#i loved digging into the emotions and feelings here

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[gasolinerainbowreads]

ON THE GREEN UPDATE?!?!?!??!?!

LET'S FUCKING GO HELL YEAH

The hatch takes some strength to pry open, and though you should be more nervous about what – or who — you might find inside, you’re temporarily distracted by the sound coming through your commlink. Heavy exhales, low grunts. A low groan of exertion as he pulls, followed by a breathless sound of relief. The crux of your thighs throbs, and as he disappears into the hatch, you scramble up behind him, right on his heels.

got that thang purrriiiinnngggg lmao

You grimace. “What did you call me?” “A channel rat. Your little scavenging fingers, digging through the depths of a ship for a treat.” Dismissing his teasing smile, you shake your head. “Didn’t you tell me once that those things reeked of piss?” He chuckles. “I did indeed.”

piss kink Ezra alert? 👀

That sound. You can hear it in your sleep. No different than the sound of your own zipper being tugged down, and yet, somehow, it is. You envision the entire scene with startling clarity every night: his bare fingers working the clasp, his suit falling away from his body, the sound underneath it all.

damn even a zipper is getting her worked up. he better rail her soon or she's gonna go full Yellow Wallpaper

Cross-legged on your cot, you enjoy the sounds of domesticity filling the pod: the gentle scrub of your steel cleaning brush, the clink of a metal pan on the stove, a spoon swirling along the bottom of the pan as Ezra stirs. His humming joins the din, and you glance up at him.

omg domestic Ezra 🥰

“If you go, I go.”

YOUR HONOR, I LOVE THEM

His gloved hand strokes down the smooth metal of the hatch, searching for an opening. When he finds it, you can hear a terse smile in his exhale of relief. “There she is,” he murmurs. “You gonna open up for me?”

something tells me this won't be the last time we hear Ezra say something like this 😏

“Just wait till I kill you,” the man warns between his teeth. “I’m gonna fuck that girl raw. Right here. Right next to your dead fucking –” A grizzled choking sound cuts off the man’s words, and you whirl to face them just in time to see Ezra jerking the knife out of the man’s neck. Blood spurts across Ezra’s gloves, and he shoves the knife down again, and again. The force behind it is immense, Ezra’s face contorted in a look you’ve never seen before. His jabs are ruthless and quick, cutting and deep, and his arm speeds up, his face in a rage-filled trance, his eyes wild and cold all at the same time. “Mine,” you hear him between heavy breaths, between each plunge. “She’s mine.” Frozen, you watch in a morbid sort of fascination, but also in relief. He doesn’t stop stabbing until the man is long dead.

Your hand sweeps across this skin more than once, trying not to think about all the ways you imagined touching his stomach for the first time. It’s soft under your fingertips, a slight round to his lean belly and though his neck is taut with tension, he remains still under your exploration.

nnnggghhhhh belly

Using one hand to pinch his flesh together, you brace the stapler against his skin, blood smearing on the metal. You punch the first one through, and he hisses, his hand gripping your wrist. “Shit. Shit. Keep going.”

another line I think we just might hear Ezra say again but in a different context lmao

You need him to survive and get off this planet, but you also need him more than that. Deeper than that.

oh yeah? how deep?

He’s been awake for a while. He has wished for you like this so many times.

lmao this fuckin sneaky bitch! pretending to be asleep is only gonna work so long when she sees you're bricked up 😂

He’s never been touched like this by anyone, and it takes everything he has to keep his eyes closed — until he feels you press your lips against his.

okay but can we talk about the parallels here bc, yes, she's younger/less experienced, yet here he is experiencing this sort of attention for the first time. there are still things that are new for him to experience - the emotional vulnerability (like him feeling worried), the physical intimacy that blossoms from tenderness, etc. I really love how they mirror and contrast each other all at once

“This,” you whisper back, bending down for another kiss.

I'm actually going insane that the chapter ended like this so thanks lmao

UGH another amazing chapter, Kelli! The sexual tension made me feel touch starved just reading it. And the looming threat of violence and then the high stakes action/violent scene were so so so well written. Even knowing they have more of a story, I was still sitting there reading worried something was going to happen! (yeah yeah Ezra got cut, but other than that hahaha)

THANK YOU FOR WRITING THIS! I love your Ezra so much, and I don't care how long in between updates it is, this story is worth it every. single. time. I think about it often, and it is always a better day when the next chapter to their story comes out. 💚

On The Green: 5

Ezra Prospect x f!reader

Rating: M — some prospecting violence

A/N: I cannot even tell you how much this chapter kicked my rear end — it would have never been finished without the love and care and hand holding of @the-scandalorian and @the-ginger-hedge-witch ❤️ Both extremely insightful in their own ways, I am eternally grateful to each of them ❤️ Enjoy!

Series Masterlist

—

All morning he’s been watching you when he thinks you aren’t looking.

The weight of his gaze on your back every time you turn around, logic argues it’s because he’s guiding you into something he knows you’re nervous about. But in the end, shame wins out. It tells you that he knows what you were doing last night while he was in the shower. You contemplate just asking him directly, if only to relieve the feeling, to get it out in the open.

Instead, you keep your mouth closed and decide to put your focus where it should be in the first place.

“Go over it again,” you ask him.

He nods underneath the dome of his helmet, carefully picking his way along a nearly invisible path.

“It’s a wreck. Been one for a while. I came across it a few cycles back, but once I saw that she was no longer functional, I cut my losses. Went through her innards, took what I could – which,” he looks back at you, “mind you, wasn’t much.”

He faces forward again, holding a branch to the side for you to pass. You step carefully over a thick root, accepting the hand that he holds out for help.

“She had been long abandoned even then, so I don’t think we’ll encounter any unsavory protectors today.”

You can tell from the state of the path that he must be telling the truth. The indentation made by long ago steps is covered by overgrowth, a trench you can only feel rather than see. The ground slopes underneath the creeping vines, the crooked line of it hidden by lush leaves. You follow his yellow suit like a beacon, the color a distinct contrast against all the green.

With each step, nerves unfurl in your stomach at the idea that he might be wrong. That there might be another person there, just as eager to keep what’s theirs as you are to take it. The feeling creeps through your veins like the thick vines that crawl over the soil, and keeping your eyes on the familiar yellow in front of you, you squash down the nervousness with every break of one under your boot.

“Slow now. She’s close.”

He holds a gloved hand out to the side, and you peek around the curve of his shoulder. Just beyond the trees, there’s a pod covered in overgrowth, a relic left behind. The windows are yellowed with age, mildew growing over their oval openings.

The hatch is closed, and the area is silent and still.

He takes careful, scouting steps and you follow close behind him.

“Weapon out, Birdie.”

Your thrower already in your grasp, you tighten your hold on it.

You focus on his breathing for a moment, slow and steady through the speaker in your helmet.

“You good?” His voice crackles over the comm link.

When you look up, he meets your gaze with a level one of his own. Patient, checking in.

At the hesitation you can feel in your expression, he reassures. “I promise you, any occupants are long gone.” Reaching out, he lifts the barrel of your thrower. “Still though, can’t be too careful.”

You nod, and he takes the lead, shielding you.

The hatch takes some strength to pry open, and though you should be more nervous about what – or who — you might find inside, you’re temporarily distracted by the sound coming through your commlink. Heavy exhales, low grunts. A low groan of exertion as he pulls, followed by a breathless sound of relief.

The crux of your thighs throbs, and as he disappears into the hatch, you scramble up behind him, right on his heels. There is a tense moment as he rounds the corner, but when he gives you the all clear, your shoulders drop their pressured weight. Relaxed, you both study the disarray in front of you.

Everything is covered in a thick layer of dust: the shards of broken monitor glass scattered on the floor, the torn seats with stuffing spilling out, the stripped panels from the wall. It’s easy to find the compartment you’re looking for: a gaping hole in the middle of the floor, wires spilling from its depths.

You curse silently. “Someone’s been in there.”

“They take everything?” he asks. Using the tip of his pistol, he nudges the lid off the top of a storage compartment and peers inside.

“I’m not sure.”

Setting your thrower and gloves to the side, you get down on all fours and reach into the open compartment. A tangle of wires obstructs your view and your fingers sift through them all, searching by touch alone.

Your arm disappears all the way up to the shoulder before you locate the sharp edge of the circuit board. Grasping it, you lift it free with a sharp tug. It takes forever to ease it out, but when you do, a grin breaks over your face.

Two converters. Worse for wear, but it’s something. Not near what you need, but it still feels like a victory nonetheless. Carefully detaching them from the board, you hold them out for his inspection, cradled in your palm.

“Look at you, my little channel rat.”

His levity sucks all of the remaining tension from the room.

You grimace. “What did you call me?”

“A channel rat. Your little scavenging fingers, digging through the depths of a ship for a treat.”

Dismissing his teasing smile, you shake your head. “Didn’t you tell me once that those things reeked of piss?”

He chuckles. “I did indeed.”

Going back to the hole in the floor, you study the wires left behind for possible scavenging. “If you call me that even one more time, I’ll shoot you in the back.”

His grin widens at your deadpan delivery.

“Deal.”

–

Back in the safety of your own pod, you pull in deep inhales of fresh air as soon as you lift your helmet off. There is a certain sort of pleasure to it, feeling the recycled air hit your cheeks. Inside the helmet, it’s humid and sticky, the blower pack in your suit not enough to combat the heat from your body. It’s built to keep you cool, but under the helmet, your hair sticks to your nape and your forehead with sweat. Under the helmet, your stale breath blows back into your face. Under the helmet, you feel like you can’t breathe sometimes - which is ironic, given the reason for it in the first place.

Ezra stands close, tossing his helmet down to fumble with the zipper of his suit.

That sound. You can hear it in your sleep. No different than the sound of your own zipper being tugged down, and yet, somehow, it is. You envision the entire scene with startling clarity every night: his bare fingers working the clasp, his suit falling away from his body, the sound underneath it all.

“You good?” He checks on you, and when you nod your head but don’t say anything, he bends his gaze to your level. The stark lighting of the pod makes his eyes look even darker, and his hand comes to rest on your shoulder. Right at the edge of your neckline, the heat of his palm brushes against your skin. “You sure?”

“Yea,” you reassure him, trying to ignore the weight behind your navel his touch brings. “It went good. Really good.”

“I think so,” he replies. “I’m impressed. Our first job as a duo, gone off without a hitch.”

He winks, squeezing your shoulder for a brief moment. When his hand slides away, you stop your body from chasing it.

“Here.” His voice pulls you from your reverie, a cleaning kit held outwards towards you. “You do this, and I’ll do dinner?”

Nodding, you take it from him.

Cross-legged on your cot, you enjoy the sounds of domesticity filling the pod: the gentle scrub of your steel cleaning brush, the clink of a metal pan on the stove, a spoon swirling along the bottom of the pan as Ezra stirs. His humming joins the din, and you glance up at him.

If there was something that you’d never have expected from your first confrontation with the man, a scene like this would be at the top of the list. When your attraction initially began, it used to eat you up inside thinking about how you didn’t know him. You felt immature and foolish thinking about how the feelings were rooted in loneliness, sprouting from a life lacking attention and flourishing in close proximity. However, as scenes like the one in front of you became more common, it was easier to accept it.

The want that you feel coats the space like the dust that lingers in the air outside; ever present, in every breath you take. You try to ignore it, a small pocket of embarrassment bubbling up every time you think about approaching him, though he seems like the type who would be into whatever arrangement you’d propose. Especially given how long he’s been alone. Not only that, but the way in which he carries himself suggests he’s ever fluid, open for whatever comes his way. Adaptable, a side effect of his lifestyle you’re sure.

You know better though.

His carefree conversation is practiced, a facade. One meant to disarm and distract. You’re fairly certain he’s past that stage with you, given not only the amount of time you’ve spent together, but also the way he looks at you. Unguarded, in the morning after he wakes or in the evening, right before he goes to bed. Distracted, letting himself slip into thought, his eyes hooded as his tongue slides slowly across his bottom lip.

Sometimes though, sometimes you see him looking at you in the same way he looks at others: like they are something to study, his eyes keenly assessing.

That look always gives you pause. No matter how much you know he’d probably say yes, his motives are the question you’d really want answered.

Picturing the bare skin along his ribs that rippled in his stretch the other day when he emerged from the shower, you silently flex your hand, mentally fitting your fingers along the velvet skin. Safe in the secrecy of your own mind, you let your daydreams flourish – a bubble that pops when he approaches your cot.

“Not a feast, by any means,” he says, sitting down next to you. “But it’ll do.”

You accept the bowl gratefully, steam rising from its contents. He blows on his spoon, taking a bite. The motion makes his jaw work, and when he swallows, you watch through the fringe of your eyelashes.

“You did good today.”

His easy praise just slips off his tongue, and for someone who has spent so much time in the darkness, you keen under its light.

You smile over at him, and he returns it - but only for a fraction before it drops.

He looks away, down at his food. “The next one might be a touch harder.”

“How come?” you ask, your mouth full.

“Because it’s occupied.”

You stop chewing.

His eyes flick up to meet yours. “Unattended pods are a thing of rarity. Most are occupied, and their inhabitants can be…”

You raise your eyebrows when he doesn’t finish the sentence. “Can be…?”

“Protective of what’s theirs.”

His statement hangs in the air, his expression sober.

Swallowing hard, you sit with it for a minute. “Makes sense, I guess.”

“Look,” he sighs, studying you. “I feel I should go alone, little bird.”

Frowning, you let your bowl rest in your lap. “What? Why? It’s too dangerous.”

He huffs in amusement. “You wound me with your lack of faith in my skills. I assure you, I’ve been navigating such situations alone for far longer than you’ve even been alive.”

The reminder of his age compared to yours should make you feel more at ease about his capabilities, but instead the statement temporarily distracts you. You take in his calloused hands, the lines that edge around the corners of his eyes, the grey flecks in his beard.

“I’ve taught you a lot,” he continues, “But letting the idea marinate, I believe it’s safer to keep you here.”

His suggestion catches you off guard. Everything about your arrangement has been with the word “partnership” in mind: he’s taught you how to dig, how to shoot, how to be aware of your surroundings. For him to want you to stay behind versus alongside him must mean there is something more dangerous about the situation than he’s letting on.

Not liking the idea of being separated from him, you press. “Trust me, I don’t doubt your skills. I’ve seen you in action.”

He sits up straighter, a proud smile stretching his cheeks, and you roll your eyes, undeterred.

“You’re the mechanic, I’m the muscle,” you mimic in his voice. “Weren’t those your words? If there is anyone there, you’ll deal with them so I can get the converters.”

“I’m afraid they won’t part with them as easily as your statement suggests.”

“I never thought they would.” You hold his gaze, searching. “Why don’t you want me there?”

He hesitates, and you can see a war within the depths of his eyes. Eventually, he answers, his voice softer. “I don’t want to subject you to…an avoidable confrontation. Not if I don’t have to.”

A beat of significant silence fills the space between you. Your dinners forgotten, the space around you shrinks to the size of the cot that you share. The urge to toss your bowl onto the ground and pull him to you builds the longer you sit with his statement, but there is something else about his words that tugs at the back of your mind.

You picture him walking into the Green alone, disappearing from your sight. Weeks with him at your side has you rejecting the mental image. Your stomach churns, your hand reaching out to cover his.

“If you go, I go.”

A grimace flashes over his features, the scar along his cheek highlighted for a moment. “I thought you’d say that.”

Rationally, you know he’s just trying to protect you, but you let your hand fall back, hurt. Busying yourself with your bowl again, you can feel him looking at you.

“Hey now,” he says, soft, but stern. “It’s not a lack of faith in your skills, trust me. It’s just that mercs out here are ruthless, raw. Their sensibilities have been swallowed whole by this place, and I don’t want you anywhere near them.”

His voice lowers even more, his tone gentle. “You remember what I said? About girls being rare in this place?”

You look up, and his gaze is fixed on yours, earnest and serious.

“I meant it.”

Apprehension flickers in your chest, but you remain firm in holding your ground. He can’t go alone.

“You really want to come with?” he asks.

You nod instantly. “Yes.”

The corner of his mouth tugs up, a hint of pride flashing through his eyes.

“Okay then, partner. Let’s talk about a plan.”

