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#i made a bigass meta about this once
13eyond13 · 2 years
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confession: i fucking hate near so much and i have everyone who has him as their fav character
its not even that he won its just ugggghhhh he annoys me so much like i woudnt care if L defeated lighr bc he was at least a good character but near is such a bitch oh lwt me act like a dumbass child and keep a 😐 face forever bc i have no emotions
een when arresting kira he still looked so bored like he cant wait to go home and play with his toys and shit
he shoulve died
Hahaha, I have to ask what your introduction to Near was? Anime? And if so, what dub?
I feel like I agreed with you on this when I had only watched the anime to get my idea of Near. I was pretty salty about him replacing L because L was my fave, and because I found Near extremely cold and wooden and boring. But when I read the manga afterwards I was surprised to find I actually really enjoyed his character and felt attached to him in it. Anyway, you're entitled to your opinion ofc, and I do know some people still hate him as a character even despite reading the manga as well. But for me personally he's one of my faves in the series. And I've also never had a problem with big Near stans myself... I don't think I've ever become fandom besties with one, but I've never really beefed with one, either 🤷‍♀️
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in-tua-deep · 5 years
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Hi! Ok so I'm totally taking you up on your offer and gonna send in some stuff! So, I did a rewatch recently and took a few notes (mostly following 5 bc his concept and interactions are just so fascinating to me) and I noticed some stuff! 1] none if the kids have practically ANY physical interaction unless it's a fight or Allison and Vanya. Idk about you, but to me, that implies an oddly formal relationship even tho they're family and makes 5 and the handler that much stranger (1/?)
(2/?) And gives it that much of a contrast. I think someone on here counted that she touches him like 20 times or something? Idk BUT 2) there is such a clear divide between the “older” and “younger” siblings bar Diego and Klaus that it almost feels like 2 different families at times and it’s really interesting! 3) only 3 siblings have canon PTSD flashbacks/visions if we exclude Vanya during her breakdown: 5 and Klaus obviously, but also Allison, which is really interesting and plays into how
(3/3) Her growth bc of Claire. 4) 5 had to see his dead siblings, we know this, but he was also the one holding the cloth over Allison’s neck when Vanya attacked her, which is a horrifying detail but I love it. 5) there were 2 extra seats at the dining table in the flashback of all the kids! It’s probably not important, but with the shows attention to detail I can’t help but wonder. Also I’m sorry I just completely dumped on you but I wanted to know your thoughts 😅😅 that and I love your metas
yeAH my sister pointed out to me at one point that the Hargreeves familiarity with violence was alarming in that a lot of their physical interactions with one another were… violent. Diego fighting with Luther at the funeral. Klaus smacking Five across the face at the eyeball place. Luther choking Klaus. Luther choking Vanya. Ben punching Klaus. Like genuinely a concerning amount of their interactions with one another involve some form of violence oof and none of them really apologize for any of it either. It’s accepted and made to seem almost normal which says all manner of bad things about their family dynamic rip
BUT they also have interactions I feel are at odds with that - Vanya taking care of Five’s arm, Diego tying up Klaus to detox, Klaus attempting to comfort Luther even after literally just being smacked around by him, Diego with Klaus at the vet bar, Klaus and Five’s conversation on the steps of MeriTech where Five tells Klaus about Dolores - just these soft in between moments where they look after or confide in one another
and all of those moments are private, they’re one on one whereas in a group they tend to fight and put up walls and argue which says to me that collectively the family wasn’t allowed to show weakness (thanks Reggie) and so they fight in order to protect their weak points before anyone can attack them
there’s like, the four A’s of how people handle conflict and one of those is aggression. It’s attacking because you feel like if you aren’t on the attack then you’re the one being attacked. It’s raising your voice and being the aggressor and starting conflict because you’re trying to protect yourself, because you’ve learned that it’s kill-or-be-killed and if you aren’t on the offense then you’re being hurt (i know there’s avoid and appease and i can’t remember the other one off the top of my head whoops)
so what i’m saying is that when there’s witnesses, when there’s a group, they’re on the offensive from the start. But alone, there’s a little more wiggle room for weakness. Alone is at night when there’s no training left in the relative safety of their own rooms. Alone with one other person is private, and privacy is safety in a house like that.
So there’s this paradoxical roughness and softness with one another, they were in competition with each other no doubt but they’re also family. Reginald pitted them against one another, but there’s no possible way to keep walls up ALL the time, you know?
but yeah i have a lot of feelings about the kids interactions with one another to say the least u picked a topic i like to ramble about as is clear from all this text and i didn’t even talk about the handler and how i feel like her touch was with the primary motivation to make Five uncomfortable and to punish him for his rebellion
okay there is more to this ask and this response is going to get so long I can already tell sorry in advance
and yeah the divide between the siblings with ‘older’ and ‘younger’ siblings is interesting!! Luther-Diego-Allison are one-two-three and are sort of purposefully portrayed as the older siblings. I definitely think Luther and Allison were off in their own little world as kids and they were definitely the golden children, the good kids, the ones who didn’t really question their father and avoided a lot of punishments. They were set apart from the rest of the family - and I think a lot of that was on purpose.
