#i love this show and the material it has so much

[starkeysprincess]

Coming home one day to stepbro!Rafe with your belly button pierced and you’re all excited to show him but he notices first as he checks you out in your low rise juicy sweats🙂↕️

I feel like he’d have mixed feelings because it looks so sexy right in the middle of your cute stomach and he’s already imagining how much hotter you’ll look in your skimpy pjs and lingerie and how it’ll sparkle when he’s pressing down on your g-spot, but of course he has to give you some shit, especially since you used to be a pogue.

He’d sigh, “y’can take the pogue outta the cut…” purposely trailing off. He’d tell you it’s trashy, what is your mother gonna think? You must be planning on slutting yourself out more, yada yada yada. Probably makes you cry, “I thought you’d like it Rafey…” before he finally breaks and needs to ravish you.

-🩰

ended up writing a small drabble + some of the dialogue you used bc i loved this 🙂‍↕️

you couldn’t contain your excitement, the urge to show off your fresh piercing was at an all-time high as you made your way to your stepbrother’s room, “rafey, i have something i wanna show you!”.

the second you stepped into his room, his eyes raked your body, taking in the way your baby pink juicy couture sweats hugged your hips, his gaze fixating on the pretty silver heart-shaped jewelry resting in the middle of your soft tummy.

rafe’s brain was filled with nothing but images of what your new piercing would look paired with your little skimpy pajamas you love to wear. his cock strained against the material of his basketball shorts and all he could think about was how the jewelry would sparkle as he had you sprawled out on the bed, his large palm pressing on your lower abdomen while his thick dick pounded into your wet little cunt until you were creaming all over his cock.

“what do you think, rafey?” your sweet voice pulled him from his thoughts, batting your eyes up at him, waiting for his response, only to receive a sigh from him, “you can take the pogue outta the cut…”.

he watched as your eyebrows furrowed, a small frown appearing upon your face, “what’s that supposed to mean?”.

“c’mon, I know you’re not entirely clueless. use that pretty little head of yours” your stepbrother taunted, tapping the side of his temple.

“it gives the assumption that you’re planning to slut yourself out, it’s trashy. you don’t want people to think that about you, do you?” he tsks.

his fingers trailed down to your tummy, gently messing with the silver jewelry, “what would your poor mom say if she knew you went and got this done, hm?”.

“wanna know what i think she’d say?”, rafe dips his head down, his lips brushing against your ear, “think she’d be disappointed that her sweet little angel is turning into a slut”.

your head hung low, looking down at your feet while tears brimmed at your waterline, lip wobbling, “i wanted to show you cause i thought you’d like it, rafey”.

his cock twitched hearing your words, you, his sweet little stepsister, wanted nothing but his approval, and that was more than enough to make him break, pulling a squeak from your soft lips as he pushed you onto his bed.

“I do like it, sweet girl and ‘m gonna show you how much i like it”

[ariaste]

A Discussion on Book Endings

Hey, friends. Thanks for coming today. I'm sorry to break it to you, but this is an intervention. Please, don't get defensive -- everyone here loves you and cares about you. But listen... I'm gonna need book readers and reviewers to reflect on the idea that finishing a book and going "Oh, I loved it so much, but I wish it was just a few pages longer!" is not really a valid point of negative critique in the assessment of a text.

Let me explain.

When I read people's otherwise wildly positive reviews of books and they say that line, I don't interpret it in context as, "This story needed to be a few pages longer for the plot to work, structurally, and for the ending to achieve a solid resolution." Rather, they basically seem to be saying simply, "I loved it and I didn't want it to end." That's always a GREAT feeling, but then they're.... taking points off from their total rating because of that??? They seem to be penalizing the author because they weren't left with a feeling of "Ugh, thank god it's over"? It's like, "This would have been five stars if it had had just one more chapter but it made me sad that it ended, so four stars" -- Guys, do we understand that's an insane take? It's insane. A book has to end. If you shriek "NO!!!" that it's over because you were having such a great time, that's... that's a symptom of a 5-star book, babes. I'm not sure why there's such a fashion these days for penalizing authors for this particular thing in this particular way, but it's really baffling to me.

