#i love that this is the first thing i've ever posted publicly and it's this abomination

[livecrow]

You've been kidnapped by the local butcher and he convinces you he's going to fucking eat you.

Dark!Ghost x fat fem reader drabble

CWs: dead dove, rape, dehumanization, gaslighting, bondage, undiscussed kink(?), animal play(?), threats and talk of cannibalism but no actual cannibalism

(A tidied up and extended ramble I subjected @391780 to on anon. Inspired directly from their post where Butcher!Simon draws a diagram of beef cuts on you.)

_____________________________________________________________

It’s pretty immediately obvious he’s a murderer. He’s probably a serial killer for all you know.

In reality, Simon doesn’t consider himself a serial killer, despite his body count. He’s just someone who doesn’t have qualms dealing with nuisances. He’s a retired vet, after you’d killed enough people, what’s a few more? 

No, his kills were just business, practical. They were men who made the mistake of getting in his way, of being inconvenient. Most, anyway—there’s at least one or two whose only crime was being an especially annoying cunt. Sometimes, some people  “jus’ need killin’”. 

As a butcher, he does find the implication funny, but no, he’s not eaten any of the scum he’s off’ed. “Don’t serve ‘em up to customers, neither”. After all, Simon’s got far higher standards than that. They weren’t even fit for dog food and he has a reputation to uphold. No one can compete with his quality. 

No, you’re nothing like them. You’re special.

Never in his life had he seen a prettier creature—and you’re absolutely prime. He’s salivating just looking at you, plump and oh so soft. He can see it in the way your skin wobbles gently as you move about. Simon couldn't find a straight line on you. And he’s looked. He’s been transfixed watching you, aching.

You live your life meandering obliviously, no brand in sight, not even a tag on your ear. He's surprised no one else snatched you up. Poor thing left to fend for itself ‘s cruel. Nothing else to it. 

Wrangling you was simple, it’s not like your large form actually offered you anything towards your defense. It was easy, really. Your lack of instincts was staggering, it was even more shocking that you lasted this long, he almost couldn’t stop himself from laughing.

You were clueless to the danger, even when it was directly in front of you, it only endeared you to him. Your eyes roved over him, not paying him any mind, just carrying on about your undoubtedly inane business. Only when he was on you and it was too late did you start to kick up a fuss.

The look of panic on your face was just priceless. All this crying and babbling nonsense like, “What are you doing?!” and “Stop!”.

Simon's main concern was not damaging you too much, he was careful. Just a single huge bicep around your neck and any fight you had seemingly evaporated with fright. You're bent over in a headlock, his grip as rigid as a pillory, but he’s not applying enough pressure to actually choke you. You’re just forced helplessly to come along or be dragged.

Not that it would have mattered if you were too wild to be led, he would simply tighten his hold, and allow up a quick nap. He’d pull out the dolly, load up the truck and be on his way.

On the big stainless steel work table the metal stings you even through your clothes. Unfortunately for you, even that scant protection doesn't last. The sight of the shears was enough to paralyze you again, and with a handful of strategic snips, Simon rips your last vestiges of humanity from you. All your skin transforms to gooseflesh, shivering on the table, but your nipples is where his roaming gaze finally settles.

He’ll have to remember to adjust the heat later. After all, “‘s a bit early to start chillin’ you”, he’d chuckle. You were a bit of silly thing, he thought. Maybe it’d be a minute till you’d actually catch on.

You're his little prize. Simon will coddle you, give you plenty of softness and warmth. You’ll not want for blankets, pillows, and other such treats, but not a stitch of clothing will ever touch your skin again. There would be no hiding your nakedness.

“Clothes? Clothes ‘re for people, what y’ need clothes for?” he scoffed. You don’t make the mistake of thinking it’s a question, because he doesn’t want you to answer. A dog doesn’t answer “who's a good boy?” does he? 

He’s measuring you, jotting things down. You think distantly that the pencil looks puny in his fist. While he's at it, he's feeling and squeezing every inch of you. You’re groped and prodded like some saran wrapped package of beef at the grocery store.

Only when you think there’s finally a reprieve, you’re being hogtied. You’re trussed up in practically half a roll of twine, fat bulging between the strands, desperate to escape its bite. Simon says it looks good on you, can’t resist taking one of your new little rolls between his fingers, giving you a teasing pinch. You struggle of course, but the terrifying man commands you to “Settle”, says the only thing your fussing will get you is rope burn. 

He claps you on the ass affectionately, assuring you that the scratchy string is only temporary. He knows a guy for leather, does good work. All hand stitched. Simon will have a proper harness made for you. Something with a lot of d-rings. It will be more comfortable for you and he can situate you how he likes with minimal bruising or chaffing. 

As he admires your skin, he’ll remark offhandedly that he’ll have to ""'ave somethin' from you" too. He’s not usually one to bother, but it’d be a travesty to waste hide like yours. Couldn’t find more supple could y’? He hasn’t decided what’ll be yet, he’ll need to do some maths to figure out how much material you'll make. Behind his mask and the façade of impassivity, he savors your reaction. That’d be about the first time your consciousness flees from you.

Simon will lay it on thick, praise how "well-marbled" you are. Delectable. So plump and well-fed, you can't blame him for any of this, really. He'll say something about kobe beef and taking good care of you. He’ll massage you daily, knead every inch of you between his huge oiled hands. He'd take his time, temple t' toes. You couldn’t get a knot in a muscle if you tried.

Your more delicate bits don’t escape his tender ministrations either. He takes painstaking work in rubbing your insides down with thick fingers, wringing orgasms from you until you're limp and still as the rest of the meat in his shop. Says it’s good for the flavor, will make you even sweeter.

It’s all completely horrifying, it has to be a nightmare. He says all this so casually, like he’s telling you the time of day. This man is truly completely deranged. 

His hands are always on you, it’s never fucking ending. He's taken it upon himself that you never “exert” yourself and you have no choice in the matter. Bastard won’t even let your hands free to eat or bathe. He "grooms" you. Brushes your hair, trims your nails, cleans your teeth, brushes, lathers, rinses, dries, moisturizes your skin. It’s humiliating and you hate every second of it.

The juxtaposition is too much, the horror and absurdity of it all. All the restraints and manhandling, your looming demise, while insisting on soft surfaces for you, water temperature just right, food carefully curated and cut up just so. He won’t let anything happen to spoil the meat.

He doesn’t spare any expense on your “feed” either. You eat what he eats, might as well be eating off his plate. Albeit simple, it’s good food, you don't see a point in denying it. It's fresh and flavorful and to no one’s surprise it includes a lot of meat. Always from his shop of course, only the best for you.

He’ll bring out some new parcel every night for dinner, unfolding the brown paper wrapping, holding up to you to admire his work. “‘S a ribeye”. He goes on about the marbling, the even color of the meat. “Couldn’t find fresher” he’d say, "was only jus' bleedin' this mornin'".

You’re his captive audience. There’s nothing else you can do but warily watch him make dinner, even if seeing a blade in his hand gives your heart palpitations. Steak, sautéed mushrooms, jacket potatoes, roasted broccoli.

You’ve long since stopped fighting him when it comes to meals. Because it can always get worse. After being bent over on the floor, forced to eat off a dish without the use of your hands, you’d resigned yourself to the fact that eating off his fork was a sufferable compromise. Still, if he’s in a mood he won’t even allow that. You'll eat off his fingers, and he’ll laugh at your expense and chide you when you inevitably “make a mess”. 

The food was prepared, but this time the kitchen knife didn’t leave his grasp. It wasn’t a steak knife. It was too big and not serrated, but that didn’t seem to bother Simon. It certainly bothered you. Its presence loomed like a guillotine in your peripheral.

He feeds you bites between his own. Every mouthful and he looks so pleased. You desperately missed his mask at meal times. At least then you couldn’t see his smug fucking face.

On the plate the steam billows and curls. The meat gives easily under your molars, practically melts in your mouth. Hot and rich and juicy, it’s basted in butter, with garlic cloves and sprigs of rosemary, seasoned with cracked peppercorn and flakey sea salt. It’s a touch rarer than you’d like. 

You wish you were capable of escaping the horror of it all for even a second, pretend you were anywhere else, with anyone else.

Simon punctuated his first bite with a low rumble of approval, watching you with those dark, cavernous eyes. He’d continued in that way, a man content in silence.

”...you'll taste better.”

He waited until your last bite to say it, maybe that was mercy on his part. The meat transformed in your mouth, became sinewy and bitter. You couldn’t swallow, and went to spit it out. But he expected that apparently, was on you in a second. Giant rough hand sealed over your lips, practically enclosing the bottom half of your face, smooshing your cheeks up into your eyes. 

“Chew.”

It takes longer than usual, but you try to obey. His hand hasn’t moved from your mouth.

“Swallow.”

His eyes move from yours to your neck, his thumb grazing your throat lightly, tracing the bite’s trajectory as you force it down. His eyes are back on you then. 

With Simon’s free hand he deftly pierces the last drippy morsel off the plate with the knife, popping it between his scarred lips. The hand still on you moves, migrates to cup your jaw, gradually starting to squeeze. You don’t have any fight left and open before it becomes painful.

Fear paralyzes you again, when he brings the knife towards you.

The movement is slow, as if he’s actually concerned about frightening you. He’s holding it longwise, pointed off to the side.

Then it’s on your tongue.

He drags the flat of the blade’s length across the trembling muscle, leisurely, only moving it away to flip it and clean the other side, myoglobin discarded on your tongue 

“They’ll say ’m ‘spoilin’ ‘er rotten’. Eatin’ off my own plate, sleepin' in my own bed, warm under my roof. Keepin’ you safe indoors. Such a sweet, tame thing, are you?”. He strokes your cheek, wiping at a drip at the corner of your mouth with a thumb before popping that in his mouth too.

Whenever Simon’s put up enough with your smart mouth, he enjoys the look of your wide wet eyes and your trembling lips stretched around a padded ring gag.

The sounds you make when gagged are special little nonsense noises, almost like you're trying to talk like a person would. Sweet, pitiful sounds. He also loves when wet, choked sobs that cascade out of your open mouth, forcing you to drool. “You’re so messy, sweet’eart. Nose runnin’, too.” Says you're leaking from practically every hole. Eyes, nose, mouth, cunt.

Sometimes, you might almost be fooled into thinking he feels sorry for you in those moments when you're hyperventilating and hysterical, or wailing so mournfully. He always hushes you when you're crying, pets and hold you, dries your face, as if he’s not the cause of your tears. Despite how much Simon adores the taste of them, adores the soft jingling of the little cow bell tied ‘round your throat when your whole body quivers with sobs, the stress will sour the meat. He’ll say as much, but surprisingly it doesn’t help calm you down.

If it was necessary, he's not opposed to sedation. After all, he's done the research to find one that won't affect your flavor. But most of the time, his solution to your despair is yet another thorough fucking. Dopamine to counteract the stress.

Simon forces the orgasms out of your body as easily as he forces his cock into it, you're utterly helpless to stop either. His livelihood is working with his hands and unfortunately he’s damn good at it. When all's said and done and you're spent, he’ll lightly chastise you for working yourself up, for fussing.

He loves the heft of you in his hands, weighs your heavy tits in his palms, grips your ample belly. Simon can't resist taking mouthfuls of you into his mouth, worrying your supple fat with his incisors. Your tits, ass, thighs, arms, belly, back fat, hell, your double chin. It doesn't matter, any squishy bit of you. You're always afraid he might be getting impatient, that he’ll take a bite out of you, but he never does. Simon says he's just sampling, maybe tenderizing you a little. 

His favorite taste of yours is still between your legs. He has you thank him for being so careful there. Past you inner thighs and plump mons, the pressure of his teeth yields, feeling barely a graze. 

He likes putting mirrors in front of you, says he wants you to see how lovely you are. Your hands are clipped together, chain snagged in one of the shop's many meathooks, just low enough that you don’t strain your shoulders or quite have to stand on your tiptoes.

He directs you to watch, popping the lid off of a permanent marker with a squeak.

He maneuvers you this way and that as he works, dragging the marker down your body. His lines are surprisingly clean considering his canvas is such a pliant, organic shape. Hand are as steady as a surgeon. The marker tickled terribly on skin, the ethanol smell burning your nose, making it hard to think.

It only took a minute to recognize what he was doing. Your skin itches under the felt tip. You flail, trying desperately to smear it, to muss his work, but the ink dries too quickly.

Simon wouldn't let you keep your eyes closed, so in that moment you were grateful for the onslaught of tears blurring your vision somewhat.

That day, he showed you all your different cuts, as if you cared, as if you were together enough to pay attention.

Chuck, rib, loin, sirloin, rump, round, flank, plate, brisket, shank.

He tells you which are his favorite. Tells you which of his mates he’ll have over to enjoy you, ponders what pieces he’ll think they’ll like best. How to cook different cuts to get the best effect, that some cuts are naturally tougher and have to be cooked slowly, while the other cuts are tender and fatty, can be cooked at a higher temperature, quicker. 

From the very beginning, he’s referenced the “Big Day”.

He’ll ask if you're excited over the shinnnnk of a knife against a whetstone. Simon always keeps his tools in order, clean and sharpened expertly, but he thinks he'll polish them up extra shiny for the occasion. To a mirror finish, so you can see yourself. You're so beautiful, it'd be a cryin' shame for you to miss it. 

It’s been months now you’ve been with him and the day never comes. 

...

You didn't dare question it.

But if you did, Simon would just chuckle, amused that you're so eager. Maybe he'll say that he decided he wants some milk from you instead.

[wellcollapse]

#yeah like prev said the hamster wheel was buck's passivity in his relationships not like. having relationships at all lol#also maybe i am an outlier on this and/or i don't come from a background where weddings are usually a huge fancy deal#but the wedding invite didn't strike me as THAT ott#like he said - tommy already knows most of these people and given everything it felt to me a little bit like#'hey come be a part of this family that you feel like you missed out on'#and just - yeah. 'i like you and i want to get to know you and see if there's something there' is actually a really healthy approach#compared to his history of total passivity and/or treating any expression of romantic interest from anyone as a sign from the universe#both of them acknowledging that they DON'T know each other that well yet felt like a really pointed contrast to buck's#'she sees me' re: natalia after a single coffee date

kept tags via @glorious-spoon

I just want Buck to have a relationship which he doesn’t rush into. Even if that isn’t Eddie. Oliver said Buck will get of the hamster wheel. But yet here he is, rushing into something with someone who shows him any romantic interest. 😩

fair enough if that’s how you see it, however I just don’t agree with the criticism that the relationship feels rushed.

obviously buck takes a big swing, but it’s not “you see me more than anyone else ever has, so come to my sisters wedding” it’s “I don’t know your coffee order yet, but I like you and I’d like to find out, here’s me proving I’m ready for that”. Something I think buck did need to do after their first date.

and yeah it’s a little heightened for the sake of drama, but tbh this is much closer to what real relationships look like. Most people don’t meet their partner via some epic 6yr+ long slow burn. They meet someone they like, who they start to get to know more and more until eventually they fall in love and build a life together.

