#i made it my goal to record the entire damn scene

[vvenciel]

ANYBODY ELSE FEEL CRAZY

[decoy1]

Had a dream I was watching season 3 of Rottmnt, it was so vivid and now I’m sad that it isn’t real. So I’m writing some highlights from the dream before I forget.

Draxum and Casey focused episodes on what they were doing during the movie. There were really cool action sequences with original music and everything. It was so cool. There was one scene where the screen divided in half to show both battles.

Music during action scenes. There was a lot of it. I suspect it might have been because I watching Moon Girl and Devil Dinosaur before going to sleep tho.

An episode premise: April finally had a good stable job. She was going steady for a whole 2 weeks setting a new record. The turtles got a little suspicious since April can never keep a job for long. Cue investigation, it turns out the job is a front. A front for a cult. April accidentally joined a cult. By the end of the episode April accidentally destroyed the cult in the same way she usually ends up losing her jobs. Alas the curse of April losing her job was too strong.

Another Episode Premise: Splinter and Draxum go undercover for an intel mission at a fancy club. The cover story being that they’re two friends who are trying to reconnect. They’re kinda bad at it since both argue like a married couple. This actually works in their favor tho as the person they’re trying to spy on to get info on is a huge romantic who is super invested in trying to get the two to “reconnect”. Both are forced by the turtles to play along for the sake of the mission. By the end of the episode Draxum and Splinter have performed a proposal, a wedding, a divorce, another re proposal, alongside with a remarriage, but not another divorce because they have to book it away because the turtles got captured. Which meant by the end of the episode Draxum and Splinter were still married.

Over Arching Story: Bishop was hunting down the remaining Foot Clan members. Which included trying to find former Foot Clan members for any information. Of course leading Bishop to Casey. Casey sends him on a wild goose chase as she goes on her own mission to find her former bosses. Being the B plot for a lot of the episodes. In one instance she teams up with Piebald in a gambling ring to win some info.

Running Gag: Casey Jr tries going into the dating world but has trouble since most people who are his age now, were adults during the apocalypse. So if he does find someone to date who he doesn’t recognize they usually end up being some form of “not real”. Highlight examples being: an alien who assumed a human persona to lure specimen to experiment on their ship, a demon with similar motives to the alien except it wanted to eat Casey Jr’s soul, an ai made by Bishop made to find potential Foot Clan members. What was funny was how obvious a lot of them were, like the alien wore a “I believe” shirt but with sharpie added “don’t”, changing it to “I don’t believe” (real master of disguise right here). The demon’s “flirting” was something along the lines of “if souls were edible and had taste, I bet yours would be a delicious meal that would amplify my demonic powers. If I had demonic powers, which I don’t because I’m a perfectly normal human. But in the hypothetical where I do-”. The ai when asked it’s favorite hobby responded with “breathing and being human”.

Bishop had an entire episode where he beat up different clans in his attempt to find the Foot Clan. Making some leave their old clans to join Bishop since he bested them in battle. But Bishop didn’t want a bunch of ninja (idk why not, that sounds incredibly useful) so he sent them on a wild goose chase but every time he did they came back having accomplished the goal. (Again I don’t understand why he kept acting like they were an annoyance when they were getting him things like THE GOD DAMN ELIXER OF EVERLASTING LIFE)

That’s all I have the energy to write. If I remember anything worth adding I will but I think these were all the highlights.

[gardenofshadcws]

Dracula Daily Day 86

IT’S THE BIG ONE 

Dr. Seward’s Diary

Renfield nooooo I’m so upset

Dracula how dare you beat my boy like this I’m in PAIN

AND NOW YOU GO AND BLAME HIM FOR THIS?  LIKE HE DID IT TO HIMSELF???

Dr. Abe this is so not an accident what are you talking about

Arthur and Quincey heard the plot needed them and who are they to refuse?

Can we save his life because he’s a human and a good bean and not just because he has information?  Like please?

HE’S ALIVE!!!  

“What’s wrong with my face?” I’m DISTRAUGHT

DON’T DIE

“I must go back to death - or worse” DRACULA HOW COULD YOU

The way Renfield capitalizes He like Dracula is a god, or on a level with God is so telling without saying much at all

Ugh this poor thing has been a victim this entire time.  And Jack just looks at him like a science experiment.

“I don’t care for the pale people” AAAHH MINA

Everything hurts and I’m dying

He tried to SAVE her BABY RENFIELD AAGHGH.

Oh cool we’ve gotten what we wanted so we’re just ditching im I guess.

Quincey I love you but I think saving her from becoming a vampire is more important than silly Victorian propriety

DRACULA GET AWAY FROM HERRRR.

It’s truly disgusting how many adaptations saw this scene with Dracula drinking from Mina and decided “romantic?  Sexy?  Soulmates???”

BUT THE SUITOR SQUAD GOT THIS FUCK OUTTA HERE

Noooo Mina ;~;

This part is destroying me

Jonathan seeing his wife distress and immediately going “I’m going to kill the fucker” is glorious

Mina and Jonathan are relationship goals

“I much touch him or kiss him no more”  “aww hell no” Jonathan is the most ride or die ever.  Given the choice between Mina or God and he chooses Mina I LOVE this sweet boy

NOOO THE RECORDS.  But it’s okay, Mina’s the best and saved everything

RENFIEEEEELDDDDD 

PTERODACTYL SCREECH

BABYYYY NOOOOO

Quincey and his bats, man.

I’m so upset

The story of Dracula slipping in to attack Mina is just as horrifying the second time around

“A little refreshment” ewww

“What have I done to deserve such a fate” NOTHING MINA YOU’RE PERFECT AND WE’RE PRIVILEGED TO HAVE YOU HERE

And there goes Jonathan’s hair

Jonathan Harker’s Journal

Jonathan stressing makes me stressed

God’s not helping you, your friends are helping you

RENFIEEEEEELLLLLLLD

He tried to save Mina and this is what he gets 

This attendant sucks at his job and now my SWEET BOY IS DEAD.

Nothing should have been kept from Mina in the first place dammit

“I shall die!” MINAAAA.

Van Helsing’s right for once, that’s not actually going to help anything. 

Yes, lockpicking, much better than breaking in.

At least Mina doesn’t have fangs yet, that’s a good sign

Way to go Van Helsing, you made Mina cry again.

And then you burned her head.  You’re handling this extremely poorly, man.

Poor Mina :(  Girl just wants to live her life

“She shall not go into that unknown and terrible land alone” AWWWW.  JONATHAN YOU ARE THE SWEETEST.

This is so romantic it’s melting my black dead heart

“I have written this in the train” Just like the beginning of the book, that’s a beautiful callback.

“The place smells so vilely” perhaps that’s because you just lit a cigar, Art (yes, I know it’s Vamp Stink)

Dr. Seward’s Diary

It always seems like a long wait when we’re waiting for Arthur and Quincey.

Jonathan babyyyy

Yeah, Jack, you’ve got nothing on Jonathan I’m sorry

So, if Dracula was a scholar, are we… condemning the seeking of knowledge over faith?  Is that what’s happening here?

The zoophagous patient had a NAME, dammit

Jonathan is out for BLOOD.  And not in the vampire way

There’s Dracula, it’s battle time!

Jonathan where the HELL did you get a kukri

Damn.  SO close.

All this and Mina’s still trying to put on a brave face

Can we stop talking about Mina’s purity because that’s giving off some really icky Madonna-whore stuff

These two love each other so freaking much

Stoker’s letting his boys cry again you love to see it

I am also in tears by the way if you even care

Jonathan Harker’s Journal

I too thought today would never end

“My poor wronged darling” awww

It’s okay, guys, Quincey’s here to protect you :’) 

[thereadersmuse]

Oh, Muse. *sighs dramatically and falls to the floor* Like you said in the replies on one of your posts, all this and all this damn time just for Daryl to end up leaving everyone he ever cared about. I kept watching this entire time because there there were always juuuust enough scenes or eps that made me remember how good the show could be and how much Caryl was still a quality ship in spite of it all and this is how they choose to go out. A completely lackluster final season and so many of us holdouts who likely no longer even really care if Caryl does go canon because looking at this entire shitshow they'd prolly immediately kill her so because Daryl has to ride off into the sunset alone crying manly tears and the out of all the Daryl ships the only ones who "win" are rabid NR fangirls ship him only with themselves. You truly were the smart one getting out long ago. It's honestly almost impressive how much so many of us used to love TWD and how AMC just sucked all of that out of us over time. If their goal was to make people feel like we wasted way too much of our lives and kind of wish we never even bothered, well mission accomplished, I guess. I feel like BenAflecksmoking.jpg

Honestly, we are all mentally, emotionally, physically and spiritually the benaflecksmoking.jpg. It's just with twd that the house behind him is actually on fire at the same time.

1. Anyone who stayed watching has my respect. First and foremost. I stopped because I realized I just wasn't enjoying anymore. It did nothing for me. In fact, it just made me mad. Again and again and again. Also, the fandom got so caustic you couldn't even like minor characters that smiled in Carol or Daryl's direction without them making 'victory' cakes when they inevitably died. Wildt. So, I bounced. I understand why people didn't.

2. I think, truthfully, this stings me less than others because deep down I never really thought they would do caryl the justice and love it deserved. I thought the caryl spin off was a miracle, considering tptb's track record, but honestly thought it would probably end up like this after one season. With NR huffing his ball hairs and zooming off on his bike like some real life fan fiction he is writing on a diner napkin and shoving in a writer's pocket.

3. The sad part, like we both mentioned, is this completely negates Daryl's entire journey as a character and it is hysterical in the worst way that NR and tptb are so blind to it. I can't see the spin off succeeding without MB tbh. Twd only had the die hard fans left, most waiting for caryl. And now? Well, they got NR and his self-fanfiction, I guess.

4. My advice to all? For what it's worth? I have none, just gentle love and the promise that there are people in this fandom who will write a better caryl ending than twd could even dream.

Tough times, queens.

[vidavalor]

SamBucky people... a balm for the broken-hearted here...

About what the producers/directors, etc are saying...

I’m not going to say that their approach to this does any service to anybody-- *including* the studio morons who can’t see that they could make $ by having more LGBTQIA characters in their stories (and that seems to be their primary motivation so...) 

The thing is, once the people involved in the show define a character’s sexuality, they are also doing something else-- they are also specifically saying what a character *isn’t*. If the producers say that Bucky is bisexual, then there are fans out there who are going to feel betrayed. I’m fairly certain there are maybe like I dunno five? fans who actually think that Bucky is straight (lol) but fans tend to ascribe whatever their wishes for a character are onto that character. They project far, far more than what a show’s canon actually suggests. Think about how, as SamBucky shippers, if the producers said in an interview tomorrow that Sam is asexual, you’d be disappointed because then it would feel in violation of canon to ship SamBucky in the way you already were. (BTW, if a show doesn’t make *some* character asexual at some point soon.... grr.) Would it still be a great show? Of course! Would we still love Sam? I would hope so because Sam is awesome! But you can see my point which is that confirming one thing eliminates something else. Producers don’t want to do that because they don’t want to alienate fanbases. They want as many people as possible to watch their stuff so they traffic in vagueness with most characters, with only cishet ships really getting any daylight as canon because that is still how the majority of people identify. Is this good? God, no...

Marvel is also really the worst with it. The comics, often written decades earlier, were often more progressive than the MCU is. But this doesn’t mean that there is a lack of *intent* in how something is made. As a writer, I can tell you that TFATWS is written with romance beats-- not the story beats even of a buddy cop drama. That could maybe get you through the first two episodes. Past that, it’s a romance. More than that, it’s a damn *Hallmark* romance, minus a Christmas tree. TFATWS is one cookie baking scene away from Sam & Bucky having made out under a gazebo at the Delacroix Dancing Reindeer Festival or something. The actors are clearly acting with intent-- this isn’t just Stan & Mackie’s “natural chemistry” or what have you. There is no universe on earth in which the actors, the director, the producers, the *studio*, looked at the dailies (early rough cut of filmed scenes) for the boat scene where Bucky reaches for Sam’s hips and went “oh, this will definitely come across as Bucky isn’t the slightest bit interested in men”. There is no way that a scene of two guys rolling in a flower field was not meant to contain a heaping dose of homoeroticism. And those are just two of the examples-- if I went on and got into actual subtle ones, I’d be recapping *every single Sam and Bucky scene* in TFATWS and you all saw it.

For an example of how this attitude can exist and not be kind of toxic to a fandom, anyone who hasn’t seen it already should go check out Good Omens. If you think SamBucky is a love story, wait until you watch an actual enemies-to-friends-to-married couple that includes a 6,000 year slow burn and is one of the most romantic stories ever filmed (all while being insanely smart and funny at the same time.) There’s no overt declaration of love, no kiss but there is also absolutely, positively zero doubt that this angel and this demon (who are each a little of both, really) are over the moon crazy in love with one another. When this is put to the co-writer of the novel & producer of the series, Neil Gaiman, he affirms that it is a love story-- that Crowley and Aziraphale love one another. Even though the vast-- and I mean vast-- majority of people watching it will see it as a romantic love, the Good Omens fanbase has people who see different things in the relationship. There are a lot of fans who are into the potential asexuality of the characters. (Personally, I don’t think this works-- not because I have an issue with asexuality because I don’t but because there’s some fairly overt examples of sexual attraction between the two. Anyone who has seen it or will see it... Aziraphale in the Bastille. Enough said.) Anyway, the point is that there are fans whose interpretation differs from the others and, in a spirit of a state of being supportive of the freedom to be who you are which is really a major Good Omens theme anyway, the producers will simply say that it is a love story and that the two male-presenting leads love one another. Sound familiar? 

It’s what Marvel is trying to do with TFATWS and SamBucky. The difference is the tone. Good Omens is a community full of positive LGBTQIA representation and love for all people and everyone involved with the writing of the novel and the production of the show really reflects that attitude. Marvel.... doesn’t have the best track record with this stuff. Granted, these are not comparable things. Good Omens is the ultimate in niche-y stuff-- it’s a long-running and large fanbase but compared to Marvel, it’d fill a thimble. Marvel is trying for a big tent approach to its movies and tv shows-- to have something for everyone eventually-- but the problem with this is that it doesn’t really give anyone much of anything that is well-defined... and that’s kind of their goal. They want you to be able to see what you see in things. It doesn’t mean that they aren’t actively trying to create things for you to see but it does mean that most of the stuff they make that is not a cishet relationship could have an entire romantic arc for characters-- and TFATWS does-- but it’s also going to leave open doors all over the place to try to attract the most viewers. 

By that definition, TFATWS is shockingly gay. There are an enormous amount of tells built into the story to lead the viewer in that direction. Bucky didn’t want to go on the one date he went on with a woman and ran out of it in the middle, after talking about guy profiles on dating sites. Sam has been in 89 pieces of canon and other than a howyoudoin? at Black Widow that goes nowhere-- in front of another guy who was from the 1940s-- Sam hasn’t blinked at a woman. Neither of them get actual love interests in TFATWS but for one another. They spend the entire series proving themselves to themselves so they can prove themselves to one another. The list is endless. 

No matter what they’re saying Bucky’s sexuality is or isn’t or what Sam and Bucky’s romance is or isn’t, they’re just dancing around things to try to keep from becoming “the gay Marvel show” in the media and keep viewership numbers up because, sadly, there are still too many people who won’t watch a show about hot, gay superheroes for some reason I do not understand...

So if you’re feeling a little faint of heart, just keep in mind that you can believe your own eyes and these two are in love, no matter what crazy verbal gymnastics the people who made this show for you are doing to try to pretend they didn’t just write you a six-hour long gay superhero Hallmark movie. 

