#i love them. I love them so much it is unreal

[foreveia]

fourteen ⤨ oikawa tooru

⨭ genre; fluff

⨭ pairing; oikawa tooru x fem!reader

⨭ word count; 6.5k

⨭ descriptions; as much as you love romcoms, you're a realist and recognise just how illogical true love is—unfortunately for you, fate has other plans.

⨭ warnings; profanity

⨭ a/n; my 2025 motto has been to just write and not worry too much about perfectionism, so here's my mess of an oikawa fic. it's acc unreal i have finished three fics in a week's time lol who knows how long this creative streak will last but wtv. in the meantime, enjoy :)

one.

During your four-hour layover in SFO, you decide that 4AM flights are only slightly less inconvenient than paying full price for a flight at noon. Because right now, it’s honestly just eerie: San Francisco International Airport (full-government name because you fear this might actually be where you die) is completely empty, largely dark, and very, very desolate.

You sigh and glance around the lounge, which is dimly lit and suspiciously quiet except for the distant hum of a floor polisher somewhere beyond the gates. Every shop is shuttered, every PA announcement echoes into nothing, and the only signs of life are a few overworked employees slumped behind their counters; you’re the only one at your gate, your phone charging via one of the blue-light towers, headphones blasting at maximum volume. You’re trying to drown out the unnerving feeling in your chest with Gracie Abrams and SZA—it’s not working in the slightest, actually making you increasingly wary of your vulnerability.

But whatever. You’re a #brokecollegestudent, so obviously you’re willing to risk your life for a good deal.

Honestly, you should really be asleep. That was the plan, after all: you had it all mapped out—get here, find a quiet corner, conk out, wake up only when it’s absolutely necessary. Instead, your brain is running on fumes and bad decisions, vibrating horribly in your skull because you’re an idiot and didn’t realize how paranoid you get when you’re sleep deprived.

You groan, stretching your legs out in front of you. “Kill me,” you mutter under your breath.

“First time traveling?” a voice pipes up, obnoxiously chipper for the time of night.

You freeze mid-stretch. You are not alone.

Slowly, you turn toward the source of the voice.

Sprawled across the lounge chair opposite you, looking for all the world like he belongs here, is a guy—tall, lean but broad-shouldered, stupidly good-looking even under the sickly fluorescent lights. Tousled brown hair, sweatpants and a zip-up hoodie that are clearly designer but worn like he doesn’t give a damn. His legs are stretched out like he owns the entire damn lounge, and he’s got this lazy, almost smug smirk on his face, like he’s enjoying whatever show you’re unknowingly putting on.

You narrow your eyes. “Excuse me?”

He gestures vaguely at you, at your very obvious state of suffering. “You look like you’re miserable right now.”

“I am,” you say. “What’s it to you?”

“Nothing,” he shrugs, then tilts his head. “Just figured misery loves company.”

Your brain is still catching up to the fact that this man—a stranger, an audacious one at that—has just decided to start a conversation with you, unprompted, in the middle of an empty airport. You eye him cautiously. “You do realize there are approximately four million other places to sit, right?”

He grins. “Yeah, but none of them have you.”

You blink. “Are you flirting with me?”

“Depends.” His smirk widens. “Is it working?”

“No.”

“Damn,” he says, without an ounce of actual disappointment. “Guess I’ll have to try harder.”

You scoff, shaking your head as you glance away. God. Of all the people to be stuck in airport limbo with, you had to get the charming, insufferable kind. The kind that probably coasts through life on natural athletic ability and the kind of face that gets him out of parking tickets. The kind that’s entirely too comfortable stretching out in a public lounge like it’s his personal living room.

He’s watching you, you realise. Like he’s waiting for something.

“What?” you sigh.

“You didn’t answer my question,” he says.

“I don’t remember you asking one.”

The corner of his mouth twitches like you’ve just mildly amused him. “First time traveling?” he repeats.

You roll your eyes. “No. Just first time being stuck in an airport at an hour when no one should be conscious.”

“Ah,” he says, leaning back in his chair. “A rookie mistake. 4AM flights are a scam.”

You snort. “And yet, here you are.”

“Touché.”

You take another glance at him, this time really looking. Something about him tugs at your memory, like a song you’ve heard before but can’t place. The messy hair, the easy confidence, the way he’s practically radiating I’m used to being the center of attention energy.

Then, in a flash, it hits you.

“Oh,” you say, recognition clicking into place. “Wait—you’re Oikawa.”

His eyebrows lift slightly, a flicker of interest crossing his face. “You know me?”

“You’re that volleyball guy,” you say, pointing vaguely at him. “The one who’s, like… unnecessarily famous.”

Oikawa grins. “Unnecessarily?”

“I mean, it’s volleyball,” you deadpan. “I didn’t even know people could be famous for that.”

His expression morphs into something between offense and wounded pride. “Ouch. I think I might actually cry.”

“Please do,” you say. “It’ll entertain me.”

He clutches his chest theatrically. “You’re ruthless.”

“I’m tired,” you promptly correct. “And delirious. And currently stuck in an airport with a man who’s trying to convince me he’s a big deal.”

Oikawa scoffs, but there’s something amused in his gaze, like he’s enjoying this. “You’re not a fan of sports?”

“Not really,” you shrug half-heartedly, looking back down at your beat-up Filas. You’re not lying; even so, you’ve seen his games on TV before (you watch the Olympics after all—you’re not a total basket case). He’s a flirt, a player with double meaning, and you would really rather avoid getting involved with anything complicated. “I’ve never been into jocks.”

“Never been into jocks,” he echoes, shaking his head. “And here I thought I could be your Peter Kavinsky.”

“No, thank you. I would never write you a love letter.”

Oikawa laughs at that—an actual laugh, not just the smug little chuckle you’ve gotten so far. It’s rich and warm, and you hate the way it makes your stomach flip just slightly. Who even are you right now? This whole situation is so unbelievable that it makes you more confident.

