#i mean it's great but may not be the most accessible story here

[bulkyphrase]

Romanogers Rec List

Here are a few of my favorite Steve Rogers/Natasha Romanoff stories!

Dreamland by quigonejinn (Teen And Up Audiences, 1,852 words)

Summary: After coming out of the ice, Steve Rogers has a recurring dream.

Threads, Frayed and Whole by Jaune_Chat (@jaune-chat) (Teen And Up Audiences, 2,360 words)

Summary: Alphas gift their omegas with trinkets to show they care. As a young operative, all Natasha could ever make was what she found. But how could that compete with what her fellow alphas were offering today?

Wander by @beezyland (Mature, 148,406 words)

Summary: Despite a wolf attack that ended in the death of his best friend, Steve still spends most of his younger years watching and drawing the wolves that live in the woods behind his house. One wolf with a coat tinged with red and strange green eyes watches him back. Ten years after leaving, Steve returns to care for his dying mother. That summer he meets Natasha, a mysterious bartender who has the same eyes as his wolf and secrets that will change everything he thought he knew about his hometown.

More below the cut!

For Whose Love I Rise and Fall by Yeetmeaway (Mature, 195,570 words)

Summary: In 1943 Hydra unleashes a deadly virus in its quest to create a new world order--one that turns its hosts into vampire-like creatures. 75 years later, humanity is on the brink of extinction, protected only by the hunters of SHIELD. Natasha has already lost so much to this--they are fighting a losing battle and everyone can feel it. But, for the first time in years SHIELD has hope, the possibility of a cure. What else will she give to bring an end to this nightmare?

How The Light Gets In by singalellaby (@captainmarvelling) (Teen And Up Audiences, 19,359 words)

Summary: Losing his sight may mean Steve can't fight alongside the Avengers, but he's still a super soldier. Natasha just needs to remind him of that.

The Things We Deserve by Not_You (Explicit, 1,598 words)

Summary: Natasha is having a bad day. Steve's enthusiastic, submissive masochism is helping.

what a smile means by victoria_p (musesfool) (@cacchieressa) (Mature, 4,475 words)

Summary: Natasha knows a lot of things Steve doesn't.

To Be Worthy by Yeetmeaway (Mature, 124,681 words)

Summary: Posing as the daughter of a Viking warlord, Natasha is betrothed to her enemy-- a young warlord of unearthly strength and power whom she is tasked with killing. But when she first lays eyes on her husband-to-be it quickly becomes clear that all of her intelligence about him was massively understated. Ordered not to abandon her mission and determined to go through with her plan, Natasha quickly draws the attention of her future husband’s warrior, a man she suspects may be a counterspy and who seems intent on learning everything about her. With the day of her wedding fast approaching, Natasha has everything to lose— her professional reputation, her life, and even her heart.

Cursed by Yeetmeaway (Mature, 22,694 words)

Summary: Six months after the battle of New York, a routine Avengers mission goes wrong after an encounter with the Enchantress. Natasha is private at the best of times, but she can no longer afford to be when it becomes clear that Steve has been cursed by dark magic. Reclusive and withdrawn, she is the last person she would've expected to help him, but she owes him a debt. As the curse begins to claim his body, Natasha can no longer hide her own darkness, nor can she deny the feelings that are growing within her heart. But if she and the Avengers can't find a way to help Steve break this spell, then she'll lose him forever.

Fated by Yeetmeaway (Teen And Up Audiences, 6,374 words)

Summary: Soulmates are a thing of fate-- two souls tied together in an unbreakable bond. But for Natasha, fate has seemingly chosen a different path. When it is discovered that her soulmate is an accursed, soulless beast, she is made into a Widow-- a monster slayer, those who fate has cruelly abandoned. What else can she do but embrace her destiny? But when a mission goes wrong, Natasha discovers that everything is not as it seems.

Another Person's Words by Ranni (Not Rated, 5,272 words)

Summary: Steve isn't the only one that doesn't catch all those movie references. Natasha plans it with the same grim intensity she brings to any mission, and where Tony would tease and Clint scoff, where Bruce would shake his head in disbelief, Steve is only grateful. She doesn’t like to be left out of things and he doesn’t like to be embarrassed. So many of the problems they have are unsolvable, but not this one—they can do this, can learn the language the others already know so easily.

Protective Package by Jaune_Chat (@jaune-chat) (Explicit, 3,576 words)

Summary: Steve Rogers would defend his friends with anything at his disposal, his strategy, his intelligence, his strength, his shield, his very life. Anything. This is the story of the five times he protected Natasha. With his penis. But things aren't quite as simple as that.

Unintended Side Effects by Margo_Kim (@andhumanslovedstories) (Teen And Up Audiences, 5,459 words)

Summary: Written for the Avengers kinkmeme: "Among the serum's many little quirks and oddities is that in addition to making his body stronger and his mind sharper, it also kind of cranked his libido up into overdrive. During the war it was easier to suppress/ignore because hey, being shot at is quite the boner kill, but now he's in the 21st century and though they still happen, battles are rather less regular. As a result, well; let's say that Little Steve is suddenly "standing at attention" when not explicitly ordered to do so." Steve respects Natasha as an agent and a person, but he also needs to stop looking at her when they are in public together because his body can't quite handle it and his uniform is very tight. The fact that Natasha's having entirely too much fun with Steve's noticeable problem doesn't help matters. Also available as a podfic read by ArwenLune (@primarybufferpanel).

American and Russian Relations in the 21st Century by Margo_Kim (@andhumanslovedstories) (Teen And Up Audiences, 2,548 words)

Summary: Written for the Avengers kinkmeme: An outsider perspective on Steve's new relationship. Darcy thinks there's something funny about Steve and Natasha's new relationship. Erik and Jane think she's crazy.

[reasonsforhope]

"At HarperCollins, a lot of attention and thought is given to deciding exactly what combinations of margin measurements, font, and layout feel most appropriate for the genre, and writing style.

But in a case of do-your-part environmentalism, designers at the publishing house have now standardized a series of subtle and imperceptible alterations to normal font style, layouts, and ink that have so far removed the need for 245 million book pages, totaling 5,618 trees.

Telling the story in Fast Company, representatives from HarperCollins, one of the four largest publishing houses in the world, explained that the idea first arose in Zondervan Bibles, HarperCollins’ Christian publishing division. Being that the Bible is 2,500 pages or sometimes more, saving ink and pages was not just an environmental consideration, but one of production costs.

A new typeface called NIV Comfort Print allowed Zondervan to shave 350 pages off of every Bible, which by 2017 had amounted to 100 million pages, and which, as Fast Company points out, would be four times higher than the Empire State Building if stacked.

The production and design teams then wondered how much they could save if they applied the same concepts to other genres like romance and fiction. Aside from the invention of the eBook, publishing hasn’t changed much in the last 100 years, and the challenge was a totally novel one for the teams—to alter all their preconceived ideas and try and find a font and typeface that resulted in fewer pages without being harder to read.

They eventually standardized 14 different combinations their tests determined were the most environmentally friendly, and which delivered an unchanged reading experience.

But the challenge didn’t stop there. Printed books, one might not know, are printed in large sheets which are then folded into sections of sixteen pages, meaning that Leah Carlson-Stanisic, associate director of design at HarperCollins, has to calculate the savings of space, words, and ultimately pages with the help of her team to fall in multiples of sixteen.

Nevertheless, they have been successful with it so far, and in the recent print run of one popular book, 1 million pages (or a number near 1 million that coincides with the 16 times tables) were saved.

“We want to make sure our big titles, by prominent authors, are using these eco-fonts,” Carlson-Stanisic said. “It adds up a little bit at a time, saving more and more trees.”"

-via Good News Network, April 4, 2024

--

Note: Great! Waiting to see this on the rest of their books and at the other big publishers!

Actually, though, it's worth noting that this may not come quickly to the other large publishers, because Harper Collins almost certainly owns that font - meaning that other publishers would have to pay HarperCollins in order to use it, on an ongoing basis.

More on publishing shit and more realistic solutions here below the cut!

What I'm hoping for and think is more likely is that this will inspire the development of open source eco-friendly fonts, which would be free for anyone to use. That would make it far more likely other publishers would adopt eco-friendly fonts.

I'm also hoping it would inspire other publishers to create similar eco-friendly fonts of their own.

Ideally, there would be a whole new landscape of (hopefully mostly open source) eco-friendly fonts. And/or to see calculations of the eco-friendliness of popular existing fonts, compared to each other.

If we could have a publicly accessible list of calculations for different fonts, including fonts designed to maximize eco-friendliness, I really do think that it would affect which fonts publishers choose to use. Here's why:

Most people in publishing are on the left (notoriously, actually) and really do care about the environment

People in publishing are plenty aware of these issues re: paper and trees, I promise

Shorter books means smaller production costs - and possibly smaller shipping costs as well, over time! So it would save them money too.

Eco-friendly fonts could also be combined with other measures for greater effect, such as bamboo paper (already in use for a lot of projects where page color/quality is more flexible) and thinner paper (aka paper with a lower weight) that uses less trees.

Don't expect books to all move to just one or two different fonts, though. Publishers and typesetters and font designers will innovate to create more options instead, though it will take longer. This is because different books really do use different fonts for various different reasons - one new font to rule them all isn't really a solution here.

"Every book is in the same font" may sound like a "whatever" deal to a lot of people, but as someone who works in publishing - trust me, it would actually make your reading experience worse, even if you could never quite put your finger on why.

[soracities]

what are your suggestions for starter poetry for people who dont have strong reading/analysis backgrounds

I've answered this a few times so I'm going to compile and expand them all into one post here.