That’s how dating works, it’s actually totally normal to be attracted to someone you’ve only been on one date with, that’s why you go on a second one.

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[maxwell-grant]

So is Worm good from what you have read

"Yes" doesn't begin to cover it but yes. Worm is a brain-rewiring mobius strip disguised as a bible disguised as a superhero web serial that either cured your cancer or shot your dog or both depending on who you ask, and it has many extremely dedicated, brilliant scholar priest surgeons publicly dissecting it on this platform on the regular to the point I don't think I have much to add to the conversations surrounding it, even if I do have some The Thoughts about it. I had never even really seriously thought about superhero prose before and Worm isn't a thing I go back and reread frequently but it did a complete and total 180 on the way I think about superheroes and even fiction, and I've never stopped thinking about it since I've read it.

It is a monumentally impressive story with completely absolutely incredible characters that I cannot stop thinking about. No matter where it was going, even past stretches that were less interesting or more of a slog to read or worse, I could not put the story of Taylor Hebert down for one minute. Tattletale fascinated me every step of the way, I had to keep up with her. Rachel Lindt was a character I feel like I'd been waiting my whole life for. What was I gonna do, not see them through? I feel like Worm easily loses you if you don't particularly connect with the characters enough to justify to yourself the amount of time you'll spend with them, but man, I could not unglue my eyeballs from these people enough (I love all the core Undersiders, to be clear, I'd say it's Rachel > Taylor > Tattletale > Aisha and Alec and Brian, there are very small gaps between these, I just don't go berserk for the last three like I do for the first three, I'm taking Bitch and Skitter to the grave I'm dead serious)

Worm irreparably destroys your ability to engage with superhero fiction the same way ever again, as evidenced by the fact that it destroyed the author's own ability to engage with his own superhero fiction ever again. And everybody who read it has one or several gripes with it with some major dealbreakers in the mix. Tumblr's kinda the only place online where you can really talk about them at length without the spectre of John Wildbow hanging over the discussion, which enables discussion to the point where yes, maybe it does look like to outsiders that nobody can agree on whether Worm is good or what is it even about or whether it even has worms in it (it has at least one, although it's a very big one).

And it is good, it has the Undersiders in it and the Undersiders are one of the greatest groups of characters ever put together, but everyone has at least one major point of contention with Worm whether it's the timeskip or the length or the racism or the gross fatphobia or aspects surrounding the Dallon-Pelham Torment Nexus and etc. I'd say it has maybe the most racist vision of Latin America I've ever seen in a superhero text a hair short of pro-colonial tracts in Golden Age comics and that is a tall fucking order by any metric (part of why I started WEON4 as a project was motivated by spite, to try and make my own stories about non-American superheroes even if just as practice). It is Complicated, and that winds up making it so fascinating to talk about.

Worm has self-sustaining ecological systems of posts up here, far away from the Spacebattles and Reddit battlegrounds where it has different ones and that's not getting into Weaverdice or the sequel or Wildbow's larger body of work, which I haven't gotten to and probably will not any time soon because Worm was enough of a commitment as is. Do I recommend Worm to everyone? It is certainly not to everyone's tastes and I personally find it difficult to describe it simply enough to make it sound appealing or not like a pyramid scheme. But yes I do think it's good, in fact great, in fact, amazing, except when it isn't, and except it Plainly Sucks, but then something like Taylor vs Mannequin or Kevin Norton's interlude or "You needed worthy opponents" happens and it fucks harder than anything has ever fucked before and you don't walk away from it the same, so yes I guess "good" will have to do now.

It's certainly a lot but I definitely found it worth my time to read and then read the texts written about it here. You'll have to take my endorsement of Worm as proof of it's quality and proof of how deranged it makes it's readerbase, they're not mutually exclusive. If you can make it, Worm and the wormosphere has layers and layers to wade through and talk about and enjoy, despite how we're all so very small in the end *gunshot*.

[lukolabrainrot]

Toronto and Ireland (Part 1)

I observed a shift in L/N's behavior and non-verbal cues by the time they got to Toronto. Their non-verbal cues signaled to me that there was a since of ease and confidence with them BTS. However, I think that looked very different in both locations. Refer to my timeline theories here on my thoughts on what was going on between L/N before Toronto. Below are my thoughts.

Toronto

Let's first address the fact that there was a break between Brazil and Toronto. It was ~2 weeks from what I remember. During the break the following happened:

L went back and liked all of A's posts back to July 2023. Previously, he had only liked her posts up to October/November 2023.

A chopped her hair off

I believe the DM likes from A's mom occurred around this point as well (or during Brazil)

There were some SoHo Farmhouse pics posted by A (I believe?), but no one could confirm if those were current or old photos (as A has a history of posting old photos to insinuate she is with L in real time when she isn't)

There was nothing else though to publicly link L/A during this break (from my understanding, correct me if I am wrong?)

This break is also when the rumored Spain trip between L/N occurred (but there is no evidence this actually occurred)

N was publicly seen at the Mighty Hoopla music festival with her friends the weekend before Toronto

N and L appear to fly into Toronto on separate flights

Alright I am going to throw out something that is purely a theory, regarding A, at that point in time, and now. I've kind of avoided directly talking about my theories on A because I just don't have enough information to confidently analyze what is going on. But with everything that has come out recently, and especially this week, I feel more and more confident on this theory (but again, it's just a theory):

As I mentioned, I firmly believe L/N physically acted on their feelings at points on the tour, and by Brazil, A was FLIPPING OUT because I think she sensed L pulling away. A had been around for a while, and I don't believe there were any firm boundaries/labels set on their relationship, but A had her sights set on riding his coattails and trying to get fame/attention from being in his orbit. She is also DEEPLY insecure and envious of N. Lastly, she is a WILD CARD and had been publicly known about in the fandom for a while. I think there was some overlap between N and A, and L did not want A leaking that s**t. Whyy... because he LOVES N. This is also his bed he made, and he needed to lie in it and clean up his mess. The optics of all of this do not look good for L & N if all of this information got released to the public. I also think that's why the DM comments got scrubbed on the site (which doesn't just happen out of thin air). He needed to start cleaning s**t up if he and N ever want to go public someday.

Therefore, he went back during the break to make up with A and reassure A he wasn't just going to drop her from his orbit (hence things like liking more of her posts so people took notice, and it made it seem they were more serious than previously thought). Tbh, I don't think it was very hard for him to keep her appeased because I honestly don't think this relationship goes any deeper than casual and transactional.

Then L/N became even more obvious about their feelings during Toronto and Ireland imo, and then all hell broke loose at the premiere (because a certain 🐜 was PISSED and getting revenge).

My whole point with all this is this. L was NEVER going to be able to unravel from A during the PR tour because it had already become public that she was connected to L (even if he was already checked out at this point). He was always going to have to officially acknowledge A to the public, let people get use to them as a "unit", and then slowly unravel over a couple of months in a way that satisfied A and didn't encourage her to go rogue (because I think we are getting more and more proof that she DOES go rogue). This included what we have seen between them since the premiere. I firmly believe that A has some information that would eff up L&N being able to confidently go public at some point if they want to without this really messy public narrative (because if L/N ARE indeed working on their relationship, it is probably going to be a little messy no matter what when/if they go public). L is letting A therefore get the attention she wants rn, and trying to stay as publicly unconnected to N as possible. I think he severely underestimated the impact this was all going to have on his career though (at least in the short-term). Do I think this also probably put somewhat of a strain on his relationship with N? Most likely, yes. However, they have known each other for many years, and have gone through a lot together. I don't think N sees A as a threat to her and L in any way, and I think L/N are figuring things out in private. And do I think just because A is still in L's orbit that that means they are super happy and madly in love? Absolutely not. The optics of everything we have seen around L/A since the premiere speak VOLUMES, and that is all I will say on that.

I was fired up about all of this because of the events this week, so I needed to get this off my chest 😅 I think though that everything we have seen between L/A since after Brazil is just another indicator that L/N are serious about each other (if that makes sense). THIS IS JUST A THEORY THOUGH.

And does this all seem messy? Yes. Because the short answer is that it is. Human beings though are messy, and I think unfortunately a lot of this played out on a very public stage, so everyone is trying to figure out what to do now.

Alright, back to Toronto. A lot of people thought the vibes seemed off between L/N, but I disagree. This was the part of the tour where I started coming to the conclusion that there was something BIG going on between L/N BTS (in a good way), that went deeper than just wild sexual chemistry/attraction. Here are my thoughts:

I personally think L/N took time during the break to have some big conversations in private about their future together, in a "normal" setting outside of the tour. I think they came to a conclusion that their feelings were larger than just the show and tour, and that this was going to be one of those BIG relationships for both of them. I think they also had conversations about how A was going to tie into the public narrative after the tour (but I think A hijacked that narrative). But I think L/N were very much on the same page going into Toronto.

I also get this sense that by this point in Toronto, it was getting harder for them to hide what was going on because things were getting more serious, and they were ALL LOVEY DOVEY AND HAPPY BTS. Although I am going to be honest, I don't think they ever hid their feelings for each other very well on the tour (especially L). And this was all kind of new as well. Therefore, I think that's where some of the "awkward" vibes were coming from, but their nonverbal cues didn't read as disconnect to me (like the beginning of Italy did).

I also have a feeling they were EXHAUSTED by this point, and probably so tired of answering the same questions (I swear, I bet they never want to talk about the carriage scene again 😂). I also heard that they might have been sick in Toronto, so all of this might have also played into the shift in energy.

However, a lot of key things happened in Toronto that signaled to me there had been a positive emotional shift between them. I really started to notice the "couple" eyes between them, and N's walls really dropped and the heart eyes were in full force. Toronto had my favorite interview of them during the tour, which I posted here. We got the the thigh rub from N, the beginning of the Ryan Gosling jealousy from L (I believe), L beginning to get more comfortable and silly on interviews (he seemed VERY happy, and a lot more confident by this point, which I found very interesting 🤔), a few instances where L/N would get lost in a moment with each other and forget they were on an interview, N reassuring L that he was her "favorite", and photos and video of L meeting some of N's extended family (and he looked very happy in the video). Also N didn't end up posting a "bf" pic of L (even though she did for Italy, Brazil, and Ireland). Now it could mean nothing (and it's probably just a coincidence), but I just find it interesting (in a good way 🤔). Yes, a lot of this could be chalked up to PR, and some of it probably was. However, most of this just DID NOT read as professional PR to me. It just wasn't.

Lastly, we got THIS pic of them below in Toronto 👀:

I am going to post an article below about body language between couples in photos. I don't agree with all of the article, but it does have some interesting facts/comments. I would highly recommend looking over the article a little, and looking back at the video that had the compilation of them posing at the different tour stops. I know that this was 100% cutesy PR (and I am not trying to imply they were necessarily an "official couple"), but I found it very telling about HOW they chose to pose at each stop. I feel like it spoke VOLUMES about what was going on between them at each stop. I do want to say that we can't 100% know what was going on for them emotionally BTS at each stop, but I do think it gives us a glimpse. Which is why I found this picture PARTICULARLY interesting. It just screams comfort and security (even with the weird lighting lol).

My point with all this is that I think we caught L/N at a big turning point in their relationship at Toronto, which led to some of the awkward energy at times, but not because they were beefing. I think BTS they were really happy, but they knew they had to not let the WHOLE cat out of the bag, so they were trying to kind of put up a little distance. However, they slipped up constantly, and then everything came to a peak, and that's why we got the magic that was the Ireland stops. I'll talk about my thoughts on Ireland in my Part 2 post, because there is a LOT to talk about. 😅

[astercontrol]

If KOSA passes

Or if any other form of censorship (there are many in the works!) ever succeeds at stepping in to impede our ability to communicate online:

We have to make plans.

Now, I dunno who'll even see this post. The few followers I have are TRON fans (who despite the fantasy we live in, tend to have realistically dismal views IRL about Disney and the various corporate uses of software).

And this fandom, on average, is pretty tech-savvy. It's where I've encountered the most people under 20 years old who actually know how to use a desktop or laptop computer.

So, if there's any hope for what I'm thinking about, this is prolly a good place to start with it.

(As with all my posts, I encourage reblogging and containment-breaching.)

(Gifs are clips from TRON 1982, mainly the "deleted love scene," from the DVD extras.)

Anyway.

Current society has moved online communication much too far onto major social media sites for my comfort. Whoever you communicate with over the internet, chances are you do it through a service owned by a big company: Tumblr, Twitter, Discord, Telegram, Facebook, whatever. Even TikTok (shudder).

These sites, despite their many flaws, can provide experiences that are valuable and hard to get otherwise. And once all your friends are on one site, you can't just leave and stay in touch with them all, not unless they all go the same place. It's easy to see why it's hard to abandon any social media platform.

But a backup plan is important. Because, as we've seen over and over, social media sites can't be relied on. They change their policies suddenly, without good reason-- and are inconsistent, even discriminatory, about enforcing those policies.

If they're funded by ads, the advertisers are their main customers, and your posts are the product. Their goal is that the posts most valuable to the advertisers get seen by people the advertisers consider desirable customers.

Helping you communicate-- making your posts get seen by the people you want to communicate with-- is optional to them.

Not to mention that the whole business model of an ad-funded website is generally unsustainable. Many of these sites are operating at a loss, relying on shareholders in a fragile bubble, doomed to fail soon just from lack of real profit.

And the more restrictions --like KOSA-- that the law puts on freedom of online speech, the likelier they are to go down or just become unusable. Every rule a site is required to follow is another strain on its resources, and most of them are already failing badly at even enforcing their own self-imposed rules.

If we want any control over our continued ability to stay in touch with our online friends-- we need to have a backup plan. Maybe it'll be simple at first, a bare-bones system we cobble together-- but it's gotta be something that will work. For a while at least.

There are lots of really good posts about ways to build your own website, using a service like Neocities. I VERY MUCH recommend learning this skill-- learning to make websites of the very simplest, most stable, glitch-resistant type, made of html pages-- which you can upload to a host while you store backups on your home computer. If you value the writing and art that you put online, this is probably the safest you can keep it.

