#i mean. it makes sense. i can understand why

[touchstoneaf]

I've heard people say this before; that they discuss my stories on Discord servers and I'm like, "well, that would be nice to see". But I'm either not on that specific server because it is not relevant to my interests, or because I just don't really pay attention to Discord in general because I'm old and it confuses the hell out of me, hence I wouldn't know where to find the stuff either way. But I just don't understand why they wouldn't say these things in the place where they're reading the things. Like, a writer shouldn't have to go hunting for the comments that are made about their stories in some random place elsewhere in the ether.

I actually enjoy a relative plenty of comments, between two and five per chapter in my longest series, which is great engagement compared to some people's, because people are kind enough to say something to keep me rolling... but that's five out of generally the same 10 people commenting almost every single time, which means I'm kind of depending on them to keep me from feeling like I'm just shouting into the void (a lot of pressure on them). Meanwhile, I'm getting enough hits that if everybody who read each chapter commented I would probably have 30+ comments per chapter. Sometimes up to 100. That's rotten stats. It just doesn't make any sense to me.

Someone literally told me after reading the whole series up to now as a total specter that they couldn't bring themselves to comment until the 12th part of the series because they were scared to, for whatever reason. If people have been scaring y'all from commenting, I want to know who did that because that's ridiculous and does a disservice to everybody out here literally begging for engagement. Because the OPs are right; this is our currency in this world.

Fanfiction is motivated by community, by discussion, connection, by shared experience. We don't want to be throwing precious things into the vacuum and praying someone even notices... because we have no idea if anybody notices unless they tell us. Some of the best comments I've ever seen on any of my writing have been in the bookmarks. I just wish people would tell me what they do and don't like so that I can know that I'm not alone out there. Because other series get one or two comments per every four or five chapters, if that; and that's very hard to sustain out there on your own.

Please feed your authors if you actually want their productivity. And commenting "when is the next chapter going to be up?!" doesn't count.

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[keepingitformyself]

especially for tender ones like us

A/N: hehehehehehehehehehehehe synopsis: humor, anxiety, and the salvation of love.

pairings: natasha romanoff x reader

genre: fluff.

warnings: no?

MASTERLIST

please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.

natasha tries not to stumble over her words when she suggests staying in, instead of going out. she does not mean to, but she does. 

how could she not? could you really blame her for wanting a quiet night? something that isn’t so public. she wanted to see you, of course, but she wanted to see you in a space you could be comfortable in, without any of the outside world and free from any distractions.  

you listen intently through the other line, you fight the giggle at catching her little stutter. she can’t see, but you smile widely at the whole thing.

“yeah, we can stay in. i can cook us dinner,” you nod. natasha’s shoulders drop in a quiet sense of relief at your words. her lips curl into a smile. “i’d like that. i can’t wait.”

although this would only be the fourth time you had met up together, to natasha, it felt like the first every single time. 

you continue talking for a little while more. natasha shares details about her day, work, and what she ate during lunch. she tells you how on her way to grab her usual coffee order, an americano, she decided she’d switch her order to a matcha latte after having had you recommend it to her. she tells you, 

“it was good, but not nearly enough caffeine for me to keep up with,” she said, her tone light but teasing. and while it hadn’t become her new favorite drink, just knowing she’d tried it for you was more than enough. her words sent your thoughts spiraling, a warmth blooming in your chest. you were certain that if she were standing next to you, you wouldn’t hesitate to kiss her right then and there.

but you can’t do that so instead, you just fall back on your bed like a high schooler talking to her crush. 

when you finally do meet up the following evening, natasha is buzzing with nerves she doesn't understand. she has taken down whole regimes and has fought aliens from space, yet she seems to draw the line when it comes to facing you. 

she knocks on your door, her other arm clutching a brown bag containing wine and flowers. a reasonable offering if you’re having dinner with someone you want to impress. 

when you answer the door, you're wearing a cream-colored knit sweater. 

“i thought i heard pacing out there.” you joke. 

natasha’s cheeks flush as she tries—and ultimately fails—to fight the smile tugging at her lips. “i wasn’t pacing,” she says, though the slight crack in her voice gives her away.

you step aside and invite her in, and neither of you acknowledges the quiet intimacy of the moment. it feels like more than just dinner, more than just a simple evening in your apartment.

you’re about to cook for her, and somehow, that feels monumental.

natasha’s nerves are a mess, though she can’t quite figure out why—or maybe she can. maybe it’s the way your presence makes her feel unsteady, as though the ground beneath her shifts whenever you’re near.

but natasha doesn’t want to be nervous.

she saw once—a penguin mistaking a sleeping walrus for a rock. the penguin had been caught completely off guard when the walrus stirred, nearly crushing it before it scurried away just in time.

natasha had found it funny at the time, the way surprises can sneak up on you. but now, thinking about it, it doesn’t feel so funny. it feels… unnerving.

surprises are bad for the heart, she thinks. she’s been taught her whole life to avoid them, to anticipate every possibility before it unfolds.

but knowing too much, being too prepared—that can hurt, too.

her thoughts are interrupted by your laughter, light and unburdened, as you guide her toward the kitchen. your smile is so easy, so genuine, and she can’t help but feel how good it is to exist in this space with you.

she offers to help you cook, but you shoo her away instead. you make her watch.

she sits there, with her hands on her lap, and just stares. and she can’t help the look of longing on her face. the kind of thing that suggests she wouldn’t mind this being a constant. 

you made pasta for the evening. nothing too spectacular, but natasha had treated it like you were a top chef and had spent hours crafting everything with your bare hands. 

and then once you’ve plated food for you both and you’ve gotten down to a few bites, you notice the small sigh natasha lets out. the flutter of her eyes as she takes in the meal. 

you smile at her reaction as you move some of the food with your fork. 

“do you like it?”

she looks at you, mid-chew, her mouth stuffed with the food, but she manages a smile. 

“yeah, uh, yes it’s good. it’s so good,” she says, hand over her mouth. 

you continue eating, talking about everything and anything. the night was filled with small moments that would bleed into much deeper ones. you laughed, she smiled, you smiled, she laughed. the kind of things one feels they become when around those who make you tender. 

and you don’t know how or when but you try not to notice how little by little natasha seems to retract a little. 

you decide maybe she needs a small moment for herself and start cleaning up the table. she offers to help, but you wave her off, insisting she relaxes. 

she tries to, but realistically, natasha doesn’t know how to relax. so she sits back and stares at you like she isn’t sure what to do with herself. she isn’t used to this at all. spaces like this–warm, cozy, comfortable.

the impending guilt comes. it’s all so layered. she feels so much at once. the nervousness, the anxiety, the fear of loss, the fear of not being present enough. 

natasha doesn’t know how to be here without sacrificing so much. 

after a while, natasha speaks up. 

“i should probably get going.” her voice too casual to sound like she meant it. she tries not to notice the look of disappointment on your face when you turn around to face her. 

“you don’t have to.” you find yourself saying, not wanting her to leave. 

she hums, something that says she’s already made up her mind. she gets up and gathers her things. 

you follow her to the door, or at least try to—but you pause at the end of the hall when you see her linger near the door, uncomfortably. unsure if she should leave. 

you call her out on it. “you can stay longer if you want.”

natasha wrestles with herself because she really wants to. she looks at the door as if it’d answer for her. 

you’re letting her know. 

natasha feels awkward, clammy hands. she doesn't know what she’s doing. and it’s hard to think of anything else when your eyes are screaming, don't actually leave, at her. 

you look at her carefully, trying to see if you can find any clear indication of what she may be feeling, but it isn’t hard to figure out the redhead in front of you. 

you’ve noted quite quickly how easy it comes for her walls to lower when you’re around. and if there’s anything you’ve learned from that, it’s that natasha romanoff isn’t the trained killer everyone thinks she is. 

sure we all have certain versions we show to certain people. but the natasha you know is anything but rough-edged. the natasha you’ve come to know is actually quite the opposite of what everyone else perceives. 

she’s tender, in her own silent way. too afraid to ever let too much slip away that she’s so painfully aware of everything around her. 

natasha is tenderness wrapped in quiet strength, a paradox of someone who feels deeply but guards herself fiercely. she sees the world clearly—the beauty and the harm—and carries that weight like a constant ache.

like she knows the world hurts more for those most aware of hurt. 

her tenderness isn’t soft; it’s sharp, vigilant, always bracing for the pain that comes with letting others in. you can see it in the flicker of her gaze, the way she hesitates as if expecting the world to hurt her.

and yet, she doesn’t harden. she holds onto that fragile, open part of herself, even when it would be easier not to. it’s beautiful and a little heartbreaking.

natasha looks up at you, then back down at her hands. just above a whisper, she says, 

“i don't know what i’m doing.” 

“that’s the most fun part.” you joke. she smiles, she doesn’t know how to say she wants more time. 

how could she say she feels greedy at this moment? she wants to protect being here with you. we have such little time, she thinks. 

bashfully, she steps closer to you, “i don't want to go.” she says. 

“then don’t.” and natasha almost complies. instead, she takes a step closer, her hand lifting towards your cheek. she’s so close now. 

she kisses you, soft, and shy, but you make her feel sure when your arm circles her neck, deepening the kiss altogether. when she pulls back, her forehead rests against yours, she lets out a shaky breath. 

“maybe i’ll forget my scarf,” she murmured, a small smile tugging at her lips. 

“please do,” you replied. please leave your scarf, please linger near the door uncomfortably instead of leaving. please always come back. “that way you’ll have to come back later for it.”  

and just like that, her quiet uncertainty washes away. 

she takes her scarf off and drops it near the door. you follow her actions, you smile, amusement in your eyes. 

later that night, when natasha gets home, she texts you. 

i forgot my scarf. 

you reply, you’ll have to come get it then. 

[whoreforsexymen]

This might be kind a kind of crazy request but hear me out, but feel free to ignore if your uncomfortable. So it's Jace Talis x reader SFW but it aludes to smut. Basicaly jayce wants to gets freaky with his girl or guy or whatever, but Jayce want to watch victor get freaky with the reader, Jayce's partner. I don't want to see any smut, but I just want to see the conversation go down between Jayce and Victor, of Jayce asking Victor if we would like to smash his partner and watch them lol.

Your wish is my command, darling. Sit back and let Mommy do her thing 🤍 (Also, tagging this as NSFW since it uses strong language, and heavily eludes to is directly about cucking.)

Jayce asking you to cuck him w/ Viktor | Flash

Pairings: Jayce Talis x Reader x Viktor

Pronouns: None used for Reader. Can be read as GN!!

Rating: NSFW, 18+ MDNI !!!!!

Word Count: 447

Tags: Cuckholding, Implied M/M (if you squint), Heavy implications of sex (duh), maybe slight OOC Jayce (also, if you squint), slight Sub!Jayce (if you REALLY REALLY SQUINT)

Notes: I have yet to watch S2 because I already can’t handle the heartbreak I know is waiting around the corner for me. So this is written with S1 Viktor and Jayce!!

Also, my first request!!! EEEE!! I hope you like it!! I wrote this so fast cause I was so excited and had nothing else to do hehehe xo

I ALSO KNOW YOU ASKED FOR THE CONVO TO BE BETWEEN VIKTOR AND JAYCE— WHICH ILL DO SOON, TOO, AS A PART 2!! But I liked this idea better ansjdkdkskkkkk for now!!

“…What?” You ask, bewildered.

“I know— I know it’s a weird request. But. I don’t know. I just think it would be hot to watch you… y’know… get fucked by someone else. And— I mean. It’s not like there’s anyone I trust more than Viktor—“ Jayce spoke quickly, a hint of embarrassment lacing his words as he let out a nervous chuckle, his fidgeting betraying his best efforts to exude a calm facade.