–

Ezra shifts on his cot, forcing his pillow into submission under his head.

“If you go, I go.”

Your words echo in his mind, your face appearing alongside. Your presence pulls at him from across the short distance between your cots, and he shifts again, rolling to face the wall.

He doesn’t want you to come with tomorrow.

He knows what this place is capable of, the way it carves out the morals of men to leave them shells of desperation. He himself has fallen victim to it, and though he hasn’t often found regret in his actions, he already regrets agreeing to let you come. He’s been here long enough to know that a partner is crucial to survival, but you…you’re unprecedented. You’re a girl. You’re something no one has seen in a long time, and he worries (an emotion he’s not used to) about how they’ll react when they see you.

If it’s anything like the way he reacts to you, you’re both in trouble.

You stir behind him, and he listens. You shift again, and he stills his breath.

The idea that you might be restless with the want you sated last night blossoms in his mind, heat pooling behind his navel. His fingers lightly scratch the wiry hair underneath it, just over where he aches. His cock twitches in interest, and distracting himself from the thought of everything that could go wrong tomorrow, he immerses himself in the thought of you.

You, right behind him, feet away.

You, trying to be quiet, slick need gathering between your thighs.

You, slipping your hand underneath the band of your leggings.

A phantom stickiness smears across the tips of his fingers, and they twitch against his skin. He teases at the band of his thermals, pretending his hand is yours. He moves it slowly, imagining your hesitation - eager, yet shy.

He thickens fully at the thought.

Unpracticed at hiding his attraction towards someone, he’s testing the limits of his self restraint with every minute spent in your presence. Constantly reminding himself of how vulnerable you are, the idea that you’d go along with any sort of proposition out of intimidation makes him sick. But you wanting it? You making the first move?

His hand (your hand) creeps a little lower, brushing against the base of his cock. It’s stiff to the touch, and he closes his eyes – only to be assaulted with the idea of someone else grabbing your hand to force it underneath their pants. His erection wanes, a series of images flashing through his mind: you screaming for help, you being forcibly dragged out of his sight, someone else taking from you what you never offered.

He softens.

His attachment to you is something like he’s never experienced before. This urge to keep you hidden from the world to protect you, while also helping you flourish. The need that coats him from the inside out, yet is forced to stay on a leash. It feels like a fever dream sometimes, the time he spends in the pod with you. A liminal place, a trapped sort of existence akin to hell itself in the way he wants you, but also something akin to heaven.

A companionship he’s missed, a presence he ached for and now has. Like you dropped from the sky, meant just for him.

He hears you shift again, and he frowns.

He should roll over and ask you if everything’s okay, but he knows it’s not. You’re probably worried about tomorrow and you should be. You’re as ready as you’ll ever be — as ready as this place will allow you to become before you’re thrown into the heat of the fire.

He also shouldn’t because he doesn’t know if he’ll be able to stop himself. If he rolls over, he’ll see you — see your shadowed form in the darkness, the dips and curves of your body. He pictures himself being drawn to it, crawling the distance between your cots. Settling close to you, feeling the heat of your skin. Murmured, dulcet tones of soothing. His hands smoothing away your nerves.

His mouth being drawn to yours in the dark intimacy of the night.

He wants to tuck your face into the crook of his neck and tell you it will be fine.

But he doesn’t know if it will be, and so he stays still, guilt eating at his restless bones.

—

The pod stands alone in the clearing, silent and imposing.

Boot prints have tamped down the soil surrounding it, the greenery eaten away. The tracks are fresh, and they lead in every direction.

“How many do you think there are?”

Hidden in the green together, you speak lowly even though no one is tuned into your frequency but Ezra.

“Hard to say. I’d judge two, maybe three.” He shifts, trying to get a better view. “The size of their vessel doesn’t say much for numbers. Can’t be more than that.”

“Do you think they’re in there?”

Noting no sign of life surrounding the pod, you try to peer in the windows from afar to spot any movement.

He sighs, a heavy and resigned thing through your connection. He turns his head, and you do the same, facing each other.

“Unfortunately, Birdie, we won’t know until we open the door.”

He checks the charge on his pistol, flicking his eyes to your weapon in a motion for you to do the same. “You ready?”

Nodding, you grip your thrower. “Ready.”

Standing from your hidden spot, he takes an automatic lead in front of you. His slinking steps are careful, his breathing steady and measured. The dust motes surrounding you make the whole thing seem like a suspended dream, like you’re moving in slow motion along with them. For every step he takes, you do the same until you’re moving as mirror images, creeping closer and closer.

Anticipation and adrenaline have your entire body on high alert, yet the green around you remains eerily calm. There is no movement and no sound other than the gentle rustle of the trees, and while that would normally be muted underneath the dome of your helmet, your straining ears pick it up. A bead of sweat glides down the back of your neck, your eyes focused on Ezra’s back as he reaches the pod.

His gloved hand strokes down the smooth metal of the hatch, searching for an opening. When he finds it, you can hear a terse smile in his exhale of relief.

“There she is,” he murmurs. “You gonna open up for me?”

He works the latch open with force, and you spot check the edges of the clearing. Your heart is beating so fast you can feel it in your chest, and in contrast, Ezra seems as calm as ever. You think about your own pod in the middle of a similar clearing, and how your role has reversed in your weeks here. Once the trapped person inside, now the intruder seeking what belongs to someone else.

The hatch opens, and you crawl in behind him.

It’s empty inside, though clearly in use. Two cots are pushed against the wall, blankets and pillows crumpled on top of them. Thermals litter the floor, metal dishes are stacked next to the small sink, and there is a station of cleaning tools left out, as if someone stopped mid-task.

“Speed is of the essence, little bird.”

His voice grounds you, your eyes immediately scanning the floor. It takes a minute to find the sealed compartment, but you catch the edge of it underneath one of the cots.

“Help me move this,” you ask him, picking your way over to the panel. While you’re careful with your steps, he stomps without care on anything in his way: discarded papers on the floor, a dirty shirt. He lifts the cot with a grunt, and you drop to your knees.

The panel springs open and sifting through the wires, you wish you stopped to take your helmet off. It’s hard to get close enough to the floor with the dome limiting how close you can get, and a small huff of frustration slips from your mouth as you stick your arm down, down, down, stretching it as much as you can.

Just when you’ve reached your limit, you feel the edge of the panel.

“Anything there?” He delivers the question calmly, though you can hear the slight tone of urgency that slips through.

“Got it,” you grit through your teeth, tugging it free.

The edges of it catch on the neat wiring that surrounds it, and impatiently, you tear through it all. Lifting it from the floor, your eyes widen.

“Ten. There are ten, Ez.”

You look up at him in awestruck wonder, and he returns a tight smile.

“Speedy now. Show me how you use those nimble fingers of yours.”

You click them off with practiced precision, trying to tamp down the elation that you feel at the added weight of each one in the pouch attached to your hip. When you have all ten, you toss the panel back into the nest of wires and slip the lid back into place. Standing to get out of his way, you watch as Ezra unceremoniously drops the cot back onto the floor.

He smiles at you, a genuine one this time. “You did so good, Birdie. So good.”

Relief floods your chest at his praise. Your stomach has been in knots all morning, worsening as you sat in the bush and waited, and though you know you’re not out of danger yet, you take a moment to let your victory wash over you. A sudden, fierce wish to be back in your own pod with him takes you by surprise, a burning need to throw your helmet off and have him do the same so you can kiss him. Your body subconsciously leans forward, drawn to the idea and to him and to the need to have his praise breathed directly into your mouth for you to swallow.

A similar look flashes across his own dark features, and there is a beat of weighted tension. It swirls in the space between you, filling it — and breaking, when he grabs your hand.

He gives it a squeeze, leading you back towards the hatch. “Come on. Before they get back.”

Following the back of his suit out of the pod, you notice the surroundings of the clearing seem brighter, less ominous. The dust that floats through the air no longer seems threatening and nightmarish, but more like a pleasant dream. You take in the details for the first time today, your eyes fixed where the tops of the trees brush the sky – disappearing when you’re ripped from behind with a sudden, forceful jerk backwards.

“Ezra!”

Your thrower gets tossed from your hand, and the air is pushed from your lungs as your back hits the ground with a thud. You kick wildly and try to scramble up, and a sharp kick from behind keeps you trapped in place, forcing you onto your front.

Coughing, you lift your head under the helmet, but the edges of the dome obstruct your view. Straining, you squirm underneath the heavy pressure of a boot on your back, fighting to see where Ezra is. You can see only his boots, toe to toe with a stranger’s.

The voice above you is grizzled and deep. “What the fuck do you think you’re doing?”

“Looking for something we need,” Ezra drawls, and though you can’t see his face, you can picture it. The truthful admission comes out slow and confident. “We found it, so we’ll be on our way.”

You hear the charge of a thrower above you, and Ezra’s boots shift slightly. It’s a special sort of hell to hear him through the comm link without being able to see him.

“Go in there and see what the fuck they took,” orders the man pinning you to the ground.

You see his partner's boots walk out of your sight, and hear him climb the ramp to the pod.

“You stay right there,” he warns Ezra. “One move and I’ll shoot your partner here.”

Lifting your torso with a grunt, you shift just enough to get Ezra in your sights before the boot on your back forces you back down. Even though you’re prone and he’s being held at gunpoint—both at the mercy of a stranger—reassurance floods through you at just being able to see his face.

“That would be…regrettable.”

The shift in Ezra’s expression is cold and menacing, his fingers flexing slightly on the grip of his pistol.

“That so?” the man teases. His boot wiggles, shoving you deeper into the soil. “Feels kinda scrawny. Can’t imagine what use he is to you for someone so small.”

“You’d be surprised,” Ezra counters.

“Let’s see him.”

The words take you by surprise, just like the swift jerk of your shoulders. He flips you faster than you can react, his boots coming down to step on your arms and the tip of his thrower aims directly at your face – his eyes wide with surprise right above it.

“Is this – is this a girl?”

Your boot flies up to kick him in the back, and he grunts but doesn’t budge. You do it again, and he presses the muzzle of his thrower into your chest.

“Do it again and see what happens.” Antsy, he glances up in the direction of the pod and yells to his partner. “What the fuck is taking you so long?”

Taking advantage of his split second of distraction, you use every ounce of strength you have to bow your back off the ground just enough to catch him by surprise. His boots falter, taking the pressure off your arms and you quickly sit up, driving your elbows into his thighs. He growls in frustration, trying to keep his thrower on you while also bending to swipe for your leg, and you scramble backwards in the soil. Your boots slide on the damp earth, your gloved fingers digging into the ground for purchase and there is a sharp crack in the air as Ezra aims his pistol at the man and misses. You flinch, crawling backwards to get out of the man’s reach, and panic cuts through you when you hear the stomp of boots coming down the ramp.

“What the hell –”

Those are the only words the man gets out before you hear more cracking shots, and then he’s falling backwards, dead, onto the ground.

“You son of a bitch!” The man who had you pinned lunges for Ezra, his thrower tossed to the side, a knife in his hand instead.

Ezra abandons his own weapon, throwing himself at the stranger. You watch helplessly as two of them hit the ground, fighting for control of the knife. Crawling towards Ezra’s gun, you stretch your hand towards the weapon when you hear it.

“Just wait till I kill you,” the man warns between his teeth. “I’m gonna fuck that girl raw. Right here. Right next to your dead fucking –”

A grizzled choking sound cuts off the man’s words, and you whirl to face them just in time to see Ezra jerking the knife out of the man’s neck. Blood spurts across Ezra’s gloves, and he shoves the knife down again, and again. The force behind it is immense, Ezra’s face contorted in a look you’ve never seen before. His jabs are ruthless and quick, cutting and deep, and his arm speeds up, his face in a rage-filled trance, his eyes wild and cold all at the same time.

“Mine,” you hear him between heavy breaths, between each plunge. “She’s mine.”

Frozen, you watch in a morbid sort of fascination, but also in relief.

He doesn’t stop stabbing until the man is long dead.

—

The walk back to the pod is as quick as it can be, with Ezra’s weight leaning heavily on your side. All traces of joy and victory have long vanished, and the two of you say nothing to each other as you trudge along the hidden path.

His expression as he killed that man plays on repeat in your mind the whole way, along with his words.

“She’s mine.”

Though he’s trying to mask his pain, his grip on your hip tells you the truth, as does his labored breathing. You didn’t see it happen, but the man must have hit his mark at least once, judging from a telltale stain of dark red smeared across the front of Ezra’s suit. It seems to take forever to get back, and with every step, his wound gets worse and worse in your mind.

Finally back inside your pod, you strip and toss everything carelessly onto the ground.

“I need the med kit,” he groans, collapsing against the wall. His movements are jerky as he rips his helmet off, and then his gloves, using his teeth. “Fuck,” he sighs, his eyes pinched closed.

He’s pale, his sweat matted hair stuck to his forehead and you kneel in front of him with the kit, rifling through the contents.

“What do you need?”

His hand splays protectively over his lower stomach. “He got me through my suit, just here.” He shifts, a loud groan breaking free when he peels down the top of his suit. He rolls it to the waist, and gingerly pushing the fabric down, you see his thermals underneath, stained dark and saturated with blood.

He lifts it, and you wince.

“Looks worse than it is,” he breathes heavily, letting his head fall back against the wall.

“It looks pretty bad, Ez. Really bad.”

His stomach is matted and smeared with blood, and at the center of it all, a gash.

He holds his hand out for gauze, dabbing at the wound with a hiss. “See?” His stomach flinches, and he wipes it again before looking at you. “A stitch or two should do it.”

“You sure?” you ask, and he nods, letting his head fall to the side as he looks away.

“In you? Always.”

Your fingers tremble slightly when you flick open the med kit, and then rote memory takes over. You’ve done this – your father used to stumble home all the time with various gashes. Bar fights, brawls in alley ways. Prospectors are a rough crowd, and you’d stitched him up more than once. This is just like that, only better because you don’t have someone yelling at you to do it faster – but also worse, because you care about this person more. The thought leaps into your mind, and knowing you don’t have time to dwell on it, you shove it away.

Ezra flinches at the touch of your hand against his bare stomach, his muscles tensing under your fingers.

You pause, and he lets out a nervous laugh.

“Sorry. Cold hands.”

You give him an apologetic smile.

“Keep going.”

You take your time disinfecting the wound, making sure all traces of dirt are gone. Your hand sweeps across this skin more than once, trying not to think about all the ways you imagined touching his stomach for the first time. It’s soft under your fingertips, a slight round to his lean belly and though his neck is taut with tension, he remains still under your exploration. You want him to look at you: for reassurance, for acknowledgement of your hands on his skin – but he is resolute, keeping his eyes fixed on the wall.

Setting your rag down, you pick up the stapler.

“You ready?”

He nods.

Using one hand to pinch his flesh together, you brace the stapler against his skin, blood smearing on the metal. You punch the first one through, and he hisses, his hand gripping your wrist.

“Shit. Shit. Keep going.”

His breathing has turned into panting, his eyes clenched tight. You slide it along his skin an inch, and then punch another one.

The groan he lets out would be filthy, if not for the situation you’re in. It’s a strained, long thing — his head tipped back, veins highlighted along his neck and you toss the stapler to the side, pressing fresh gauze against the wound.

“All done. It’s done.”

He nods, a tired smile gracing his face. Leaning forward, he keeps one hand on his stomach and you watch nervously as he crawls onto his cot. He falls back onto his pillow, calmer now, but still pale.

“My thanks, Birdie.”

He slips into a stress-induced sleep, and you look at him for a moment before cleaning up.

At the sink, you notice his red hand print around your wrist. The blood had pooled between his fingers, the digits a slick slide over your small wrist and you brush your thumb over the marks he left behind. It looks violent, yet there is a part of you that likes it. Being branded with him, a part of him smeared into your skin.

You hesitate to wash it off.

—

He sleeps, and you keep watch.

You had worried for your father sometimes, but it was nothing like this. In the small amount of time that you’d come to know him, Ezra already meant more to you than your own father ever did.

In the dark, you finally let yourself dwell on the realization.