But that's for making your own creative work public.

As for communicating with others-- for example, receiving and answering other people's comments on your work-- that gets more complex. I personally haven't found it worthwhile to troubleshoot the problems that come with having a system that allows visitors to comment publicly on my website.

But what we do still have-- and likely will for a long time-- is email.

Those of us who came of age before social media's current hold... well, we might take this for granted. Email was the first form of online contact we ever encountered… and thus it can seem to us like the most ordinary, the most boring.

But in the current world, it is a rare and precious thing to find a method of communicating that doesn't require everyone in the chat to be signed on with the same corporation.

Email is, as of now, still perfectly legal-- as much as social media companies have been trying to herd the populace away from it. I'm sure there are other ways to share thoughts online that are not bound by laws. But I am not going to go into that here.

Email service is provided by law-abiding companies, which will comply with subpoenas if law enforcement thinks you are emailing about doing illegal things. So, email is not a surefire way to be safe, if laws become dystopian enough to threaten your freedom to talk about your own life and identity.

But it's safer than posting on a public social media page.

For now.

Email is beautifully decentralized. You can get an email address many different ways-- some reliant on a company like Gmail, others hosted on your own domain. And different people, with all different types of email addresses, hosted in all different ways-- can all communicate together by the same method.

Of course any of these people, individually, can lose their email address for some reason or other, and have to get a new one. But as long as they still know the email addresses of their contacts, they can reconnect and recover from that loss. The structure of a group linked by email is reliant not on a single company-- but on the group itself, the friends you can actually count on.

This is why I am trying to promote the idea of forming email lists, as a backup plan to give people a way to stay in touch as mainstream social media sites prove to be unsustainable.

I'm envisioning a simple system of sending emails to several addresses at once, and making each reply visible to everyone in the chat by using "reply all" (or, if desired, editing the To field to reply to only some).

If enough people get used to using email in this way, it could fill most of the needs met by any other group chat or forum …without depending on a centralized social media company that's taking dystopian measures to try and make the business profitable.

So here are some thoughts about how I personally imagine it could work.

(Feel free to comment and bring up any thoughts I haven't addressed, or suggestions to customize how specific groups could set it up. This is meant as more of a starting point for brainstorming than a catch-all solution.)

As I see it, here are the basics of what you and your friends would each need to start out:

An email address. Any kind, hosted anywhere. You should use a dedicated email account just for this group, one that you do NOT use for other communication. Being in this group will result in things you don't want happening to your main email address-- like getting a TON of email, one for every post and reply. Or someone could get your email address that you really don't want any contact with. Use a burner email account (one that you can easily replace) and change it if needed.

The knowledge of how to "REPLY ALL" in your email. This will be necessary in order to add a comment that everyone in the group can see.

The knowledge of how to EDIT THE "TO" FIELD in your email, and remove addresses from the list of all recipients. This will be necessary if you want to CHANGE WHICH PEOPLE in the group can see your comment.

The knowledge of how to FILTER WORDS in your email. This will be necessary if a topic comes up that you don't want to see any mentions of.

The knowledge of how to BLOCK PEOPLE in your email. This will be very important. If someone joins this email group who you do not want to interact with, it will be up to you to BLOCK them so that you do NOT see their messages. (If they are bad enough to evade the block with multiple burner accounts, that's what you have a burner account for. Change it, and share the new one only with those you trust not to give it to them.)

Every person in the group will be effectively a "moderator" of the group, able to remove people from it by cutting their email addresses out of the "To" field. Members will all have equal "moderator" privileges, each able to tailor the group to their own needs.

This means the group may naturally split, over time, into other groups, each one removing some people and adding others. Some will overlap, some won't. This is good! This is, in my opinion, what online interaction SHOULD be like! There should be MANY groups like this!

In this way, we can keep online discussion alive, no matter WHAT happens to any of the social media websites.

If the dystopia got bad enough to shut down email, we could even continue with postal mail and photocopies, like they did in the days of print-zine fanfiction.

If it looks like the dystopia is gonna come for postal mail too, we'll use the connection we have to preserve whatever contacts we can with people who live near us.

Not saying it's GONNA get that bad. But these steps of preparation are good no matter exactly what kind of bad stuff happens.

As long as some organized form of communication still exists, we'll have a place where it's at least a little safer to be your true self…

to plan events and meetups…

and maybe even activities a little too risque to make the final cut of a 1982 Disney movie.

They're trying to censor us. We want a Free System. So we're gonna fight back.

For the Users. Not the corporations.

Peace out, programs. <3

[dreamlifebunny]

manifestation ideas: revising the past

revision is a beautiful, life-affirming part of the law of assumption that reminds us that nothing is to be feared, because everything is changeable at all times. i ignored revision for so long in the beginning of my loass journey because i was afraid it was "too illogical" (classic), but after testing it last year it became one of the most healing things i've ever done for myself! you can find posts on revision all over tumblr, reddit, and most importantly, in this reading by neville. (let it be known that this post references bullying and abuse if you'd rather skip this - keep yourself safe!)

you can revise that you never watched your favourite tv/movies, read your favourite books, or listened to your favourite albums so that you get to experience them all over again for the first time!

nobody remembers any embarrassing or cringey moments that you have had (because they didn't happen!) or better yet, any of these moments have been revised to be happy and fun moments.

any former rejections have been revised; job offers, school offers, grants and applications have now all been accepted!

your family has been revised to be your absolute dream family; full of love, abundance, fun family adventures, togetherness and connection, support, and kindness. you can also revise your past so that you've always had younger or older siblings, if you grew up an only child and wanted siblings.

former bullies from school or work have come back to genuinely apologize for the hurt that they have brought you and offer reconciliation in whatever way you desire, whether that is publicly; in front of your school/colleagues, in a heartfelt letter expressing their regret, with an insane e-transfer of money (hehe), or any other desired way. either way, you get to see the regret that they feel and know that they have changed and wish they never hurt you (you can do this with abusers as well, if you feel comfortable with it - you never have to see those people again if you'd prefer they don't contact you to apologize, or you can revise it so that you never met them or never experienced them that way)

your loved one's pains or hurts can be revised so that they never happened.

you can revise your memories so that you have always experienced your family and loved ones in positive ways, or you can make it so that you remember the past and now get to experience the beautiful present!

didn't like the way a show or film ended? revise the ending so that your dream conclusion happened!

you can revise that your SP has been in love with you from the start!

your previous manifestation attempts that "failed" have been revised so that your desires came true, and your previous void state attempts that "failed" have been revised so that you already entered the void, and can now enter at any time!

[the-marshals-wife]

Strangers Like Me (Orm Marius x Reader)

─ ⋆⋅☆⋅⋆ 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ⋅☆⋅ 𝐀𝐎𝟑 ⋆⋅☆⋅⋆ ─

A/N: I love Orm so, so much, and I've wanted to write for him since my major obsession with the first movie back in 2019. The sequel was everything I could have wanted for his character, and now that he's had the perfect open ending to his cinematic story, I finally let the inspiration run wild. This is the longest fic I've ever posted, and I'm proud to say he was the muse that inspired it.

Description: Orm Marius/Ocean Master x Fem!Reader (human), friends to lovers | Warnings: suggestive themes, steaminess at the end, cataclysmic levels of fluff throughout | Setting: after The Lost Kingdom | Word count: 5.8k

Gif credit: user acecroft

Imagine Orm opening up to you about who he truly is, and wanting to be part of your world

If someone had asked you a few months ago where you liked to be most, you wouldn't have said the boardwalk. Now, it'd become your favorite place in the world. Not for the noisy crowds, overpriced deep-fried foods, or vendors overflowing with cheap beachwear and souvenirs for the tourists. Those things you could have done without. That is, until you met Orm. Ever since that fateful day, everything around you had transformed into something new and exciting. Today was no different.

"I can't believe you've never had a corn dog before," you say.

Orm walks alongside you, well into his second serving. "And I can't believe something this abysmal in appearance can taste so good," he replies before taking another bite.

"Seriously, what have you been eating all this time?" you ask, wiping the mustard from the corner of your mouth with a napkin.

He swallows before answering, "Fish, mostly."

He was completely serious, as usual.

"You really love seafood, don't you?"

"Where I'm from, it's just called food," he counters.

Once again, you found yourself wanting to ask where exactly that place was. The last time you inquired yielded little insight. He gave a vague reply to the tune of "somewhere far away" and quickly changed the subject. For a while, you'd assumed he was originally European or something like that. Yet the more time went on, the more difficult it became to believe in that explanation. There must be a reason he did not want to talk about it, and you knew when he was ready, he would probably tell you. Still, you couldn't help but wonder where he had come from, and why he had not showed up sooner.

"So, what did you think of your first corn dog?" you ask instead.

"It was excellent. And I imagine it will not be my last," he says, tossing the stick into a trashcan as you walk by, "I still don't understand the name though, if it's not made of dog."

"Me either, honestly," you laugh as you toss your trash as well, "I'll have to look it up sometime."

"Speaking of, I listened to the singer you told me about."

"You did? What did you think?!" you exclaim, almost bumping into a passerby in your excitement.

"She is quite good, vocally. But I do think Ms. Parton would have more success exposing her rival publicly," he suggests.

"I know you're not talking about Jolene right now," you burst out laughing, covering your mouth.

"Indeed. This Jolene is a siren. She lures men with her wiles, and then goes unpunished because of her beauty," he explains wholeheartedly, holding his arms behind his back.

"Well that's the point of the song. Dolly is calling her out," you remind, "Plus what about her man? Shouldn't he get some of the blame? Falling for Jolene when he's already in a relationship? I mean come on, he's talking about her in his sleep. That's pretty low."

"Indeed, he misses the treasure that is right in front of him because he too has no honor," he expounds, his expression turning thoughtful, "You're right. Ultimately, they're deserving of each other."

"See! I told you," you chuckle victoriously.

Orm shakes his head, "I could not be tempted by such a woman."

"Oh, I don't know. You heard Dolly. Her beauty is 'beyond compare'."

"That is merely a facade," he dismisses, waving his hand, "Besides, I have seen far more beautiful than her."

You're about to inquire about his remark, but then you realize he's looking over at you. You can only hold his attentive gaze a moment before averting your eyes toward your feet, heart fluttering.

The previous moment still hanging heavy in the air, you walk together quietly for a minute before Orm stops in front of a beachwear vendor.

"Now that is amusing," he declares.

You backup a couple of steps to stand alongside him, "What is?"

He points to a pink tee shirt, the image of a mermaid riding on the back of a smiling dolphin printed on the front. "Dolphins are actually quite aggressive. They do not enjoy having riders on their backs. Sharks are much better mounts."

You stare at him, brow furrowed. "And how do you know that exactly?"

"I, uh, saw it on a television program," he stutters, "about taming sea life."

That was a lie if you'd ever heard one, and a strange one no less.

"Uh-huh," you reply unconvinced, walking away.

In silence, you resume your short walk to the end of the dock, Orm trailing close behind you. Once you reach the end, you lean over and rest your arms on the weathered wood railing, and he stands beside you. A few moments pass as you watch the waves crash upon the shore below and breathe in the salt air. It's not long before you feel his gaze on you once again.

He finally speaks, hesitation thick in his voice, "Something...on your mind?"

You smirk to yourself before looking over at him, "I'm just trying to figure you out."

"What do you mean?" he asks, concern visible in his bright eyes.

"I've never met anyone like you before. So much of what you say is a mystery," you remark.

"That is a fair point," he concedes, "I don't wish to vex you. There's just...so much that I don't know how to say."

You stand up straighter, smiling at him softly.

"I didn't mean it as a bad thing. Everyone has parts of themselves that they hide. Parts they don't want anyone else to see. There's nothing wrong with that," you reply, turning towards the ocean, "You don't like talking about your past, and I respect that. I just don't want you to think you have to hide. It's awful feeling like you don't belong, just for being yourself. I wouldn't want that for you."

"That is kind of you to say. Truly." He mirrors your posture on the railing, moving closer to you as a result. "You don't make me want to hide, Y/N. Quite the opposite, actually. I've learned so many things from you these past few weeks, and I have greatly enjoyed your company."

You look back to him, your heart skipping, "So have I."

His gaze softens. "I've also never met anyone like you before. You find joy and purpose in even the smallest of things. It inspires me how gracefully you view the world. And I've known no one whom I've wanted to share it with more."

Everything else around you melted away as you find yourself becoming just as lost in his eyes as you've been in his words.

Before either of you can move an inch closer, the chime of your cellphone cuts through the thick air between you.

Cursing inwardly, you shoot upright, embarrassed, and retrieve it from your pocket. It's an all-caps text from your sister with many exclamation marks, quickly followed by another. The sister you just now realized you forgot needed picked up.

"Oh no. I have to go," you say, frenzied, "My sister's waiting for me. I have to drive her home from her class, I completely forgot!"

"I understand," he nods, touching your arm assuringly, "Do you want me to accompany you back to the lot?"

"I really appreciate it, but I literally have to run. I'm so sorry, Orm," you say, turning to leave.

You make it only a few steps before you hear him call out.

"Y/N!"

Despite the urgency of your escape, you can't help but turn on your heel expectantly.

"Would you meet me tomorrow? Down on the beach, beneath the pier around sunset?"

A grin spreads across your face. "I'll be there!"

♆

It took everything in you not to grin like an idiot the entire drive to pick up your less-than-amused sister. You weren't ready for the brutal interrogation that would surely come if she saw the look you knew was on your face. After apologizing to her profusely and letting her chew you out, as was her sisterly right, her suspicions were already raised.

"You've never looked this happy for me to yell at you," she said, glaring at you.

"I'm just really enjoying my book! I started the sequel I told you about," you defended, flashing a smile even you knew was pretty fake.

"Enough to forget all about me," she rolled her eyes and punched your arm, "You're not telling me something, I know it."

"I'm dying to know if she's really the lost heir to the throne, I heard the reveal is like halfway through," you add, ignoring her last words.

"Mhm," she grumbled, "Fine don't tell me. I'll figure it out, just wait. You can't hide from me."

"The only thing I need to hide from you is my chocolate bars," you argue in a desperate attempt to throw her off the subject.

"I'll find those too," she snickered confidently.

You laughed it off and went back to biting down hard on your lip. It was the only thing you could do not to spill everything to her as she continued to give you the side-eye. Your body was at the steering wheel, but your mind, and your heart, were back on that boardwalk. The final glare she gave you in her driveway was unmissable, but for now, you'd evaded being found out as you made a getaway back to your own apartment.