He swallowed tightly, his nerves making him feel exposed and helpless, like a child left alone in the dark.

“So. Let me get this straight. I just want to make sure I’m hearing you right. You want Me— And— Viktor, to fuck… While you watch?” You ask plainly.

Jayce swallowed once more, his nerves spiraling as he struggled to hold himself together.

“That is what I said… yes.” He mutters, scratching the back of his neck.

You stare at him, dumbfounded. The idea itself doesn’t catch you off guard—not really. In fact, it stirs something exciting within you. It’s a little unconventional, sure, but you’re not opposed to exploring what could lie ahead for your sex life with Jayce. You might enjoy letting him take the lead most of the time, but there’s something about the way he’s dancing around this topic in particular— too nervous to be bold—that sparks a fire in your gut.

“Hmm.” You hum softly, a hint of a smirk tugging at the corner of your mouth.

“Is it just because you wanna see your boyfriend naked~?” You tease, your hands resting lightly on his chest as you look up at him, your gaze heavy with playfulness, smoldering as always.

Jayce stammers harder than before.

“I- wh- No. Pfft. It’s just- I just-..” He can’t even continue his stammering before you kiss him. It was a soft and chaste one, yet needy in its own way, and above all—understanding.

After several long seconds, once you sense his nerves start to settle, you slowly pull away, the tension lingering in the space between you.

“We can do that.” You say softly, giving him one extra peck to the lips.

“Really?” He queries, unsure of if you’re being truthful.

You emit a gentle chuckle.

“Yes, my love… I’m open to it.” You explain, running your hands along his chest… Over his vest… and down the length of his tie. You felt him shudder beneath your wandering hands.

“Why don’t you ask Viktor, and if he’s open to it, we can try… let’s see… tonight, hmm?” You ask, leaning in and nibbling his ear ever so teasingly.

After a long pause, Jayce finally speaks again, his voice quieter now, as if weighing his words more carefully.

“I already asked him. He said yes.”

[dissapointu]

for arcane characters could you do the reader suggesting a break to work on themselves?

Here are imagines of the Arcane characters reacting to the reader suggesting they take a break from their relationship to work on themselves. Enjoy!

———————————————————————-

Jinx

You sat across from Jinx, nervously twirling a piece of your hair. “Jinx, I think… I think I need a break,” you say softly, looking down. “Not from you, exactly… but from us. I just need time to work on myself.”

Jinx’s eyes widen, her playful expression faltering for a second. She stands up abruptly, her face turning into a mixture of confusion and hurt. “What do you mean? We’re perfect together! Why would you need space from me?” Her voice cracks slightly as she glances away, trying to hold it together. “Are you… am I not enough? Don’t I make you feel good?!” She takes a step back, pacing. Her mind races, but she pauses, swallowing hard before turning back to you, eyes softening. “Okay… okay, I get it. Maybe I just… need to think, too. I don’t want to lose you, but I understand. Take what you need. But, please… don’t be gone too long, okay?”

Vi

You look up at Vi, her usual confidence dimmed by the uncertainty in your voice. “Vi, I think I need a break. From our relationship, I mean. I need to focus on myself for a bit.”

Vi’s brows furrow, her fists clenching at her sides. “A break? What do you mean, a break?” Her voice is tight with concern, her usual tough exterior cracking. She steps closer to you, her hands hovering at her sides like she wants to reach out but isn’t sure how. “I love you, y’know? And I don’t want to be the reason you’re feeling like you need to step away. But I get it. You’ve got your own stuff to work through.” She lets out a deep breath. “If you need time, take it. I’ll wait for you. Just… don’t forget about me, okay?”

Sevika

Sevika stares at you with unreadable eyes when you mention needing a break. She crosses her arms, her posture unyielding. “A break?” Her voice is low, like she’s weighing her words carefully. “I didn’t think we needed one, but if that’s what you want, I won’t stop you.”

She turns away for a moment, the faintest frown tugging at the corners of her mouth. “I get it, though. Sometimes, we’ve gotta fix ourselves before we can be good for anyone else.” She looks back at you, her gaze softer than usual. “If you need time to focus on you, do it. I won’t hold you back. But don’t make it too long, alright? I’m not a fan of waiting around.” Her voice is firm, but the concern in her eyes is unmistakable.

Silco

Silco watches you intently as you suggest a break from your relationship, his expression unreadable. His lips curl into a small, knowing smile. “I understand. You can’t always give your all to something when you’re not whole yourself.” He steps closer, his presence commanding as always. “Take whatever time you need. The work we do is important, but so is your well-being.” His voice softens, just slightly. “Don’t forget what we’re building together, but go. Clear your head. I’ll be here when you’re ready to return.” He places a hand on your shoulder, a silent gesture of reassurance, before turning away. “But remember, you belong to us.”

Vander

Vander’s expression softens immediately when you mention a break, his hands slowly clasping in front of him. “A break, huh?” He smiles, though it’s tinged with sadness. “I guess that makes sense. Sometimes we need space to figure things out.” He steps forward, his tone gentle. “I’ll give you the time you need, but don’t forget that I’m here when you’re ready to talk. Relationships aren’t easy, but I’ve always believed in us. If you need time to work on yourself, you’ve got it.” He places a hand on your cheek, his thumb brushing gently against your skin. “Take care of yourself. And know I’ll be waiting.”

Ekko

Ekko listens carefully, his usual lightheartedness replaced by a serious, attentive expression. “A break?” he echoes quietly, his brow furrowing. “I didn’t think we were at that point. But… I get it. Sometimes, we’ve gotta step back to figure things out.” He runs a hand through his hair, glancing at the ground. “If you need to focus on yourself, that’s cool. Take whatever time you need. I’ll be here when you’re ready to come back, and I’m not going anywhere.” He gives you a small, encouraging smile. “Just don’t take too long, alright? I’ll miss you.”

Jayce

Jayce’s face falls when you mention a break, his usually confident demeanor wavering. “A break?” he repeats, his voice tinged with confusion. “I didn’t expect this.” He stands up from his desk, walking over to you with a furrowed brow. “I understand needing time to figure things out, but…” He pauses, taking a deep breath. “If you need time, I’ll respect that. I just don’t want you to think I’m giving up on us. I believe in what we have.” He places a hand gently on yours, his voice softening. “Take the time you need, but come back to me when you’re ready. I’m waiting for you.”

Viktor

Viktor seems unusually still as you suggest taking a break. His eyes soften with concern, and he adjusts his glasses before looking at you. “I see. Sometimes, we need time alone to gain perspective, especially when we’ve been pouring so much into something.” He sighs, his voice tinged with understanding. “Take your time, [Y/N]. You deserve that. I’ll be here when you’re ready to come back to this—back to us.” He offers a rare, gentle smile. “I only ask that you don’t lose sight of what we’ve built together.” He lets go of your hand, though his gaze lingers for a moment. “I’ll wait for you.”

Caitlyn

Caitlyn listens to your words quietly, her face softening with empathy. “I understand,” she says quietly, her voice sincere. “I can see how sometimes, we need space to be our own person and figure out who we are outside of everything else. I want you to be happy, [Y/N], and if a break is what you need to feel better, I’ll support you.” She steps closer to you, her hands gently resting on your arms. “I’ll wait for you, no matter how long it takes. Just promise me you’ll come back when you’re ready. You’re important to me.”

Mel Medarda

Mel’s gaze sharpens as she listens, her lips pressing into a thin line. “I see.” She crosses her arms, but the tension in her posture melts when she speaks again. “I can understand needing space. Relationships require work, and sometimes, that means taking time to understand yourself first.” She walks closer to you, her tone cool but supportive. “You’ve always been ambitious. Focus on yourself, but don’t forget who you’re doing this for.” She places a hand gently on your shoulder, her expression softening. “Take what you need. But know that I’ll be waiting for you to come back, whenever you’re ready.”

Ambessa Medarda

Ambessa’s gaze hardens briefly, her posture straightening. “A break?” she repeats, but there’s no malice in her voice. “If that’s what you think you need, I won’t stop you. But don’t forget that time is precious. Taking a break to figure things out is one thing, but don’t let it turn into an escape.” She steps closer, placing a hand firmly on your arm. “Do what you must, but remember what we’ve built together. Take your time, but don’t forget what awaits when you return.” Her voice softens just enough for you to hear the faintest edge of vulnerability. “You won’t be alone.”

Maddie Nolen

Maddie nods quietly when you mention a break, her smile calm and understanding. think I understand,” she says thoughtfully. “Sometimes, we need time to focus on ourselves before we can be the best partner we can be. I want you to feel whole, [Y/N]. I won’t hold you back if this is what you need.” She places a hand gently on your shoulder, her touch reassuring. “When you’re ready, I’ll be here. I’ll always be here. But take the time to grow. I believe in you.”

Lest

Lest’s face is unreadable for a moment, and she simply watches you as you speak. “A break?” she echoes quietly, her voice calm yet tinged with a softness that’s rare for her. “I understand the need to reflect and focus on yourself. It’s healthy to step back when you need to.” She stands, her presence unwavering, yet gentle. “Take the time you need, [Y/N]. Do what you must to return to yourself. I’ll be waiting. And when you’re ready, we’ll continue this”

[ere-the-sun-rises]

Okay, I'm sorry again Medieval and Biblical Latinists, but this post popped up in my notifs again and the more I look at it, the more revolted I become. Wheelock's love for Republican and legible Latin is possessing me from beyond the grave, so let's go.

"Pro Jupiter, puer, ecce bibendum!" Where the fuck do I even start. The sentence is straight up an incoherent collection of words. The literal translation is "Before Jupiter, boy, lo! about to be drank." What the fuck were you even trying to type??? Were YOU drunk doing this? I thought the Vatican was supposed to be full of monks with nothing better to do. You're shaming your 9th century copyist predecessors.

"Pro" is used wrong. It usually takes an ablative, because "before" is temporal, not spacial - it doesn't usually mean "in front of [object]" so much it means "[in the period of time] before [event]". If you're looking to say something like "by god", then a more natural invocation would in vocative or ablative of agent - "O Jupiter" or ""Ab Jove".

"Ecce" is bizarrely out of place. It should be at the beginning of a sentence because it's not actually a word, it's an exclamation. You wouldn't place "behold!" or "huzzah!" in the middle of a sentence, you heathen.

"Bibendum"? Bibendum??? You can't have a participle in a complete sentence without a normal verb. Participles can't ever stand on their own. If you're using this as a substantive ... why??? Just use the word for whatever this liquid is. Even as a substantive it barely makes sense. It's the equivalent of holding out a cup and saying "liquid" with no further context. Why are you making this so hard and ugly to read???

I don't think the sentence is even salvagable because I cannot figure out what the fuck it was even trying to say. If I had a gun with one bullet in it, I would use it to shoot this sentence. Hang the translator by the nipples unless they're into that.

I can't read most of the second panel, but the last phrase "dubito quin sciat" is clearly meant to stand on its own by the way the punctuation is placed. And that is a damn shame because it's horrific. It reads "I doubt why he would know."

Students, please note that "quin" is an interrogative adverb meaning "why?" The question mark is non-optional. It's literally only a question word - why is it in a passage that does not contain a question???

"Sciat" is weird here. Subjunctives can be used as a clause verb, but scio in particular usually takes an accusative noun to make sense. The word means "to perceive with the senses" but can also be used as shorthand for "to see/to know/to understand".

The sentence would read better as "dubito ut illum sciret" or "I doubt that [he] would see this [thing]."

0/10, broke ass original construction. Lock the translator in a basement with Wheelock's textbook until one or the other breaks.

"Heu, Timothee, mater tua delapsa est ob cutem arienae et P. S. mortua est." Fine, this one isn't technically wrong, but it is brutally literal in a frankly uninspired way.