I think if you haven't read much poetry before or aren't sure of your own tastes yet, then poetry anthologies are a great place to start: many of them will have a unifying theme so you can hone in based on a subject that interests you, or pick your way through something more general. I haven't read all of the ones below, but I have read most of them; the rest I came across in my own readings and added to my list either because I like the concept or am familiar with the editor(s) / their work:

Staying Alive: Real Poems for Unreal Times (ed. Nick Astley) & Being Alive: The Sequel to Staying Alive (there's two more books in this series, but I'm recommending these two just because it's where I started)

The Rattlebag (ed. Seamus Heaney and Ted Hughes)

The Ecco Anthology of International Poetry (ed. Ilya Kaminsky & Susan Harris)

The Essential Haiku, Versions of Basho, Buson and Issa (ed. Robert Hass)

A Book of Luminous Things (ed. Czesław Miłosz )

Now and Then: The Poet's Choice Columns by Robert Hass (this may be a good place to start if you're also looking for commentary on the poems themselves)

Poetry Unbound: 50 Poems to Open Your World(ed. Pádraig Ó'Tuama)

African American Poetry: 250 Years of Struggle and Song (ed. Kevin Young)

The Art of Losing: Poems of Grief and Healing (ed. Kevin Young)

Lifelines: Letters from Famous People about their Favourite Poems

The following lists are authors I love in one regard or another and is a small mix of different styles / time periods which I think are still fairly accessible regardless of what your reading background is! It's be no means exhaustice but hopefully it gives you even just a small glimpse of the range that's available so you can branch off and explore for yourself if any particular work speaks to you.

But in any case, for individual collections, I would try:

anything by Sara Teasdale

Devotions / Wild Geese / Felicity by Mary Oliver

Selected Poems and Prose by Christina Rossetti

Collected Poems by Langston Hughes

Where the Sidewalk Endsby Shel Silverstein

Morning Haiku by Sonia Sanchez

Revolutionary Letters, Diane di Prima

Concerning the Book That Is the Body of the Beloved by Gregory Orr

Rose: Poems by Li-Young Lee

A Red Cherry on a White-Tiled Floor / Barefoot Souls by Maram al-Masri

Deaf Republic by Ilya Kaminsky

Tell Me: Poems / What is This Thing Called Love? by Kim Addonizio

The Trouble with Poetry by Billy Collins (Billy Collins is THE go-to for accessible / beginner poetry in my view so I think any of his collections would probably do)

Crush by Richard Siken

Rapture / The World's Wife by Carol Ann Duffy

The War Works Hard by Dunya Mikhail

Selected Poems by Walt Whitman

View with a Grain of Sand by Wislawa Szymborska

Collected Poems by Vasko Popa

Under Milkwood by Dylan Thomas (this is a play, but Thomas is a poet and the language & structure is definitely poetic to me)

Bright Dead Things: Poems by Ada Limón

Teaching My Mother How to Give Birth by Warsan Shire,

Nostalgia, My Enemy: Selected Poems by Saadi Youssef

As for individual poems:

“Wild Geese” by Mary Oliver

[Dear The Vatican] erasure poem by Pádraig Ó'Tuama // "The Pedagogy of Conflict"

"Good Bones" by Maggie Smith

"The Author Writes the First Draft of His Weddings Vows (An erasure of Virginia Woolf's suicide letter to her husband, Leonard)" by Hanif Abdurraqib

"I Can Tell You a Story" by Chuck Carlise

"The Sciences Sing a Lullabye" by Albert Goldbarth

"One Last Poem for Richard" by Sandra Cisneros

"We Lived Happily During the War" by Ilya Kaminsky

“I’m Explaining a Few Things”by Pablo Neruda

"Stopping By Woods on a Snowy Evening" //"Nothing Gold Can Stay"//"Out, Out--" by Robert Frost

"Tablets: I // II // III"by Dunya Mikhail

"What Were They Like?" by Denise Levertov

"Those Winter Sundays" by Robert Hayden,

"The Patience of Ordinary Things" by Pat Schneider

“I, too” // "The Negro Speaks of Rivers” // "Harlem” // “Theme for English B” by Langston Hughes

“The Mower” // "The Trees" // "High Windows" by Philip Larkin

“The Leash” // “Love Poem with Apologies for My Appearance” // "Downhearted" by Ada Limón

“The Flea” by John Donne

"The Last Rose of Summer" by Thomas Moore

"Beauty" // "Please don't" // "How it Adds Up" by Tony Hoagland

“My Friend Yeshi” by Alice Walker

"De Humanis Corporis Fabrica"byJohn Burnside

“What Do Women Want?” // “For Desire” // "Stolen Moments" // "The Numbers" by Kim Addonizio

“Hummingbird” // "For Tess" by Raymond Carver

"The Two-Headed Calf" by Laura Gilpin

“Bleecker Street, Summer” by Derek Walcott

“Dirge Without Music” // "What Lips My Lips Have Kissed" by Edna St. Vincent Millay

“Digging” // “Mid-Term Break” // “The Rain Stick” // "Blackberry Picking" // "Twice Shy" by Seamus Heaney

“Dulce Et Decorum Est”by Wilfred Owen

“Notes from a Nonexistent Himalayan Expedition”by Wislawa Szymborska

"Hour" //"Medusa" byCarol Ann Duffy

“The More Loving One” // “Musée des Beaux Arts” by W.H. Auden

“Small Kindnesses” // "Feeding the Worms" by Danusha Laméris

"Down by the Salley Gardens” // “The Stolen Child” by W.B. Yeats

"The Thing Is" by Ellen Bass

"The Last Love Letter from an Entymologist" by Jared Singer

"[i like my body when it is with your]" by e.e. cummings

"Try to Praise the Mutilated World" by Adam Zagajewski

"The Cinnamon Peeler" by Michael Ondaatje

"Last Night I Dreamed I Made Myself" by Paige Lewis

"A Dream Within a Dream" // "The Raven" by Edgar Allan Poe (highly recommend reading the last one out loud or listening to it recited)

"Ars Poetica?" // "Encounter" // "A Song on the End of the World"by Czeslaw Milosz

"Wandering Around an Albequerque Airport Terminal” // "Two Countries” // "Kindness” by Naoimi Shihab Nye

"Slow Dance” by Matthew Dickman

"The Archipelago of Kisses" // "The Quiet World" by Jeffrey McDaniel

"Mimesis" by Fady Joudah

"The Great Fires" // "The Forgotten Dialect of the Heart" // "Failing and Flying" by Jack Gilbert

"The Mermaid" // "Virtuosi" by Lisel Mueller

"Macrophobia (Fear of Waiting)" by Jamaal May

"Someday I'll Love Ocean Vuong" by Ocean Vuong

"Still I Rise" by Maya Angelou

I would also recommend spending some times with essays, interviews, or other non-fiction, creative or otherwise (especially by other poets) if you want to broaden and improve how you read poetry; they can help give you a wider idea of the landscape behind and beyond the actual poems themselves, or even just let you acquaint yourself with how particular writers see and describe things in the world around them. The following are some of my favourites:

Upstream: Essays by Mary Oliver

"Theory and Play of the Duende" by Federico García Lorca

"The White Bird" and "Some Notes on Song" by John Berger

In That Great River: A Notebook by Anna Kamienska

A Little Devil in America: Notes in Praise of Black Performance by Hanif Abdurraqib

The Book of Delights by Ross Gay

"Of Strangeness That Wakes Us" and "Still Dancing: An Interview with Ilya Kaminsky" by Ilya Kaminsky

"The Sentence is a Lonely Place" by Garielle Lutz

Still Life with Oysters and Lemon by Mark Doty

Paris, When It's Naked by Etel Adnan

[raygirlramblings]

OK so I had enough interest in my new CLH AU concept to actually put it to paper so here we go :3

I call it 'Orphans of Eden' AU

What IF instead of being found and taken in by Alex after getting away from the military, Dolph is instead helped by Jade and Pey'j?

This AU takes more influence from beyond Good and Evil where Pey'j and Jade run a business while also taking in and caring for orphaned mutants in Eden. See Eden basically manufactures mutant kids to become labour for the city and most are raised in compounds. it's not a great life but the kids are fed and get basic schooling (and access to plenty of kids tv featuring our favourite limbless shill!). But mutants born with birth defects or who are considered 'worthless' tend to get quietly shuffled off to be 'disposed of'.

Jade and Pey'j are part of an underground network (maybe loosely connected to Holloway's group?) who 'steal' these vulnerable kids and care for them, then find the means to ship them out of Eden to safety. In the meantime Pey'j runs a small restaurant/take out place as a front to fund the care of these orphans (I'm thinking like a noodle shop or something, like Nikaido's gyoza shop in Dorohedoro). Jade makes a little cash on the side investigating Eden's crimes and doing freelance jobs for the rebellion.

So a younger Jade and Pey'j stumble on a passed out Dolph and take him in despite the fact Pey'j recognises him as a soldier. They nurse him back to health and invite him to stay with them (and help Pey'j out with the restaurant) until he can figure out what he wants to do. Dolph agrees having no real plans of his own, and starts to be shown the dark underbelly of Eden from a different perspective.

Dolph becomes the cool big brother to all the kids being fostered. He and Jade develop a dorky brother/sassy little sister relationship with Jade teaching him some basic life skills to help him on the rough Eden streets. Pey'j, seeing Dolph as a musclehead with no experience outside of the military takes on a more fatherly role, teaching Dolph basic restaurant skills. Dolph discovers a love for cooking and his ability to maintain his cool in tough situations makes him a great line cook. He still has to maintain a low profile to avoid Eden's police force so he stays back in the kitchen most of the time.

Thanks to his time with them Dolph discovers what it means to have a family network, and how to show compassion to the most downtrodden in society. The mutant kids adore him and he strives to be a role model and stay strong for them. It's not easy looking after little kids in a nightmarish corporate hellscape, but this Au would explore the trials and tribulations of finding enough to survive, using every skill and favour you have access to. That may involve taking on a few risks for the best rewards ;)

There also might be a side plot where Dolph is attempting to track down his mother using his new connections, trying to find out if he's truly an orphan.

So how do the other characters from the show fit into this AU? I'm still making links here and there but I have a few guidelines laid out.