[justasmallbloginabigklainefandom]

Cris Tales has given me one big Thought, though. Spoilers, lol.

Like, okay, I don’t have problems with the ending, since I played the game after the DLC wave, aka my true good ending included a confirmation that Crisbell survived, so my big problem with the story isn’t the ending. 

Honestly, it’s the plot twist that the Empress is Crisbell.

And okay, I know they explained how Crisbell came to be the Empress and sure, okay, yeah, it makes sense, but hear me out. One thing I really loved about Cris Tales’s story is how there’s a lot of foreshadowing. Things just fit. Willhelm shortly leaves the party in his house? Yup, he’s probably recording those things for when he dies. Matias going missing in Crystallis? Yeah, probably scheming. Unknown Cinderian in Ceniza? Yes, it’s Jura’s wife who’s become unrecognisable! The ruins that Oropen is interested in? Heck yeah, they are part of the late story.

And even things that the characters don’t necessarily get, but as a player you do. I knew Father Miguel worked with the Empress the moment I saw the stained glass in his chapel. Or when the mayor called Lana a ‘Cinderian spy’, it clicked that it was Lava all along.

All this to say, I think Cris Tales did a great way weaving the overall plot together, which is why Crisbell being the Empress is the only plot point that just didn’t work for me. A good plot twist should be shocking, but it should also make you look back and go ‘oooooh, holy fuck!’. That’s why the one where Matias turns out to be Ardo did work for me. I completely didn’t see it coming. It was an insane left field. I was gobsmacked. But then I looked back on the game and I was like ‘yeah, okay, I can see that’. I mentioned Matias going missing in Crystallis, but in hindsight it is a bit suspicious that Matias did so much to make clear that Crisbell started this entire journey and he dictated what she was going to do a lot. He’s the one who told Crisbell to travel back in time etc. He’s the one who told K to kill the Empress. He’s the one who says that he can understand that Rhallus would do whatever it takes to have a second chance at life.

But for the Empress reveal, we only got, like, two animated dream sequences that don’t make any damn sense. I don’t know about you, but when I saw those scenes I was indeed confused, but it never made me think ‘oh boy, maybe this means that Crisbell and the Empress are the same!’, so yeah. I think it would’ve worked way better if during the story, Crisbell started developing arrogance. The Empress kept saying that that’s what’s always her downfall. Like, if during the story, Crisbell would get a bit of an ego. She’d be so confident of her power, that she’d be blinded by anything else that ‘prevents her from achieving the goal’ of stopping the Empress. And that she would start to see herself as the Chosen One. Then it makes sense that one day all that arrogance and blindness leads to her becoming a woman who has no problems harming others to achieve her goal. Now, the difference between Crisbell and the Empress just felt too big?

I mean, you can say that it’s part of the story. Crisbell’s disbelief at the twist is understanding. How can she become like that? 

Also, I just cannot imagine any version of Crisbell who would kill Willhelm. Nope. And since I also watched the bad ending, didn’t Willhelm recognise Crisbell as the Empress from the very beginning of the game. It looks like Crisbell/Crysta/Empress looked a lot like Crisbell when she first met Willhelm.

Hmmmmmmmmmmmm.

[cultofstan]

My love for Bane!!

Before you read, I want to make it clear that there are some nsfw parts to this posts. If you are under 18, please don't read!

This post will go over various details and reasons why my heart belongs to the big green giant know as Bane from Batman and Robin (1997). Get ready for a long read, because I've got a lot to say.

(If you haven't check out my Bane Wallpapers, go do check them out! They bring me so much joy, I hope they do the same for you ppl too!)

His mask is very cool and unique, because if you look closer you see they used Bane's comic book mask as a base and then just changed the mouth area and added black eye pieces on top of the red piece he normally sees out of. Imo, it is the best movie Bane mask we have ever had! A lot of people hate the multiple tubes coming out of his head, but I think it makes things extra spicy! A constant reminder that your not just dealing with any normal super human, you dealing with a venom infused one that can fight you like it's nothing! The bulging veins that can be seen in certain lighting is a detail I feel deserves more love. It adds to his big and tough demeanor. You can really tell the venom is working wonders on him! The zipper on the top of the head and the fact that his mask is most likely made of tight leather or latex brings thr entire thing together and is truly a marvel to look at! I absolute love it!💚Imagining him slick that smooth, stretchy, husky mask on while the venom starts to pump into his brain and muscles just does things to me. If Bane offered me a chance to wear it, venom or not, I would do it in a heart beat! It would probably reek of sweat, his bad breath, and of old leather, but I wouldn't care. Just the thought of inhale all those smells brings me a joy I can't describe! 😍

When I was a kid, in addition to his lovely mask, his clothing choice was another thing I loved about him. It looks like Bane is just wearing a black cotton tank top with some black sturdy pants, but I've always the headcannon that it's actually very flexible black latex one piece! It makes a lot more sense when you notice his collar, chest harness, wrist bands, crotch diaper, and boots are also make out of a harder leather with spikes and studs! I swear, half of my clothing choices/dreams come from this man! His boots, for the most part, are very frankenstein/gothic inspired with thick sole and it going all the way to his knees. The copper rivets are the only things that make them stand out, imo. I've had thoughts were in order to prove my love to him I have to lick or kiss his boots while he judges. I'd hate it for the most part, because they probably taste like dirty and dust, but I want him to know that I do love him, so I'd do small smooches starting from his toes and work my way up his leg until I'm straight up licking his boots. I'd get so carried away he'd probably make me stop pretty quickly so I don't get sick 😂. His spiked collar and wrist bands are easily the clothing items I want the most! Any time I see someone on the street with spikes in their clothing I immediately think about him. Because he's worn them for so long, they're probably not that tight or rough but still firm enough to not sag. Maybe even a little flaky in certain parts. I don't think I'm comfortable with myself enough to wear a collar in public but I've come so close to buying spiky wrist bands or gauntlets it's crazy I don't actually own a pair yet. One day, I'm sure. His crotch diaper, for lack of a better name for it, is the one thing I'm 50/50 on. Some days I think it really adds to his look, especially with the spikes that go out. Plus, to a certain extent, it makes practical sense because that way heroes cant go from behind his and try to restrain him, or can't throw too many kicks, without getting poked/cut by the spikes. But other days I think it just doesnt look that great, because it ultimatly looks like a big metal diaper, it takes away from his intimidation. Plus, I won't be able to give him proper hugs! (I want to give daddy all the hugs he deserves! 💚) His chest piece is what brings everything together. The little Bane symbol is so cute, I've always looked for a pin or something to buy but no luck. I actually used to have this Bane cape that I won at Six Flags when I was little. I cut the symbol of his face out of it and tried multiple times to attach it to my jean jackets but I suck at sowing. 🥲 The leather straps that hold the chest piece compliment the other leather pieces of his outfit. The metal looking chest piece looks wonderful and adds a layer to his character that I both love and hate. In this movie he's a drone, a mindless agent that is only allowed to follow orders. I'll will discuss this in a bit. But for the record, I hate the fact that Bane is written as big dumb idiot in this movie. It's the one big problem I have with him, which sucks because I literally love everything else about him!

I've probably watch the Bane transformation scene in Batman and Robin, like, a thousand times. No joke. I didn't realize it then, but seeing a short, thin, twink become a tall, hulking, king really hit my desires in the right way. Like, now, I know for sure that's one of my kinks and it makes me so damn happy! Granted, I've never been skinny in my life, but I've always wanted to be a musclar and strong man, so it makes sense why I love this scene so much. It's a literally fantasy of mine brought to life! More specifically, I've always wanted to be a type of strong that allows me to run miles like it's nothing, throw punches that instantly knock someone out, and lift so much weight that I borderline have a superhero body. Don't get me wrong, this is seriously mentally unhealthy because I know it's kind of impossible considering my personality and the actuality of gaining so much muscle, but I believe as long as I realize it's a dream and not beat myself up over it, it's not too bad of a thought to have. Actually, if you think about it, this Bane is kind of a plus size body representation. Sure he's got giant arms that can crush my bones like tooth pics, but he's pretty bulky with a big belly. That might be too much of a stretch to say, and I totally understand if people don't agree with. That being said, I have to say it, this man probably gives the best hugs in all of Gotham! He's so big that you don't even need a jacket in the house! Just let him embrace you and you'll never feel alone or cold again! His thick hands holding you in really tight, his muscles locking you in and warming your arms, while his gut pushes you back a little of your feet, like he wants to swoop you into his arms and carry you! 🥰 He'd be careful with his spikes of course, don't worry. A detail that sends me over the moon about Bane in this movie is his green skin. I can't put my finger on it, but it really adds to the whole transformation and therefore my thirst for him grows even bigger! Especially because it's completely unique to the movie. It looks so good that I wonder why the comics haven't adopted something similar.

I could go for hours about how I think the writers butchered Bane's character in this movie, but I want this post to mainly act as a positive appreciation post/background for head cannons that I might post about him one day. So to end, and give a taste, I'll finally talk about Bane being a drone in this movie. In weird way, because he's played as a mindless servent, it makes this version of Bane one of the easier Bane's for me to fantasies about. This is because in the movie, it's implied Bane only follows Poison Ivy because she was the first person he didn't see as a threat. Plus, I wouldn't be surprised if she used some of her suductive powers on him. (I would too, just saying) So, with that established, I like that he's a mindless drone because it means that, in my head, he's not exactly my "servant" but he will basically do whatever I say. Why? Because I will prove to him I not a threat either, and only want to love him!! He'll have a concuious and his own goals, and I'll follow along and help because I trust him and want to support him, but, for the most part, he will do what I say and love me in return. I could explain this more, but I want to save the juicy parts for the follow up post I have planned for this. 😏

If you've read this far, thank you. From the bottom of my hear. I've never wrote something this personal or long. I hope I can continue to do more of these, if I'm passionate enough.

[lampoest]

Unfiltered thoughts watching mission impossible rouge nation inspired by @chaotically-cas

(sorry its so long my brain is all over the place)

this is also part 14 of me watching it every day :/

CURSING WARNING !! ALSO SPOILERS !!!

why is brandt first to speak

starting out with "shit" good call benji

brandt man we get the package is on the mcfucking plane

badass luther 10/10

nervous benji 10/10

that one sound effects sounds like the discord notif

why he in a fancy suit

*jumps on a plane with almost no plan on getting inside*

why did tom cruise think this was agood idea?

but like why would benji even open the ramp?

how is he not winded from that?

classic ethan

THE INTRO 1000/10

SOLOMON LANE !!

wait you can already see lane in the record shop.

how do they tell the agents these little convos?

also damn way to give it away

what if someone just looked in that room and saw the secret message?

also how did the disc get changed? because the imf definitely didnt make that

and how did lane know where he was going?

speaking of lane---

dang that man is pretty

he always sets guns down carefully

i can only see alec baldwin as trump from his snl skits so i dont take hunley seriously ;-;

damn brandt needs to step it up. man keeps letting himself be inturrupted

bruh the imf is only luck

why did no one resrict his legs?

also why is janik such an asshole?

dang she cool !!

why does it take janik so long to get that gun?

bravo-echo 1-1

this man is bleeding but decided instead of taking care of his wound he calls brandt.

i like how you actually see ethan worried and confused trying to plan his next moves. he is rarely caught off guard so it's refreshing to see his more human side

hunley spitting accusations damn bro

also a big fuck you from ethan to hunley

dang ethan is good

brandts little hidden smile

and ethan leaving trails

bitch how you sketch that good???

STAN BENJI !!

youve won, your way out of a job

benji is good

my little brandt x benji shipper in me is happy

simon pegg is such a good actor

the first time i saw this i was like: aww noooo

all dunn with that

TO THE OPERA !!!

TUX BENJI TUX BENJI

i cant tell if that was ethan

it just looks like youre talking to yourself thats more sus than using a phone

want drama? go to the opera

ok but like if you look like that im sorry you are a bad guy. thats like a stereotypical bad guy face

benji-

you can see ethan in the background of that scene

flute gun flute gun

oh no benji is in the closet. dont worry man we love you

if i were there and i just had a good vantage point i could find lane in an instant

ooh ilsa pretty

pipe gun

also pamphlet computer

those key things are cool and plausible

spiderman spiderman does whatever, ethan hunt can?

a W O M A N

what W O M A N?

reminds me of a marshmallow gun i made out if pvc pipes.

why does she not put that thing back?

also the dude loads it and then later it is unloaded

dang that guy is pretty tall.

ethan is so tiny

dis bitch is like uhh gimmie a sec to catch my breath mate

why he only dropkick people?

only 30 mins in ?!?!

the cinematography is exquisite

yes benji goin sicko mode

*gets shot* just a flesh wound

bruh i would've been so startled at that

i love how confused he is at that

ilsa saves ethan once again

they did this on the first day of filming

skdjs

ah yes random package in car = not bomb totally

if she tried to shoot benji then yes she is a bad person

but she didnt try to, she could've easily but didn't

benji being paranoid

she could just say the dude's name

benji being scared

hunley jumping to conclusions

brandt actually cares yeey

why di they approach from different sides of the street they were in the same car.

benji was far away from the sparks why he flinch?

friendship goals

oop plot dump that only mission impossible can get away with

ok...

why this mf's voice so smooth

lane is struggling with chopsticks

also lane :))))

ive chocked on my water so many times watching this scene

lanes voice :))))))

SHE RUINED HIS SUSHI WHAT THE FUCK ILSA

this man dont know what personal space is

gotta look up these peeps mbti types

casablanca references

also benji is wearing dollar store lookin glasses while ethan is wearing some fancy glasses

luther is top notch

as much as i dont like jeremy renner he delivers these lines really well

because atlee is a bitch

oh honey please, impossible is a walk in the park

benji just wants to wear a mask

id be so nervous walking through those

yes...

personal wellbeing who?

why not bring a plastic bottle full of air?

tom cruise can hold his breath for 6 minutes and he learned to do so for that scene

luther big brain

damn cctv

why did they need to break in while benji was going in?

das sus but ok

also isnt et voila french?

she just randomly tapping the ipad

benji being stressed

if he missed the exact center

i want one of those to open my locker's lock

if he just went with the current and didnt try to force his way against the water ilsa wouldn't have had to save him

imagine if he put the wrong one in-

she is breathing heavily to over saturate her body with oxygen so she can hold her breath longer

see ilsa makes it out without well and she went with the current

BENJI'S OUTFIT YESSS :))))))

no you didn't

you gave her a false sense of security

ethan's confused face for the next like 10 mins is great

liar

why does that one man look like sean ambrose?

parkour

skdjdksjdjdkfjs

the facial acting in this

STAIRS STAIRS STAIRS

the glare yesss

vrrrm vrrm

hey its you !

drivin like a grandma

shit !

benji just screaming

im convinced that ethan is indestructible

no you didn't survive that

bonk

dskfh

ethan didnt just-

also why didnt benji just tell ethan he made a copy ???

dont shoot and drive kids

high speed motorcycle chase with no helmet or leather. tom cruise, how?

i wanna learn how to drive a motorcycle

HOW THE FUCK IS HE NOT DEAD YET ?!?!

the lighting

ofc brandt would be the person why sits backwards on a chair. fkn bi vibes

benji to the rescue

fuck off atlee

i am so proud of us ...

the lines are done so well here

benji lookin like how i look when my parents argue

YES THIS SCENE

LANE LANE LANE LANE LANE

im too fucking gay for this movie-

once again no personal space

*inhales* :))))))))))))))

ive like memorized the entire script of this including the music

1 man performance of m:i5 ???

benji's outfit

also i love how youre able to see the characters in the background. props for the attention to detail

i need that haircut because his hair is lookin A+

fuck you atlee

ilsa spitting straight facts

uhh ilsa he still loves julia

NO BENJI NOOOO

EW FUCK OFF JANIK NO ONE LIKES YOU

speak of the devil-

betrayal--

WOULDNT YOU LIKE TO KNOW WEATHER BOY !??

actin sus

BENJI LANE BENJI LANE

his posture shdhskhsj (i cant be talking though)

0 personal space whatsoever

why does everyone have the same haircut in this???

simon mcburney pretending to be hunt prentending to be atlee

manipulation !?

the syndicate you say ? i know a thing or two about them 😼😼😼

damn though renner delivers these lines really well

a black tie? how informal. ..

complimenting hunt right infront of him

but he really didnt

i never realized that they were on the clock for this

huh...

the lil head nod though-

HAHA YEAH FUCK YOU ATLEE

is it bad that i hate atlee more than i hate lane?

ethan big smart wrinkle brain

janik just reading a fucking magazine

ethan has a photographic memory

oh look its benji :)))

lane :))))

ethan being tough

it must be aquward to get the low angle shots

lane is running out the clock to put pressure on ethan hmmm big brain

it isnt working though :\

damn he so cocky that hes telling the villain his plan

ill give you 1/5 of the money you wanted to get my bf back

ok but like does tom cruise just not age?

kill the woman

ugh i hate janik

the trust that is shown between those two is great

yes the score and the chase are so great

also this man really hates windows for some reason

fuck off janik

sneaky sneaky

EYY ITS LANE !!!

yeyy janik is dead

once again dodging bullets and hating glass

couldve killed him but needed him alive

the glass box

badass ethan

all the pretty men assembled

lane really let himself go aster this

dang though lane is my favorite villain ever

i like how for once the girl and the guy just are friends instead of romantically involved

eyy the callbacks to how the movie started.

welcome to the imf

[revchainsaw]

Nausicaa and the Valley of the Wind (1984)

Prayers and Salutations Cult Members! I am your mysterious minister Reverend Chainsaw and this is another nights revival service at the Cult Film Tent Revival. I bring you a special word tonight. Tonight's word is about a person who roamed the earth, in a time where people were backward and warlike. A leader emerged into a kingdom full of eschatological expectation. This leader came preaching peace, and was killed for the sins of the world, but was resurrected. In that resurrection a new hope was brought to the planet, and true healing through the power of love in the face of violence is made possible. I am talking of course about Princess Nausicaa from the Valley of the Wind.

