#i made her last minute-

[mossiparks]

first time joining artfight- and quickly doing character sheets now

username: lilacjelly

[floccinaucinihilipilificationa]

[hinamie]

bunch of portraits

[choccy-milky]

eloise for my fellow gremlin girlie @myokk!! so happy to have your beautiful traditional art in this fandom and that i got to see clora in it as well 💖😭😭and since it was your art of clora that inspired me to do the HL charas in ghibli style, ofc i had to give eloise the same treatment 🥰 (and ive discovered that drawing fat puffy braids in ghibli style is SOOO satisfying, highly recommend😋👌👌)

[saywhatyouwillbut]

what’s so hilarious about min ho and kitty is that he convinces himself she’s obsessed with him, meanwhile she literally could not give less of a fuck until he confesses his love for her on a plane

[heybiji]

I love your art style, ESPECIALLY your DnD art! I wanna give your scarred elf boi a big ol hug! Never has a drow ever made me wanna play the race as much as your art of Dandelion!

oh, he could certainly use a hug lately, please do please do.

and FOLLOW THE DROW DREAM!! just don't be a donut like I was and have them in disguise for 60-something sessions while you are desperate to draw and share art of them but CAN'T

[seaworthit]

The black brides

[nano30cm]

a lil distracted

pg 3 / 26

[mizzyislost]

so i had some fun hollow knight valentines day card ideas

for you and all your friends!

[dovewingkinnie]

genuinely so excited to share this new story im making but its gonna be a bit... must figure out The Lore a bit more

[bisclavret]

what SICKO wrote the last scenes between gwaine and merlin is what i want to know. because even lancelot's last episode with merlin - which had to have been intentionally gay-coded since it's obvious the man is grappling with his feelings for merlin morphing from platonic to explicitly romantic - is still subtext because he doesn't have the tools to healthily express his feelings so he goes for the biggest romantic gesture he can think of: sacrificing his life to save a loved one. the writers also make sure to root this gesture back to gwen by adding a scene where she's inadvertently asking him to make that sacrifice first, so although it's very obvious that it's more for merlin than for gwen that lancelot dies for, she is there to add some plausible deniability, thus keeping his sexuality within the realms of subtext.

i don't want to delve too deeply into arthur's last scenes with merlin as there is both so much to unpack about what they mean to each other and there is also somehow nothing left to say that hasn't been said before. my point is just that there's so much at stake that if the viewer doesn't want to deal with the romantic subtext between them they can hang onto the 38 other dynamics merlin and arthur have represented to each other that the writers spent 5 years plastering on top of the gay subtext. basically, while the romance feels textual emotionally-speaking, it isn't "canon".

i don't mean to say that any relationship is better than another (even though i obviously have a preference) but that in gwaine's final scenes with merlin there's just no subtext anymore. his becomes the most explicit expression of romantic love towards merlin, and therefore the most explicit acknowledgment of homosexual love and the existence of queer people on the show:

it starts out with merlin suggesting that gwaine saved a girl from the saxons and then looked after her because he has a more than platonic interest in her, and they show us that merlin is right - gwaine and the girl eira slept together - even as gwaine half-heartedly denies any interest (which, why even deny it? merlin saw them holding hands! unless the lie is part of the point). then in that very same scene and directly after this exchange, merlin needs rescuing from the saxons, calls after gwaine, and gwaine performs the exact same role for him that he performed for eira: he saves him from the saxons and looks after him (for as long as merlin lets him).

the parallel between merlin and eira with such quick cause and effect (it literally all happens within the same minute) is where the shift from subtext to text becomes undeniable. yes, there have been other moments on the show where a character's affections towards two different genders are beat-for-beat the same, but, again, there has always been plausible deniability. in this case the parallel is meant to be taken at face value: the core point of it is to show us how gwaine expresses his attraction.

then, the dialogue they chose to bookend this scene with takes it a few steps further by functioning as a textual love confession to merlin himself: the scene opens with gwaine thanking merlin for everything he did for eira, and merlin saying that there is no need to thank him as it was the least he could do. a minute later, after merlin thanks gwaine for protecting him from the saxons as both merlin and the show just concluded gwaine did for eira for romantic reasons (even as he denied it by outright lying), gwaine parrots what merlin said when gwaine thanked him: no need to thank me, merlin, it's the least i could do.