You cross your arms, looking him up and down. “So what’s your excuse?”

“For what?”

“For subjecting yourself to this hellscape of a layover,” you say, gesturing at the ghost town of a terminal around you.

He sighs, dragging a hand through his already messy hair. “Came back to visit some old teammates in California. Now I’m heading home.”

“Japan?”

“Bingo.”

Your brain is slow, groggy, and running on fumes, but something about that answer sticks. “Wait,” you say, frowning. “What flight are you on?”

Oikawa glances at you, like he knows exactly what you’re about to realize. “4:00AM to Haneda.”

You stare at him. “No.”

His grin is almost devious. “Yes.”

Your stomach drops.

Fourteen hours. Fourteen whole hours, stuck on a flight. With him.

Oikawa watches the realization dawn on your face, and for the first time since he sat down, he looks genuinely entertained.

“Well,” he says, stretching his arms over his head. “Looks like you’re stuck with me.”

You are going to lose your goddamn mind.

two.

For all your romcom consumption, you never stopped to consider what you would do if coincidence and chance conspired against you in that manner. You figured if fate was ever going to meddle in your love life, it would be in an incessantly normal way—maybe a slow-burn situation with a coworker, or a friend-of-a-friend you never noticed until one fateful night.

Not… this.

Not staring at seat 14A like it’s a death sentence, because your boarding pass is crumpled in your fist, because of course when you finally find your row, Oikawa Tooru is already lounging in 14B, looking far too pleased with himself.

He glances up as you approach, then breaks into the most shit-eating grin you’ve ever fucking seen.

“Well, well, well,” he drawls, leaning back like he just won the lottery. “Fancy seeing you here.”

You stop dead in the aisle, refusing to believe what your own two eyes are telling you.

“Are you following me?” you blurt, because there is absolutely no way the universe would do this to you.

Oikawa, ever the dramatist, clutches his chest. “Sweetheart, if I wanted to follow you, I’d at least be more subtle.”

“Show me your ticket.”

He raises an eyebrow but pulls out his boarding pass with a flourish anyway. You squint to read the text, half-hoping that you would find some spelling error that could place either of you somewhere else. But nope: his ticket reads 14B in big, bold letters, right next to Oikawa Tooru and Gate 11.

You exhale slowly, pressing your fingers to your temple. Jesus fuck. He manifested this, with his snarky commentary and all about being stuck with him; you would say that you’re gonna kill him for this, but evidently, karma is real and terrifying.

Oikawa, meanwhile, is having the time of his life.

“What are the odds?” he muses, tucking the ticket back into his hoodie pocket. “Out of all the seats on this flight, I get to sit next to you.”

“This is a nightmare,” you mutter.

“Nightmares are scary,” he says. “I’m a delight.”

You glare at him and shove your bag into the overhead bin with slightly more force than necessary. He watches, thoroughly entertained, as you lower yourself into your seat like you’re walking into a trap.

The cabin fills with the usual pre-flight chaos—flight attendants directing traffic, the hum of passengers settling in, the occasional thud of an overhead bin slamming shut. You try to focus on that, on anything other than the man currently making himself comfortable in the seat beside you.

Maybe if you ignore him, he’ll get bored.

Oikawa leans an elbow on the armrest between you, tilting his head slightly. “So,” he says. “What’s your in-flight entertainment plan?”

“My what?”

“You know, what’s gonna keep you occupied for the next fourteen hours?” He gestures vaguely to your bag. “Movies? Reading? Soul-searching?”

“Sleeping,” you say immediately. “It’s four AM. Like a normal person.”

Oikawa tilts his head, considering. “See, I would believe you, but you already look wide awake.”

You scowl at him. Because unfortunately, he’s right—your body is so far past exhaustion that sleep is a distant, unattainable dream. You sigh and shift in your seat, pressing yourself closer to the window.

He grins, victorious. “You should talk to me instead.”

You let out an actual laugh—short, sharp, disbelieving. “Why the hell would I do that?”

“Because I’m fun.”

“You’re insufferable.”

“Same thing.”

You shoot him a flat look. “I don’t like you.”

“And yet, you still haven’t put your headphones in,” he points out.

Damn it. You hate that he’s right. Again.

You huff, finally fishing your headphones from your bag and shoving them into your ears with exaggerated finality. Then, just for good measure, you turn to the window and squeeze your eyes shut.

Oikawa doesn’t say anything else. For about thirty seconds. Then, right as the plane begins to taxi down the runway, you hear him say, way too smugly for your liking, “you’re gonna talk to me eventually.”

You pretend to be asleep. You can feel him watching you, like he’s waiting for you to crack, like he knows something you don’t. 

Ugh. This is gonna be a long flight.

three.

By hour three of the flight, you’ve come to realise that Oikawa has a surprising love for the classics. 

Trust: you weren’t actively trying to notice his choice of in-air films, but your periphery and conscience betray you, and you become acutely aware as your seatmate cycles through The Proposal and Crazy Stupid Love (two objectively incredible films). He cues 10 Things I Hate About You next, which is probably your favorite movie of all time; you adore said movie so much that, despite all of your previous complaints and window-seat protests, you eventually lean into the seat rest separating you two and watch along.

Not openly, obviously. Not in any way that would give Oikawa the satisfaction of knowing he’s captured your attention. You angle your face toward the window, feign a vague disinterest, and sneak quick glances when you think he’s not looking.

Spoiler: he notices immediately.

“You know you could just watch with me,” Oikawa says, not even bothering to take his eyes off the screen. “You’re not exactly subtle.”

“I don’t know what you’re talking about,” you say flatly, keeping your gaze stubbornly trained on the clouds outside.

“Uh-huh.” He shifts in his seat, casually turning the screen toward you. “C’mon, if you’re gonna steal glances, at least commit.”

“I wasn’t stealing anything,” you huff, but it’s weak, and you both know it.