Because Reginald Hargreeves pitted these children against one another, in a move that honestly was smart even as it speaks to the fact that he’s a horrifying human being: because if there is discord among the ranks and rivalries and pettiness then the kids aren’t banding together against the true threat in the household - they’re going at one another’s throats instead of Reginald’s. The rivalry between Luther and Diego is probably the clearest portrayed tbh but Five was clearly also held up as someone to beat, someone who was competition (”he ADAPTED”)
so it’s almost like there are three groups really - the ‘good’ kids, the middle kids, and the disappointments. You have Luther and Allison at the top, Diego and Five and maybe Ben in the middle (and Five is only in there because he’s too headstrong, too willful to be at the top because Reggie doesn’t appreciate those that can think for themselves), and then you have Klaus and Vanya way down at the bottom. And there’s crossover relationships between the tiers (Diego and Luther’s rivalry, Five and Vanya’s solidarity, Klaus and Ben being bros etc.) but they were divided up on purpose tbh
alright moving on i could yell about how reginald fucked up a bunch of perfectly good kids all day lmao but
Allison is such an interesting character in general??? like she’s not even in my top three for the show but damn if tua doesn’t have some seriously interesting characters in the show hot damn like her journey from petulant and manipulative child familiar and comfortable with violence to an adult trying desperately to piece her family back together and prove to herself that she can be the good mother she desperately wants to be to Claire
i feel like i yell an awful lot about luther and allison for someone who has them towards the bottom of their list of favs tbh whoops
also GOD how dare you remind me of Five’s Extra Trauma regarding that scene holy heck like is wasn’t enough he had to find his siblings dead bodies in the apocalypse he also has to press his hands to his sister’s throat and literally see the life fade from her eyes as they rush to save her?? like shit man and that’s a concept that i haven’t seen anyone really do anything about as well like actually @ authors who aren’t me bc i have a dozen other aus to write on top of my various ideas, someone please address this
also do you think that’s the reason that Five initially agrees to killing Vanya at the bowling alley?? because he’s thinking about Allison’s blood hot against his hands and he missed the entirety of the apology/Vanya freaking out scene???? I mean even though I yell about Five’s motivation being his family I don’t think it was out of character for him to turn on Vanya because in his mind stopping the apocalypse has become so entwined with saving his family that they might as well be the same goal
if it helps though i don’t think five would ever actually kill Vanya even if he did okay the plan like look the boy could have jumped behind vanya himself and snapped her neck like did you WATCH the fight scene in Griddy’s holy shit but he does Not do that because he doesn’t want his sister to die and he especially doesn’t want to be the one to kill her and that’s the tea on that
alright where was i
HMMM i dunno if there was any significance to the bigass table other that i mean,, technically there are two other family members?? There’s Grace and Pogo if you count them, but i mean otherwise I think it’s just a feature of a mansion to have a bigass dining room table that can’t possibly fit the entire family
so maybe it was a statement about Reginald not considering Grace and Pogo to be members of the family and excluding them
or maybe it’s just a rich people table lmao
but i really enjoyed all your thoughts and observations 10/10 feels free to yell at me again ;3c
I will admit that i’m a bit of sham because i’ve only seen the series like,, one and a half times?? like once all the way through and then watching the first few episodes again and then jumping around the random points to fact check or other things oops but i do plan on rewatching sometime when i actually have free time to spare!! only a few weeks until the end of the school year oof
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dillydedalus · 5 years
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january reading
why was this january at least 3 months long
unequal affections, lara s. ormiston (audio) this is jane austen fanfiction about an alternate version of the story where lizzy does accept darcy’s first proposal - their ensuing engagement, which (because lizzy doesn’t go off about how she feels about darc in this one) is full of unspoken conflicts and tensions & hella awks. the initial premise needed some suspension of disbelief but once i got over that i found it super enjoyable, pretty believable in terms of character interactions and interiority (darcy is a dick), funny & sweet. i don’t think i will necessarily start getting into JAFF now (tho goodreads rly thinks i should), but this was just. nice. wholesome. also now i want to reread p&p..... 3/5
lincoln in the bardo, george saunders (uni) ya know what i really liked this. this is about abraham lincoln mourning his young son willie during the civil war, not exactly a topic i’m particularly (at all) interested in, but the execution is so cool - it’s told partly thru fragments from historical records, books, letters (both real and imagined) and partly thru the voices of the many ghosts stuck in a kind of limbo in the graveyard, who are trying to get willie to move on, while they themselves desperately try to stay in limbo, bitter about what went wrong in their lives and in denial about their state. & it’s done really well, the polyphony and contradiction of the historical record (one chapter has a bunch of quotes about how ugly lincoln was & then the last is like ‘idk i thought he was kinda handsome’), and the ghosts are so sad & bitter & desperate & hopeful. 4/5
the steppe & other stories, anton chekhov (tr. from russian) bunch of short stories from 1880-1890s russia. to be honest, i found most of them pretty boring, although ‘the duel’ is pretty good, an interesting look at how sticking too closely to your worldview/ideology/morality will probably either make you a useless disaster person or a eugenicist douchebag. some of the other stories were okay as well, but overall: 2/5, i’mma stick with his plays