But setting aside the puzzling trend of "I'm knocking points off because it ended when it should have gone on until I personally was fully bored and exhausted of it, like the 11th season of a TV show that was only supposed to go until season 4" -- listen, I guarantee you that nine times out of ten, when you're out here longing for just one more chapter or saying "this could have used an epilogue" you... are wishing for something that would have actively ruined your enjoyment and the quality of the book.

Are you a writer yourself? Have you ever finished writing a book before? Have you done it more than once? Have you deeply studied the endings of books? They are HARD, let me tell you what. Endings are so much harder than beginnings, because you're looking for that beautiful final note, like the ending of a symphony, and you're trying to ride it for a few glorious seconds before the FLOURISH and dum-dummmmmm....! and the conductor collapses as the audience bursts into applause! Right? Yes? Except that chances are that one more chapter or epilogue would ruin the pacing and resolution of the ending and muddle up the summary of the theme and thesis statement, and all of this WOULD ACTUALLY fuck up your experience of the story as a whole. For example, please consider the last Harry Potter book as an example. We all hate JKR now for being a TERF but oh, children, how quickly we forget that back in the olden times, we used to hate her for that fucking epilogue that made everything that came before feel rancid and pointless and hollow and cheap. Y'all remember how sickening and infuriating that was? Do you remember the Hunger Games epilogue? Nine times out of ten, that's what you're inexplicably wishing for.

To see this point illustrated, let's do a quick exercise together. Go pick out a piece of classical music -- some of my best suggestions for this are Beethoven's Ode to Joy, or "Der Holle Rache" from Mozart's Magic Flute, or Tchaikovsky's 1812 Overture. Listen to it all the way through. If you're struggling with scrolling addiction and your attention span has been severely damaged, fine, listen to the last two minutes ("Der Holle Rache" is the shortest, just 3 minutes). Then, after the song is done, click back to some random spot earlier in the piece, listen to another 30 seconds, and then stop. Consider: Did adding that last 30 seconds materially improve the piece, or did it undermine the overall emotional journey? Did it help the ending to stick the landing even more than it already did, or does it just feel weirdly stuck-on as an afterthought, like the "for more fun videos, check out the rest of our channel and don't forget to subscribe!!!" card at the end of youtube videos?

When you are wishing for an epilogue, my doves, you are wishing for something you do not actually want -- or which you probably would not want if you had the option to see it in practice and compare it side by side with the original. You are wishing for something that would more than likely make the story worse. You are holding the author at fault for something being wrong with the text only because you hit immersion and were having a lot of fun and didn't want to come back up for air. Like, I'm just not sure that's something that the author should be blamed for? It sounds like they were doing their job really well???

Please, just. Separate your feelings of "bittersweet disappointment that this wonderful book is over" from "frustration that the author didn't stick the landing, ugh what a flop" because they are two separate things. Before you say "I'm taking points off because I wish there was more", please take two seconds to ask yourself critical thinking questions like, "Why did the author choose to end the book here rather than in two more chapters?" because (other than a few wild outliers that should not be counted) the answer is never, "They got bored and just didn't feel like finishing the story." Chances are, they chose that specific ending for a reason. They ended it there because that's the point that underlines the thesis statement of the book, or because the emotions of that scene are the ones they want you to remember and walk away with, or because that marks the place where the story arc is genuinely over. When the author says, "And they all lived happily ever after," that means that what happily-ever-after looks like is in your hands now.

Nine times out of ten, you don't want one more chapter. Please. I promise you that you don't want one more chapter. The book is done; what you want now is either fanfiction or someone to talk about it with. Or maybe to start the book over from the beginning! Believe me, you would not want one more chapter if you had it. (Or, if you did have it and it magically didn't suck, you would just keep wanting more chapters because that's what "really enjoying the book" means. In which case, go read fanfic, that's what it is for.) I promise you, I promise you, the book would probably be worse with one more chapter and you would not like it as much. Please stop wishing for the author to be less good at their job. Please. A book has to end; so does this post. And we all live happily ever after*. The End.