The Message

Nausicaa and the Valley of the Wind is the film that put studio Ghibli and Hayoa Miyazaki on the map. No animated feature this grandiose and epic had been achieved by 1984, as much as Disney may beg to differ. The tale may be simple, and it may feel super 80s to us today, but Nausicaa is a masterpiece, and the fact that Howl's Moving Castle is brought up alongside Princess Mononoke and Spirited Away more often than Nausicaa is a farce and a tragedy.

The film takes place on a fantastic planet that seems to have suffered the ravages of an apocalyptic war. A war that involved gigantic warriors with powers so devastating they about made the entire planet inhospitable if not uninhabitable; save for a few areas. The fall out of this ancient war has left the earth in a state of repair, where the natural processes of a planet healing has creating giant toxic jungles.

Beyond these jungles lie two imperialistic factions, they seem almost to be city-states but it's not terribly clear. The Kingdom of Tolmekia, a militaristic proto-fascist society of almost Spartan sensibilities. Tolmekia is governed by the ambitious and cynical Princess Kushana, But I like to call her Furiosa. Just like Furiosa, Kushana is physically missing parts of herself, a visual metaphor for her metaphysical lacking and the parts of her humanity she has cut away. Kushana's world view is one of fear, a fear that can only be quelled by waging a genocidal campaign against her enemies.

Speaking of enemies, the Athens to Tolmekias Sparta would be the Pejite Kingdom. The Pejites might like to view themselves as simply responding to Tolmekian aggression, but the narrative of the film, and the story told quite visibly on the body of Kushana, is quite different. The Pejites are just as bloodthirsty if not more palettable in their approach, but like the Tolmekians, they believe only their own lives have any value. And thus, in this theatre of war, a Giant Warrior from the ages before is unearthed by the Pejite Kingdom, Stolen by the Tolmekians, before the forces of nature themselves, seem to conspire to drop the Giant Warriors "egg" right into the Valley of the Wind.

The Valley of the Wind is populated like the world of Avatar the Last Airbender, that is mostly of children and the elderly. The people of the Valley have been able to remain untouched by the ravages of war and the toxic jungles of the damaged world primarily due to geographic luck that's explained in minor exposition in the film. They are ruled by a King, and they are all deeply enamored by their beloved Princess Nausicaa.

Nausicaa is a gentle soul. She is kind to animals, she is empathetic, unreasonably patient, and bears pain and grief inflicted on her out of cruelty with a saintly understanding. She really is a thinly veiled Christ figure, scratch that. There is no veil. But she's also my favorite Christ figure. She does not preach a message, as much as she tries to save everyone from their own short sighted goals. She is not perfect, she does lash out and do some fantasy sword fight murder, but she regrets her actions so deeply that it seems to have played a part in motivating her to become even more compassionate and patient with the evils of the world.

Nausicaa discovers yet another plot by the Pejites, who are afraid of the possibility of the Tolmekians awakening the Giant Warrior, to use animal cruelty to enrage a group of almost invincible giant insects known as the Ohm. By luring the Ohm into the Valley of the Wind where the Tolmekians have become an occupying force, they hope to completely wipe out everything that threatens them. The Tolmekians DO awaken the Giant Warrior and pure pandemonium ensues. Nausicaa manages to save the Baby Ohm and calm the rage of the bloodthirsty Ohm swarm, and to defeat the warlike tendencies of both the Pejites and the Tolmekians. All the while fulfilling a prophecy fortold about a messianic savior figure called the Man in Blue.

Now that you have heard the Gospel of Nausicaa, please stand to receive The Benediction.

Best Character: Half a Person

Now that I've spent the better part of this review gushing about our Lord and savior Nausicaa. I have to admit, she's at times a bit too perfect, a bit too saccharin. Even her flaw, or her one weakness and her failing to be perfect, just adds to the perfection. I can't even say she never makes mistakes cuz she made one, and that's infuriating. It's even more infuriating that I still think she's a great character. Normally this kind of thing really kills a hero. Most Chosen Ones are the most boring and least likeable characters in their narratives. I don't know how Nausicaa avoids this trap, but she does. I'll have to do some meditating on that.

However, just like in your typical Chosen One fantasy narrative, the hero is a lot less fun than the villain. I'm going to say the best character in Nausicaa is Kushana. I want to be like Nausicaa, but I don't understand her. She's almost alien, even though we learn all about her. Kushana is mysterious, secretive, and enigmatic, yet I understand her. She barely has an arc, she doesn't really change. She's cold and cynical to the bone, but I don't need to see much of her situation to completely understand why she is the way she is. I usually hate totalitarian bad guys, but Kushana I like. Sue Me.

Also fun fact, did you that Nausicaa means 'Sinker of Ships'. That's kinda fun.

Best Scene: Spoiled for Choice

I'm going to be lazy and say take your pick. There is really not a bad seen in this movie. If the action isn't going, then there's intriguing dialogue. If there's no dialogue then you may be about to get hit with a forceful burst of whimsy. There's horror, there's swordfights and aerial dogfights. The only thing in Nausicaa I don't like to see, is the bloody tortured Ohm Baby. It's like a god damned Sarah Mclachlan commercial.

Best Creature: Foxy Shazam!

The Ohm are so simplistic yet so detailed. The number of eyes is alien, but the way they are used is expertly expressive. Who'd think you could get me to love what basically amounts to a silverfish with the intensity that I love a kitten. How did Miyazaki pull an Okja with a creature that should be haunting our dreams? I don't know.

And what about the Giant Warrior! If you are an Evangelion fan then you probably already know that Hideaki Anno designed and animated the melting goopy biomechanical beast. Surely a sight that would make both H.R. Giger and Clive Barker giddy with excitement. Just the image of the silhouettes marching amidst the desolation of the old world is burned into my brain.

So which of these is the best creature from Ghibli's first outing? It's fucking Teto. It was always gonna be Teto you idiot. Just look at Teto, he's adorable. He's too cute to exist. I'm so alone. I need a pet.

Best Character Design: Tolmekian Regalia

I originally included this category to talk some about Kushana, however, at that time I also thought I was going to say Nausicaa was the best character. I thought hard about deleting it, but I think it's a different category and you can't accuse me of playing favorites because my favorite character is clearly Teto. Just to keep it simple. It's the two costume shift from full military regalia in white and gold, to the one metal arm, warrior princess get up. It's a great costume and a great look. Get on this shit cosplay nerds. It's great for Cons in Canada, you have to think about layers, and you can't keep going as Mr. Plow. It's lazy.

Best Excuse to Talk About Patrick Stewart's Character: Lord Yupa

I just realized that I was about to write this whole review without talking about Lord Yupa. Lord Yupa is a sword saint and all around badass I think a lot of entertainment, especially in the west is lacking bad ass old men. Lord Yupa particularly shines in the early half of the film as a warrior and as a wise council to Nausicaa. If she's Jesus then Yupa is John the Baptist. He is also voiced by the elegant and eloquent Patrick Stewart. He also comes with 2 chocobos!

Worst Character: For Whom Asbel Tolls

This might also be the worst actor category as well. Actual Cannibal (haha meme) and actual monster (haha real life) Shia Labeouf doesn't so much act in the role as he read the lines and it was recorded. The good news it doesn't effect the film too much because Asbel is completely forgettable. He is a catalyst to some of the action, but besides that I don't really care for him.

Worst Aspect: To Be Fair ...

It would be unfair to completely ignore anything negative about Nausicaa. I have already mentioned in many places that there are some pretty corny, or pretty predictable tropes to this movie. But what I can't capture in words is exactly why it feels fresh when it's done in this movie. I suppose that's what makes it good. It's just so good that it's weak points are lifted up by it's strengths. Some people may bored of Nausicaa's unyielding goodness, or that she very rarely chooses to take action as much as she chases and pleads with her surroundings, but I mean, she does pay for that eventually. It's a fantasy story and it hits a lot of timeless themes that have been hit in stories for as long as human beings have been telling stories. Some people may feel that it doesn't do enough to stand out.

Summary

I have defined the S tier for myself as "near perfect and personal favorite" films. I like to think that Nausicaa and the Valley of the Wind is near perfect. Some may say that it looks like it might just be a personal favorite. In the case of Nausicaa, I'm having a very hard time telling the difference. I think it would be overly simple to claim that Nausicaa is just an ancient archetypal heroes journey with an 80s anime coat of paint. I think it's doing quite a few new and interesting things with that formula, those things are just playing out all around that narrative as opposed to being at it's center. For a first full length outing by the studio, you can really see Miyazaki's heart and the values he holds close to. I'll repeat myself so that we are completely clear on the matter. I think Nausicaa and the Valley of the Wind is a near perfect movie.

Overall Grade: S

[lethesomething]

Ghost of Tsushima and the Hands of Fate

I see we're still trying to prove that games are an art form by making everyone feel bad.

For the record, Ghost of Tsushima is one of my favourite games in a very long time. It is extremely pretty, the aesthetic and general … polish is *cheff's kiss*. You can pet foxes and backstab people. The fighting mechanic is decent and there are just So Many Hats.

But also, it has the kind of story that pulls you in to the point where you have to drop the controller to hide behind your fingers going 'ohgodno'.

It is an absolute bastard of a game, is what i'm saying.

So let's talk about that, and specifically about Straw Hat Ryuzo and how I feel bad for him.

I am, by the way, going to be talking about the narrative structure of a video game about medieval samurai, so expect like, a bunch of spoilers.

The narrative is one of the big draws in Ghost of Tsushima. Like yes, it's an open world rpg with fighting and flower picking and all the important stuff, and also yes, some of the bits are sloppily written (looking at you, specifically, 'Ending to Norio's Arc'), but the game definitely sets out to Tell a Story.

And because this is a Serious Game that openly bases itself on samurai movies like Kurosawa's, it is a Drama.

In many ways it is an utterly brutal Bildungsroman, a narrative in which a young man finds his identity.

I have joked with friends about the clear intent for this game to make Important Stories, in that it actually tries to tick all the boxes of hotbutton subjects: childhood trauma? Obviously. Gay relationships?  Yup. Survivor's guilt and PTSD? Oh yes. Domestic abuse? Several. Suggested pedophilia? Damn, even that.

The foxes are there to soothe the soul

It's interesting to note that from a writing point of view, this bildungsroman is even Very Classically Structured. It goes so far as to be a three acter, with a pretty standard build-up.

 Jin Sakai, traumatized man that he is, spends the first act slowly getting to grips with the bit where you don't fight an army by yourself by  just walking up to them and challenging them With Honour, like he has been taught his entire life. Instead of getting stabbed repeatedly in the chest and set on fire, he  discovers guerilla warfare and creates this persona of the Ghost, a literal vengeful spirit seeking justice for the island of Tsushima.

It gets him some big wins and in the second act he slowly embraces this identity until things get to a head where he clashes with his entire old life. The third act starts at the hero's lowest point and is utterly gut wrenching (i am Still Not Over the horse, game), forcing him to pull himself together for an ending that is, well…fitting for the narrative. It's an ending that is needed, but perhaps not what Jin deserves.

 But anyway, this is about Ryuzo, and how until that ending, I was very upset about his role.

You see, this story is told in part through the lives of Important Npc's, who contribute to Jin's journey of self-discovery. This is pretty obvious with someone like Yuna, who is the one to introduce him to the Stealth Life and who is a driving force behind the marketing of the Ghost.

Someone like Masako, meanwhile, portrays vengeance and self discipline, but Jin also kinda tries to make her fill the mother-shaped hole in his heart.

Lord Shimura, meanwhile, is an Obvious Father figure but also stands for Jin's past. He's rigid and ineffective, which pushes Jin to further look for alternatives.

Ishikawa, that other mentor figure, is more moderate and flexible, but he also represents a possible unwanted future. He literally warns Jin at one point not to become like him.

Norio, then, is as mentioned not the best written, but he too is a person that searches for his destiny and tries to become like his hero, while only barely holding on to his sanity. 

Kenji, I'm sorry, I love you but you're just comic relief, that's all you do. It's an imporant job in the story, because god does it need it, but you're not teaching Jin anything other than how to make different 'resigned sigh' noises.

So what about Ryuzo? From the very beginning, Ryuzo's story didn't really sit right with me. There's the obvious class issue: he's one of the few important npc's that are poor, and he's an Antagonist.

It has always rubbed me the wrong way that his original intentions were good, depending on how you read it. He's trying to feed his men. He essentially made the decision that this one man's life (even if it is an old friend) is worth the price for the lives of his band of ronin.

It's a lot more complex than that, of course. Ryuzo partly blames Jin for his predicament in life, and he also knows that samurai treat their soldiers as chattel, which the game goes out of its way to show you they DO.

  Essentially, he's a complicated character who makes bad decisions for arguably good reasons.

Ryuzo did everything he could to save the lives of the people he cared about. He went so far as to abandon his honor and his childhood friends, to try to make this happen.

Does that ring any bells?

It kinda clicked for me at the very end of the game.

Jin, being the protag in an assassin game, does a lot of killing. But some of these deaths are given more meaning than others. Some of them are there to make you feel like shit (the Horse Again, but you lose several friends along the way), others serve a more defining purpose.

You see, there's a fair amount of what i'd like to call 'intimate violence' in Ghost of Tsushima. It's an old trope. The 'if someone was gonna kill me, it had to be you' kinda scene that hails from a worldview in which some deaths are better than others, sure, but some deaths are better even than living. It's a worldview in which life itself is less valuable than your legacy. You die for your place in history. For your clan, for your family, for your honor.

