#i might be coping...
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zwoftt · 5 months ago
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its so insanely tough because dorian has EVERY right to feel the way he does about the god situation. his opinion is not only valid but brings more theories to the table. most of his opinion comes from not being able to properly grieve his brother, watching his first adventuring party be torn apart, and not being able to fully comprehend the feelings that are stirring inside of him. not to mention that so much is happening to him in such a short time, so its almost obvious that his mind would be scrambled like this. not only that, but taking the time to consider orym in ALL OF THIS, because of how much he cares. honestly, they haven't really been able to console each other about everything that has recently happened. i believe that orym can possibly be the one to sway dorian back towards the other side, even if its for the time being. because god. i wanna see dorian make that spider queen PAY. maybe he'll be swayed to help orym and the rest of the hells, but he's not doing it for the gods. he's doing it for orym. and after, he's going for that spider queen himself (unless of course he gets his entire perspective changed, in which he grieves normally and finds out that revenge won't make it better)) the tension in dorym rn is juicy, and is needed for the pairing to become an even deeper one. it is quite literally a slow burn afterall. i mean, disagreements have already happened in the past between them; and it only made their relationship stronger. i don't see how this can be very different.
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novaneondream · 7 months ago
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it’s our turn to make you smile
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nemkero · 2 months ago
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uncle ekko
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rika-mortis · 5 months ago
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Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore
They both need counseling and therapy as a whole package
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hinamie · 5 months ago
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itakugi sillies fr the soul
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nhyhu · 1 month ago
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little kisses
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kayberrie · 2 months ago
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broke: Ahsoka and Rex swap outfits and it’s horribly obvious plus fits badly
woke: Ahsoka and Rex swap outfits and look absolutely amazing in their new fits
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avituses · 5 months ago
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They all twisted fate together
Individual drawings under the cut!
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erebus0dora · 2 months ago
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look, imma just add some dramatic angles in different light to let you see the textures, ok..?
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and i scribbled the vid transcript below the cut just in case (yup, it has sound!)
hi, this is doc aka erebusodora pretending to be a real painter because Windsor & Newton.
truth be told i had a rather tiring week, therefore i returned to something that can actually give me joy. rhis is page 8 out of 20 and vampire Armand number 5 in this sketchbook. the timelapse makes things seem effortless and the ugly stage seem to last for a blink of an eye.
💜
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heartorbit · 7 months ago
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heartbeat
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feralforbeanix · 6 months ago
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Thinking about how Trucy Wright seems to do her best to just...brush past all her trauma. And I don't mean this in a "it's bad writing" way, I mean that her way of dealing with things seems to be to mostly ignore it. To move on as quick as possible and try to ignore the more emotional implications.
Yes Zak Gramarye was her dad and yes he abandoned her but Trucy doesn't talk about it more than she has to. She just immediately accepts Phoenix's offer to adopt her, calling him Daddy as soon as he told her it was okay to. She even seems to take the Wright last name with no complaint, she even seems to take pride in it!
When Apollo finds out she's actually adopted and her real father was gone, this exchange happens:
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Yes Trucy is visibly sad here, but she just as quickly moves on from the subject
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When Apollo reveals to the court that Zak was the victim in case 1, he looks at Trucy. Presumably expecting her to be upset, cry, or something
Yet all she does is encourage Apollo to continue with his case
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I've seen people compare her to Maya, and while they definitely both have the "smile through the pain" thing going on, I do think there is a subtle difference. Maya downplays her trauma, but it seems Trucy doesn't like to let herself feel at all.
No, I think she acts more like Phoenix.
Phoenix, who is practically known for being cagey and as vague as possible about important events in his past. Especially in this game.
He doesn't talk about his ex girlfriend who framed him for murder, he just moves on to becoming a lawyer. He doesn't talk about Edgeworth "choosing death", he just continues trying to be a perfect defense attorney. He doesn't even talk about important details about his disbarment until he absolutely has to, when it's relevant for his jurist test.
Phoenix, who has been betrayed and left before, who desperately clings onto every person who shows him even a little kindness, who focuses on everyone else's problems and pasts before he acknowledges his own.
This is the man who adopted a girl who most certainly had abandonment issues, because chances are so does he.
He understands her better than anyone not just because he's her legal father but because it takes one to know one
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puppppppppy · 3 months ago
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(yes I know siffrins cloak grows sleeves when its convenient but I wanna play around with this)
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myboxofcookies · 19 days ago
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“Amma? Why do you look so sad…?”
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“Please don’t look so sad, Amma. I’m here now, right?”
“… yes, in a way you are… my little princess…”
Consider this as a continuation of my first writing for BAAU au
AU belongs to @cuppajj !