Your father had never truly been a father. He was more of a stranger, or a roommate at best. He dragged you down with him, keeping you close enough to use you when he needed. He was never invested in you, never cared what you thought or wanted. You never needed him for anything, but Ezra…Ezra you need. You need him to survive and get off this planet, but you also need him more than that. Deeper than that.

The respect and courtesy he treats you with is something that surprised you, given the way you met. In a short while though, you’ve come to realize it’s exactly what’s been missing from your life this whole time. His curiosity and interest is genuine, and his care for you — especially after the events of today — is obvious.

She’s mine.

Did he say that because it’s true? Or because he needs everyone else to believe it’s true?

His lashes flutter, a dream seemingly racing through his slumber and you watch the movement of his eyes under his lids. His fingers flex, and without thinking, you place your hand on top of his.

He stills, and so do you.

The minutes and hours slip by, the moon slowly making its way from one pod window to another and you keep your vigil all the while. He murmurs in his sleep, and you cradle the curve of his jaw. Even after he stops, you keep your hand in place.

Your thumb traces the line of the scar on his cheek - a hooked thing, violent. He never told you how he got it, and you long for him to wake up and regale you with the story. He’d make a meal out of it, you know he would.

When he doesn’t stir, you continue your exploration.

Delicate touches: a swipe over his silken eyelid, a trace down the line of his nose. The bristle of his moustache tickles the pad of your thumb, a direct contrast against the smooth patch of skin on his jawline where there is no hair.

He’s a killer, and you wonder how many have gotten as close as this.

She’s mine.

He’s right — you are. In a short while you have become his. The juxtaposition of the man you saw today versus the man in front of you now is jarring, as if he couldn’t be the same man at all. And maybe he’s not, for anyone else. But for you, he is.

You get both, and while you should have been scared by the way he savagely killed today, you instead find yourself proud. You find yourself drawn to it, admiration and assurance and a sense of protection swirling around in your mind.

He did that for you, something no one has ever done.

Emboldened by this knowledge and drawn to his profile in the dark, you rest on his firm chest, and your fingers splay outwards over his heart.

Leaning down, you press your lips lightly against his.

–

He’s been awake for a while.

He has wished for you like this so many times. Just like this, only he never imagined himself like this. Just his luck that his wish comes true, but at a cost.

You’re so close, your face hovering just above his. He can smell the sweetness of your breath, of your skin. The way you’re looking at him has been one he’s only ever seen in his dreams, and though his body aches with a hidden want that threatens to consume, he stays perfectly still, not wanting it to end.

He’s never been touched like this by anyone, and it takes everything he has to keep his eyes closed — until he feels you press your lips against his.

He responds instantly, his hand coming up to cup the crown of your head.

Your kiss is so soft — soft and delicate and vulnerable, just like you. Your mouth fits neatly against his own, and before he can truly savor it, it’s gone.

He opens his eyes and your shadowed form comes into focus, your proximity intoxicating. His dream come to life.

His hand slides down the back of your hair, settling on your neck. Holding you place, he can see the vulnerability that seeps out of your every pore, and he longs to soothe you. If he knew what he should soothe, he would.

He knows what he wants to soothe, but he waits.

“What are you doing, Birdie?” he whispers.

Your eyes flit between his, and you bite your lip, thinking. He watches as you war with yourself inside your head, and his touch drifts to cup your cheek. His thumb slides across the soft curve of it, and when his eyes dip to your mouth, he watches your expression change to something more assured.

Confident, resolute.

“This,” you whisper back, bending down for another kiss.

[wexhappyxfew]

hi shannon!! marianne is calling my name so... can i request "it's 4am. you need sleep." with her? 😁 hope you're having an AMAZING day!!

HI BLUUUUUUU!!!!!!!!!!!! you already are very aware of my excitement towards this prompt because i have not talked as much as i have wanted about my queen marianne salinger, resident tail-gunner of silver bullets who loves three things in this world (1) the silver bullets crew, (2) frank sinatra and (3) her orange cat, frank. AND OF COURSE -- i took this opportunity to talk a bit more about co-pilot of silver bullets, francis montez - co-pilots are just....they're so interesting. there is so much depth to them, especially what their relationship is with the pilot, and we dig into that here. also -- we get some birdie faulkner mentions! my queen (lost but not forgotten)!! francis montez, my tragic hero, i am HUGGING YOU!!!!! please enjoy this look into life before annie bradshaw became replacement command pilot for silver bullets! it is such an interesting space to work in, especially considering what we already know about life with annie bradshaw as the pilot!!!

we all lost birdie

(a/n): marianne salinger POV of the limbo time in between the command of birdie faulkner and annie bradshaw as francis montez struggles with the weight of leadership in a time like this. let's just say....she's not coping well, but the silver bullets crew is there to help with that. also -- marianne is just a gem for real, like observant, chaotic af, non-smoker but is the 'do it because my friends did it' person tbh she's great LMAO! please enjoy!!! (and thank you blu for this....i sincerely hope you enjoy!!!) <3333333 co-pilots my beloved!!

Birdie Faulkner had been on levels even some men would never get to in their lifetime. Highly respected, rather decorated and equally intelligent as any man flying a B-17 as anyone. It’s probably what made Silver Bullets so reliable.

The first she picked was her co-pilot.

Francis Montez - a good Californian, who had top marks in school and a knack for opening up her mouth when prompted, she was an easy choice for co-pilot, a second in command, another leader who would undoubtedly be useful in unforeseen circumstances.

The navigator and bombardier came next: Bessie Carlisle and Carrie Achterberg or Bergie, of Queens and Brooklyn, New York, respectively, from two sides of the same town. Damn good at their jobs, efficient, the glue to the crew and the ones with the brains. Necessary investments.

Then came the flight engineer. Not only must she know all she can about the B-17 but how to fix it on the ground or in the air if needed. Marjorie Harlowe - or Margie - from Michigan, took up that role with ease. A smile, a flick of the finger, an easy-going and competent nature - it wasn’t any surprise that if you flew with Margie Harlowe, you were safe.

Radio ops was next - Paulina Stagliano of Philly was one to talk. Loud mouth and an even louder mind, she got her point across in short question and answer scenarios for her crew, and was always of the opportune to play music when the morale was low.

Then - her turret gunners.

Waist gunners were first - Kennedy Farley hailed from Boston, a rather passionate, raging Red Sox fan, who was a fierce and loyal protector and friend. And a damn-good gunner - she knew that gun inside and out and if you needed a hand with repairs, she'd show up with a smoke, a screwdriver and a small frown and get it done in 5 minutes.

Vivian Ratcliffe from Colorado had grown up with a father teaching her the ropes in mechanic garages - and it was no wonder she was so used to the cold up in that open-air belly - nights and mornings spent skiing in the Rockies, gaining rough-and-tumble love from nature, from the air to the sea. The best of the group, truly.

Then she went for the ball turret gunner - they had to be pretty small, reliable, quick-witted, and no doubt, Birdie wanted someone with a funny personality - Judy Rybinski was practically over-qualified for the role. Showing up with a grin on her face, offering Birdie a bouquet of wildflowers hand-picked, shaking hands and talking about how quickly she could blow a target from the sky seemed to sell Birdie and the rest of the crew immediately. She was a peach.

Then there was herself; Marianne Salinger.

Tail gunner.

Sort of oddly lanky, but not super tail, slightly scrutinizing of others that weren't her crew, painter and animal lover when the war wasn't on, and a Frank Sinatra fan that even if his mother showed up, Marianne would've professed her love greater onward than that. She even found a stray orange tabby named Frank to join her.

She was a lot of things in ways, but very observant. Incredibly observant. Overly observant. And sometimes - to be like that hurt.

Because right now, Birdie was dead.

And the Silver Bullets crew was pilotless - the vacant spot staring the 90% crew in the face, the empty cot where Birdie's things had been like a sore bruise on the body - aching, but almost gone.

In moments like this, Marianne always admired Lieutenant Montez.

Probably since she was first brought into Silver Bullets and introduced to the Silver Bullets co-pilot; Lieutenant Francis Montez.

The good-hearted Californian.

Called you five different nicknames before sticking with one.

Keeping the brave face on in front of the rest of the Silver Bullets crew after Captain Faulkner's death.

Especially when she'd been right next to her when it happened.

So, in shifting herself to the left side in her cot, yawning widely and letting out an overdramatic 'hmph' as she snuggled into her pillow, hearing a rather distressed and choked cry leave someone's lips sent her sitting straight up in her cot. The quick movement made her heart pound, a pressure building behind her eyes and the sudden realization, from a quick glance at her watch, that it was only 0400 with the moonlight still peaking through.

Marianne swiveled her head around the barracks, squinting in the darkness, attempting to seek out who it was. Truth be told, after losing Birdie, nightmares became a normal thing - and some nights, no one slept. It'd been a tense and uneasy atmosphere for nearly a week and with no new pilot, things were even more worrisome and weary.

The only person holding them together was co-pilot Francis Montez. And currently, she was the one breaking down. Marianne could tell because it came from the far corner of the bunk room, closest to the door. And Francis didn't ever let it on that inside she was hurting. It's probably what hurt Marianne the most to see.

At dinners and lunches and breakfast - Francis would be sat, that blank look in her eyes, that ache buried deep inside, barely eating and trying to laugh it off seconds later.

Slowly standing to her feet, and nearly tripping over Frank's little pillow on the ground that he'd taken to, she picked her way down the rows of the crew towards Francis.

Deep-down, she probably should've stayed in her cot, kept her mouth shut and let Francis deal with her emotions. But a sudden urge to protect her and hold Francis through a moment like this was all she wanted to do.

Marianne approached the outlined form on the cot, bathed in a sprinkle of moonlight and held her breath, debating if she should turn around now.

"Lieutenant Montez?" Marianne whispered, her voice causing Francis' form to freeze-up entirely, turning to look over her shoulder towards Marianne stood there, as if a ghost had appeared - Marianne almost choked out her words, "I just heard something and wanted to make sure you were okay and then I saw you were awake and-"

"Salinger." Francis said, voice slightly hoarse, silencing her rambling, "I'm fine. Just, some fucking nightmare. But, it's fine. I'm going out for a smoke anyway. Take the edge off." Marianne stood, cheeks heated red in the darkness, as Francis stood to her rather tall height and picked up her A2, throwing it on roughly, before grabbing her smokes' box and heading towards the door. Marianne's heart hammered in her chest before she wiped at her nose and cleared her throat.

"Need a buddy?" Oh, God, now how awkward do you sound? Francis turned and looked at Marianne and she balked. "Uh, need a buddy. Ma'am." Francis stared at her in the darkness and Marianne swore that she could've died on the spot if it was possible.

"Sure." Francis said and then turned to the door stepping outside. Marianne skittered to follow her out, slowly shutting the door behind herself and settling down on the stoop in front of the barracks beside Marianne.

Outside, with the moonlight, Marianne could get a better look at Francis' face and saw the dark circles under her eyes, the fading scar from the incident on that fateful day and the blankness of her eyes all at once. Her heart ached.

"Want one, Salinger?" Francis said, placing one on her own lip before offering the box. Marianne - resident and very adamant non-smoker in the group - stared at the box before looking at Francis again. Francis usually never offered because she knew Marianne didn't smoke, but Francis seemed on a whole different planet right now. And something made Marianne want to take one.

"Yes. Yes, ma'am." Marianne said, reaching forward to pluck one out of the box and place it on her own lip - the paper taste wasn't nice. Francis chuckled slightly.

"You don't have to keep calling me ma'am or….or Lieutenant. It's fine, seriously." Francis said, glancing at her, "Here." Francis leaned forward and gently lit the edge of Marianne's cigarette before leaning back to light her own. Marianne's warm cheeks failed to dissipate and she couldn't help but watch as Francis clicked the lighter closed and then popped the cigarette off her lip and blew out a drag of smoke. She didn't realize her staring until Francis looked to her and waved a hand.

"You there, Salinger?" It didn't take long for Marianne to blink herself out of it, before inhaling the cigarette chemicals too fast, breathing it in and hacking up a lung, loud and noisily, before gasping for breath, the cigarette forgotten between her fingers.

"Sorry," Marianne croaked out as Francis gently tapped her back, clearing her airways, "I don't smoke."

"I forgot about that," Francis said, sounding slightly defeated and guilty, "just not with it right now."

Marianne recovered her bearings and slight moment of embarrassment and looked to Francis sat beside her, staring out towards the airfield at night, planes silhouetted in darkness. It was an eerie feeling - knowing she had died on that plane, after getting up into it thinking there'd be many more times after. Knowing that cockpit would remain empty until the replacement showed up.

Knowing that plane was still sitting out there, soaked in that feeling, those memories, that moment.

"Probably because it's 4 am. And you need sleep." Marianne said quietly, looking over at the co-pilot, "Brain won't work and wire itself right without it."

"Can't sleep most nights anyway so," Francis said, popping the cigarette on her lip and clenching her jaw, "if I do, the nightmares come so, prefer not to if I can."

"Of Birdie?" Marianne asked. Francis grew quiet and continued staring out, blank-eyed. It grew quiet and Marianne wasn't going to push her - fresh in the mind, only four days ago - she almost regretted saying Birdie's name, but she knew Francis needed to get it into her mind what was going on. She needed to be able to talk instead of bottling it inside.

"Yeah." Francis said quietly, pulling the cigarette from her lip, "It replays in my mind. Every night since it's happened." Marianne watched as Francis looked towards her, tears in her eyes. She watched as Francis shook her head, biting back her lip and looking towards her again.

"It was our second mission. We just got out here. And….and she's already gone." Francis whispered quietly before looking out at the darkness again, "They won't allow us to fly until they've got someone new in here, and…I don't know, going up there again and she's not next to me. I….I don't know." Marianne glanced sidelong at Francis again and watched as the co-pilot reached up to angrily wipe at some tears in her eyes and sigh.

"I gotta get myself together - there's some pilot from San Diego coming in tomorrow anyway - Atchinson….something or other. I gotta…." Francis let a hand linger lightly over her body, a display of dissatisfaction on her force, "I know I won't go back to sleep so. Don't want to keep you awake. I'll be fine." Marianne watched Francis - did she actually think Marianne would leave her sit out here alone and suffer in silence? In the darkness?

"I can stay." Marianne said, her cheeks growing warm uncontrollably. Francis looked over at her, slightly surprised. Marianne stuttered. "I mean, I can stay and we can talk. So you're not alone. I don't mind. Mind being here with you. With…" Marianne watched as Francis looked towards her a small smile on her face, dark eyes watching Marianne with mirth.

"When in doubt, Mari Salinger's gonna make sure you're not alone," Francis said, her eyes never leaving Francis' as she reached out and gave her shoulder a squeeze, "thanks, Mari."

Marianne sat there, incredibly aware of the feel of Francis' hand on her shoulder, the warmth from the co-pilot's hand now infiltrating her body, along with the look in Francis' eyes that simply only watched Marianne in this endless darkness. It took a matter of seconds, but then Francis was pulling her hand back, unflinching, and removing her cigarette from her lips again and nodding to her.

Clearly, she wasn't unchanged, but Marianne felt like her entire world had shifted on its axis and suddenly, she wasn't sure if she knew how to breathe right or if her lungs were working.

"So, you hear anything about this Atchinson?" Francis asked her cooly, waving around her cigarette between her fingers and rubbing her temple, "You always got the scoop on this sorta stuff, so." Marianne cleared her throat and looked at Francis.

"I…I must say it's the first time that I really don't know much to anything about her. Just that's she's a pilot. From San Diego. Captain ranking I believe. Nothing more." Marianne said quietly with a shrug, focusing on a spot of dirt on the ground and attempting to pull herself together, "Say, Francis…what happens if this doesn't work out?" Francis glanced at her and raised a brow.

"Come again?" Marianne balked and cleared her throat.

"Atchinson. Uh, Captain Atchinson. What happens if the fit isn't….the right one?" Marianne asked her, "You heard Harding. He said 'We gotta make it the right fit.', the hell is that supposed to mean?" Francis watched her and offered her an upturn of a smile.

"They don't just want anyone up there, Salinger." Francis said to her with a nod, "Birdie was more qualified than any of us. Best of the best. And she hand-picked the group of us. Now. We're down our command pilot and the spot's vacant. They're not just throwing names in a hat and picking out the first piece of paper they touch." Francis smirked.