That night you'd hardly slept, the moment at the end of the dock replaying in your mind over and over well into the morning. Work only made it worse, the monotony making the perfect backdrop to picture what the coming evening would bring. When your shift ended, you couldn't get out of there fast enough to go home and change.

Now, with sunset fast approaching, you were circling the parking lot trying to find a space, and close to bribing someone to move, when a spot finally opened up.

"Someone loves me," you exhale, hurriedly locking your car as you throw your bag over your shoulder.

The words linger in your thoughts. You can't help but blush at the notion, given your current destination, and who was waiting there.

In some ways it seemed like a lifetime since you met Orm, and in others it felt like only yesterday. The memory of that fateful day comes to the front of your thoughts as you start the long trek to the path that cuts through the dunes.

Unlike your fib from last night, you'd actually been desperate to finish the book your coworker had been pestering you about all summer. With only four chapters left, you'd escaped to the boardwalk one sunny Tuesday afternoon, hoping to find a bench, a fresh lemonade, and far less crowds than the weekend so that you could finally finish in peace.

Just as you'd sucked up the last drop of your drink and reached the last handful of pages, you noticed something out of the corner of your eye. On a bench across the way from you, you saw a man trying to untangle the most knotted pair of earbuds you'd ever seen in your life. You watched him from behind the top of your book, and suppressed a giggle as he became more animated in frustration. He ran a hand through his blond hair and seemed near to giving up on the whole endeavor. Unable to watch him struggle any longer, you tucked your book beneath your arm, tossed your empty cup in the trash, and started to walk over.

"He did this on purpose," he muttered as you approached.

"I can take a crack at them, if you'd like."

In his fierce concentration, he hadn't noticed you approach. He jumped a bit at your greeting, and squinted up at you, confused.

"Hi. Sorry, I didn't mean to startle you. Would you like some help with those?" you smiled hesitantly, "I just, I couldn't help but notice you were having a hard time with them."

"Well, you are welcome to try," he invited with a sigh, extending them to you, "Although I have seen seaweed less entangled than this."

You took them and sat down beside him, analyzing the knots.

"Earbuds are pretty notorious for getting tangled," you began, pausing to focus a moment, "These, however, look like a sailor used them to practice tying his knots."

"Courtesy of my brother," he said with no small amount of exasperation, "He delights in making things difficult for me."

"As brothers are wont to do."

"Indeed," he conceded.

Untying your own numerous pairs of earbuds over the years had more than prepared you for this moment. You'd made quick work of separating the right and left buds, down to the last few kinks in each.

"You're quite skilled at this," he observed.

"I should probably put it on my resume, huh?" you chuckled as you conquered the final knot.

"I think you might consider it," he laughed as well.

At last, all the tangles were gone.

"There you go," you declared, handing them back, "Good as new."

"Impressive," he remarked, marveling at your handiwork before looking back at you, "Thank you for your assistance."

"You're welcome," you smiled and pointed to the iPod in his lap, "What do you like to listen to, if you don't mind me asking?"

He hesitated, picking it up, "I'm...not actually sure how this device works. Are you familiar with the technology?"

"An iPod?" you laugh, "Yeah, I had one in high school. It's been a while and it wasn't this exact model, but they're all pretty much the same. MP3 players, that is. I had so many songs on mine, I couldn't add any more. Never went anywhere without it. I had to tape it together in senior year because I used it so much."

"Perhaps you could show me how to properly operate it?" he posed, turning towards you more, "My brother sent it to me. He said it contains music inside that I must hear, but I'm at a loss on knowing how to make it play."

You gazed at him bewildered a moment, caught off guard. Never had you met anyone who didn't know how to work an iPod before. But then again, you reminded yourself, not everyone had a chance to own one.

"Sure," you grinned, "I can show you. There's not too much to it, really, once you know the basics."

"Thank you," he replied sincerely, "It's not often that I've met a lady with such kindness, and lightness of fingers."

Heat immediately rushed to your cheeks at his gracious works, and suddenly it was difficult to hold the gaze of his rich blue eyes.

"It's no problem at all," you replied, offering your hand, "I'm Y/N, by the way. Nice to meet you."

"I'm Orm Marius, and the pleasure is mine."

Before you could blink, he'd taken your hand, and instead of shaking it, he kissed your knuckles. If he had lingered, perhaps it would have alarmed you. But he did it so quickly, it was like it was second-nature to him. Practiced or not, your head spun nonetheless, and launching into an urgent, flustered spiel about how to power on the iPod was all you could do to keep yourself held together.

You spent the next half an hour showing him everything from the buttons to the way to change the background image on the menus. Before long, you were talking about all of your favorite songs and artists, simultaneously making lists for each that he would have to listen to. Orm listened eagerly to your recommendations, and soon the conversation turned to any and every subject, from foods to places to dreams. You still remember the feeling of the rest of the world fading away as you talked to him, afternoon turning to evening. And the thrill you felt when he asked if he could see you again.

In the almost four months since, every meeting followed much in the same manner as that first day, with introducing Orm to the many things he'd never experienced before, and hours of conversation on the pier or walking along the beach. You'd stolen away to this area as many times as possible to see him, well over a dozen now. Of course your sister was more suspicious than ever after yesterday, but you still weren't ready to reveal where you'd been spending so many evenings, and who you'd spent them with. There was something exhilarating about you and Orm meeting secretly, and you wanted that feeling to last as long as possible.

He had such wonder about the world, like someone who'd not been in it very long. It was one of his oddest qualities, but his curiosity was endearing to you. Despite knowing so little about his past, you'd come to trust him like few others in your life. Whoever he'd been before, and wherever he was from, it seemed he had no intention on going back. If you were honest with yourself, you didn't want him to. There were so many places you wanted to take him further inland, yet he was still hesitant to go far from from the ocean. You'd never gone beyond a couple of blocks from the boardwalk together, but tonight, with the energy of yesterday's encounter fresh in your mind, you'd planned to breech the topic with him.

Now, the sun is sinking lower in the pale orange sky and your pulse quickens with the threat of being late. With all your reminiscing and daydreaming, you'd lost track of the time. You nearly run across the wooden walkway over the dunes and down the broad stairs. As soon as your feet hit the sand, you remove your sandals. Grasping them in one hand and the strap of your bookbag in the other, you take off into the best sprint you can manage. The pier is still a good distance up the beach, and you want to curse out whoever built the access so far away. You run at an angle towards the water, the wetter ground giving you better traction than the loose sand.

Just within the shadow of the great structure, you finally see Orm up ahead, his back turned. Out of breath, you slow your pace and try to catch some of it back before you reach him. Once he's within ear shot you call out to him.

"I'm sorry I left in such a hurry yesterday," you pant.

He spins on his heel. Relief is written all over his face.

"You came. I was afraid you might not," he sighs, walking up to meet you.

"Of course," you exhale, dropping your shoes and brushing away the hair clinging to your forehead, "Why wouldn't I?"

His expression indicates he had not thought of an answer to that question.

"I don't know," he hesitates, "I didn't mean anything by that. I mean, I wouldn't have blamed you if you hadn't. I did ask you at the last minute."

You can't help but chuckle as he stumbles regretfully all over his words.

"I brought you something," you declare to change the subject, much to his gratitude.

"A gift? For me?"

You can tell by his tone that he is actually baffled. Reaching into your satchel, you retrieve the item. In your outstretched palm, you hold a small snow globe, a miniature skyline of New York City contained inside.

His confused expression leads you to elaborate. "It's called a snow globe," you say, turning it upside down so that the little flakes inside swirl around, "You told me once that you never get to see snow where you're from. Now you can see it whenever you want."

He tentatively takes it, entranced by the miniature flurry.

"That's where I'm from. Well, I grew up there. We moved here when I was sixteen," you add, chuckling, "It's a little bit nicer in person."

Orm looks up at you, visibly touched by the gesture, "It's wonderful. Thank you."

"You're welcome," you smile, "I, hope that I can show you the real thing some day."

"I would like that," he replies with the smallest hint of sadness, pausing to behold it again, "I will treasure this always."

You'd never met anyone who talked like he did. Everything word he spoke was with full conviction. Others might sound pompous or conceited speaking the way he does, but when he said something, you believed he truly meant it.

"I'm glad you like it," you say, tucking your hair behind your ear.

"I do, very much," he says, frowning a bit, "I'm only sorry that I have nothing to give you in return."

"That's alright," you dismiss.

"Will you keep it safe for me while we are by the water? I regret that I have no pockets large enough to carry it."

"Absolutely," you say, putting it securely back inside your bag, "I know that feeling all too well."

When you finish with the zipper and lift your head up, you see Orm offering his arm to you. Surprised, and twice as excited, you take it.

As you cross beneath the pier and set off down the beach together, you suppress the urge to glance up at him. You agonize over what to say next, hoping he would speak first. When he did, it only made your heart beat faster.

"Actually, when I said I had nothing to give you, that was not entirely true," he said, clearing his throat before going on, "As much as I enjoy your educating me in foods and traditions I've never tried, I was hoping this evening we might enjoy a treat of a different kind."

Just up ahead, something on the shore comes into view. Your mind races in anticipation, and moments later, you come upon a blue blanket spread out neatly across the sand. A single white rose lies in the middle.

"Oh Orm," you breathe.

"It's not much, but I thought you would like to watch the sunset with at least some level of comfort," he says, a veil of nervousness in his voice.

"It's perfect," you exclaim.

He releases your arm and picks up the rose, presenting it to you.

"For you."

You feel nearly breathless once more as you take the flower and inhale its sweet fragrance.

"It's beautiful," you sigh, "Thank you."

He smiles timidly at your approval. "Shall we?"

"This is amazing," you say, removing your bag and carefully sitting down on the soft blanket.

He follows suit, and you gently place the rose in your lap as he comes to rest close beside you. The glow of the setting sun warms your skin, but it's nothing compared to the warmth in your chest.

You'd never seen him act like this before. He was normally so calm and collected, but now he was almost pure nerves. You work up the courage to glance over at him. He's staring hard ahead, clenching his jaw and rolling a seashell between his fingers. It's slowly becoming clear that you're not the only one who wanted to say something this evening. Normally, you found the rolling of the waves to be one of most soothing sounds in the world. But at this moment, they were far too loud.

You decide you have to break the excruciating silence.

"I've only watched a true beach sunset alone before."

Your voice brings him out from his trance. "I've also been by myself. I'm glad I have someone to share the splendor with."

"Me too."

He smiles weakly, and fixes his stare back on the horizon.

To your disappointment, the silence returns. Before long, everything is bathed in golden light. The sky transforms into rich oranges and reds before your eyes. The beach is surprisingly deserted apart from the seagulls and sand pipers, making it seem all the more that this moment was tailor-made just for the two of you.

Just when you're about to speak again, Orm at last turns towards you.

"I wish I could show you my world, Y/N. It is a realm of beauty, and strength, and light. You belong in such a place."

You feel your cheeks flush as he continues.

"Where I'm from, you can't see the stars at night. But there is a place with magnificent, glowing lights. A cave, filled with luminescence of every color you can imagine. You would absolutely love it."

"That sounds magical." You hang on his every word as you try to picture it.

"My mother used to take me there when I was a boy. I remember my whole hand disappearing inside hers." He smiled at the memory, but it faded as he spoke once more, "We used to go there seeking solace from my father."

Frowning, he throws the seashell towards the water. The sun begins to dissolve into the ocean, but neither of you take notice.

"Did you not get along?" you ask, hoping it was not too personal to do so.

His gaze falls downward again. "That's one way of putting it. Growing up in his shadow was- challenging. He was severe about many things, and against all of the rest. He expected me to become just like him. Demanded it, more like. Yet he was never up to the task of teaching me how. I wanted nothing more than to please him, but as I look back on it now, I'm not sure that I ever did. I was never worthy enough to be his son."

His words make your chest ache. You reach to gently touch his hand on the blanket.

"You are not an unworthy son," you assert, your feelings coming to the surface, "He was an unworthy father. I don't need to have met him to know that. Because I know you, and you are a good man. The most thoughtful, polite, decent man I've ever met."

He stares at you, emotion all over his face. A wistful look shines in his eyes.

"If only I had known you then," he reflects, "Perhaps I would not have gotten so lost in the tides of his storm."

"I wish I had known you too," you agree, more shyly than you'd expected, "But wouldn't have needed me. You already survived it, all on your own. You're stronger than he ever was."

His expression steels.

"Y/N, there is something I must tell you," he says, his tone turning grave, "It will not be easy for you to hear it, but I can't go on without you knowing what I am. I cannot hide it any longer. You deserve to know the truth."

Your heart starts to race quicker than your thoughts at his startling declaration. "What do you mean?"

Without warning, he casts off his jacket and stands up.

"Orm, what are you talking about?"

"Perhaps, it would be better if I showed you," he says, reaching out his hand to you, "I want you to understand. No more secrets."

For just a moment, you look up into his pleading eyes. Then, as if it had even been a choice, you carefully set the rose aside and take his hand. He helps you to your feet and leads you down past the water's edge. The cool water on your feet sends a shiver up your spine. The foam is lapping at your ankles when he stops just in front of you.

"You see that marker?" he points ahead.

The breeze whips your hair into your sight as you fight to push it away. You have to squint to see the outline of the buoy, the red light on top twinkling faintly in the twilight.

"Yes," you hesitate.

"Keep your eye on it," he directs calmly.

With that one instruction, he retreats further into the water, stopping until it is well above his waist. You cross your arms against the chill of sea spray and wait worriedly. He looks up and down the beach, as if to make sure no one is watching. You are still alone. Before you can call out to him, he dives headlong into the waves.

What follows you can only describe as a thunder beneath the water. It looks as if a missile has been launched from where Orm stood, careening toward the marker. Mere seconds later, a blast like a whale spout shoots above the horizon, and the buoy rocks violently as it is landed upon by the figure that flew up out of the sea.

A gasp escapes from your agape mouth as you witness the silhouette wave at you, and proceed to dive back into the blue.

Three pounding heartbeats later, Orm immerges from the surf and walks toward you, slicking back his dripping hair. His tee shirt clings to his muscular form, and his soaked jeans don't seem to encumber him at all. You're frozen in the sand, staring at him with only one word on your parted lips.

"How..."