Bushido is full of that sort of thing, so it makes sense that a game building on that worldview, would use the heck out of that trope.

  The first is Ryuzo's death. You fight him in a duel, in which he tries to plead for some resolution. You could let him go, come up with some story. But Ryuzo is a traitor, so Jin ultimately defeats him and sends him off in what would be a touching moment of bro friendship if it wasn't for the blood and my 21st century sensibilities.

You grant him a warrior's death, is what I'm saying.

  It happens again with Shimura. The game actually gives you a choice here, but if you go through with it, the scene almost perfectly mirrors Ryuzo's.

You fight in a duel, and Jin tries to get his uncle to just let him go, come to some kind of resolution. But Jin has been branded a traitor, and the only way for Shimura to restore his honour and clan, is to take his life;

This being a game in which you have the power of bamboo strikes and also save games behind you, Jin ultimately wins the duel, and has the option of granting Shimura a warrior's death.

It is utterly heart wrenching and that whole scene has no business being as pretty as it is. The swelling music? The fucking strings? The anguished yell?

Fuck.

  But anyway.

That's about where it clicked with me, that Jin never had a choice.

Ryuzo's whole role wasn't fair, but this is one of those stories where life itself is just not fair at all.

Both him and Shimura are there to show us Jin's path.

  What if, the game says, Jin had listened? What if he'd taken one of several offers the Khan made and surrendered?

What if he'd cooperated?

Well, we see in Graphic Detail what would happen. He would get pushed into doing horrific things. He gets manipulated, again and again, until there is no way out anymore. At some point it becomes clear to him that he's on the wrong side but whenever he tries to devise some plan to turn things around, things go Badly. He's firmly stuck in Khotun's web and the only way out is death.

But what if, the game says, Jin had stayed true to his honour? What if he had listened to his uncle, not defied him, if he had dropped the Ghost before it was too late?  If he'd gone full bushido and repented for the shogun and done all the groveling and the proper stuff.

Samuraihood is just another straightjacket, says Shimura's fate. The tenets are so rigorous you would take your loved ones life, while fucking bawling your eyes out. Shimura knows damn well it's unfair but he also has no way to leave this path. It's a ride he cannot, and will not, get off alive.

  Jin never had a choice.

There was only ever one way for him to go.

Like let's be real: pretty much everyone in this story was dealt a bad hand. It's a narrative about resilience in the face of utter horror, of reinventing yourself and giving up entire structures of faith. People like Masako, Yuna, Norio are finding peace in dealing with huge levels of trauma and regret.

The goal isn't to start a family and live happily ever after, it's to Survive.

Submitting to the mongols would have killed Jin's spirit. Standing tall and rigid as he was taught to do would have, ultimately, killed him as well.

  "I've given up everything to save these people", he says near the end. "And I would do it again."

That's someone who has no regrets.

Jin never could have taken another path and he knows it.

And this is why Ryuzo needed a fate as shitty as his. He fell, so Jin could walk.

I'm sorry, it's still not fair.

This game needs some comfort fic.

[neuxue]

Wheel of Time liveblogging: Towers of Midnight ch 3

I have been waiting for this reunion for literal years. It did not disappoint.

Chapter 3: The Amyrlin’s Anger

Oh, we’re doing this!?

One thing I can guarantee: I am definitely not ready. Childhood friends turned childhood sweethearts turned near-siblings turned uneasy allies turned near-enemies, perhaps turned uneasy allies once more, with prophecy and opposing institutions and the apocalypse hanging over them?

I’m just. In case you haven’t noticed, I have a lot of thoughts about this whole dynamic, and I have been waiting for this… probably since they last saw each other in Lord of Chaos. Before that, even. Since they were set on their separate paths, but with this thread, strained and near at times to breaking but a thread all the same, of some kind of love between them that might, in the end, be enough to do what their predecessors could not, and face the end together.

Also their stories have been running in this fascinating not-quite-parallel for so long but they haven’t interacted in so long that I’m just! Very excited for this reunion and the pain it will no doubt bring!

I should start reading now, shouldn’t I?

Egwene floated in blackness. She was without form, lacking shape or body. The thoughts, imaginings, worries, hopes, and ideas of all the world extended into eternity around her.

The imagery of that last bit catches my attention here because it plays very close to the position Rand holds: stood at the centre, a force, or a being more than a person, touching all the world or – in Egwene’s case – all the world’s dreams. It’s just an interesting one, in amongst all the other parallels and inversions between them.

Though her feelings for Gawyn were still strong, her opinion of him was muddled recently.

Just break up with him already. Please. You’ve already once decided that actually no, I don’t want a storybook romance with the designated hero thank you very much; you can do it again.

The dreams of all the people here – some from her world, some from shadows of it – reminded her why she fought. She must never forget that there was an entire world outside the White Tower’s walls.

This is her anchor, just as Rand has now at last found his. Or, not even an anchor so much as a reason. Something to fight for, something to remember and strive for beyond the fight itself. And again this places her very much at the centre as well, looking at all the people, all the dreams, the entire world. They just each have their own ways of going about it, and their own reasons for doing so.

Time passed as she lay bathed in the light of dreams.

Just quoting this one because it’s pretty.

It’s sad to see Egwene thinking of the Wise Ones in terms of ‘dealing with’ them, but also not really surprising; there’s been a distance between them ever since she took on this role. They hid the events of Dumai’s Wells from her and she chose the Aes Sedai over them and it is, perhaps, one of the harsher aspects of the way she absolutely embraces her role, the good and the bad.

Ugh, fine, dream of Gawyn if you must.

A more simple life. It could not be hers, but she could dream…

Everything shook.

Or not. I’m just imagining this as the Pattern itself interrupting like ‘EGWENE, PLEASE. YOU CAN DO SO MUCH BETTER THAN HIM.’

(Yes, the Pattern speaks in all caps. No I will not be accepting constructive criticism on this point).

This pleasant dream interrupted by an emergency broadcast: thirteen black towers rising and then all but six falling. In case you weren’t keeping track of how many Forsaken were still alive, I suppose.

And then a follow-up as a reminder, I assume, that Mesaana is still in the Tower.

Unless the eagles-and-snake bit is referring to the Black Tower? Still no idea what’s going on there these days; it’s been a while and I’m very, very curious after that ominous line drop in the KoD epilogue.

She saw an enormous sphere made of the finest crystal. It sparkled in the light of twenty-three enormous stars, shining down on it where it sat on a dark hilltop. There were cracks in it, and it was being held together by ropes.

There was Rand, walking up the hillside, holding a woodsman’s axe. He reached the top and hefted the axe, then swung at the ropes one at a time, chopping them free. The last one parted, and the sphere began to break apart, the beautiful white globe falling in pieces. Rand shook his head.

Innnnnnnnnteresting.

The sphere (and its breaking) sounds – first of all a lot like the Sharom because what, you thought I’d pass up a Rhuidean reference? – like the Dark One’s prison, perhaps. With Rand cutting the ropes like breaking the seals.

Or maybe the Choedan Kal, with all the brilliant light of that enormous power, that he has now broken. Or the world itself, I suppose. I’m going with the Dark One’s prison here, probably.

But what are the twenty-three stars?

Thirteens are common, you can’t swing a cat in this series without hitting a duality, threes and sevens crop up on occasion… but what the hell numbers twenty-three? Except for the graves Bashere once had to dig for oak trees on the orders of the mad general he served, but while there may be no such thing as coincidence, that’s a bridge too far even for me.

Nations? Okay now I’m just curious if I can name them all, so… in the wetlands we have: Altara, Amadicia, Andor, Arafel, Cairhien, Far Madding, Ghealdan, Illian, Kandor, Mayene, Murandy, Saldaea, Shienar, Tar Valon, Tear. Then the Aiel, or: Chareen, Codarra, Daryne, Goshien, Jenn (?), Miagoma, Nakai, Reyn, Shaarad, Shaido (?), Shiande, Taardad, Tomanelle. Then Seanchan and Shara on the edges, the Atha’an Miere and the Tuatha’an, and the dead nations of Malkier, Manetheren, and the Amayar. The Ogier. The even-more-dead nations like Almoth and Eharon and whatnot. But even playing with the obvious ones like how to count the Aiel, or the dead nations, or the city-states, there’s not an obvious 23.

The Hall of the Tower maybe? Three Sitters from each Ajah is 21, so with Amyrlin and Keeper we’re at a much cleaner 23, and there is the whole ‘Watcher of the Seals’ element of the Amyrlin’s role, so twenty-three stars watching could make sense.

Or, hell I don’t know, maybe there are 23 verses in the Karaethon Cycle. Meh.

Well, Egwene’s focused on the Mesaana implications (rather than the Messiah implications; I crack myself up sometimes), which seems fair enough.

“He’s here, Mother. At the White Tower.”

“Who?”

“The Dragon Reborn. He’s asking to see you.”

HERE! WE! GO!

Because you know what this means? It means, once again, that we’re going to get outsider POV of Rand, after a crucial turning point in his character.

Twice. Because first, we got it via Almen Bunt, effectively a random character. We got to see a ‘first glimpse’ of Rand, as it were. But now we get to see through the eyes of one who knows him – or rather, one who knew him. One like him in some ways and so very different in others. An opposing role who once was a friend. There’s just so many potential layers there, through which to observe, and I am inordinately excited for this.

*

Though okay right as I say that we shift POV to Siuan, so I may be pre-empting this.

That said, it’s either going to be some form of outsider POV or it’s going to be Rand’s POV and either way I’m going to be on the damn floor so it’s a win-win situation here.

The Dragon Reborn? Inside Tar Valon?

I mean technically that was the goal all the way back in EotW, so you could argue that he just took a really, really long detour. Across the entire continent, a past life, and near-destruction of the world, but… details.

“He was at the Sunset Gate”

How appropriate. Is there perhaps a Wind Tower for him to climb?

“What is his game, do you think?” Saerin asked.

“Burn me if I know,” Siuan replied. “He’s bound to be mostly insane by now. Maybe he’s frightened, and has come to turn himself in.”

“I doubt that.”

“As do I.”

Harsh, Siuan. But not entirely unfounded – at least on the mostly insane part. He’s not, but first of all how would she know that and second of all, if this were a few days earlier, that would be a much harder one to argue. (For the record, my own interpretation of Rand’s sanity or lack thereof before Dragonmount is a strong vote in favour if It’s Complicated).

Of, course, then there’s the whole issue of ‘how long can you stay sane when the entire world is waiting for you to go mad’ but that is, perhaps, a moot point now.

“Maybe he heard that Elaida was gone,” Siuan said, “and thought that he would be safe here, with an old friend on the Amyrlin Seat.”

Oh no this already hurts. Honestly I think any reference to Rand and Egwene as old friends is probably going to, at this point, but also the way Siuan goes to this idea of Rand needing a place of safety. A refuge. Because in so many ways, for a very long time, she wouldn’t even have been wrong. It’s just that it wasn’t an option and there was no such place and the Dragon Reborn couldn’t afford that kind of weakness, and anyway he was never looking for safety for himself; it was keeping others safe from him that he wanted, back when he was just a shepherd boy holding himself together with determination and fragments of Warder instruction against power(s) trying to claim him from within and without.

But Siuan is remembering that boy, and I’m also remembering Rand in the early days at the Stone of Tear, trying so earnestly to let Elayne and Egwene help him with saidin, and how that, from a certain perspective, is not really so different from trying to find some safety in friends.

“Reports call him mistrustful and erratic, with a demanding temper and an insistence on avoiding Aes Sedai.”

I mean, up until – what, a day ago at most? That would be not at all inaccurate. Especially from the outside.

Really I think this whole scene with Siuan and Saerin is largely to remind us of how Rand comes across to the rest of the world. Because the thing about that Dragonmount epiphany – a crucial part of it, but one that is likely going to also result in some complications – is that it was unwitnessed. Just Rand, alone, thinking. And if the cleansing of saidin was difficult to believe by those not directly involved (and even by some of those who were), how much harder will this be, in its own way?

And just to set the scene even more ominously as far as anyone but the reader is concerned, the floor tiles are now the colour (and sheen, and probably texture, and very possibly actual chemical composition) of blood.

It is interesting to contrast the feeling of approaching this meeting to how it felt in the buildup to Rand’s meeting with Tuon last book. That was just full to the brim of impending doom, of ‘there is no possible way under the sun that this will end well’, of ‘oh no, how disastrously is this going to go?’ because at that point Rand was in freefall and the only certainty was disaster. Now, there’s a sense of lightness in approaching this meeting. I mean, I’m still quite sure it’ll hurt me, but the actual tension is different. It feels like waiting for catharsis, almost, rather than waiting for catastrophe.

So hey, maybe we just look at that meeting with Tuon as a practice run for Rand in terms of how to negotiate treaties with a woman who controls a decent part of a continent. If nothing else, it set the bar about as low as it could possibly be, so this can only be an improvement!

Siuan had harboured a small hope that she herself would be chosen [as Keeper]. Now Egwene had so many demands on her time – and was becoming so capable on her own – that she was relying on Siuan less and less.

That was a good thing. But it was also infuriating.

Oh, Siuan. Siuan’s thoughts about her position in the Tower and how it has changed are always a little sad to read. She’s so strong that it’s easy, almost, to forget just how much she’s gone through – and she can’t even just put it behind her and move on because she’s surrounded, every single day, by constant reminders of all she has lost and all that has changed. And even so, we only get these occasional moments of sadness or bitterness or frustration from her. The rest of the time she just… keeps going.

She wanted to do what she’d set out to do, all those years before with Moiraine.

It really is kind of incredible dedication to a cause. Even if ‘shepherding’ the Dragon Reborn is perhaps not really what is needed, she has paved so much of the way, and even from the sidelines has been instrumental, and this has been more or less her entire adult life. A thankless and often punishing task, one that has gone and will likely continue to go largely unacknowledged, one that has brought her hatred and suspicion and pain, and yet she does not question it, does not falter.

It's… I guess in a way it comes back to the whole idea of those who choose vs those who are chosen, but I like the way we see these characters who aren’t the Chosen One but who still give everything they are, and everything they have, to this world and this cause. Some because they must and some because they choose to and some for reasons in between but it’s again this sense that while Rand stands at the centre of it, there are all these other stories and sacrifices and triumphs and tragedies spiralling out from that centre, all weaving together into this pattern. Or Pattern, as it were.

Also, I would like to strongly second the ‘with Moiraine’ part of that sentence. Can we have her back yet please? I’ve been good, I promise!

Bryne’s here too, which means I also get to reminisce about the first (and last) time he met Rand, even before Siuan did, but another scene of Rand as little more than a shepherd, uncertain and afraid and getting by on determination alone and yet, as with his meeting with Siuan, still surprising those around him by being just a little more than expected.

(As for Rand’s first meeting with Egwene, we have no textual evidence but given their ages it probably involved eating mud).

“You came faster than I’d assumed you’d be able to,” she said.

That is, quite literally, what she said. I’m sorry, I’m twelve.

“She’s what we need now,” Bryne said, “but you’re what we needed then. You did well, Siuan.”

YOU DID WELL

I’m sorry, Moiraine’s letter to Rand really just loaded all variants of that phrase quite heavily and it’s not Moiraine saying it to Siuan but it may as well be, and to have anyone looking at all she has done and all she has been through, looking at someone most Aes Sedai now dismiss as inconsequential at best and to blame for their problems at worst, and actually seeing everything she’s achieved and everything she’s sacrificed and to just acknowledge it outright is… such a small phrase but it means so much. Because how many others would say that? How many others could? So few even know what she’s done and why and for how long. Egwene, maybe, but Egwene is still in some ways her protégé and so not really in a position to give that kind of praise. Moiraine, but she’s still… on holiday. And that’s really kind of it.