"Which, I'll give 'em credit, they're looking out for us," Francis said and Marianne's cheeks warmed as Francis smirked at her wider this time, "but that don't mean much, I gotta say. Until that replacement's in the sky with us, until you really know what they're like….I don't know. May not know the right fit until they come back after a mission and know what it's really like." Marianne slowly nodded and glanced back at Francis.

"You think Atchinson's gonna work out?" Marianne asked her, her mind thinking, if Birdie were here tomorrow, to meet her, would she like her? Francis shrugged.

"You can only hope," Francis said quietly, "I don't know though." Francis sighed and scratched at the back of her head for a moment, her dark hair tied into a bun that rested gently on her neck, where the scars of that final flight for Birdie had occurred. They both fell quiet, Francis smoking her cigarette, Marianne trying to get a wrangle on her head and her heart.

"Hey, Francis?" Marianne asked quietly, watching as the co-pilot turned to look towards her. Francis' eyes were always dark and consumed with something no one could ever quite distinguish, but for the first time in what seemed like a while, they were clear and quiet. That chaos, that storm inside was calmed for once.

"What's up?" Francis asked her, as Marianne watched her.

"If you ever need to talk to someone in the future, whatever it is, I'm here. We all here." Marianne said quietly, tapping her fingers against her up-bent knees against her chest on the stoop, the warm night breeze running over her bare legs, "We all lost Birdie." Francis watched Marianne and slowly nodded, tears forming in her gaze. It was those few seconds in between recognition and having a breakdown that Marianne caught as Francis squeezed her eyes shut and bit back her quivering lip.

"I just don't want you all to think this is it for Silver Bullets, for all of us," Francis whispered quietly, her voice breaking, "that without Birdie, we're done for. We all worked to get here, you know. We all deserve to be here, sticking out necks out, dealing with all the shit from everyone else. We're all here because we earned it. And I just….I don't want to show that in front of everyone. That it fucking sucks trying to keep it together, trying to cooperate with a replacement that won't ever be like Birdie. Knowing Birdie won't be coming back." Marianne watched her, tears welling in her own eyes. Her throat tightened as she tried to speak.

"You're not alone, Francis," Marianne said quietly, "Birdie's always gonna be up there, alright? Watching over us." Marianne pointed to the sky. Francis managed a stifled cry and wiped at her tears and sighed.

"I know." Francis whispered.

"Birdie would want us to keep going, too," Marianne said quietly, "remember when Birdie told Judy that one time about how years from now, when people think about this war, our names are gonna be apart of that. Silver Bullets is, too. Even if there's a replacement. Birdie's name is gonna be sticking in that, too. She'll always be here."

Marianne wasn't sure what happened, but in a span of a few seconds, Francis had scooted over and wrapped Marianne in a hug, holding her close, a few silent trembling cries somewhere near her right ear.

Slowly, Marianne wrapped her arms around Francis, holding her there, and letting her feel those emotions for a moment where the only thing watching was the cloudy moon. Francis wasn't a heavily emotional person, so when she pulled back after 30 seconds, Marianne wasn't surprised that she was clearing up and nodding herself back to life.

"Sorry, Mari," Francis said, patting her arm and sighing, "just, thanks for that. Just needed to hear it from someone else, ya know?" Marianne nodded with a small smile, for the first time seeing their co-pilot come a bit more to life, especially in the past week more than anything.

"We're always here." Marianne said, with a small smile, "We are a 10-woman crew. Not a 1-man." Francis chuckled wetly, wiping a few more tears from her eyes as she smiled again.

"I know it's barely 5 am, but they might have coffee out. Wanna join me?" Marianne watched Francis and it only took about a millisecond for her brain to respond.

"Of course." Marianne said with a smile, following Francis to the mess hall for a cup of coffee. A cup of coffee at 5 am to ponder the horrors of the week was all one needed to ready themselves for another day, another mission, another breath of air. It's all Francis needed and something Marianne needed to. It's what they all needed.

[casualavocados]

We are brothers. It's my job to take care of you— I don't need it. If you are that free, go find Zhang Teng. Or you can go back to the headquarters and take care of our boss.

KISEKI: DEAR TO ME Ep. 04

[fisheito]

really enjoy seeing the comments whenever i post sopping yakumo the reactions are immediate like all the yakumo enjoyers wriggle out of the dirt and experience Emotion together , loudly the chorus of AUUWWGHHHGHGHHH we are one

[chirpsythismorning]

Realistically do you still think Milvn will breakup in the first couple of episodes? I feel like the fabdom is focusing on fanon so much at this point that they are missing canon and actual narrative on the show. It seems very unlikely to me for Mvln's breakup taking place in first couple of episodes. But the fandom are still stuk in their previous thoughts and cannot seem to think differently at all and never even consider the possibility of mlvn breakup happening way later on in the next season. Most of the Byler's analyses about El's character has turned out to be wrong. El doesnt seem to be done with the relationship. She still loves Mike (or thinks she does) and she drew strength from his monologue. A mildvn breakup right into S5 does not make any sense canon narrative wise. We can argue that the show was different that the script, while i agree with it to an extent i reaaaly think people are trying way too hard to discredit the writers intention and the script here. El was not angry at Mike. She was sad about Max and Hawkins' situation. 🤷‍♀️

What i am saying is that i feel like most Bylers are misinterpetating what is happening with the narrative here and it leads to unrealistic and baseless expectations for the characters and S5 regarding how Mlvn vs Byler will take place. And i am greatly sorry but i dont think Mike lied in his monologue, like at all. And the situation reads like "Mike loved el romantically but they wont be together bc of incompitability". El is not even still over Mike. And people expect her to be like "i breakup with you bye" right into S5. Mike still has underlining feelings for El. Like... all i am saying is people shouldnt base their expectations on headcanons and fanon misinterpretations.

Lastly, while i really would like a more detailed gay coming of age and sexuality storyline for Mike, realistically going by canon i dont think its happening. Sorry. They will mostly focus on Will's sexuality and coming of age it seems like and Mike will mostly have a "realization" arc where he realizes El and him are not fit for each other and then he decides to be with Will.

Based on the show’s trend of doing break-ups (or at least implied break-ups) early in the season, yes I do think it’s likely that the audience will at least have the impression that Mike and El are broken up early in s5.

That’s based on a technique they have done repeatedly, whereas the assumption that they will break-up midseason is based on what exactly? The Duffers saying that s5 is jumping right back into the action?

I mean, if anything shouldn’t that be an indication that the arcs heavily built up in s4, that were left deliberately unresolved, are going to be dealt with in a timely manner, as opposed to being put on pause and then squished into mid s5, when we’re arguably going to have even more stuff the characters are dealing with? Like, them literally fighting for their lives?

When it comes to Mike’s monologue giving El strength according to the script, this is actually really easy to explain and so I will! 

For starters, they did not disclose El's feelings about the monologue in the Piggyback script, bc they released it knowing it would go public, at least two years before s5 is set to actually come out. They would not just throw in a huge spoiler like that, seeing as it was intentionally left unaddressed in s4, with the intention to be addressed in early s5. That’s the whole thing about s4 kind of leaving things so shaky and uncertain, with s5 jumping us right back into that, bc there was just so much set up for all of those dominos to inevitably fall.

To understand Mike’s monologue and its impact on El better, it might help to recall the memory of El’s birth and how her mother’s love is what gave her the strength to defeat Henry the first time in 79’.

I mean look at the lighting of that scene, it’s probably the brightest fucking lighting we’ve ever seen in the entire series (you know what light means... pure, genuine, true love…). And it’s because strength from love is much more powerful than strength from anger. That’s something she is literally throwing back in Henry’s face that day of the massacre, going against what he told her to do and instead using the memory of her mother’s love to beat him. 

During Mike’s monologue, we see El using anger to give her strength to finally break free and stop Vecna, all orchestrated by events that Henry has had a role in impacting, meaning he was actively going up against her this second time, all while knowing that in order to actually beat her, she needed to be vulnerable and unable to use love as strength, with her only option being anger. And so what we see is anger about Mike still woefully misunderstanding what she had tried to explain to him earlier in the season, along with watching her best friend be murdered in front of her. And look at the lighting of that scene, she's literally seeing red. The atmosphere is eerily uncertain at best.

This monologue was SOOO necessary for the narrative in order to keep the public away from considering Byler. Because they already don’t want to consider it as it is, and that monologue gives them an excuse not to. You saw how they reacted to the piggyback script? Like it was this huge sigh of relief for them? Meaning that they were having doubts…

The thing is, I have considered the possibility of a mid-season Milkvan break-up. I’ve talked about how waiting until mid-season, something that would be unprecedented bc they’ve never done it before, would be odd considering we will be dealing with vastly different concerns and conflicts by that point. 

For them to hold off settling a break-up, that was built up all of s4 (arguably since s3), until mid-s5, would fall flat. If anything jumping right into the action means all the major stuff built-up, but left unaddressed in s4, is what we’re jumping back into.

They need to address those things so that they can move on to the aftermath of all of that and then beyond that. 5 episodes of ignoring that, and then 4 episodes of it happening and processing all of it AND dealing with endgame right as the finale is coming to a close, would be hard to juggle and make satisfying.

The reason they like this approach so much, is because it allows the audience to root for the other option in the love triangle. And with Will getting home-wrecker allegations as it is, a milkvan break-up is extremely necessary this time around as well, especially with byler being endgame and them really wanting us to root for them finally. 

How can we do that if the Duffer’s break their own trend of early break-ups and in turn make it difficult for us to root for byler, all while leading on milkvan’s unnecessarily even longer (with no intention of going that route), making it even more unlikely for viewers to accept Byler endgame?

They’ve been building up to this inevitable break-up since s3, with s4 ending in a way that made it sort of obvious El is not happy with Mike and with Mike clearly struggling with something.

Are we just going ignore the implications of the inevitable painting reveal or the fact that Mike called El ‘his’ superhero (the most insulting thing he could do honestly, least of all during a love confession) at the end of s4, and have that confrontation be stretched out? For what? El hasn’t even responded to it or told us her side at all? She told Mike she missed him and that’s it… That’s all we’ve got. Like, let her speak and actually say how she feels about their fight in her room and the events at Surfer Boy and everything leading up to this inevitable moment for them.

While Mike and El didn’t outright break up in s4, there was heavy implications of it, and that was for a reason. They wanted us to watch those Will and Mike scenes throughout the season and see something more. Even though it didn’t end with a kiss between them, nor them officially getting together, they still did it because they wanted us to interpret those scenes as romantic comfortably. That's also why they kept Mike and El seperate at the end of s4, because they wanted us to look at Mike and Will in a way that made us go 🫣🫣🫣 at the very least.

Now, if s5 is leading to Byler endgame, just imagine how much more important it is to make it really clear that Mike and El aren’t happening?

Another even more important reason to have break-ups early in a season in general, is to allow the overall season to have a vibe that is cohesive as it’s own entity. Major stuff happens at the beginning and major stuff happens at the end, with the middle making up the overall vibe and feeling they want us to subscribe to the whole time, with certain pairings being constant that time more than the end/beginning. It makes more sense for us to root for byler most of the season, the whole middle, and for the first time at the end now as well, while letting go of El and Mike early on, even if it’s ambiguous like it was in the previous season. Personally I think the prospects of a dump your ass parallel are high… (can we do something interesting and fun like speculate how the break up would go down? Will it be angsty? Will it be lighthearted? Like I want to see all of those hot takes bc that's actually something that is more fun to think about than the 'when').

I know some people are here because they love romances or love queer romances and just enjoy shipping in general, but I’m genuinely here bc Byler makes sense based on all that stuff you would probably consider to be reaching. That stuff is the best part to me. So, if you don’t like others doing that, then consider muting those that you deem as people ‘misinterpreting the narrative’, again, according to you. 

At the end of the day you can believe whatever you want to believe. 

This idea that it’s okay to tell other people they are wrong and have baseless claims, all while ignoring the actual evidence they are presenting… Like I mean this just comes off like Milkvan’s telling Bylers they’re delusional for considering Mike and Will as being a possibility at all. If you have to constantly use, it’s not that deep as your core argument after being presented with evidence, while only yourself giving maybe one or two reasons at most for why your interpretation makes the most sense, then you’re probably not actually open to considering things based on evidence. You want to believe what you want to believe and you're projecting onto others for not following along with it.

Especially when it comes to the whole Mike having a coming of age story or whatever, where some fans have tried to make the argument that there is nothing to support that, when that actually couldn’t be further from the truth. Bylers have provided heaps of evidence. If all of that is not enough for you, that’s something that you have to contend with at this time. Just like us believing what we believe based on evidence we’ve gathered is our concern and something we have to deal with, not you. No need to apologize! Just try to worry about your own interpretation of things and feeling confident in that, but without having to tear down others' because they don’t subscribe to yours interpretation of things.

Because I feel like it would honestly be a lot more humiliating to insist other peoples theories are wrong and they’re only going to embarrass themselves in the end, only for that person saying that to end up being wrong… Everyone is making theories and everyone is bound to be wrong about some or even most. That's okay. That's natural. That's sort of an unwritten part in the agreement we all agree to by participating in this theorizing in fandom experience.

When it comes to Mike again and his arc, I always say this, but it really comes down to this more than anything.

Finn is 2nd top billed among the kids. He used to be THE top billed among the kids for s1-3, but then he got bumped down behind Millie in s4. There is a major possibility, that Noah is going to be ranked up, with him going from being paired up with Sadie, under Gaten and Caleb, to be bumped up under Finn with them sharing a title card. Though it’s unlikely they would rank Finn down under Noah, who was not even in the opening credits of s1, while he was the first name that season and the following two, meaning Finn's character Mike needs to live up to that top billed spot right behind Millie. He needs to have an arc on his own that is equally as substantial as Will and El's arcs, and separate from them just like theirs will have aspects that are separate from Mike as well.

Because Mike was the protagonist of the first season, he HAS to be important again in a similar vein in the end for the show to work as an overall five part story. When people go back to rewatch after s5, they are going to be met with Mike front and center. That will only be satisfying if we get genuine insight into his character in the final season, beyond the surface level.

Quite honestly, ALL of the kids deserve something deeper than what you are implying for Mike, and so applying that to him, the og protagonist, is just so absurd to me. If anyone is going to come out with a surprising arc we’re not expecting, it’s Mike. The audience is already not expecting Will to actually get the boy, that's the aspect that they aren't prepared for for Will, and so what about Mike's unexpected reveal?

Literally most of the audience doesn’t even think there is the slightest possibility Mike could be queer. You don’t think that warrants some addressing and unpacking…? You know… because he never really unpacked…?

I feel like people hear me say Mike is going to be important in s5 and go oh so you don’t think Will is the main character?? And it’s like?? Honestly my answer is yes and no. I think Will is literally the spine, the heart, or whatever you want to call it. In Finn's own words, he is the reason that everything happens and he is the most important character arguably, because of how important he is in terms of all of these events taking place throughout the series.

However, Mike is at the forefront from the very beginning and we arguably see everything from his eyes in s1 and 2 more than anyone else. But that goes away in s3-4. And that felt extremely intentional based on what is about to go down (byler endgame). You can tell that by doing this, they are trying to lead up to a reveal that brings him back to his original place in the story for the audience to see him as his most authentic self again, and with answers for why we lost that insight in between.

I could count up at least 20 Easter eggs hinting at Mike being in danger/targeted, which goes all the way back to the first episode of the series. 

This isn't even considering, that another trend they’re likely to bring back in s5, bc if they don’t they’d be breaking a series long trend, is Mike being late. He starts every season late. And so, what is Mike going to be late for this time? Could it have something to do with all of the unknowns about him that are yet to be addressed?

I think that sometimes we say that something isn’t going to happen because we don’t want it to. A lot of this stuff I’m saying happening isn’t based on feelings, it’s based on actual evidence.

If you don’t want certain things to happen because of x, y, z, you can just say that is the case instead of making arguments that there is nothing supporting it, when that’s not actually true?

Like nothing? Nothing at all? Baseless? Like, be serious rn.

ST5 is very likely going to give off s1-2 vibes. While Mike is going to be less in the background compared to s3-4, Will AND El are still going to have equal, if not more attention than him, bc I do believe that their bond is what is going to also be a part of saving Hawkins.