Oikawa smirks, and—against your better judgment—you give in, finally glancing at his screen properly to watch Kat Stratford dancing drunkenly on a table. He offers you one of his earbuds, which you take very, very tentatively. You would be deeply unhappy about the proximity if your love of Hypnotize didn’t trump it. 

You sigh, leaning your cheek against your palm. “This movie is so good.”

“Right?” Oikawa grins, clearly pleased with himself. “Pretty bold of you to call me insufferable when you clearly have taste.”

You narrow your eyes at him. “What does that mean?”

“It means you love this movie, I love this movie—therefore, you and I have more in common than you’d like to admit.”

You scoff, but there’s no real bite to it. “Liking 10 Things I Hate About You is just basic human decency.”

Oikawa presses a hand to his chest, mock-flattered. “Oh, so now you’re calling me decent?”

“No, I’m calling the movie decent. You’re a fluke.”

He gasps dramatically, then shakes his head, muttering something about how you wound him. But his smile lingers as the film plays on, and maybe—just a little bit—you don’t find his presence as unbearable anymore. He’s too distracted watching Joseph Gordon-Levitt pine to be truly annoying.

Somewhere between the next few scenes, you relax completely, not even pretending to look away anymore. You’re leaning in slightly now, watching the moment where Patrick buys Kat a guitar, and it takes an embarrassingly long time for you to realize that Oikawa’s staring at you instead of the screen.

You blink. “What?”

He tilts his head, amused. “You’re, like… really into this.”

You scoff, flicking your gaze back to the movie. “I just appreciate good cinema.”

“Oh, so you’re a romcom person.”

You hesitate—because there’s something about the way he says it, a sort of curiosity that feels deeper than just casual conversation. It could be interpreted as judgmental, but somehow, the way he says it doesn’t seem to be. Still, you brush it off, nodding begrudgingly. “Yeah. So?”

Oikawa hums, glancing back at the screen as if weighing his words. Then, without looking at you, he says, “Do you think this stuff actually happens?”

“What, grand romantic gestures?”

“Yeah. Stuff like this. The running through the airport thing. The whole public love confession in front of the entire school thing. Do you think it’s real?”

You consider it for a moment, shifting in your seat. “I think… I think people want it to be real,” you admit, watching as Patrick and Kat kiss in the movie’s final scene. “Like, deep down, even the most cynical people kind of want to believe that this kind of thing could happen to them.”

Oikawa doesn’t respond right away. He just watches you, his expression unreadable.

Then he asks, voice softer this time, “And do you?”

The question settles in your chest, heavier than it should be. Do you believe in grand gestures? In someone showing up unannounced at your door, confessing their feelings in the pouring rain? In someone looking at you like you’re the only thing in the world worth fighting for?

If you’re being honest, you’re a hopeless romantic at heart. It’s why you love the genre so much—because despite all your cynicism, despite every realist take you’ve ever had, a part of you still wants to believe in love that lasts. You just don’t think it’s likely. People fall out of love with each other. Feelings fade. Real life is rarely as cinematic as the movies make it seem.

You exhale, suddenly too aware of the way Oikawa’s watching you, like he sees right through you.

“I think it’s… nice in movies,” you say carefully. “But in real life, people just disappoint you. It’s not worth taking the chance and getting hurt.”

Oikawa studies you for a long moment, his expression unreadable. Then, to your utter surprise, he smiles—small and knowing, the kind that makes your stomach do something weird.

“Well,” he murmurs, leaning back in his seat, “maybe you just haven’t met the right person yet.”

Your breath catches. You hate the way your heart stumbles over itself, just for a second.

You force yourself to roll your eyes, turning back toward the window. “Gross,” you mutter, hoping he doesn’t hear the slight waver in your voice.

Oikawa just chuckles, hitting play on When Harry Met Sally.

“Talk to me when we hit the part where Meg Ryan fakes an orgasm,” he says, stretching his arms behind his head. “Then we’ll really see where you stand on romance.”

You shake your head, biting back a reluctant smile.

And as the flight drags on, you realize—with a sinking feeling—that you don’t actually mind sitting next to Oikawa Tooru as much as you thought you did.

Oh God. That can’t be good.

four.

Halfway through the scene where Harry and Sally are in flight, you decide, after much internal conflict, that you’ll allow yourself to like Oikawa for this flight and this flight alone. It’s harmless. A temporary indulgence. You can enjoy the anonymity, let yourself sink into the moment, and then disappear once the plane lands. Maybe you’ll see his Olympic gameplay on TV one day, mention it offhandedly to whoever you’re with at the time, and then promptly forget about him.

Because here’s the thing: if you let yourself, you could probably fall for people pretty easily. You keep your guards up because it’s safer, but you imagine that love is like getting sucked into a black hole—you either fall forever, or you hit the ground so hard it shatters you. And if there’s one thing you know about yourself, it’s your tendency to self-sabotage: you don’t remember a single relationship you’ve had where you didn’t walk away first. You really would prefer to keep your romantic fantasies in fiction; it hurts less. 

You never realized that Oikawa could share this conviction. 

He doesn’t say anything when you shift slightly toward him, resting your arm on the seat rest between you. He doesn’t comment when you fully give in, watching When Harry Met Sally with him like it’s something you’ve been doing forever. He just lets it happen—like he expected it, like he knew you’d cave.

You don’t like that. But you do like the movie.

The scene in the airport plays, Sally meticulously laying out her travel quirks—I like the aisle seat, so I can stretch my legs. I don’t like to eat between meals, but I always want something sweet after dinner. You smile to yourself. You’ve always loved the specificity of it: how she knows exactly what she likes, how she doesn’t compromise on it.

“I feel like dating you would be exhausting,” Oikawa muses abruptly, arms crossed over his chest. 

You tear your gaze away from the screen just long enough to give him a withering look. “Excuse me?”

He gestures vaguely in your direction. “You’re too—” He pauses, searching for the right word. “Particular.”