"Delapsa est"?? Have you no imagination? No creativity? No sense of good Latin prose? Delabor does mean "to fall/to descend" but it also means "to fall to ruin/to be destroyed". A much better (and funnier) word would have been "cado", which means "to fall [down]" too, but crucially also means "to be cut down/to be slaughtered/to die". It would be a way better play on words with the "mortua est" following after.

His name needs to be Romanized. Do you think the Romans had names like Vergilius for fun?? No! It was so the fucking thing could be declined. Fix Timothee's name.

I don't like "ob". It feels wrong, like a skinwalker. It's not meant to be here. It can technically mean "on account of", but it's more prominent meaning is "toward". It should probably be replaced by a dative or ablative of agent/means here instead.

"Cutem" should be cuto, to be dat./abl. of agent/means. An accusative doesn't look right when the sentence's main verbs are passive, since passives are reflexive.

"et P. S. mortua est." Ugly, disfiguring little addendum. Why is it in the same past tense as delapsa? Repetitio is only fashionable in poetry. This is prose - you need variatio. Cicero and I hate it here.

It would read better as "Tua mater, Timotheius, cuto arienae casura est, cepitque morti." - "Your mother, Timothee, fell [by means of] the skin of a banana, and [she] was seized by death."

These panels only get more offensive to the Latin language the longer I look at them. This translator would get roasted alive by any ancient or Medieval scholiast who read this and they would deserve it. Even poets would vomit.

today i found out that if you have library access through ur school, you almost definitely have a copy of the vatican’s latin translation of diary of a wimpy kid and i am currently reading Commentarii de Inepto Puero thank you

[haru-dipthong]

Fansub Release + Analysis of Utena Ep 14

This is a big one!!

My fansub release posts aren't usually like this, but this episode is so jam packed with stuff I want to talk about that I had to write my translation notes as a series of essays. It's longer than usual so strap in!

First, a word on “The Mikage Seminar”

I’ve always found the translation “the Mikage Seminar” very strange. In English, a seminar is an event — a lecture. Yet “the Mikage Seminar” is discussed as though it’s not a recurring lecture, but a society or a school of therapy, or a cult (like scientology). In fact I did a bit of reading about scientology to try and find an alternative translation, and discovered that the origins of scientology, namely a set of ideas and practices called Dianetics, bears a lot of similarities to “the Mikage Seminar”. Both involve a type of therapy where one person looks into their mind and talks to an “auditor”.

The auditor coaxes the preclear to recall as much as possible. — Wikipedia

This in particular stood out to me! Mikage often says 「深く。もっと深く」 during his interviews (”Deeper. Dig deeper.”).

The Japanese word ゼミナール doesn’t actually come from the English “seminar” but the German “Seminar” (capitalised). According to Wikipedia, in Germany, and often in Japan, Seminar/ゼミナール is used to refer to a university course that includes a thesis project. So ゼミナール refers to a course of learning, rather than a talk or lecture. And it would make a lot of sense to call a system like Dianetics a “course”. Almost like a “course” of medicine — a “course” of psychological practices that you can join but never complete.

So it would make sense to translate it as “the Mikage Course”. But “course” has more meanings in English than just this, and in the context of a university this makes it sound more like a mundane teaching course. So I tried some other words: the Mikage Sessions, the Mikage Method, Mikage Psychotherapy, Mikage Therapy, the Mikage Movement. None seemed quite right. Until I remembered this post. ゼミナール is a foreign word in Japanese, why not find a foreign word for the translation? And so I settled on this:

The Mikage Seminarium, AKA The Society of the Black Rose…

Seminarium is Latin, and is where both the German and English derive seminar from. Its original meaning is “seed plot”, but it’s also just the Polish word for seminar. I really like how the Latin makes its meaning ambiguous — it kind of sounds like a location, kind of sounds like a society, and kind of sounds like a learning course. Because it is all of these things.

Anthy: では、香苗さん。失礼します。 Kanae: ね、あたしの事、お姉さんって呼んでいいのよ。もうすぐわたしはあなたの本当のお姉さんになるんだから。

A more literal translation:

Anthy: Thank you for having us, Kanae-san. Kanae: Please… you can just call me “sister”. I’m going to be your real sister soon enough anyway.

The translation I ended up going with:

Anthy: Thank you for having us, Miss Ohtori. Kanae: Please... you can just call me Kanae. We're going to be family soon. There's no need for the formalities.

Japanese honorifics strike again!

In English, sisters-in-law don’t ask to be called “sister”. That would be super weird in most scenarios, and this scene is trying to evoke a particular familiar feeling of closing a distance gap in a relationship. The audience is meant to relate. Changing how Anthy addresses Kanae was pivotal to this scene working properly.

わかりました。あなたは世界を革命するしかないでしょ。

I understand. Your only choice is to force the world to change around you.

This line is translated as “Your only choice is to revolutionise the world” by basically every other translation. The reason is clear — the Japanese is the same as when Utena pulls the sword out of Anthy, or when any of the other characters talk about “revolutionising the world”. However, in this context, I don’t like it. The nuance of the English phrase is quite different to the Japanese phrase. In English, it’s often used to describe new commercial products: “This new device will revolutionise the world!” It comes with an implied “for the better”, but has used to describe technological developments so unexciting that it can also feel hollow. When the student council talk of revolutionising the world, they sound like revolutionaries — the context makes it work. But in this context, it comes out of nowhere and doesn’t have any of that fervour, which makes it sound hollow and flaccid when it should sound sinister and manipulative.

I think a pervading throughline for all the Black Rose duelists is that they see their problems as caused by other people, with themselves being blameless. Rather than change how they approach their situation, Mikage tells them they’re in the right.

Your behaviour will set you down a path. If that path leads to your goals, well done! However, if your path does not lead to your goals, there’s only two ways you can achieve them.

The first is to change your behaviour so that it does align with your goals. The second, impossible way, is for the rest of the world to change such that your current path DOES end up leading to your goals. This second way is not possible in the real world. But it is possible in Utena.

Also I’ll just leave this here: “around you” → “revolve” → “revolution” 👀

Kanae tried to build a relationship with Anthy in a passive, non-confrontational, extremely Japanese way — the way she has been taught to behave, the “proper” way, a mechanical following of the social scripts. We don’t see a lot of their relationship, but the way she behaved and spoke of behaving towards Anthy is very very similar to the way my Japanese grandmother has behaved towards my and my brother’s partners.

It was unthinkable to her to change this pattern of behaviour. Her only choice was to change Anthy, change the rest of the world, so that her behaviour would lead to the outcomes she wants. You could describe this forceful bending of reality to be “revolutionising the world”.

この黒薔薇のある限り、私はこれから嘘の私を演じなくて住む。

As long as I have this Black Rose, I'm free from the lie I was living before.

Besides gender, growing up, and resisting change (which exist as separate themes but also all intertwine as one), another major theme present in Utena is the self and subjective reality. The self is explored within those first major three themes, but also in terms of how the self dictates reality with the Black Rose duellists.

Black Rose Kanae says that her past self was a lie.

It reminds me of all the times when I’ve been going through a personal trial and I’ve looked back on my past self and thought “How naive I was. I understand things better now.” And then after a while I realise I was wrong, and my first self was more right. And then later still, maybe I re-realise that the second self was more right! And so on! The reality of truth (or to use Kanae’s language, “lies”) is so subjective.

Who dictates knowledge production? Who decides what is true; what is valid knowledge? This is a question of sociology - and at the moment that answer is "science does, kinda". But science and academic systems are supported by capitalist structures and tainted by capitalistic incentives — needing to be published in a journal, issues of replicability, the barrier to entry into academia in the first place, etc, etc. In the future we may find our current way of organising knowledge to be archaic and primitive in the same way we look back at medieval scholars.

But what about organising self-knowledge? Knowledge where the only one who can really decide what is true is yourself. And the only one that can decide what yourself even IS is yourself. I feel like I have looked back on my old ways of conceptualising myself many times (not even counting the gender-based revelations) and thought it primitive and archaic, and NOW I truly understand who I am and how to think of myself and how my thoughts interact with my other thoughts. But I have no doubt that I’ll look back on this current self of mine and reject their way of thinking too.

After their heart is replaced by the Black Rose, the duellists themselves frame this change as a moment of self realisation, of clarity. Once the rose is inside them, they wake up from themselves, like I have countless times. Kanae says herself, “This is the true me.” Honestly, I don’t doubt it. I think that version of Kanae was her true self at that moment, given the things influencing her. Being brainwashed doesn’t make you less of a person, or less yourself. It just makes you organise your reality differently.

心を凍結させて作っただけの間に合わせのデュエリストでは、彼女は破れないな。

We won't be able to defeat her by simply freezing someone's heart and forcing them to duel.

Anya and I discussed this in depth. I originally translated 心 as “mind”, because that was the first thing that popped into my head and I thought that was the simple part of the translation. However, Anya pointed out that it didn’t make sense with the themes of self and subjective reality, and I strongly agreed, so I changed it to “heart” instead.

Anya suggested “conscious mind” instead of “heart” but I think heart is more accurate. 心 (kokoro) can mean heart or mind in Japanese (I find it interesting that those two things are portrayed as opposites in English), and that kanji is found in the word for biological heart, 心臓 (shinzou). When they say of the Black Rose "This is your new heart" they use 心臓. They also say "Your new 命 (life/lifeforce)" which I translated as soul since it sounded more hardcore and because "your new life" is a set phrase in English meaning a new chapter in your life rather than your life force. I think the idea is that they're freezing the duellists' ability to love and feel empathy, which in my opinion is necessary for them to commit to the unbelievably selfish act of revolutionising/reconstructing/bending the entire structure of the world for their own convenience.

A very special thanks to @dontbe-lasanya for being there to talk through all these themes and ideas. I'm incredibly proud of this episode's translation and I wouldn't have been able to do it without them.

If you want to see more analysis like this, let me know! And also follow this blog to see episodes of the fansub as they're released. You can find all episodes released so far here:

Rose divider taken from this post

[doctorbitchcrxft]

Long-Distance Call | Supernatural Series Rewrite | Dean Winchester x Fem!Reader

Pairing: Dean Winchester x Fem!Reader

Warnings: lots of arguing, angst, everyone's saying things they don't mean, canon violence, canon gore

Word Count: 5056

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For hours most nights recently, you watched Dean sleep. In the dim light coming in through the cheap curtains in motel rooms, you would make out the details of his face and trace your eyes along them. He was just so beautiful, and you considered yourself incredibly lucky for every day you got to spend with him; despite the fact that those days were coming to an end. 

Dean knew you hadn’t been sleeping, but you couldn’t bring yourself to tell him why. 

Sam was driving himself crazy talking to witch doctors, professors, and demonologists trying to wrap his head around a way to break Dean’s deal. You didn’t get involved, though; you knew it was futile to do so. 

You weren’t sure if feeling helpless and knowing the situation was helpless was better than feeling helpless and trying to gain control of the situation, but you knew Sam probably felt as horribly as you did. 

“Y’know, someday, if we ever get a house— it could happen!” you assured Dean off his skeptical look. “We should get a couch. It’d be better for our backs than sitting on Baby or these shitty mattresses.”

You sat up facing Dean who lounged on the headboard in your shared motel room. Tension had been high between the brothers recently, and you decided it was best for the three of you to bunk separately. 

“You are annoyingly optimistic, you know that?” he replied. 

“I like to think of myself as more of a realist,” you returned. “But I’m trying to be more like you lately.”

“What do you mean?” Dean asked. His eyes held such an intensity when he looked at you. 

In vulnerable moments like these, you couldn’t bear to look back at him. You opted for looking down at the mattress or, really, anywhere other than his face. “I mean, your whole thing is being annoyingly biting and sarcastic and— I mean, you just have the most amazing sense of humor— even when things suck major ass. And I don’t know how you do it. But… it’s admirable.” When your eyes returned to his face, he was looking at you with such pride and admiration. 