"There's no simple way to say it, but you must know. I am from the Kingdom of Atlantis," he confesses, struggling to hold your stare, "I am Prince Orm Marius, son of Queen Atlanna. Although I was once ruler, I made many mistakes during my time on the throne for which I was banished. My penance is served by my exile here on the surface. I deserve my fate, and I gladly uphold it, but it is not something I wanted to keep from you any longer. I'm sorry that I was not honest with you sooner, but I didn't think that I could trust any surface-dweller with my secret. I was...proven wrong."

"You're a real Atlantean?" you manage to get out.

"I am," he nods, apprehension still in his voice, "I was raised to hate the surface and its inhabitants, but much has changed. You, Y/N, have had no small part in that."

Despite your reeling head, it's slowly becoming clear what Orm is saying by this grand unveiling of his true identity. As you struggle to process it, however, your silence compels him to go on.

"If all of this is too much, I understand. It is my burden to bear, and you did not ask to be part of it."

"I-It's not that," you stammer as the shock starts to wear off. You step closer to him. "Not at all. It's just a lot to take in. I need a minute, that's all. I promise."

Hope lights up his eyes.

"Absolutely," he agrees eagerly, "I apologize, I know this reveal was sudden. Please ask any questions that you have. I will withhold nothing from you."

As you finally begin look at him instead of through him, only one question lodged in your throat.

"Why?" you ask through threatening tears, "Why did you tell me all this?"

You knew why, because it was the same reason you wanted to tell him all of your own secrets. The same reason you came back to this beach over and over. The same reason your heart skipped every time you saw his handsome face, and heard him speak your name. You just wanted to hear him say it. For any of this to work, you needed to hear it.

His anxious gaze softens as he weighs his answer.

"I meant every word of what I told you yesterday. When I'm with you, I see a future that I never thought I would deserve. You make me feel like I can be more than I've ever been. And for the first time in my life, I have felt true happiness," he says, finding the words along with his conviction, "I never thought I would belong anywhere but Atlantis, but now, I want to know more about this world and its many gifts. And most of all, I want you to be by my side to show it to me."

"I want that too," you respond, tears threatening.

He gently takes your hand in his. "Even after all that I've done, part of me hoped that I might find some kind of redemption here on the surface. I wasn't sure how, and then I met you," he says tearfully, searching your eyes, "Y/N, you gave me that hope. Your goodness, your charity, your beauty. This realm has much to offer, more than I ever dreamed, but you are what I love most about the surface. From that very first day we spoke, I knew that you were what I was meant to find here."

Your vision blurs as he reaches to gently stroke your cheek.

"All of that to say...I've fallen in love with you, Y/N."

A sob escapes your throat as you look into his eyes and see it.

"I fell for you too. From the first day," you nod, finding your own confidence, "Being Atlantean doesn't change that. I don't care about who you've been or what you've done. I want to be with you. I love you too, Orm."

His composure crumbles along with yours as you embrace. The distance between you vanishes as your lips meet in a desperate kiss. You rest your hands on his chest and melt into his touch. He sighs and deepens the kiss, pulling you close against him. You feel the coolness of this still-dripping clothes soak through to your skin as you become lost in the taste of salt and longing. When you're forced to come up for air, you're both beaming.

"I've wanted to do that for so long," he smiles, caressing your face.

"Me too," you giggle, lacing your arms around his neck, "What did you think of your first surface-dweller kiss?"

"Not too bad. I think I'll have to try it again before I decide if I really like it," he smirks.

"Well, if you get me out of this frigid water, I'll see what I can do about that," you tease back.

"Now that I can do," he announces.

You shriek in surprise as he swiftly lifts you from the water and into his arms as if you weighed nothing at all. He chuckles in amusement and carries you bridal style back toward the shore.

"Orm!" you protest, in an obviously half-hearted fashion.

"I have to admit, concealing my Atlantean strength has been considerably more difficult than I anticipated," he reveals, wincing a bit, "I intended to bring a bottle of wine tonight as well, but- the glass here is far weaker than what I'm accustomed to."

You laugh. "Well, it's the thought that counts."

"I'm glad you think so. Because I thought since I'm responsible for us missing the best part of the sunset, that perhaps we could lie under the stars instead?" he suggests, setting you down gently on your feet upon the blanket.

"I would love to," you say, looking up at him, "But aren't you freezing in those clothes?"

"I'm used to it," he shrugs, "I don't think I feel the cold the same as you."

"In that case," you say, pulling him closer into a tender kiss, "What do you think about that?"

He grins.

"It was perfect, and I'm certain it will not be my last."

You no longer feel the chill as you cling to him, and he rests his forehead to yours. It didn't matter where the tides of life would take you next. As long as Orm was there to hold you in the waves, you would always be in your favorite place.

[tinydefector]

Other characters' reactions to Megatron in a romantic relationship with human liaison reader.

Question's and Quiries

Megatron x human reader

Warnings: non

Word count: 1.6K

Request and ask open read pinned post.

Megatron masterlist

__________________

Many aboard the Lost Light would be shocked and concerned to discover Megatron in a secret relationship with the human ambassador for the ship. As Ex leader of the Decepticons, whose sole purpose has been conquest and destruction, becoming emotionally attached to an organic seemed unfathomable to many of the bots.

Word of the unlikely pairing would spread quickly through the vessel's corridors and hab suites. Many Autobots who suffered under Megatron's tyranny for vorns would recoil in disbelief and distrust, and even other bots more worried about the human, were they in a decent state of mind, were they being threatened?. Even neutral crew members found it difficult to accept. Had their captain truly changed after all this time? Or had he simply developed a new, disturbing method of manipulation? Either way, keeping the ambassador closely aligned posed serious risks. 

Rodimus was the first to hear rumours among the crew of the Lost Light that Megatron had taken a human ambassador aboard as something more than a diplomatic liaison. He had heard it from Swerve who had apparently heard Megatron drunkenly confess he adored them, loved them even. 

"Megatron? In a relationship with an organic?" Rodimus laughed incredulously. "That's the most ridiculous thing I've ever heard. Maybe if it was Optimus, but Megatron? He hates all other lifeforms." Rodimus had stated which made Swerve hit him with a cloth. 

"I'm telling you he was mopping around the bar drinking Energex like it was nothing, trying to work on poetry, he's fraggin smitten with the Ambassador!" Swerve states while cleaning more glasses. 

"The mech may scare the shit out of me but he becomes a sobbing mess when drunk, I can see why he never drunk during the war, could have ended it so much earlier with a drunken poetry night" Swerve jokes, trying to calm his own racing spark after the earlier interaction with the ex warlord.

Swerve, ever the gossip made news spread like wildfire.

Rodimus, Tailgate, Cyclonus and Skids and heard it from him. Rodimus told it to Drift who told it to Ratchet, tailgate told it to Whirl who shouted about it publicly. Skids had told it to Rung, who in turn relayed it to Ultra Magnus. 

"Can you believe it?" Swerve asked other members at his bar, optics wide. "The big, bad tyrant of the Decepticons has gone soft! I never thought I'd see the orn." Though said lightly, there may be an undercurrent of hope in his voice.

Tailgate, on the other hand, would be fearful yet curious. A secret admirer of the human ambassador, they were friends in his eyes, he nonetheless knows of Megatron's violent past. The idea of a human so close to the warlord would fill him with terror...yet also he himself was with a Decepticon,  ex decepticon.

As for Cyclonus, his reaction is the hardest to read. Stoic and stalwart, the former Decepticon says little. But observation of his microexpressions hints at deep surprise. 

When Rodimus approaches Drift with a similar story, having heard it from several sources, Drift doubts begin to fade, he had watched them for a while but now it seemed as if he theory had been confirmed. "This can't be true... Can it? Why would Megatron bother with a human?, he isn't very... open to contact”

From there Drift finds himself in the medibay, Ratchet let out an exasperated sigh when Drift told him about the rumours. "Megatron, caring for an organic? I'll believe it when I see it with my own optics. That mech is still as twisted and dangerous as ever, no matter who he chooses to consort with.”

When news finally reached Magnus, an emergency session was called. Shouting matches erupted as Rodimus and Ultra Magnus demanded explanations, one in shock and excitement the other wanting to make sure This wasn't a ploy. How did this happen under their watch, and what were Megatron's real intentions? The safety of the crew and their mission was of utmost priority, something the ambassador's unusual relationship with the former warlord could jeopardise. 

As chaos reigned aboard the ship, few knew what to make of Megatron and his human companion. But most agreed their unforeseen bond, if genuine, heralded great uncertainty for the future...Cybertronians had never tried courting outside of their own species, and so many questions came from it. 

Rodimus couldn't believe it when the rumours started spreading. Megatron, in a relationship with an organic? It seemed too bizarre to be true. Rodimus decided to confront Megatron directly to find out if it really was true. He had found Megatron deep in discussion with the human, hands gesturing animatedly as they spoke. The familiarity between them was unmistakable. 

"So the rumours are true," Rodimus said abruptly. "You and the... ambassador?" 

Megatron turned, his optics glowing dangerously. "What I do is no concern of yours, Rodimus." He tries to defend before eventually sighing and confirming. Megatron said impassively. "They enjoy listening to my writings, and I enjoy watching them when they work on their projects. Now leave us in peace." But when he confronted Megatron about it directly, the warlord didn't deny it. A smile crosses his face as he talks about them.

 Rodimus shook his head in disbelief as he hassled Megatron for more information,  how did a relationship like that even work, the size difference itself, one being Cybernetic and the other Organic. 

Ultra Magnus was deeply uneasy about the whole affair. An organic aboard one of their ships was risky enough, but for them to be fraternising with Megatron of all bots it worries him. He had fought against Megatron countless times and seen the depths of his cruelty.

"Are you certain of this?" Ultra Magnus asked gravely.  "Megatron and a human?" Ratchet could only nod grimly in response, he continues working as Drift sits off to the side. “Shocked me when the Ambassador came in for a health check, learned too much on megatron's interface life, for a lifetime” Ratchet confirms. 

"What does this mean for our relations with humans?" Rung wondered aloud. "Will they still see us as allies?” he asked, slightly worried. 

 It seemed impossible that the Decepticon could truly care for another. He feared this relationship was merely a ploy by Megatron to manipulate the ambassador and advance his own goals.

 But watching them had changed his feelings on the matter. Watching Megatron lift them up to watch the stars throughout the observation deck. Listened to Megatron laugh, a true laugh when in their presence. How Megatron went out of his way to make sure they were content. 

"I do not understand," Rodimus said slowly, turning to his companions. "Has Megatron gone soft? Or is this some new trickery, like dont get me wrong I'm glad that they are happy but does it feel unreal to anyone else?"

Brainstorm, ever the scientist, was endlessly fascinated. "Just think of the advances we could make by studying their physiology up close!" he said excitedly. "Too bad Megsy's being so selfish, keeping them all to himself." Nautica smiled and reminded him that they was a person, not a lab experiment. But privately, even she wished to learn more about these "humans.”

Drift frowned thoughtfully. "The ways of the spark are mysterious. Perhaps even one as Megatron is capable of love." His optics linger on the Larger mech who was discussing paperwork with the human sitting on the table in front of him. Red optics look down at the human softly as they chat softly amongst themselves. 

Ratchet scoffed. "Love is it? I'd believe Unicron had a change of sparks before Megatron. Mark my words, this will end in nothing but trouble and spilled energon. That human has no idea what kind of Mech they're dealing with." 

Tailgate let out a squeak of surprise. "Aww, they look so cute! He looks like a love sick sparkling!" tailgate was wrapped in Cyclonus' arms as they watched the two. 

Drift shoots Ratchet a look, in turn the medic sighs at his harsh words, he knew all too well what it was like falling in love with a Decepticon, he was being. A hypocrite and he knew it. 

And yet, as they watched, Megatron's actions remained gentle, protective even, as he spoke softly with the ambassador. Rodimus found himself hoping against logic that Drift was right - that even the coldest spark held the potential for warmth. 

Rodimus ran a hand over his faceplate. "Primus help us, the Senate is NOT going to like this." He states while downing his drink. "We'll need to address them, try to do some damage control before this blows up in our faces. Once we get back to Cybertron”

As for the senate, they were outraged that Megatron would fraternise with an organic, Megatron has a long and deadly history of oppression, war crimes, and casual disregard for other species. 

 Many councillors would express grave concern over any influence or leverage Megatron might gain through the relationship. 

Some would even demand the ambassador be removed from the ship for their own protection. Cooler heads would argue for letting the relationship play out, while closely monitoring for signs of abuse or manipulation. 

Ultimately, the senate would likely ban Megatron from direct contact with the ambassador until a full psychological evaluation could be conducted. 

 But after Optimus steps in stating it was inhumane and cruel they allow the two back together.

That night, Megatron spends it under the stars with his lover, both of them trading stories of poetry, philosophy, and astrology. In his spark, this was where he wanted to be, with them, and he would fight to keep that spot by their side. 

[reyreadersblog]

ALRIGHT Y'ALL MADE ME DO IT!!!

My unpopular tig/tgg opinions!!

FIRST!

These are MY opinions and i'm allowed to have my own thoughts on certian things, just as you are, okay..? Just wanna..get this out of way, i know everyone is respectful in this fandombut still.

1. this is something that should NOT be an upopular opinion. AVERY IS THE MAIN CHARACTER FOR A REASON. okay? She is a girlboss, and she needs more appretiation, cus literally search up tig on tt rn. Everybody and their cat named Stewie is talking about Grayson and Jameson? WHAT ABOUT MY MG AVERY? And if you see any post about her, it's probably a hate vid about how Avery should've kept the money...SHUT UP. Read what she said carefully..."no one deserves that kind of power.." and then think about it deeply.

2. I DO NOT WANT TIG TO TURN INTO A TV SERIES (or even a movie). i can't name all the reasons 'cus then the the list would be endless. First of all, i know, I JUST KNOW, they'll choose the worst cast ever. And even if they find the most accurate cast for the Hawthorne brother i will still be dissapointed, because the images of them i have in my head...THEY'LL NEVER TOP EM. second of all, they will leave out important moments, just as simple as it sounds, and trust me they will, just like they do with most of the live adaptations of books. Third of all, SHIP WARS!!! I phisically can't with ship war, like I'VE HAD ENOUGH OF EM IN THE PAST WHEN THE BOOKS WERE STILL COMING OUT. And just the thought of Averygrayson shipper saying "yeah Avery and jameson were endgame in the books but they might change it in the movie..." GIVES ME NIGHTMARES. and overall, not everything needs a live adaptation yk? sometimes things just have to stay the way they are.