You scoff. “And you’re not?”

“Not in the same way.” He shifts slightly, smirking. “You’d analyze me to death. Pick apart every little thing I do.”

You raise an eyebrow. “You say that like you wouldn’t be a terror to date.”

Oikawa grins, looking entirely too pleased with himself. “Thinking about dating me, are we?”

“I’m thinking about how insufferable you’d be,” you correct, turning back toward the screen.

“Mm. You sure?”

You shoot him a look.

He sighs, dramatic as ever. “Shame. I’d be great at it.”

You snort. “Doubt that.”

His smirk widens. “That sounded a lot like a challenge.”

“It’s not.”

“I think it is.”

“Oikawa.”

He chuckles, finally turning back to the movie, and for some reason, you feel yourself relax again. The teasing is easier now, lighter. You don’t hate it.

And, despite yourself, you sneak another glance at him before looking back at the screen.

The movie plays on. Harry and Sally are walking through Central Park in the fall, debating the age-old question of whether men and women can be just friends. You know every word of this scene, could probably recite it in your sleep. 

“I love this part,” you say, before you can stop yourself.

Oikawa glances at you, intrigued. “Why?”

“It’s just—” You pause, searching for the right words. “It’s the conversation. The way they both believe so deeply in their own side of things. And they’re both right, in different ways.”

Oikawa hums, tilting his head. “So, which one are you?”

You blink. “What do you mean?”

“Do you think men and women can just be friends?”

You hesitate. You’ve thought about it before, obviously—you’ve had guy friends, you’ve had moments where those friendships blurred at the edges, where you wondered if they were really as platonic as you claimed. 

“I think it depends,” you decide finally. “Some people can. Some people can’t.”

Oikawa watches you for a beat, his expression unreadable. “And what about us?”

Your breath falters; the question feels heavier than it should. You force yourself to scoff. “We’re not even friends.”

He laughs, and you hate how warm the sound is. “Cold.”

You shift in your seat, trying to ignore the way your stomach flips. “I just mean we met, like, five hours ago.”

“Five very meaningful hours,” he says, nodding seriously.

You shake your head, turning back to the screen—just in time for the diner scene.

“Oh, here we go,” Oikawa murmurs.

You grin. “Cinematic excellence.”

Sally fakes an orgasm, loud and unashamed, right in the middle of Katz’s Deli. You try not to look at Oikawa as you laugh, but his presence is suddenly overwhelming, like you can feel him beside you even without looking.

“She’s got a point, you know,” he says.

“What?” You glance at him.

He gestures to the screen. “Half of dating is just making people think you’re having a good time.”

You scoff. “That’s your dating experience, maybe.”

Oikawa raises an eyebrow. “Oh?”

“You’re a playboy.”

He groans. “I knew you were going to say that.”

“Because it’s true.”

“It’s outdated,” he argues. “Was I kind of a flirt in high school? Sure. But I grew out of that.”

You snort. “Did you?”

Oikawa turns to you, expression softer now. “I did,” he says, and you don’t know why, but the look in his eyes and the way his voice wavers make you believe him. 

There’s something almost sad about it, how under his layers of bravado and grandiosity, he seems just the slightest bit lonely. You don’t say anything. You just watch him, the way his jaw tenses slightly, the way his fingers drum absentmindedly against the armrest.

“I don’t know,” he continues, voice quieter. “Never really met someone who gets me like that.”

You hesitate. Then, before you can think better of it, you mumble, “I get that.”

Oikawa looks at you. Something shifts between you. Not huge, not dramatic—but something.

You clear your throat, turning back to the screen. “The best part of this movie is the ending, anyway.”

He watches you for a second longer, then smiles slightly. “Yeah?”

“Yeah,” you say, watching as Harry races through the streets on New Year’s Eve, heart in his throat, words spilling out in a desperate confession. “Because he realizes it’s real.”

Oikawa hums. “And you don’t think real love is like that?”

You hesitate. You really don’t want to answer that question, not right now. So instead, you shrug. “Like I said, it’s nice in movies.”

Oikawa doesn’t push. But as the credits roll, he glances at you one last time, something unreadable in his gaze. He’s not entirely convinced by your answer, and you both know it, even if he isn’t saying it aloud.

five.

Oikawa’s phone password is his own name, which is a fun fact you discover as your flight nears hour ten.

You don’t even mean to find out—really, you don’t. He dozes off halfway through Crazy Rich Asians, phone balanced precariously on his knee, screen still lit up from whatever mindless scrolling he’d been doing before sleep claimed him. He’s slumped in his seat, arms crossed, mouth slightly open in a way that would be embarrassing if he were anyone else. But he’s Oikawa, and people like him have a way of looking effortless even in sleep.

The moment the phone slips, it’s like slow motion. It free-falls, landing with a soft thud on the armrest between you. Oikawa startles awake, lashes fluttering, hands fumbling to catch it a second too late. His fingers curl around the device, flipping it over with bleary concern, only for the screen to glare back at him—locked.

And that’s when you see it.

You don’t mean to. It’s just…right there. The exact moment his fingers trace out the unlock pattern, it clicks into place, predictable in a way that makes you snort.

“Oikawa.”

He turns toward you, still shaking off the drowsiness. “Huh?”

“Your password,” you say, fighting a smirk. “You really chose Oikawa?”

He yawns, unbothered. “And?”

“And that’s… so predictable.”

He stretches, spine arching lazily before he slouches back down, as if the conversation itself is something he can’t be bothered to put effort into. “Predictable or genius? You tell me.”

“Predictable,” you say immediately. “What if someone tries to hack you? Your name is the first thing people would guess.”

Oikawa grins. “Exactly. It’s so obvious that no one would actually think I’d use it.”

You scoff, shaking your head. “I bet all your passwords are just variations of your own name.”

He makes a noise of vague offense, rubbing a hand over his face. “That’s an outrageous accusation,” he says, clearly lying.