There’s a reason these kinds of tasks are called thankless.

“He’s standing below, watched over by at least a hundred Warders and twenty-six sisters – two full circles. Undoubtedly he’s shielded”

My first thought was ‘good thing this is Rand after Dragonmount otherwise I don’t think there’d be a Tower right now’, but then, Rand before Dragonmount would probably quite literally not have been caught dead within balefire distance of the White Tower.

Whereas now… what a stark difference this highlights in his entire mindset and character. Once, the possibility of thirteen Aes Sedai sent him away from a city he was holding, tense and desperate and furious. Once, being shielded was – well, I believe the direct quote was ‘Lews Therin fled screaming’. Once, Aes Sedai so much as touching the One Power in his presence without his permission was like dancing on a minefield.

Now… he stands calmly, shielded and within the Tower itself, the stronghold of the Aes Sedai, of his own free will (and that’s it, isn’t it; that’s what truly makes all the difference in so many ways).

Also a bit of a random comparison but I can’t help but be reminded of Taim walking into Caemlyn to claim Rand’s amnesty, guarded and distrusted and hated by pretty much everyone around him and yet appearing, himself, all but unaffected by it.

“Well, what did he look like, then?”

“Honestly, Siuan? He looked like an Aes Sedai.”

Well. Lews Therin was. In an even older sense of the title.

And if we’re looking at the title itself, and its meaning… servant of all is sort of in the job description of a messiah figure, in a way.

I like how we’re reminded that, because of her Talent for seeing ta’veren, Rand literally glows to Siuan’s eyes. Which means the Dragon Reborn, the chosen one, the saviour, having now fully embraced his role, is walking into the Tower literally haloed in light. There’s just a tiny bit of religious symbolism here, is what I’m getting at.

I also – for all that I’m still hoping for a glimpse of Rand through Egwene’s eyes – am very very happy with the choice to show this through Siuan’s POV. Because in so many ways it is a reflection of that scene in TGH where he is summoned to the Amyrlin, and she gets her first look at the boy who will be the Dragon but does not yet know it, and tells him what his role will be, and he surprises her in his stubbornness and strength but still does not truly accept what she says.

Now, we get the Dragon Reborn calling for an audience with the Amyrlin, having finally and truly embraced the full reality of that role. The first was, in a way, to set his path. This, then, feels almost like closing it. And in between those bookends was that long, fraught journey towards acceptance.

Me? Obsessed with symmetry and reflection in a narrative? Never.

She froze as he met her eyes. There was something indefinable about them, a weight, an age. As though the man behind them was seeing through the light of a thousand lives compounded into one. His face did look like that of an Aes Sedai. Those eyes, at least, had agelessness.

This is one of the things I just absolutely love about outsider POV: the way it allows you to almost re-experience the full weight of what you already know. To be able to almost… soft-reset, and then open your eyes and have the impact of it all over again. None of this is news, really, to a reader who has seen Rand atop Dragonmount, or even in the first chapter of this book. But we get it again anyway, because for one thing it’s fun and for another it just serves to highlight what he looks like to one who does not have the privilege of being in his head (not that that’s… a particularly exclusive list these days, but that’s beside the point).

And it’s also interesting how this doesn’t humanise Rand in the perception of others – he’s still very much in the position of being seen more as a force of nature than a person – but the tone and the effect are so very different to before, for instance when he was lost or in pain or just desperate (or all of the above) and yet perceived as arrogant, inhuman, even monstrous. There’s still this sense of… not being seen as just a person, being seen more in the heroic lines and angles of power and weight of legend, but the difference, I think, is that Rand himself accepts it now. It is now a part of who he is, and a part of him he accepts, and embraces, and steps willingly into.

It also gives him some rather extraordinary weight of personality so making his way through a crowd of Warders is a piece of cake. See, sometimes being the chosen one has its benefits.

“And Siuan Sanche. You’ve changed since we last met.”

Oh. Okay yeah the fact that we get him saying this to her, rather than the other way around, is a really, really excellent way of just subtly shifting the entire balance of power – not even quite power; something else I can’t think of a good word for – of the scene.

It's the way it takes the way this scene is so neatly set up to be a bookend of that first meeting between them, and just… flips the obvious line on its axis. It’s still there, we’re still on script, but it’s ever so slightly not what you expect, and that difference itself becomes the point. Because Rand is no longer the object of the scene; he is very much its subject. The assignment of agency and proactivity has shifted (he has chosen, now, rather than been chosen; a semantic shift that makes perhaps literally all the difference in the world), and this is just a really cool way to play with that.

If that made any sense.

“You once took an arrow for me. Did I thank you for that?”

This��� this gentleness is absolutely killing me and we’re only a few lines into his actual appearance in this chapter. The way it’s no longer forced, or agonised, or desperate, or serving only as a sharp contrast to either anger or apathy to remind you of who he once was. Instead it’s just… there. Without brittleness or the aching sense of something lost. There’s just a weird kind of beauty in the simplicity of this, in how it’s just… him, without any of the hundred things waiting to shatter beneath that statement.

Maybe that’s it; the gentleness that doesn’t feel like the precursor to shattering glass. The way this isn’t a veiled threat, or a barb, or a forced admission, or a conversational gambit. Just thanks, remembered honestly and offered freely and that’s… it.

(Moiraine once took a Forsaken for you, Rand. Be sure to thank her for that too).

Anyway, Siuan sings Egwene’s praises as Amyrlin, of course, and apparently everything Rand says or does in this chapter is going to just get me because:

He smiled again. “I should have expected nothing less. Strange, but I feel that seeing her again will hurt, though that is one wound that has well and truly healed. I can still remember the pain of it, I suppose.”

Again it’s just the gentleness that pervades all of this, where once there was turmoil and pain and a rage in him fit to burn the world, or else terrifying coldness and absence and a distant voice screaming. It’s like everything has finally fallen silent and only then do you realise how loud everything was before, and how maddening. Just… Rand being able to smile simply, and feel and express emotions in the normal human range.

And that sense of… wonder, almost, that you get from him at that fact. It’s—there is very much a rebirth kind of feel to a lot of this, because a part of it is that Rand is very, very aware of where he has just come from and where he stands now. That’s the whole point: to get to this, he had to choose it and realise it and open his eyes, I suppose. And so now he’s seeing everything through that new filter (or perhaps without the noise of the old one) and there’s a kind of beautiful simplicity and something like but also entirely unlike innocence to it.

Tiana has a letter for him with a red seal… one of Verin’s, maybe? If so, Rand sure has a track record with Aes Sedai and letters left to him. She did have several, when we saw her with Mat… and I struggle to think of who else would have left one. Cadsuane, maybe?

“Do your best to calm Egwene when I am done,” he said to Siuan. Then he took a deep breath and strode forward

CHILDREN. ALL OF THEM. That, right there, for probably the first time this book, is absolutely 100% a glimpse of Rand al’Thor, Woolheaded Sheepherder, and you cannot convince me otherwise.

Wise, gentle, reconciled to his role, remembering his past life and accepting who he is… and still taking a deep breath and making contingency plans before going to a stubborn-off with his former childhood sweetheart. I’m laughing.

*

OH IT’S EGWENE, WE DO GET TO SEE THIS IN EGWENE’S POV, YES THIS IS EVERYTHING I WANTED.

This was not Rand al’Thor, friend of her childhood, the man she’d assumed she’d one day marry.

Oh no, just start right out with a gut-punch why don’t you. No, Egwene, he is.

Except… he also isn’t, and that’s the sad part. But if this is to work, I still think that’s going to be the key: that they know—knew—each other as people. Except now Egwene is deliberately telling herself not to do that, and while it’s understandable it’s… that way lies the end of the Second Age.

No. This man was the Dragon Reborn. The most dangerous man ever to draw breath.

This hurts me in exactly the way I was hoping it would.

Just as Rand has finally accepted himself, and in some ways come back to himself (not quite, because you can’t go back you can only go forwards as the Wheel of Time turns, but he’s no longer forcing everything about who he was away), Egwene is forcing herself to see him as anything but that. As just the Dragon Reborn, legend and monster and saviour and destroyer. It’s a perfect mis-alignment of timings.

(Egwene is steeling herself, just as Rand has finally stopped trying to become steel).

“Egwene,” Rand said

IT’S! ABOUT! THE NAMES!

She’s thinking of him, emphatically, as the Dragon Reborn… but the dialogue tag betrays her. We are in her POV and as soon as he speaks, he is Rand.

And the first word he says is her name. Not ‘Mother’ or ‘Amyrlin’, not the opening of some request or demand. Just… ‘Egwene’.

He is the Dragon Reborn, come to see the Amyrlin—he asked for the Amyrlin—and she is the Amyrlin steeling herself to face the Dragon Reborn and yet in the first moment, when that silence of waiting is broken, they are Rand and Egwene and—

I just. Maybe I’m reading too much into this but it’s perfect and it hurts and I love it.

(Names are important).

He nodded to her, as if in respect. “You have done your part, I see. The Amyrlin’s stole fits you well.”

WHY DOES THIS HURT ME? WHY AM I EXPERIENCING AN EMOTION?

They’ve both just come so far and through so much and they hardly even know one another anymore, and there’s this almost-but-not-quite uncertainty and almost-but-not-quite familiarity, and yet it feels not like the anticipation before an ‘everything goes wrong’ moment but instead the anticipation of… maybe, finally, finding their way back to something? Or forwards, I suppose. It’s like the tentative formality of meeting someone for the first time in years, unsure of them and of yourself and of everything that’s happened in the interim but there’s something weirdly hopeful about it.

Maybe I’m just so used to liveblogging pain that I don’t know what to do with myself when it’s not there, except in echoes and memories and all the space that has grown between them, but this is like… a hand offered across that intervening space.

From what she had heard of Rand recently, she had not anticipated such calm in him.

I mean. That’s… fair.

Well, or she might have been led to anticipate a very different kind of calm. The calm of ice or cuendillar that could in an instant become, you know, balefiring an entire fortress out of existence.

Maybe save your musings on whether or not he’s a criminal for whatever passes as a Geneva Convention in this world, Egwene. We don’t have time to unpack all of that right now.

“What has happened to you?” she found herself asking as she leaned forward on the Amyrlin Seat.

“I was broken,” Rand said, hands behind his back. “And then, remarkably, I was reforged. I think he almost had me, Egwene.”

HELP.

THIS IS JUST.

I… wow. What do I even do with this?

Just as the first word out of his mouth was her name, and her first thought of him was as Rand… now, despite sitting on the Amyrlin Seat—which we are quite literally reminded of here, and I don’t think that’s accidental—her first words are… call it concern, call it curiosity, call it demand, call it accusation even, but that’s not Amyrlin to Dragon Reborn there. That’s not the opening of negotiations or a summons or a meeting. That’s Egwene, looking at Rand. It’s like Nynaeve in TFoH reaching for him almost instinctively and saying ‘at least let me Heal you’.

And then Rand’s response!

‘I was broken’. Such a simple statement for so, so much more. And yet… that’s what it is. It’s the simplicity, again, that gets me. The simplicity and the self-awareness and the way he can look at it now, with that sense of removal, but this time not because he’s walled himself off from the pain; instead, he lets himself feel it but he has accepted its reason and its source and its necessity. He’s no longer fighting against himself, and that lets him bear so much more, because so much of that pain came from that battle against himself, and from the fear of what he might become.

He spent so long trying to forge himself into steel, but in the end that’s not the reforging he needed. And now he knows that, and sees it, and there’s just something about a character who can stand on the far side of their own breaking and their own agony and speak of it calmly, whole.

It's just an entire situation I’m having here.

And that last bit. ‘I think he almost had me’. The memory of ‘it is HIM’. And the fact that Rand can see that too, now; can see how close he came to the Shadow without ever turning from the Light, and understand that nuance.

But also… there is still one very glaring loose end there: Rand has used the True Power. Sure, he doesn’t seem particularly… uh… compromised by that at this point, but I still just cannot imagine that won’t be brought back in some way.

He spoke differently. There was a formality to his words that she didn’t recognise.

And then it’s lines like this that keep this scene from being… to perfect? Not in terms of execution, but in terms of ‘things going well and painlessly for characters’. Because there is still a sadness to this, to Rand and Egwene looking at one another (and naming one another!) and seeing the person behind the role, and looking for the person they knew, and yet also still seeing elements of a stranger.

Because they have changed. Neither of them is at all the child they were when they left Emond’s Field, and there is so much between them now, and that connection they have is worn and thinned and this isn’t a joyful reunion. There’s catharsis here, and a tentative possibility of peace or friendship, but there’s also this recognition, each to each, of how much of what used to be is now gone. They’ve both been hardened and shaped by their experiences and they both know it and recognise it in each other—perhaps in part because they both also very clearly by this point recognise it in themselves.

“Why have you come before the Amyrlin Seat?” she asked.

And now we get the opening of Amyrlin-to-Dragon. But that’s not where we began. We began with Rand and Egwene, and I’ll shut up about it in a minute but this whole play of naming and identity is one of those little things that gets me pretty much every time it turns up in a story.

“I’ve hated you before,” Rand said, turning back to Egwene.

I’M FINE! THIS IS FINE!

Yes I am quoting pretty much every line of dialogue in this scene but LISTEN, IT HURTS ME.

The thing is, this is a statement utterly without malice. It’s not a threat or an insult—not even the childish sort of insult they might have exchanged last time they met. It’s… really, the only word that comes to mind is a confession.

Which plays into one of the features of Rand’s character that stands out so far in the brief moments we’ve seen him in this book: genuine self-knowledge, and self-knowledge that he fully accepts. There is no longer any remnant of denial.

And that allows him to make statements like this and have them come across as, weirdly, almost benevolent. Nothing he has said is said with the intent to deceive, or to wound, or even really to manipulate. It’s just truth—and truth that he himself fully understands and accepts now.

So he’s not fighting against her out of fear of being caught up in Aes Sedai strings, just as he’s not fighting against Lews Therin’s memories out of fear of being caught up in Kinslayer’s fate. Instead of fighting against everything up to and including himself, he’s just… him.

“It occurs to me that I’ve been trying too hard.”

That’s exactly it. He’s been fighting, when in some ways what he needed was to learn how (and where, and when) to surrender. Though even ‘surrender’ connotes a struggle or a conflict, and I think a lot of this realisation is that it’s not about fighting or forcing or struggling; it’s about accepting, and guiding, and leading. And choosing, of course.

“A fear that the acts I accomplished would be yours, and not my own.” He hesitated. “I should have wished for such a convenient set of backs upon which to heap the blame for my crimes.”

Wow. Okay, that’s… a line.

Um.

Damn.

It’s almost ironic, the way he instead tried to heap all the responsibility on himself and take all that blame and pain, and let it damn him and in doing so tried to pretend it freed him to act as he needed, no longer held back by such trivial concerns as humanity and his own conscience or sense of redeemability. But ultimately it came down to the same thing, in a way: an inability to accept what he was doing, and so trying to find a place to put all that pain.

(Or, as Lews Therin once advised, ‘If it hurts too much, make it hurt someone else instead’).

But now he sees that, too, and so instead of trying to escape the pain or treat it as ‘I’m damned either way so may as well burn it all’, he understands his responsibility but in a more… balanced way, I suppose.

The Dragon Reborn had come to the White Tower to engage in idle philosophy

Moridin? That you?

I do sort of wonder, because I’m me, what impact, if any, Rand’s epiphany might (or could; I don’t really expect the story to go there, much as I might wish it to) have on Moridin, given the link they share.

“Rand,” Egwene said, softening her tone.