3. ...this is a bit contrevertial.and i don't want to sound like a hater since i've said this a multiple times before but Rohan's pov was my least favourite in the grandest games. Purely bcs whatever Savannah and Rohan had going on...don't get me wrong, i like Savannah (even tho she did and said some fucked up things) and Rohan, SEPERATLY. But them being together...idk man, they were too..."booktokish" for my liking, yk? and i do love banter and teasing, but they were like basic "i like you but i like winning more" "couple". Not to mention they were so random...like where did they come from? I remember when we first saw Sav and Rohan having the same symbols on their cards i was very excited, i expected a different dynamic between them...PLUS THE WHOLE GAME THEY JUST WANTED TO FUCK💀

4. Hating Alisa Ortega and loving Grayson Hawthorne is CRAZYYY, and i'm saying this bcs they're pretty similar in different ways. And the thing is people are mad at Alisa for "saying mean words to Libby" (she was literally doing her job, you would understand if you were at her place) MEANWHILE GRAYSON LITERALLY THREATENED A HEIRESS! (sayin this as a Gray stan) *sigh* y'all are something else🤦🏻‍♀️.

5. Ohh...this one is risky...BUT CAN Y'ALL STOP ACTING LIKE JAMESON IS BLAMELESS?? all i see is Grayson slander, AND I UNDERSTAND, he fucked up, but saying "Jameson was so much better than Grayson" is a lie, at least for me. (He was better for Avery tho) he fs made mistakes that fandoms chooses to ignore. Like lets not act like treating Avery like a toy wasn't wrong. Lets not act like him blaming Grayson for everything wasn't wrong. Let's not act like him reminding Grayson of Emily's death wasn't wrong. And i know that later on both him and Grayson had a great character development, but still, i've never seen anyone talk about this.

6. This isn't about tig. But LIKING JLBS WORK AND BEING HER FAN DOESN'T MEAN YOU'RE GLAZING HER💀 (talking about an argument i had a while ago...) like is it so hard for your brain to understand that it's called having an opinion. Idc if it's JLB or any other author, okay? Like i've read almost every Jlb's books and i love them, AND i also publicly talk about how much iblove her work, does that mean i'm glazing her? UHM NO WTF💀.

7. LET. PEOPLE. HAVE. PREFRENCE. (I'm talking about ships btw) . Someone prefers LyraGray over Averyjameson, and that's okay. Someone loves Averyjameson the most, and that's also okay, someone likes Libbynash more then Xandermax, AND THAT IS ALSO OKAY.

I'll probably do part 2, i have more to say i'm just really tired rn.

Also it's not proof read so sorry if there are many mistakes.

[crybabylipstick]

TALKING ABOUT THE ALLEGATIONS AGAINST MELANIE MARTINEZ:

In November of 2017, Timothy tweeted "what if I have my own story of a*use but I'm scared to ruin the persons life and I still love them in a f*cked up way and the public really loves them and most probably wouldn't believe me".

On December 4, 2017, Timothy publicly accused Melanie of s*xual as*ault on Twitter. She alleged two nights during which she "repeatedly said no" to advances from Melanie, claiming she kept secret for years and describing how Melanie had performed s*xual act*vities on her without her consent.

Melanie replied to the accusation shortly after claiming Timothy's allegation was false:

"I am horrified and saddened by the statements and story told tonight by Timothy Heller. What she and I shared was a close friendship for a period of time. We came into each other's lives as we were both starting our careers as artists, and tried to help each other. We both had pain in dealing with our individual d*mons and the new paths we were forging, but I truly felt we were trying to lift each other up. She never said no to what we chose to do together. And although we parted ways, I am sending her love and light always." (In case the picture is blurry).

- Melanie Martinez

In an interview with Newsweek, Timothy claimed that Melanie tried to contact both her and her boyfriend around 20 minutes after publishing the accusations through text and phone calls. No evidence to back this up was ever shared. In the aforementioned interview, Timothy went on to say that Melanie's dismissal of her account "says it all":

First of all, I did say 'no,' multiple times, but even if I hadn't, that doesn't mean I wanted it. She dug her own grave saying, 'she didn't say no'. That's not consent."

- Timothy Heller

On December 10, Melanie thanked her fans who supported her after the accusations.

"I understand how hard it could be to see my side of the story, considering no one with a heart would want to invalidate anyone speaking up about this topic. I want to thank my fans who took the time to research the timeline, analyze past Instagram photos, and question the story being told, which reveal her false statements. I trusted so many people in my life who took advantage of that trust for their own personal gain. Please know that my intentions with everything that I do in my life are always pure and I would never be i*timate with someone without their absolute consent." (In case the picture is blurry).

- Melanie Martinez

On July 19, 2024, 6 years after the controversy, Timothy posted a 6-minute video onto TikTok detailing how she had been h*rassed and bullied off the internet due to speaking up about the all*gations. She also said that she felt "quite validated" from Melanie's response due to Melanie admitting that the two had something take place between them.

(screenshot of the video Timothy is talking about Melanie and the whole situation).

Now, before anyone says something like "Oh wow you're supporting a 🍇pist" "You support 🍇pe" "Can't believe you believe Melanie" etc. I don't believe anyone, I'm not picking sides neither I'm trying to start a fight or offend anyone. I've been getting a lot of hate about the whole situation from people who don't even know me, saying stuff like "You support 🍇pe" "I hope you get 🍇ped too" "Supporting a 🍇pist" and really mean and offensive stuff like that. I DO NOT support 🍇pe. I just wanted to clear some things out, just because I'm a fan of Melanie doesn't mean I support everything she does and believe in everything she says etc. I'm just a fan and nothing more, I DO NOT care about her personal LIFE or what she DOES. I just listen to her music and art. I'm not trying to offend anyone or anything. And I'm not saying you shouldn't express your thoughts or opinions on the whole situation or anything like that. Neither I'm saying you are in the wrong if you believe Timothy/Melanie. All I'm trying to say is we shouldn't judge or pick sides because only Melanie and Timothy know what truly happened. We might never know the truth, and that's totally okay. The only people who can judge each other are Melanie and Timothy. We don't even know what happened. Timothy could be lying, Melanie could be lying, who knows? Also, Melanie hasn't been proven GUILTY neither is Timothy's story INVESTIGATED or proven to be TRUE.

Another thing I want to point out is that even tho Timothy claims to be traumatised by Melanie and the whole situation etc. Timothy in 2015/2016 had dressed up as Melanie:

( 1st photo edited by me (I mean how I compared the pictures) , please give credits if you use etc. Thank you 🌬️🤍).

I'm sure you don't dress up as someone who has done something so serious and mean to you.

Not to mention when Timothy said the date that apparently the whole situation happened Melanie was in another state on the "CRYBABY TOUR". The last time I checked, you couldn't f*ck someone from that far away. (Not trying to offend anyone). And she also has claimed that she didn't remember the date that well yet she is still giving us a date.

Anyways, that's all I have to say, if you read all that, thank you, I really appreciate it. 🌬️🤍

( By the way, this is MY opinion about the whole situation. NOT trying to start a fight, be mean or offend anyone. Saying this so that there won't be any misunderstandings or false information 💕🩹).

[prettycottonmouthlamia]

I shouldn't have to make this post but Nintendo fans are trying extremely desperately to position the company whose cock they love the taste of in a good light and are generally doing this by spreading misinformation about the legalities of emulation so let's go over a number of the fabrications shall we?

Emulation is illegal to monetize This has so far been one of the really big ones that's taken traction, usually partnered with the sister lie that yuzu was paywalling access to early access builds. These are both lies, and are untrue. yuzu is far from the only modern emulator to be monetizing itself, plenty of mobile emulators do it, but developing an emulator for money is entirely legal. We have pretty much all of our emulation precedent set thanks to a series of lawsuits in the very early 2000s thanks to Sony suing an emulator called Bleem. There's a lot to say about Bleem, but Bleem was a commercial emulator. You could buy Bleem, in stores. At no point was there ever a court decision that Bleem was wrong to do so (despite Sony's best efforts).

Emulating current generation software or hardware is illegal. This is also wrong, and kind of fundamentally misunderstands a lot when it comes to emulation. Once again, Bleem was at the time emulating current generation software. It was a generation in its twilight, but Bleem first released in March of 1999: the Playstation 2 was not out yet. The reason why current generation software does not tend to be emulated is because we do not really have the tech or processing power to do it yet. The Switch's lower specs are entirely the reason it has had an emulator developed well ahead of the PS4 or the Xbone.

Yuzu's early access build allowed people to play Tears of the Kingdom ahead of release date This one is a couple of different statements packed together, and while I'm given to believe there's a chance other games may have been playable ahead of release, this specific statement is a lie, and maybe the funniest one on the list because it's a lie that's not even backed up by the lawsuit.

The lawsuit is extremely clear in its language that it was modded instances of Yuzu that could play Tears of the Kingdom ahead of release date, not publicly accessible builds of Yuzu. Nintendo's argument here lies in Yuzu being open source: part of the lawsuit alleges that Yuzu is responsible for any and all acts of piracy done by its users, whether or not they used official or modded builds of Yuzu. This is, of course, a fundamentally fucking insane position to argue from. It is not a particularly uncharitable reading of this as an attack on open source software to begin with, as this precedent would make any developer liable for ANY illegal action taken by someone who modified their code. Supporting this, in my opinion, makes you an asshole and liable to be clocked in the fucking mouth.

4. Literally anything involving this screenshot.

I've seen this screenshot maybe three or four times with different takes on what exactly Illegal is happening here and I'm pretty content to just call it vibes at this point. Whether this is an intelligent screenshot is a different matter, but no one has been able to point to anything actually illegal being done here. There is already precedent in allowing one to make their own back-ups of software they own, even if decryption or bypassing copy protection to do so, which is a large majority of software. Switch games are not the only games that are either encrypted or have copy protection, and this is both not the earliest generation to do it AND its not the only industry that does it.

The only point of interest here is the date, which I've seen literally no one bring up, but this correlates into another point: personal piracy is still not something Yuzu is liable for. It's a dumb thing to broadcast, but it doesn't change anything material about the software.

5. Yuzu folded because Nintendo had a smoking gun

I, I just, I'm sorry this one isn't just a lie its a really naive and incompetent view of the faults of our legal system. If anything, the settlement seems to indicate the opposite. If Nintendo was sure they had Yuzu dead the rights, they wouldn't have fucking settled. Both parties need to agree to settle! Nintendo is actively interested in trying to set legal precedent that emulation is illegal, because Nintendo is great at saying obviously wrong things with a straight face.

This could be a reason, but remember, this was a civil lawsuit, not a criminal one. Civil lawsuits have a difference in how evidence is handled, and it's pretty likely that Nintendo just has more evidence than user does on account of being able to afford a larger legal team and having planned for this lawsuit in advance, regardless of how strong that evidence actually is. It's why most of the arguments in the lawsuit read kind of insane. Civil lawsuits are not handled "beyond a reasonable doubt".

There's also the fact that legal cases can be extremely expensive, even when you know you are absolutely in the fucking right. I want to link this video by James Stephanie Sterling as evidence of this. They were completely in the fucking right, and the lawsuit still took an incredible amount of time and monetary expense to argue, and that's against an opponent who you could reasonably confuse with a scarecrow. This is ultimately how Sony eventually "won" against Bleem. Bleem never lost any of its lawsuits against Sony, in fact Sony ballsed it up twice against Bleem, but Sony continued to file lawsuits against Bleem and its company over and over, until Bleem literally could not afford it and went bankrupt.

There's also the matter of precedent. If Yuzu had taken this court, and lost, it would be really bad. There's a lot in this court case that you don't want precedent leaning towards, and due to, uh, America's current political climate and judicial regime, there's a fair chance the judge would have just sided with Nintendo anyways. Settling the lawsuit, while to be entirely clear, sucks complete ass for Yuzu as they were basically eliminated, protects the sphere of emulation as a whole.

So what was the salient parts of Nintendo's case?

The parts of Nintendo's case that hold the most weight have to do specifically with the encryption keys used to de-encrypt Switch games, and how those keys interact with the DMCA. There's no legal precedence to back this up, this is thoroughly untested grounds. This is actually where the buck stops with the Bleem cases: this one never went to a judgment for Bleem and hence never established precedent.

There's a pretty reasonable chance that Nintendo had a chance to win the lawsuit off of the back of this point. This doesn't make it a guarantee, but it's the part of the lawsuit that's actually important.

What happened with the settlement?

Well Nintendo got to legally extort the Yuzu devs and their parent company for $2.4 million. This is, strictly speaking, chump change to Nintendo but I in particular hate this part of lawsuits with a passion. In addition, as per the conditions of the agreement, all copies of Yuzu that were released and in development under the purvey of the company must be destroyed, the company and its devs can no longer work on Yuzu in any way possible, and they cannot work on any other emulation software. This is why Citra also closed down by the way: it was an unfortunate emulator in the cross fire. This in and of itself, is a tragedy, since this is basically court mandated brain drain. Undoubtedly Yuzu will be forked and someone will continue development on "Zuyu", but the loss is still felt.

Why should I care? Piracy is illegal.

This is where I'm going to wax philosophical for a moment, but Frankie my dear, I do not give a damn. Nintendo could have had full legal rights to do this, and I would still be of the opinion that Nintendo's legal team are ghouls and shouldn't feel safe showing their faces. This is how I felt when Nintendo shut down Emuparadise. Whether something is illegal does not impact whether it is right. Laws exist in a state of being able to be both just, unjust, or both.

Emulation is extremely important in the preservation of gaming as an artform, something that the game industry is extremely against in all forms. There's money to be made after all, and attempts at making sure that games are available to play are often attacked and criticized. This is part of the reason I'm so against the existence of copyright law. It doesn't matter what the intent of a system is, but it does matter what the system does, and it's transferred an overwhelming amount of power into the hands of large corporations while largely screwing small creators over.

I do not believe art has a price tag to it. I do not believe that art can and should only be enjoyed by the people a company has decided to sell it too. I do not believe that companies like Nintendo should be able to throw their legal weight around and ruin people's lives. You should be able to play Mother 3 and Shin Megami Tensei without having to wait for their parent companies to decide they actually want to sell it to you.

Piracy does not inflict meaningful damages to Nintendo. Despite Nintendo's whinging, Tears of the Kingdom sold over 20 million copies in half a years time, something that we can estimate to have made Nintendo about $1.4 billion in revenue. We live in a game industry which does not care about its game devs: it's perfectly willing to underpay them, to overwork them, and to eventually let them go. Nintendo is not innocent here. They have a history of mistreating their contract workers, and I personally know that these are not the only allegations that hold water.