Bullfrog - Still a badass assassin. He's generally doing his own thing but his stealth abilities and knowledge of Eden are vital in preparing safe routes for the orphans to get out. When it's time to ship one of the orphans to a new safe home Bullfrog is there as a personal bodyguard. Obviously the kids love him, though his visits are few and far between. He likes to brings the kids stories and gifts from his adventures ^0^

Rayman - Despite being Eden's number 1 poster boy Rayman is vital to the orphan's safety. Before Jade and Pey'j meet Dolph the pair manage to get the attention of Rayman thanks to Holloway and Bullfrog. Rayman is still very much invested in the wellbeing of Eden's youth and is horrified when Jade provides him photographic evidence of the cruelty subjected on mutants by Eden. Instead of going rogue however he instead becomes a double agent for the resistance. While maintaining his good standing with Eden he uses his connections from within to find pathways out of Eden for he kids, disguised as drug deals. Eden just think Ray is getting his weird fixes, but instead he's using similar networks to smuggle the kids out of the city with Bullfrog's help. It's tough as Eden is constantly breathing down his non-existent neck but Ray is determined to do right by the kids who look up to him. He keeps his distance from them and he and Jade communicate through codenames.

Holloway - While not directly involved with the orphanage Marcus finds Jade's espionage and investigation skills invaluable. In return for information he assists her and Pey'j getting mutant kids out of Eden's clutches, and forwards them resources where he can. While Pey'j is super wary of him Jade sees Marcus as a valuable ally, and when Marcus finds out about Dolph he becomes even more invested in the potential of having an ex-Eden cyborg on their side to take down the powers that be.

I haven't figured out much else beyond this yet, but obviously if anyone has input I'd love to hear it!

Keep in mind this would take place earlier than the show timeline, at the point where Dolph would have met Alex and long before Sarah would form the Ghosts.

[six-costume-refs]

Six Makeup: Masterpost and Links

Hey y'all! Finally finished up a long promised post: all of my makeup suggestions for SIX cosplayers (and/or fans who just want to do some cool makeup looks)!!! I've been actively working on this post for about a year now and compiling makeup for even longer, so I'm happy to finally finish it. I'll get into more details in a moment, but first things first:

I'll include all the links below, but for easy access I made a handy-dandy Pinterest board. It is sorted by costume (sections for each queen + alt costume) and you can clink on any pin to be taken directly to buy it. I would recommend that people look there for a more visual/easy look at the recommendations; I realize pure text can get a bit old!

Some notes: - All of these links are to US sites, with a variety of US and UK sources. Most of these brands ship internationally and/or are available on Amazon as well. - I tried to factor in a large variety of material colors/shades, skin tones, and financial budget. You'll find a mix of US and UK-based brands, mainstream and smaller brands, drugstore versus more upscale, and some brands owned by women of color. - There's a broad range in the companies listed in terms of their ethics, animal testing, politics, etc. I'm including as many companies as possible to give people as many options as possible, but some of these I wouldn't personally financially support. I would strongly suggest that anyone do their own research into the brands listed. - Many of these products may be harsher on skin than your typical products. I'd suggest considering any potential allergens and skin testing any product before use, and using your regular base (foundation, blush, etc) to minimize the number of new products. (If you have sensitive skin or are worried about toxicity, I'd suggest Skin Deep for toxicity information and the FDA site for information on common irritants) - The vast majority of the makeup on this list is products that I know Six actors use. However, just because someone in Six uses it does not mean it's necessary to achieve a great look - there are many great alternatives for just about any product, and what works for a specific actor may not be what works best for you. (I'd also note that the vast majority of queens use some fairly cheap makeup, so you never need to feel like you have to pay more to get "stage accuracy") - Factor in where you're intending to use your products. Six uses some extreme stage makeup and truly crazy lighting; if you use these products with the exact same intensity in just about any other context, it will be way overkill. Convention lighting tends to be harsh so you can usually go a bit heavier there, particularly if you're intending to do any on-stage performances. But for everyday use or a closet cosplay to go see Six or an outdoor meet-up with natural light you will usually want to go much softer. (Photoshoots are a whole other can of worms and really depend on specifics) - Some of this information is taken from a series of Instagram stories Erin Ramirez did. I'm still writing up a post of everything she suggested, but I'll link it here when finished. - And, finally, have fun experimenting and finding what works for you!

Links to recommendation posts and inspiration: Glitters/shimmers Palettes, eyeshadows, and other accents Lipsticks (coming soon) Erin Ramirez's recommendations MAC partnership link Eye look inspiration (my Pinterest board)

[ride-thedragon]

Nettles and Race.

George is great at both analysing and subverting genre tropes. We see this with his portrayal of the Targaryens as bad white blonde powerful elf like people. Or his understanding consistently in his works that beauty doesn't equal morality. This is surface level, and he does have his shortcomings (how he portrays the Dothraki in a lot of aspects, etc) but I find it really interesting the amount of tropes and conventions he addresses and subverts with Nettles specifically in such a short span of the book. George uses specific racial imagery with Nettles that we don't see often from him, in short. Here's a list:

Implementation and Subversion

1. The most unlikely is, the most unlikely:

Oftentimes, in fantasy stories, the least likely is a white disenfranchised person. The majority of the time, it's because they are poor or treated poorly. Nettles is a black girl who is poor, orphaned, and marked for thieving, and none of that hinders her own feat of claiming a dragon or the accepting initially that she does. She's unlikely, extremely unlikely, the most unlikely choice.

2. Black girls are allowed to feel:

Nettles cries and grieves. Of all the dragonseeds, she's the only one positioned to feel remorse and loss after the Battle of Driftmark. She is foul-mouthed (though not written into the narrative) and fearless. Often times their is a need for black women to be strong (not have access to their emotions) or angry (the only emotion they're allowed because they're "loud"). Nettles is crass and sensitive. She's multifaceted.

3. White people don't center black narratives:

Typically, black characters in fantasy are centred around white protagonists. Nettles distinctly isn't when you focus on her. This is different from being impacted. To be impacted means you're a part of the plot. To have someone be centred in your narrative would be for your existence in the narrative to entirely depend on your relationship with them. You don't exist outside of them. Nettles does. She has an entire life up until she claims Sheepstealer without any intervention from the Targs, and after she leaves the main narrative of Fire and Blood, she has a life. This is even in a Targaryen history book.

4. Black girls deserve to be protected and loved:

Nettles is protected by the men around her in the narrative. Oftentimes, this is something not afforded to black characters, far less for black women in fantasy narratives, but she is protected. Not just by Daemon, who is someone who has extreme emotional stakes with her but by the men of Maidenpool and Lord Corlys. All of whom are white in the books. Nettles is protected by men unquestioningly. They may decide how to do it or have a bigger motive, but protecting her is never a question.

5. Promiscuity questioned:

Nettles is never shown to be a promiscuous character through an unbiased lens. Every time a person brings up Nettles' sex, it's through the lens of necessity or heavily implied to be a dramatic assumption. The two biggest cases, "her raising her skirts for sheep" by Septon Eustace is counteracted by the fact that she's marked as a thief and claims a dragon called Sheepstealer who she's likened to in the narrative and by Rhaenyra who is disproven from her "she seduced the prince with spells" theory by both the men of Maidenpool who don't believe her and Daemon who let's Nettles go. Anytime her promiscuity is presented, it's immediately questioned by who we are told she is.

6. White women tears:

Historically and in fiction, the tears of a white woman are enough to derail any existence of a black character permanently or are at least meant to. Black people, fictional or real, are consistently tormented with the notion of white woman tears or emotional outbursts. Their actions cause a major consequence with white women. With Rhaenyra, this would be Nettle slowing her head for her suspicions. Nettles does not and gets away from. The narrative. This is unheard of. In fantasy doesn't occur because most times, the black woman would be punished, but in fandom, this idea is also reflected in the call for Nettles to be replaced.

7. Relationship with the lead man:

Daemon, for better or worse, is the lead man of the dance. Nettles finds herself attached to him in a relationship that seems, for lack of a better word loving. They seem comfortable, happy, and he's doting towards her. They spend all their time together, and it's paralleled with his other 'living' relationships as well. She's portrayed as his last great love and in the universe, the singers say as much. Issues aside, this is rare. (Martha Jones, I'm sorry I wasn't your writer)

8. Power and Worship:

Nettles is worshipped and seems to become a Goddess in her own right at the end of her narrative departure. Nettles is viewed as a deity because of the power she claimed by herself. Revolutionary. Also it isn't some blink and you can avoid it thing. It ties into the main story of Game of Thrones and her clan, the Burned men helping Tyrion Lannister.

9. Mammy, Sapphire Jezabel ext:

Mammy: Maternal black woman. Lives to serve white people and nothing else.

Sapphire: Rude, loud, stubborn, malicious, 'dumb' black women, nothing else.

Jezabel: raw, sexual, can barely restrain their sexuality and live to tempt (white) men. Nothing else.

Not once does Nettles tie into any of these tropes without it being questioned in the narrative or simply ignored in her story. So many representations of black women, especially in fantasy, fall into the first two or friend not lover trope, help mate trope, etc. anything that justifies their existence by tying them to white characters with no other outlook. Nettles subverts this.

10. Season of the Witch:

Black witches and their history save me. Black witches and their history save. This aligns itself with African spiritually and the otherness assigned to enslaved women who practised both 'witchcraft' and medicinal herbology for lack of a better word.

Witchcraft is also often tied to the imagery of the irresistible black woman as it's almost inhuman to be that attracted to black women when white women are available.

So when it's said that Nettles is a witch, imagery similar to the justifications of white women during slavery are being invoked but not followed through because no one believes her.

11. Disposable Black Love interest

This is also a big issue across genres with black chapters. It happens with Laena in the show as well. When the plot calls for it (or in a lot of cases fans) you dispose of the black love interest in place of a white one. Nettles removal from the narrative immediately calls for both Daemon's and Aemond's removal from the narrative. She isn't disposable. She's a linchpin. Also, Daemon does not go back to Rhaenyra after Nettles leaves. He just dies.

12. Nothing Special:

Magical black negros that helps the protagonist, welcome to your tape.

The magical black negros trope is this convention within fantasy where a black character will appear only to be an aid to a white character by their use of magic. They don't exist or have a life outside this purpose. Nettles could've fallen into this trap.

The idea that she isn't Valyrian could have easily been tied with the spells angle outside Rhaenyra’s bias. Instead of that, however, we get the idea that Nettles is just smart and interesting. She's allowed to be smart and interesting. The narrative defends her being smart and interesting.

She might not be Valyrian. She might not be a witch or seductress. She might be just a really clever girl who defies the odds and conventions.