You narrow your eyes. “Your Netflix account—Oikawa123.”

He lets out a small, amused breath. “No comment.”

“Instagram? KingOikawa.”

“Hey, now—”

“Banking password?” You pause, then shake your head. “No, don’t answer that. I don’t even want to know.”

He chuckles, tipping his head back against the seat. “You’re awfully interested in my passwords, aren’t you?”

You roll your eyes. “I’m interested in the fact that you’re a narcissist.”

“And yet,” he muses, smirking at you, “you’re the one paying so much attention to me.”

Your lips part, an immediate retort on the tip of your tongue—but nothing comes out. Because damn it, he’s right.

Somewhere between hour one and hour ten, between watching him cycle through romcoms and pretending not to care, between brushing shoulders and arguing about the best scene in 10 Things I Hate About You, between the countless small moments where his presence started feeling less like an inconvenience and more like something else entirely—you started paying attention. And he knows it.

You let out a slow breath and turn toward the window. “I hate you.”

Oikawa laughs softly. “No, you don’t.”

You don’t respond. You’re too tired to lie.

 ***

At hour eleven, your seat neighbor learns something about you, too. It’s not even because you tell him, but because he notices.

The plane has dimmed its lights, casting everything in muted shades of blue and gray. The hum of the engine is steady, a low vibration beneath your feet. Most of the passengers have settled into varying stages of half-sleep—some curled against their window seats, others with neck pillows wedged awkwardly under their chins.

You, on the other hand, remain awake.

You lean against the window, knees drawn up slightly, arms folded. Your gaze is unfocused, staring out at the endless stretch of dark, empty sky. Exhaustion clings to you, but sleep never comes easy—not on planes, not in cars, not anywhere that isn’t familiar.

Oikawa shifts beside you, the rustle of fabric breaking the silence. Then, softly, he asks, “you don’t sleep well on planes, do you?”

You blink, a little surprised. “What?”

He nods at you. “You’ve been sitting like that for a while now. You look exhausted, but you’re still awake.”

You hesitate, because he’s right. You’ve never been good at this—at shutting your brain off, at forcing comfort where it doesn’t exist. Your body stays tense, your thoughts wired for worst-case scenarios, always preparing for turbulence that might never come.

“It’s fine,” you say, voice quieter than before. “I’ll sleep when I land.”

Oikawa watches you for a moment, then, without a word, grabs his hoodie from his lap and balls it up into something vaguely pillow-shaped.

“Here,” he says, placing it between you.

You frown at it. “What?”

“You’ll be more comfortable,” he says simply. “Try it.”

Your gaze flickers to his, searching for the inevitable teasing remark, the smugness, the gotcha. But for once, it’s not there. Just an easy, offhanded kindness.

You swallow. “You don’t have to—”

“I know,” he says, cutting you off before you can argue. “Just take it.”

After a moment of hesitation, you do.

And when you finally let yourself lean into it, letting the exhaustion settle into your bones, you hear him murmur—softer, barely audible— “See? Told you I’d be good at this.”

Because you’re actually significantly more comfortable and way too tired to argue, you just snuggle into the fabric and ignore your thumping heart.

 ***

At hour twelve, you wake up to warmth.

It’s subtle at first, just a gradual shift from the hazy quiet of sleep to the soft awareness of something unfamiliar. You’re warm, comfortable in a way you shouldn’t be, your head still heavy with lingering exhaustion.

Then, slowly, the details start to register.

The weight pressed lightly against your shoulder. The faint scent of something clean and familiar—fabric softener, maybe, or whatever detergent Oikawa uses. The steady rise and fall of breath, slow and even.

Your pulse stutters.

He’s leaned into you, his head resting lightly against your shoulder, body angled just slightly in your direction. His breathing is deep and even, completely at ease. At some point in the last hour, he must have drifted off.

And instead of moving away—you stayed. Your brain short-circuits. You should move. You should definitely move. But you don’t.

Instead, you sit there, utterly still, heart pounding with something you don’t want to name. Because this—this—is not how Oikawa looks on TV.

The Oikawa you’ve seen in interviews is all sharp angles and practiced charm, leaning into the cameras with a knowing smirk, effortlessly collecting attention like it’s his birthright. The Oikawa on the court is even sharper—brilliant and untouchable, playing with a confidence that borders on arrogance, eyes burning with something that makes it impossible to look away. Even after a game, drenched in sweat and exhaustion, he still performs—laughing, winking at the reporters, throwing casual remarks over his shoulder like he knows the whole world is watching.

But right now?

Right now, he’s none of those things.

His expression is unguarded, free of the practiced ease he wears like armor. His brow is smooth, his lips parted slightly, his breathing soft and steady. There’s no smirk, no carefully placed bravado—just quiet, unconscious stillness.

And it unsettles you. Because this is real.

This is not Oikawa under stadium lights or Oikawa playing to the cameras. This is just him, asleep against your shoulder, completely unaware of the effect he’s having on you.

And maybe that’s what makes it worse.

You exhale slowly, careful not to move too much, not to wake him. Your gaze drifts downward before you can stop yourself, just enough to see the way his hand has fallen between you, palm up, fingers lightly curled. For a second, just a second, you have the insane urge to reach out.

You don’t. Of course, you don’t. But the thought lingers, settling somewhere deep in your chest, unwelcome and impossible to ignore.

You turn your head toward the window, watching the faint glow of city lights far below, hoping the view will quiet whatever this feeling is.

It doesn’t. And still—you don’t wake him.

For some reason, you let him stay.

six.

There’s approximately one hour left before your plane is due to land, and you’re beginning to realize that you don’t actually want it to end.

Maybe it’s the absurdity of the whole situation, or maybe it’s because of your sleep-deprived delusions, but you like Oikawa. You don’t want to—really, you don’t. It would be infinitely easier if he were just another stranger you made small talk with before forgetting the moment you stepped off the plane. But no. He had to be annoying and charming and stupidly perceptive. He had to watch romcoms like he actually gives a damn about them. He had to see through you, easily and effortlessly, as if he simply understood you.

