stop smiling. Sitting in the media room alongside your captain Kim Little, you felt proud and finally content with yourself. You felt as if you were finally contributing to a team, a team that was winning. A distraction for the time being.

That is, until the question was asked.

You will never forget the way your stomach dropped at the question, the silence in the media room, the smirk on the reporters' face. He knew he struck a nerve as the colour drained from your face, you were no longer smiling. You're not sure why the question was asked or what value it had to the match you had just played, or above all - why this reporter was permitted into the the media room anyway asking such inconceivable questions.

You shook your head awaking from the absolute shock and audacity of the reporter. There is no way this is really happening right now. You were media trained - you got this. Totally.

'Could you please repeat the question?' You asked politely into the mic, besides the fact that your was voice now quiet and shaky as you squirmed in your seat, refusing to look at the reporter. He noticed your uneasy reaction, and pressed on, knowing there is more to what your letting on.

"Can you address the rumours within the women's football community that you currently have romantic feelings for your teammate, Alessia Russo?"

"What?! That's ridiculous. Next question."

Maybe you responded to that too quickly, way too quickly for it not to be suspicious as you dismissed him. To your knowledge, and last time you checked, you hadn't come out, you hadn't revealed how you felt about her to anyone - especially not Alessia, and you were certain someone as beautiful as her was taken - surely.....right?

Your throat was going to constrict, no doubt, your breathing becoming heavier and faster, your ears turning a bright red and your leg begins to bounce. Your eyes dart around the room. "How is this football related?" your captain Kim interjects, sensing your uncomfortable state as you fidget on the spot and find it hard to remain composed. She herself looks confused.

Both your heart and mind race. Who told them? How do they know? Where did they even think of something like that? They can't know. Does Alessia know?

You were widely aware that this post-game press conference was currently live. This didn't make the situation better. "Is there really nothing going on? You seem pretty flustered. Besides, you didn't deny it did you?" He smirked, a chorus of chuckles emerging from around the room.

"Stop instigating." The words pour out of your mouth defensively before you can stop them, let alone even comprehend what is going on. You can hear your heart beat in your ears.

"I'm not instigating anything, just trying to get the truth out of you. Why don't you start being honest? Show the world who you really are."

Your body shakes with frustration and panic, you can't do this anymore. You rush out of the media room, holding back tears of frustration. This is absolutely ridiculous you think to yourself, barging open the door of the locker-room, ignoring the looks from your teammates.

Silence fills the room, you look up at the television, seeing Kim still in the media room - the broadcast was indeed live. Shit. Alessia, along with everyone else definitely saw it. Shit. You freeze up.

Steph, your teammate turns to you "Hey, are you okay?" You refuse to say anything - afraid your voice might crack, further revealing your vulnerability. You refuse to make eye contact with anyone, especially Alessia. Steph senses the inner turmoil your enduring, and gestures everyone out of the locker-room.

You sit there with your head in your hands, as tears threaten to fall. You didn't reveal much in the post-match interview, so everything is fine right? But maybe thats the problem. You didn't deny anything technically - further exposing and embarrassing yourself and probably Alessia. You fail to notice she's still in the locker-room.

You look up slowly, locking eyes. Her ocean blue eyes bore into yours, a glimpse of concern and curiosity. "Can we talk?" She questions softly. Shit

"No thank you, I'd rather not." You say stubbornly, packing your wash bag quickly as she sits down next to you. You had to get out, you had to get away from her.

Alessia is surprised by your nonchalant response. "Lets just talk about this, please?" She says softly in a pleading voice, her eyes looking up, trying to lock with yours.

"I'm sorry." You say quietly, packing your bag and making your way towards the exit of the locker-room as fast as you can. You actually couldn't fathom that this was happening. Is this some sick joke?!

Alessia is concerned and saddened by your dismissive tone, she can tell that this whole situation has negatively affected you and is eating away at you. "Don't be sorry." She says softly, standing up. "It can be hard times, but I just want to understand whats going on. You clearly feel something. Something about me."

You stop in your tracks and turn around to face her, she makes her way towards you her eyes never leaving yours. Your heart aches, and she can see the adoration and the longing that you have for her in your eyes, behind internal conflict and self-hate.

"You're not a bad person. You know that I won't look at you differently." She whispers, pleading with you, trying to lock eyes with yours. "Please don't shut me out. I care about you, so much."

Alessia doesn't wait for a response. She steps closer to you now, closer the distance slowly. Your panting heavily, still refusing to look at her in the eyes, petrified you'd get lost in her ocean eyes. Terrified your eyes will reveal more than your words did in the press conference only moments ago. She can't feel the same. She doesn't.

She gently grabs your hand, interlocking your fingers with her ones. You feel as if you're going to have a heart attack, her touch sending bolts of electricity through your body. She can sense you're avoiding eye contact still.

"Hey, look at me" she whispers, staring at your now very flustered face, looking at you intently. Her eyes filled with concern, worry and something else, something you can't quite make out, something you've never seen from her before.

You still avoid her gaze, until she cups your cheek. You lock eyes with hers and you feel like you could die.

"just, look at me" she whispers once more, gently stroking your cheek bone with the pad of her thumb "thats it, just look at me."

Before you can stop yourself, the words fall out of your mouth in a whisper "i am. how can I not?" You let out a shaky breath at that, noticing her lips curl into a small smile, her eyes following your gaze down to her own lips.

"i know, I know you do, I see you" she whispers in response, moving closer to your face now, both your breaths mingling. Your heart continues to pound, her thumb gently traces your jawline, her eyes locked onto yours with an intensity you’ve never seen before.

Its as if time has stopped. Your heart is pounding so hard against your ribcage you might have a heart attack. But her presence, the way shes looking at you, her voice, her touch—it makes sense in ways you never expected.

And then, just as you think you can’t handle the intensity any longer, she leans in. Were you about to kiss the girl you've been in love with for so long now.....

[kill4luvina]

✧ Never Again ✧

"I got a feeling one of these days You'll be the reason I stay Way you whine, girl, you make me insane"

PossisiveBf!TojixBlack!Reader 

CW - Modern, Overly Possisive Toji, OOC, Toji Smoking, Unprotected Sex, Public Sex, Breeding Kink, Creampie. Probbably more but I’m lazy and not proofread. (I havent posted in so long give me a break.)

Summary: You and your boyfriend of 3 years go out on a date to celebrate when you run into a old friend who obviously can’t read the room. In a hurry to finish the short reunion your boyfriend leaves angrily waiting for you outside the car to ready to take his frustration out on you. 

“Tojii, this place is so wonderfu!” You’d gasp holding onto his arm in awe, as you both entered the dimly lit restaurant. Your eyes glued to the white plaster sculpture of a winged figure riding a horse above you two. Your boyfriend woud smile knowing you loved sculptures and this would be the perfect place to spend you 3rd anniversary.

After being seated , about 30 minutes later you were caught off guard by a figure behind you. You quickly turn to see a bright smile. Gojo, one of your old friends from High school who seemed to have not aged a day over 20. Though you knew he was around 25, you smile back greeting him with a wave. “How are you?” He asked. 

You glanced over to your boyfriend who looked unbothered before bringing your full attention back to Gojo. “Oh I’m doing wonderful, You?” You smiled happy to see him, the last time you two spoke waas at the end of after a trip with your high school friend group. You two soon lost track of time talking for almost 15 minutes! 

You notice Gojo give a strange look before looking around in confusion. You turn to see Toji’s gone, your heart dropping. “I-” you couldnt form words wondering how long he had been gone for, if he left you or what. You struggle to make a sentence before gojo smiles a nods. “Go on, it’s my fault i interrupted.” 

You’d smile, “It was nice seeing you!” you’d say quickly getting up and speed walking to the entrance of the restaurant. Your silver glittery heels slightly slowing you down, which made you quickly take them off as soon as you got outside panicking as you jogged to where he had parked. “Toji?!” You’d call out startled when you didnt see his car for a moment.

“Right here mamas.” He’d answer from a little farther down making you sigh quickly, seeing the smoke from his blund rising into the dark night. You’d slowly walk to the direction of his voice until you saw him standing against his blacked out Lamborghini Aventador. “Toji, I’m sorry I got so caught up in the conversation..” You’d say looking at the ground.

He’d huff ignoring your apology just hitting the blunt, his eyes not even moving in your direction. He’d stand there silently listening to pleas, as you kept apolging, tears filling your eyes as you started to sniffle. Your voice cracking as you came closer to him pulling on his suit begging him to even look at you. 

“Y/n.”  Your heart would completely sink, he only ever called you by your name when you really fucked up. You’d look up at him, and he was now looking down at you. His eyes cold and low as he blew some smoke into your face. The Earthy scent mixed with his La Nuit De L'homme Yves Saint Laurent colonne making you weak. 

“Y-yes?” You’d answer, eyes watering even more scared at what he might say this time. “Mamas, what’d I’d tell you about guys talking to you?” He’d tilt his head, his eyes softening up as he noticed your tears starting to roll down your face. “N-not to pay them any mind, and I’m sorry he was an old friend!” You’d try to explain only to be shut up with a kiss. 