In short, fuck Nintendo. Pirate all Switch games until the end of time.

[autistichalsin]

My chapter-by chapter analysis of The Hunger Games, chapter 1

Disclaimer: this and all future chapter analyses will contain spoilers for all the books.

What really strikes me about this chapter is what a masterpiece it is; a masterpiece of foreshadowing, establishing moments of characterization, worldbuilding and more, all without ever feeling like we're actually getting infodumped on. This is accomplished with Katniss's stream-of-consciousness storytelling. I've heard it criticized so much, but even aside from the very salient point that it fits her characterization as an emotionally stunted, traumatized, poorly-educated teenage girl, it still helps the story in moments like this. We feel Katniss's inner chaos, and it makes the story that much more immersive.

On to the spoilery part of the analysis:

When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress.

There was a post, a while ago, that I can't find but wish I could. In it, the OP talks about how Prim is literally doomed by the narrative, not "heavily foreshadowed death," but literally doomed by the narrative, and this paragraph is the first sign, because Katniss reaches for Prim and feels emptiness instead. And re-reading this, I agree. The first thing we see Katniss do is reach for Prim, and find nothing. This time, it's temporary, but by the end of the series, it won't be. We've been warned, even if we don't realize it yet: Prim is doomed.

Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me.

Katniss loves her sister and will do literally anything for her. Katniss also has no moral qualms about drowning kittens. With just one paragraph, we learn what a simultaneously harshly practical yet beautifully caring, loving person Katniss is. She has no room in her life for useless things like pets, and drowning strays probably helps the people of 12 in the long run by leaving vermin to be eaten by those on the verge of starvation. But her sister wants to keep Buttercup, and so she will. Katniss will sacrifice anything to keep Prim happy.

Foreshadowing. Prim is doomed.

Entrails. No hissing. This is the closest we will ever come to love.

STILL more foreshadowing, for different themes: both for one of Katniss's biggest complexes (I'll get into details about this later) and for the theme of love. Katniss doesn't truly love anyone but Prim. Her entire world, we know, is going to be shaken when she does finally feel that for someone else again. Once again, we are being introduced to the recurring themes of love vs practicality and the classic question, "how much pain is love worth?"

Katniss is going to answer this question again and again: for Prim, there is no amount of suffering too great. For others... she'll find different answers. Eventually.

My father knew and he taught me some before he was blown to bits in a mine explosion. There was nothing even to bury. I was eleven then. Five years later, I still wake up screaming for him to run.

The first hints of Katniss as a deeply traumatized girl emerge. Sometimes, when you're traumatized enough, thoughts can segue into The Event with no warning, just by proximity. And through the combination of blunted language and stream-of-consciousness leaps, we can see just how broken this has left Katniss. Unfortunately, this is only the start of Events for her.

My father could have made good money selling them, but if the officials found out he would have been publicly executed for inciting a rebellion. Most of the Peacekeepers turn a blind eye to the few of us who hunt because they’re as hungry for fresh meat as anybody is. In fact, they’re among our best customers.

A brilliant bit of worldbuilding. The Peacekeepers are working off of deeply corrupt laws, which they ignore because they too are being mistreated and systematically starved, even if they aren't as at risk as the people of 12. The system doesn't care about the very same people it safeguards to enforce its rules. This is the first hint we get that the system isn't sustainable, and it comes before we even fully understand what kind of hell this government is.

The theme of "bread and circuses" is going to be hammered down to us again and again that this is how tyrannical governments, including this one, pacify the masses. But when only the bourgeoisie are being given the bread and circuses, well.... the proletariat aren't going to take it forever.

The book hasn't shown itself to be the anti-capitalist masterpiece it is yet, but this is the first hint that we're reading a tale of class warfare.

“District Twelve. Where you can starve to death in safety,” I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you.

I have seen criticisms that this is an egregious case of showing and not telling, with Katniss constantly talking about the dangers of badmouthing the government while never facing them. But in truth, it's the opposite. Yes, Katniss hasn't been caught despite repeated statements that she could have, but we'll learn, here and in future chapters, that 12 has been receiving a sort of tradeoff with other districts; their more severe poverty places them below notice. No one thinks them capable of causing real trouble, and even their district specialty- coal- is later proven to be basically useless, busy-work. So they get ignored... for now. Until the oligarchs start seeing what the proletariat can actually do and crack down all the harder to ensure they keep their cheap labor.

Are you seeing the resonance with the real world yet?

Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food shortages, or the Hunger Games. Prim might begin to repeat my words and then where would we be?

Here we see the dual themes of parentification and sacrifice. Katniss will be the adult, even though she ISN'T an adult, for her sister. She will keep quiet on things that hurt her, and upset her, to set a better example for her sister and keep her from getting hurt. Prim gets to have the normal and safe childhood Katniss never had, because Katniss has invested everything into ensuring she does.

We are taking a step up the ladder of self-sacrificial acts, here. In other words: more foreshadowing. Katniss will give everything for Prim. Prim is going to die, because Katniss is going to lose everything she cared about in the process of protecting everything she cared about.

In the woods waits the only person with whom I can be myself.

Katniss can't be a teenage girl. She has to be Prim's mom. She has to be tough. She has to be a provider. She has to be a trader. An advocate. She so rarely complains about it, too. But it shows here just how much she's given up. Only one place, and one person she can be herself with, and yet...

Gale.

Isn't this ironic. Because we are about to see, throughout the entire series, that this day is going to be the last time Gale actually lets Katniss be herself (and even here, there are strong hints that Gale wants Katniss to be something very different).*

*Disclaimer, because it seems important: my opinion on the Katniss/Gale vs Katniss/Peeta ship war is "team nobody." I think both of them were very bad for her in different ways. Any comment I make that seems like it is favoring one ship or the other... isn't.

“Hey, Catnip,” says Gale. My real name is Katniss, but when I first told him, I had barely whispered it. So he thought I’d said Catnip. Then when this crazy lynx started following me around the woods looking for handouts, it became his official nickname for me.

Maybe I'm overanalyzing, but I feel like this sums up the Katniss/Gale relationship so much. Katniss tries to speak, and Gale doesn't hear or understand her. Gale projects something onto her, and Katniss rolls with it. Sure, in this case it's a cute nickname, but it represents so much more to me.

Gale doesn't understand Katniss. Fundamentally. He understands the Katniss he wants to exist. The one who will run off with him and play house in the woods and indulge his little fantasies. He doesn't know very much about the real Katniss, at least as long as he's looking at her through a romantic lens.

“Look what I shot.” Gale holds up a loaf of bread with an arrow stuck in it, and I laugh.

Despite what I just said, I do love Gale and Katniss's friendship, and it breaks my heart that their friendship was as doomed as Prim. (Hint. Hint.) Katniss needed someone who understood the unique pain of parentification due not to abuse, but poverty- the kind where you aren't 'allowed' to feel angry at anyone within reach. Which is the worst kind of injustice. Getting mad at someone who harmed you is one thing, but getting mad at a system you can never (... yet) hope to change is different.

She must have really loved him to leave her home for the Seam.

It's said in a casual and sort of admiring way here. But Katniss is going to learn firsthand about the intersection between love and sacrifice. With the generational mirroring as a theme, especially between Katniss and Peeta, we're being given more foreshadowing that Katniss has self-sacrifice "in the blood."

I try to remember that when all I can see is the woman who sat by, blank and unreachable, while her children turned to skin and bones. I try to forgive her for my father’s sake. But to be honest, I’m not the forgiving type.

Another little glimpse into Katniss's pain and trauma. Her mom wasn't there when Katniss needed her most, and Katniss and Prim both almost died as a result. It wasn't her fault, and we see later that she regrets it deeply, but this still leaves scars. Your parents, above everyone else, are supposed to protect you. Katniss's mom didn't, Katniss nearly died, and because of that, Katniss had to sacrifice what remained of her childhood to become Prim's mom.

Katniss and Prim's relationship never goes back to just normal sisterhood after this. From the moment Mrs. Everdeen's trauma rendered her catatonic onwards, Katniss and Prim's relationship was infused with a mother-child dynamic that never left, not even when Mrs. Everdeen became well again.

It's so painful, all the more so because it's so real. I lived this with my little brother, albeit with stakes maybe 1% this high, when my mom became an alcoholic and my dad was too busy just trying to survive to really do anything. I was the one to take care of him emotionally, to show someone cared, to provoke my mom's anger so he wouldn't be hit, to make sure homework got done and he didn't skip school (I failed. Badly.) He still considers me more his parent than either of our parents. It never really goes away, even when you're both adults; that overdeveloped feeling of responsibility stays with you. Always.

And the worst part of it is when the parent who made you have to do this decides, on their own, that the time is right for them to come back. Katniss's mom is far more gracious about it than my own. She at least understood Katniss's pain, and didn't try to force the role on her; it happened only when Katniss was ready. But that too, as we'll see in a minute, was painfully real for me.

“I never want to have kids,” I say. “I might. If I didn’t live here,” says Gale. “But you do,” I say, irritated. “Forget it,” he snaps back. The conversation feels all wrong.

Once again, a hint that despite their sweet friendship and similarities, these are two tragically, fundamentally incompatible people. Katniss is in too much pain to think of ever having a family, and Gale is in too much pain to think of not ever having one. Katniss wants to survive the way she always has (which she doesn't realize isn't her destiny yet) and Gale wants to flee and survive literally any other way.

Both change in the end, but the underlying incompatibilities in their life approaches are still there.

And even if we did . . . even if we did . . . where did this stuff about having kids come from? There’s never been anything romantic between Gale and me. [...] Besides, if he wants kids, Gale won’t have any trouble finding a wife. He’s good-looking, he’s strong enough to handle the work in the mines, and he can hunt. You can tell by the way the girls whisper about him when he walks by in school that they want him. It makes me jealous but not for the reason people would think. Good hunting partners are hard to find.

A few very interesting things are happening here. One, we're getting another hint, first dropped during Katniss's thoughts about Buttercup, that Katniss has a pathological inability to believe others actually like her- romantically or otherwise. Part of it is low self-esteem, part of it is putting Prim on such a pedestal that Katniss feels she can never live up (and giving her more self-esteem issues) and feeling like anything she attributes to herself might take away from Prim, and part of it is just raw cynicism. And maybe a dash or two of the feeling of permanent othering trauma gives you. Especially when that trauma involves a realization that you're never going to be able to rely on others to meet your own needs. You're responsible for your needs and your loved ones' too.

(Katniss is one of the most complex and real characters of all time. I relate to Katniss an uncomfortable amount sometimes.)

The other interesting thing is that you're getting a sense, for the first time, of how much trouble Katniss has recognizing and processing her own emotions- a very common trait in neurodivergent people. She can sort-of-understand a feeling of jealousy, but can't quite put her finger on the reason, and fitting with her attitude of relentless practicality, she decides that it's the worry of losing a useful hunting partner. Because, after all, Prim is the only person she loves, she can't care for anyone else, there isn't room for that. To care about anyone else would be to "take away" something from Prim.

Katniss repeatedly raises the question of when self-sacrifice crosses the line into self-harm by proxy. When altruistic love becomes self-negation instead. It's sweet that she loves Prim so much, but the codependence... If this is the benchmark for love for Katniss, it's no wonder that she feels at this point that she can't feel it for anyone else. This isn't sustainable.

(Prim is doomed. We've been warned.)

I found the patch a few years ago, but Gale had the idea to string mesh nets around it to keep out the animals.

This is going to be a recurring theme; Katniss is too impulsive and lacking a sufficient cause-effect pathway to be a planner/strategist. Gale makes the plans now; later it'll be Peeta and Haymitch.

(Also, this is foreshadowing Katniss's lack of agency. She is about to become an audience member in her own life story. She found the strawberries, but she didn't decide what to do about them. Gale did. That's about to become her entire life.)

No one in the Seam would turn up their nose at a good leg of wild dog, but the Peacekeepers who come to the Hob can afford to be a little choosier.

There is a hierarchy still, where the Peacekeepers are starving, but not as starving as the people in the communities they're sent to. Everyone is hungry, but some are hungrier than others.

Hint. Hint.

“That’s not her fault,” I say. “No, it’s no one’s fault. Just the way it is,” says Gale.

"Remember who the real enemy is." Katniss gets told this repeatedly, by Haymitch and others, and eventually she learns the lesson in time to lead a successful revoltuion.

Gale does not learn this lesson. He will end up destroying everything he cares about in his pursuit of revenge against the Capitol and anyone associated with it.

Gale would normally say that there is a huge difference between Madge, the mayor's daughter who is pampered and comparatively privileged, versus the willfully malicious Peacekeepers; the middle class are still part of the proletariat, after all. But Gale, in his pain and fear, loses sight of it and lashes out. This time, it's just words. By the end of the series, when he gets actual power, it will lead to something far more catastrophic.

Prim is doomed to die, Gale and Katniss's friendship is doomed to end in the most bitter way possible, and Gale is doomed to be his own worst enemy.

Gale knows his anger at Madge is misdirected. On other days, deep in the woods, I’ve listened to him rant about how the tesserae are just another tool to cause misery in our district. A way to plant hatred between the starving workers of the Seam and those who can generally count on supper and thereby ensure we will never trust one another. “It’s to the Capitol’s advantage to have us divided among ourselves,” he might say if there were no ears to hear but mine. If it wasn’t reaping day. If a girl with a gold pin and no tesserae had not made what I’m sure she thought was a harmless comment.

Gale knows he's wrong to say things like that. But again, as said above, his pain and fear get the better of him, and cause pain to those around him. His normal philosophy is correct, but he loses sight of and discards it far too easily.

(Gale is going to lose everything because of his scorched-earth approach to anger.)

Also, a note: this is how the real world operates too. Culture wars to distract from class war. For an entire generation of readers, this was their introduction to the basic principles of socialism.

But what good is yelling about the Capitol in the middle of the woods? It doesn’t change anything. It doesn’t make things fair. It doesn’t fill our stomachs. In fact, it scares off the nearby game. I let him yell though. Better he does it in the woods than in the district.

Katniss is still hung up on practicality. When she rants about the Capitol, she is, subconsciously, crying for help. But venting for the sake of venting doesn't make so much sense to her, given her stunted emotions.

Another bit of characterization I really enjoy here is the realistic teenage behavior. Yes, they're the oldest in their families, responsible for their entire family and only able to support them by hunting, and they should "know better". But they're teenagers in a fascist government, with an already extreme list of traumas and corresponding problems with emotions. Of course they're going to act irrationally at times and scare off game because they're having a meltdown- even non-traumatized teens would do that sometimes!