The ending is going to be surprising bc those primary color-coded bitches are the answer to it all. If me saying that upsets anyone because it goes against their interpretation of things, I'm sorry too I guess!

[waitineedaname]

I really appreciate how often jiang cheng full on angry sobs, like intense ugly cries. It's such a good character trait, that man feels things so strongly that he is going to burst

[demonsfate]

it's a shame the writing was so bad because he was so strikingly beautiful in this game at times

[insanechayne]

~ ~ ~

[spock-smokes-weed]

gonna get heavy for a min so scroll if you don't want to see that

it's really hard to open up to my parents about being suicidal because they always freak the fuck out about it. this is probably an ironic thing to say, but I wish I could just tell people "hey I really want to kill myself" without it being a big deal

like YES i know it's a big deal. That's why I'm talking to you about it! the last thing I need is you panicking and screaming at me "why do you want to kill yourself?!!?" gee idk cheryl, if i knew that I probably wouldn't want to kill myself.

suffering with extreme depression is bad, but my parents going in total freakout mode is somehow so much worse. because it stops being about me and what im suffering through, and becomes about not upsetting my parents.

so every day I just have to get up and tell them "oh yea im fine" when I have casual thoughts about wanting to die because I know if I told them, it wouldn't make a damn difference. i would just have to bottle those emotions right back up because my parents have the emotional maturity of toddlers

im just so fucking exhausted, ya know? I don't think I'll ever act on it cus im a coward and dying is scarier than being alive, but moving through life drained of all your joy, having your brain hold death and suicide over your head, is a miserable existence. I just want to be fucking happy again but the mountains look so large to scale

[prettiedup]

im sad so heres toru fuckin u after an argument.

the bed creaks under your shared weight. it only merges with the sounds of your breathy moans and skin connecting together. your legs are spread around his waist, his slutty waist that your legs easily wrap around. your fairly squared nails drag up and down his back, leaving marks that you know is going to show up angrily tomorrow.

his face rests in the crook of your neck. he’s breathing heavily onto your skin while he fucks all of his bottled up emotions into your pussy. his tongue occasionally darts out of his mouth to lick at your neck and his lips follow suit, sucking on the spot he licked. there are tears brimming in both you and his eyes. you almost broke up with him. he almost broke up with you. almost, almost, almost.

he pushes and pulls away his hips rhythmically, never losing the pattern. his dick fills your pussy up just right, scratching that spot you will probably never be able to reach alone with just your fingers. he fucks you like a man, like he means it.

“right there—right there!” you gasp. your eyes are rolling back and your legs are shaking already. maybe the adrenaline from the argument has you finishing so quickly. you stop dragging your hands and instead press the tips of your fingernails into his skin.

satoru hisses out a curse word. your nails digging into his skin accompanied with your pussy clenching tightly around his dick has his own eyes rolling back. needy whimpers escape from his throat as his pace speeds up and he thrusts desperately into you. you’re whining and crying under him from overstimulation but he can’t stop. not when he’s so close. not when you tested his patience so disobediently just some minutes ago.

your pussy is creaming and getting all over his dick and the sheets. you’re making such a mess around him and he loves it. no matter how much you say you hate him, your pussy will forever say otherwise.

suddenly, you’re trying to push his head up so that you could be face to face with your lover. “kiss. wan’ kiss, toru.” your voice so desperate and soft, it’s almost hypnotic.

he’s quickly raising his head and smashing his lips onto yours. the kiss is clashing as moans and curses slip out from the both of you. he slips his tongue inside your mouth, barely giving you any room to breathe. while he busies your mouth, his right hand searches for yours, when he finds it, he’s immediately intertwining his slender fingers with yours.

when he pulls his lips away from yours, a thin line of spit follows suit and quickly breaks away. satoru bites down on his lip as he focuses back on thrusting into your wetness. him looking at you low-lidded and a flush on his face has your pussy throbbing.

“i love you, baby.” he breathes out before catching your lips once again. instead of tongue kissing, he gives you a series of kisses that has your lips sizzling. your stomach clenches, and the feeling of butterflies floating around has you breathing heavy.

“i love you more.” you’re giving him that needy look that his his balls clenching and his back arching slightly as he realizes he’s about to cum.

“so fuckin’ p-perfect. ‘mma get my shit together.” he promises. it comes out rushed as he brings his face back to your neck to leave more marks. he begins promising and babbling sweet nothings as his orgasm crashes over him. “baby.” he repeats with a loud moan as his balls drain inside your pussy.

argument be dammed, there’s no way you would ever let him go and vice versa. you’re his just as much as he’s yours.

[dollfacefantasy]

dig your claws right into me ♡

logan howlett x fem!reader

logan hurts you when he has a nightmare. now you both have to deal with the fallout.

cw: nsfw (18+), smut, p in v, descriptions of nightmare, injury, and blood

a/n: reader is a mutant but i didn't specify her powers so you can imagine what you want. just some sickly sweet intimacy cause that's what i was feeling tonight <3

"I'm sorry. I'm sorry. I'm sorry."

The words come out whispered as Logan's lips press against the three tiny bumps of developing scar tissue on your abdomen.

"I already told you that you don't have to be sorry," you say. Your voice drifts into the space between the two of you as soft as the movements of your fingers running through his hair.

"Well I am, bub. You should want me to be."

Each one of his hands rests upon either side of your waist. His fingers squish against your flesh while his eyes stare at the scars on your belly. He gazes at them like the small marks, all equidistant from one another, could be willed away by his harsh look. He hated the fact that they were there at all. Even worse, that he was the one who gave them to you.

"But it was an accident," you respond, giving one of the tufts of his hair a gentle tug.

His dark pupils flit up to look at your face. "Doesn't matter. It being an accident doesn't change the fact that you're gonna have these marks forever. I wouldn't care that it was accidental if I'd killed you."

He remembers the night it happened that seemed like a real possibility.

His light sleep had been interrupted by a nightmare. Over the time that had passed between then and now, it'd become indistinct from all the others he experiences regularly. The only difference between that one and the ones he'd had since he'd started sleeping next to you each night was the intensity. That night had been rough. Normally when he slept in your room, he seemed to be able to tone it down. Almost as if his brain knew to not act up while your relationship was still starting to blossom.

But two weeks ago, his mind didn't care. It flash-banged him with the usual images of himself in that tank. The searing, splitting pain of the adamantium attaching itself to his bones.

Usually, if he had a nightmare beside you, he'd grunt and twitch, maybe shift around a little. That night though, you got to see the whole performance. The tossing and turning, sweating and moaning, tense limbs and scrunched up face.

Poor, sweet, innocent you thought that you could just wake him up. Your hands nudged at his bicep and shoulder as you gently cooed "Logan. It's just a dream."

In the end, your tenderness didn't matter. When he actually came to, your anguished cry was all that registered. And then he felt the sharp heat between his knuckles that meant the claws were out. His heart dropped and his vision nearly blacked out. He couldn't have.

He retracted them as quickly as they'd appeared and pulled back to look at you. Crimson flooded the gray t-shirt you'd worn to bed. The three little spots spread into large blooms of scarlet. Your hands flew to the spot to clutch at it, but they did nothing to stop the warm liquid from spilling out.

"No, no, no, fuck," he'd whispered frantically as his mind raced for a solution.

Your cries morphed into whimpers. Soft and vulnerable. Like a prey animal that'd been fatally wounded but not put out of its misery. Blood seeped out onto your bedding, and it was then that he rocketed off the mattress and scooped you up into his arms.

Fortunately, Scott, Jean, and Storm were already outside the door in the hall, having heard the scream. A gathering of students lingered behind them as well. Shame coursed through his veins, albeit dulled by the panic. He remembered thinking it was stupid, but after the adrenaline left his system, it was the dominant emotion he was left with. Ashamed was the only word that could describe holding the knowledge that everyone here now saw he was capable of hurting the woman he loves. Maybe he was no better than an animal.

In truth, shame was all he felt now. So much relief settled over him since you'd made it out alive. Thanks to the enhanced physical capabilities from your mutation and Jean's adequate medical skills, these scars would be the only lasting effect of the wounds.

He'd rushed you down to the infirmary faster than he'd ever moved in a non-combat situation. His feet thundered down the stairs, a part of him withering to ash with each little whimper you let out as the motion jostled your body around.

"I'm sorry, bub. Almost there. We're almost there. You're gonna be ok," he'd mumbled out thoughtlessly, saying anything he could that would bring you even a shred of comfort.

He kept your hand in his the entire time you were down there on the cold examination table. His grip stayed firm. He wouldn't let the anxiety over your well being consume him. This was his fault, and now you needed him. He didn't get to be worried or upset or anything that wasn't in support of you.

When you howled in pain, he winced as if he was the one being treated. You cried for him, choking out "Logan" through tears over and over. It tore him apart inside. All he could do to soothe you was stroke your cheek and murmur reassurances in your ear.

"Shh, shh, shh. You're doing so good, baby. My strong girl. Being so brave."

He usually reserved affection for private moments, but in those painful seconds, it felt like you two were the only ones in the room.

These thoughts running through his head display across his face. The way his cheek squishes against your tummy and his eyes vacantly stare at the wall opposite his bed. You told him the next day that everything transformed into a blur in your mind. You remembered the feeling of being stabbed and the sight of him panicking, but beyond that nothing specific stayed. You knew he held you and talked to you even though you couldn't recall an individual thing he said or did.

That was fine with him. He listened to you tell the story from your perspective. You spoke with your normal cadence, the usual happy glow in your eyes, and the same animated gestures coming from your hands. His eyes lingered on your torso though. The bandages peeking out from underneath your clean camisole he'd changed you into.

Every last detail of the incident was etched into the deepest part of his psyche. Most likely stored away as material for future nightmares. As much as he hated it, he figured that's the way it should be. He didn't deserve the peace that comes with forgetting.

For the first week after it'd happened, he wouldn't sleep with you. He'd stay with you, cuddled against your body, until you drifted off. Then he'd get up and skulk back to his own room, leaving you cold and alone on your bed.

Eventually after a few more days, you got him to try it out again, but he'd only do it in his own room. It was hard for him to be in yours. New sheets covered your foamy mattress now since the blood wouldn't wash out of the old set. Each brush of the novel material against his skin was just a rose-printed reminder of what he'd done to you.

He's snapped out of his recollection when your voice returns to the original conversation.

"None of that stuff happened though. You didn't kill me, and you're not going to. I'll be more careful next time," you break the silence with a gentle reassurance.

Next time. That's what hurts the worst. You knew this would happen again. You'd promised that when it did you wouldn't try to wake him. Wouldn't touch him or do anything that could set him off. Just give him his space and let him work through it.

"I don't even want you worrying about being careful when you're trying to sleep," he grumbles.

Your nails scrape over his scalp, making his eyes flutter. A deep sigh leaves him. As much as he hated himself for all of this, he could never help easing up under your touch.

"You're worth it."

Three words you said so often. He never believed them, but that didn't stop you from repeating them like a slogan. Instead of arguing with you over the validity of the statement, he stays silent. Replaces any verbal response with a physical one by nuzzling into the warmth of your stomach and laying kisses around your navel.

You watch the affectionate gesture and trail your fingers down to the nape of his neck, massaging the tender skin there.

"You are," you whisper, "One mistake doesn't define you. Doesn't change how I see you."

"It's not just a simple mistake-" he starts.

"Yes it is," you interject, trying to nip his self doubt in the bud.

"It's not. It's not like I forgot your birthday or left my wallet behind when taking you out."

"It's still an accident. The severity doesn't change the intention. Would you hate me if my powers acted up and hurt you?"

God, you could be just as stubborn as him. It grated on his already frayed nerves. He shifts to look up at you fully. And some of that building tension dissolves upon seeing the earnest look on your face.

"It's not the same. Anything you did to me, I would heal," he says.

"I'm healing too. I'm just not as fast as you," you respond. You actually smile as if this is some lighthearted matter. Of course you knew it wasn't the same. You presented no danger to him whereas if he'd nicked you an inch to the left, he might be talking to your headstone right now instead of you. That wasn't the point though.

He shakes his head. "It's different, bub. But I'm not even saying you should hate me..." 

In truth, he didn't know what he was saying. If he wanted you to hate him or stay away from him, he could be the one to break things off. But he was still right here, arms wrapped around you and head hovering inches away from your body.

"I just think you should be more cautious than you're being," he finishes, "I don't want you to think you have to put up with this."

You frown and pet his hair. "I don't think that."

"I'm not trying to lecture you, baby," he sighs, "I just don't want to hurt you again."

He could certainly flaunt a pair of puppy eyes when he wanted to. The way he was looking up at you now made him seem so sad and wounded. Like a dog who can't control when he bites but gets kicked aside for it all the same.

"You're not going to. We'll be careful. It was an accident," you say, tone almost pleading, "You're still my Logan."

To go along with your words, you pull on one of his arms, beckoning him closer. He complies with your request and scales your body so that the two of you are aligned. You stare up into his eyes and the whirlpools of emotion within them. Your hand lands on his cheek, your thumb stroking back and forth in small swipes.

"I'm not gonna let you pull away cause of this," you whisper, "It wasn't your fault. You don't choose to have those dreams."

You can tell he wants to argue, but he struggles to find the words. Indirectly cutting him off, you guide his head closer to yours. His face slots against the crook of your neck, and yours does the same in his. You nuzzle him there, breathing in the rich, musky scent of him.

"You're not wrong for wanting to be happy. You don't deserve to be alone," you say and kiss below his ear.

The words make him ache from within. His metal bones vibrate with the weight of possibility of that being true while his heartbeat feels as though it stutters between his ribs. He wants to huff and say that he knows, that he doesn't need you psychoanalyzing him, thank you very much. But none of that will come out. So instead he chuckles. He tries to make it sound smooth; although, the awkwardness is apparent in each bit.

He pulls back a little and smirks down at you. "So you think I'm cut out for being gentle? Is that it?"

You know what he's doing. As closed off as he tries to be, you don't need telepathy to sense what he's feeling. You let him play it off with a joke though. If he's joking, he's not drowning in self-pity, which is all you want.

"Mhm, I know you are," you say and nose at his cheek, kissing the spot on it without facial hair, "You may have claws, but you purr like a kitten when I have my hands on you."

His eyes roll when you say that. He leans down and begins to return some of your loving gestures.

"Don't go telling people that. It's only for you," he murmurs.

"Of course, of course," you say with the same subtle playfulness.

Words die out in favor of using your mouths for better things. The kisses are lazy, built more off of love and adoration rather than lust and passion. One of your arms loops over his shoulders to keep him close while your other rubs at his side. The tip of his nose brushes your earlobe as he lowers to kiss down your throat.

His lips meet your pulse point and the divots in your neck that make you shudder when touched. He's familiar with all your secret spots by now. He plays you better than any instrument. His breath fans over your skin as his teeth scrape against the same flesh. His hands work below, squeezing your waist, fingertips leaving little bumps in their wake.

The hand of yours that had been on his side drifts further down and wiggles its way between your two bodies. Your digits stroke his pelvis above the area his cock would soon begin to harden.

A groan reverberates through his chest as his shaft rises to attention. From this angle, the pads of your fingers can reach the tip. You rub on it with light pressure, up and down. That gets him to repeat the groan, only this time the undertone of need is more prominent.

His lips latch onto your neck to work a little mark onto your skin while he pushes the waistband of his sweatpants down his thighs. You were only wearing a cropped t-shirt and panties, already easily accessible.

He nudges your thighs apart further and grinds his bulge over your mound. The heat from both your aching centers grows hotter with the friction. Arching your back off the bed, you whimper softly for further satisfaction. He presses you back down using his larger stature.

"Patience, sweetheart. Being gentle, remember?"

He only teases you with a few more grinds of his hips before his boxers vanish too and his heavy cock rests against the soft fabric of your panties. You feel the familiar thickness at first. Then his fingers swoop down and pull your panties to the side so he can slot the drippy tip against your folds. Precum smears against your slick, velvety skin.

Seconds later he splits you open. He bites his lip while you whine, his fat cock pushing further into your wanting hole. You squeeze around him. Your walls clamp and contract on his length. It doesn't push him out, merely sucks him further in. He chokes out a low moan from how tight you get.