----- * The post-canon coffeeshop AU sequel will be detailed exhaustively on AO3

[blakbonnet]

HAPPY FOX DAY TO ALL THOSE WHO CELEBRATE! Today's a special special AOTW because our featured author this week is best beloved @asneakyfox 🦊

Fox, I genuinely think you're one of the greatest fandom philosophers of our times, and what you write is so much more than regular old meta. Because we're all playing in the sandbox here and while a lot of us lose sight of canon sometimes, you have all four feet firmly planted in the lovely source material we've been provided with. And you don't stop there, you try to actively engage with the community, especially making sure you are keeping an eye on all the differing opinions. I feel like this is why your thesis resonates so thoroughly with different people--it's not trying to prove a point, it's very 'holmes saw a dead body and ejaculated'. You are just so smart that you make the rest of us smarter, but it's never intimidating to talk to you, and I love love love that I get to read your stories and your thoughts because of this show and this fandom.

Fox, brilliant as ever, agreed to answer a few questions for me:

What's your meta writing process like? Do you think in disparate strings about scenes and then write them down as they come to you OR is it usually a conversation or a thought that eats at you until you sit down and untangle it?

generally i'll be thinking about something, usually because i saw another post (or had a conversation about the show on discord; special shoutout to the crew on @figmentof and @scarrletmoon's servers, and especially to @glamaphonic, anything i've ever said you thought was really insightful probably came out of a dm conversation with glam) and some part of a post about it will start writing itself in my head, and unfortunately once that process starts the only way to stop it is to write it down.

even more unfortunately i never know whether it's all going to flow out easily into a coherent essay right away, or if it'll be one of those things where i write two really good paragraphs that ought to go in the middle section of a post that takes a while to figure out how to structure; i just have to start and see where it goes. some meta i've written that got lots of notes was written all at once the moment the thought struck me and posted as soon as it was done, but there's also a few that have been sitting in drafts for months as i keep rewriting the same section without being sure where it goes next.

Favourite themes or characterisations you like to explore while meta writing? (things like Ed's fisherman era and what led to it, etc)

i guess if there's a big theme i keep coming back to it's ed's character arc over the course of the show, his relationship with violence and how it affects his perception of himself and how he has to grow through that to be ready to commit to his relationship with stede. one of the very first things i ever said about the show on tumblr, way back in summer 2022, was that ed's absolute deepest fear was that he is fundamentally unlovable, so it was really a delight to see s2 dive so hard into addressing the exact issues i'd been looking at so explicitly. and of course there's also a lot of fandom racism that plays into some takes that go around about ed, and i think it's really important to call that out and push back against those takes.

i feel like it would be kind of silly to not call out izzy here too. izzy plays an absolutely crucial role in highlighting those exact issues in ed's arc, and i honestly just think the way their whole relationship develops in canon is deliciously meaty and a lot of fandom takes seem determined to flatten it out into something much more boring. so it's important to me to try to highlight the ways you don't have to pretend izzy was a secret good guy all along to appreciate the role he plays in the story.

finally i guess this has only developed over the last several months but i guess one of my trademarks now is speculation about what got deleted from s2. i've always been good at the game of watching a movie and guessing at scenes that were cut or changed, and my spider-sense for that was going off like crazy as i watched s2, and i didn't want to get too speculative at first, but as information has actually come out from samba and vico and other sources, a lot of it's lined up with what i thought. and i'm really interested in how the ofmd writers' room approached storybreaking, so it's worth it to me to try to understand this.

Whose head is it easier to get into - Ed or Stede? Why?

i guess i already answered this! i love them both a lot, and i'd been writing meta for a good while before i consciously realized i'd written a LOT more about ed than about stede, and the ed posts tend to be individually longer than the stede ones too. i think some of this is because ed's arc reads super clearly to me while stede, despite being the main character, gets an arc that's a lot more subtle and internal in some ways (and also i do think suffered significantly from the cuts to the second half of s2). and some of it's because people can be Wrong On The Internet about ed in ways i feel the need to push back against more than about stede. but some of it's just, you know, vibe.

it's always interesting to me that nearly all prolific fic authors in this fandom have a clear very strong preference for which POV they prefer - i don't think all fandoms are like that - but i guess my own alignment is obvious.