Conclusion

I think Nettles was both an active effort on George's part to defy conventions and subevert stereotypes and tropes as well as a way to question his reader's bias. Nettles is often reduced to trivial, replaceable, and minor when she's not. You just have to want to pay attention to her.

[3hks]

Quick and Simple Tips to Elevate Your ACADEMIC Writing!

Essay writing is a different task for everyone. For some, it's pretty easy and straightforward, but for others, it's a serious battle and ungraspable concept! We're all at different levels when it comes to academic writing, and I'm 110% sure that I'm NOT the best writer out here, but if you're looking for some straight-to-the-point advice on improving your academic writing, I might just have what you need!

1. AVOID ABSOLUTES

An absolute is just as it sounds--it's a word that broadly guarantees something. For example, the words never, always, best, worst everyone, no one, are all absolutes!

When we use these in an essay, we're saying that there are zero exceptions to our topic, which is more often than not wrong (not always ;)).

If we say, "everyone likes ice cream", that's not necessarily true; not everyone likes ice cream. And while it seems harmless to use an absolute in this particular case, it's still technically misinformation, and in the formal, academic world, that's something we should avoid.

2. TRANSITION WORDS

In general, transition words are a super easy way to establish the order of our paragraphs and help connect our thoughts from one area to another! It requires minimal effort but they're so useful!

3. LITERARY PRESENT TENSE

When writing about the details that take place in literature, it's conventional to stay in the present tense. This is because in the story, the events are happening as you read. Of course, there are some circumstances when this doesn't happen, but when explaining an event that takes place right then in the story, present tense is the expectation.

4. NO FIRST/SECOND PERSON

Most of us should be aware of this; never use first or second person in academic writing. When you include second person and bring the reader into your essay, well, you're putting them in the spotlight, which is often considered informal. And for first person, in the grand scheme of things, no one really cares about your opinion. (Just kidding! But when readers see words like "I think...", "my opinion...", etc., it reveals bias, which can compromise your essay.)

5. ADJECTIVES, ADVERBS, ADJECTIVES

Use as MANY adjectives (and adverbs) as you can! Yes, I'm well aware that excessively wordy sentences are something to avoid, but that's a problem usually revolving around redundancy and incorporating too much excess information, not because of a few descriptors.

When you use a LOT of adjectives and adverbs, it strengthens your writing with more details and specifically describes your subjects!

6. MEMORIZATION

For the most part, a thesaurus really comes in handy when it comes to essay writing. Finding strong substitutions and varying word choice is a key aspect in writing. However, it's also a good idea to have a simple list of certain, commonly used synonyms memorized in case you don't ever have access to a thesaurus! For the most part, I suggest memorizing some synonyms to any verbs you frequently use. (Ex: shows, explains, depicts, etc.)

But if you've been writing for a while, there's a good chance you'll subconsciously have a mental list anyway!

7. NO BE VERBS

The seven "be verbs":

Is

Are

Was

Were

Am

Be

Being

Been

If you seriously want to really elevate your sentences and make them sound good, avoid these weak verbs. You can do this by substituting be verbs for stronger verbs, which creates a stronger sentence overall! Or you might need to reorder the structure of the sentence, which could alter the meaning slightly, but it won't change the initial idea!

Ex: She is happy today. -> She feels happy today.

Ex: Although the weather was unpredictable, the event was considered a great success for those who attended. -> Despite the unpredictable weather, many considered the event a great success.

So, if you still use "be verbs" in your essays, I challenge you to begin refraining yourself from using them to the best of your ability! While it may seem difficult, I promise you that this will take you academic writing to the next level! Keep in mind that verbs are critical to your essay!

Happy writing~

3hks :D

[marsprincess889]

Hey Marsprincess, I love your blog! 💞

I just read your post on Ketu and your core self. I was wondering about your thoughts on how ketu in uttara phalguni manifests? I would really appreciate it because I never hear about this ketu placement.

Thank you so much 🤍🤍

I would assume you were born in 1987/1988 or, more likely, in 2005/2006.

So, I have gotten another ask asking about a particular ketu placement and I have said the same thing to them that I am going to say now: ketu, in its essence, is a part of a person that is primal, raw, instinctual, subconcious and unyielding. Ketu is the most passive(and the hottest) planet in vedic astrology. It is the joint stored energy/experiences of a person, from this and previous lives. It is what is biologically natural to you, and thus, is rooted in truth.

You have to be in a state of complete trust and passivity to connect to it and to access its energy. And since it is the place where YOU make the rules, you cannot really ask others about it.

Ketu in uttara phalguni, in general, means you are strongly and naturally familiar with the uttara phalguni archetype(like i have always been with jyeshta_my ketu).

I really wanna write and explore uttara phalguni (it's also my ascendant,hi! 😄). So, this is not even half of what it is about, but, here it goes: contracts, agreements, marriage, associations, friend, companion, partner, popularity, good reputation. This is the bare surface. It's also connected to the archetype of the "perfect wife/girlfriend/lover"(wife moreso). Uttara Phalguni's yoni is the bull (male cow, so, the bull😄) and cow yonis have this softness, naturality, but also stubbornness to them. Contrast this to their enemies_ tiger yonis, who are more confrontational and focused on building, and more bogged down by details. Cow yonis have this sense of ease and unity to them, and an aura of taking the high road. They might sometimes seem really unbothered(except when they're with each other, which is a whole another story). Uttara phalguni in particular, since its ruled by the sun, can be very direct and unbothered by others' opinions. That's why in men it often manifests as the douchebag or the prick placement(lol). In women, I have noticed that they are pretty similar to men of this nakshatra in that they also have this unbotheted and fun-loving aura, but can become way more confrontational than men who can be more intentionally ignorant, if that makes sense.

The interesting thing is that despite all of its associations of getting ahead in life thanks to relationships and connections, natives of this nakshatra are actually probably genuinely the nicest people. That may be why people like to have them close, because they know that they do not have bad intentions. It can also be associated with marrying personal and proffessional lives, like having your loved ones at your job or starting a business with yoir partner. Uttara phalguni and uttara bhadrapada really are the power couple in its classical sense, no two ways about it.

In my opinion, it's also connected to the archetype of the rich heir/heiress who everyone wants to marry.

My recommendation would be to watch/rewatch "The Mask of Zorro", the 1998 film, and really pay attention Elena(Catherine Zeta-Jones). She's Uttara Bhadrapada moon, but her Sun and Ketu(!!!) are Uttara Phalguni and I think that in that movie, Uttara Phalguni is the archetype that she's playing, esp because Antonio Banderas has U. Bhadrapada moon himself. Actually they're kinda perfect for studying their dynamic. Another good one is "The Great"(Elle Fanning_ U.Phalguni moon and Nicholas Hoult_ Uttsra Bhadrapada moon).

Anyways, I think I have more to say but I cannot remember them now and I hope that what I did say is understandable and interesting.

Thank you so much for asking 🤍🤍🤍 feel free to ask more.

[tulipscomeinallsortsofcolors]

Apologies if this is a dumb question but

Elliots house is Gretas childhood home correct?

Is Mays house the house Toby and Virgil built?

If not what happened to it? Did it get torn down or are they all out meandering around town and Virgil just casually points to the house like 'i helped build that house.' And Logans like 'I cant even get you to do the dishes...??. What?' Lol

not a dumb question, there is a story here i just havent gotten around to it

the gage property is not just the house and the surrounding lawn and a bit into the trees - its very large and encompasses more than 50 acres, mostly of woods, and includes virgil's clearing.

because of the nature of witches and their property, it does that blair-witch thing ive covered where things move around. what this also means is that, like the clearing vs the house, some areas are more accessible than others.

the wooden house that virgil and toby built had no running water and only a chimney for heat. it was well made, for the time, because niether of them would have done less, but it was definitely not a modern house.

late in mays childhood (probably honestly ongoing during Mayflower, or very soon after) Trudi was having a new house built, which is the brick house that appears in the current timeline of laoft

the old wooden house is still *there*, but its so far from where the modern road was build, way back on the property, that it becomes hard to access without Roman or May physically with you. its the most unused part of the property, and difficult to just stumble across

May and Roman only use it as a hunting blind, because its not in *great* repair, but its like 95% still standing

At some point, i'd like to write a fic where Virgil goes with them hunting, and sees it, but its just never managed to make its way to the front of my basically-infinite queue XD

[stoopid-turtle]

On the Acceptance of Unsteady Ground

Throughout this whole dive into turtle world, I've been very conscious of just how LITTLE access to information I have. I'm relying so heavily on English translations and platforms, and most of these are from turtles, so I'm fully aware I'm getting a biased perspective.

I've tried to read stuff from solos or even just neutral third-parties. The neutral parties don't have much depth of information, though, and I found solos heavy on accusations and declarations but light on actual...evidence. And they sometimes use some really nasty rhetoric against the idea that gg and dd might be gay.

Don't get me wrong, turtles get weird too. There's plenty of clearly false rumors, deceptively edited videos, silly stretches of logic, weird ideas of what how people in a relationship would act, etc. But there's at least enough English-speaking turtles that I can find some who are giving open and, as far as I can tell, accurate information (honestly, I find tumblr turtledom better at that then other platforms). I haven't really found a similar pocket of solo fans.

I'm also aware that there's always going to be a limit on how much I can know. I don't speak the language, so I'm always relying on translators. I have limited access to Weibo (even putting aside the language barrier, I'm in text confirmation limbo in actually getting an account), and I have little familiarity with the culture. I don't get a lot of the jokes or references, and stuff may strike me, an English-speaking American, differently than it would someone in China.

Add on top of that the fact that I'm trying to find out purposely obscured information about two celebrities, and, yeah, I'm fully aware that I'm on unsteady ground here. I can do my best, but I'm never going to know anything for certain.

But I've become okay with that.

It took a while. The dissatisfaction with the unknown (and unknowable) is what drove a lot of my early fixation and subsequent fall into the turtle pit. But now, especially after laying out my thoughts, I've reached a zen place with it. I'm 100% certain ggdd were together during filming/promo, and I'm 95% certain they're still together (I had this at 85% originally, but then the whole dd being sick and gg changing his schedule thing happened and I'm just...welp, guess I'm in this confidence interval, then).