“I’ll let you get away with this one because it’s our anniversary. But you owe me one thing..”

You don’t know what possessed you to let this happen but you found yourself getting fucked agasint this mans car. Lamborghini to be specific, out in a public parking lot. 

“T-Tojii-” You’d whine feeling him drill in and out of your squelching pussy, tightening around him as you heard footsteps nearing. “Shh, they’re gonna hear..” He’d chuckle knowing they were going to see anyway. “F-fuckk. too deep-!” you’d cry as you felt him bury himself as deep as possible. His smirk grew as he watched a couple gasp seeing this. 

You’d let out a loud moan feeling him slap your ass, your dress pulled up to your waist and laced panties in his right hand. “Your being too loud..” He’d whissper in your ear still fucking your now creamy pussy. “How about..” Failing to fight back you found your panties now shoved in your mouth to shut you up, your eyes tearing up in embarrassment as you saw another man walk past. 

Unfortunately for you, it was someone you knew. The person who started all of this, you felt your tears start to pour as you couldn’t stop moaning from the pleasure but the embarrassment was too much. “Y/n?” He’d titled his head to the side in shock, feeling himself get hard before quickly walking off trying to pretend he never saw.

“Toji!” You’d scream muffled by the fabric in your mouth, you quickly spit it out turning back to look at him. He’d without hesitation push your head against the car window, “who’s a good slut?’ He’d ask fucking you even faster as you felt yourself reaching the edge. Your eyes rolling back as he brought one of your legs up to fuck you deeper. 

“Omg! Fuckkk!” You’d cry cumming all over his dick, feeling him thrust into you a few more times before letting his load out in you. “Look at you, a little cum dump.” He’d snicker as he pulled out, giving your ass a little slap before picking your heels & purse from the floor. You’d feel yourself get picked up and gently placed in the car. 

“Never do that shit again.” He’d say coldly before givng you a kiss on your forehead and coming around the to the drivers seat. You’d sit there silently just rethinking your life as you felt yourself drip  your boyfriends cum onto his expensive seats.

Little did the both of know of a few cars down sat gojo in his own car, windows rolled down half way, cum all over his stomach & chest. Breathing heavily with the feeling of embarrassment overwhelming him. He had sat there listening to you, just to get off to his fist? He didn’t feel okay after that one yet he loved every moment of it while it was happening.  

yall should i make a part 2 with gojo telling u to leave ur bf :)

"Bad man looking good in Dior Bad man drip to the core Sport car's parked on the right spot Bad man sleek and you know"

[britcision]

I do also agree with OP, although I am gonna throw in a little reframing

TTRPGs and RPGs in general are games; they work based on chance and mechanics which tend not to change based on what would be narratively convenient, because the game doesn’t know what would be narratively convenient

(Notable exception: Abnimals, Travis McElroy’s game which explicitly includes a pool of My Time To Shine dice, which players can add to rolls they think are narratively important.

The dice still don’t care and will still dish you up all failures, but you do get to juice to improve your odds)

And what this means from a narrative perspective is that all the players and the GM need to be ready for big moments to go wrong. For the vital roll to fail, for the wrong character to get the last hit on a BBEG, for a dramatic and impassioned speech to fall flat

And that’s especially a challenge in a short campaign or series of oneshots, where you can’t necessarily just extend and expand the story until the Grand Finale is actually just a Big Character Moment

But it is still a big character moment

As the McElroy’s say… a failure is more interesting than a success

A failure adds free depth, free angst if you’re lucky!

Because… is anyone actually upset and unsatisfied if the story goes too well? If you succeed in a place where a failure might have been more exciting and dramatic?

The key is the kind of story the players (especially western players) are expecting to tell, and will find satisfying… because again, these are games

We go into them expecting or at least intending to win

This means various things for different games, you don’t play Call of Cthulhu for a happy feel good ending where everyone rolls off into the sunset, but you still want to win

It’s a lot more likely for people to feel it was a narratively satisfying story once they’ve gotten the end they wanted, even if some areas fell flat

And trust me, it’s something my players very much also struggle with; it feels bad when we fail something we wanted to succeed on. It feels worse if we built it up to be a big narrative moment… and it doesn’t work

But that is still a big narrative moment

If you’re going to play a game, where chance and mechanics decide the fate of all your dramatic moments, you need to be prepared to tell at least two stories:

- One where it all goes well

- One where it fails

(Maybe one more for a natural 20 equivalent and the stars quake at your passing)

It is hard to lean into failure, but when we do it… what would have been an unsatisfying ending is now just another twist. Free depth and character development, something to wallow in

And we know that those types of stories, even ones where everything goes wrong and the heroes lose, can be so very satisfying

Just look at the prevalence of whump and hurt-no-comfort on AO3

It’s normal and expected to feel bad and dissatisfied when the story doesn’t go the way you wanted it to, but it is your choice to leave that story as something unsatisfying and feeling bad about it

Every unexpected failure is another microwave to toss your blorbo in

Every moment that falls even a little flat is an opportunity for a genre-savvy quip, for a “well that just happened”, for someone to fall to their knees and scream and re-amp the tension

The key is in the player’s flexibility, not the game’s

Even if you are doing a short campaign… you can imply the rest. Let the story not be over, even if your time playing it is.

Let the beaten heroes be ground underfoot, crawl away from the dungeon, have to work and suffer but grit their teeth and know… so long as they’re alive, they can try again

They can have their revenge

(And then you can run the campaign again later, maybe with the same characters a level or two higher than you started last time, and thrive on the new dark and bitter story)

Or let your past characters be an inspiration, either for friends and loved ones who come to avenge them, or to the new heroes who heard their story and heard they failed, but that’s no reason not to try

Prev is also so right about a lot of modern dnd basically expecting the DM to tell a mildly interactive story live to passive players; it’s definitely one a lot of my players came in with, and it’s part of the problem

To tell a narratively satisfying story, you cannot just passively go along and expect the dice rolls to conform to your narrative

You need to actively engage, embrace the rolls as crossroads in the path of destiny, and be prepared to build the narrative no matter which path you take

You don’t go in expecting the right results at the right time to make a satisfying story; you go in knowing where the key moments will be, and what will happen if you succeed or fail

I have told my players several times, and I’ll tell y’all until I die:

I as the DM am not telling the story

I the DM have made the world, the NPCs, the background and setting of events

You the players are telling the stories of your characters, in that setting

There is an overarching plot that the party as a whole will also be telling the story of together… but not only are the players the ones who pick the theme music, you’re the ones who chose the main characters

There’s a reason a prefab campaign will be different for every group that plays it, even with the same GM

Even if you have no idea what’s coming next in the main storyline, you need to know what is coming next for your character

How you want them to grow, what you want them to learn - and then any unfortunate rolls aren’t a let down or a problem, it’s an opportunity.

Sakura has to learn something important about herself and others before she can ever collect a card - which means something usually goes wrong

She tries and fails, and then looks at that failure and learns from it and grows as a person, and that’s what makes the narrative satisfying

Sticking your feet in and sulking if the game mechanics don’t follow the narrative you want will make an unsatisfying story no matter what game you play

Gleefully and enthusiastically stuffing your blorbo into the blender of fate, hitting Purée, and turning every stumble off the narrative path into its own adventure will give you a much deeper, more compelling, more complete story than you might have expected…

But that’s the fun part

The truest mechanism of an RPG or TTRPG has nothing to do what is written into the rules of the game

It’s your own skill at improv, and if you’ve ever been even remotely stage shy, avoided drama class, or thought improv was hard, let me reassure you:

Improv comedy is not the only improv. You don’t have to be funny

And it’s a lot easier than you might think

So long as you know your character, actually really know them beyond the backstory you created… so long as you take the time to think “well what do they do when things go wrong? What would they give to get what they want? What would it take to force them to do the things they’d never do?”

You can bullshit through basically any situation

Because there’s no rule against playing ahead in your mind

Daydream your character into any situation you think might come up, write the fanfiction version of the perfect narrative in your head, and then do the tragic version. Do the slapstick version. The gritty noire version

Because the greatest secret of improv and playing your own character is that you will never be wrong

Only you define success or failure

So long as you know and understand your characters and can be flexible with the mechanics and the story, you can always build a satisfying narrative

This is a lot more work than just being reactive and expecting the GM to tell a story for you, and just rolling dice and “hit big monster” when prompted

That’s what makes the story actually satisfying though; taking ownership of it yourself

The game belongs to the designers

The story belongs to the players, GM and PC alike

There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.

[hikakuriyyu]

Scream men as a soft yandere (headcanon)

⁎ warnings: jealousy, implied !murder!, posessiveness, female!reader. not proof read.

⁎ summary: how (modern!au) Billy, Stu, Mickey, Charlie and Ethan would act if they were a yandere.

⁎ author note: thank you guys for all the support ! i got one more headcanon and i'll move on from scream. i am writing a anon request right now ! :)

Billy Loomis

If you're out with friends, Billy will casually ''drop by'' to check in, telling you he just wanted to see you. He'll stay close to you, keeping you by his side at all times. If anyone starts to take up too much of your attention, he'll try to put your attention back to him, reminding you that he's there.