Your personal favourite thing you've written that you'd like more people to read

the obvious answer here is the one actual fic i have written for this fandom, "Nothing Could Touch It" which came out of thinking about how there's some post-s2 fic about ed reckoning with this relationship with izzy that i really like but none of it quite got at how i feel like canon's framing it. (don't worry it's not all about izzy! stede's there and there's a bunch of cuddling!)

as far as meta goes though i would call out this as the one i'm probably proudest of, this is the one where i most completely tried to lay out how i saw the show framing ed's relationship with violence during the s1 hiatus, and i think after s2 it holds up pretty well. but also since i was just talking about how i don't say enough about stede, this is the post where i tried to lay out the stuff i really admire in stede as a character.

What is the one word that you think you use a lot?

i've got a bunch of verbal tics i overuse but the one i'm self-conscious about in meta lately is "reading against the text," which sounds so pretentious and lit-crit i really wish there were another good phrase for it. but i think it's really useful as a way to clarify that sometimes i'm saying a particular take is clearly not how the narrative of ofmd is framing something but that doesn't mean you need to stop interpreting it that way. reading against the text is really fun and i recommend it sometimes! but you'll have more fun if you're aware that's what you're doing!

If you were writing his arc, keeping in mind that he stays largely antagonistic in line with the show, how would you have resolved the Izzy problem: would you have made the same decisions the writers made and written a redemption by death OR do you think that the spirit of the show specifically demands Izzy get a good guy (or not as bad a guy) ending where we see his muppetification

one of the predictions i was most confident of before s2 was that if izzy were redeemed, he wouldn't be able to remain in the cast as a good-guy crew muppet afterward. (for this reason i thought the likeliest possibility was a slower redemption arc that wouldn't fully complete till the end of s3.) several times i tried to game out what role a fully redeemed izzy could possibly continue to play within this story, or what personality traits that he showed in s1 he could even hang onto after a full redemption, and i couldn't come up with anything that felt plausible. not "loyalty to your captain," because his devotion to blackbeard was clearly toxic at the root and would need to be purged entirely before it could be replaced by anything healthier; not yelling at people to stop having so much fun and work harder, because that could work in a different story but would run directly counter to the core themes of ofmd - so what's left? i went looking at popular izzy redemption fic that tried to address that question, and some of it came up with answers that worked in the context of a fic focused mostly on izzy, but it was never anything that could possibly work in a tv show that already had established themes and would continue to focus primarily on other characters. and izzy wouldn't be able to just fade into the background with the other muppets after all the focus on him a believable redemption arc would require. so i knew once he was redeemed he'd be done as a character one way or another.

and s2 i think bore that out, honestly in a much more obvious way than i expected - over the course of izzy's s2 arc he's basically divested of all his s1 personality traits until all that's really left by the end is saying twat all the time, and Guy Who Says Twat is not a role the story's going to particularly need going forward. to keep him around after that you'd need to give him enough new traits that he'd be for all practical purposes a new character anyway.

i do sometimes wonder about a world where izzy's s2 arc saw him be offered a clear chance at redemption and choose to reject it and get worse instead. i kind of missed antagonist izzy by the end, and i wonder if a lot of people who'd originally wanted a redemption for him wouldn't have been happier with that even if they didn't realize it - a descent into full villainy would have kept izzy and his relationships with both ed and stede more central to the plot right up till the end, and in particular the sexual aspect of his feelings for ed could have stayed very directly relevant, where the redemption arc necessitated resolving that very firmly to clear it out of the way as early as possible in s2. i never agreed that ofmd's themes necessarily meant redemption for izzy was inevitable - ted lasso was much more overtly a show about redemption than ofmd right from the start, and even ted lasso let at least one of its antagonists make it all the way to the end as an unrepentant scumbag. if there's anything that meant izzy really had to be redeemed imo it wasn't the overall spirit of the show so much as izzy's role in ed's arc - before anything else izzy's narrative role was always to be a walking symbol of the part of ed that fears vulnerability and holds him back from committing himself to love, and for ed and stede to be happily together by the end of s2, ed had to get to a place where he could see that part of himself as something he no longer needs in his life but also doesn't hate anymore. nothing could have symbolized that like having ed embrace izzy as he dies granting ed permission to just be himself.