Just having that certainty means I can enjoy updates from them without anguishing about "proof" or uncertainty. Oh, gg took the day off on dd's birthday? That's really sweet! I'm not gonna fuss about if it's coincidence ENOUGH to convince me, because I'm already convinced. It's a good place to be.

I typically don't care about celebrities. In fact, I've long been bewildered by celebrity culture here in the US, and I've often been actively annoyed when people assume/expect me to have opinions on things celebrities do. I'm the nerd who doesn't get why the actors get all the attention when the writer or director would be much more interesting.

So the fact that I've gone all fangirlish over two celebrities is bizarre to me, and I appreciate the irony. Well done, me. I attribute some of it to just being able to watch the bts and see their early interactions play out like a story. I find stories compelling, and both gg and dd are charismatic, attractive and have great chemistry. Whatever disdain I have for celebs, I do love a romance.

In my foray into the ggdd world, though, I've also had to learn more about c-ent, and y'all. It's nuts. Like, US entertainment is nuts too, but c-ent ratchets it up to 11. I've been in fandom a long time, and I thought I'd seen some weird stuff, but it's got nothing on c-ent. Just wrapping my head around the culture these guys are in took a lot of learning.

But I appreciate being able to dive into this culture and this country, because I knew very little about China beyond the antagonistic politics. It's been refreshing to get a view on life on the ground in China to humanize the folks there and get a clearer picture of the country.

I started this thing bc I had been spending so much time on Youtube watching clips, and I had thoughts and opinions and nowhere to put them. I already had a tumblr that I use to lurk on some fandoms and I had started following turtles too. I figured tumblr would be a decent place to splurge out my thoughts, so I set up a throwaway account to do so.

I get the vibe that a lot of new turtles come to bjyx through the same route I took? They watch The Untamed on Netflix. They get curious about the show and start watching some clips on YT. Next thing you know, they have 3 playlists full of purported "proof of love" and they need a whiteboard to connect everything together and their wife thinks they've gone completely bonkers supports them in all their oddities.

Like, I was really confused by turtles at first. I was just trying to watch bts videos on YouTube and I didn't know what bjyx meant, but the videos with the label were weird and had strange disclaimers that they were "only for turtles" and I had no clue what that even meant.

My confusion continued as I tried to read more. The fake story disclaimer convention is hella confusing as an outsider, and my first impression was that turtles were kinda crazy. The videos I saw gave overviews of candies without context, and some of them explicitly said they were proof of Yizhan love while still having that fake story disclaimer. Basically, it was a big confusing environment, and it's why I resisted buying into bjyx so hard for so long. It all seemed delulu.

But in reading more, I guess part of that is the point? Recognizing that gg and dd are in a vulnerable position should their relationship ever come out, having so much noise to muddy the waters makes a twisted, clownish sense. I don't know who came up with that convention or if it just kinda happened (is it a normal thing in c-ent? I don't know enough about celebrity fandoms), but hats off, I guess.

With the supertopic recently hitting 4 million active fans, there's something heartening about such a depth of support for the guys. I'm not naive enough to think all 4 million (plus international fans) are allies to LGBT folk in general, but it surely means something to ggdd to have that sort of support for their relationship. Honestly, it means something to me, as a random gay chick on the other side of the world, to see a gay couple get that kinda of support behind them.

I started watching the bts because I was afraid there'd be a lot of cynical homophobia on the set or some evidence of all the male cast being icked out by the whole thing. Instead, I got gg, who was so passionate about WWX being gay. I love that everybody knew they were telling a love story with as explicitly as they could get away with. I love that the guys wanted more Wangxian scenes and that the cast and crew made "everyday is everyday" jokes in a non-mocking way. I'm glad that the whole shoot seemed like such a positive environment for the cast and crew to being themselves and tell a type of story that they may not be able to be involved with ever again.

So, yes, this is my zen turtle place. When I set up a soapbox for myself, I didn't think too much about the fact that people would respond, but I'm so grateful to have had a chance to talk to some other turtles! Everybody is lovely and thank you for sharing my enthusiasm.

Like I said in the beginning, I don't have the time to keep super-active in the long-term. I had intended to write up my thoughts and poof away. But I do also plan to keep up with gg and dd and turtles, so instead I'm just gonna leave off with the potential for further posts down the line.

I'm not gonna be incredibly active, so please don't expect frequent updates or interactions from me. But if I have more Yizhan thoughts I'll pop up again with a post (I mean, I do have lots more thoughts, but nothing energizing enough to write about), or I'll leave a comment somewhere if I have something I simply must say. I'm also open to responding to asks about the timeline or anything else. And if I ever do stumble across anything groundbreaking with regards to the timeline, I'll probably add that in, because I'm particular about things being complete.

So thanks for being so welcoming! It's been a joy to clown around and make up completely fictional stories with everybody here. 🤡🐢🙇🏼

[bookofmac]

okay okay okay, thinking thoughts

So I find the concept of Names really interesting in Camlann, reading into the extracanonical stuff put on the tumblr is giving me food for theory crafting. The Catacylsm seems to be some kind of return of magic to the world (possibly heralded by the return of The King of the Britons in their hour of need?) and thus people with significant Names have access to something because of it. they fall into the stories of their namesakes; Perry, Gwaine, and Kay are Knights, Morgan is Morgana Le Fay, and we now have a Gwen in Shújūn.

Based on Kay's dicussion with Perry if more people can fill in the roles of their stories to more 'to plan' the stories will go, Of course this is not good news if you know the general end point of Arthurian legend (Betrayal, muderer, war, most everyone dead, the 'Glory' of camelot gone). It's inherently kind of a doomsday cult if you stay in those stories, you know where parts of this are going (i'll get back to this)

it also seems like there may be some, for lack of a better term, kin drama going on. There are 900 members of the court and Kay mentions that Peredur is a really uncommon name outside of Wales, meaning there are certain knights who are more common, i assume Lancelot's, Kay's, maybe a few Talisin's, a bunch of Gareth's, and like 50 Elaines like in the legends lol

We also dont have the context for how Names work full yet and neither do our characters. I think theres a lot of answers to be had with Shújūn/Gwen with how it works, how you know other than the buzzing in you're head and desire go through the motions and Follow the Story

Now, where does Dai fit in all this?

Dai doesn't have a Name, and I think theres going to be a point where he changes his name in a major way, but not to a Name, but a Bardic name. In welsh poetic and story telling tradtions Welsh poets, THE OG Bards, will take on pseudonyms tell their stories. This practice stems from the medievil era, but goes forth to today, and many modern Welsh and welsh heritage poets have connections to this tradition (Dylan Thomas' middle name was his great uncles bardic name, Sarah Williams published her work under the name Sadie), I believe it's also a requirement to have one if you intend to perform in the major Eisteddfod, (I am Australian so my experiance of Eisteddfods here is very different so if i'm wrong on that let me know)

Why would he do this? I think Dai is going to, at least try, to write him and his friends a way out.

Much ink is spilt over how Arthurian legend doesnt have an 'orginal text', and as such there are lots of stories that are inherently contradictory; Bedwyr is the best knight, but so are Gwaine, Lancelot, and Galahad. Mordred is some random king until his Arthur's son. Arthur has a sister, no he has two, actually he has three and one of them is an Elaine. This could be used to explain any doubles (are you my Gwaine), as well as why we see a few different spelling varients which are, the very welsh Peredur as opposed to Percival or Parzifal, the anglisised and more boarish Kay as opposed to Cei or Caius (this last one might just to keep Dai and Kay distinct tho). These variations are no more or less 'canon' than any other telling of the story, and so often the writer of a given telling of Arthurian legend is going to have their own bias. But things dont HAVE to end the way they always do, and sometime you need to have someone outside the story you're caught in to tell you a new one.

You are not locked into that ever looming cloud of Thomas Mallory and Le Morte d'Arthur.

Other evidence I have for this is that Dai sings at the begining of each episode, and sings in welsh at that. He also is, to a point our narrator, existing both in and out of the current narative. Also his name is an a lyric of Sosban Fach (a song i would be surprised if it wasn't in the show at some point) 'Dai bach y sowldiwr' which is also not from the text the song was based on. Tangential yes, but i think it's worth thinking about.

I think there is also something to be said about choice in what your name is and how it feeds into the overall theme of identiy, and how that plays into other themes at play in the story, like Transness, Imperialism, and Predestination

TL:DR; While he doesnt have a Name, Dai's gonna give himself an epic bard name and save them all by writing a killer hook to get them out of the story

[princess-of-the-corner]

Amnesia!Dabi & AtLA Todorokis

My tablet has decided to be finicky, so submitting this all in a big chunk-

1) AtLa Todorokis

(Assuming CC!Canon)

Toya just looking at Princess “I Must Please My Dad And Be The Best!” Azula, and going “oh, you’re in for a bad time.” Somehow, he and Azula end up sparring, and then screaming and sobbing all over each other. 

Fuyumi and Rei being “dismissed” is less “Woman” and more that the Fire Nation is a very militaristic and power centred society, so the demure housewives get ignored. Jokes on them, by the end of the first week Rei has blackmail on every member of Ozai’s cabinet, and Fuyumi has the undying loyalty of most of his staff.

Natsuo is less “God, how primitive” and more “Ok, I get that you don’t have access to the same technology, but here’s how to make a very simple freezer so these medicines last longer”. Also “ok, I’m like … 80% sure that this plant is the same one where I’m from, in which case you should stop using it, and use this one instead, it’s less addictive”. Or, alternately, “Oh, so this plant does all this cool stuff, isn’t addictive, and grows like mad? Neat, how many seeds can I buy?”

Shoto takes one look at Zuko, decides “Ah, yes. This must be another version of me from an alternate reality.” Zuko … doesn’t really know what to do with that, but the kid seems alright, all things considered. Shoto also kind of … smacks Zuko in the face (metaphorically) cause part of the problem is that Zuko is surrounded by politicians and manipulative power-mongers. Everybody keeps talking around problems, or making Zuko second-guess himself, meanwhile Shoto “What Is A Filter?” Todoroki is like, “I get where you’re coming from, but that was a dick move.”

Enji is gritting his teeth the entire time, cause like. They’re in a strange place, they have to play by the rules until they figure out how to get home. But the more time he spends with Ozai, the more he wants to punt this smug bastard into the sun, and he has to keep reminding himself why that might be a bad idea.