And now we get the reflection of the names from the opening of this conversation! It’s about the names! It’s about the dialogue tags! It’s about identity and perception and that thread of friendship that still binds them and might in the end be enough to save them from their predecessors’ fate!

“I’m going to have some sisters talk to you to decide if there is anything… wrong with you. Please try to understand.”

I mean you could not have phrased that less tactfully if you tried, Egwene, but it is kind of understandable. We may know full well that there’s less wrong with Rand now than there has been at pretty much any point since the start of the series, but how in the Light would anyone else be able to be sure of that? He’s certainly not acting like the Rand Egwene once knew, or even the Rand she last saw. Nor is he behaving like the Rand from whatever reports she’s received.

And yes, while I think the world waiting and watching for him to go mad hurt far more than it helped, there’s also the fact that that is what everyone and their mother expects—because up until what, a few months ago, that was inevitable.

So then in walks the Dragon Reborn, acting like… well, this, and what else are you going to do? A bit like the cleansing of saidin, as a reader you want all the other characters to just take it on faith, but the rather sad irony of Rand’s position is that his own word is the one no one is entirely sure they can trust. And the only one here who can vouch for him is himself. Elayne or Aviendha or Min might be able to, but none of them is nearby, and also that bond’s been kept pretty quiet.

So anyway. Yeah, I can see where she’s coming from on that.

To his credit, so can Rand.

“Oh, I do understand, Egwene. And I am sorry to deny you, but I have too much to do.”

There’s the woolheaded sheepherder again. He’s smiling here, and I am quite sure this is a bit of the old Rand dropping by to say hello and needle Egwene just a bit, because that’s what they do.

“A friend rides to his death without allies.”

HE NAMED YOU FRIEND. AND NOW YOU REMEMBER HIM. THIS IS FINE I’M FINE EVERYTHING’S FINE.

“This is the part I regret. I did not wish to come into your centre of power, which you have achieved so well, and defy you. But it cannot be helped. You must know what my plans are so that you can prepare.”

To be able to say that without so much as the hit of a threat in it is… quite a power move, I have to say. Because even here, I think he’s still just being absolutely and even benevolently honest. He doesn’t want to undermine her. He doesn’t even really want to challenge her. He understands where she’s coming from – which itself puts us so, so far from where he was just days ago, that he can meet her uncertainty and suspicion and say ‘okay yeah, that’s fair’.

And if he had time, I wonder if he might actually agree to that particular request.

But he doesn’t have time. Which brings us to the other extraordinary part of this statement: willingly offering up communication. Just. Straight up saying ‘you need to know my plans’. Mark this date in your calendars, friends: a Wheel of Time character just offered, unprompted, voluntarily, to share their plans with another character, so that they can prepare.

I am astonished.

“The last time I tried to seal the Bore”

You know, just the other day.

“I believe that saidin and saidar must both be used.”

I think he’s absolutely right there—it’s a part of what I love about Rand and Egwene, childhood friends for all that they’ve grown apart, holding the roles that they do; the idea that this bond between them, strained as it is, could allow them to do what Lews Therin and Latra Posae could not—but I also… he shall hold a blade of light in his hands, and the three shall be one. I just… wonder.

Egwene leaned forward, studying him. There didn’t seem to be madness in his eyes. She knew those eyes. She knew Rand.

YES!

THIS IS EVERYTHING I WANTED! That she sees him. Looks past the Dragon Reborn, past her role as Amyrlin, and for a moment she is just Egwene looking at Rand and it is by nature such a simple thing—stripping away everything but that simple identity—but it’s also the thing that can give them a chance to do it differently this time. This chance of understanding, this one small thing that could tip them towards cooperation and trust rather than letting them turn away from each other or fall apart.

Light, she thought, I’m wrong. I can’t think of him only as the Dragon Reborn. I’m here for a reason. He’s here for a reason. To me, he must be Rand. Because Rand can be trusted, while the Dragon Reborn must be feared.

Maybe it’s very Sanderson to have this stated outright, but I’m not even going to complain, because it’s… perfect. To allow, in the end, trust and friendship and who they are rather than purely what they are come into it as well, even just in some small way, to bridge that gap. It’s what Lews Therin and Latra Posae couldn’t do, but Rand and Egwene have a chance to try again.

I just… have been spinning around on this EXACT CONCEPT for, I don’t know, several books now, and to see it playing out so plainly here is everything I want and I am never going to be okay again in my life.

“Which are you?” she whispered unconsciously.

He heard. “I am both, Egwene. I remember him. Lews Therin. I can see his entire life, every desperate moment. I see it like a dream, but a clear dream. My own dream. It’s part of me.”

It’s a nice touch, that he speaks of it as a dream, to the one who understands dreams so well.

It’s also just a lot, to have gone from ‘so many parts of him, mind splintered in glittering shards, all of them screaming’ to ‘sorrows and his own suicide’ to a clear dream he accepts as a part of himself. The pain and desperation of it are still there, but he’s no longer fighting them, because he no longer sees it as something he’s bound to. It’s just a part of who he is, but it doesn’t have to define what he will be.

I also like this because Egwene was one of the first to notice him speaking to a voice in his mind. And now she gets this, just an honest and accepting response. It seems fitting, somehow.

The words were those of a madman, but they were spoken evenly. She looked at him, and remembered the youth that he had been. The earnest young man. Not solemn like Perrin, but not wild like Mat. Solid, straightforward. The type of man you could trust with anything.

Even the fate of the world.

THAT’S IT THAT’S IT RIGHT THERE. If they did not know each other, this could be an impasse. Not as disastrous as Rand’s meeting with Tuon, perhaps, because he’s a little… uh… less omnicidal at this particular moment, but likely just as unsuccessful. An Amyrlin who could not trust the Dragon, and a Dragon who could not afford to give her the assurances she needed, and so two powers working in parallel but separately, almost in opposition.

But she knows him. And it’s the youth he had been—it is LITERALLY THE MEMORY OF A SHEPHERD NAMED RAND AL’THOR, the echo of one of my favourite quotes—that tips the balance the other way this time.

It’s Rand. The boy he tried for so long to destroy, because to be him hurt too much.

And I also really love how it isn’t about some Grand True Love between them that does it. They were childhood sweethearts, sure, but the love between them is that of friends, of a shared childhood, of something very much like family. And I like that there’s this implicit importance and weight placed on that; that in its way it’s as crucial to this moment as the ‘veins of gold’ were on Dragonmount

This is what Latra Posae and Lews Therin had. And so instead it falls to Egwene and Rand, to learn from their mistakes, and do what they could not. It is what Rand realised on Dragonmount, and what he is playing out now. A chance to try again.

And it’s because he’s Rand that that’s possible. It’s not Lews Therin, or the Dragon Reborn (but it is also both of those, because he is both of those).

“In one month’s time,” Rand said, “I’m going to travel to Shayol Ghul and break the last remaining seals on the Dark One’s prison. I want your help.”

Well. I mean. Okay. Points for honest and straightforward communication, I suppose. I love that he just walks into the Tower and drops this on her like a grenade, though. It amuses me.

Ah, so she thinks the crystal sphere in her dream represents the seals or the prison as well.

“Rand, no”

Rand: Rand yes!

Sorry, couldn’t help myself.

“I’m going to need you, all of you”

Rand openly admitting to needing anyone or anything, and again just as a statement rather than a threat or an angry demand, is another thing that’s new and kind of refreshing.

“I hope to the Light that this time, you will give me your support.”

Rand to Egwene, remembering Lews Therin to Latra Posae. And if everyone is someone reborn, who’s to say she isn’t? (I’m not… really sure whether I’d want that to be true or not, so I suppose it’s nice that it’s not stated one way or the other, at least up to this point. But it could be a fun one to play with). Either way, those very much are the roles they’re echoing, and I swear I’ll shut up about this but I still just love how, so closely following Rand’s realisation on Dragonmount, we get to actually watch that kind of chance-to-try-again play out. A chance to work together, rather than apart.

“And then… well, then we will discuss my terms.”

Ah well, I suppose it was too much to hope for him to communicate the whole plan right now. Baby steps and all that.

Also, you know, narrative choices and the need to keep at least something back.

“Your terms?” Egwene demanded. “You will see,” he said, turning as if to leave.

So… the way it’s framed puts us into very slightly antagonistic (and much more familiar) territory of lack of communication and demands and terms.

But I wonder what terms he’s referring to, because there is a nonzero probability that he’s talking about Callandor here. In which case, it’s not entirely impossible that the terms he’s referring to are, in effect, those of his own surrender.

I could be wrong. I very probably am. But it’s… an interesting possibility to consider. And it would be kind of fitting, in a way, for that to be the uncommunicated and therefore misunderstood thing here.

Turns out ‘the Amyrlin’s Anger’ is Egwene just shouting at her childhood friend ‘don’t you turn your back on me when I’m talking to you, Rand al’Thor’ and Rand turning back like a boy who tracked mud into the house. I love them, I really do.

“We must talk about this,” she said. “Plan.”

“That is why I came to you. To let you plan.”

He seemed amused.

Oh, he’s absolutely amused. Part of him still is the boy you knew, and this is honestly just classic Rand-and-Egwene, for all that it’s also on an entirely different level. They antagonise one another: it’s what they do. But I don’t think there’s true anger here, on either side. And again, that is what could save them. That ‘anger’ between them is… this, rather than that snapping of tension and dropping of any possibility of a truce and turning immediately to planning their next moves, all thought of alliance or restraint over, between Rand and Tuon.

Anyway. The other thing here is that… it’s easy to be exasperated with Egwene, because just listen to Rand, he’s sane now damn it, and he’s almost certainly right about the seals.

But honestly? In her position? Knowing what she knows—and not knowing all the things she doesn’t know, like the actual state of Rand’s mind—it’s hard to fault her for pushing back on this. He walks in, says he’s fine and that he remembers a dead man’s entire life and also that they need to break the prison of the embodiment of entropy and chaos and evil, okay bye!

Like. As Amyrlin, it’s her job to say ‘okay, right, I’m with you, but also what the fuck’. It would be irresponsible not to.

Of course… I get the impression Rand knows that, too. And is, perhaps, counting on it. He came to her to let her plan, and he doesn’t seem surprised or upset by the fact that she doesn’t just immediately say ‘okay cool when do we start’, and he has a certain respect for the position she holds.

I think it’s entirely possible this is what he wants from her. For her to plan. Because he doesn’t have time to. And because, just as she looks at him and sees someone she can trust with the fate of the world, he looks at her and sees someone he can trust with planning and logistics and getting the Aes Sedai to get themselves where he needs them. A kind of ‘this is what I’m going to do, now do whatever it is you need to do because I don’t need to micromanage and I also don’t have time to, okay see you at Tarmon Gai’don’.

“And so here we come to it,” Rand said.

Yeah, he saw this coming.

“Egwene al’Vere, Watcher of the Seals, Flame of Tar Valon, may I have your permission to withdraw?”

He asked it so politely. She couldn’t tell if he was mocking her or not.

The thing is, I really don’t think he is. It’s like how earlier he said he didn’t want to come into her place of power and undermine her. He’s giving her, I think, an honest gesture with genuine respect. Because now, at peace with himself as he is, it costs him nothing to do so. She is not his enemy, and I do think his respect for her is honest, and I think he still cares about her as a friend, and what does he lose by giving her a small bow and her titles and the opportunity to grant him permission to leave?

And of course Egwene is conflicted, because on the one hand she can’t keep him here like Elaida tried to, but on the other hand…

“I will not let you break the seals,” she said. “That is madness.”

“Then meet me at the place known as the Field of Merrilor, just to the north. We will talk before I go to Shayol Ghul. For now, I do not want to defy you, Egwene. But I must go.’

Ah. And so we have a battleground.

As for the rest… well. It’s not quite accord, but nor is it disaster. It’s not even quite a true impasse. There’s tension now, sure, but it’s a) not even in the same hemisphere as as bad as it would have been if Rand hadn’t had some alone time on a mountain to think, literally, about his life choices and b) not insurmountable.

And c) I still think there’s a very real chance this is all Rand actually needed or wanted out of this. Egwene now knows his plan and his timing and the battleground, and she can take care of the rest.

It’s almost—gasp—as if Rand al’Thor, Dragon Reborn, has truly learned to delegate.

The chamber was still enough for Egwene to hear the faint breeze making the rose window groan it its lead.

The wind, for Rand, against the rose, for the Aes Sedai. (Also, listen, I have not forgotten that Eldrene was the Rose of the Sun).

“Very well,” Egwene said. “But this is not ended, Rand.”

“There are no endings, Egwene.”

IT’S! ABOUT! THE NAMES!

They talk a big game about each other’s titles, and wonder if they’re really the person they each once knew, but they both open and closes with nothing but each other’s names, and it means absolutely everything.

Also, that’s… really not a bad outcome. Honestly, this could have been so much worse. Anger? Try ‘okay um that’s unexpected and I’m still not sure you’re not insane but…sure. Okay’.

Which really is all you need, right? It’s agreement with a bit of hesitation, and at this stage in the game that’s a damn victory.

Again, I can’t help but contrast it with that absolute catastrophe at Falme, and compared to that? This is just friends sticking their tongues out at each other on the way out. Rand knows he can count on Egwene to be there, at least. Will she agree with him when she arrives? Who knows. But that’s a problem for another time. For now, he at least knows she’ll go, and that’s all he can ask. And he can leave the rest of the planning in her hands.

And she knows what he’s planning, and knows he wants her as an ally, and can therefore make said plans.

I don’t think this is ended either, and I’m sure there’s plenty of potential conflict to come, but this was, all things considered, really kind of impressive in its lack of explosions.

(Also, ‘there are no endings’. Now who’s giving Aes Sedai answers, Rand? As well as probably spoilers for the last line of the series. Rude.)

Oh, interesting. So Rand’s ta’veren hyperdrive powers pretty much literally froze all the other Aes Sedai in place. Because this needed to be a meeting between Rand and Egwene. Because of their roles, yes, but also because of that thread of connection they still share. And so it had to be the two of them, because that was the only chance of this working at all.

Egwene frowned. She hadn’t felt it that way. Perhaps because she thought of him as Rand.

I… yeah. Because that’s what he needed: to have this conversation with someone who could see him. Even then, it barely came out to something almost resembling accord. They needed that small weight on the scales, to have that chance. And so she was free, because it was the Dragon Reborn, and not Rand, who was holding the others silent, in a way.

Or at least that’s how I’m reading this because it plays into my entire thing for names and identity and perception, and the importance thereof.

“We need to discuss his words. The Hall of the Tower will reconvene in one hour’s time for discussion.”

Which, really, is exactly what they need to be doing. Now they have the information, and they can figure out… a battle plan, I suppose. Okay. We’re there now. We have a place and a time (this place, this day, which of course is followed by the lesser sadness, yes I remember sequences of chapter titles why are you looking at me like that) and the beginnings of a plan. I’m… it’s been five years and I’m not entirely ready for this.

“And someone follow to make sure he really leaves.”

You’re just afraid he’ll find some way to prank you on his way out, don’t lie.

“Then how? How do we stop him?”

That, Silviana, is not the question you need to be asking. I mean, I get it. I really do. And I’m not sure how they could not think that, at least initially. But… the time for working against each other’s aims, when you are all on the same side, is over.

“We need allies,” Egwene said.

Which, again, I think is precisely the point. That is something it makes absolute sense for Rand to delegate to the Amyrlin Seat, who has the power and the standing to gather allies and play the games of politics, and bring her portion of the Forces of the Light to… the Field of Merrilor, I suppose.

She took a deep breath. “He might be persuaded by people that he trusts.” Or he might be forced to change his mind if confronted by a large enough group united to stop him.

Oh, Egwene, no. You can’t be another Latra Posae.