While you are out with your friends, you laugh at one of the jokes they made while Billy was sat next to you. A few moments later, he slips his arm around your waist. He flashes a fake smile to your friend before turning to you, ''I missed you.'' He stays close for the rest of the conversation, his hand lingering as a silent warning to anyone nearby.

When you're upset or going through a rough time, Billy will be right there, pulling you close and whispering that he's the only one who understands you, the only one you can be with. He'll listen to you and basically gaslight you into thinking he is the only one for you.

After you vent about your day, Billy gently takes your hand and looks into your eyes. ''I'm here. You don't need anyone else... right ?'' his voice is warm, and the way he looks at you makes you feel like he is indeed the only one who truly understood you. It's comforting. Exactly what he wanted.

He'd always make sure to give slight warnings to people he saw as a threat to your relationship. Perhaps a guy who was staring at you for too long or when somebody gets too close to you for his liking. He'd be very discreet with the warnings he'd give.

When your friend touched your shoulder in a friendly way, Billy catches up with them afterward, blocking their path with a casual smile. ''I’d keep some distance from her if I were you.'' he says in a low voice, his eyes turning cold. The message is clear. No one gets close to you without his permission.

Stu Macher

Stu would always be around you, seeking your attention and approval. He'd act like your personal hype man, getting over excited about everything you do. If he feels like you're not paying attention to him, he'd playfully sulk or even resort to exaggerated antics to keep all eyes on him and you. Because in his mind, no one else deserves your attention except for him.

Stu shows up unexpectedly at your favorite hangout, waving and grinning as he calls out your name. He right next to you, wanting you catch him up on everything he missed. If anyone else tries to talk, he abruptly interrupts them, making sure he keeps your attention on him. ''C'mon, it's way more fun when it's just us.'' he says, giving you that familiar smile.

Stu would have very bad mood swings. He'd be his usual goofy self, but suddenly turn possessive if he someone is trying to come between you. His cheerful nature would return as soon as you give him reassurance, but anyone watching might feel uneasy at how quickly his mood changes when it comes to you.

You're chatting with someone when Stu suddenly pulls you aside, his expression a little darker than usual. ''What's so interesting about her ?'' he asks, trying to play it off with a laugh, but there's a hint of edge in his tone. Once you reassure him, he relaxes, grinning and wrapping an arm around you, back to his usual self as if nothing happened. But you catch the dirty look he gives the person you were talking to before you leave.

Stu would joke around about ''keeping you all to himself'' or make comments about others ''getting in the way'' but there would be a hint of seriousness in his tone. While he'd brush it off as a joke, his possessiveness would be clear, especially when he laughs just a little too long.

Stu drapes an arm over your shoulder, watching as someone tries to approach you. With a laugh that's just a bit too loud, he mutters, ''They better watch themselves, huh ? Wouldn't want anyone getting in our way.” He grins, leaving you wondering if that was really joke.

Mickey Altieri

Mickey would have a habit of watching every little detail about you. He'd know your class schedule, your favorite spots, and even memorize your favorite foods. If you happen to change your plans or mention something new, he'd be the first to know. He'd never directly admit it though.

You're surprised when you mention a new movie you wanted to see, and Mickey immediately pulls two tickets from his pocket with a casual grin. ''Already got us seats.'' he says smoothly, as if it's a total coincidence. But the way his smile tells you he's has been paying very close attention. Maybe closer than you realized.

Mickey would always be on edge when it comes to your safety. He'd insist on walking you home, sending texts about every 5 minutes, and questioning anyone who gets too close to you. If he senses someone is giving you unwanted attention, he'd intervene. And the person he said he'd ''talk to'', mysteriously disappears the next day.

Walking together after class, you notice Mickey glancing over his shoulder every few minutes, his arm wrapped firmly around your waist. When he noticed someone was looking at you for too long, his grip tightens on your waist. ''Some people just don't know how to mind their business.'' he murmured to himself, already planning to take care of the person.

Mickey would be very intense in his affection, doing anything to prove how much he cares. He'd bring you gifts or show up unexpectedly just to remind you he's there. But beneath the charm, there'd be vulnerability in his gestures. Like he's afraid of losing you. His entire happiness relies on keeping you close.

One evening, Mickey shows up at your door with a small gift bag and that charming smile of his. Inside, it's filled with little things that only someone who really listens to you would know you love. He shrugs casually. ''Just thought you could use a pick up.'' His eyes are so fixed on your reaction that it feels like he's studying every expression, almost as if he needs the reassurance of seeing you happy.

Charlie Walker

Charlie would secretly collect stuff from things you had lying around or things you've touched. A pen you dropped on the grond, your hairtie, even a napkin you used. He'd tuck these away like small treasures, creating a hidden shrine that only he knows about.

You leave a study session at Charlie's place, and after you go, he carefully picks up the pencil you left behind. With a soft smile, he adds it to a small, hidden box in his room, where he keeps little things that remind him of you. He runs his fingers over the items, each one carrying a memory that makes him feel closer to you.

Charlie would stalk on you. Like following your social media or always knowing where you are. He wouldn't comment much, just liking posts But he is always aware of what you're up to, but never enough to be obvious about it.

One night, you post a picture at a new restaurant. Within moments, Charlie texts you, asking casually if you're enjoying the food. ''Didn't know you liked that place. Let me know if you want company next time !'' he writes, acting as though he just happened to see it. You don't know, but he already knew exactly where you were.

He'd frame his actions as concern, subtly making you rely on him by helping you with homework, offering to lend his favorite books or movies, or even inviting you over under the guise of study sessions. Over time, he'd make it seem like he's the one who understands you best, all while gently isolating you from others.

You mention struggling with an assignment, and Charlie offers his help, insisting he has all the right resources. As you work together, he subtly dismisses advice from other classmates, saying things like, ''They just don't get it like we do.'' His calm reassurance makes you start to rely on him more, and bit by bit, you feel like he's the only one who truly understands your needs.

Ethan Landry

He would always be by your side, no matter where you go. Whether you're at school, walking through a crowded hallway, or sitting in a library, his presence is constant, a shadow that never leaves.

You're sitting outside, trying to get some work done, when Ethan slides into the seat next to you, his shoulder brushing yours. He doesn't say anything at first, just sits there, his hand resting inches from yours. When you glance at him, he smiles softly, eyes fixed on you. ''You okay ?'' His voice is calm, but his gaze lingers, as if he’s waiting for you to give him your full attention. It's like he doesn''t want to leave your side, not for a second.

Ethan is the perfect boyfriend in public: soft, gentle, and attentive. He'll bring you your favorite coffee, ask about your day, and always make you feel cared for. But behind closed doors, his thoughts are far more twisted. If he sees anyone he doesn't like you to be around, he would go as far as killing them. Just for you.

Earlier, a guy from your class was annoying you on purpose, trying to get a reaction from you. Ethan glared at him, his fists tightening in anger. A dark thought crosses his mind. “Don't worry, he won't bother you again.'' The sweetness in his tone doesn't reach his eyes. They're colder now, calculating. You don't realize it, but he was planning something much more sinister than you would ever expect.

Behind closed doors, Ethan would have photos of you, recordings of conversations, even small things like your handwriting on scraps of paper, all kept in a hidden journal. It's his personal shrine, a way to relive every interaction with you in obsessive detail. If anyone ever found it, they'd realize just how deep his obsession is.

You enter Ethan's room for the first time, and something feels off. His walls are covered with posters, but there's one section with pictures of you, some taken from far away, others shots from class or during lunch. You freeze, your heart racing. Ethan notices your reaction and walks over, a soft smile on his face. ''I just thought they were pretty.'' he says casually, as if it's nothing. ''Don’t worry. You're safe with me. I'm just making sure I never forget you.”

[fancygremlin]

Arthur and John each have a moment in the narrative where one perform a "leap of faith" and the other saves them. Both moments are quite interesting and serve to help the characters realise thay are no longer alone and that they can truly rely on one another (full analysis here, if you're interested).

However, I think there is a third "leap of faith" that occurs way later on... however this time the focus is neither John or Arthur, instead the character being saved is Noel.

Just like Arthur and John, the detective was forced to learn to be independent and self-reliant to ensure his own survival. He was separated very abruptly, and subsequently lost his only friend before being stuck in the Dreamlands. He was completely on his own against the King in Yellow, who tortured him relentlessly and cruelly for months. Noel was then carelessly spit back out in Arkham, traumatised and alone, and had to rebuild his life back up without being able to rely on anyone else.

How could he ever hope to explain all the horrors he was subjected to when no one could ever even begin to understand half of what he had to endure?

But then, years later he meets John and Arthur, and it seems that they can and do understand him. Noel allows Arthur to share his experiences in the Dreamlands... and the detective allows himself to finally recount his story too.