“What?” you asked.

“I just love you,” he said. 

You grinned widely and reached for his hand. You held it for just a moment before speaking again. “When are you gonna tell Sam?”

“What?”

“That we can’t save you.”

He sighed. “(Y/N)—”

“No, Dean, he deserves to know.” You shifted to your knees from your cross-legged position. “He’s on a wild goose chase instead of enjoying the time he has with you.”

“He’s a grown man, he can make his own choices,” Dean insisted, hand retreating from yours. He crossed his arms over his chest.

You gave him a look. “And maybe he’d make different choices if he had all the information about the situation available to him.”

“Alright, professor, no need to lecture me,” he grumbled, getting out of bed.

“Dean—! Don’t get mean just because you’re pissed at yourself and this whole situation,” you said, standing to face him. “Look, I’m only saying something because I don’t want the last few weeks of your life to be spent fighting with your brother.”

“Way to put that in perspective, (Y/N), thank you,” Dean spat. 

“See, this is when your attitude pisses me off beyond belief,” you argued. “I’m trying to have a conversation with you, and you’re being a complete dick. This didn’t have to turn into a fight, and I’m not understanding why it did!”

“Because you’re my girlfriend, not my fucking therapist,” he responded. “I don’t need you to tell me how to live my life.”

“Okay, this clearly isn’t about me.” You shook your head, turning away from him to grab your shorts and shoes. 

“Then, what’s it about, (Y/N)?” 

You turned back to him. “Clearly, this is about your deal.” “Oh, my god,” Dean scoffed.

“You’re runnin’ out of time. You’re scared, and you’re lashing out. It’s crap. I only wanna help you because I love you,” you told him. “And I’m not gonna tolerate you getting mean with me just because I told you something you didn’t wanna hear.”

“Where are you going?” Dean asked, seeing you stomp toward the door. 

“Out,” you replied. “Don’t follow me.”

***

That night, after yet another argument, you convinced Dean to let you sleep in his car and have him take the bed because you knew you wouldn’t get much sleep anyway. You were hurt and angry, but you missed holding Dean. You missed memorizing his features while he slept and finally seeing him at peace. 

And the next morning, the situation was no better. Now, instead of Dean and Sam fighting, it was you, Dean, and Sam fighting. 

Sam had gone to talk to another person about how to potentially break Dean’s deal. “So, the professor doesn't know crap.”

“Shocking,” Dean commented. “Pack your panties, guys, we're hitting the road.”

“What? What's up?” Sam asked. 

“That was Bobby.” He gestured to the phone he’d just hung up. “Some banker guy blew his head off in Ohio, and he thinks there's a spirit involved.”

“So, you two were talking a case?” 

“No, we were actually talking about our feelings. And then our favorite boy bands,” Dean replied dryly. “Yeah, we were talking a case!”

“Dean, stop being an ass,” you scolded. 

“Well, get Sam to stop asking stupid questions.” Sam huffed. “So, a spirit? What?”

“Yeah, the banker was talking about some sort of electrical problems at his pad for like a week. Phone was going haywire, computer was flipping on and off,” Dean explained. “This is not ringing your bell?” He pressed when Sam looked at him skeptically. 

“Well, sure, yeah. But, Dean, we're already on a case,” the younger one replied. 

“Whose?” Dean asked. 

“Yours!”

“Right. Yeah. Well, you coulda fooled me,” the older scoffed. 

“What the hell else have we been doing lately other than trying to break your deal?” Sam protested. 

“Chasing our tails, that's what. Sam, we've talked to every professor, witch, soothsayer and two-bit carny act in the lower forty-eight. Nobody knows squat! And we can't find Bela, we can't find the Colt. So until we actually find something, I'd like to do my job.”

“We should summon Ruby,” Sam suggested. 

“I'm not gonna have this fight with you.” Dean shook his head. 

Sam continued anyway. “She said she knows how to save you.”

���About that, Dean has something he wants to tell you.” You turned to your partner expectantly with your arms folded. 

“What?” Sam asked, looking between the two of you. 

Dean was giving you a glare which you returned. 

“Dean, what?” Sam asked again. 

“She can’t save me,” Dean answered finally, still holding your glare. 

Out of the corner of your eye, you saw Sam turn back to you. “(Y/N)—?”

“She told us she can’t save him, Sam,” you admitted. 

Sam turned his anger toward you. “Whoa, so you’ve known this whole time and haven’t told me?” 

“It wasn’t mine to tell, Sam!”

“Yeah, but the both of you still kept a secret from me,” he responded. 

“You really wanna talk about who's keeping secrets from who?” Dean snapped. 

You turned to the car. 

“Where are you going?” Dean called after you. 

“Guess we’re going to Ohio.”

***

You were silent for the entirety of the ride to the deceased’s house. Dean and Sam only spoke to make a snarky remark directed at each other or at you, but you refused to respond. 

You asked the woman what happened to her husband, and she reluctantly told you that he kept talking to a woman named Linda on the phone. However, there was no one on the other line when she would pick it up to check. 

Curious about who this woman could have been, you and the brothers returned to the motel to research. 

“Linda's a babe. Or, was,” Dean commented. 

Your heart dropped. You knew he was kidding, but now was so not the time to make jokes like that. “Don’t say shit like that, please.”

“She’s dead, (Y/N),” he replied dryly. “Don’t be jealous.”

“I just think it’s in really poor taste to say that right now considering the state our relationship’s in,” you told him, trying to remain as calm as possible. 

He slammed his laptop shut. “Are you seriously picking a fight with me over this? Right now?”

Sam interrupted before you could respond. “Oh-kay! That’s enough. Who’s Linda?”

“Linda Bateman.” Dean turned his eyes away from you. “She and Ben Waters were high school sweethearts.”

“So what happened?” Sam asked. 

“Drunk driver hit them head on. Ben walked away.”

“So, what then? Dead flame calls to chat?” Sam wondered aloud.

“You would think, but Linda was cremated. So why's she still floating around?”

“You got me,” Sam shrugged. 

“What about that, uh, caller I.D?” Dean asked his brother, referring to the number he’d found on Ben’s phone. 

“Turns out, it's a phone number,” Sam replied. “It's about a century old, back from when phones had cranks.”

“So, why use that number to reach out and touch someone?” Dean returned. 

“Got me there too, but we should put a trace on it.”

“Well how the hell are we going to put a trace on something that's over one-hundred years old?”

Sam suggested that the three of you should head to Ben’s phone company’s local office posing as representatives of their headquarters. 

“You guys go ahead without me,” you said. 

“Oh, c’mon, (Y/N)—”

You cut Dean off. “No. Both of us need space before we kill each other. So, please. Go.”

“Whatever,” Dean grumbled and stormed out of the room.

Sam stayed behind with you for a moment. “I’m sorry about him,” he said.

You sniffled, wiping away tears that threatened to spill from your eyes. “It’s okay. Just a rough patch, I guess. Call me when y’all have something.”

He nodded and pulled you into a hug. Sam placed a quick kiss on the crown of your head before following his brother out of the door. 

***

Sam called to inform you that the number had called over a dozen people multiple times over the last week. So, you and the Winchesters split up to investigate. Without a car, you stayed in the motel room and called the numbers Sam had forwarded to you posing as a representative of the phone company. One of the people you’d spoken to said that he’d been hearing his deceased brother calling him to reconcile the broken relationship they’d had when his brother passed away. 

Just as you hung up the phone with him, Dean burst into the room and immediately started pacing. 

“What’s wrong?” you asked. 

Dean didn’t answer. 

Sam sat at the table in the room. “He said our dad called him.”

“No fucking way,” you breathed out. “You really think it was him?”

“I don't know, maybe,” Dean grunted. 

“Well, what did he sound like?” Sam asked. 

“Like Oprah!” the older brother snapped. “Like Dad; he sounded like Dad, what do you think?”

“What did he say?” you questioned. 

“My name,” Dean replied. 

“That’s it?” Sam pressed. 

“Call dropped out.”

You shook your head and folded your arms, sitting cross-legged on Sam’s bed. After the recent fights with Dean, you’d decided to get a room separate from the two brothers and had been hanging out in their room all day. “Why would he even call in the first place, Dean?”

“I don't know, (Y/N)! I’m not a fucking psychic,” he snarked. “Why are ghosts calling anybody in this town? But I mean, other people are hearing from their loved ones, why can't we? It's at least a possibility, right?”

You wanted to chew him out for snapping at you like that, but you truly had no energy to put up another fight. 

“Yeah, I guess?” Sam replied in your place. 

“Okay, so what if....” Dean trailed off, only looking at his brother. “What if it really is Dad? What happens if he calls back? What do I say?”

“Hello,” you suggested. 

“Hello?” he scoffed. 

You shook your head and rolled your eyes. 

“That's what you come back with. Hello?” Dean continued. 

“Fuck off, Dean,” you sneered. 

Dean huffed, grabbed his jacket, and headed for the door. 

Sam shot you a puppy-dog-eyed look and turned to the door to stare after his brother. 

You sighed and buried your face in your hands. 

“(Y/N)?” 

You picked your head up. 

“What’s happening to you guys?”

“I don’t know,” you admitted, tearing up. “We started fighting ‘cause I told him to tell you about the whole ‘Ruby’ thing, and I said some mean shit, and he said some mean shit, and it’s just a mess now.”

Sam gave you another puppy-dog-eyed look. 

“It’ll be fine, though. I’m sure it’ll blow over.”

If it was even possible, Sam’s face dropped even further. 

“Don’t look at me like that,” you smiled lopsidedly, knowing he just didn’t know how to help. “Can we talk about something other than my boy drama?”

Sam nodded. “Sure.” 

***

For the next few hours, you scoured the internet for information on the “SHA33” number that was calling these poor people. 

Dean returned with caustic remarks to spare. “Find anything?” he asked Sam while pretty much blatantly ignoring you. 

“After three hours, I’ve found no reason why anything supernatural would be going on here,” Sam sighed, shutting his laptop. 

“Me neither, Dean, thanks for asking,” you said. 

“Well, you know, you think a Stanford education and a high school hook up rate of zero-point-zero would produce better results than that,” Dean scoffed at Sam.

“Hilarious,” you deadpanned, hoping to elicit some sort of a response from Dean. 

He shot you a glare, but other than that, he said nothing. Dean reached into his pocket and pulled out a packet. “Motel pamphlet rack.” He dropped it on the coffee table along with a few books. “Milan, Ohio. Birthplace of Thomas Edison.”

“So what?” you asked. 

Sam grabbed a book and leafed through it. 

Dean just raised his eyebrows at you as Sam looked up from the book. 

“You're kidding,” he said. 

Dean smirked as his brother. 

***

Well, a huge waste of time was the only thing Dean’s suggestion led to. The tour you went on at a museum showed the invention Thomas Edison believed could communicate with spirits and informed you that he was a devout occultist. However, the “spirit phone” didn’t set off the EMF detector. 

Sleep refused to claim you. Your anxiety kept your mind racing through the long hours of the night. You sat at the table in your room staring at the door just waiting for Dean to knock. However, despite it being three in the morning, he hadn’t come yet. Your fights had all been stupid and petty, but both of you were too stubborn to be the first to admit fault. 

And with each passing night, you could feel the clock ticking. You knew Dean was running out of time, and you just wanted him to hold you again. As the sun rose, your heart sank knowing he hadn’t come to make things right with you. 

You stayed in your room upset until Sam called you to come over to theirs. 

“What’s up?” you asked upon entering. 

“That girl Lanie—” Sam was referring to the victim he’d spoken to— “her Mom's ghost spooked her out pretty bad last night.”