But perhaps it would be too easy for this to actually just be their only not-quite-conflict. I still think it was more a success than a failure, all told, and I stand by everything I said about the importance of their friendship in letting them see each other, but I think we’re looking at one final testing of that, before the end.

Next (ToM ch 4) Previous (ToM ch 2)

[retphienix]

Ah. What a game this has been so far.

Now I had a million thoughts I wanted to share as this played out, lord knows I’ll forget a good portion of them but that’s the nature of my own ineptitude- plenty of things I’ll remember MILES after this post or only if prompted in a specific way and that’s just how it is.

To start- this isn’t the end of DQ11 for the blog just yet. I usually don’t dive into post game unless it feels right or people ask and I’m convinced- and more or less both happened this time. It does feel right- I have definite goals I want to tackle before saying I’m happy with what I did here- and more than one person has mentioned that the post game is worth touching so I’ll be doing that.

Also, for those unfamiliar with my long winded utter mess of a finale post style I go for- this is a lot of rambling as I try my best to touch on my thoughts on the game overall because I like to share. Feel free to just press “J” on your keyboard and skip right passed this- I know **I** struggle to focus my eyes to read long winded posts so I won’t blame you.

Also also, in order to try and spark some of those thoughts I had during this recording the first bit is gonna be me re-watching it as I wait on the video to finish processing and saying what comes up.

To start- really wish there was a save point there lol. I get that it’s a painfully easy backtrack to the save point at the start of the castle- but still, I like convenience.

The Dark Lord’s first form is a huge step up from his form before absorbing Yggdrasil and this first form fight was fun and had me itching to say some good things about it but honestly? I want to save praise for the fight that deserves it- phase 2.

PHASE TWO THOUGH!? GOD TIER RPG FIGHT.

I’ve seen better, sure, but come on, we’ve ALL seen better at all times on all things especially considering preferences coming into it- this was a 10/10 boss fight, top to bottom.

Design? Beautiful. Even continued the DQ obsession with puns with his tail being Mordragon, that is so PERFECT so ‘chef kiss’ flawless and it’s just a name. I LOVE how he looks. I LOVE how he moves around the arena changing which head you’re facing.

I love how each had different strengths to contend with (which I abruptly fucked up, don’t call me out, I’ll prove I know what was going on right here and right now-). The dragon had strong melee and breath attacks while the dark lord himself had magic aplenty.

I even utilized swapping out for the first time ever not because I hadn’t seen the value beforehand (I’ve spoken on how interesting a strategic option it was seeing as every unit has unique moves to bring to the table and it costs nothing but ATB for that unit to do).

Now, I fucked that up, but I did it purely because this is the first fight up to this point that felt right to do so. It’s the first time the tactical value of switching out to buff defenses with Hendrik outvalued ignoring that option and maintaining my ATB on whomever I would switch out. THAT FELT SO GOOD! And then I let my braindead fingers buff defense on a magic phase and you see the point. It was brilliant but I was not!

I did end up ignoring the option after a few turns not because the value wasn’t there, but because he ALSO spams stat neutralizing moves which made me reconsider focusing so heavily on buffs and instead focusing on maintaining steady heals (mostly with Hustle dance).

This fight? Beautiful. I loved every second of it. I loved adjusting my playstyle on the fly, I loved finding my footing. I just loved it.

Beyond that- the ending. I got a chuckle out of how abrupt the credits come in. It seems to wind up for an end sequence only for Erik to say “Well, let’s go home” and it cuts to the credits- but THEN the credits ARE the end sequence so it wasn’t ACTUALLY as abrupt as it seemed, but it got a laugh out of me.

Now those credit scenes? I’m a sucker for games that make you fall in love with the characters and this was an ending catering to those characters. Not too much to say outside of “I was smiling the entire time” which is true.

There were a couple moments in that sequence that I said aloud “JUST HUG HIM YOU COWARD” to various characters, like Hero and Rab, or the two dorks (hero and Gemma), etc.

And they played on the mystique of the post game’s content well enough to pull people in I’d say- certainly more than what I recall DQ8 doing with the dragon trials.

I am probably wrong, but I recall the game drawing next to no attention to that post game content aside from a few moments in the game dragging you to the location only to not let you access it (hinting at more being there).

Anyway.

Honestly, after rambling about the video itself I feel a lot of what I wanted to say about DQ11 was said during the playthrough just fine. I rarely feel that way.

DQ11 was fun.

As a DQ fan, you can best believe I had fun.

As a stick in the mud who is disillusioned toward the game industry and doesn’t like a lot of the filth that accumulates within it- I obviously have a few negative thoughts on the game, but there really aren’t perfect games so much as perfect experiences based on how it affected you.

And I’ve voiced those annoyances plenty I think. For completion sake there are cut corners on animations that seem off when other places have a ton of attention to detail, that’s like bottom rung “I don’t actually give a shit” stuff though.

The bigger problems were Sugiyama is a horrible piece of human garbage and the game is lesser because of his influence on it. There are plenty of reasons behind that both big and small. Big- it feels gross having a human shitsack touching this game after having been so vocal for years- there are replacements at the ready and we still have his LGBT hating, war crime denying fingers handling the music? Shameful.

Small (but man did it fucking suck) being that every five minutes I was annoyed at the music in this game. It sounds Bad. And I mean both orchestral and midi, it’s not great compared to anything he made before for DQ, but the fact that it’s midi in this is EAR BLISTERING.

I’m not one to listen close to most music while playing for whatever reason- and I admit that knowing who’s responsible is half of why my ears tuned it in instead of tuning it out, but man I couldn’t help it and it sucks.

The same 3 second ear rattling loops are ALL OVER THE PLACE. Grandiose moments are cut short by bland midi tunes. MAIN STORY MOMENTS ARE LACKING MUSIC ALTOGETHER FOR SOME REASON? When the hero gets the flute and plays it for the first time it just DIDN’T MAKE A NOISE? Subsequent uses of the flute made a noise, but not the main first cutscene?

It’s a whole thing.

And don’t make me get that dirty capitalist pain in my chest over the fact the S version was released 2 months after this and includes so much content that SCREAMS “This already existed and we diced and quartered it specifically to create the illusion of ‘value’ for this release”. Disgusting, man. :/

Gameplay wise, the biggest complaint I have is so loaded and half hearted but I have to say it anyway.

DQ is good because it’s simple.

DQ can also be a little lacking because it’s simple.

This was the second most fun I’ve had playing a main series DQ game (DQIII just hits right), and it definitely has better gameplay (so my opinion is subjective) than the one I prefer to this. But it was also a bit too simple... But you can’t change that and be DQ, it’s complicated.

To just say it- other than the final boss every encounter was a bit too easy. And I know I overlevel, I know that’s the point, I know there’s a hard mode modifier- I KNOW, but the final boss was REALLY GOOD AND still not too hard, so the fact that most every other encounter did the minimum or the minimum +1 is a little tiny (just a bit) disappointing because the gameplay could have been that much better.

But. That could just be my head spinning tales and being a biased asshole especially since I’m not offering any solution here and I’m admitting it’s both “better than my favorite gameplay in the main series” and “probably can’t be made more involved without losing DQ simplicity”.

But I’d kill for some different or new systems on top of this- dual and triple techs from Chrono instead of RNG pep, bosses with more varied strategies instead of “stun 2-3 and do raid wide attack”.

A reason to care about elemental damage (both incoming and outgoing), plenty of little things that would just make the already solid as hell combat more interesting to participate in.

Story was honestly fantastic. I didn’t know how I was going to end that until I just let it come. It was. This is the best DQ story thus far, and not to limit it to that scope- this was a GOOD DAMNED STORY overall and I’ve played a fuckload of games with good stories.

Before this I was a sucker for the original trilogy’s overarching story, which is unfair because that’s 3 games and that’s an old story and it’s only “good” because it’s unprecedented. But this is just plain great.

It writes such beautiful characters- it tackles a variety of conflicts both big and small- you have Sylv and his dad, you have a possessed king declaring his daughter Jade dead and Jade knowingly betraying him without knowing he’s possessed, you have Erik giving up on life and only putting himself so deeply into this adventure as a means of escape, you have Hendrik’s loyalty being- I can’t pretend Hendrik fits in he’s fucking stupid and needs to ask questions because loyalty for the sake of loyalty isn’t interesting at all lol.

You have Rab believing the world is doomed and doing all he can with Jade up until they find you are alive. You have the INCREDIBLE story of Veronica and Serena- you have all these intensely lovable and understandable characters (and Hendrik) and the story is so much more about them than just about the dark lord and the hero.

It’s so much more about each of their conflicts and growth because all of that is HOW the hero will defeat the dark lord.

It’s just so much more... investing than any of the stories I’ve had in DQ before and strong as hell amongst stories beyond just DQ.

I loved this. It was emotional at times, it was downright depressing at times which I wouldn’t expect DQ to successfully hit, it was downright rewarding getting to know these characters and I feel fantastic having beaten this.

This game is fucking good. I finally understand why some people have told me this is their favorite DQ now. It... yeah I think it might be mine too.

I’d be much more likely to revisit DQ3 than this because it’s shorter and has a specific kind of RPG (class based with freely recruited partners instead of named party members) I find more fun to revisit, but yeah, I think I agree.

I think for main-series DQs this is it, this is my favorite. It has to be, right? It’s got so many INCREDIBLE story moments and it’s pretty and it plays great- yeah. Hell, Sylvando as a character and Serena and Veronica’s arc BY THEMSELVES convince me of that.

Still got nothing on DWM and DWM 2 on the GBC, WOOOOT! Didn’t expect this post to divert from a serious closing thoughts (despite there being a few more posts to come) topic to posting this did you?

Behold the true faces of DQ perfection.

[ghostmartyr]

SnK 123 Thoughts

#spoilers

You know, I, for one, am not shocked. From an outside view, our options were Eren going through all this trouble to fix everything once and for all with a genius solution that only works with grand forbidden power--

--or Eren continuing to make everything worse.

His most enduring strategy has involved making everything worse.

I’m not mocking him. That honestly seems to be the point.

What’s interesting is how unhappy he seems about all of this. He’s angry when his dad needs him to step in to wipe out the Reiss family. In the aftermath, he’s despondent. He takes Armin’s punches and insults Mikasa. He allies himself with Zeke but makes no effort to build their relationship. He goes out and cries over all the things he’s about to do, but he still does them.

That’s the part of all this that seems strange to me. Eren finally losing to the pressure of being Paradis’ hope is a depressing storyline, but not that weird. Burning everything to the ground because that’s the only way he can see out anymore is something that I can see coming from an Eren who’s taken one too many hits. Sometimes something essential cracks. Sometimes people break, and when the storm that shatters them comes free, there’s nothing left to hold it back.

Only Eren’s relentless adherence to his goal doesn’t seem to be something he’s happy about. He doesn’t lose his stress lines the entire chapter, except when Mikasa brings him ice cream. I don’t think he’s had a scene without them since the time skip.

He can see the future. He makes it to Marley, and all he can do is stare at all the people. Alive.

Eren knows what he is going to do. He goes out alone his last night with his friends and cries about it. There is no appearance of this being something that he wants. The only thing that’s seemed to resonate properly since he left everyone is Willy’s declaration that they were born into this world.

He spends one last night with his friends, and leaves them forever.

This is not someone who is so far gone that this is it. This is what fixes everything. That might be where he gets the energy for all of it, but his last honest moment with anyone seems to be asking Mikasa why she cares about him.

Even by Eren’s current standards, he does not look good when he asks.

"Why is it... that you care so much about me?”

What value does Eren have as a person? Who is he? Who does the person who has been most obvious in her affection for him see?

That’s how this chapter opens. With Mikasa asking herself that question.

“But maybe that’s wrong. Eren hasn’t changed one bit from the start. If that’s who Eren truly was all along... what part of him... had I been seeing?”

Eren is someone who can kill children. He can take advantage of his friends’ love and dedication and manipulate it so they have no choice but to cooperate. He can throw his entire country’s desperate hopes to find a new solution out by leaving the room without discussion.

Before that step, he stands by himself and cries. And asks someone who loves him why she even cares. What creates this bond that the future he sees has him destroy.

Over eighty chapters ago, someone else tries to ask someone they love this question. They also get the wrong answer back.

“I mean… I decided to join the Survey Corps on my own. But… you didn’t, right? Back then… you chose the Survey Corps… Because I...” “Because what?! Huh?! Are you saying I joined for your sake?!”

“Then why are you here right now? If you don’t have a reason, then just start running...”

“Why… Why would you do that much for me? Does it have… something to do with my family?” “Yeah. It does.” --37, Krista and Ymir

That saga has its own tragedy, and here we repeat the refrain that causes the most miscommunication; that simple inability to admit the vulnerability of caring for another person by choice and happenstance.

Eren asks why. He wants a direct answer. He frames it first by going through the excuses. He saved her. They’re family. She’s said it often enough.

But is that it? Is that all that sums up her link to Eren? Is it just circumstance?

What is it that Mikasa values in him?

Mikasa can’t tell him the full truth. It’s too much for her to admit. So of course that, when the world is falling to pieces, is what lingers. That last moment of honesty she has with Eren, and she can’t make herself tell him any of the truths that maybe could have stopped this.

There’s no logical reason to think it would have, but Mikasa wonders for, I think, the same reason Eren asks at all.

Is there something valuable enough in Eren that just being Eren is enough?

Can something that isn’t the big picture and humanity and everything--can he find stable ground in that?

The answer was probably always going to be no. Eren’s been beyond friendship speeches for longer than I think any of his friends want to contemplate. But the picture Eren paints is someone who wants to be reminded of his humanity before he throws it away.

Mikasa, hearing that now, knows she couldn’t do that in that moment.

There is a very clear line following Eren through his decisions, but the logic of why he’s picked them is still missing. If the thread of him simply wanting destruction is to be followed, you find his obvious unhappiness whenever he’s confronted with what he’s about to do. If he truly believes he’s doing the right thing, why isn’t he sharing the strategy with Armin, or Hange, or Levi, or any of the people he’s already waded through blood with?

What is so important about Eren doing this, and why is it so important that he does this alone?

The Zero Requiem strategy demands that Eren be the villain of this piece, and he’s playing that part well, but there’s no stable end in this version. He’s simply antagonized both sides to the point of loud voices chanting for genocide.

Framing Paradis as the villain could arguably be the point, but Eren’s firmest declaration about why he’s doing all this is directed at other descendants of Ymir. The only ones who know he’s willing to slaughter the world for Paradis are the people who are already dealing with everyone hating them because of this one damn island.

The state of the world is not such that you can have the good Eldians in one corner and the bad Eldians in another.

Focusing on the island has been the rule of the land for a while, and it’s helped nothing. All Eren has done is bring yet another titan-led wave of destruction down on everyone, reminding them why the hatred started.

Really, the case that Eren’s doing this for precisely the reasons he says he is is the one that makes the most sense, and so we come back to him having clear problems with his own idea.

Additionally, while there are going to be those Eldians who are psyched about everyone else being dead, there are probably going to be more who are traumatized and horrified, so at the end of all the stomping, you’re just going to wind up with different groups of people in wars.

This doesn’t solve anything.

Like Liberio, it’s a bloodbath with the main accomplishment being that more people think Eren should be taken out.

Getting as many people to hate him as possible is the only consistent result of everything Eren has done.

Which is nice, since that suggests that maybe there’s some kind of logic buried under all of this.

Except the aim of making everything worse has only succeeded in making everything worse.

So. Like.

Everything’s worse.

Make everything worse.

Worser.

More worser.

The worstest.

Things are now worse.

Congratulations on a successful plan.

This is why Armin is usually stuck with this.