And now, because the universe is cruel and loves to humiliate you personally, you’re sitting here in the final stretch of this flight, hyper-aware of every single second ticking down, not wanting it to be over.

Oikawa doesn’t seem to share your existential crisis. He’s been quiet for the last twenty minutes, scrolling lazily through his phone, one elbow propped against the armrest between you. Every so often, he glances up at the in-flight map, watching as the little airplane icon inches closer to Tokyo.

You hate that it makes your stomach sink.

You shift in your seat, pressing your temple against the cool window, staring out at the early morning sky. You wonder if this is how romcom characters feel in that inevitable third-act moment, when they realize they’ve accidentally gone and caught feelings. When they recognize, with dawning horror, that the person they were supposed to be indifferent to has somehow carved their way into their life.

The difference, of course, is that those characters always get a happy ending.

You don’t know what you get.

The PA system crackles overhead. A flight attendant reminds everyone to prepare for descent. Around you, there’s the familiar rustle of people adjusting in their seats, pulling out jackets, stretching the stiffness from their limbs.

Oikawa shifts beside you, adjusting his hoodie. “Almost there,” he murmurs.

You hum, noncommittal. You think he’s going to leave it at that, but then he glances at you, eyes sharp despite the sleep still clinging to his edges. He tilts his head slightly, like he’s studying you. “You okay?”

Your grip tightens on the armrest. He notices too much. You should’ve known that he would see it—the way you’re staring too long at the window, the way you haven’t snapped at him in a while.

You force yourself to scoff. “Why wouldn’t I be?”

Oikawa smirks like he knows something you don’t. “No reason.”

You hate that. You hate how easy he makes it look, the whole watching-you-like-you’re-a-puzzle-he’s-figuring-out thing. You hate that part of you wants him to keep looking.

You exhale slowly, turning back toward the window. The seatbelt light dings on. The plane begins its slow descent, the city below coming into sharper focus.

It’s almost over.

 ***

Airports are supposed to be soulless places. That’s what you tell yourself, at least, as you walk through the terminal—bleary-eyed, exhausted, your carry-on digging into your shoulder. Your brain is already working on a plan: get your bag, get through customs, forget Oikawa Tooru exists.

That plan lasts approximately five seconds before you hear it.

A cheer. Loud, unmistakable, coming from somewhere near Arrivals. You glance over, along with half the airport, and that’s when you see them.

A couple, standing in the middle of the terminal like a goddamn movie scene. One of them—tall, dark-haired, a duffel slung over his shoulder—is staring at the other like he can’t quite believe she’s real. The girl—small, blonde, practically vibrating—throws her arms around his neck and kisses him so dramatically that the people around them actually applaud.

You blink. “What the fuck.”

Oikawa appears at your side, hands in his hoodie pockets, watching the scene unfold. You can feel him glance at you, the smirk already forming.

“Well,” he says, voice smug, “would you look at that.”

You roll your eyes. “Don’t.”

“Don’t what?”

“You know what.”

He hums, still watching the couple, who have now dissolved into an absolute mess of forehead kisses and whispered I missed yous. It’s excessive. It’s dramatic.

It’s also… kind of nice.

You hate that you think that.

Oikawa stretches, tilting his head toward you. “So?”

You frown. “So, what?”

His smirk widens. “Do you believe in it yet?”

Your heart does something stupid. Because the question—it’s not just a callback to your in-flight debate. It’s not just him poking fun at your skepticism. It’s softer than that. More curious. Hopeful, even.

Do you believe in grand gestures? Do you believe in love that doesn’t disappoint? Do you believe in something real?

The answer forms before you can stop it. 

“…I think I’m starting to.”

Oikawa stills. Just for a second. Then, slowly, his grin shifts into something real.

You exhale, turning back toward the baggage claim, but before you can walk away, something stops you. Maybe it’s the exhaustion. Maybe it’s the high of stepping off a fourteen-hour flight and still feeling wired.

Or maybe it’s just him.

Before you can second-guess yourself, you reach for his hoodie pocket.

Oikawa blinks. “Uh—”

You pull out his phone, type in his password, and create a new contact in his list. You quickly type in your number, and pause for a second, considering, then—just to be an ass—save your name as oikawa hater. Then you hand it back to him.

Oikawa takes it, glancing between you and the screen, lips curling into something almost incredulous.

“Wow,” he says, shaking his head. “I’m actually speechless.”

“A first for you, I’m sure.”

He huffs out a laugh, eyes flickering back to his phone. He stares at your contact name for a second too long, like he’s memorizing it. Like he wants to. And then he locks his screen, tucks it back into his hoodie, and glances at you—grinning, smug, a little bit victorious.

“So,” he muses, as the baggage carousel hums to life. “Do I get to keep my title as your Peter Kavinsky now?”

You roll your eyes, biting back a smile. “Let’s not get ahead of ourselves.”

“You like me,” he says in a sing-song voice. “What happened to love only being good in movies?”

And maybe it’s just your imagination. Maybe it’s the jet lag, or the weird 6AM haze of existing between time zones. But as you step toward baggage claim, you swear—just for a second—Oikawa looks at you like the answer to that question might matter more than anything else.

Honestly, nothing is confirmed. He might never text you, or even if he does, who knows if you two would even make it past the first date. The world could end tomorrow, or he could completely forget about you, the way you thought he would. There’s always the chance that you’ll get hurt anyway. But he deserves to hear it. You, against all odds, want him to know.

So you turn, meet his eyes, and say, completely honestly, “Maybe you’re worth taking a chance on.”

⨭ closing; i wrote this instead of paying attention in my lecture lol i don't really know how i feel about this one yet but here's to hoping it'll grow on me when i'm not so tired from a long day of uni classes </3 let me know yalls thoughts but pls don't be mean :') thank u and love u all

[is-the-isat-pic-cute]

who is iburen i love him did you start tgis.