Then, in Part 40, Noel infiltrated a cultist base with John and Arthur and everything goes sideways. His trust in the characters is momentarily broken when John's real identity is revealed to him. Noel is then weakened by reliving his experience in the Dreamlands and nearly loses himself as the King in Yellow once again controls his mind and nearly kills him...

Noel takes a leap:

Noel was the first character that not only knew about Arthur and John's sharing a body situation, but also the first that wholly accepted them and tried to understand them better. It's only right that both Arthur and John reached out to help him and save him when he nearly lost himself.

As a side note, I think it’s really interesting how Arthur kept calling him out using his real name (Charlie), while John tried to reach him using his chosen name (Noel) during this scene. It's such an excellent, little detail which I really enjoyed.

I like to think that the use of both names is because just as Charlie/ Noel accepted both John and Arthur both as a unit and as separate people, the two characters are doing the same by accepting and recognising both the detective’s (past and present) identities as well. They decide to accept and save any and all versions of Charlie/ Noel.

Of course this is not the only interpretation. For example, the use of one name or the other might reflect how John and Arthur are recognising core parts of themselves within Noel/ Charlie instead.

John is calling the detective by his chosen name because he is honouring Noel's choice to start anew. Noel had been hurt in every possible way and reduced to nothing after his experience in the Dreamlands. The detective found that the only way to move forwards was by leaving all the (too far) damaged parts of himself behind and try to create a new self. A clean slate and new name for a new beginning to start a better life somewhere new. He needed to leave his past behind and forget the parts of himself he didn't want anymore. That was what John did too when he dissociated from the King in Yellow and began forming his own identity.

On the other hand, Arthur is calling the detective by his real name because he is honouring the person Charlie was in the past. Charlie was the part of himself that he left behind because he deemed too damaged and too ugly to salvage. Arthur drags behind his past mistakes like deadweight, he carries all the guilt and sorrow with him wherever he goes. He wants to believe that all the hurt, all the damage and all the scars he deems as the ugliest parts of himself don't make him an utterly repulsive and unlovable monster. I think he is trying to demonstrate that Charlie is just as worthy of being saved as Noel is, weaknesses and broken parts included.

Hm, and I seem to have gone off a giant tangent here... I shall stop blabbering now before I completely lose track of what this analysis was supposed to be about.

[puzzled-pegasus]

Percy and Paul headcanons because I need something sweet rn

The first time Percy called Paul dad was accidentally and they both looked at each other like 😧 and then paul gave percy a big hug and probably told sally really excitedly later

Paul texts very professionally and in complete sentences like a nerd. "Hello, Percy, I hope you are having a good day. Have you gotten your mom a Christmas gift yet? Also, do you have any ideas for what she might like me to get her? Thanks. 😊"

He goes to all of Percy's basketball games that he can and probably tries to play with him sometiemes idk I think that would be cute if they shot hoops together

This is more canon than headcanon but I feel like we all just collectively forgor that Paul has taken Percy crabbing before 🦀

Also imagine being a step parent and the bio parent is a literal god like how do you deal with that you'd feel so incomparable (although Posiedon is of course kinda deadbeat so oh well Paul wins that one)

Paul helping teach Percy how to drive

Sometimes when Percy asks his mom for help with something she's like "oh honey can you help him I'm busy" but she's actually just sneakily getting them to bond >:)

Omg imagine there being an argument and then Paul comes and apologizes to Percy and Percy with the Gabe trauma is like :000 wtf a grown man apologizing to Me⁉️

I think Percy would talk to Paul abt cars and paul tries to engage but he doesn't actually know that much abt cars lol

[rainbowcrystal35]

this got me thinking about a Wu x Ras AU so here’s my word vomit about it ( sorry if it doesn’t make sense it isn’t in any order) ( I might add to this future but knowing me I I’m probably not going to )

I’m going to call this AU Ras’s bride AU

Wu has amnesia like Jay but instead of Wu at the administration and having Ras saving Wu like Jay

Wu is there with Ras from the beginning (and what if they also married)

Wu is there with Ras all the time write beside Ras or on his shoulder ( Wu just sitting on Ras’s shoulder like it’s completely normal And Ras carrying Wu like he weighs nothing at all )

Wu’s wearing a outfit that covers everything so nobody can tell who he is and Wu wears it by his own will ( Ras doesn’t care what Wu wears if Wu wants to wear it )

And Wu doesn’t speak to anyone but Ras and Jay , Cinder , jordana so the ninjas or Ras allies have never heard Wu speak when Wu speaks to Ras in front of people Wu whispers in Ras’s ear

When the forbidden five tries to turn on Ras Wu tells his love what the forbidden five or trying to do

Also because of the inherent trust Wu has for the ninjas( explanations about the inherent trust is in “ More about Wu’s amnesia” ) Ras pacifically went after Jay to make Jay into his student before the ninjas got to Jay first

when Ras brought back Jay to Wu everything was normal but after a few days later Ras realized Jay became their son

Ras is confused how he and Wu has 3 children now but isn’t opposed to it so he just goes along with it ( Wu can adopt faster then Ras can realize ) (Wu and Ras Children: Cinder , Jordana , Jay)

Wu is will absolutely destroy the one who possessed Jordana when Wu gets he’s hands on her

When jay loses to Nya in the Tournament of the Sources he doesn’t leave it instead Jay goes to Wu and Ras and apologizes for losing to one of their enemies and before Ras can yell at Jay for losing Jay gets scooping into Wu,s lap ( Wu does the same to Cinder to when he loses to Sora ) when Wu does that Ras just looks at Wu and gets glared at by Wu and Ras just sight at that and went back to watching the tournament

Cinder and Jay doesn’t get corrupted by Rox ( The one who possessed Jordana) like the Wolf Mask Warriors because their right next to Ras or Wu

More about Wu’s amnesia

Wu doesn’t remember anything even his own name and when he woke up he looked very different because before the amnesia he used to change his appearance (by using his oni shapeshifting )to look much older and wiser and to also hide his many many scars (Ras and Wu doesn’t know his master Wu)

Wu wears a outfit that covers everything because he doesn’t like all his many scars because it reminds him that he doesn’t know who he is or how he got his scars 

and when Wu fights the ninjas he tries to not hurt them as little as possible because something in him tells him to trust the ninjas but the ninjas are his husband’s enemy so Wu’s very conflicted and confused about the ninjas ( Ras knows this and doesn’t try to discourage Wu to learn as much as possible about the ninjas allies and the ninjas themselves Ras is also trying to help Wu to figure out his true identity before the merge to so Ras sometimes try's to provoke the ninjas into telling information that can help his lovers research )

DR S2 but...

[ofstarsandvibranium]

Pull the Thread

Fandom: Marvel (Mob Boss AU)

Pairing: Bucky Barnes x F!Reader

Summary: You and Bucky used to be so in love and so… ignorant of the roles you had to play, which lead to you breaking up. But that didn’t seem to keep you away from each other since you now act as Bucky’s nurse whenever he gets hurt. Based off my mini fic here.

Warnings: mentions of child death

Stitched Together | Bucky Barnes Masterlist

When you wake the next morning, Bucky and Sam are gone. Their sleeping areas are made up and a note is left on your kitchen counter.

Thanks again.

See you around.

-B

PS. call me if you ever need anything

Beside it is a cup of coffee and a stack of bills. You count it out and chuckle in disbelief. Bucky left you two hundred dollars for helping him out.

You grab your phone and type in Bucky's number. You insert a picture of the money along with the text:

You: you didn't have to pay me.

Bucky: I wanted to. For disturbing your night and for your work.

You: It's fine, but thanks anyway.

Bucky: Hope you have a good day, sweetheart. :)

You pause. Sweetheart. You can't help the way your heart beats a little faster when you read that word. He used to call you that when you two were dating. It was never "babe" or "honey". Always "sweetheart".

You feel conflicted. You want to scold him for calling you that...but you also really miss being called that by him.

You decide to not respond back at all, since you still need to eat before you head into work.

_____________

Bucky shows up at your place again a few nights later. This time, he's alone and with a bullet graze on his side.

You frown at him as you let him into your apartment, "Is this going to be a habit of yours?"

He snorts, "You think I purposely get hurt just to come and see you?"

You shrug, "I don't know, Buck! We don't really know each other anymore, so I'm not sure what you'd do!" you snap at him. He looks at you with surprise and you sigh, "Sorry. It's been a long day and I wasn't expecting you."

"I can go. I'll-I can find someone else to help me."

"No. You're here already. Might as well get it over with." You gesture to the couch and he sits down as he waits for you to come back with your first aid kit.

Bucky starts to rethink things. It's true that he didn't purposefully get shot at so he can see you. But he definitely didn't hesitate to start heading to your place as soon as things were handled. He just misses you.

You come back with gloves on. You have Bucky take off his shirt so you can fully assess the wound. Just a bullet graze. He lays on his other side as you clean his wound.

Again, you work in silence. You're focused on getting this done quickly and efficiently so you can go to sleep.

As you dress his wound, you say, "You should get some antibiotics or pain relievers so it doesn't get infected or if the pain becomes too much. Change the dressing often. Make sure there's minimal movement."