Finally, Ozai decides to have Enji assassinated, cause the Fire Spirit and his family are causing all kinds of political problems. Only, of course, it fails pretty spectacularly, and since it involved using Azula as bait, she’s firmly against him now. Somehow, it ends with Zuko, Azula, Ty Lee, Mai, Shoto, Toya, Fuyumi, and Natsuo going on the run, while Enji and Rei team up with an escaping Iroh to wreck havoc and cover their retreat. The group run into the Gaang, and Zuko has to be like “So, firstly, Sorry for all the times I tried to kill you, secondly-”

At some point, Aang uses his “Spirit Medium” powers to try and connect with someone from the MHA world, ends up contacting Fumikage. 

2) Amnesia!Dabi

I think I sent this ask already, but I am becoming increasingly attached to the idea that Amnesia!Dabi as an AU is one where, for whatever reason, escaping AfO is actually not that hard. Like, in order:

Dabi - literally walked out of the sketchy clinic he woke up in. He was coming out of a coma, covered in half-healed burns, and still fighting off some lingering sedation. Took 15 hours before anyone found out he dipped. He proceeded to “evade” AfO for the next 3 years, to the point the guy thought he was dead, and only knew otherwise when Dabi walked into the bar to join the LoV. Finds out Dabi was basically two streets over the whole time.

Himiko (and Dabi again) - during the smack down involved with Katsuki’s Great Escape, AfO somehow misses Dabi covering Kats’ retreat, and then fleeing with an injured Himiko. When they don’t show up again, everyone assumes they got caught or went to ground, and only manage to piece together any kind of idea what happened when a news story breaks about the Togas suing UA over Himiko. Then the news Dabi=Toya, and his memory loss. Given the publicity involved on both Himiko and Dabi, unless AfO wants to really blow the fact that him being in prison doesn’t mean much, he “decides” they aren’t worth it.

Magne - left shortly before the Toya=Dabi story broke, but after the Himiko court case got announced. Just … left. Decided this clearly wasn’t the kind of group she thought it was, told everyone goodbye, good luck, and left. Jin, Compress and Spinner still have her number. AfO is unaware she left at all until sometime after the League joins up with Overhaul.

Jin - managed to escape a facility that was SUPPOSED to be secure, while severely injured from a procedure that stole his Quirk. Managed to escape, get help, and lead a bunch of heroes to said facility, forcing AfO to abandon it. Is now under the protection of both Enji, and U.A., and when the HPSC try to get at him, Nezu “reveals” Jin’s the pioneer patient for a new program about “rehabbing” villains or something. Hero support skyrockets. HPSC support continues to down-swerve.

Compress - Undermines a fairly important operation to nab a powerful Quirk user, saves several heroes and adjacent from losing their Quirks, and even rescue the current holder of OfA. The resulting de-aging, turning Compress from 32 to 16, somehow ends up with “Mr. Compress” being “dead”, as teen him doesn’t remember being an adult! (I mean, my idea is he … kind of does? Like, general impressions, or big moments, he does remember. He knows he WAS an adult, and why he did what he did. But Eri’s Quirk went a little haywire, so for all intents and purposes, Compress is, indeed, 16 now.) Somehow, ends up adopted by Aizawa & Mic, cause Eri sees him as a big brother figure.

Kurogiri - K, so like. Originally, he got nabbed during some big operation, right? However, so much is different here, that AfO is just trying to get these guys to lay low. So, instead - bear with me - Kurogiri gets sighted during an outing for groceries, and during a scuffle, suffers a head injury that abruptly causes him to remember his time as Oboro, and forget/muddle much of his time as Kurogiri. Disoriented, he accidentally portals himself into Aizawa and Mic’s living room. Shenanigans ensue. Tomura and Spinner figure he got caught. However, they decide to tell AfO he straight up died. AfO, for some reason, decides “yeah, that checks out”.

Tomura & Spinner - so, my general idea for this is. AfO has decided that “if you want something done right, do it yourself”, and has used a combination of Overhauls’ Quirk plus some others to reconstruct his own body, and then with Jin’s Quirk, is going to make an army of himself. He also decides he’s going to yoink Tomura’s Quirk, cause Decay is pretty powerful, and then he’ll kill Tomura on live TV, telling the whole story about Nana & Yagi, and OfA, really hammer in the message that he’s awesome and all is lost. While this mostly goes to plan, he also ends up broadcasting Spinner decking him in the face, grabbing the de-Quirked Tenko, and escaping while calling him a “bitchass knock-off Palpatine wannabe motherfucker” on the way out. The boys get an unexpected assist from a nearby Hawks & Miruko, proceed to tell everyone everything they know about AfO’s plans.

Much later, after everything is settled, if this ends the way CC will, it takes a few weeks for Yoichi and AfO to have a proper conversation, because Yoichi just. Can’t stop laughing.

-

Everyone easily leaving AfO is fucking great.

Also yes let Rei get blackmail!!!

[enquire]

Legacy and Tragedy (background story 1?)

I think it's time to talk about what the deal is with Saber and his dad.

This little backstory is going to be a smidge more dark for the my little horse show alright.

It's fineee, ok, ponies die in MLP.

To be honest it's not that bad. I mean it could be worse like uh... certain things that happen in the original dra canon.. ehem anyway this may be a little out of left field but bear with me here. I felt Saber needed a backstory of somewhat equal weight for it to still feel like it's him, and fit in the way I want it to...

ANYWAY I am rambling about my dra pony au again so buckle in.

⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻

Ever since he could remember, Saber Frost knew who he was supposed to be. Being raised by his father Cold Steel, his life was surrounded by the Equestrian Guard since he was just a foal. He watched his father rise through the ranks, until he held the title of Captain of the Equestrian Guard.

They were different from Day and Night Guard; ever servants of the royal family. Instead of performing meaningless ceremonial duties, and being easily swept aside by almost any threat, the Equestrian Guard actually protect and serve everypony.

That's what Saber had always been told, and believed. He strove to follow in his father's hoofsteps and become the kind of pony who saved lives, and kept everyone safe. The kind of pony who ensured justice was done.

Cold Steel taught him everything he knew. How to defend himself. How to track down missing ponies. The proper way to care for your gear, and the best methods of investigating crime scenes. How to subdue criminals. How to prioritize during an emergency. How to make necessary sacrifices.

Everything Saber understood about the world, he saw through the same lens. And so, he, and his best friend, a unicorn named Keen Blaze, vowed to become heroes together.

Saber and Keen rose quickly through the ranks. Though Keen was always a few steps ahead, Saber was proud of his accomplishments. Even if his father was disappointed when Keen gained the rank of Lieutenant instead, Saber wasn't competitive. Maybe, part of him preferred to stay in Keen's shadow, where the pressure was less. Supporting his friend, and protecting each other.

But safety never truly lasts. This is a lesson Saber thought he had already learned. It had been drilled into him ever since he was a foal. The reality was, he had never truly known it. Until the day changelings descended down upon Canterlot, taking the castle and incapacitating the Royal Guard.

Spies had already infiltrated the Equestrian Guard, claiming their headquarters and taking several of their own as captives, including Keen Blaze. When the Captain of the Equestrian Guard realized what had happened, it was far too late to recover lost ground.

Changelings swarmed the city, attacking civilian and soldier alike. The princesses were nowhere to be seen. It seemed as though the few brigades of the Equestrian Guard still standing were the only thing left between Canterlot and annihilation. And if Canterlot fell, the rest of Equestria could, too.

So, he came up with a plan to destroy their own headquarters. Doing so would take out the great number of changelings using it as a base of operations and remove access to the catacombs below, stopping the invading army from escaping underground.

Two birds, one stone.

But when he gave the order, Captain Steel was met with resistance for perhaps the first time. Many of the ponies under his leadership had qualms about the hostages still trapped inside, most of whom were sworn members of the Guard, just like them. Companions, and friends.

Cold Steel pointed out that they could very well be changelings, disguised in order to prevent retaliation. And that if not, their comrades' sacrifice would protect the safety of Canterlot and ensure the changeling menace was driven back before the worst came to pass.

But hesitation was natural, wasn't it? Nopony spoke. Until Saber, seeing his father without support, came forward and stood by his words.

After that, more ponies fell in beside him. A tide shifting in favor of the Captain and his plan.

Saber was among the unicorns whose magic took the building down. When it was done, at first, the guard was triumphant. Black, broken carapaces and shattered bug wings signaled their success. The bugs still left alive fled to the other side of the city, leaving the district quiet at last.

But not al the bodies left in the rubble belonged to changelings. The captured ponies had not been fake. Saber was the first to spot burned, brown fur. He forced the wreckage aside, but it was too late. Keen was already dead.

The cheers faded as more and more comrades were found broken and lifeless in the remains. And before the guard could recover enough to take back the rest of Canterlot, a wave of magic exploded from the palace, expelling the invading changelings and rendering the sacrifices made completely, utterly, pointless.

Saber kept staring, half expecting the body of his friend to be wreathed in green flame. For the corpse of a changeling to be revealed instead. But when the bugs were purged from Canterlot, Keen's body remained there, untouched.

Even as several years passed, part of Saber was left behind in that moment. Nightmares and shadows, ever present, almost cemented in his mind by the familiar parapets and streets of Canterlot. And echoing in his father's cold voice and stony expression.

Perhaps that is why Saber chose to leave Canterlot, going over his father's head by giving in to his friends' advice to request reassignment. To a small town Thrift, and two friends he had yet to meet, called home.

⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻⸻

here's an alternate untinted version for color reasons

It was fun getting to write down some of the deeper lore for this silly little au... I will likely do more of this sort of thing in the future. Hope anyone who read all that enjoyed it. I might actually write some stories too, who knows.

p.s. If you're curious, Steel left the kirin village (or some other kirin location) a long time ago. Probably because he had a difference of opinion with them, or didn't have any interest in being 'silenced.'