We were in the vc where it originated, yes. We're not The One Responsible but we've been involved from the beginning. I'm not going to use the unreality tag on this post because I'm being very open about the true nature of the character here. But anyway here's a summary of what he's about and the general canon.

Iburen is a goncharov-type character for ISAT. He's a paper type jester who uses he/it/they pronouns and is absolutely devoted to the King. They speak in a very relaxed, casual way generally: "hey man, even if none of them understand I've got you, all right?" (Iburen is the #1 King apologist.)

It's originally from the island, and was very close to the King pre-retcon. Sometime after the retcon, he made a wish to recover something, anything important from the past he had forgotten, and through that it remembered just how much it loved and cared about the King. With that being the one and only part of their past they remembered, it quickly cemented itself as the center of their motivations—they would do anything for him, and they're willing to support him in any endeavor no matter what it is. It does not turn against him even, say, at the end of kingquest.

Allegedy, they're a secondary antagonist in ISAT who gives support to the King during that fight. We (the group) never explicitly decided on the canon of that, but general agreement was that he probably mainly gives the King stat buffs.

We (the system) were pushing for its ultimate fate to be frozen alongside the King, but what was eventually decided was that it is NOT frozen and cries about the King so much during act 6 before being taken into custody by the House. Or, possibly, escaping to be a future antagonist. Or even both in that order.

After several proposed designs and a vote, Iburen's official design is this one by @charmilyharmily. You're welcome to make your own interpretations too but this is the "canon" one!

That's all the canon I can think of but if anyone else remembers anything feel free to add on! (And for these purposes, "canon" refers to the things that have been actually agreed on.)

(Also a lot is open to interpretation! This stuff is just a starting point, and there's nothing wrong with putting bits of it aside for an "au" or whatever.)

[imaginespazzi]

Ok I am reading linear GH instead of working and this anon is honestly unreal - I love that they put the parts too with the dates! I am just jotting a few things that really stuck out to me and showcase your fucking GENIUS. The way you carried the themes of timing, trust, soulmates throughout everything is amazing, and its honestly fucking bananas that you were churning out a chapter a week at the beginning of this.

September 2017 (Part 3) - Facetiming

"Because as long as it’s Azzi on the other side, Paige and her impatient self can wait however long it takes."

"The younger girl makes Paige feel like it’s okay if she takes a moment to just breathe. Because Azzi will wait. Because Azzi won’t leave Paige behind."

July 2018 - I don't have a lot to note about this one but its very cute and innocent that you made Belarus be their first kiss considering they were already… well

October 2022 (Part 10) - Paige birthday surprise

a straight male flight attendant is a wild choice Nivi

"That smile, Azzi thinks, might just be the reason her world keeps turning." -> ok you use this later on when Azzi is watching Paige carry Stephie into curry camp. I can't

April 2025 (Part 14) - ARMAGEDDON

oh wow I feel like having the failed proposal so early on is going to really impact how the rest of the story feels

May 2025 (Part 11) - First Wings Game

oh my god reading the proposal then Paige's breakdown after her first Wings game is too much honestly

"Paige finds herself longing for the cold, unfeeling exterior of a foreign hotel room." -> wow you use this again when talking about how Paige prefers the hotel room when ASW is in Dallas. Comparing that to how instantly at home she feels with Azzi and Stephie in Oakland makes me wanna combust.

August 2025 (Part 8) - ASW Slow Dance

Reading them drunk slow dancing outside behind the club so soon after the proposal is truly heartbreaking and I shed a tear (or 10)

April 2027 (Part 12) - Dallas Surprise

ok seeing the gap between August 2025 and Azzi seeing Polivia when she goes to Dallas… I am kind of wondering if anything happened in the 1.5 year gap in-between… besides Olivia sinking her acrylics into Paige

May 2027 (Part 12) - PREG

I picture Tristan looking like Tyler from this past season of love is blind - good looking light skinned guy with a breeding fetish (not a parenting desire thought lol)

It will never not amaze/impress me how you managed to make Stephie exist because of Paige in two different ways

December 2027 (Part 5) - Polivia Matrimony

reading the pre-wedding phone call HITS SO MUCH HARDER with all the context. Dear god.

Drew really doesn't hold back when he dislikes the person his sister is romantically involved with eh?

"hey there little bean. I’m your-” she stops because what is she, “I’m your Paige,” -> MOMMY

August 2028 (Part 7) - LA olympics

I love that we go from the wedding to this relationship being in absolutely shambles

I've said it before I'll say it again, Olivia is so valid for fucking hating Azzi

April 2029 (Part 8) - Paige Drunk Phonecall

Wow Clem must think Paige is an absolute barbarian based off that phone call

September 2029 (Part 2) - Paige Stephie meet

This one hit really hard too when read in context. Paige has for sure seen pics of Stephie on Instagram or on the sidelines at games and thought about Azzi being a mother, actually holding that little bean would be so emotional.

April 2030 (Part 9) - HUMPIN

Reaaaallly didn't take much for them to get back into bed

August 2031 (Part 13) - ASW Hoodie Autograph

This is another gap that sticks out to me when put in context. Like they had sex and then nothing for 1.5 years when they briefly cross paths again. Obviously Azzi was busy with a toddler but without even Olivia to distract her I can imagine Paige just being so depressed wallowing in Dallas.