He nods, "Alright. I can do that."

You help him sit up and pull his shirt back on.

Once he's dressed, Bucky looks up at you, "Maybe you and I could make an arrangement."

You look at him with a cocked brow and he stammers “Not that kind of arrangement! Business! Strict-Strictly business. You take care of me and my people when we get hurt. I pay you for your efforts and we’re out of your hair until the next time.”

"...I don't know, Bucky."

"We'll be discreet. I promise. I'll make sure everyone knows not to blab about you and to only come if it's an absolute emergency."

"I'm sure you can find an actual doctor or something to help you. Why me?"

"Because I trust you."

"Bucky, my dad is the chief of police. You shouldn't trust me."

"I know you wouldn't tell your dad. Because despite how long it's been, I still know you care about me."

You cross your arms over your chest and look at him defensively, "And how do you know that?"

He gives you a cocky grin, "Because you wouldn't have helped me that first night."

"I was doing my civic duty. I'm in the healthcare field. It's my job to help people no matter where they come from."

"Okay. Fine. All I'm saying is that you do good work and I don't want anyone else fixing me and my guys up, but you. And, of course," he pauses to pull out his money clip, picking out a few hundred dollar bills. He holds it out to you, waiting.

You weigh out your options and then take the money. You agree, because, despite what your father tells you and how Bucky treated you in the past, a part of you still loves him and will always love him.

"Alright. I'll do it. Just let me know when you're coming just so I'm not surprised every time there's a knock at my door."

"Will do," he mumbles, grunting as he stands to his feet, "Get some rest. I'm sorry you had a shitty day."

"It-It's fine. I just-" you pause and start feeling choked up. You let out a sob and you lean forward, burying your face into Bucky's shirt.

His arms immediately wrap around you in a protective, comforting hug, "I got you, sweetheart. It's okay. Let it out." His heart breaks when he hears your muffled cries.

"We lost a patient today. He had cancer. He was only eleven," you mumbled into Bucky.

His arms around you tighten, "I'm sorry, sweetheart. That's heartbreaking. But I'm sure you did everything you could to make sure his last moments were good, right?"

You slowly nod and step away from him. You wipe at your eyes, "Shit, sorry. I didn't mean to-"

"It's okay, Y/N. Cry on me whenever you like," he gives you a soft smile, "You gonna be okay?"

"Yeah. I've just been keeping that in all day. Thanks, Bucky."

"No problem. You're a great nurse, Y/N. I just know that those kids are lucky to have you take care of them. I know I am." He kisses your forehead, "'Til next time." He murmurs before heading to the door.

"Hopefully, not any time soon."

He shoots you a grin, "No promises." With a wink, he's out the door. You go over and lock it in place. You lean against it and let out a long sigh. Your heart is beating fast again.

_________________________

It's one of those nights where you dad comes over after a shift and you two have dinner. Neither of you felt like cooking, so you ordered takeout instead. You eat out of the styrofoam containers at your small dining table, pausing in-between bites to chat.

"Work's been okay?" your dad asks before shoveling food into his mouth.

You swallow your food, washing it down with water, "Yeah. We lost a patient earlier this week and I-I can't seem to shake it."

Your dad nods in understanding, "I get it. It's never easy and it never gets easy. And you can't even do anything but continue working after it happens. You gotta push through it. In our line of work, it's important to care for others, but also important to care for yourself too. Got that, bug?"

"I know, dad. Thanks. What about you? You said earlier that work's been super stressful lately?"

Your dad gives an exhausted sigh and leans back in his chair, "Yeah. Been working closely with different units. For years there's been word that the Barnes Family has been the head of several crime operations happening around the city. They've been good about keeping their tracks covered, but since George Barnes' passing, I'm hoping to see his son slip up." Your dad gives a disappointed shake of his head, "Still can't believe you were friends and dated his son."

"He wasn't a bad kid, dad."

"Yeah, up until he started being a prick to you. Good thing you broke things off with him when you did."

You slowly nod, "Yeah. Good thing."

___________________________

You hadn't seen Bucky for two weeks, but he'd been texting you here and there during that time.

He sent you pictures of dogs he'd seen while out and about, would ask about your dad, even ordered food for you when you said you were too tired to eat. It was really sweet and kind of him, but you couldn't help but still have your reservations about Bucky.

Did your heart skip a beat every time you received a message from him? Absolutely. But were you still anticipating on the day he'd turn around on you again? Yup.

You kept things friendly, but also not too friendly. You didn't indulge in anything too personal or detailed. For all you knew, Bucky could be using you to get information about what your dad had on him. As much as you wanted to think Bucky wouldn't do that, you had to keep yourself accountable and aware.

[lovelaetter]

Chaewon having breeding kink and havinv toxic marriage then getting fucked over over again but making sure not to have a child ore but loves edging her g!p reader imoregnatjng her cause she knows it gets g!p reader off and drippin out of her pussy because of too much cum

not even being married yet! just being in this awful on and off relationship for so long, you can get enough of each other, that every time both of you tell your friends “we broke up, for real” they just roll their eyes because yeah, sure, they used to it, there’s the ongoing joke you’ll end up married with three kids and a dog, white picket fence house and everything. that classic annoying ass couple, everybody knows one.

pussy so good that even after breaking up you keep showing up at her door just to have some :/ face against the pillows or any other surface, drooling and everything, cute ass in the air side to side to tease you and she still acts all bitchy, kicking you, saying “nooo” in a faux annoyance voice and wiggling away from your hands as you get your fingers wet enough in her own cunt to play with her ass, chuckling and kissing her neck and shoulders because you just know she loves it. she totally slaps you in the face too if she can, all she wants is to hear you calling her a “crazy cunt” or something along these lines and will do everything to achieve it, every single time. acts like she hates the fact of you not wearing a condom, muttering “just fucking pull out this time!” but by the end, after an orgasm and with you still rolling her clit between fingers, saying you’ll have to cum inside her, she feels so warm, asking if she doesn’t feel empty, all she can do is nod blindly and spread her legs further for you.

later you both lay there wasted, her playing with the cum sliding out of her, complaining about how you’re “such a bitch! i told you not to” and you’re just like “keep whining and i will do it again” and knowing her brat ass she might keep whining just for the funsies…

also, although she likes to pretend she hates it, her breeding kink level is just straight up baby trapping talk. she will be riding you for dear life only to slow down suddenly, arms around your neck, pouting, “you know, maybe one day i’ll end up pregnant for real and you’ll be stuck with me forever… and i bet you would love that secretly” and it’s instant reaction, like black magic, her pussy grips you like a vice, no pulling out this time even if you want to.

i love crazy bitch toxic brat chaewon save me crazy bitch toxic brat chaewon

[half-oz-eddie]

I didn’t know I wanted you (Until I couldn’t have you)

Part 4/5 (master list)

“Buck?” Eddie called out to a very distracted Buck. “Something wrong? You’ve been looking at your phone all night.”

“I-I’m always on my phone.” Buck nervously laughed.

“Sometimes…” Eddie nodded. “But not this much. Did you find a substack or something?”

“Uh…yeah.” Buck lied. “Just doing some deep diving.”

Eddie snickered in response, shaking his head. “Of course you did.”

Actually, Buck was checking his phone waiting to hear from Tommy about his date.

As the night went on and it was nearly midnight, Buck assumed the date went really well and Tommy took this mystery person home, or vice versa.

The following morning, Buck didn’t bother to text Tommy and told himself he’s probably sleeping in or spending time with his date.

When Tommy finally texted back, Buck unlocked his phone within seconds, eager to read the text.

He…? Not that Tommy needed to come out to Buck, because Buck’s cool. Totally cool. He’s an ally. He has queer friends. It shouldn’t even be a big deal that Tommy’s revealing this information to him.

Oh God I hope that didn’t sound too forward.

Tommy took Buck to a taco bar and Buck asked about his date, trying not to sound like he was prying for information.

Tommy’s responses were brief and vague.

Guy’s name is Edgar. He’s 42. Works in accounting. Loves the outdoors and mountain biking.

He sounds boring. Buck thought. But he liked all the stuff Tommy liked. He was even a trained pilot and he knew some Muay Thai.

Maybe he’s more interesting than me. Buck negatively thought.

“S-so you guys are gonna go hiking?”

“Yeah, I was thinking of taking him up the trail we went to. I know it pretty well and it seems like a great spot to go.”

Buck felt like his heart exploded in his chest. He felt like his soul was going to leave his body. Even death would have been kinder than this. “O-oh yeah? That’s cool. He’ll love it.” Buck forced out with a fake smile.

Tommy nodded. “Hope so.”

“Yeah, it’ll be pretty romantic. Especially if you end your hike by the picnic area an hour before sunset, when the sun is low and it creates this nice warm light. They-they call it the golden hour because the sun, it—it’s golden with a warm, reddish—“ Buck laughed to himself. “Sorry I know it’s your date, I-I was just—“

Tommy shot buck a fond smile. “I think that might be a little too romantic for a second date. We’re still getting to know each other.”