Why OFMD 🥹

you know, i could say a lot here about how i think ofmd is genuinely incredibly well-written in some ways that are really unusual on american tv. season 1 in particular is just incredibly tight and elegantly plotted, and s2 is messier but that just makes it all the more interesting to look at the constraints they were under that led to that. my day job's in narrative and i really do professionally admire ofmd a lot, which is one of the reasons i tend to think about creator intent more than some people do when i'm writing meta - death of the author is a super valid perspective but personally i'm really interested in trying to figure out why the writers made the choices they made and what i can learn from that for when i'm in their position.

so all of that's true. but also we all know it's kind of beside the point here, this is a hyperfixation, it's not rational. i can tell you i watched the first nine episodes of our flag means death and liked it a lot but in what i would describe as a basically normal kind of way, and then i watched the tenth and at some point during that episode a rat inside my brain hit the dopamine spigot with a wrench and now it won't turn off so here we are.

aaaand if you've made it to this point, please join us in evil ganging up on fox with love by sending a lovely letter to them over on @ofmdlovelyletters who was also kind enough to make this header <3

[lurkingshan]

I would have really loved that episode if we'd gotten it two weeks ago. If instead of stalling for the last four episodes and having Shen Wang have a series of realizations only to pull back from them, they had let the story progress more naturally, let us see Shen Wang self-destruct to try to control his feelings, let us see Jiang Tian push through his hurt and confusion until he understood why Shen Wang was pulling back, let them come together and give in to what they want and start thinking about how they can possibly have it outside of their little bubble with just the two of them.

That would have been a far better place to leave the story and still give them plenty of runway for a season 2 if they ever get it, because the next part would have to deal with the fallout at school, at home, and in their broader lives. Not only are they being married into the same legal family, they are gay and the story has taken great pains to show us that this will be a problem. There is still a time skip and an adult phase of the story in the source material; there is so much story left to fuel another season after they initially give in to their feelings. They didn't need to drag it out this much and deny us even the tiniest bit of release or catharsis. It's a frustrating watch experience.

[mochinomnoms]

Hey Hi Hello

I'm not sure how the situation about mushroom picking looks in the other parts of the world, but in Poland it's a very popular activity for many many people. What I mean by that is that if it was raining, and it's spring or autumn - going for a walk to a forest with a reactive dog is nearly impossible, because the condensation of mushroom pickers is astonishing. (sometimes summer too, I know people who are going EVERY SINGLE DAY (my grandma) from April/May to November). By astonishing I mean every 3-4 meters is someone looking for shrooms. The roads leading through the woods are suddenly turning into a single lane because of the rows of cars standing on the sides of it. The culture around picking mushrooms is very strong in general - it reminds me of a sect somehow lol. Generally it's one huge gatekeeping when it comes to precise locations - especially with older people. Besides the fact that there are truly thousands active fb groups around picking mushrooms - almost every single one of them has one most important rule - sharing the precise location publicly is FORBIDDEN. If you do that then it's off with your head for you.

I remember going mushroom picking with my grandma when I was little and she would LOSE ME ON PURPOSE so that I wouldn't know where does she find the most 🤣. From what I've heard from friends , it's not that uncommon apparently.

It's a sport truly, people are not going for a nice walk here, it's a competition, it's a ride or die - if you don't bring back home at least 2-3 kg of shrooms then were you TRULY mushroom picking ??? (It's a hyperbole, however seeing people coming out of the forest with literal buckets full of shrooms is not an unusual sight lol).