“That sucks,” said Dean, typing furiously on his laptop. 

“What… are you doing, Dean?” you asked hesitantly. 

He looked at you briefly; the expression on his face confusing. He looked back down at his computer. “I think my dad’s right. I think the demon is here. Check it out.” He handed you some papers and dug around in his bag. 

“What is this, weather reports?” you asked, leafing through the papers.

“Omens. Demonic omens,” he responded. “Electrical storms everywhere we've been for the past two weeks.”

Trepidatiously, you said, “I don't remember any lightning storms.”

“Well, I don't remember you studying meteorology, either,” he snapped.

‘So much for us being civil,’ you thought. 

“But I'm telling you, that bastard's been tailing me; wearing some poor dude's meat,” Dean finished. 

Sam took some of the pressure off you. “And it’s following you because…?” he asked. 

“I guess I'm big game, y’know? My ass is too sweet to let outta sight.” Dean threw a wink at you, and you were getting incredibly thrown off by his changing attitude. 

“Okay. Sure,” Sam snorted.

Dean snatched the papers back from you. “Don't get too excited, Sammy. Might pull something.” He stood from the bed and moved away from you and his brother.

“Dean, look, I wanna believe this man, I really do…”

Dean cut his brother off. “Then believe it! if we get this sucker, it's Miller Time.”

“Yeah, that's another thing. Dad rattles off an exorcism that can kill a demon? I mean, not just send it back to hell, but kill it?” Dean’s eyes lit up. “I've checked it out. This is heavy duty Dark Ages. Fifteenth century.”

“Dean,” you said softly. “I checked on it, too. So did Sam. So did Bobby.”

“Okay, and?” he scoffed. 

Sam jumped in. “Look, it definitely is an exorcism, okay, there's just no evidence it can kill a demon.”

“No evidence it can't,” he rebutted. 

“Dean…” you trailed off, not wanting to start a bigger fight. 

“Hey, as far as I'm aware the only one of us who has actually been to Hell is my dad. And maybe he picked up a couple of tricks down there, like which exorcisms work,” he snapped. 

“Maybe!” you replied. “I hope so; for your sake. But we gotta be sure.”

“Why aren't we sure?” he asked. 

“’Cause I don't know what's going on around here, Dean!” you cried. “I mean, some guy blows his brains out, a little girl is scared out of her wits—”

“Wow, a couple of civvies are freaked out by some ghosts. News flash, (Y/N), people are supposed to be freaked out by ghosts!” he shot back. 

You held his stare venomously. Dean eventually dropped his head in frustration. 

“Dad tell you where to find the demon?” Sam asked carefully. 

“I'm waiting on the call!” he shouted. 

The tension in the room was thick, and you had no idea what to say.

Sam sighed deeply and tried to change the subject. “I told Lanie I'd stop by.”

Dean scoffed. “Oh, good, yeah. No, you go hang out with jailbait. Just, uh, watch out for Chris Hansen. Meanwhile I'll be here getting ready to, y’know, save my life.”

Sam shook his head and turned to the door. You just stared at the floor. 

“You two are unbelievable, y’know that?” Dean shouted. “I mean, for months, we’ve been tryin’ to break this demon deal. Now, Dad’s about to give us the fuckin’ address, and you blink? The man is dead, and you’re still butting heads with the guy?!” He turned his attention to you. “And you? What happened to us? What happened to your ‘unconditional support’?”

“Dean, you still have it!” you replied. “That was never in question! What I’m questioning is where your fuckin’ head’s at. Because this is not you.”

“Oh, god.” He rolled his eyes and began to pace. 

“I’m not gonna mince my words,” you began, anger boiling to the surface. “This is fuckin’ crazy. I mean, there is no proof. At all. All you’re acting on is blind faith.”

“Yeah, well, maybe!” He shouted back. “Y’know, maybe that's all I got, okay?”

You held his stare, the anger melting out of you at his words. When you could see tears forming in his eyes, he looked at the floor. 

Sam piped up. “Please. Just please don't go anywhere until I get back. Okay, Dean? Please.” 

Dean stayed silent. 

“C’mon, (Y/N),” Sam urged you. 

You looked up at Dean. For the first time that week, he offered you a kind word. “Go. It’s okay.”

You nodded. As you turned to go, you stared over your shoulder back at Dean. 

***

At Lanie’s house, the young girl got you up to speed on what happened to her the night before. 

“Have you told your father about any of this?” Sam asked her.

“And bother him at work?” she replied. “No. He wouldn't believe me anyway, he'd just chuck me into therapy.”

“So what did your mother say?” you asked. 

“She wanted to see me. So at first I thought I was supposed to go to the cemetery,” she sniffled. 

“Did you?” Sam prompted. 

Lanie nodded meekly. “Nothing happened. But then she started asking me to do other things.”

“What sort of things?”

She almost seemed embarrassed to say. “Bad things.”

You crouched down and looked up at her, breaking her gaze from the floor. “Lanie, please. Can you tell me what happened? It’s very important.”

She teared up, young eyes swimming in fear and sadness. “Mom told me to go to Dad's medicine cabinet.”

You waited patiently for her to continue. 

“She wanted me to take his sleeping pills.” She stopped for a minute to gather her courage. “Take all of his sleeping pills.”

“She wanted you to kill yourself?” Sam couldn’t help himself from saying. 

She nodded, crying harder. “Why would my Mom want me to do that?”

You shook your head. “I don’t know.”

“She just kept saying, ‘come to me,’ like, a million times,” she hiccuped. 

Your eyes widened. “Oh, sweet girl, that's not your mother.” You stood from the ground. 

Sam told Lanie, “Listen to me. Don't answer the phone. Don't use the computer. Don't do anything unless I say to, alright?”

You started down the stairs and listened carefully; just one set of footsteps was following you. You turned back to see Lanie still at the top of the stairs. “You okay?”

Her breathing was quick. “Where's Simon?”

“Simon?” you asked. 

“My little brother,” she responded. 

The next thing you knew, you were watching Sam shove the little boy out of the way of a speeding truck from the porch of Lanie’s house. 

Immediately, you called Dean. “Dean, it’s not your dad,” you rushed out. 

“Then what is it, (Y/N)?” he asked flippantly. 

“A crocotta,” you answered. 

“What is that, a sandwich?” he scoffed. 

“They typically live in filth. Mimic loved ones. Whisper, ‘Come to me,’ then lure you into the dark and swallow your soul,” you stated. 

Sam motioned for you to head to his rental car as soon as he delivered Simon to his sister safely. You followed quickly. 

“A crocotta, right, damn, that makes sense,” he snarkily replied. 

“Dean, c’mon, babe—”

He cut you off. “Hey, don't these things live in filth?”

“Yeah,” you replied. 

“Oh, god, at the phone company there were these flies. Pretty much as soon as we got down to the basement where this guy Stewie was hangin’ out,” he rushed out. 

“Okay, uh, okay,” you nodded. “Meet us there.”

You brought Sam up to speed on the conversation you’d had with Dean, and as night fell, he sped to the phone company. 

***

Despite calling Dean several times, you and Sam had to keep moving forward with the case. You watched as the man Sam described to you as Stewie unlocked his car. Silently, you rushed him with a metal spike. You shoved him down onto the car and held a metal spike to the back of his neck.

Stewie grunted. “What the hell?!”

“I know what you are,” you spat. “And I know how to kill you.”

“Wait, wait— Please! If we're overcharging you for the call waiting or something I- I can fix that. I am your friend!” he stammered. 

Confusion overtook you, and you turned to an equally confused Sam. You suddenly noticed a man standing behind him with a bat. “Sam, look out!” you cried. 

But it was too late. He was hit over the head with a bat, and you released the man in front of you. You threw your spike at him, but he caught it just before it hit him. He stalked toward you, and the man smiled widely. The man you’d been holding down shoved you to the ground from behind, and you were knocked out, too.

***

When you next came to, your wrists and feet were bound; that was the first thing you felt. Your head pounded, and your wrists ached from how tight the bindings were. When you opened your eyes, you turned your head to see Stewie was dead and bleeding profusely from his chest. 

You shrieked in horror, and then, the man who’d knocked you out appeared in front of you. “The fuck is wrong with you?!” you snarled.

He just laughed mockingly as he stalked between you and Sam. 

You realized something. “My last call with Dean. That was you. You led us here.”

“Some calls I make, some calls I take, but you have to admit, I had you fooled for a while. All that Edison phone crap,” he chuckled. He moved over to a telephone exchange cabinet and sighed in ecstasy. 

“What are you doing?” Sam asked. 

“I’m killing your brother,” he smiled. “Or maybe I'm killing another guy. We'll just have to see how it goes.”

***

The creature removed the knife from the chest of the man beside you. You grimaced at the wet squelching sound it made as he did. 

“Y’know, mimicking Dean's one thing. But my Dad?” Sam complimented mockingly. “That's a hell of a trick.”

“Well, once I made you two as hunters, it was easy. I found Dean's number, then your number, then your father's numbers. Then, emails, voicemails, everything. You see, people think that stuff just gets erased, but it doesn't. You'd be surprised how much of yourself is just floating out there, waiting to be plucked,” the creature grinned. 

“Dean’s not an idiot,” you stated sharply. “He’s not gonna kill that guy.”

“Then the guy kills him,” he shrugged. “And I kill you two. And here I thought I was only getting one hunter.” He stalked toward you, and you struggled harder. “Now, I’ve got another. And a pretty one, at that.”

You reared back and spat in his face. Almost like a reflex, he immediately backslapped you. 

Unfazed, your head returned to a neutral position and you just glared at him. 

“I’m gonna enjoy this,” he said, tracing the knife down your cheek. “Technology. Makes life so much easier. Used to be, I'd hide in the woods for days, weeks, whispering to people, trying to draw them out into the night. But they had community, they all looked out for each other, I'd be lucky to eat one or two souls a year. Now when I'm hungry, I simply make a phone call. You're all so connected. But you've never been so alone.”

Just as the man’s jaw unhinged like a snake to reveal rows of teeth, Sam came up behind him and wrapped his arms around his neck in a chokehold. You sat patiently while Sam and the crocatta struggled for the knife. You watched both men slam each other into various surfaces until they disappeared from view. 

You couldn’t do anything to help yourself, and you anxiously waited for— hopefully— Sam’s return into the room. 

Much to your relief, Sam stumbled back in minutes later. You grinned up at him happily.

***

You were the one to drive Sam’s rental car back to the motel seeing as he was injured and sore from his fight with the monster. You went at least twenty miles-an-hour over the speed limit for the entirety of the drive. 

You burst into Sam and Dean’s room, and you began to panic when you didn’t see him there. 

Then, you checked your room, breathing out in relief when you saw Dean holding a wash cloth to his eye. “Dean!” You ran to him, kneeling down in front of him.

He looked up at you, and you immediately kissed him passionately. He returned your kiss eagerly. When you broke away from him, you took the cloth from Dean’s hands gently to help him clean the wound.

“Sweetheart,” he said. “I— I’m so sorry.”

You placed your free hand on his knee. “We’ll talk in a minute, alright? Let me clean you up first.”

He nodded. 

***

“There,” you told him having placed the final bandage on his assortment of cuts. “That guy kicked the shit out of you.” Although Dean would normally laugh at jokes like that, his countenance was completely serious. “I’m so sorry,” he repeated. 

“I know,” you said softly. “I am, too.”

“I just— I lashed out, and that wasn’t fair to you. You were right,” Dean admitted. “It scares me how well you can fuckin’ read me. And with everything going on, I just—”

“I get it,” you cut him off. “I’m sorry, too. I was being petty. I got mean, too.” You paused for a moment. “I’m sorry it wasn’t really your dad.”