So tight and so wet. Arousal oozes from you in no short supply. It didn't take much to get you going for Logan. A few touches alone had you leaking like a broken faucet. You whimper as he bottoms out, hips jerking as the head taps your cervix. He always gets so deep it's nearly unbearable. Even when he's going slow like he is now, he's all you can think of. He fills you up down there and occupies all the space in your head.

"Feel good, baby?" he asks.

You nod, unable to respond verbally as you adjust to the intrusion. 

He doesn't give you a prolonged period of time to adapt right now. Normally he would, but most other times, he'd be going much faster than he plans to at this moment. Typically, he'd let you get comfy with the stretch before drawing his hips back and then pumping them forward again. He'd slam in and out of you. It'd be loud with the sound of skin clapping combined with your moans and his growls. It'd be rough and quick. The bed would shake and bobble around with the force of him.

But tonight, none of that happens. He barely even pulls out to thrust. He stays nice and deep, grinding his hips rather than fucking himself in and out of you. You whine in sweet stretches of sound. He sighs and grunts against your neck. Neither of you sound like feral animals going into heat.

You loved when you fucked like that, but right now, both of you needed this. Each roll of his hips felt like a stroke of heaven brushing your insides. Your limbs curl around him tighter to keep him close. Your arms guard his neck while your legs dig into his hips. He's so lost in the feeling of you, he can't even tell where he ends and you begin.

"Tell me how it feels. Need to hear you. Wanna know I'm doing it how you need," he mumbles.

"Feels perfect," you whimper in return, "So fuckin' deep."

"Good. I only ever wanna make you feel good."

You nod, knowing it's the truth. "Anyone can hurt me, but only you know how to make me feel like this."

His eyes scrunch up at your words. He just feels lucky he has his face buried against your skin so you can't see. It had been just what he needed to hear. Boosting himself onto his knees a bit more to gain some leverage, he grips your hips and ruts against you with the slightest bit more force.

You whine at the soothing rhythm in which your bodies rock. The sense of satisfaction brought on from this took root in the deepest pit of your belly. You weren't gonna explode like you often did. Probably wouldn't scream or scratch up his back. But you could tell you were gonna cum hard.

Without saying it, he communicates he feels the same. His lack of usual dirty talk tells you everything you need to know. His cock stays nestled deep inside your pussy as he works you both to the edge. His face remains flush against your neck.

You cum first, and he follows right behind. You tighten up, toes curling and a high mewl echoing out of your throat. Your body shivers. He spills his release inside of you, his energy leaving with the sticky ropes of cum that fire.

He goes boneless on top of you, still cherishing the feeling of your skin on his. His breaths feel cool against your sweating skin.

"My baby," he sighs. His eyes flutter shut. He knows he has to pull out before he knocks out for a while, but he can do that in a second. He just needs a few more minutes of this.

You press a few kisses to the side of his head and rub his back. His hand slides between both your abdomen to touch the scars, reminding himself what he's capable of despite his current tenderness.

After a few moments, he pulls out and slumps to the side of you. You peck his lips and take the acquisition of space as a way to cool off. His eyes are drooping already. It feels good seeing him so relaxed. You kiss the space between his brows, then the bridge of his knows, and end on his lips.

"Sweet dreams," you whisper, wishing that would be enough to keep the nightmares at bay. At least for tonight.

[incognit0slut]

was i stupid to love you?

in which a lingering glance at Rossi’s wedding threatens your engagement.

content: angst, 4.8k, takes place right after truth or dare (14x15), a lot of dialogue, mention of prison arc, emotional distress, relationship conflict, not proofread a/n: when was the last time you saw me write angst? exactly. this is inspired by malcolm & marie bc i really like the idea of having an argument while moving around the house (also disclaimer i have nothing against JJ i just like being dramatic)

The lock clicks open. The door swings with a creak. Your heels tap against the hardwood in a hollow rhythm that feels almost too loud. There’s a tightness in your chest, that prickling behind your eyes, and a familiar ache pressing up from the pit of your stomach, churning into a faint nausea that you try to ignore. You’re trying to hold it back.

Not here.

Not now.

Spencer doesn’t even look up. The keys slip from his hand with a soft clink as they hit the side table, and he turns away with a quiet sigh that reverberates deep in your bones.

“Are you hungry?” he asks, tossing a glance toward the kitchen. “Think we could order something?”

You trail after him, the sharp click of your heels echoing as you step onto the kitchen tile. “We just came back from a wedding.”

He’s rifling through the cupboard, his fingers brushing over the mismatched mugs and neatly stacked plates before he pulls down two glasses. “I barely ate anything at the reception.”

You watch him, biting back a response as memories flicker to mind. The slice of cake he’d poked at absentmindedly, washing it down with sips of water instead of real food.

It wasn’t hunger he seemed focused on tonight. No, it was his quiet glances across the room you keep on catching from the corner of your eye, and that conversation he’d had at the bar. The one where his posture softened, his gaze so intent you’d found yourself staring at the back of his head, trying not to read too much into it—and obviously failing.

“Why didn’t you eat?”

He shrugs, his back still to you as he fills the glasses with water. “I don’t know,” he says, sounding almost absent, like it’s something he hasn’t really thought about. “I didn’t get around to it, I guess.”

The muscles in your jaw ticks as you bite the inside of your cheeks.

Spencer turns, offering you a glass. “I was thinking of Chinese, or maybe we can check if that Thai place you like is still open.”

You take the glass from him, barely sparing it a glance before setting it back down on the counter. “Whatever you want is fine.”

A subtle crease appears between his brows. “You sure? You usually have some opinion when it comes to food.”

“I’m not hungry.”

“You don’t want to eat anything?”

You suppress a sigh. "No. I'm tired."

The soft amber of his eyes dims slightly as he studies you. There's a flicker of uncertainty passing through them before he nods. “Alright,” he concedes. “We don’t have to order anything.”

A faint, humorless laugh escapes you before you can stop it. It tastes bitter, a little unfair, but it slips out before you can pull it back, “You don’t have to change your plans on my account, Spencer.”

“I’m not changing any plans,” he responds. “I’m just making sure you have something to eat in case you’re hungry.”

Your shoes dig uncomfortably into your feet. You shift your weight, starting to pace a few steps back and forth. "It's dinner, you don't have to check on me for every little thing. Do whatever you like."

He blinks, looking genuinely perplexed. "What are you saying? I was trying to be considerate."

"Right. Considerate.”

There’s an unmistakable bite in your tone.

“Yes, because we like doing these things together," he observes, watching your uneasy pacing. "Am I missing something here?”

You shake your head. “Nope.”

"Honey."

The term of endearment lands softly, slipping from his lips like he believes it has the power to melt whatever tension has suddenly crept between you. But it only tightens the knot building in your stomach. It’s stirring the words you’re trying to hold back, tangling them somewhere between your chest and throat.

He calls your name this time, his eyes narrowing into sharp lines. “You’ve been awfully quiet on our way home, and now you’re… honestly, I don’t know why you're acting this way.” His voice dips with a tinge of exasperation. "What’s this really about?"

The words you’ve been biting back feel like a stack of stones in your throat, rising up, up, up, each one pressed tighter by the gnawing nausea in your stomach. You can feel them gathering, and before you know it, they tumble out messily.

“I’m just saying, don’t let me hold you back from getting what you want. I wouldn’t want to stop you from anything—or, god forbid," you add, letting your gaze drift away as if a little distance might soften the blow, “anyone.”

The soft, almost stifled inhale he takes is audible. You don’t even have to look up to see his expression shifting. You’ve known him long enough to recognize the way his shoulders tense, the way his breathing slows as he processes your words. You know his reaction by heart, yet right now, you wonder if saying this was a mistake, if this is the start of something neither of you can take back.

His fingers twitching at his side slip into your line of sight. He's angry.

Maybe this isn’t the time to start a fight.

“What is that supposed to mean?”

Your heels click softly as you turn.

“Forget it. I shouldn't have said anything,” you mutter, already moving toward the bedroom that’s been yours, too, for the past year. Although it feels strange tonight, like a space that belongs to someone else. A life you’re not entirely sure you belong in.

“No." His voice is somewhere behind you. “I think you should explain to me what you mean by that.”

You don’t respond, choosing instead to sink onto the edge of the bed, hands fumbling as you try to undo the straps of your heels. You twist the stubborn leather with more force. His shadow fills the doorway.

“Honey.”

Not again.

You decide to ignore him.

“Is there something you’d like to say to me?”

You tug harder at the strap. “No.”

He doesn’t buy it. “You’re clearly bothered by something.”

You shake your head, fingers still fumbling, the leather cutting against your ankle with each pull. “I’m just tired. Can we leave it at that?”

There’s a flicker of frustration in his gaze now, a crease forming between his brows as he studies you. He moves into the room. You barely have the chance to react before he lowers himself, bending one knee to the floor as he reaches toward the strap you’ve been fighting with. “Here, let me—”

“Don’t,” you interrupt, pulling your foot away. “I can do it myself.”

“I know you can. But let me—”

“I can do it myself!”

Your heartbeat thuds loud in your ears, each pulse feeding the frustration that’s wound its way up from your chest. He rises slowly, not a word passing his lips, but the tension radiates off him like heat. He’s close enough that his warmth presses against your skin, although it’s not the kind you usually find comforting. It’s almost suffocating.

You turn your focus back to the stubborn strap, your fingers trembling slightly as you struggle to grip it. Out of the corner of your eye, you catch him slipping off his shoes, one after the other, the soft thuds barely audible over the rush of your own heartbeat. He pulls off his suit jacket, carefully smoothing the crumpled fabric before hanging it in the closet. For a moment, it seems like he’s going to let it go… until his gaze drifts back to you.

You can tell his patience is fraying, and you’re proven right when he asks again, “What did you mean by that? When you said you wouldn’t want to stop me from anyone… what was that supposed to mean?”

You finally manage to tug the strap loose. The heel drops to the floor with a muted thump. “It was nothing.”

“I don’t think you’d say something like that if it was nothing.”

Your focus shifts to the other shoe. “Just drop it, Spencer.”

"How am I supposed to drop it when you're implying... whatever it is you're implying?"

You keep your eyes down, wrestling with the strap in silence. He cuts through the quiet before it has a chance to grow.

“Don’t do that,” he says. “Don’t brush it off like it’s nothing when it clearly means something. I need to know why you said that.”

You kick off the other heel and meet his gaze for the first time since you walked into the room. “You really want to know?”

He reaches for his bow tie, yanking it loose it with one hard pull. “Do I want to know why you’re giving me this attitude right now? Yes. Yes, I do.”

Oh. So this is going to be that kind of fight.

You hadn’t expected it to go here. Fights with Spencer are very rare, usually more a clash of misunderstandings that you both laugh about with limbs tangled between sheets by the time you’ve made peace. But seeing him standing there with the tie hanging loosely around his neck and his five o’clock shadow casting an even darker line along his jaw, it hits you differently.

This is real. And this time, you don’t know if brushing it off will fix anything.

“Fine, let’s talk about it then.” You rise from the bed, tension carrying you to your feet. “Emily’s speech tonight.”

His brow furrows, not quite a scowl, more a cautious crease as he processes your tone. “Emily’s speech? What about it?”

“What do you remember of it?”

There’s a slight pause, and you can tell he's clearly caught off guard by the question. “She mentioned how Rossi and Krystal are twin flames."

“Right. Two souls that are always meant to be together.”

His face is still marked by confusion, but there’s something else creeping in. A subtle tightening around his eyes tells you he’s starting to piece it together. “I don’t understand what that has to do with—”

“You looked at JJ the second Emily made that speech,” you cut him off. “Spencer, you didn’t even spare a glance at your future wife because you were too busy making eyes at the woman who’s apparently been in love with you all these years.”

There. You said it. The words that have twisted around your insides all evening are finally out. And maybe they taste a little bitter, but at least they're not choking you anymore.

A second passes, then another, and by the time the fifth heartbeat ticks by, he’s standing there with his hand on his hip.

“That’s not what happened."

“Then what was it?” you demand. "I sat beside you the whole day, you didn't even try to hide it."

“That’s not—you’re twisting things.” His hand moves through his hair, fingers digging in as his curls tumble forward onto his forehead. “And you know what happened that night wasn’t real. It was a forced confession. She was under duress, we both were. JJ and I are just friends.”

You arch an eyebrow. “You look at all your friends like that?”

His hand drops to his side. "I don't know what else you want me to say. JJ said what she did because she thought we might die. She has a family, and a husband who she loves. We already went through this, I don't understand why this is suddenly an issue again."

“Maybe I wouldn’t be bringing this up if you didn’t look at her tonight like you were ready to break up that marriage yourself.”

A flash of shock and anger crosses his features.

“That’s not fair,” he snaps, his voice sharper than you’ve heard in a while. “Do you really think I’d disregard everything I have with you because of a look? Because of a history that has never gone anywhere?”

“I don’t know what to think. It's not like it happened just once, I saw you looking at her the same way at the bar." You step forward, accidentally kicking your discarded heel as you move. "What were you two talking about, anyway?”

He lets out a tight breath. “She was checking in on me. She… we haven’t talked much since then.”

The corners of your mouth pull down. “Mhm. Another round of truth or dare?”

“I can’t believe you’re using that against me." His hair flops forward as he shakes his head, falling messily over his brow. "If there were anything unresolved with JJ, I would’ve said something. But I didn’t, because there’s nothing there."

“And yet, she’s always been an important part of your life, hasn't she?"

He tilts his head. "What are trying to say now?"

Your tongue darts out, briefly brushing your lips. You're not sure you should say it, but it feels like a door has swung open—a door to words that have been waiting for their moment.

You take a slow, deep breath, filling your lungs with as much air as you can.

“When you were in prison, you put her on your visiting list ahead of almost everyone else. Doesn’t that say something about where she stands with you?”

He exhales sharply, dragging a hand over the back of his neck.

“She’s part of the team,” he says, as if he’s trying to spell out something he’s already explained a dozen times. "There were strict rules, I already told you that only a handful of people were allowed to visit. It wasn’t like I could just put anyone on the list.”

“But you could’ve put me on there!”

The familiar burn of tears prickles at the edges of your eyes, but you blink them back, refusing to let them fall. An explanation or protest is poised on his lips, but you’re already moving, closing the distance with a single, decisive step. A finger lands on his chest.

“I was your girlfriend, Spencer. Were you that determined to keep me out? Was the thought of seeing me really so unbearable? Do you even understand how hard it was to sit at home, knowing you were locked up, feeling completely helpless? Do you have any idea how much I hated myself day after day because I couldn’t do anything to help you?”

Your lips quiver. You feel like your heart is about to leap out of your throat.

“I was out here, just… waiting. Wondering if you were okay, if they were treating you alright, if you even had someone to talk to. And meanwhile, she’s there, with you. Every single time, she’s the one who gets to be by your side.”

Your nail digs into the fabric of his shirt.

“So forgive me if I can’t just let that go. Because when it mattered, it felt like you didn’t want me to be there for you. And now… now I don’t even know if you need me the way you seem to need her.”

Your breathing turns shallow, each inhale catching in your chest. The tears you’ve been holding back are dangerously blurring your vision. You swallow the knot lodged in your throat.

“I need a minute.”

Without another word, you turn and walk out of the room, leaving him standing there in stunned silence. You slip back into the kitchen, leaning against the counter as you finally reach for the glass of water that’s been sitting there untouched. You take a sip, barely feeling the cool water on your lips, when you hear his footsteps behind you.

“You think I don’t want you in my life?” he demands. “You think I somehow need her more than I need you?”

You set the glass down. “What part of ‘I need a minute’ do you not understand?”

“You really expect me to wait quietly after you unloaded every doubt you’ve ever had about us?”

You life your chin up. “Yes, I do. I need space to think right now.”

“What more do you want to think about when you’ve already convinced yourself that I’m always going to fall short? Is it so hard to believe that you’re the one I want?”

“You want to know why it’s so damn hard to believe?” You turn towards him. “Because every time I try to let this go, there’s always something. A confession. That—that not-so-subtle look. And when those things happen, it reminds me that I’m not as close to you as she is. I’m fucking tired of feeling like I’m fighting for space in your life.”