“Oh—ah—yeah. Y-you’re right.” Buck nervously chuckled. “I guess so.”

Sure, it was just the very beginning of their dating stage, but it felt like the end of the world for Buck, and he just couldn’t figure out why.

But boy, did it hurt like hell.

A week later, Buck found himself complaining to Eddie and Maddie in a separate group chat he’d created for just the three of them.

Buck realized he was starting to sound a bit insane and deleted the entire message.

He didn't want to say that either. He didn't agree with Maddie. She wasn't wrong, she just didn't understand the sort of...friendship they had.

Buck glared at his barrages of texts, hoping he didn’t sound too eager or too annoying.

Buck put on one of his best shirts and threw on his apron and immediately started prepping for dinner. He was so excited to finally see Tommy again and cheer him up that he couldn’t stop smiling.

He rented Love, Actually to stream, curated a playlist of some of Tommy’s favorite songs, and even mixed up some boxed cake mix.

He didn’t have any frosting, so he hoped strawberry preserves would do.

He wanted this evening to be perfect for Tommy, so he could forget all about the cheating bastard that wasted his time and possibly broke his heart.

The thought of Tommy having a broken heart nearly shattered his own. He needed to fix it. He needed to let him know that he would always be there for Tommy, like Tommy was there for him.

Buck texted Tommy to let him know the door was unlocked for him.

Tommy welcomed himself into Buck’s apartment. Buck looked up from the counter, a wide ecstatic smile painted on his face.

“Smells amazing in here.”

“I hope so. I’m just throwing a few things together. It won’t be perfect but—“

“It’ll be perfect. It was more than I could’ve asked for. Thank you for all of this.”

Tommy’s eyes fell onto the cake on the counter. “You even baked a cake?”

“Uh yeah, but I don’t have any frosting. I hope strawberry preserves are—“

Buck glanced over at Tommy as he was helping himself to a slice of cake, slathering the strawberry preserves on top.

Tommy shoved a generous helping into his mouth, glancing up at Buck with wide eyes. “Sorry. Did you want me to wait until after dinner?”

Buck laughed, shaking his head. “It’s fine. Whatever you want.”

“It’s good cake.”

“It’s just from a box. I adjusted the recipe a little bit to make the cake more moist and flavorful—“

“It worked. This is delicious.”

“Good. I’m glad.”

They sat down and ate dinner, laughed and caught up on daily life outside of Gerrard and definitely outside of Edgar.

They watched Love, Actually and finished off the night with some beers.

“You’re right, Tommy. This is some really good beer.”

“Mhm. I told you.” Tommy paused to finish his beer. “Thank you again, Evan. Tonight was…really fun.” He smiled. “Really helped take my mind off—“

“You don’t have to think about him, Tommy. I’m here for you. You don’t have to feel alone.” Buck realized how strange his statement may have sounded. “You’ve also got all our friends at the 118 too.”

Tommy nodded with a small smirk. “I know.”

There was something odd about the sound of Tommy’s voice. Perhaps he was looking for something more. Something Buck just couldn’t give him.

But Buck, somehow, still wished he could give him everything.

[itsnotmourn]

SPOOKY MONTH OC INTERVIEW MEME

this is intended to be "in-character"; you answer as if you are your character OR like a story/narrative! you don't have to though. send a number to the user/reblogger (if they ask for it) for them to answer the question!

you might notice that there are alternative questions under the same number. you can choose one that suits your character OR answer both if it applies!

there are also questions that are for certain characters, so be sure to mention if your character is non-human or cultist, etc.! it is also up to you whether your OC is answering honestly or not! ;]

for any clarification, please see the "read more"!

GENERAL

1. Who are you? Describe yourself in a few words!

2. Where did you come from? Were you born in this town or did you move here, etc.?

3. How’s your family? If they’re still around, what relationship do you have with them?

4. Do you celebrate “Spooky Month”? If you do, what is your costume?

5. What's your favourite type of candy?

6. Who are your friends in this town? (other spooky month oc's can be included!)

7. Are you dating anyone right now? If not, are you interested in a partner later in life?

8. Do you work? If so, what/where do you work as, and is that your dream job? (IF OC IS A CHILD) What do you want to be when you are older?

9. Has two certain kids ever caused you trouble? Or are they friendly to you? I think they call themselves Skid and Pump.

10. Pick 1–3 different characters from this generator. If you know of them, what are your thoughts on them?

11. What is your opinion on the town's current mayor, Narciso Evermore?

12. What is your opinion on the overall police force? Reliable? Reckless?

13. The town is a bit dangerous from time to time. Can you fight? Can you protect yourself? Are you willing to kill?

14. What is your opinion on monsters/the supernatural? (IF OC IS NONHUMAN) What is your opinion on humans?

15. Do you know of (or have seen) the group of people who wear red robes? Any thoughts on them?

16. Have you seen the two big stars in the sky? It’s pretty cool, huh?

IF OC IS A CULTIST:

17. Can you share with us why did you join this group?

18. Since joining this group, what is your view on the towns(people)?

19. How involved are you in this group? Do you do anything, or do you seek recruits or are willing to... work behind the scenes, etc.?

20. How loyal would you say you are to your leader/The Eyes?

- - - - - -

Because this is like an interview, the questions are written rather vaguely with implications, so it's up to you to write as of your OC notices the implications or not.

Here is some explanations to help you answer!

For 10, some monster characters are included because while your character might not KNOW them, they might have SEEN or HEARD of them... heh

For 11, this is more about Evermore as a Mayor rather than a person; however you can interpret it as however you want!

For 15, the red robes is referring to the cult/cultists.

For 16, this just depends if your OC just sees it as regular stars, or knows it as The Eyes, or something like that.

For 19, "work behind the scenes" implies if your character would get their hands dirty AKA hurt others for the cult... like Ignacio! Or the group of cultists that targeted Father Gregor!

For 17–20, I say "group "because not all cults consider themselves as cults but rather another church or religious group, and cult members don't recognise they are in a cult either. WE know it's a cult; the characters (unless they are journalists or knows people in it) may not ;]

[obitez]

Three Words

Another Buck/Tommy fic! (Not a Bean one though, one will be out soon 😉)