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lovebeatriceplz · 2 months ago
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Touya using his last breaths to tell his family how much he hates them right after having a cutesy hehe haha vision of them actually being happy is the realest shit I’ve seen in a while
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mochiiniko · 9 months ago
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feels like youre running out of holy places
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took one look at this scene and immediately started drawing </3 anyways episode 7 :(
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steviesbicrisis · 1 year ago
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Steve’s best relationship wasn’t even a relationship. He could barely call it a fling, a flirt. They never even went on a date. They never kissed.
Steve still thinks of it as the best whatever-it-is he has ever had with someone.
At the beginning it was mostly infuriating, how quickly Eddie managed to win the kids over, compared to Steve’s months of work as babysitter/nailbat swinger/monster fighter. Steve had to literally bleed multiple times to get an ounce of respect, Eddie only had to run a nerdy club about fictional bleeding and monster-fighting.
Then somehow, and Steve still has trouble pinpointing when and how it happened, everything changed.
Taking the kids back home from hellfire became something he impatiently waited for.
He and Eddie would barely talk for a few minutes and he would find himself replaying the conversation in his head for days. Anything he could say to get a reaction out of Eddie became fundamental, and if he started by picking subjects to piss him off, he ended learning about Eddie’s favorites, because few minutes after hellfire were never enough and Steve needed Eddie to talk as much as possible, until the kids were begging to drop it and go home.
Steve never questioned the change, most likely out of fear. He doesn’t think he ever was clueless, just really scared about what would potentially mean to be staring at another dude’s eyelashes as he goes on a rant about why Ozzy Osbourne is the best artist of his generation. Or blush whenever said dude would call him “baby”, or “sweetheart”.
Steve convinced himself that the thing he and Eddie were having was as good as it was going to get, nothing more.
Then Chrissy Cunningham died, Eddie ran, and Steve realized that the thing will never be enough for him.
He couldn’t not have Eddie. Not watch him as he entertains a bunch of freshmen, as he stomps with his worn out sneakers on top of forniture, as he puts his terrible music on to push away anyone who doesn’t care enough about him to stay.
Steve needed to see Eddie being alive, doing what his heart desires, and he needed to be next to him when he does.
Obviously, this realization came at the worst possible time.
Steve tried to tell him so many times: when they found him at the boathouse, when he was hiding at refer Rick’s house, when they were taking a stroll in the upside down, and even when they were driving a stolen trailer to a gunshop.
But, it seemed, Eddie had come to a realization just as important and he tried his best to avoid Steve at every given chance.
Steve tried to initiate the conversation as Eddie did his best to run away from it. And he ran until Steve had no chances left to tell him how he actually felt.
———
Steve doesn’t know if he’s allowed to say he lost something he never had. To mourn a relationship he never began. A partner that, technically, never became a partner.
After Eddie dies, Steve has no one to be next to but he can’t say he ever did.
Steve just exists waiting. He can’t tell if he’s waiting for the pain to go away or for Eddie to jump out of a bush and yell “ah! I got you sucker!! By the way, I’m in love with you too.”
For obvious reasons, that never happens.
What does happen, is a call.
It’s a normal Tuesday, as normal as you could define it after Hawkins almost collapsed into the upside down. Steve got into a routine, between checking on the ones at the hospital, helping out at the shelter, allowing Robin to check on him to see if he’s still alive.
The call happens while Robin is doing her kitchen check up - aka making sure he has food and that he’s eating it-, so she picks the phone like she did a million times before.
“Harrington residence, this is Robin” she says, cheerfully.
Steve doesn’t pay much attention to it as he’s folding his dad’s old clothes that intends to donate to the shelter, until he hears Robin’s loud gasp.
“What is it? Is it the hospital? Is it Max?” He rushes to the other room where Robin is.
She doesn’t answer but she gives him a look as she passes him the receiver.
Steve goes quiet, a million thoughts going through his head as he takes the phone from Robin.
He’s still unprepared when he hears that unmistakable voice “Baby”.
Steve gasps for breath “Eddie?”
Is that really you? What happened? Are you hurt? Isn’t this impossible? Is what goes on in Steve’s head, but he ends up just asking “are you okay?”
He can hear a chuckle, Eddie’s wicked chuckle, a further confirmation that it is him, “I’m- hanging in there… are you okay?”
Steve finds the question absurd. He isn’t the one who got left in the upside down, the one that got eaten by demonic bats, the one who died before Steve had the chance to tell him how he felt.
He answers truthfully nonetheless, “I’m… I’m not okay.”
“I’ll be there soon, I promise.”
“Please Eddie, come quick.”
“I’ll break the sound barrier for you.”
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