Saber was born in Canterlot, so he doesn't remember the village or have a connection to his heritage. His mother (an unnamed unicorn) isn't around anymore, and Steel raised Saber by himself.

p.p.s. I uh kinda forgot to mention this but I am working from the idea that there are three factions going on, two of which are Celestia and Luna's respective royal guards, and the other which takes on the role local authorities, militia, etc would fill. Kinda how the Wonderbolts are essentially an air force. The Equestrian Guard might have its headquarters in Canterlot, but it's based throughout Equestria. The Day/Night Guards (who let's face it, are indeed often kind of useless and largely ceremonial) are not Equestria's army, internal security force, or anything; that's where the Equestrian Guard comes in.

[himehikoshrine]

Jack Jeanne Explainers: Takarazuka Revue

This post is a quick and probably incomplete overview of Takarazuka Revue specifically for the context of its inspiration on Jack Jeanne, for reference. It's a basic overview but it's not intended as a guide to the form and fandom.

Takarazuka Revue (JP: 宝塚歌劇団) is likely the most direct influence on the game. It also has a very dedicated fan base that maintains robust English Language resources, so if this aspect of things intrigues you, it is quite accessible to dive further into.

Takarazuka Revue is an all-female musical theater company founded in 1913 and based out of the city of Takarazuka. All roles, male and female, are played by women. It also has an associated training school, the Takarazuka Music School.

The original pitch for the game was an All Boys Revue School, so the reference starts at the very beginning, as a kind of gender swap of Takarazuka.

You may notice that the term used here for "Revue" 『歌劇』 is the same one that the game uses. It gets translated sometimes as "opera" sometimes as "theater" - in general the term does mean "opera" but it's pretty clearly not opera that they're training - it's being used as "Revue" the same way that Takarazuka uses it. Which is, loosely speaking, musical theater.

Continued below the cut --

(I suspect that the similarities in first sound and also first character between 宝塚 - Takarazuka and 玉阪 - Tamasaka are intentional as well)

Takarazuka was founded by a businessman looking for an attraction to draw people to the city and settled on the idea of an All Female Musical Revue and a focus on more western style musical, mostly, as far as I know, as a business decision and a feeling that traditional styles of Kabuki were falling out of favor with most people. It drew heavily from French Musical Revue. The full history of the company, like I said, is well documented in English, and is longer than I can get into, here.

Compare and contrast this to the information we get about the 13th Himehiko, the current principal's great-grandfather, Chuza Dairi. He's said to have been born during the Meiji era and lived into the Showa era, and was fascinated by western style musicals. He's credited with the name Univeil, and starting to use the Jack and Jeanne terms.

Takarazuka stands in contrast to a long line of male exclusive theater forms in Japan. Japan, of course, also puts on co-ed musicals, both originals and adaptations, like the rest of the world, but Takarazuka is very much, to use the phrase the game uses, the "pinnacle of all-female revues."

This image is of a showcase from 1930, where you can see the lavish, european revue style inspiration clearly.

In Takarazuka, male roles are called otokoyaku (男役) - which just means 'men's roles' and is the term Jack Jeanne uses for what "Jack" roles are. Female roles are called musumeyaku (娘役) - which translates to 'girl/maiden/daughter roles'. The game actually uses onnayaku (女役) or women's roles when introducing Jeannes.

(Worth noting that the character Kisa plays in the Newcomers' Performance is translated as Maiden but is 娘 (musume) in Japanese which means occasionally when she or other characters are talking about "playing the role of the maiden" they are saying "musumeyaku" which I think is probably an intentional reference.)

Takarazuka puts on Musicals as well as both song and dance revues. It adapts many things, from extant musicals to manga to film, as well as history and classic stories. It has a reputation for being bright, sparkly, and lavish in costuming and set design and dramatic in style.

The voice actor for Tancho, the singing teacher and head of Rhodonite, is a former Takarazuka Otokoyaku. Tancho's outfits and style of speech are directly taken from Takarazuka. The feathers Tancho wears are part of the standard Revue portion of Takarazuka shows.

Right - Tancho's image, from the website, Left - Tancho's voice actor, Nanami Hiroki, from the Asashi article announcing her retirement from Takarazuka, showing her wearing one of the typical feather backed outfits that leads appear in parades after performances.

Otokoyaku are the stars of Takarazuka and tend to draw the biggest crowd and they get top billing, though each troupe tends to have a top Otokoyaku and top Musumeyaku, decided by a complex mix of seniority (especially for otokoyaku) and gradings. I will stop short of saying these are kind of like Jack Ace and Al Jeannes of a class, though. The Musumeyaku is expected to support her Otokoyaku. Using the terms Jack Jeanne uses, for Takarazuka, the Otokoyaku is essentially always the Flower, the Musumeyaku the Vessel, which is more standardized than the point of view of characters at Univeil.

The top Otokoyaku and top Musumeyaku are called the Top Combi (コンビ). Takarazuka and its fandom use that, rather than Partner (パートナー) that Jack Jeanne is fond of, which carries a potentially romantic connotation.

Takarazuka expects its actresses to maintain a more masculine or very feminine (depending on their role) persona on and off stage, and the expectations for behavior and appearance are quite strict even off stage. For example, much like Idols, they are expected to not date, let alone marry and have kids, until they retire.

EDIT: Someone who knows more than me let me know that the rules for dating are slightly more lax now, and relationships are tolerated so long as they are kept strictly out of the public eye - though still no marriage.

Jack Jeanne remains frustratingly vague on the rules for this during school -- No one seems to think dating itself is an issue, but Ao does say that it would 'cause trouble' if people saw them holding hands. So perhaps we're supposed to imagine something similar? But back to the post.

Takarazuka is divided into several different Troupes (組, kumi, read as gumi when used after the name of a troupe). They currently have five.

They break down as follows

Flower Troupe (Hanagumi 花組) - 1921 Moon Troupe (Tsukigumi 月組) - 1921 Snow Troupe (Yukigumi 雪組) - 1924 Star Troupe (Hoshigumi 星組) -1933-1939, reestablished 1948 Cosmos Troupe (Soragumi 宙組) - 1998

Each troupe has a reputation, though they are fairly loosely followed, and many performances get performed by different troupes for different runs. However, I suspect this was a strong influence on the way the classes were divided in Jack Jeanne. For example, Moon Troupe is known for singing. The newest troupe, the Cosmos Troupe is written with a character in Chui's name, and their stereotype is 'experimental and tall'. Snow troupe, interestingly, is known for more traditionally Japanese works (loosely) which is a conspicuous absence from Univeil, especially considering Tamasakaza's style is said to be more traditional than Takarazuka's -- closer to kabuki, even.

In Takarazuka, stars are sorted into these upon graduation. The Music School is probably better as a whole separate post.

The term "Newcomer's Performance" used in the game to refer to the first show of the year is also used in Takarazuka -- shinjin kouen (新人公演), where it has the meaning of a different casting of a play with all newer Takarasiennes (a term used for the actresses of Takarazuka).

The specific announcement that Tsuki makes in the intro is almost exactly, in both wording and tone, the announcement made before each Takarazuka play. His outfit in that scene is a version of a very famous style of Takarazuka Costume, inspired by fancy French dress and specifically the manga Rose of Versaille, whose adaptation is one of Takarazuka's most iconic plays.

I would strongly encourage you to browse their official English Language site (or Japanese one, if you can read it), which can be found here : Takarazuka Revue

While you're there, if you're there for Jack Jeanne reasons, it may be interesting to pay attention to the use of the word "dream" which is one of the theme/motif words of Jack Jeanne, and is use heavily in Takarazuka's official material as well as writings on the subject.

Had to throw this in because these? These are the Takarazuka words right there. Well, their official Motto is "Modesty, Fairness, Grace" or "Be Modest, Be Proper, Be Graceful" (which is a whole lot to unpack elsewhere) but unofficially it could be "So Dreamy and Sparkly."

You'll probably get a more thorough history on the website, too, than I provided.

Rather than make this even longer, I'm going to make a separate post on Takarazuka Music School, the path into Takarazuka, and it's similarities and difference with what we know about Univeil.

I'm by no means an expert of Takarazuka, and I should probably defer to people more involved in the fandom for that, but if anyone has anything to add that I missed in this brief post, please please reblog and add! If you have any questions, I can try to answer, asks should be open!

[holycatsandrabbits]

From OTP to OC’s: How to scrub your favorite fandom couple into original characters

Plot out a completely new story that you are dying to write—because all your favorite stuff is still there.

If you’re a fanfiction writer, you probably have at least one OTP (One True Pairing, meaning your favorite fictional romantic couple). You might have written them a beautiful story (or thirty) on AO3.

But at some point, you may want to take your OTP out of fandom and into the world of original fiction. Possibly because it makes your writing accessible to people who aren’t part of your fandom, and possibly (probably) because unlike fanfic, for original fiction, you can actually get paid.

So how on earth do you take other people’s characters and make them your own, without getting rid of the fire that sparks your muse?

In my journey from fanfic to original fic, I started by writing AUs (alternate universes) of my first OTP, Aziraphale and Crowley from Good Omens. In an AU, you are making big changes to the source material, but leaving in most of what your fandom loves about the characters. In a Good Omens AU, Aziraphale and Crowley are often human instead of angel and demon, but the basic enemies-to-lovers trope usually remains, along with the personalities of the characters, and as many similarities to the original story as you can fit in.

Scrubbing (that really is the technical term) fandom all the way to original is the same process, it just goes farther. When you’re done scrubbing, the only things left about your OTP will be the pieces you as a writer can’t live without.

So what are those pieces? Well, it’s entirely subjective. But you can follow these five steps to find them:

1. List your characters’ traits

We’re going to take as example an OTP I am currently scrubbing, which is just as cringy as all of your OTP’s: Link and Sidon from The Legend of Zelda Nintendo games. You don’t need to have any idea who that is to follow this article. But here are their character traits, the good and the flaws:

Link: human (or elf?) male, great hero of legend, very good at fighting, quiet, private, helpful, mischievous, possibly in love with someone he doesn’t remember (Princess Zelda), guilty, and haunted by past failures.

Sidon: 7-foot-tall shark man, gregarious, ridiculously optimistic and complimentary, charming, nerdy, sometimes over-confident, a good fighter, ages slowly compared to humans (or elves), and oh yeah, he’s a prince. 

Note that these don’t have to be the traits the fandom at large assigns to these characters. This is the way you see them.