perfectly preventable deaths, deirdre sullivan  teenage ocd witch book! this is a pretty good YA witchy horror book about twins who move into their new stepdad’s castle (yeah he has a castle) in a weird irish village where girls have been going missing for decades. creepy magical-ish things start happening (of course) & our narrator isn’t sure whether her sister’s new age-inappropriate boyfriend is just creepy, or creepy. i love the concept of ocd witchery & the atmosphere is really good as well, but the pacing is off, with slow build-up & a climax that happens way too quickly. also like can someone please say the word ocd it’s not gonna kill ya. 3/5
the priory of the orange tree, samantha shannon gonna be controversial here & say... yeah this should have been a duology. give the world some room to breathe, give the characters some room to breathe (give me another book w/ a cover this spectacular). anyway, this is a bigass book about eastern vs western dragon lore, a holy queendom (go sabran of inys!!), dragonriders, lesbian sword mages, how religion & historiography marginalises women, and magical trees. & like, okay, i wrote a lil thing right after finishing it about how i had some quibbles with it but enjoyed it overall but you know what? the more i think about it/let it sit the more complaints i have and the more annoyed/disappointed i get. 1) i liked all the characters fine, but none of them feel like they have any depth - i feel like i could sum all of the main characters up in like 3-4 words, and while i was rooting for ead/sabran, even this, the most central relationship of the book felt... surface-level. like, there were some big emotional moments but generally all i felt was like ‘good for her’ or ‘that sucks i guess’, 2) this world & its mythology is very much inspired by eastern vs western dragonlore so i understand the need to ground the fantasy world with real-world parallels but the extent to which some of the countries are literally just fantasy versions of real countries was... frustrating? irritating?? this is especially grating as, while inys is very clearly fantasy!britain, there is a lot of cool world-building (religion, aristocracy, history/myth) to make it more than that, while fantasy!japan and fantasy!china are literally just ... ‘what if japan but with dragons’. i did like fantasy!netherlands because at least you don’t see that a lot. 3) so much of the plot is just people travelling to different locations to get and transport different items but most of the travelling is cut short by some magical animal/being turning up and just transporting them in a cutscene.. 4) considering that this is all about dragonlore the dragons sure aren’t as important in the end as the three macguffins of power. 5) i loved so much about kalyba but not where it led, that said i want a kalyba-hawthorn-nurtha backstory.   okay that’s it for now but like. idk. this had a lot of potential but the execution was just severely flawed. 2/5 
trust exercise, susan choi this was super hyped, especially for a game-changing twist of some kind, but has a rather low rating on goodreads (3.18!) so y’all know i was intrigued. i’m not going to give away the twist because it is genuinely really cool if not really all that original, but this is a really clever & cool book about theatre kids, teenage dramatics, constructing your own narrative and what that excludes, elides, changes, and most of all consent & abuse (some very triggering depictions of sex/sexual abuse here). i really liked this, and am considering buying a copy so i can reread it. 4/5
soldiers of salamis, javier cercas (tr. from spanish by anne mclean) very meta novel about a writer called javier cercas writing a book (tentatively called soldiers of salamis) about a (real) falangist poet who escaped a mass execution & survived in the forest for a while with a group of republican deserters. ‘cercas’ researches, speculates, despairs, talks to roberto bolano (who compliments his previous books lol), and finally tracks down the man who he believes/imagines/hopes to be the soldier who let said fascist poet go, leading him to consider who really should be remembered & written about. made me think about that one poem about reading ezra pount that ends w/ a veteran saying ‘if i knew a fascist was a great poet, i’d shoot him anyway.’ interesting book altho i far prefer his book anatomy of a moment, one of the weirdest & most fascinating nonfic books i’ve read. 3/5
the stopping places, damian le bas (audio) damian le bas comes from a settled british romani family and, feeling somewhat unsure about his place in & connection to the community, he decided to go on a roadtrip through britain (+france) in a van to seek out the atchin tans or stopping places, starting with the ones his great-grandmother remembers from her childhood before the family became settled. he combines the travelogue with insights into romani culture(s) (mainly british) and history, as well as his own family history. it’s really interesting & engaging (the history&culture more so than the travelogue) and le bas narrates the audiobook himself & sounds like a cool dude. 3.5/5
confessions of a bookseller, shaun bythell  bythell records a year of working as a second-hand bookseller, with an entry for every day. he talks about the impact of amazon, rude & weird customers (but also nice customers), his weird staff, and some of the books he’s reading. the look into bookselling in the age of amazon is pretty interesting but much of this is banal & repetitive, & if it wasn’t the perfect thing to read in little bits while at work i probably would have dnf’d it. 2/5
giacomo joyce, james..... joyce  super short story by my man jamesy joyce that never made it out of manuscript (literal). not much to say about this - it’s interesting to see jj play around with themes while still working on portrait & thinking bout ulysses & the prose is nice, but the whole english tutor feels attracted to his student is a bit... eh. 3/5
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