“Do you think I want you to feel like that? Do you think I’d go through everything we’ve been through if you didn’t matter to me?”

“Then explain to me why I wasn’t on that list!” you cry out. “Explain to me why, in one of the hardest times of your life, you couldn’t make space for me?”

“Because I was trying to protect you!”

A heavy, dreadful silence falls between you. He takes a step back, his eyelids fluttering shut briefly, and when he opens them again, there’s a softness in his gaze that mirrors the gentleness now threading through his voice.

“I know it probably doesn’t make sense to you, and maybe it never will, but I couldn’t stand the idea of you seeing me like that. Living through it was hard enough, but having you there, seeing me so helpless… It would have crushed me. I didn’t want that to be your memory of me.”

His Adam’s apple dips as he swallows, a quick, almost anxious movement you’ve witnessed countless times.

“And when JJ came to see me,” he continues, “the way the inmates looked at her, the things they said after she left… it was disgusting. I couldn’t—wouldn’t—let that happen to you. I couldn’t live with thought of you being subjected to that because of me.”

You lower your head with a sigh. “I don’t care if they looked. I don’t care what they would’ve thought.”

“But I care,” he fires back, taking a step forward. “Because you mean more to me than anyone. All I wanted was to keep you safe, and maybe I didn't handle it right, maybe I made the wrong call... but it was only because I—" His voice drops into an even more gentle note. "Because I love you."

Your heart stumbles, an uneven beat that feels almost bruised, pounding hard against your ribs.

"I-I love you so much. More than I know how to put into words." The ache in your chest sharpens as his hands come up to cup your cheeks. "I don't like fighting with you. I hate it, actually. I hate seeing you look at me like this."

You also hate the way he’s looking at you. There’s a depth to his annoyingly pretty eyes that makes it impossible to hold up your defenses without feeling them crumble. You let your eyes flutter closed.

“Why don’t we… call it a night?” He suggests. “Let’s lie down. We don’t have to talk about this now.”

The blackness behind your eyelids does little to quiet your mind. Nor does his voice. Or his touch. Instead of offering peace, his presence throws every glance, every moment of tension from tonight into sharper relief.

You draw in a breath, trying to find some comfort in his palms against your cheeks. Yet, even this can’t smooth away the doubt that’s settled in. With a resigned sigh, you release the breath you’ve been holding along with the words that have been pressing at the back of your throat.

“You haven’t explained it to me.”

The shadows in his gaze seem to deepen when you open your eyes.

“What do you mean?”

“We’ve been going in circles, but you haven’t explained to me what happened tonight,” you say quietly. “Why did you look at her, Spencer?”

His thumb absently strokes your cheek in a way that feels more hesitant than reassuring.

“Be honest with me,” you press. “Was there a part of you, even the tiniest part, that still wanted something with her? Some small part of you that… wondered what it might be like?”

The silence between you presses in from all sides, broken only by the faint hum of the refrigerator and the distant, muffled ticking of a clock on the wall. It’s the kind of quiet that sharpens even the smallest sounds, yet his lack of response feels like the loudest thing of all.

You pull back from him with an incredulous laugh.

“Unbelievable.” The word barely makes it past your lips, then louder as you start to move, pacing the length of the apartment. “Unbelievable.”

“Wait,” he says, trailing after you, “I didn’t even say anything.”

You stop short by the couch and whip around to face him.

“You didn’t need to! You—you hesitated," you stammer, searching his face for any flicker of denial, but it’s there, plain as day, that split-second of doubt you caught. “That was already an answer.”

He inches closer. A hand closes in on you. “Please—”

You flinch, pulling back, and every muscle in your body tightens. “Don’t. Don’t touch me right now.”

His hand falls to his side. “Please… let me explain."

You watch his hand drop, fingers twitching like they’re not sure if they should retreat or reach out again, but he keeps them there, hovering in some invisible line you’ve drawn. He looks at you with those big, pleading eyes, and for a split second, you almost feel bad for him.

Almost.

A bitter sort of smile tugs at the corner of your mouth. "So now you want to explain?"

He takes that as permission, and his voice comes in low, almost cautious. "When I first started at the BAU, I had… maybe a crush. A passing thing, barely anything, really. But that was fourteen years ago.” His hand scrubs through his hair in a frustrated sweep. “Fourteen years."

Your brows pull into a frown. “Why am I only hearing about this now?”

“Because it was nothing,” he says, almost too quickly. “I was young, it didn’t matter. I didn’t think it was worth bringing up.”

“Oh, I get it now. All those old feelings came rushing back the night she confessed, didn’t they?”

He mirrors your frown, a visible line of tension etching itself between his brows as he protests, “It’s nothing like that.”

“Then what is it?” you press. “Because from where I’m standing, it looks a whole lot like you’re caught between us because some part of you is still hung up on what might’ve been with her."

He shifts uncomfortably, and you notice the muscles in his jaw clenching the moment his gaze falters, dipping away for just a heartbeat before he looks back at you.

“It’s not that I don’t know what I want,” he starts to explain. “I didn’t expect her to say those things, and, yes, it threw me off for a moment. But that doesn’t mean I’m looking back, or that I want her. I want you.”

You shake your head, feeling a tired sort of frustration settle over you, and walk over to the couch. The soft cushions give slightly beneath you as you sink down.

“If you really wanted me, this wouldn’t be happening. You wouldn’t have let her get into your head like that. And now, you expect to believe that none of it meant anything?”

He’s quick to follow, closing the distance in a few tense steps. “It’s not—” His hands flex open and close at his sides. “You’re acting like one single look tonight is enough to decide I’m not committed to you. Do you really think I’d let some confession I didn’t even ask for get in the way of what we have?”

“It’s not just about that single look. It’s the way she could say something and suddenly, you’re pulled back to something you swore you’d put behind you. How am I supposed to feel secure when she still has that power over you?”

“And what am I supposed to do, then? Apologize for things I don’t even feel anymore?”

You flinch at the sharpness in his voice. A low, frustrated noise rumbles in his chest when you don’t respond.

“You’re always going to question me no matter what I say, aren’t you?"

You glance over at him, catching the disheveled strands of hair falling over his forehead, and it pulls you back to that night he came home after that dreadful night. He’d walked in looking worn in a way you’d never seen before, his whole posture weighted down as if he was carrying more than just the fear of being held hostage.

You remember sitting with him on this same couch, fingers brushing his, and asking what was bothering him.

JJ said she loved me.

Your heart lurched, a quick, quiet ache that you tried to swallow down. Really?

Don’t worry. It’s not true.

But with that same haunted look in his eyes right now, you can’t help but wonder if it really was just a well-intentioned lie.

“One glance and you’re accusing me of things that are never going to happen,” he starts again. “Do you really think so little of me? After everything we’ve shared, you really think I’d betray you like that?”

In true honesty, you don’t believe he would ever cross that line. But the doubts still linger, fed by those small hesitations, the moments when his eyes seem somewhere else. It’s not that you think he’d betray you. It’s that a part of him might still be holding onto something he won’t let you see.

“It’s like you don’t know me at all.”

Now those words you might actually believe.

“Maybe I don’t,” you say quietly, eyes drifting to the ring on your finger. You twist it absently, remembering the night he proposed. How he’d stumbled over his words, his cheeks flushing as he tried to make the moment perfect but ended up rambling in that endearing, nervous way of his. You’d laughed, reassured him that it was exactly right, that you didn’t need grand gestures. All you needed was him.

And yet, you don’t think he needs you as much you need him.

A hollow ache settles around your hand as you slip the ring off.

“What are you doing?”

You stare down at the gold band in your palm, blinking back the sting of tears.

“Tell me what you’re doing.”

Panic. Desperation. There’s a sudden rush of melancholy in his voice, a heaviness that wasn’t there a moment ago.

You swallow the lump in your throat. “I don’t know,” you whisper. “I—I don’t know anything right now.”

His face crumples, and in a sudden, almost instinctive movement, he drops down to his knees.

“No, no, you do know me. I’m sorry… I’m so sorry. Isn’t this—” he stops, then dips his head, trying to catch your gaze. “Isn’t that what couples do? They argue, they mess things up… but they work through it, right? Right?”

You look down, feeling the cool weight of the ring pressing into your skin.

“Spencer…” you begin. “I trust you. I do, and I’m sorry if I made it seem like I didn’t. But… I need to feel secure. I… I need to know that I don’t have to wonder or worry about where I stand. I never thought you’d be the one to make me doubt that.”

There’s a sharp ache in your chest.

“I didn’t think it could hurt this much. Not from you.”

Your pulse ring in your ear.

“I can’t—” The words catch in your throat, a stinging burn rising as you force them out. “I can’t be your wife when I’m constantly questioning if I have all of you. When I feel like… there’s always a part of you that isn’t mine.”

“I’m yours, honey. I’m always yours.”

“I wish I could believe that.”

There’s a slight falter in his voice. “Don’t—please don’t do this—”

“I can’t keep pretending it doesn’t hurt.”

He falls silent, and for a moment, the only sound is the rough, uneven rhythm of both your breaths filling the space between you. Then, like something inside him finally cracks open, he sinks down, pressing his forehead against your lap. The sudden weight of him forces a broken sob from your throat.

“Please,” he begs, fingers clutching at your sides. His chin presses deep into your thigh. “Tell me how to fix this. I can’t— I can’t lose you.”

“Spence…”

“I love you,” he blurts out, the words tumbling from him in a rush. “I love you.”

But what is love, really? Is it just a word people reach for when they’ve run out of things to say, a way to patch over bruised hearts and broken promises? Or should it feel like something more solid, something that doesn’t leave you questioning or aching? You can’t even tell anymore.

You wonder, too, if maybe you’ve been wrong all along. If this feeling in your chest isn’t love but something dressed up as it, something that fills the gaps while slowly hollowing you out. Because here you are, clinging to a love that somehow makes you feel like you’re both needed and unseen. Everything and nothing all at once.

You feel like a fool.

“I want to go to bed.”

His head lifts from your lap, a flash of surprise darting across his face, as though he hadn’t expected you to say anything at all, let alone that. “Yeah, okay, let’s go to bed. We’ll… we’ll figure this out in the morning.”

“I’d rather be alone.”

The words hit him visibly. His mouth opens, an argument forming there, but he catches himself, letting the silence stretch before he nods slowly.

“Then… I’ll stay out here. On the couch,” he offers softly. “Just… in case you need anything.”

A pang cuts through you at the thought of him stretched out on the couch, his legs too long, his shoulders folded in to fit the cramped space. But the idea of sharing a bed right now feels impossible.

You reach down, holding out the ring towards him.

“No,” he says firmly, gently pushing your hand away. “Don’t do that. This… it doesn’t mean we’re giving up. It just means we need time. That’s all.”

You’re not sure if your mind will change in the morning. The ring presses into your skin, but finally, you close your hand around it, nodding faintly before you peel away from him.

The tears start the moment the bedroom door clicks shut behind you. It spills over in a jagged, helpless cry that sounds nothing like you imagined heartbreak might sound. It’s messy, a kind of aching grief that feels too big for your chest, clawing its way out with no grace at all. You can practically hear how pathetic you sound, and yet you can’t seem to stop.

Even when the hem of your dress trails across the floor. Even when you finally collapse onto his side of the bed. There’s no stopping you. With the ring sitting cold in your hand, your tears keep coming, soaking into the pillow as you cling to the last trace of him woven into the sheets.

[pricetagged]

Here's a young (maybe 19-early 20s) Simon struggling with his emotions, working as a butcher's apprentice, and fixating on the pretty student waitress at the café next door (':

Content: plus size f-presenting reader; allusions to domestic abuse (Simon's past); fat-shaming (not Simon); little bit of violence, unedited. (Link to Ao3)

He's not sure that it counts as desire. Interest. It crawls over him, makes him feel aggressive, makes him want to dig his teeth in and shake and snarl.

It's hunger.

And he knows hunger. Knows it like he knows the cigarette burns on the back of his hand. Knows it like he knows his old man's a waste of space and that he has to defend his mum and protect Tommy and- and-

He's the man of the house, only the house is rotten. Woodloused frames, crumbling bricks. Gutted. Empty shelves hidden behind broken doors. Chipped plaster, electricity cutting off. Squeaky steps that always clued them in when the old man was on a rager (not that it helped, creaking out a warning but giving no clue where to run. The percussion leading to a gallows' jig; the heavy step before the hit).

But the old man's gone now. And Simon is left trying to fill in the boots he doesn’t know how to wear. All growth spurt and gangly limbs and anger. So much anger at the old bastard. Tear-soaked anger at his mum sometimes (buried deep behind the shame that he feels when he thinks of her black and blue. Anger and shame, bitter roots that he chews at to soothe the clench of in his jaw and the grind of his teeth). And then he sees you through the window. Through the peeling CHRISTMAS SPECIAL sign highlighting ham joints and turkey and pigs in blankets.

You're so soft.

You look like you’ve lived a life well-fed and well-loved. Something round and sweet and helpless, like the puppies he and Tommy had seen dumped in the park while they snuck cigarettes and swigged from cheap supermarket cider.

And that brings him back to the hunger. He's an awkward creature, shuffling to the café where you work part-time. He's more feeling than man, all rage and appetite stuffed into a skin suit. You sense it too, nerves tugging at the tilt of your smile as you approach the scavenger that swept in to sit at the cheap plastic tables in this greasy spoon. He sits awkwardly, too, hunched over the table like his stomach is gnawing at him. Big hands snapping the disposable plastic coffee stirrers and shredding the napkins. That first day, he just stares at you. Sneers a little when you flutter over to take his order.

You slosh the tea a little when you serve it.

He sees the burn bloom, watches as you suck at the sting with plump cheeks and a rosy little mouth, and he just wants to dig in and scratch hard to see you do that again.

It becomes a habit, watching you. He finds out bits and pieces listening as he rends and chops and saws through muscle and bone, stinking of sweat and iron. You're here as a student. You're living in student digs (good, best that you avoid the up-and-downs and rough streets that would fit a student budget), and you're a real sweetheart. Old Sal who has been running the café for the past 30 years leans a heavy elbow on the display counter as he chats with the boss.

"She's lovely, taken to it like a fish to water," his raspy, smoke-charred voice is cheery as he waits for the bacon and sausages to be weighed and wrapped. "Only asked for Thursdays and Fridays off since she has afternoon classes then. Otherwise, I almost have to round her out of the shop, doing more afternoons and weekends than my own kid."

You're hardworking too, then. He wonders if it's because you're hungry too, needing something to do with your time, living on pot noodles and supermarket ready-meals like he'd heard some students do. It's strange how that thought sits uncomfortably, makes him want to hunch over you and bring you his scraps.

That week, he decides to talk to you. Only the words get caught, don't come out quite right as he stares at the way your jumper clings to the soft curves under your faded apron. When you turn around, bustling to other customers, he can't help but stare at the line of your skirt. It's real pretty, decent, sitting just above your knees but Christ, he wishes that it would roll up a little higher. That it would catch on the corner of a table or hitch up as you raise your arms and swish past with a tray full of fry-ups. He almost gets lucky as you bend over to mop up a spill just across the room. Your thighs widen as they press against the table, tights stretching thin and sheer and he just can't tear his eyes away-

(The hunger in his stomach turns hot and biting, makes his cheeks flush and his mouth dry-)

But it's ruined. Fly in the soup, hair in the dish, as you catch him and your eyebrows pinch together as you look away. There's something guarded, bitter, in your lovely eyes, and the dryness in his mouth turns wet and sour. You seem to take pains to avoid him, swapping out with Sal's son so that you can work the counter instead of the floor.

"'m Simon," he grunts as he goes to settle the bill. "Work at the butcher's across the street."

You clearly didn’t expect an introduction, shoulders relaxing and hesitant smile blooming as you give your name in return.

"Yeah, I know. Sal mentioned you a few times. He's tried to give me the rundown of practically everyone on the street, feels like."

"Y'should come in t'the shop," the invitation rushes out in a way that makes him feel clumsy. Perhaps that’s why he did it; to have you in his space, with his head and his footing right. Here, he feels every inch the artificial man. Pieced together, too big and too looming, with no help or guidance on how to talk to soft things and pretty girls.