Living in Poland equals living with mushrooms - after some time you develop like a sixth sense of what shroom is edible and which one is not (however it's important to check either way, also these fb groups are super nice for that, these people are always ready to help you out to identify the shroom). The knowledge about shrooms is on a high level - there's a big chance that if you would come up to a random person and show them a picture they would be able to identify the shroom almost instantly.

If you're going for a normal walk and see a shroom? YOU MUST PICK IT, IT'S A TREASURE. Then you send a picture of it to a family group chat and everyone is proud (and a little bit jelly but shh). At this point I (and many people I know lol) carry a special material bag in my pouch I use for walks with my dogs - in case I come across a shroom I'm ready, and I don't have to deal with the guilt of leaving one behind because I'm physically incapable of taking any more with me haha.

Truly a mushroom kingdom.

In conclusion - imagine Jades reaction to that information 🤣

Hope you're having a fungistic day 🍄

~ 🦭

That's super fascinating to me because I live in a desert, so mushroom picking isn't a thing out here as much as just hiking in the valley. Here, it's a thing in the summer for tourists to ignore the caution signs and heat advisory and die on the desert trails. Most of the time they vastly underestimate how intense the trails are along with the 110+ degree weather and don't bring enough water.

I think Jade would like our trails out here, though, a different kind of challenge compared to the ones he's become familiar with on Sage Island. I do wonder the type of biome the island takes place on, I'm assuming the island and environment in gen is western euro inspired. Plus, foraging in the desert is a whole different type of deal!

For your mushroom picking though, I think Jade would really love it, not only is the (presumably) plentiful mushrooms a dream, but being surrounded by other people that also are as enthusiastic to go mushroom picking is phenomenal! A new vacation spot for him, for sure.

[moonsceptre]

What is your opinion on the Beetlejuice 2 Dream Theory?

This theory?

My opinion is that it's very likely to be true. I walked away from the cinema extremely happy with all of the shippy moments—so happy I hadn't even considered theorising anything yet, however my first thought about the ending was, So it was all Lydia's dream?

I read through the post and was blown away by how much sense it made, but I think it helped push me to believe it when my friend sent me this

My friend is not interested in theorising or shipping, and has no connection to the BJ fandom, he's just a horror fan. Yet his interpretation of the movie's ending was a summarised version of the whole dream theory. Isn't it far more romantic to imagine Lydia having spent her life with Betelgeuse, and he's indulging her with a dream of her own child? Considering they both have a 'psychic connection', I'm not convinced that Lydia hasn't been thinking about BJ just as much as he's been thinking about her.

This user pointed out both of Betelgeuse's love songs are by artists named Richard, conveniently the name of Lydia's previous partner. The same partner who was described as a horror fan that loved playing pranks, and dressed as a Beetlejuice lookalike for Halloween.

Looks like Beetlejuice, acts like Beetlejuice���either Lydia is equally obsessed, or it's BJ projecting himself onto Lydia's human lover within the dream. Watching the movie with new eyes, I noticed in the "Later, fucker" scene that BJ is sitting in the same place Richard sat while working at the border control. "Astrid" herself has a name related to the celestial bodies, much like "Betelgeuse". You can either take this as a romantic parallel, or Tim is trying to show us that Richard's creation is based on Lydia's fixation with Beetlejuice.

Dream sequences often use characters to represent something within the dreamer's psyche. It's like an abstract analysis of the way that character thinks and feels. Astrid's sequence within the dream shows Lydia's material desires—it confirms everything was based off of what Lydia wanted, which included getting married to a 'monster' (in the sequence of events, Astrid marries a guy dressed as a vampire), and then gives birth to the Beetlebaby. I know in the first movie there is a reference to the horror movie "The Fly", so I imagine this was too.

Did anyone notice the dream sequence watching Astrid didn't actually have a clear indication for when it began? It transitioned from the movie as if everything was a dream right from the start.

Let's not forget BJ straight up looking into the camera and saying "I love a good dream sequence". Lol.