August 2032 (Part 13) - LAST TIME

Again seeing this in sequence stood out to me as they had sex SIX MONTHS before the story technically 'starts'… and of course have an argument/encounter that is pretty intense. I have to admit I thought it was a bit out of place how ANGRY they were in chapter one and how much they didn't want to encounter each other let alone be on the same team, especially given the fact that they had slept together a few times and had non-angry interactions. The balcony scene here really puts things in perspective. All they want is each other, but they are so damn stupid lol

February 2033 (Part 2) - Paige signs contract/ice cream date

Ok it is actually so funny that when we first got this chapter and Paige saying "“She was the most beautiful girl in the world,” “she still is.” seemed like a really bold move of Paige… in context they fucked 6 months ago its not bold at all

March 2033 (Part 5) - "It wasn't over, it still isn't over" notebook scene in Steph's office

Alright this is getting really long but I will echo what other people have said… they got together SO QUICKLY. Wild considering I remember when getting the weekly updates being so impatient for them to get together but they are making out/'taking it slow' like … 3 days after P moves to Oakland

ANYWHOOOO You are the best and I can't wait for the rest of the story ❤️❤️ 🦫🦫

Thank you my love, that means a lot to me. To be fair, those first few chapters were relatively shorter than the ones I've put out more recently and honestly, the story was still relatively simpler back then.

LMFAO I wasn't even thinking about male attendant stereotypes while writing that ngl

I want to pretend that some of these repeated lines were intentional artistic genius, but I have to admit that it is at least partially just me running out of things to say lmao.

I lowkey forget the drunk slow dancing scene exists but yeah that was for sure an insane moment of them

Polivia sounds like polio which sounds like a disease which makes sense...

But I don't think much happen in those one and half years, especially because they barely see each other the first half of it, since Azzi's not in the W yet and then their first year with both of them in the W is just very awkward, but every time they see each other other, Azzi especially, they miss each other.

Drew did everything in his power to stop that wedding lol

Olivia is valid in every single feeling she feels to be honest like that girl suffered for absolutely no mistake of her own

All they needed to fuck was a little bit of liquor and both of them single lol

Paige was either sulking and celibate of fucking every woman with a pulse that year but it's up to interpretation for y'all what happened the year after the divorce

Ahh I'm so glad you mentioned this because really I think a lot of how they behave only really starts to make sense after you've gotten all of the events and Linear anon putting the events in order makes it all make more sense. They're angry at each other because the argument is fresh and it's also easy for them to fall back into each other, because if we're being real, they already had relapsed a couple of time.

LMFAO yeah it took them literally a second which wasn't my original plan. I was gonna have a lot more back and forth but I also felt like they were in a place, where sort of going too fast just happened naturally and added to the conflict later on.

[tora-the-cat]

You point out to adult team 7 that Kakashi is getting old and will NEVER convince them he's aged a day since 25 but like. In the funniest way possible. Because they will ALSO never beleive he looked a day under 50 when he WAS 26 so. It kinda cancels out. Team seven voice "Kakashi sensei is NOT old he just LOOKS like a ragged old crone. His hair has ALWAYS been thin and white and falling out and he has ALWAYS had worry wrinkles and sunken eyes and he smells exactly as weird gross as always and his hunch is actually BETTER then it was when we were gennin and his memory isnt failing hes just an ASSHOLE-" all the while Kakashi is planning out what embarrassing shit he's gonna have to tell their kids after this as recompense. All of kakashis friends are crying trying tnot to laugh as his team gets more impassioned and their agemates remember hoe truly unhinged they are.

[nuclearangelics]

zombiewood on the brain again

[wojtekaneko]

John design, based on this post. He's a worm, he's a bird, he's a tree, he's whoever he wants to be. But most importantly he is a kitchen faucet! Love drawing him! Closeups under the cut c:

[victarin]

this joke has definitely been made before but im just thinking again abt how solar lunacy is the whole reason i started drawing (or learned how to draw) the dca

[raspberryfries]

commission for my friend on twitter <3

[hazbinvalvelvox]

OMG this ! Incredibly smart art 💙💜

God they look so so sexy 😮‍💨

Art by Kaaroo_001 on X

[peachie5000]

Kamen Rider Build Plot Synopsis.png

[moss-on-a-pebble]

Lil Good Omens crossover cuz I felt like they lowkey fit the scene

[cherrirui-official]

Uhm uhm uhhh INCREDIBLY self indulgent Trolls Au that's centered around John Dory and Bruce called Beach Bros bc I like them and I think there should be more content surrounding them as a duo *looks at you with my big wet eyes*

EXTREMELY short explanation + design refs under the cut! CW for mentions of drowning

There's a lot I got planned for it but for now the basics is that after I'd say around 8-10 years after Brozone split up, John Dory received the postcard that Bruce sent him. Now bc JD believed none of the other trolls were alive (since he went back after all the pop trolls escaped Bergen Town and found the Troll Tree empty) JD was ECSTATIC to find out that at least one of his brothers was still alive and immediately began searching for Bruce. Took him about a couple of days but eventually JD managed to locate Vacay Island!

And then almost drowned while crossing the waters... On Bruce's fucking wedding day.

After that ordeal, JD decides to live with Bruce and Brandi on Vacay Island!

Again there's a LOT more to it but it's late and I am extremely tired, I'm gonna go to sleep lol. ALSO if y'all have any questions abt the au, feel free to ask! I'd be more than happy to answer them as best as I can :] !!!!

(also while making designs for them I accidentally made JD look much younger than Bruce I think, oops 😔)

[summers-art]

These two are all I've been thinking about for a week now, so naturally I had to make a comic about Episode 9 Missing Scene to cope

[rangshi4ever]

THERE FACES ARE LITERALLY MY REACTION LMAO

And another mean cliffhanger from my in laws are obsessed with me. this is two times in a row 😩

[wanderlust-in-my-soul]

What makes you happy the most these days? I got a new friend. How do you feel when you are with that new friend? I just feel comfortable. We just became friends. And it's not like we spent a lot of time together. But he is the most comfortable friend I have right now. I don't have to try so hard in front of him. I don't have to be someone I'm not. And I am happy when I'm with him.

[starburr]

Im a tf one megop believer, aka a child of divorce/j also somewhat unrelated but look at the look D-16 gives Orion goddamnit, I bet he knows hes charming and being all flirty with him