You grimace a little, eyes focused on the till as you count out his change. "Not really on a butcher-shop budget right now."

"'S'alright. I can keep something aside for ya," he doesn't mention how it would come out of his wages. How it would come out of what he brought home to his mum and Tommy. It didn't matter, though, when he was used to going without.

"That's - that's really nice, actually," Your sweet face is glowing now, and he feels like he could bathe in the warmth of it. "Next time you come by lunch is on me."

He sees the way you tuck your chin and smile as he walks away, and that bottomless pit in his guts feels just a little more full.

(He doesn't quite catch the snickers of the boys at table three, whispering and nudging each other as you come to take their orders. This time.)

He stares more and more through the window of the shop, watching as you come and go. Watching the way you greet the regulars and skirt around the group of lads who like to linger in the evenings. There's something sharp, nasty, to the way they circle around the entrance. The way they cackle and hoot when the one with the eyebrow piercing smirks and whispers to his mates as they force you to brush past. They're a pack of hyenas, shrieking and smug as they toy with the poor little thing that's walked past their watering hole. He's seen this type before, practically grew up with them. His old man was probably one of them, perfecting his cruelty while young, cementing it as part of his nature.

It has Simon sharpening his knives while he grits his teeth. Has the boss tutting at him when he cuts too close to the bone.

He knows there's something violent in him. The old man tried to bring it out then snuff it out, getting scared when the knife that he sharpened was able to cut him in return. He's no stranger to bloodshed. No stranger to the calloused, deprivation-dimmed apathy that breeds like algae in the environment where he was forged. Dripping, slimy, suffocating.

Doesn't mean he likes it, though.

(He'd gone back for those puppies, you know. Felt wrong leaving them. Felt like a rebellion against his old man's sick life lessons as he dumped the box outside the doors of a local veterinary clinic).

So he keeps his eyes peeled, stakes out the café like he owns it. Stares down anyone who looks at you wrong until they look away, muttering under their breath. 'Fucking freaky dead-eyed git.' It seems to work.

And you seem to like it, sparing more smiles for him. Bringing him bigger portions than normal and topping up his cup before he even needs to ask.

"I know you've been working since seven, Simon. Gotta keep your strength up," You seem bashful as you slide the plate across, and he just eats it up.

You've been looking at him, thinking about him. It's not something he's familiar with, having someone care for him. His mum loves him, of course. Tommy too. But it’s not the same, not when it's been his job to take care of them. His job to step up to the mantle and into the shoes that his father should've filled. Watching the sway of your wide hips as he tucks into the steak and kidney pie with gusto, he feels satisfied. The hunger is there, always is, but it's not gouging at him under the skin. It's satiated, pleased. The kind of comfort that leaves his eyes heavy and his belly warm.

It's a routine you fall into, and everything is rosy-

Until it's not.

He's closing up shop, wiping down the counters and getting ready to haul down the shutters when he sees them. Those stupid pricks, travelling in their pack and signaling that their quarry is in sight. Look, there it is alone and limping and- You're in a rush, leaving later than usual and shrugging your coat on carelessly as you shout your goodbyes to Sal. You're in that skirt again, the one that makes his lower belly tighten and mouth feel dry.

"Oi, look! Dirty scrubber has her fat arse hanging out!"

It sets them off, chittering and howling as you freeze wide-eyed and lip-quivering.

"Gonna be sick, mate. Don't want to see your knickers, love. Didn't even know they came in that size."

He doesn't even see red. Doesn't see anything but your pretty, round face crumpling as you try to tug your skirt out from where it got caught under your coat.

The ringing of the bell by the door muffles the sound of the first punch. His fist crunches into that prick's nose, and he wants nothing more than to keep going until his face is little more than meat and pulp and blood. He can taste it, smells the blood in the air like a shark.

But you're watching.

"Bit bored with y'taking the piss out of her," he snarls it as he hauls the man by his jacket, shoving him hard against the wall until his head thwacks against the bricks. Easy as hauling a side of beef. "Why don't ya try me next?"

The man seems dazed, head spinning and nose dripping. His mates, too, look floored. Ready to scatter and abandon their leader to the bigger beast. Only the promise of more blood keeps them watching, feeds their nasty appetites and he's just itching to let them see. Watch what happens; it's coming for you next.

"Speechless now, eh? Had so much to say earlier," he's spitting the words out, teeth snapping as he leans down so close to the man's face that he can see how his pupils constrict. "Apologise."

And he's smarter than he would give him credit for. Smart enough to whimper out his 'sorry, sorry, sorry' as he drops to the filthy, damp pavement when Simon swivels towards the others. Something about the set of his shoulders, the way his hands and apron are splattered with the gore of man and animal, has them scattering.

"That goes for the rest of ya! Don't ever want t'see your ugly fucking mugs around here again," he spits on the ground, itches at his jaw with his wrist as he watches them run.

He can't hear them anymore. Can't hear anything over the sound of his heavy panting and pounding heartbeat.

It's cold out. He's only realising it now, standing in the December chill with just an apron over his jeans and t-shirt. It has him shaking, flexing his hand as his knuckles start to sting and swell. He welcomes it, welcomes the familiar bite as he pushes down the savage, ragged anger rippling through his chest.

"Simon-"

"Y'alright?" he cuts you off, faces you head-on.

And all the rage saps out. You're not cowering away. There's no disgust on your face. No tears or embarrassment either, no. You've got a crumpled packet of wet wipes in your hand, reaching out for him. Concerned.

"Figure you'd want to get that prick's blood off you soon as possible," you give him a sad little half-smile. "Didn't have to do all that for me, Simon."

"Yeah, didn't have to." He concedes as he steps closer to you. Crowds into your space until you're toe-to-toe and he can feel your warmth. He brushes his fingers against yours, lets them linger on your soft skin as he reaches for the wipes. "I wanted to."

-----------------------

Let's all pretend that this was okay and ignore the fact that I still haven't posted the wips that I keep going on about 🫠💖

Just a little self-indulgent drabble idea that I had today, thinking back to watching 'My Mad Fat Diary' as a teenager, feeling nostalgic ~ (The Finn-defending-Rae scene had 18yo me in a chokehold lol).

[htchnr]

♰ the walls come down ༻ VANDER.*ೃ˚

✮ꜜ masterlist. ✮ꜜ buy me a ko-fi!

content warning smut ⋆ unprotected sex ⋆ monster fucking ⋆ belly bulging ⋆ creampie ⋆ overstimulation ⋆ kinda of sweet sex(?) ⋆ yet also feral sex at the same time ⋆ sappy and cut off aftercare ⋆ if i missed anything, lmk!

pairing Warwick!Vander x F!reader.

summary requested by a lovely anon; could you write a smut fic where Warwick!Vander recognises reader? wordcount 1,1k.

© 𝟐𝟎𝟐𝟒 𝐇𝐓𝐂𝐇𝐍𝐑. 𝐝𝐨 𝐧𝐨𝐭 𝐜𝐨𝐩𝐲, 𝐬𝐡𝐚𝐫𝐞 𝐨𝐫 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐦𝐲 𝐰𝐨𝐫𝐤 𝐭𝐨 𝐭𝐡𝐢𝐬 𝐩𝐥𝐚𝐭𝐟𝐨𝐫𝐦, 𝐨𝐫 𝐚𝐧𝐲 𝐨𝐭𝐡𝐞𝐫!

you don't know how this spiralled the way it did — your back being harshly pressed against the crappy sleeping bag you had dragged into the greenhouse when Viktor let Vander sleep there — his impossibly fat cock filling you up in a way that makes you feel like you're suffocating.

low animalistic grunts and growls sound from him as he hammers his heavy hips into yours, his pace not once faltering. your eyes roll back each time you catch a glance of the clear bulge in your stomach, as your fingers press down against it occasionally Vander lets out a rough snarl. his pace only quickens at the feeling.

" Vander-! slow- " you gasp, your nails digging into his thick and hairy biceps. your finger tips occasionally reach the metal, flinching at the somehow cold metal. " oh fuck! " you cry out as the bullying of your insides causes you to tip over into what you think must be your fourth orgasm by now.

Vander growls at the feeling of your tight, hot and wet walls spasming around him once again. finally, it was enough to tip him over the edge as well — his heavy hips stilling with a brutal final thrust and what could only be described as a roar as he spills his load into you. he buries his head against your chest and you gasp at the feeling, his thick cum leaking out in obscene amounts. you could feel your belly swell with each spurt.

you lay there, occasionally spasming beneath him as you both come down from your intense highs. all you can do is look up at the glass roof, your hands still firmly holding his thick biceps as you feel him take deep and heavy breaths.

" Vander? " you quietly call out, dragging your hand to hold the back of his head.

he lets out a sound, low and rough, akin to what you could only assume to be 'five more minutes' as he nuzzles his face impossibly closer into your chest. you let out a breathy laugh, combing your fingers through the thick fur atop his head. your eyes watch the small twitches from his long ears each time your gently brush against them, mesmerised by this intensely calm version of him.

" okay, you can have five more minutes. " you quietly respond, a tired smile on your lips. Vander lets out a pleased sound and a long exhale. " you better not fall asleep on me big guy, cause i need to get us cleaned up in a minute or two. " Vander makes a displeased sound — typical Vander. even before he was changed he'd love nothing more than to stay buried inside you for as long as he possibly could.

your heart clenches at the thought, and Vander can feel the sudden change in emotion. he grumbles, slowly lifting his heavy head off your chest to look at your face. he tilts his head, a clear 'is everything okay?'. you smile, smoothing your hand down to his cheek. " i'll be okay, now that i have you back again. " you whisper.

Vander's eyes close, a low, sad sound leaving him as he leans down to press his forehead against yours. you close your eyes too, nudging your nose against his much, much larger one.

life was going to be difficult for him to adjust to again, but you think everything will be alright again now that he's here with you.

authors note y'all..... that turned out way sweeter than i intended. i wanted to go crazy with the feral fucking, but honestly i just wanna hold Warwick!Vander and tell him everything will be alright... 😭🫠 act 2 of s2 F U C K E D me U P and i'm gonna slowly heal by writing these Vander fics 😭❤️‍🩹

[dorothylarouge]

US Presidents as Dril Tweets

George Washington: another day volunteering at the betsy ross museum. everyone keeps asking me if they can fuck the flag. buddy, they wont even let me fuck it

John Adams: "ah boo hoo hoo i want to post Foul comments to content leaders" Fat Chance, Dimwit. I will annihilate you under bulwark of the Law and God.

Thomas Jefferson: Q: If your post was proven by a counsil of wise men to be racist, or bullshit, would you bar it from the record? A: I do not delete my posts

James Madison: (sniffing a crumpled up one dollar bill i found on the floor of a dog kennel) ah.. thats greenbacks baby

James Monroe: for decades i have traversed the unforgiving mountains and rivers of south america, hoping to catch a glimpse of the fabled "ass downloader"

John Quincy Adams: "This Whole Thing Smacks Of Gender," i holler as i overturn my uncle's barbeque grill and turn the 4th of July into the 4th of Shit

Andrew Jackson: handing Faves over to my enemies is FRAUD !! base, contemptible FRAUD!

Martin Van Buren: Food $200

Data $150

Rent $800

Candles $3,600

Utility $150

someone who is good at the economy please help me budget this. my family is dying

William Henry Harrison: (spends all of 7 seconds skimming some blog posts) yep. just as i knew all along. having pnuamonia is good

John Tyler: fuck "jokes". everything i tweet is real. raw insight without the horse shit. no, i will NOT follow trolls. twitter dot com. i live for this

James K. Polk: thhere is no such thing as charisma, and art is fake. the only metrics by which we must determine the worth of a man are Strength and Wisdom

Zachary Taylor: the doctor reveals my blood pressure is 420 over 69. i hoot & holler outta the building while a bunch of losers tell me that im dying

Millard Fillmore: trying to heal..... please donate to my go fund me... $10 will make me less racist... $100 will make me extremely less racist...thank you...

Franklin Pierce: blocked. blocked. blocked. youre all blocked. none of you are free of sin

James Buchanan: #NationalGirlfriendDay please cherish your gal's.. in honor of us, the single Boys who must sacrifice all companionship to #CarryTheBrand...

Abraham Lincoln: unloading an entire belt of ammo at me with a minigun or some such device will now get you "Blocked"

Andrew Johnson: who the fuck is scraeming "LOG OFF" at my house. show yourself, coward. i will never log off

Ulysses S. Grant: i regret being tasked the emotional burden of maintaining the final bastion of morality and Nice manners in this endless ocean of human SHIT

Rutherford B. Hayes: using the toilet when i hear Our national anthem start to play. i do what i must. i stand tall in complete agony; as shit runs down my leg,

James A. Garfield: too much truth in such little time. feeling the heat cominh down to silence me... signing off........ for now

Chester A. Arthur: i WILL wise the fuck up. i WILL super charge my content for 2017. i WILL get blue check mark

Grover Cleveland: the way i see it, people who come on here and submit content that is not up to par, could possibly be considered the "Villains" of this site

Benjamin Harrison: i help every body, im not racist, i keep myself nice, and when i ask for a single re-tweet in return i am told to fuck off, fuck myself, etc

William McKinley: boy oh boy do i love purchasing large amounnts of Fool's Gold. wait a minute... fools gold fucking sucks. this stuff is no good..!! Fuck !!!

Theodore Roosevelt: IF THE ZOO BANS ME FOR HOLLERING AT THE ANIMALS I WILL FACE GOD AND WALK BACKWARDS INTO HELL

William H. Taft: ah.. the perfect Souffle! cant wait to dig in to t(*EVERY PIPE IN MY HOUSE EXPLODES AT THE SAME TIME, COVERING ME IN SHIT AND BOILING WATER*

Woodrow Wilson: the conflicted supersoldier stares over the horizon as he smokes a cigarette. "war is the most fucked up thing ever." he takes a sip of beer

Warren G. Harding: somebody please Bribe me

Calvin Coolidge: aggressively joyless oaf hhere. painfully obnoxious respect demander checkign in. extremely dim witted frowning man looking for pals

Herbert Hoover: it is really quite astonishing that I have yet to win The Lottery, given how good I am at selecting six numbers and saying them out loud

Franklin D. Roosevelt: ive never heard of this “europe” but it sounds like a big bunch of shit to me

Harry Truman: everybody wants to be the guy to write the tweet that solves racism once and for all because it would look good as hell on a resume

Dwight D. Eisenhower: my "F*&k It!! Let's Go Golfin" t-shirt maintains a tenacious stranglehold on my life. after 1,125 days of Golf my body is twisted, deformed

John F. Kennedy: when you do sutuff like... shoot my jaw clean off of my face with a sniper rifle, it mostly reflects poorly on your self

Lyndon B. Johnson: incredibly handsome , charismatic famous boy credited with ending income inequality after saying that slumlords should be called "dumblords"

Richard Nixon: i attribute the complete failure of my brand to the actions of detractors, oor my “trolls��, as it were, as well as my own constant fuckups

Gerald Ford: shutting computer down until the shitty moods & attitudes can fuck off., if you need me ill be on my other computer, sititng 60° to my right

Jimmy Carter: i warnned you all that bad things would happen if you kept letting your wives wear jeans. AND NOW LOOK! the damn gas prices are up again

Ronald Reagan: spend a lot of time thinking about how sometimes even war criminals can be heroes sometimes... Dont like it? Click the unfollow buttobn

George H.W. Bush: just thought off an idea i believe to be bad ass. lets find the address of the leader of isis, and mail him/ her pieces of our SHIT

Bill Clinton: were at the point now, that when i offer to impregnate my girl followers, people assume my motives are sexual. disgusting, grow the fuck up,

George W. Bush: friday night gathering up together a big pile of things i like to respect (flags, crucifixes ,etc) and just roll around in it ,give kisses,

Barack Obama: my IQ has increased 10 points ever since i stopped tollerating people mucking about, on the time line

Donald Trump: THERAPIST: your problem is, that youre perfect, and everyone is jealous of your good posts, and that makes you rightfully upset.

ME: I agree

Joe Biden: I will shut the fuck up , IF , it will restore the Harmony. I will get on my knees like a dog and make that sacrifice, for the sake of Calm