My other reasoning for believing the dream theory is what Winona said about Lydia. Winona and Tim are close friends. Winona pitched the idea of having Betelgeuse and Lydia be the endgame ship in her words, and she happily took part in this movie. If Tim had rejected the idea, why would Winona reprise her role for a story she didn't agree with? Winona knows that Lydia is Tim's self insert (Tim has said many times he relates the most to Lydia), so why would Tim approve of all the shippy moments if he opposed Winona's pitch? No one knows Lydia like him!

Winona said in this interview that she hadn't imagined Lydia ever becoming a mother, but that after a while it started to make sense. She does not elaborate on that, but explains her idea for Lydia was that she would end up a spinster in the attic. If you read the dream theory, it highlights how the movie begins with Lydia in the attic, and then transitions to Lydia's TV show, but the background is still the attic. I found the whole film very dreamlike in this way, and I think the fact that Tim has said Wizard of Oz (a movie where the girl wakes up after a dream, in which those she knew acted as characters within the sequence) is one of his favourite movies helps to put it into effect.

And finally...

It's Lydia Deetz. Lydia loves the strange and unusual.. do you really think she wasn't curious enough to contact Beej again?

[starkerobsession]

Spidershield but Peter is a constantly horny teen who loves to tease and try to seduce Steve, while Steve is trying to be a good person and not take advantage of his much younger boyfriend, making sure to wait till he feels Peter is “ready”.

One day Steve and Peter are talking about art and Peter begs Steve to show him what he can do. He’s only heard stories of how Steve loves to draw, but he’s never seen any of Steve’s work. So Steve agrees on the condition Peter gets him a sketchpad and pencils.

After Peter finished school that day he comes back with the materials Steve needs and hands them to him, asking him to wait till he’s changed out of his school clothes.

What happens next is not what Steve had imagined. Peter slowly walks into the room with nothing but a bath robe on. He walks over to the couch opposite where Steve is sitting with his drawing materials and seductively drops the robe, leaving himself naked and smirking playfully.

“Draw me like one of your French girls,” he says, lying down on the couch and posing seductively for Steve.

Steve just stares open-mouthed. He tries not to look at certain body parts but Peter has never been naked in front of him before. God, he’s beautiful. The most beautiful person Steve has ever laid his eyes on. And the way he’s acting right now and teasing him right now… Steve is glad to have a sketchpad in his lap because his body is reacting.

Finally he manages to find his voice. “You’re going to get me into trouble.”

“Am I?” Peter asks, face full of innocence.

“Definitely.”

“Why?”

“Because I’m about to go against my own morals if you don’t put some clothes on.”

“I’m your boyfriend. It’s okay to want it.”

“You’re 17, Peter.”

“If you had a problem with that you wouldn’t be dating me.”

Steve stares at Peter, trying to find some part of himself that says no. But his whole body is screaming yes. He closes his eyes, breathes out slowly through his nose and then opens his eyes again speaking in a firm voice.

“I’m going to draw you. And then I’m going to fuck you. Is that okay?”

Peter’s heart skips a beat. He nods and blushes. Steve has never spoken to him like this before.

“Yes, daddy.”

“Alright. Now be a good boy and stay still for me and maybe I’ll let you cum later.”

Peter has never been so still in his life.

[lucreziagiovane]

i'll always find it intriguing that juan is actually freakier than his siblings combined because why the hell did he casually think of being in an incest polycule with cesare and lucrezia instead of like...feeling repulsed by it lmao?? but then again there's been so much hinting because he wasn't just fixating on lucrezia, getting jealous of her lovers and killing them (for bigger means but motivated by jealousy) and even obsessing with her purity (when he called her a slut for having sex with paolo)...but he also had some sort of brocon towards cesare, because cesare and juan are paralleled with cain and abel, and cain and abel have always been painted with heavy eroticism almost in everything they've been portrayed in. juan is also always so quick to forgive him for both betraying him at forli and for mocking him) as he was making sexually charged comments towards him (twice about the whole "beneath the cardinal's skirt" thingie or that moment when he was drunk and making cesare uncomfortable by getting too close to him and clinging to him then asking him if he loves him). another note, i %100 believe that david oakes played juan borgia as bisexual because of the subtext with prince djem + the homosexuality rumors that surrounded the two real historical figures which david played into it. also david played two gay characters before the borgias so i assume they typecaster him since he's familiar with playing sardonic closeted gays so...