I can’t even be properly upset that Eren’s setting loose the rumbling, because something is clearly still missing. Not to be a broken record, but we’ve got unseen flashbacks with Historia and our little pickpocket, and Historia’s the only named character permitted to be featured listening to Eren without her face visible.

This after 108 made a big show of pointing out how strangely inconvenient the timing of the pregnancy was. Unless having Zeke alive mattered to someone.

As previously discussed, that adds to the worser pile, clearly making it relevant.

So yay, Eren has succeeded in setting himself up as The Worst.

Now we wait for why while an undetermined number of people are sacrificed to whatever unholy abomination of a strategy this qualifies as.

...Yeah, that’s all I’ve got.

Oh, wait.

This part was good.

This too.

It’s a curious chapter. There’s so much light and joy in pieces, and everywhere we look we see reminders of why these are the people we’ve rooted for. Levi won’t let a pickpocket get lynched, even if it causes their cover issues. Mikasa’s eyes sparkle at ice cream. Armin’s excited to be out in the world.

They party with a group of people they don’t have a language in common with. It’s that easy.

All of that still exists, so what is it that makes this the logical next step?

Why introduce so many devastating cycles only to keep them going? Why would someone--several someones--actively opposed to perpetuating this kind of violence settle on a plan that loops a new one around?

The only answer I can come up with is that this isn’t the final word on what’s going on.

So, in keeping with the chart...

The worse continues.

To the secret better.

[howbrewed]

OKAY wow it has been     a g e s     since i was logged on to my     REAL LIFE     blog but hey ! !

it has been a whirlwind . i have been suffering from crippling depression and nonstop anxiety . lost numerous people that were close to me in my life . 

so     y e a h     life has been fun lately .

i also no longer do commissions for custom portraits anymore because i lost my wacom tablet ages ago and that computer went caput but hey , i am still here , it is my favorite time of the year , and i am going to do something that brings me happiness which is talk about     H O R R O R     M O V I E S     &     S H O W S     ! ! !     so here it goes ! ! !

     m y     a l l     t i m e     f a v o r i t e     h o r r o r     f l i c k s    pt 1 / ? ? ? 

     (     in absolutely no sort of order ! ! !     )

THE LOST BOYS ( 1987 ) // 

it is a well known fact if you have written with me before that this is by far one of my favorite movies ever . i have adored the lost boys since i was a child and it honestly was one of the few things that stemmed my love of vampires !

f u n     f a c t     / /     i have a growing lost boys collection ! it includes almost every cast member’s autograph , posters , dvds , vhs , records , artwork , pins , movie memorabilia from the 80′s , and even a tattoo on my upper inner left arm that has vampire fangs surrounded by four bats that says BITE ME . the bats are named david , paul , marko , and dwayne ( of course ! ) .

CHILD’S PLAY SERIES ( 1980′S / 90′S / 00′S )

this movie has been a part of my entire life . it was probably the first ever horror movie i watched as a kid ( or caught a glimpse of ) on a tv back in the 90′s . it      t r a u m a t i z e d     me for the LONGEST time . i am talking up into my teenage years when i really started liking horror movies !!     why , you might ask ? ? ?     all i remember is hearing chucky’s laughter on the black and white tv we had back in the 90′s when my grandfather or dad was watching it in the kitchen / dining area .     i saw that damn doll and nearly pissed myself ! !     my father and grandfather made it their life’s goal to TORMENT me with a chucky doll . every time we walked into our local mall there was a spencer’s gift store . well , chucky was a HUGE thing there and they ALWAYS had dolls hanging from the ceiling . i would stand there dragging my feet CRYING as i tried to not go into the damn store but my dad wanted to tease me .   boy that movie     SCARED THE HELL OUT OF ME .     now in my older years i have fallen in love with those films . my absolute favorite is BRIDE OF CHUCKY . it could be because i love and adore jennifer tilly and her portrayal of TIFFANY or just the overall switch to a slightly more comedic horror act that i was not used to seeing . either way i love ALL of the chucky films now and am excited about the upcoming CHILD’S PLAY television series !!

DARKNESS FALLS ( 2003 )

an easily forgotten classic from when i was a teenager / kid .     this movie has an excellent jump scare tactic in it and i remmeber almost every scene from this almost cheesey movie from my childhood . it centers around a true story about this town and the town ‘ tooth fairy ‘ . never show this movie to your kids if you want them to believe in the tooth fairy because WOW it will ruin it haha ! but anyways on to a fun fact from my life again ! this movie is the ONE movie that to this day still scares me ! like , it scarred me so bad when i was a kid and made me think what the hell is lurking in the shadows and now even in adulthood i CAN’T walk down the hall without the light being on . i have to have some sort of light on in my room . and the closet door and bedroom door can NEVER be open while i sleep .  i have a panic attack when i have to walk through the pitch blackness with no light because of this damn movie and that is how you know it is a good horror flick ! ! 

[stonerbughead]

Maria watches friday night lights (#20)

wow 4x09 was political AF, noting for future projects I have in the works ;)

let’s do it, under the cut:

Damnnn they’re showing Vince getting stuck with having to check a box on his application already??? “have you been arrested?” Per Michelle Alexander, the prison industrial complex creates a permanent underclass who can be legally discriminated against even after being released from jail 🙃

Oh shit Becky’s pregnant?! Wait who did she have sex with? Do we know? Did she have sex with Luke??

Eric Taylor discovering the dangerous part of East Dillon so cluelessly in his full East Dillon High pullover and lil shorts — I’m both dying at everyone trolling him and thinking about how it’s insane to think this aspect of Dillon has been invisible to Eric across town for 3.5 seasons seemingly. That’s some white ass privilege! (Also I hope Tinker is okay since Eric never actually finds him, the whole reason he was there?)

lol Julie and Tami’s bickering about who made the decision for her to sign up for habitat for humanity 😂

“It’s a matter of resources.” (That they don’t give to poor Black and Brown communities.) Eric Taylor Discovers Black Struggle!

Glen, you’re literally the worst. Why did you come over to Eric to tell him about this I can’t !!!! “I just got so excitable.” GLEN ARE YOU AN ADULT HUMAN WHAAAAT I’m dead at this entire interaction, Eric’s reactions are priceless too 😂😭

lmao JD McCoy called his math teacher a bitch, who’s surprised not me

Ah, Katie McCoy finally left Joe?!

“We have a little history, you know. Before she started playing for the other team...” I hate you buddy that’s a gross thing to say about an out lesbian woman but why would I expect more from you

Is this the actor who played Peyton’s stalker brother on one tree hill clearly being set up as Julie’s habitat for humanity love interest? I’m sorry but I can’t unsee him being cheerleader kicked by Peyton and Brooke, he is giving the bad vibes. (I mean also he’s in a position of relative authority over a teen girl flirting so YIKES.)

Damn prison industrial complex — Vince already not being able to find a job as a teenager bc he has a record and begging his white coach to be a reference is why we say abolish the police by the way

Ahhhh okay Becky clearly DID sleep with Luke. “I’m pregnant, it’s yours, and I need an abortion. It’s like $300.” Damn. Just more of why we need universal healthcare (and universal comprehensive sex education.)

“He just wanted to tell me about a little experience he had at a karaoke party.” LMAOOOOO

“You’re getting kissed by so many people over at the school you can’t even remember to talk to me about it?” I was fully laughing at this convo and how it was mostly Eric teasing. That’s a good marriage.

“I think we need a date.” “I’ll go on a date with you.” Awww seriously relationship goals

“You an idiot, Buddy. You an idiot for thinking your Snow White ass could make a difference.” L O L

Wowww Buddy did not just whitesplain organizing to jess’s dad at the barbecue shop after someone he knows saw one (1) shooting in a neighborhood seemingly riddled with violence — I can’t

creeped out by this dude Ryan from habitat for humanity — clearly older than Julie and they’re alone and he’s asking her to go out for food? This is super predatory.

ew! does Ryan make it a habit of making out with high school students he supervises volunteering at habitat for humanity in the house they’re building?! Gross

AHHHH omfg D’ANGELO FROM THE WIRE IS THE EX GANG MEMBER HELPING THEM WITH CARROLL PARK?!?! Amazing! All The Wire cameos! (Jeff and I are on S4 now if anyone’s interested lol.)

“Do you really want to make a difference or are you just feeling sad bc you saw a boy get shot?” Great fucking line, YES.

“This is what we need: we need money, for programs. And not just this week when there’s a kid in the hospital.” YES GO OFFFFF

Of course everyone can agree football is somehow the solution lmao oh Dillon

“I’m so glad some smart person told you to do this.” Tami is exactly what my mom was like growing up, I love it.

Ooooof Vince working for Jess’s dad, the tension between them again in that one moment she’s fighting with him about the toilet is better than all her scenes with Landry sorry 🤷🏻‍♀️

This Tim and Becky back and forth with the kisses even tho they’re clearly more compatible as friends is too much

Michael B. Jordan’s looking at Landry like, how is this dude winning in this love triangle? And I’m like, yeah same bro.

Oooof I knew the “just like my mom” part was gonna come up. Poor Becky 🥺 Aw Luke is SO sweet tho saying he hasn’t been sleeping bc he’s worried about her.

Oh geez wait no...Luke’s starting to veer into anti choicer territory, haha don’t do that you’re so cute. “Will you just take me home?” Yeah, go home Becky, Jesus.

I feel like Vince just made an enemy oh nooo 😱

Tami and Buddy trying to politely greet every gang member walking into the park is killing me

“Do you have any knowledge of how we might get past the padlock on the switch box?” LOL Im laughing at Eric jumping the fence too!

Sometimes I cringe when I see the assistant coaches wearing red ball caps out of habit and then I have the sinking realization this is Texas and half of them probably *would* be trump voters 🤢

Yesss to Eric singling out this middle school kid who’s good and telling him to come play with him when he gets to East Dillon High! It doesn’t fix the problem but it’s a start.

“You know it’s not lost on me that I owe you a date.” Awww

“Damn I love you.” “Damn I love you too babe.” 😭 crazy how Eric and Tami Taylor invented marriage

Glad Becky finally told Tim she was pregnant but I continue to ship them only platonically yeeesh

[duhragonball]

Positive

I’m gonna record some stuff for posterity, since I’ve been feeling kind of down and I want to focus on some things that have gone right lately.

First, I managed to win a Crazyhouse chess match against my hated rival, Lichess.org AI level 6.  I started trying to get serious about getting good at chess a few years ago, which eventually led me to lichess.org, which offers some variant games like Crazyhouse, where you can use captured pieces for your own.   The AI has eight levels and I decided to just start at 1 and work my way up, but around... late 2018?  I got to level 6 and it’s been kicking my ass ever since.    I think my record is like 5-3742.  

Friday night, I actually won, which is a big deal in itself, but more astonishingly, I beat it in 17 moves.  Here they are below.

1. d4 d5 2. Nf3 { D02 Queen's Pawn Game: Zukertort Variation } Bf5 3. e4 dxe4 4. Ne5 Nd7 5. Bb5 c6 6. Bxc6 bxc6 7. P@b7 Rb8 8. Nxc6 P@f3 9. gxf3 B@g2 10. Rg1 exf3 11. Nxd8 P@e2 12. Qd2 g6 13. P@c7 Bg7 14. c8=Q Rxc8 15. bxc8=Q Ne5 16. Q@a4+ P@d7 17. Nc6# { White wins by checkmate. } 1-0

I tend to write off my wins as flukes--sooner or later the AI has to make a mistake--but usually Level 6 beats me in less than 20 moves.    It had gotten to the point where I was more worried about surviving to move 21 than even hoping to win.    Full disclosure: I use the takeback function to undo serious blunders, so it’s not like I pulled this upset off in one go.    Still, I managed to put this together.  

I think this is mainly because I started reading Chess for Dummies again and there’s a part where it says that you really shouldn’t start out by moving the same piece over and over.    Instead, you should more a different piece each turn.    That forces you to think a little harder about each turn, and you won’t get stuck in a situation where you waste moves on retreats.    I’ve been making that mistake a lot lately, having like a knight or a queen running around the board, trying to avoid getting captured, and all that accomplishes is to let the AI develop their side of the board, until I run out of places to run.  

So I took this advice to heart and it paid off in a big way.   I’m sure it won’t go quite as well next time, but I’m wondering if this one mistake was holding me back this whole time.   Either way, I’m just pleased that I read something in a book and managed to apply it successfully to the thing I was trying to learn.   I can see a light at the end of the AI Level 6 tunnel.

Second, I made my first omelet last night.    I bought eggs, and thought, you know what, let’s try to make an omelet.    It’s not even that hard, it’s just that I never got serious about it.    Every time I scramble eggs I think about how easy it would be to just... not scramble them and fold it over, but I never could figure out when to do that, and I’d just break down and scramble them, because I know how to do that.   So last night I decided to look it up and make sure I knew what to do.    All I had to put in them was some Swiss cheese, but it turned out great.    Today I went to the store and got diced ham and chopped onions and shredded cheese, and I probably put too much in, but it was excellent.   

My eventual goal here is to get proficient enough to attempt the recipe printed in Way of the House Husband v.3, because it looks fancy but how hard could it be?  

Looking at this page again, I guess what I really need to do is work on steps 1-3, which involve cooking the filling first.    Otherwise, I’m pretty close already.

Third, Dangerous Tekkers retained the IWGP Heavyweight Tag Team Championships yesterday.   

Look at these distinguished gentlemen, and their beautiful IWGP championship belts.  Also, a bowl of Zima, because they’re a sponsor.   

I really thought they were in trouble, but they managed to steal a win, and that’s what matters.   Big night for Suzuki-gun in general, but I’m most proud of Taichi and Zack Sabre Junior for extending their glorious reign.    Nothing but respect for my champions.  Go back to the end of the line, Golden Ace.   Speaking of Golden Aces...

Fourth, I’ve updated my damn weinerfic yesterday.    I’ll crosspost to Tumblr eventually, but my goal was to get stuff on AO3 this month, and I figured crossposting would slow me down.    So if you read my fanfic and you made it this far down the list, Luffa’s updated to Chapter 126.

I’ve talked about this before, but I got real bad about writing scenes without assembling them into discrete chapters, which has left me with a large backlog of material that I needed to edit and post before I could move on.    My goal for 2020 was to clear that backlog completely.    I thought the wind was at my back when I got Chapters 119-134 assembled, but editing and formatting has been a real slog this month.    Now that 126 is live, I think I’ve gotten through the worst of it, but we’ll see.   

To be honest, this whole process hasn’t been that bad.   I’m well on my way to the goal I set for the year.    It just seems to feel a lot tougher than it should.   I had lofty dreams of tackling some other projects this year, but I just don’t have the motivation, and I need to put whatever I do have into this one thing. 

And that’s the reason I wanted to write this post.   I feel like a jerk because things aren’t going as smoothly as I want them to, but the progress is still being made.   I keep looking forward, and despairing at how much further I have to go, but I need to glance backward once in a while, and appreciate how night and straight my wake is.  

I get frustrated a lot.    When I first started writing this thing, I was self-conscious about the early chapters because the real meat wouldn’t be until later, and I didn’t think the early stuff would impress anyone as standalone material.   Now I worry that it’s too damn big, and people will be turned off by the sheer size, and never get far enough in to see what I’m doing in the late game.    Or they will read that far in, only to find that I jumped the shark at some point.    I gotta get out of that mindset.    It’s bullshit and I know it’s bullshit, and I know that I know it’s bullshit, but it still pops up in my head sometimes.    The goal is to get the entire story finished.   Whether or not it gets popular is a sideshow.    I can promote the fic when I turn 50 and I’ve got nothing better to do.  This time is for writing and editing and publishing.   And right now, I’m getting it done.    That’s what’s important.   

Also, making that gangster omelet.   One step at a time.