but this comes off as the opposite of dismissive: in fact, this echoing of merlin's words is meant to jolt both merlin and the audience. by saying this right after saving merlin from the saxons, gwaine has now intentionally pointed merlin's attention towards the explicitly romantic parallel between himself and eira. gwaine is directly implying he just did for merlin what merlin correctly deduced he did for a woman because he desired her sexually and romantically, and he is using merlin's own words to challenge him into seeing past the initial flimsy lie that there is nothing between them. and what's behind the lie, of course, is that gwaine has done all of this and more because he desires merlin sexually and romantically. the camera even lingers on merlin, allowing him and the viewer to absorb what just happened. that for as long as we have known gwaine, his motivations have always boiled down to "i want to be there for merlin". and now both the audience and merlin finally know for sure what was motivating him the entire time.

what's more, by using merlin's own dismissive words, gwaine also implicates merlin's penchant for repression and denial and never allowing himself to be given credit where it's due. this unfortunately never properly gets dismantled on the show, but this moment shows that gwaine knows merlin well enough to know that he goes above and beyond for people, and that merlin's reasons for this ring as false to gwaine's ears as gwaine's reasons for saving damsels do to merlin. it also bittersweetly implies that gwaine has accepted that these are the platonic, repressed terms on which he can have a relationship with merlin. but i think the way in which he explicitly points all of this out to merlin is meant to imply that he isn't entirely happy about having to accept that. or, to circle back to eira, that merlin seems to be cheering for him to enter a heterosexual relationship when gwaine would clearly rather be with him.

what's additionally interesting to me about this is that this is one of the only scenes on this show that touch on same gender attraction that isn't using magic as a metaphor - because merlin doesn't have magic at the moment, yes, but also because gwaine is the more active character in this sequence, and he's an adventure hero, so he simply fights the bad guy to protect the person he loves. there is no metaphor to wrap this in, so he just gets to explicitly state his bisexuality. in the next scene, the very last one he and merlin share, it all becomes about magic again, which is both representative of merlin's sexuality and the show's "plausible deniability" approach to gay-coding, and so neither gwaine or merlin are permitted to acknowledge it. also, and this is for another post altogether, but all things point to "gwaine knew". not least because he gets to come out as queer without the complications of the magic-as-gay-metaphor which in turn emboldens him to ask merlin for the truth as directly as the metaphor-suffocated narrative will allow it.

tldr gwaine textually and canonically expresses and then confesses his feelings to merlin in a shockingly well-written and layered scene which makes gwaine the most explicitly queer character on bbc merlin and it's entirely because he exists outside the magic-as-gay-metaphor plot while loving someone who embodies that entire metaphor and it's crazy to me that we don't talk about this more. once again i ask what SICKO wrote this and where were they for the entire rest of this fucking show

tldrtldr at least gwaine is bi. its like i always say. at least gwaine is bi. at the end of the day. gwaine is bi. dont cry ok? gwaine is bi. at the end of the day. gwaine is bi. when all else fails. gwaine is bi. we'll always have. gwaine is bi

[galaghiel]

A lil something from my time travel au

[dang-dood]

i think the thing that gets me so bad with this last episode is that there was no consequences. everyone came back unharmed. like they fought a god of death and he was gone in like thirty minutes and everyone is vibing while eating pizza??

[tiny-sugar-dove]

It's Orihime birthday 💓

[dawnthefluffyduck]

Haha here's the doodle dump I promised two days ago

Magma time on Thursday will be 8:00 PM (CDT)! I'll be online for as long as I can stay awake so feel free to hop in and out whenever you want :D there will also be a music queue anyone can add songs to, so even if you don't want to draw feel free to come and chill in the chat! Will send out the link tomorrow evening!

Also, I was slightly wrong earlier; no downloads will be needed, but after testing it with a friend it looks like you might need to make an account to join; don't worry though, it's still free!

[fictionadventurer]

NaPoWriMo #31: A poem that begins at the end of something, then moves backwards

Orpheus

He loved And looked And sealed her doom Forever now the widowed groom

He loved And looked Through death's domain And swore he'd bring her home again

He loved And looked As died the wife Too quickly taken from this life

He loved And looked And wed the bride He vowed to keep safe at his side

At his first sight The beauty there Devotion sparked Beyond compare

He lost, yet knew the gift she was And all because He looked And loved