2. List your ship’s tropes

“Ship” is short for relationship, in this case our romance. So for these dudes, we have: human/nonhuman or human/monster, royal/commoner, long lifespan/short lifespan, and size difference.

3. List your plot’s main points

In the two games that have Sidon (Link’s in all the games), Link has to go to four different places and help four different peoples (leaving Sidon behind), then beat a bad guy in a castle, and save the world.

4. Scrub in

Now we’re ready for the operation. You’re going to go through everything you listed and start throwing things out. As you do, ask yourself this question: Does my heart still race? 

If you take out a piece and your muse is still humming for this OTP, then let it go. But if the absence of that part ruins the whole thing for you, then leave it in. Remember, you don’t want people to recognize this as a certain fandom or ship, so take out everything you possibly can.

So for the Link/Sidon ship, I’m asking myself, Does it matter (to me) that one is royalty? Does it matter that they age differently? Does it matter that one’s two feet taller? Does it matter that one is a monster? Do I still need to have a save-the-world plot? Do I still need them to be separated sometimes during the story? And so on. Again, this is entirely subjective: leave in only what floats your personal boat.

5. Make it weird

You have your list! Congrats! Now it’s time to change every other detail you can, because you want to make your story as different from the original as possible.

Let’s say I decide I really want to keep my monster character. Then it definitely shouldn’t be a shark man like Sidon. So I’m asking myself the same kinds of questions: Does it matter (to me) that he’s seven feet tall? Does it matter that he has sharp teeth? Does it matter that he can breathe underwater? And so on. 

Perhaps the only thing I really care about is my monster’s size. In that case, I need to come up with a large humanoid creature that’s as different from a shark as possible: maybe a centaur, bear shapeshifter, giant alien bird person, or scientist that had an accident in the cloning lab. 

Let character and plot shape each other into a completely new story that you are dying to write—because all your favorite stuff is still there.

Here are two original stories I wrote based on fandom ships:

You Don’t Say: When two fake psychic con men who secretly pine for each other are forced to work together to solve a disappearance, they discover that one of them is actually psychic. But which one? This is Aziraphale and Crowley, with the tropes of enemies-to-lovers, dorkiness, and bickerflirting preserved, along with elements of magic. Turns out those were the only pieces I couldn’t let go, and the resulting story is nothing like Good Omens, but was really fun to write.

Bloom: A shy older man with magical abilities becomes the muse of a beautiful young male artist. This comes from one of my OTPs from the 2018 TV show The Terror: John Bridgens and Henry Peglar, an older man/younger man, teacher/student ship. I left in the age difference (toned down quite a bit), and kept the outgoing/shy trope, but changed the teacher into an artist’s muse with a gift of magic. This story has very little in common with a horror show about Sir John Franklin’s doomed 1840’s arctic expedition—except the few parts I couldn’t live without.

There is one major disadvantage for a fanfic writer moving to original fiction: you will not get nearly as many readers for original fic. But remember, readers in your fandom are there because they love the same character traits and tropes you do, some of which will be preserved in your story. You may not have as many readers, but you will get some fans of your own! And maybe even some sales.

Thanks for reading! Speaking of sales—here’s how I do it: How to publish a short story

Looking for more inspiration? Get some weird writing prompts. 

DannyeChase.com ~ AO3 ~ Linktree ~ Resources for Writers

Image credit

[theragamuffininitiative]

Non-Partisan Questions for Critical Social/News Consumption (Helene Edition)

We have a responsibility to ourselves and for our neighbors to seek out truth and not participate in harmful speculation. Because we live in the deteriorating end of the Information Age, here is a rundown on how to use this kind of critical thinking to address a current events situation so here we go:

Claims that hurricane relief aid in the U.S. is being disrupted by various parties with various methods, mostly by the white house and fema withholding aid, sending it elsewhere, not listening to locals, confiscating donations, rejecting donations and volunteer help, and arresting people for trying to help.

I am choosing not to bog down this post with a lot of source links. My point is to encourage critical thinking to empower you. Also, the things I am saying represent most-documented version of events, so the information is very easily accessible elsewhere.

1) What is the date of the article/quote/link in question?

Most of the information about Helene/FEMA controversy is recent and concurrent with the event (that's good!), so we get a checkmark for this one. However, lots of people are also using past experiences (for example, from Hurricane Katrina) to bolster their stance. This is not necessarily a bad thing bc experience is an important part of rationale, but it needs to be understood that people who lived through Katrina or similar disasters/hurricanes, are now saying opposing things. Some who were frustrated by past events are understandably predisposed to believe the same thing will happen again, while others who were well-helped through their trauma are grateful for the aid.

2) What is the broader context of the article/quote/link?

Most of them point toward politics and a dislike or distrust of current government and the need for people to rise up in place of that government to do what needs to be done. Does not mean the claims are false, but it does mean we must handle the information with care as there are very clear ulterior motives to the narrative.

3) Are there links to reputable sources? (Any sources at all?)

I have yet to see them. That doesn't mean they don't exist, but I have been looking. The widest spreading ones say someone who knows someone who knows someone said something about something they experienced. There is a great lack of actual substantiated information from firsthand accounts - from actual sources with actual facts, instead of vague stories saying "this is happening" while never elaborating on witnessed events of it happening. It's all hearsay from what I have seen.

4) What information is being left out?

All of it?? Who actually experienced this firsthand? Where were they? What aid were they trying to bring - an uncoordinated truckload of donations the aid workers could not physically accept, perishable goods that would make people sick, untrained volunteerism that would put more people at risk, trying to force their way through on roads that would not tolerate the strain? If someone was trying to confiscate things, did they verify that person was not running a scam for personal benefit? Did they speak to someone in charge? What questions did they ask? Who specifically told them no, and did they give a reason? Did they stop to ask the aid workers what kind of help was actually needed? Etc etc etc.

5) Have I sought out disconfirming information (i.e How would I know if the claims were wrong?)

This is vital to understanding any concept about anything, whether news or science or history or relationships or current events. Officials (if you have no concrete reason to disbelieve them, I understand people may lie for various reasons) are calling bogus and begging people to stop pestering their congressman and others who are already working around the clock with repeated questions and demands about this as it is distracting and disrupting their work to help their communities. Also firsthand accounts of people on the ground (check local community pages online) are vastly disagreeing with the claims of corruption, and instead confirming the aid of agencies and the heroism of the national guard, agents, and empowered locals and volunteers.

Check your sources. And check for someone saying the opposite. Weigh them by equal measures.

6) Am I basing my trust in the veracity of the information on emotion? (e.g "This feels true because Group X-ians are villainous caricatures.")

The people saying something is rotten the loudest are the ones already predisposed to distrust and dislike the officials in charge. They were upset before the hurricane. Alternatively, people are hurt and grieving and looking for someone to blame. That doesn't make them right or wrong but it does mean heavy emotional influence, which often leads to mistaken/unclear reporting if not outright intentionally misleading information. For example, it is a rational and empathetic response when learning a volunteer helicopter pilot was threatened with arrest while rescuing victims. It is also rational to go look into what happened and find out it was because all air traffic was restricted at that time, the fire marshal was just doing their job as best as they could, and that the pilot was able to resume his flying efforts in partnership with the Carolina Emergency Response Team.

Check your feelings are not informing you more than facts.

7) Do I need this to be true or false to maintain my political identity?

Oof. See some of the points above. Most of what I see throws blame at the president, when the confirmed facts of his involvement are in his favor (proper if not great budget allocations, quick response to requests for aid, communication with local government, etc.), or at the very least not concerning him (he is not in charge of most of the action here). I don't have faith in any one political identity. I just want people to be helped (missing found, grief held, needs provided) and for the truth to out, and for those things to work hand-in-hand so that we are focused on rebuilding lives rather than tearing others down. Maybe I will be proved wrong, and I am open to that, but I am looking for hard data to back that up first.

Check your biases. We all have them.

8) Do I believe this is true or false because "it's just common sense"? (Whereby "common sense" is a shortcut to belief that demands no critical thought, research, or verification.)

Verify. Think through this stuff. What does anyone gain by turning away donations if they actually need them then and there - to be then yelled at by both people sending them and people needing them? What does a president who is already stepping out of office have to gain from causing harm and discord under his current administration? Have you read about how fema and other international aid budgets work and are allocated? In a crisis people always look for an outlet for their grief and frustration - could that be a factor? Historically, natural disasters are extremely prime targets for the spread of misinformation due to the massive amounts of chaos, are we factoring that in?

9) What is the reputation of the source I'm quoting/linking? (Do I even know what the source is?)

See above, 3-5. Social media is where the info is coming from. I follow some independent, centrist journalists and they aren't pushing any conspiracy to withhold aid. Meanwhile local government, journalists, and locals with communication access are not verifying these claims. And most of the claims are specifically pushing political narratives. Remember, the bigger the conspiracy, the harder it is to hide. What are the sources of the information.

10) After all of these questions: Am I confident that I am embracing/sharing accurate information?

And if you have hesitation about the veracity of the information, stop spreading it, full stop. It isn't helping anyone.

Note: corruption exists, people do things for greed and power and selfishness all day every day. Corruption may exist here. (Also please, please be wary of gofundmes and other potential scams!) But, that doesn't make every negative story about this situation (or the actions of people we disagree with) true.

Below is a link to the Samaritan's Purse official website. You can learn all about them and their mission and their history and operation procedures at the link. Their headquarters is based in North Carolina, so they are automatically pretty predisposed to help both for selfish and selfless reasons. They have established a workforce of over 1,000 volunteers in NC, including setting up water filtration stations and oxygen-use aid and other medical stations.

I have not personally worked with them but I have family and friends who have been on multiple operations with the organization and they do amazing work. They, they are a Christian ministry, and it's okay to disagree with them and pick another way to help. But they have a pretty impressive track record of help. They are often first responders to many national emergencies. If you don't trust federally funded agencies, consider seeing how you can help through organizations like SP.

Thank you for reading this far, go forward in peace.

(As always, I reserve the right to ignore or delete any antagonistic, unproductive behavior related to this post, thank you.)

If you can encourage your friends and followers to use critical thinking and not spread potentially harmful claims during this disaster, it will significantly relieve burdens on those involved in rescue efforts. 💛