Summary: Tommy has been waiting months to hear Buck say those three words. (I love you)

~~~~~~~~~~~~

When they first started dating, Tommy told Buck that they could take their relationship at whatever pace he wanted. 

And he meant that wholeheartedly. 

Sure, things got a little rocky after that first date, but they got through it. It was all cleared up by the second. 

They were going strong. Their relationship was going strong. Their relationship was going places Tommy had never thought it would go. 

Further than Tommy thought his pathetic love life would go with anyone. 

After their second date (if you could call it that), at the coffee shop, they sort of came to an unspoken agreement that they would go at Buck’s pace. Tommy just hadn’t expected that to mean they would be fucking each other in bed less than 24 hours later and Buck would be dragging Tommy around Maddie and Chimney’s wedding. (No one had told him that Buck’s sister was engaged to Chimney!)

Both Eddie and Bobby had told him that Buck liked to do things fast, he didn’t really understand how fast they meant at the time, but he had no problem with it. 

Later, Hen and Karen might have threatened him a little at the medal ceremony, but backed off when Tommy told them he was going at Buck’s pace. 

So for the next six months, that was what Tommy did, go at Buck’s pace. When Buck wanted to introduce Tommy to his parents, he went ahead with him. 

When Buck gave Tommy a key to his loft, Tommy gave Buck a key to his house. 

When Buck asked if Tommy minded if Jee joined them on their hike up a mountain because both her parents were called into a shift at the last minute, Tommy carried her on his shoulders the entire way. 

When Buck hinted at wanting to move in together, Tommy was quick to tell him that he would start moving the furniture in his house for when Buck was ready. 

Tommy was fine with going at Buck’s pace. Really, he was. 

There was just one thing though. 

In the last six months, he had fallen hard for Buck, and he meant hard.

He didn’t think that any of his past relationships have even gotten close to how he felt for Buck now. 

He loved Evan Buckley, from his little birthmark on his adorable face, to his marvelous body, to his penchant for research binges, to his laugh, to his cooking skills, to his everflowing loving heart for everyone around him. 

He loved Evan Buckley, now he just needed to figure out how and when to tell him. 

He thought about how and when to do it for so long, Tommy started questioning himself. 

What would Buck do if Tommy said it? 

Tommy had told Buck he would go at Buck’s speed? What if this was too fast for him? This would bring a new stage to their relationship. What if Buck wasn’t ready for this? Should he just wait until Buck was ready? Until Buck said those three words first? 

He eventually over-thought it as he did a lot of things like this, over-thinking it enough, they reached and passed their six month anniversary. 

🔶 🔶 🔶 🔶 🔶 

The ending credits of Jurassic Park scrolled past on the screen, Tommy looked down at Buck’s head resting on his chest. The man was passed out and spread across him. He swore that would be the last time he let Buck pick a movie out, he always fell asleep halfway through them. Tommy always told himself that everytime this happened, but he always let Buck pick out the next movie anyway.

 Tommy smiled and continued slowly rubbing the hand that he had on Buck’s back. He blinked and then looked at the clock across the room. It was late, neither of them had work the next morning, but they still had plans. He needed to get to sleep soon. The remote to turn the TV off was in reach, but the lightswitch to turn off the overhead lights? 

In instances like these, Tommy really wished he had Buck’s ability to fall asleep no matter the lighting conditions. It was too bright for him right now. But at the same time, Tommy knew his boyfriend was a light sleeper. If he got up now to walk the three feet to the lightswitch on the wall, Buck would wake up and it would be at least an hour of activities before either of them went to sleep again. 

Maybe he shouldn’t listen to Eddie and just bite the bullet and buy a Hildy. Those things can’t be that bad. He’d be able to ring it up to turn off the lights without getting out of bed. 

Tommy carefully got out of bed, moving the pillows around to disturb Buck as little as possible. 

He wasn’t successful.

“Tommy?” Buck’s sleep filled voice asked as Tommy flipped the lightswitch to send the room into darkness. 

“Shh,” Tommy hushed. “Just turning off the lights, go back to sleep.” 

“Hmm,” Buck hummed unhappily as Tommy returned to bed, getting under the covers as pulling Buck back to where he was sleeping on his chest. 

It was quiet for a couple moments, Tommy was just about to fall asleep into deep oblivion when he heard Buck speak. 

“I love you,” Buck mumbled into Tommy’s ear. Hearing those words, Tommy tensed and turned his head to look into Buck’s eyes. He couldn’t exactly see them right now, it was too dark, but he could feel the stare. 

Those weren’t words Buck mumbled half asleep or only half paying attention. He meant those words. 

He loved Tommy. 

“Oh, thank God,” Tommy mumbled as he angled his neck and kissed Buck on the top of his head. 

Buck hummed in slight confusion and he went up onto an elbow and looked down at Tommy, silently asking for an explanation of what Tommy meant by that comment. 

“I’ve been waiting weeks for you to say that,” Tommy said as he sat up and quickly moved around Buck, pinning him onto the bed lying on his back. 

“Oh?” Buck hummed, taunting him. 

It seemed Buck would be getting exactly what he wanted that night. 

Tommy leant down. “I love you too,” he mumbled into Buck’s ear before he pulled him into a deep kiss. 

[vickyvicarious]

Mina waits until the 6th to write about killing Dracula, but of course it actually happened just before sunset on the 5th.

There's so much potential in those lost hours. She doesn't address anything after Quincey's death and her restoration to humanity. So we can only imagine what happened.

We don't know what they did with Quincey's body. How long did they attempt to resuscitate him? Or did they know it was too late as soon as she says? Perhaps there was a long silent moment as the sun set. Could they bury him in the cold hard ground? It's not like they have any shovels, unless they were willing to go down into the chapel of Castle Dracula in search of the ones left behind there. There are wolves out here who might try to eat the body if they leave it alone. The wagon was dragged away, so they couldn't use it to bring him back to civilization. Did they put him in Dracula's box and make it into some sort of sled? Did they separate, leaving some behind to guard him, and some to go and seek help from locals?

We don't see Mina's reunion with Jonathan, or Jack's with Van Helsing. Did the professor still hand over his memorandum? Did they talk about what they all had been through in their separate journeys? What do the Harkers talk about, if anything? Do they simply quietly grieve for their lost friend, and save all discussion for later? And what about Arthur, what does he do if/when the other two pairs separate into private reunions or conversations? Or do they all cling together as a group, all who remain, throughout this time?

We don't know where they slept that night. It was November in the mountains, and they're about a mile "steeply downhill" from the only shelter around. They may not want to stay in Castle Dracula (Jonathan especially) but do they have enough supplies to make camp out here? We know there was a snowstorm around them at least for a little while. On the other hand, could they safely make it to the castle at all if they tried? I doubt they would just leave Quincey's body behind, and in the dark and cold with everyone so weary maybe that mile feels like a much further distance.

We don't know how they leave, or when. The horses Mina and Van Helsing traveled with are all dead. Perhaps their carriage is still there, and they could hitch up the horses Jack, Quincey, Jonathan, and Arthur rode in on. Or did those horses flee the wolves or get stolen by the fleeing people as well? Would the carriage be big enough to fit everyone? Would it fit Quincey? Do they leave on the morning of the 6th or wait longer to try and bury their friend or to recover their strength?

We don't know under what circumstances Mina writes, and why then. Did she wait due to exhaustion, grief, or simply because it was cold and dark? Perhaps they didn't get back to her typewriter until the next day. Did she type this up as the men readied everything for their journey home, or after reaching some kind of shelter? Does she write then because she wants to be the one to close things out, or because if she waits she doesn't think she'll be able to later on, or to reassure herself in part that she can now? She calls Dracula the Thing rather than the Vampire; I wonder if that is a kind of freedom she didn't have mere days ago.

[sequinsmile-x]

Instincts

Five times Emily doesn't yell at her mother-in-law, and one time she does.

Part 1/6

-x-

Hi besties,

Hope you are all doing as okay as possible <3

Usually, I do these 5+1 fics as a one shot but I'm doing it a little differently this time and this will be a multi chapter.

The final chapter, the one time Emily does yell, will be based on a prompt I received!

As always, let me know what you think!

-x-

Warnings: none for this chapter, pregnancy in later chapters

Words: 2.9k

Read over on Ao3, or below the cut

The first time it happens, she doesn’t even get to meet Caroline Hotchner. 

It starts a few days before, when she can tell Aaron is nervous the moment he lets her into his apartment. She smiles curiously at her boyfriend as she steps past him, her lips catching his cheek as his hand skims her waist before he takes her bag from her, hooking it over his shoulder, “Waiting for me in the doorway kind of makes me having a key pointless.” 

He chuckles, but it’s not the laugh she loves. It doesn’t come from his chest, doesn’t light up the space between them like it usually does, and it makes concern spark low in her gut. She furrows her brow as he closes the door, his focus on locking it behind them and setting the alarm. 

“Sorry, sweetheart,” he says, smiling when he turns to look at her, “I was just excited to see you.”

Emily hums, narrowing her eyes at him as she crosses her arms over her chest, desperately trying to read him - to see what had changed since she’d left him in his office at work just a few hours ago. She’d only gone back to her place to get more clothes. Her apartment was just a place where she kept her things these days because home was wherever Aaron and Jack were. 

She’d considered breaking her lease and just moving in with Aaron. All of their friends made fun of them for it, playful smiles on their faces when they teased her for the fact she still had an exit strategy. It would upset her if she knew Aaron thought that way too, but she knew he didn’t, his defence of her always fierce even in the face of joking from their friends. The truth was, something that they were keeping between the two of them for now, that they recently started to look at a place to buy together. She loved sitting in bed with Aaron, her back against his chest, his legs bracketing hers and his chin on her shoulder whilst they looked through listings together. Their favourites either bookmarked on her laptop or circled in the paper. She hated moving, it reminded her too much of her childhood, so she didn’t want to do it twice in quick succession. So for now, she’d continue to occasionally go to her place to pick up some things, content to live in this in-between stage before she finally had everything she’d ever wanted. A home made of brick and mortar. A home made of the man she loves and the boy she loves as her own. 

It was a future she was looking forward to. One with him and Jack and whoever else might come along too - the idea of having more children with him enough to make her giddy. 

“I only went home to get some clothes, honey,” she says, trying to pull a smile out of him, the smile that belonged to her. His smile doesn’t reach his eyes, his energy still nervous, and she sighs, “What’s going on?” 