Dean looked down at the ground. “Naw, I gave you a hell of a time on this one.” He huffed. “I wanted to believe so badly that there was a way outta this. I mean, I'm staring down the barrel at this thing. You know, Hell. For real, forever, and I just…” he trailed off, unable to finish. 

Your eyebrows scrunched sadly, and your eyelashes flickered. 

“I’m scared, sweetheart. I’m… I’m really scared.” As tears pooled in his eyes, he couldn’t seem to meet yours. 

You nodded, tearing up as well. “I know.”

“I guess I was willing to believe anything. You know, the last act of a desperate man,” he tried to joke through his stifled cries. 

“I can’t believe I’m saying this, but there’s nothing wrong with having hope, Dee,” you told him gently. 

“Hope doesn't get you jack squat,” he scoffed. “I can't expect Dad to show up with some miracle at the last minute. I can't expect anybody to, y’know? I mean, the only person that can get me out of this thing is me.”

“And I’m right there with you,” you told him. “Every step of the way. To Hell and back.”

Dean offered a lopsided smile. “To Hell and back.”

Series Rewrite Taglist: @polireader @brightlilith @atcamillanorrman @jrizzelle @insomnia-bookworm @procrastination20 @mrs-liebgott @djs8891 @tiggytaylor @staple-your-mouth @jesstherebel @rach5ive @strawberrykiwisdogog @bruhidkjustwannaread @mxltifxnd0m @sunshine-on-marz @big-ol-boat @mgchaser @capncrankle @chervbs @simpingdeadcharacters @nesnejwritings @stillhere197 @tearsforhan @take-it-on-the-run @iloveyou2mia @maxinehufflepuffprincess @ohgeehowdigethere @seninjakitey @berarenado @s0urw00lf @princessleahorgana @quarterhorse19 @isla-finke-blog @silverdoragon @karacaroldanvers @gayandfairycore @examishbookwyrm @star-yawnznn @real-sharena-h @fandomloverrr @metalmonki @onlyangel-444 @yu-winchester @benniwiththefanni @daisychaingirl @immagods @missmieux @yoongi-holland @littledebbieinabigworld

[genderqueerdykes]

howdy, this may be a stupid question but I saw a post of yours talking about how men can be lesbians and I'm just a little confused? can some men be lesbians just because they identify with the label? and If people of any gender can be lesbians what does being a lesbian mean? my understanding may be flawed so I would really appreciate help in understanding :3

hello there! not a stupid question!

yep, men can be lesbians simply by identifying with the label, that's all there really is to it! that's how every queer identity except intersex works, in fact! in recent years, we've begun welcoming non binary people into lesbian and gay spaces- so why can't we open the doors to other people? this can be for a variety of reasons why a man would identify as a lesbian, transmascs and trans men who started in the lesbian community and still feel a connection to that identity, bi/multigender men, genderqueer men, genderfluid men, intersex men, bi and pan men who feel like their attraction is gay and lesbian instead of gay and straight, lesbian trans women who are also men, the sky is really the limit!

it's a bit complicated to define what terms like "gay" and "lesbian" truly mean, because they don't exist in a static vacuum that can encompass everyone in that given community. every lesbian has a different definition of what lesbian means. many lesbians believe that it strictly means cis women being attracted to cis women, which is definitely not how lesbianism works at all. no two queer people will ever define a queer term the same way. a lesbian is anyone who identifies as one. it can be a queer woman, non binary person, or man, or a gender well beyond that. or no gender at all.

for example, there's a loooooonnnngggg history of trans women who are also gay. many trans women still identify as gay and with the gay community even well after transitioning and not identifying as a man anymore. this has been a well documented experience since the dawn of the modern queer community in the United States, so why can't we extend the same to men and lesbianism?

when i say i'm a lesbian, i mean a lot of things. i do experience queer attraction to women ofc, but for me, lesbianism is about community and expression. it's about my love for other lesbians, dykes and sapphics, not just women. i'm a lesbian-oriented person. i resonate with the community, history, and culture. i feel right at home hearing about other lesbians' struggles and experiences with gender, expression, identity and sexuality. i see myself in other lesbians, dykes, and sapphics, and just because i'm (partially) a man doesn't mean i have to give all of that up!

i hope that makes sense! most queer identities don't have a concrete definition when you get down to brass tacks. for example "genderqueer" is not something that's easily defined at all. people love to argue about what it "really" means but there's no one answer to that. the same goes for lesbianism. the experience is too broad to be able to be defined simply by saying a lesbian is is a woman attracted to women. identity and lived experience is too varied and complex for that

feel free to have any more questions you may have! if you'd like, i highly recommend looking into the life and works of Leslie Feinberg, a transmasculine butch lesbian revolutionary and queer activist who had to transition into manhood in order to feel like hirself as a butch lesbian. zie identified as multigender and never gave up hir lesbian identity, even after living as a man for many years. it was vital to hir butch lesbian identity :) thanks for stopping by, i appreciate you asking!

[animezinglife]

I understand it, too.

I genuinely do find Solas attractive, albeit in a different way. I would love to romance him with a different character someday---I just wish we got Solas for who he truly was from the start of that romance or that the truth had come out earlier. I'm good at avoiding spoilers, and I hadn't known he would betray the Inquisitor, nor had I even known you couldn't romance him as a human. I had actually gone in fully expecting Mira to flirt with him a little (I knew nothing about Cullen's romance at the time and had always heard Solas was the way to go), but that's simply not how their dynamic played out anyway.

I have no doubt his and Lavellan's is an enthralling story in DA:I, and I would at some point like to experience it. I fully understand the appeal. I would fully be there myself with the right character and mindset.

Solas is captivating. He's someone you could talk with for hours on end about the most abstract concepts, but there's always that small sense of him keeping his distance (even before the topic ever comes up). Even I knew there was more he wasn't saying by the way he dodged questions and some of the dialogue between him and other companions. Though for someone who didn't know better, that could've simply meant he was far more powerful than he let on, knew more than he let on, likely older than he seemed, and wanted to protect himself. The whole, "elven god of lies" thing was a bit more of a twist than I'd anticipated. A secret, ancient elf hiding some things I can do, especially if those layers get peeled back over time. I'm less sure about elven Loki.

I think it truly would've been interesting had it gone a bit more in the direction of Children of Fallen Gods/Mother of Death and Dawn (which, some have noticed, draws some considerable parallels to Solavellan in ways that can't be considered coincidence). Without bringing too many spoilers to the forefront of the conversation, there is some...mutual awareness and corruption that occurs between Totally-Not-Solas and Totally-Not-Lavellan. The power dynamic's more balanced and decision making more...comparable to some degree.

(I am not, by the way, blaming Solas or pointing any fingers at anyone regarding their power dynamics in DA:I).

Solas is the guy whose beauty (if you lean that way at all) isn't quite as noticeable until you get into a really deep discussion with him and realize your heart's beating a little too quickly and you're definitely sitting closer to him now than you were before. He draws you in. He piques your curiosity a bit too much.

I truly do not factor in looks at all (within reason---I'm blatantly partial to humans, elves, fae, vampires, etc.) when I play games with romance options. Solas (in theory; I played as a human, which negates the option) would've been every bit as high up on my to-romance list as Cullen. In truth, he was higher just because he was the one I knew so many were obsessed with. Just because Cullen caught my eye faster didn't mean he and my Inquisitor would've been a good match.

But wow, were they.

I easily lean more towards the "Solas-is-attractive" camp in general. Honestly, I love the fact that the romance options in DA:I were so different and unique from each other. Any players who chose to pursue a romance could find one that suited their characters perfectly. I like that there are a range of personalities, dynamics, and looks, and that there's good variety.

For me personally, nothing in that particular game will ever top Cullen's just because it's so incredibly hyper-specific to every little thing I love and value most even in real life. It's perfect for Mira's story; she is, admittedly, a lot like me. I couldn't believe a romance like that even existed in a game (and you already know why/the many layers I'm referring to).

Yet I also know there are plenty who wouldn't like his romance at all and vastly prefer Solas (or someone else in general).

That's the beauty of it, though.

But, yeah..."ugly?" That's not even a word I'd consider for Solas at all.

Dragon Age: The Veilguard | ▶ dev. Bioware

[taylorklosscomeout138]

Where does swiftgron fit in your timeline? I thought kaylor was from 2012-13

I used to believe all love songs on Red had to be about Swiftgron because based on the Kaylor officially met in 2013 false narrative, it was impossible for songs to be about Karlie

But then I discovered the video where Taylor confirms she met Karlie at the 2008 Young Hollywood Awards so pretty much they lied about the entire tl to cover their tracks

(This is going to be a long wild ride but it's worth the read so please bare with me)

That led me to discover the 10000% proof that Begin Again is about Karlie because her full name and birth year is hidden on a car license plate in the MV. (That also led to me finding out many Red songs are about Karlie)

Taylor started officially dating Karlie in 2011, Kaylor began before Swiftgron. But by Summer of 2012 Kaylor and Swiftgron overlap. And thus we get the Folklore love triangle. "Chase 2 girls lose the 1" and she swears to Betty it was "just a summer thing"

(Which I need to fact check this for clarity, Betty August Rebekah are all Karlie. August is not a seperate person that was a bait and switch. Dianna Agron is Inez. The person Betty heard the rumours that James cheated from... how did Inez know if it was a secret? Because she was the other party in the affair. Inez derives from the Latin name AGnes)

Okay so back to "just a summer thing", well the actual confirmed Swiftgron timeline literally is called "The Swiftgron Summer" of 2012. So this makes it very obvious that the "summer thing" is when she started seeing Dianna despite being with Karlie. It is explained in Folklore that this ended their relationship initially

So now the timeline makes sm sense when you know How You Get The Girl was written about Taylor losing Karlie for 6 months due to this. And showing up to her doorstep to make it up to her after officially leaving Dianna in the Fall.

The 6 months would span the beginning of Summer, to November of 2012. I believe this is also why Red TV was released in Nov 2021. It is quite literally the same date, just rearranged.

So let's reflect back, because if Swiftgron really was only official in Summer of 2012 (which is also made apparent by Dianna and Lea Michele's timeline) and Red came out in Oct of 2012, then makes it impossible that Red songs could actually be about Dianna Agron besides the potential of a couple last minute love songs, but even then, albums are turned in months prior to the release.

Therefore, Red is likely only Liz Huett and Karlie Kloss. I was not apart of the fandom during Swiftgron, I joined way later, so I honestly do not understand how anyone ever concluded Red is about Swiftgron and didn't question that when even the masterpost makes it clear Swiftgron was mainly just a summer thing in 2012 and Dianna was with Lea Michele still in 2011. I can understand thinking Red was about her though based on just not having any other fitting muse due to the lie narrative about Kaylor.

But my friend even fact checked the one lyric on Red everyone thought to 100% be about Dianna from Holy Ground "I left a note on the door with a joke we made"

But the evidence comes from Dianna's birthday party at the end of April 2012. Whereas Taylor factually wrote Holy Ground in Feb 2012, 2 months prior to that.... which I also have no idea how that never got fact checked and was ran with.

I even believed it up until my friend told me about it a few weeks ago but that's because I've never looked into facts about the Swiftgron timeline much until finding out that the entire timeline as we knew it was a false public narrative timeline used to cover up Kaylor history of the past. So needless to say.... very shocking. And it changes everything

This basically means that Swiftgron doesn't even officially get a song until 1989- and even then it's half Karlie half Dianna as confirmed by Kimby Kloss in her messy era when she liked a post of someone saying YAIL is the Kaylor anthem and Wonderland is the Swiftgron anthem.

So there you have it. Honestly this isn't even beginning to scratch the surface because there is so many things about the timeline that have been misunderstood for so long.