[yugsly]

The TV star must look his best!

[ofswordsandpens]

I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...

[averlym]

litany of the martyrs (click for better resolution!)

[kingdomoftyto]

I've started and deleted three drafts now trying to get my thoughts into a coherent recommendation, but there's just so much.

Let's start with the basics: You should read the graphic novel if you're a fan of the original show. You just should. It's new content of your old faves, and I'm telling you now that the art and writing are great and that you should give it a shot based on that alone.

But as for exactly why I'm losing my mind over it this much...?

It... feels like watching the show. But a version of the show unafraid to explore its own worldbuilding. A version of the show where continuity and character growth matter. A version of the show without jokes written by people far too old to understand mid-2000s teens.

And it is actually, honest-to-goodness funny. I went in fully braced for a badly shoehorned "fruit loop" one-liner, and instead I got incredible deadpan asides like this:

The art, too, manages to perfectly ride the line of looking enough like the original style to be convincing, but improving on the expressiveness of the characters' faces and actions to elevate it to something arguably better than the show:

(Like, I'm being so serious when I say the fight scenes are among the best I have ever seen in comic form. I'm the kind of person who tends to go for anime over manga because the fights are harder for me to follow in little sequential snapshots, but I can tell exactly what's happening in these battles AND they still look super cinematic and cool.)

And the story. Man, the STORY.

I won't spoil any of the plot here, but it's... really good. A little winding and goofy toward the beginning, but once things get serious, it really grabs you and refuses to let go til it's done. (Much like the best episodes of the show! Funny how that works.) It has a satisfying conclusion, but it also leaves a massive door open to continue telling more stories in the setting.

And I want more stories in this universe. The threads being dangled here might be even more enticing than those left by the original show. There is potential here for an INCREDIBLE series of comics.

We just have to prove how badly we want it.

If you can't buy the book yourself right now (it's relatively cheap for a graphic novel--I think it was about $15 even with tax from my Barnes & Noble), then please at least let other fans know it exists (I wouldn't have had any idea if not for tumblr) and keep the hype going on social media. I'm stoked to see that DP is trending on tumblr, at least, and I hope the same is true elsewhere. It's a small thing, but it's something corporate decision-makers take note of.

Fingers crossed we get to see more someday. This is one series that deserves to come back from the dead.

But, whether or not we get that continuation: welcome back, Phandom. Congrats and happy release day. 💚

[gumm1defloor]

There is a theory out there on the internet of Velvette secretly being Carmilla’s third daughter whom she had a fallout with and separated from, which is why they don’t see eye to eye with each other in the present. And while I’m still personally on the fence about this particular interpretation, it does make every previous fanon about Velvett's found family dynamic with the other Vee's infinitely funnier.

Like Vel really just said fuck you mom actually I'm gonna move out and go live with my two shitty drunk, gay college roommates who don’t pay rent and they will be my new family we're GONNA BE RICH TOGETHER AND I’M NEVER COMING BACK like wow ok-

[sharkieboi]

Metatron: *dies by a carefully crafted murder/suicide with Lyra’s parents sacrificing themselves for the sake of humanity*

Meanwhile

Will: Hey what’s in this glittery box, there’s something alive in there

Lyra: idk cut it open

*the shriveled body of GOD is hit by sunlight and shrieking in horror dissolves into dust and dies*

Will: …

Lyra: …

Both of them: …damn that was weird. anyway. where are our daemons?

[ghostdrinkssoup]

it’s crazy how much hannibal suits canon compliant fics that either change one key detail or diverge in some minor way between seasons and how that deviation radically changes everything while also maintaining echoes of canon scenes, only now they exist within a new context. I’ve seen so many fics like that and they’re all so cool because they honour canon while also using our knowledge of the story to rework certain moments and change whole plot arcs. it’s amazing what people come up with

[front-facing-pokemon]