He clears his throat and puts her bag on his couch, “My mother called.” 

She raises her eyebrows, her arms falling to her side, “Oh.” 

His relationship with his mother was tense at best. They only spoke now and again, they exchanged phone calls on birthdays and holidays and occasionally sent each other gifts. Emily had never met her, but she’d overheard them talking on the phone, her name thrown around like confetti by her boyfriend, his smile always soft just at the mention of her. 

“Yeah,” he says, walking towards her, his hands on her hips, “She’s in town.” 

Emily nods, her eyebrows raising even further, already knowing where this was going, “Oh.” 

“And she wants to meet you,” he says, squeezing her waist when she opens her mouth again, a third oh dying on her tongue, “Look, if you don’t want to meet her, I understand. I know my relationship with her is hard, and that you probably don’t have a lot of good feelings about her because of that-”

“Honey-” she says, finally breaking out of the slight stupor she’d fallen into. She smiles and cups his cheek, “You’re rambling. You don’t ramble,” she runs her thumb back and forth over his jaw, “It’s cute,” she smiles when he turns his head to kiss her palm,  “Of course, I’ll meet her.”

The relief in his eyes is palpable, and she sees the tension in his shoulders loosen, “Really?” 

She nods and leans forward to kiss him, her lips stamped against his, “Really,” she says, her nerves dampened a little by the relieved look on his face, the look in his eyes that makes him look like the little boy who never quite stopped looking for his mother’s approval, “She’ll be my mother-in-law one day,” she says, her arms snaking around his neck as he pulls her closer, “It would be awkward if the first time I met her is the wedding.” 

He chuckles, leaning in to kiss her, putting all of his love into it. He tightens his grip on her hips so he doesn’t run to the bedroom to grab the ring he’d hidden in his sock drawer, not wanting to ruin his very meticulously planned proposal, “I love you.” 

“I love you too,” she says, “So, when are we going to meet her? Are you going to invite her here?” 

“No,” he says, sounding more sure than he had since she’d walked through the door, and it makes her smile, “I learnt a long time ago a mutual ground is probably the right call. She likes Italian food. That new place opened up downtown but it’s almost impossible to get in.” 

She shakes her head, carding her fingers through his hair, “Impossible if you’re not the daughter of a well-respected US Ambassador,” she says, smiling at him, “If the Prentiss name is good for one thing in DC, it’s for getting reservations.” 

He sighs, shaking his head, knowing any favour she asked for from her mother never came for free, “Em, I know how difficult your mom can be, you don’t have to-”

“Hey, what good are my mommy issues if I can’t use them to help you with yours,” she says, leaning in to kiss him, “I’ll call my mom, she’ll get her assistant to get us a table and then she’ll passive-aggressively berate my life choices for 10 to 20 minutes. And you can pay me back in sexual favours.” 

He chuckles and kisses her before leaning his forehead against hers, “Deal.” 

___

She’s able to focus on his anxiety instead of her own. 

If she didn’t know him so well, it would concern her. Make her think that he was worried about her meeting his mother and not the other way around. There was no room for her to even consider that he was embarrassed by her, that he was anything less than proud to call her his. All the nervousness he was feeling, the way he was squeezing her knee like it was a stress ball, was all about his mother. The women he’d come from but couldn’t be more different than. 

If there was one thing Emily understood, it was that feeling. 

She places her hand over his on her knee as he parks up and she smiles, “I’d ask if you’re okay, but I think if you squeeze my knee any tighter the joint might pop,” she says, and he lets go. She grabs his hand before he can take it away, linking their fingers together and cutting him off so he doesn’t apologise, “It’s okay, honey. It’s dinner. We’ll eat, we’ll make conversation with your mother. And then we can go home and have sex.” 

He chuckles and tugs their joint hands towards him and kisses her knuckles, “Why does it feel like our roles have been reserved here?” 

She smiles, “Think about it this way,” she says, leaning across the centre console to kiss his cheek, “Your mom lives five states away. We don’t have to see her that often.” 

He laughs, “I’m sure I should be assuring you everything will be okay,” he shakes his head at himself, “You’re the one meeting her. I don’t want to paint a bad picture of her. She’s not a bad person. She had a bad set of circumstances. My father was…a bad person and a bad father. She’s not a bad person, but she…” 

“Wasn’t a very good mother,” she finishes for him, and he sighs and nods as she flashes a half smile at him, “I’m familiar with the concept,” she unhooks her seatbelt so she can turn to face him, her smile soft as she runs her fingers through his hair, “We can just go home you know. We can turn around. Jack is with Jess tonight so we could just get in the tub. Hang out. You could repay me for everything I went through for our cancelled reservation.”

He shakes his head and kisses her knuckles again, “No. I want her to meet you. To meet the woman I love,” he smiles, “You’re going to be my wife one day. The mother of my kids,” his smile gets wider when she blushes, “You should meet my mother.” 

She nods and kisses him, “In that case, we should get going. Otherwise, we’ll be late,” she turns to open her door but he stops her, and she turns to look at him, “You okay?” 

“I need you to promise me something.” 

“Anything, you know that.” 

“You know how you made me promise to not step in if I think your mom goes too far?” He asks, and she nods, her lips pressed together as she sighs, already knowing where he is going, “I need you to make me the same promise.” 

She clears her throat, “Is she going to make me wish I hadn’t made this promise?” 

“Probably.” 

She chuckles, “At least you’re honest,” she huffs out a breath, “Well, I’ve had over 40 years of experience dealing with my mother,” she winks at him, “I can handle one night with yours,” she’s grateful to get a smile out of him, “It will be okay, honey.” 

He holds her hand the moment they are out of the car, his palm warm against hers as they link their fingers together. She’d always loved holding his hand, found a comfort in it that she knew he found too. In the moments when she let herself be romantic about it, she tells herself they were made for each other. That the reason her hand fits so well in his, the reason their fingers link together perfectly, is because they were made with each other in mind. 

His phone rings and he pulls it from his pocket, frowning as he turns it to show her, the word Mom flashing across the screen. They come to a stop on the sidewalk, stepping out of the way of other people, and he answers. 

“Mom, hi, are you at the restaurant already, we’re just…” he drifts off, and Emily can hear the voice of the woman at the end of the phone, but not what she’s saying, “Oh, I see,” he says, looking at Emily, his lips pressed together and his eyes drifting shut, “I thought you wanted to meet Emily,” he adds, and she clenches her jaw as she runs her thumb back and forth over the heel of his hand, “Well, yeah you can do that next time you’re in town. Or maybe we’ll come and see you.” 

She can hear the disappointment in his voice, can see the irritation in his eyes, in the way he’s holding himself, and she gets as close as she can to him to provide the comfort he’d never ask for. She rests her head on his shoulder, and the extra height her heels give her means he can rest his cheek on top of her head as he finishes the call with his mom, exchanging goodbyes and see you soons in a way that’s so polite it makes her teeth ache. After he hangs up they stand in silence, still in their strange embrace with her head on his shoulder and both of her hands wrapped around one of his. 

“She’s not coming?” She asks, even though she knows the answer, and she looks up at him. He shakes his head and clears his throat. 

“No. She’s not.” 

“Did she say why?” 

“She bumped into an old friend. Went for dinner with her instead.” 

She scoffs, “Instead of meeting up with her son?” She clenches her jaw, “Want me to call her back? I can give her a…” she drifts off when he raises his eyebrow at her, a hint of amusement in his smile, “Right. My promise. Does it count even if I haven’t met her yet?” 

He chuckles wryly and kisses her forehead, “I’d say especially then,” he kisses her again, “I’m sorry, sweetheart.”

“You have nothing to be sorry for,” she assures him, “It’s not your fault,” she squeezes his hand and hates the look in his eyes when they meet hers. He looks like a lost little boy, entirely too much like Jack, and it makes her want to steal his phone when he’s not looking and break her promise only minutes after she made it. She knows she won’t though, bound by a promise they’d now made each other about their mothers respectively, and she knew how annoyed and hurt she’d be if their roles were reversed, “Want to go home?” 

He shakes his head, “No, Em. You went to a lot of effort to get this table-”

“Honey, I don’t care,” she says, cupping his cheek, “I can handle my mother if she says anything about us not using the reservation. I’m worried about you,” she strokes her thumb back and forth over his cheek, “If you want to go in we can, or we can grab a pizza on our way home and I’ll eat in my underwear to try and cheer you up.” 

He laughs, the sound more real this time, more hers, and he smiles at her, “I do like the sound of the second option.”

“I know my audience,” she hums and leans forward, stamping her lips against his before she rests her forehead against his, “Home?” 

He nods, blowing out a slow breath, “Home.” 

She kisses him one more time before she steps back enough for them to walk to the car, both of her hands still wrapped around one of his, “I’m sorry your mom did this, Aaron.” 

He sighs and unlocks the car, “Me too. I was looking forward to the two of you meeting.” 

She slips in between him and the side of the car before he can open the door for her, “I know,” she says, running her fingers through his hair, “And I was looking forward to meeting her too. Despite…everything, she still gave the world you. And that’s something I want to thank her for,” she says, worry sparking in her chest again when he tightens his hold on her, something she can’t name flashing in his eyes, “Baby, what is it?” 

Aaron shakes his head, “It’s nothing.” 

“You can tell me,” she says, reaching out for his hand, “You know that.”

He blows out a breath, “I guess I just wanted her to meet you before we start the next stage of everything. Not because I feel like I need her approval or anything. But she’s my mom,” he smiles sadly, “It would nice if she cared enough to meet the woman I’ve told her I’m going to marry one day soon.” 

It makes her angry again. The heat of it washing over her in a way she knows has her gripping his hand a little too tight, her knuckles briefly paper white before she lets go, swallowing the fury back down because it’s not what he needs from her. 

Not today. 

Despite everything, the mere mention of their still hypothetical wedding makes her smile and she squeezes his hand, “I understand that, but if she misses out on anything it’s on her. Not you. Okay?” 

He nods, “Okay.” 

She leans forward and kisses him, “Now,” she says, kissing him again, “Pizza. Then home.” 

“And you in your underwear,” he says, smiling as he steps away so he can open the car door for her, “I seem to remember that being part of the deal.” 

“A deal is a deal,” she says, winking at him as he closes her car door once she’s climbed in. She’s alone in the car for a matter of seconds before he joins her, the key in the ignition as soon as his door is shut. “I just thought of something.” 

He looks over and sees the vague look of horror on her face, the way she scrunches her nose up ever so slightly, “What, sweetheart?” 

“One day our mothers are going to have to meet.”