Including that Enchanted off of Speak Now was the first ever song written about Karlie. It was just a fantasy song at the time, but the reason we all believed it to be about Emma Stone was because that's what she was going for. Why? Because when Taylor met Karlie for the first time in 2008 it was at the same time she met Emma Stone. The guy who introduced them said he brought Karlie and Emma over her to her at the same time. Hence why on Speak Now TV she coded Karlie as Emma with "When Emma Falls In Love".

I can definitely get into the breakdown of Red as to what songs are about Liz Huett and what songs are about Karlie if that's something you or anyone else would like! Me and my discord have already reassessed the whole album through this lens awhile ago

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[hexedwinchester]

Supernatural S04E21 When The Levee Breaks

This my favourite episode ever! Can you guess why?

of course it means it will also be heavily anti Dean. Dean girlies, this ain't for you.

God, Dean getting pissed about Sam lying, as if Dean hasn't lied to Sam before is getting me pissed off

Sam's angry "Dean!" Is so hot

it makes me so angry that Dean and Bobby left Sam to deal with the detox all alone. How could they? And the fact that it didn't occur to Dean that Sam could die during that? Like wake up!

no Bobby, he is not here because you love him too much. He is here because you are scared of Sam!

Poor Sam, all alone, screaming for help, terrified of everything happening to him, not sure what's real what's not and they left him to rot in there! What's even worse? They cuffed him to the bed and left him to wake up alone again ?! 😤

at least Bobby had the sense to doubt their actions whereas Dean was busy being self righteous. Pull that stick Outta ur ass, Dean

ahhh Jared played the junkie role so well! The tremors, the trembling hands, the blinking eyes, the seizures, the agitation!!!

I know Jared's a professional but don't tell me he didn't have fun manhandling Ruby a bit!

Sam had no right sexualizing drinking demon blood 😍 sorry, I'll allow the demon blood drinking if it's this hot

Dean, honey, you did exactly what Ruby did. Left Sam alone. You're not better than her just because your eyes don't flash black. Yet.

that exchange between Sam and Dean is so important to me. Despite Dean locking Sam up, he is glad to see his brother and wants him to join him to bring down Lilith but Dean.. he just can't give up control, can he? The one time Sam's begging him to trust him but nope. Sam is still so understanding but the moment Dean calls him a monster..damn!

Woohoo!! That punch was so long overdue! Anyone else noticed that sexy roll of Sam's shoulders?

Dean should be glad Sam doesn't get physically violent as often as Dean does. He would get his ass handed to him

no matter how much of a dick Dean has been to Sam, the one thing that I never liked was Sam strangling Dean. Like, honey, no! You are better than this

seeing all the shit Dean has pulled through the seasons, i realised just how forgiving Sam is. He doesn't punch him back everytime Dean hits him. He never brought up Dean calling him a monster or the corrupted voice mail. He trusted him even when Dean said he was going to say yes to Micheal. He moved past Dean killing Amy. Sam is too good. Dean.. eh!

[thatdisasterauthor]

I do indeed have much I can say on all of this! I don’t have time for a full breakdown, but let’s hit some key points.

🌪The Milton evacuation and changing the direction highways.

This is called “contraflow” and it is indeed a thing that is frequently used in evacuations. However, from what I understand, Florida might have laws against this? At least that’s what I’ve heard, or maybe just laws that do indeed make it very difficult. I haven’t had a chance to look into it too closely. And it is a tricky thing to do safely just off the cuff without a known procedure in place, which you wouldn’t have if it’s against the law in your area. You’ve gotta shut down all the exits/entrances accordingly so you don’t have issues with head-on traffic, you’ve gotta make sure you have effective alternate routes for emergency traffic, you’ve gotta have a space to reintegrate traffic into the proper lanes once the contraflow segment has ended, etc. etc.

You’re right that this isn’t a police problem, it’s a LAW problem. Maybe also a police problem in the sense of what trainings are available to them, what procedures they have in these situations, etc., but not an ACAB style police problem. Plenty of places DO use it, like I said. (Also, sometimes you’ll get spontaneous contraflow, where people just start doing on their own, but that’s a whole different can of worms.)

🚗 Over dependence on cars.

America is indeed super car dependent, but that’s not exactly the issue here, at least not in the way you’d think. First off, evacuations are just HARD. That’s a lot of people to move. Even if you took every large transport vehicle in a given area (so all the buses of any sort, any trains, any planes), you’re not going to get the entire population moved out in a timely manner, even if every seat is taken. It just isn’t feasible for so many reasons. People DO need to be able to evacuate via car. It’s also very dependent on the disaster in question. An evacuation for a hurricane is very different than most other evacuations due to the amount of time you, usually, have.

Now, one thing that happens and causes problems during evacuations is that people take ALL their cars instead of just one. Mom takes one car with the kids and as much stuff as possible stuffed in the back, and Dad takes his truck with the dogs and the bed piled high. A lot of evacuation planning doesn’t account for this. They see a four person family and think, “ah yes, the family sedan has six seats, they’ll just take that and go, we don’t need to plan for them to put both their cars on the road and at all the gas stations along the way.” But then they do take both cars, and so does every other family on the road, and suddenly you’ve got a shit ton more cars doing something that you expected a lot less cars to be doing. I have a lot more thoughts on this I can share later, if people are interested, but for now we shall move on.

(There’s also definitely an element of poor city planning and infrastructure in some places, but that’s very much a case by case thing.)

👩🏻‍🚒 We need a better emergency management system.

Yes! Though, actually, we already have a pretty good one as compared to other countries. Not great, by any means, but something like FEMA is pretty rare. Most countries just kind of ad hoc disaster response on a case by case basis, which is also what we did until we created FEMA in the 70s.

I have A LOT of thoughts about how we could improve the system as it currently stands, which is a big part of why I want to do a PhD in emergency management.

🔥 When to evacuate.

You mentioned this in relation to the Camp Fire, and that one is…yeah, that one was so bad. There’s a lot that goes into making evacuation decisions, and unfortunately studies have shown that a lot of emergency officials still believe the myth that people will panic if you give them too much information about a disaster. This leads to delays in evacuations, among other things. Also, evacuations are expensive, and that makes officials hold back. Plus, there’s the “cried wolf” effect where if it turns out the evacuation WASN’T needed, the next time it IS needed, people will be less likely to go, which again makes officials hold back.

With the Camp Fire, though, I don’t know if any of that specifically was what was at play. That thing just moved FAST. Also, this was a small mountain town. There were not a lot of ways out, just thin mountain roads. I guarantee those officials who made the evacuation call hesitated because they knew people WOULD get stuck on the few potential roads to safety. They weren’t making a choice about evacuation, they were making a choice on where they wanted people to be when the fire DID hit. Because it was going to hit. So do they concentrate people all in one spot, on a road that itself won’t burn but will be completely surrounded, or do they keep people spaced out all over town hoping that pockets of it might be safe? And they had to make that decision at the drop of a hat, knowing people were likely to die either way.

Fires are, in my opinion, the most terrifying thing to have to manage an evacuation for. They are both incredibly quick, but also potentially long lasting. They can shift direction at a moment’s notice. They can do things you never knew they could do. They can consume absolutely massive areas. They can die down and pop back up when you least expect it. And to be the person making the decision on how to handle that must be a very, very heavy weight.

👋🏻 People in positions of power just waving their hands.

Some do, some don’t. There are so, so many amazing people out there who care about this stuff and are doing their best to address these issues. But they need support. Taking over the department of transportation isn’t the answer, your local emergency management department is. Check out what their emergency plans look like, they should be on your county and state websites. Read through them, find the holes, go to meetings, contact your representatives. Be a nuisance to Congress RIGHT NOW.

🎓 Disaster education

Lastly, to @kyraneko’s point about needing better disaster education, yes! Yes we do! I think one of FEMA’s weakest points is its lack of addressing and helping individuals directly prior to a disaster, rather than in large groups. I’m working on it. Got a big project in the works that will, hopefully, start addressing this issue. And that’s not including the PhD.

Sooooooo….yeah! :D That ended up a lot longer than I thought, lol. Hope some of it was interesting to those of you who have made it to the end.

So I have a friend from high school who is a cop. (Yes, I KNOW.) I shared a photo on Facebook of a packed highway of people attempting to evacuate from Hurricane Milton, all while the lanes going in the opposite direction were open and empty. And my Facebook post was basically me screaming, “Open the other side of the highway and reverse it so that people can GET OUT.”

His response was essentially, “Yeah, that is *really* difficult for us to do.” Not in a condescending way, because he genuinely isn’t a huge asshole. (Yes, I KNOW.)

And then I may have vented in my response, in which I tried not to imply that the police were a problem. Because to be honest, I don’t see this as a police problem. I see this as how we have fucked ourselves as a nation by making ourselves so dependent on cars.

There is that poll on this site – or multiple polls, at this point – asking how long people can tolerate being in their cars. And the thing is, Americans (and Canadians as well, I am imagining) have almost no other options. We have to be used to spending a good 12 hours in a car without breaking a sweat. Everything in this country is built around being in a car. There’s a reason when you ask us how far away a place is from somewhere else, we normally give that distance in hours and not miles.

Air travel sucks. It sucks for a multitude of reasons – cost, the hassle of dealing with security, the time suck, etc. – and in an emergency, only a select few are going to be able to use it to get away from a hurricane. And that’s one of the few disasters where air travel is an optional escape.

Train travel sucks. Amtrak is not something you’re gonna be complaining about if you’re trying to get away from whatever disaster you need to evacuate from. But next to so many other countries, Amtrak looks like we’ve been receiving other countries’s leftover railway systems from the 70s. It also doesn’t go everywhere. I live in northeastern Pennsylvania near Scranton, which prides itself on its history in the train industry. We have a museum and everything. We have multiple things named after that museum, including the Steamtown marathon which is happening tomorrow.

Can you get on a passenger train in Scranton? Nope.

(The main argument against this always seems to be that people will come here from New York City and commit crimes, which is hilarious considering if somebody wanted to come here from New York City and commit crimes it’s only a 2.5-hour drive.)

Anyway, disasters.

If the only option you’re gonna give most people to get out of areas of Florida that are being targeted by hurricanes or areas of California that suffer from wildfires or places in the Midwest that face flooding are cars, then we need a better fucking emergency management system regarding transportation in this country. You can’t just sit there and mock people for not evacuating because they can’t or won’t when getting away from Milton meant sitting on highway for hours with absolutely no gas stations whatsoever nearby having any gas at all. (It just makes me think of those photos of people stranded on the highway in their cars in blizzards where people are like, “Now imagine imagine how bad it would be if all of those cars were electric!“ Well, all of those cars in that photo in that blizzard run on gas and they’re fucking stranded, sooooooo.)

Look, we can change the transportation system in this country. we did it before and we can do it again. We used to have more train options, fewer highways. My small hometown had a fucking trolley in the 40s. Now, if you don’t have a car here, you’re stuck. You can’t even get Uber here. if a wildfire started here and surrounded the town, it would be a clusterfuck.

Regardless of how you feel about the police, if police and fire departments in this country cannot organize an evacuation on a highway in a way that will reduce the backup so that tens of thousands of people aren’t sitting in their cars when a hurricane hits, that’s a problem – not just for those people, but for the police, and the fire department, and emergency management in general.

The people in charge of emergency management are just people, just human. I’m researching the Camp Fire in 2018 right now, and you had a bunch of people calling 911 saying, “I can see a huge fire off to the east. Are we safe? Should we evacuate?” The 911 operators could only work off the information they had. They could have told people to evacuate earlier, but Cal Fire didn’t anticipate the strength of the fire. Which is understandable. Nobody could anticipate the strength of that fire. But the 911 operators were sitting in an office with no windows, and they had no idea what was going on the east. They couldn’t look out and see exactly what was happening. If they could have, they probably would have told people to leave as soon as possible much sooner than they were told to. Instead, they waited for official confirmation, and when they did start telling people to evacuate, traffic managed to back up in a small town of 25,000 people until many of them were trapped in an unimaginable hellscape.

When people need to evacuate from a disaster, and they stay instead, far too many people - including those in positions of power – just kind of wave their hands and say, “Well, we tried.” No, we didn’t. This country made not trying its watchword, and now we’re at a point where unless you own a car, which is a luxury a lot of people cannot afford in this economy, escaping from disaster is impossible. So you can get in your car or somebody else’s car and go sit on a highway and hope your gas doesn’t run out, since none of the gas stations for 100 miles have any gas to give you, or you can stay in your house and hope you don’t die.

Sometimes, I really wish somebody would make me the head of the department of transportation. I would demand an absurd amount of money to build a better train system, to provide better transportation options for smaller towns, to provide extensive training for rescue personnel in managing evacuations like the clusterfuck in Florida this week. I would become an absolute fucking nuisance to Congress. I would be asking for money left and right to make it so that our only options as Americans weren’t to get into cars we can barely afford these days and attempt to organize our own evacuations from the growing number of natural disasters in this country.

Y’all keep posting these polls about how long you can tolerate being in a car at the same time that tens of thousands of Floridians were sitting on highways trying to get away from Tampa so they wouldn’t die in a hurricane.

We can tolerate being in a car all goddamn day. It’s because we don’t have a fucking choice, even when it’s life or death.

[daretoassume]

Hello , I hope you see this.

I might be a bit desperate.

So 2 years ago I wanted to kill myself but then I had a huge “spiritual awakening” where I say things beyond human comprehension. And from that moment I decided to give life a chance, I knew that life actually had a meaning and that was for me to discover what was beyond what I could think. It gave my so much clarity of the world around me and who I was. From that moment I also started to randomly consciously manifest things without knowing about manifesting. I’m not kidding when I say this but in that time I manifested 6 million overnight while I was just kidding about being a millionaire while listening to my rich music and then when I woke up my parents had the good news. I also manifested others things that I thought where extremely special. But I didn’t really put in effort it was just fun experimenting with my powers.

So then I decided to deepen myself in the laws. I started with law of attraction. And I ended up meditating so deeply everyday that I was so passionate about finding the ultimate truth of reality inside me, that I was extremely depersonalised from my 3D and basically lived inside my brain. I could ask things and receive answers on my questions, like the one time i asked how to invent something that could end humanity ( I still have a full doc on how to build to most effective machine that could end humanity in less than second) I also got the answer of questions about reality and my vessel. So that’s when I realised there was nothing but me. And that I was experiencing myself from the experience of myself ( if that makes sense!) I found that there really was nothing and everything at once while I was giving meaning to it. So that’s when I started with extreme anxiety and depression because I struggled so much with intrusive thoughts, not being able to ground myself in this reality and being so so scared of my thoughts. Still to this day my thoughts scare me so much that I can’t help but experience anything other than fear from myself. It’s like I’m living in a constant nightmare. I have watched so much law of assumption post and videos dedicating every second of my day on being focused and disciplined to affirming and being in the state of having what I want, but it makes me so fuckiyn angry and I don’t know why. Everytime I see a post I feel depressed because deep down I know everything but everyday I wake up in the same reality where everything fucking sucks ( I have been forcing myself to be kind self love gratitude letting go void state visualisation whatever exist I’ve done it all) and when I finally have build up that trust that everything is working out in my highest favour and I always get what I want and the 3D can’t tell me nothing yk I can delude myself into knowing I have it but it’s been over a year and I just can’t bear this reality anymore I know I’m meant for another reality and there’s just nothing for me to find here anymore. And I really don’t know what to do anymore I feel like I’m stuck in this reality where everything seems to get worse. And my thoughts are also getting worded everyday for the last year but whenever I tried manifesting a better self concept mindset etc it got worse when i don’t even want to be the person that is in conflict with themsef because that’s just a idiotic thing to do. But can you help me out?🫶

what you experienced, everything that you learned, was so profound. it is truly a gift to have such insight, so treat it as such. try to examine why it scares you so deeply. there is something within that fear that is asking to be understood.

you have seen how effortlessly you created before, simply by being playful and detached. you were experimenting, having fun with it, and not placing too much importance on the outcome. that is why there was no resistance. things flowed into your reality flawlessly. you already understand the law. you know how to apply it to your life. you do not need another blog post or video to teach you what you already know.

what you need now is to go deeper within yourself, to truly understand why you feel this way. these feelings are not here to torment you but to guide you toward something deeper. perhaps there is a message waiting for you, something significant you need to uncover, or even a realization that you are meant to share with others. your emotions, no matter how overwhelming, are part of your journey. they may be pointing you toward a greater understanding of yourself and your purpose.

if you feel an inner pull to create something meaningful, to express yourself, or to pursue something that sparks joy, do not ignore it. act on it. even if it feels small or insignificant at first, do it. follow what excites you, even in the simplest of ways.

i know it’s easier said than done, especially when it feels like the weight of the world is on your shoulders. but remember, we both know the truth—what we focus on expands. even a small shift in focus toward what you prefer can create change. we often feel so much these days that we forget to acknowledge what we can be grateful for. take a moment and ask yourself: what are you truly grateful for right now? your family, your friends? doesn’t it bring you some happiness to know you’ve learned so much already? i am not saying you are ungrateful. i am suggesting that maybe starting with gratitude, even in the smallest way, could help shift your attention, even just a little.

as you take time for introspection to truly understand what is behind these emotions and why you feel the way you do, you might also set some goals for yourself. try doing something that excites you, even if it’s small. i know this reality can feel limiting, and maybe that’s why you feel like you don’t belong here. but if you see it as a curse, then that’s the experience you will live out.

what if you see it as an opportunity to discover something profound within yourself? what if the very limitations you feel are only reflections of the state you’re currently in, waiting for you to shift?

you don't have to force yourself to change everything all at once. just start small, day by day.

you already know how powerful you are.

[ninja-confession-go]

Long rant about Jay (not a hate rant quite the opposite actually)

I hate that they got rid of Jay's mechanic/inventor traits as time went on. And instead of just bringing those traits back they keep introducing characters to fill In that role.

Like Im sorry but why are 3 of the 4 gals apart of the main group into mechanics or deals with tech in someway??? Why is Wyldfyre the only gal who doesn't have an interest In tech????

Nya, Sora and Pixal all fulfill essentially the same tech role and while that's fine as they can easily fulfill different aspects, my issue is WHY NOT BRING JAY'S SKILLS BACK THEN?

They r clearly not afraid of multiple characters fulfilling similar roles so why was Jay the only one who's mechanic skills were stripped away?

Like his skills were so important in the earlier seasons he helped out so much and even got the bounty for fuckin fly?? Like his skills in machinery was also a reason why wu chose him too so to strip that away just makes no sense?

Like I'll forever be salty about this, his intelligence in machinery was so interesting to see especially when u consider the comedic kinda of character he's supposed to be. They could easily made him the mad scientist type of inventor/mechanic but they just hate fun and whimsy and would rather he be just comedic relief and nothing else I guess.

THATS ANOTHER THING

I hate how they treated Jay like he was stupid in later seasons too. They really dumbed him down instead of being the smart comedic relief he's the dumb comedic relief and I HATE it. bro literally deals with mechanics and made shit from scraps if there is one thing he ISNT, is stupid.

Like if they had just made him, let's say not emotionally intelligent i could understand. This is my own personal headcanons coming through, but i don't think he was around many other humans aside from his parents and occasional mail man growing up, and while i dont think he means to come off as a jerk, he tends to say shit without thinking it through as we have seen ALOT and that could be chalked up to him dealing more with machines than people. So If they had just focues on his lack of emotional intelligence, THAT I could understand and would have been fine with. Obviously this is more my own headcanon coming through but u get the idea

But they just made him more all around stupid and I just find that so hard to believe.

I hate how none of Jay's backstory has been explored too.

They introduced a mind shattering revelation that Jay's adopted and proceeded to do...nothing with it.

WHYYYYY???

It would have been so cool to explore that but no, it gets no mention or focus at all aside from that random coversation betwen Unagami and Jay in the season that absolutely should have been a Jay season but for some reason wasn't. Like why bring it up then lol

I also hate that all of Jay's conflicts tend to involve Nya. Like I know they yin/yang but cmon bro, not every conflict Jay goes through has to focus on his relationship with Nya. Let this man get SOME interesting characterization that isn't based around Nya CMON

I saw a few posts on here talking about Jay's characterization and I just had to jump In with my two cents cuz it's crazy how they brutalized him in later seasons. The Fandom tries their hardest to keep the mechanic aspect of Jay alive and I appreciate that so much cuz it's a crime they got rid(or forgot or whatever) of it later on

If u can't tell I'm a Jay fan who's mad their fav was done SO dirty LOL

.

[joocomics]

YOU PUT A SPELL ON ME ( SNEAK PEEK )

─ ⋆ dinna’s holiday special 2024 ⋆༄

✭ event is 18+ only

pairing: non-idol!gunil x fem!reader | professor!gunil x student!reader

genre: smut, slice of life, university au | wc: 8k+

summary: when your parents shake hands with new business partners they get invited for one festive weekend at their expensive villa. although it’s the last place you want to waste time at, you understand how and why these people are important for your family business, so you agree to join them. the last person you expect to see there is your professor who you’ve been having a secret crush on… and who also politely said no after you asked him out last semester…

contains: switch!gunil, temperature play and more…

♫ get in the mood: you put a spell on me - austin giorgio, come on - jhené aiko, you keep me up at night - the driver era, igloo - kiss of life

taglist is open! comment or send me an ask and i will add you right away ♡

[ event masterlist | general masterlist ]

“Fuck—“ you put enough amount of pressure and feel his nose pushing nicely against your clit; his flat tongue pressing more insistently, turning his mind foggy with the sweet taste it’s collecting with each lick. “Would you ever… have me like this in your cabinet?”

You tug on his hair as a sign for him to look up. Once he does, you notice his eyes are glazed over with sensuality that has your heart fluttering; his lips are glistening and puffy all because of you.

“In the same cabinet I share with two more people?”

You nod playfully while tugging at his collar; as much as you like the touch of his mouth you need to be on top of him as soon as possible.

“Obviously they’re not staying there all day,” you comment as he gets rid of his black underwear. The sudden view of his thickness, the way you can already tell how heavy it would feel in your hand makes you go silent mid sentence; your lips form an oh before you simply ask: “Can I?”

Gunil steps forward summoned by your voice. His hand lowers his erection as you kneel on the bed with tongue eager to explore the oozing spot of his tip.

Both of you hum in bliss just seconds apart; you because of his taste, and he, because of the thrill of having your lips hugging the head of his cock. His hips slowly rock forward in order to invite more of his length between your hollowed cheeks and move backwards as you glance up at him with look in your eyes that has him suppressing cusses.

“Take it slow baby,” he whispers after noticing the way you force your mouth to stretch wider, to take more and endure more of his size. “You’re doing good already.”

Your fingers go around the base as you drag your slick lips thoroughly; muffling little sounds every time you welcome his tip deeper. Once you sense a slight pain spreading in your jaw you decide to empty your mouth and stroke him top to bottom while catching your breath.

Gunil watches your saliva being smeared everywhere, marking the sheets with dark wet spots.

“I’ll do even better once I sit on it.” You give his tip one last kiss and shift to the other side of the bed so he can lay down. “Leave the shirt on, please.”

Gunil breathes out a chuckle at your request, but truthfully he cannot deny that he does feel a certain satisfaction from the fact you get turned on by seeing him like this.

Does this mean you’ve been aroused during some of his lectures?

♡ … full fic will be out in december