They're teenagers. Incredibly well-written, realistic teenagers. They don't have fully developed frontal lobes with the corresponding gifts of planning, impulse control, cause-effect relationships, and other things yet. They're more mature than most, but they're still going to behave foolishly sometimes.

Prim is in my first reaping outfit, a skirt and ruffled blouse. It’s a bit big on her, but my mother has made it stay with pins.

This is probably a "the curtains are blue because they're blue!" moment, but this is another bit of symbolism I enjoy. Katniss, at Prim's age, was hunting and entering the Hob. Prim is being kept alive by both Katniss and Mrs. Everdeen. She has a dress that mostly fits. She has good meals now. She is protected where Katniss wasn't. The dress represents both the sacrifices Katniss made for her and the fact that now, Prim has the adoring mother Katniss didn't have. She has two loving people looking out for her, willing to do anything to keep her safe, healthy, and happy.

(Prim is doomed.)

To my surprise, my mother has laid out one of her own lovely dresses for me. A soft blue thing with matching shoes. “Are you sure?” I ask.

Katniss can't comprehend her mom doing motherly things for her. Both because of the parentification, and because Katniss still fundamentally can't believe that anyone, even her own mother, actually cares for her enough to want to do anything for her. Not after four years of Katniss carrying the entire family on her back. It's incompatible with the world she's lived in for the last four years.

Katniss is painfully relatable.

I’m trying to get past rejecting offers of help from her. For a while, I was so angry, I wouldn’t allow her to do anything for me.

Painfully. Relatable.

What Katniss is feeling in this scene, I don't think I can describe to anyone who hasn't been there. It's relief-bitterness-anger-hope-longing-mistrust.

"Oh great, look who's finally here to help now that things are okay again and I figured everything out on my own! I want you back. I want a parent back. I don't want to do this anymore. I can't stop it. I can't trust you not to make me do it again. I'd better keep doing it so I don't get my hopes up. How do I even live without doing this? How do I live as a person and not a caretaking robot for my family? Am I allowed to do that? What kind of selfish person would I be if I did, especially now that I've seen what will happen if you fail again? No, I'm not letting you do this. I'll let you pretend to the little one because they need a parent figure and they deserve to feel normal, but me? Hell no, do you think I'm stupid? I am taking care of myself, I already learned what it costs to trust other people to see to my needs and that is not a price I'll pay a second time, thankyouverymuch. Yeah, mom I love you. I'm glad you're okay now. And thanks for doing this for me, I guess."

It goes something like that.

But I digress.

In just this paragraph Katniss expresses so much of the pain of parentification, so succinctly yet vividly that it makes my chest hurt.

I just really, really love Katniss, okay?

“You look beautiful,” says Prim in a hushed voice. “And nothing like myself,” I say.

Ow. Just... ow. She says it so matter-of-factly. Like she's just accepted it into her worldview; Prim, the embodiment of everything good in the world, is beautiful. Katniss, the leftover, the thing that exists just to take care of Prim, is ugly. That simple.

I wish we could have seen Prim respond here; surely she doesn't like anyone, even her sister herself, talking about Katniss this way? Or maybe Prim is so used to these kinds of casual self-put-downs that she's stopped trying to talk Katniss out of it.

Again: painfully relatable.

I protect Prim in every way I can, but I’m powerless against the reaping. The anguish I always feel when she’s in pain wells up in my chest and threatens to register on my face.

Once more: Painfully. Relatable. You put so much into protecting 'your kiddo'. And then something comes along and reminds you that you're even more powerless than the useless adults in your life. It hurts. It feels like you failed. It's one thing for you to get hurt, you already know how to deal with it, but them?

Ugh. Dystopian fiction isn't usually where my inner abused and parentified child gets validated, but this series unlocked some things in my neural pathways.

Thank you, Suzanne Collins, for Katniss. I feel so seen in so many ways through her and her story.

Sorry. I know this is supposed to be an analysis, not a love letter, but damn if Katniss doesn't play my heartstrings like a fiddle.

“Tuck your tail in, little duck,” I say, smoothing the blouse back in place. Prim giggles and gives me a small “Quack.” “Quack yourself,” I say with a light laugh. The kind only Prim can draw out of me.

Sorry, I am going to try to not repeat myself so much, but once again it just... Prim gets to be a child, because of Katniss. She gets to be a normal-ish 12 year old who makes silly animal noises and can't tuck her dress in. Katniss was fighting for her life and trying to find food. And of course it's not Prim's fault- I love Prim. But there's something just so painful about this contrast. Katniss had her childhood stolen from her, first by the tyrannical government she lived in, then her father's death, then her mother's mental illness, and finally the needs of a child she never should have been responsible for.

It's no wonder Katniss spends so much of the series in that emotional state abused, neglected, and traumatized children know all too well. You're simultaneously precocious and childish. Too grown-up one minute and acting like a child the next. Katniss never got to experience linear growth, and her psychology sure as hell shows it.

Painfully. Relatable.

Also, yet again: Prim. Is. Doomed. She's the most important thing in Katniss's life, the rationale for every decision Katniss makes, the reason she gets out of bed in the morning. The one person who makes Katniss's life worth living. Precious, sweet Prim, who retains her innocence and kindness in a world that aggressively stomps out both, is doomed by the narrative in every possible way.

Anyway, Gale and I agree that if we have to choose between dying of hunger and a bullet in the head, the bullet would be much quicker. The space gets tighter, more claustrophobic as people arrive. [...] I stare at the paper slips in the girls’ ball. Twenty of them have Katniss Everdeen written on them in careful handwriting.

When you're a child, you can't comprehend something awful happening to your parents, because your life experience just hasn't shaped yet to show you that it's even possible. You don't understand that it can happen.

When you're an adult, you can't comprehend something awful happening to your child, because your life experience has shaped to show you exactly how it's possible. You know exactly how it can happen, so you can't believe that it can actually happen.

Katniss is at a stage of her life that would already be transitional in normal circumstances, where she'd start contemplating mortality- but she's already dealt with it for years.

Her own death doesn't scare her anymore. Her sister's scares her so much that she doesn't even think it's a possibility. After all, everything she's done for the last four years of her life has been for Prim. To keep her alive and give her the childhood Katniss lost suddenly and traumatically.

Prim is doomed.

Taking the kids from our districts, forcing them to kill one another while we watch — this is the Capitol’s way of reminding us how totally we are at their mercy.

We got hints of apathy and cruelty before, but now the curtain is, for the first time, being peeled back. This isn't a system built on simple oppression. It's a system built on raw sadism.

It's another sign that Panem isn't sustainable. People can endure a lot of cruelty when their loved ones are hostages, but there are limits. When those limits get pushed (hint), something will have to give.

To make it humiliating as well as torturous, the Capitol requires us to treat the Hunger Games as a festivity, a sporting event pitting every district against the others.

Bread and circuses. The poor give labor (food) and entertainment, and the rich receive them. The rich live sequestered lives full of privilege, yet ultimately just as much under the thumb as the tyrant as anyone else. But still supporting the system because they lack the empathy to want change when they benefit from the status quo more than they would from a new system, so they think. They are simultaneously disgusting and pitiful.

Like the comfortably wealthy Trump-supporting boomers we all know and loathe.

The last tribute alive receives a life of ease back home, and their district will be showered with prizes, largely consisting of food.

Our very first, incredibly subtle hint, that winning the games might be even worse than losing them. The first time reading, of course, you'll take this at face value. Later, though, you'll think of this and realize it was all only mockery and isolationism, a way of guaranteeing that the victors would be scapegoated by their District, ensuring they would never find companionship again even if their trauma didn't prevent it. And they can't complain, because, after all, they now have a life of comfort.

So many things are intersecting here; class warfare (Victors being an allegory for "temporarily embarrassed millionaires" and the American Dream) and the isolation of trauma and mental illness and more.

But suddenly I am thinking of Gale and his forty-two names in that big glass ball and how the odds are not in his favor. Not compared to a lot of the boys. And maybe he’s thinking the same thing about me because his face darkens and he turns away. “But there are still thousands of slips,” I wish I could whisper to him.

Katniss so rarely worries about herself, only those she cares for. Again; her own mortality is okay to her. It's those she protects she can't let this happen to. But since she can't even bear to face the possibility of Prim being chosen (Prim is doomed) yet, she focuses her feelings on Gale, not only worrying that he'll be picked, but worrying that he will be upset that she might be. She only spares thoughts for herself for a few brief seconds, in the next paragraph.

Katniss gets accused of being selfish so many times, but it's notable that those moments only happen once she volunteers to go into the arena, once her survival depends on a bit of selfishness. Before then, she's one of the least selfish people in the entire series, and I'd argue that even at her worst she doesn't count as truly selfish. She's a teenager trying to survive and return home to her family, not a toddler who won't share toys.

I’m feeling nauseous and so desperately hoping that it’s not me, that it’s not me, that it’s not me.

But, of course, even when you are theoretically okay with dying, being faced with the actual thing will still inspire terror. So for just a moment, Katniss lets herself lapse into worry about herself.

For just a moment, she thinks about herself- and just that fast, Prim is placed in danger.

(This is how Prim will die too, by the way; being put in danger the one time Katniss is focused on something other than her. Prim is doomed.)

Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it’s not me. It’s Primrose Everdeen.

The unthinkable has happened, and Katniss's life has been changed forever.

And even though she can save Prim this time, it's only temporary.

Prim is doomed. Nothing in the world can prevent it now. Prim would die in the arena, but by going instead, Katniss has put herself in a position where any and all actions she does will spark a revolution that gives her a Pyrrhic victory.

There is no version of events where Prim lives.

Prim is doomed.

[hetameme]

Frankly, we've dipped

yep, that's right boys, I've been on a godamn mcsm crusade over the past three or so weeks. I got both seasons and binge played them, Lukas remains the best character bless up 🙏

But uhh also, thanks to @enden-agolor (sorry for the @) I've been um, lurking a bit on their page and I really love their work. They've inspired me to work on my first ever fanfiction, that I'll post publicly ... But seriously their art is awesome and I really enjoy reading their posts, give em a follow if ya like em!

one last ... minor mishap.. getting this godamn Lukas picture back from Clip Paint Studio was a nightmare

mfw when I spend 40+ dollars for a stupid fucking picture that I OWN

anyhow guys, sorry I don't post much, I've been finally feeling like getting back into the swing of things and I hope I'll have more for you guys soon, that's it for now bros ✨

[here2bbtstrash]

as promised, here it is: The Big Life Update Post (aka m where the hell have u been and what the hell is going on with this blog)

TLDR: went thru it, came out better for it, i love y'all. and we're getting back into this writing thing as i have the time and capacity 🥳

2023 has been a bit of a whirlwind, to put it very mildly. while the first three months started off relatively smoothly, my saturn return began in the middle of march. only a few short weeks after that... well, i'd basically say everything went off the fucking rails.

content warning: drama talk incoming ft. extremely brief mentions of racism and racist hate mail (no specific details shared).

i haven't spoken on this yet since everything happened, and i want to be explicitly clear that i won't be speaking on it further after this post. but i just want you to understand where i've been at since april.

i will own it entirely and say: i fucked up. i put content in a story that i shouldn't have, that i had no business speaking on, and i think people were well within their right to call me out on it, one hundred percent. however, after i went offline at the end of april, my friends ended up learning that the person who initially stirred up all of the "tea", and submitted the first several anonymous posts about me to a hate blog, was actually someone i knew well and considered a friend.

this was someone whose stories i gladly beta'd, someone i consoled through multiple hard moments in their life, someone i actually even met in person. yep. this was also someone who had read the chapter of my story that featured the problematic content when it was released, and proceeded to send me paragraphs upon paragraphs of how much they enjoyed it, and the story as a whole. this is not to say that people can't change their minds on content after sitting with it, not at all. but to think that i had been through so much with this person, done so much to be there for them, and that they never once gave me any reason to think we were anything other than close friends. yet ultimately, they didn't feel they could come directly to me... or find quite literally any other way of dealing with the issue?

instead, they chose to send multiple messages about me to a hate blog, as well as hateful anons to several of my friends, thinking that we wouldn't know it was them (we did). not only that, but their actions encouraged an actual torrent of racist hate mail to be sent to all of my non-white friends who publicly chose to support me. ultimately, they ended up admitting all of this, and still, they never once apologized or showed even a single iota of remorsefulness or responsibility for the onslaught of vitriol they incited. (even though, you know, this whole thing was supposedly about how racism is bad.)

and this user is still on the platform, operating under a new blog name and pseudonym. so. that's fun. 💀

i don't say this to beat a dead horse, or to drum up sympathy, because i promise i don't want it. it's been long enough, i understand the mistakes i made, and i've done my part to take accountability for my actions. but i needed to start this post here to have you all understand where i was at the end of april - just in time for yoongi's tour 🤪 - in many ways, i felt like i had no friends, at least none that i could really trust. i felt unsure who might have been acting one way to my face, perhaps even praising me, but talking different about me behind my back. and it was beyond fucking nervewracking to think that i would be meeting so many friends IRL for the first time, quite literally days after what essentially felt like a public execution.

i wasn't doing well, to say the least.

and then... the funniest thing happened.

y'all showed the fuck up for me. in droves. in a way that i have quite literally never experienced in my lifetime and doubt i ever will again. even recounting it now is lowkey giving me chills. i received, literally, yes i counted, hundreds of DMs from the most incredibly kind people- on tumblr, on twitter, on discord, in AO3 comments. the vast majority of you wrote paragraphs: about what my stories have meant to you, about how you found my blog to be a safe space in the noise of the world, about how much you'd enjoyed our time together here. so many of you said something along the lines of "even if you never come back here again, please keep writing". honestly, for like a week straight all i could do was read my DMs and cry and cry and cry.

i didn't receive a single hateful DM. not one.

as if that alone isn't more blessings than i deserve in an entire lifetime, i also, you know. saw five shows of agust d on tour. (my credit card is still recovering.) spent two of the best nights of my life in pit getting a water bottle baptism and screaming myself hoarse. and met dozens of incredible moots, who held me when i cried, scream-laughed with me, and of course, drank plenty of booze with me.

at a time where i wondered to myself if i even had a single true friend in this fandom (or, like, in the world), you all showed me that i had so much more. that we had so much more-- we had a community. and i believe we still do. and i am more than ready to block out all the shit that doesn't matter and get back to having some fun around here.

in short: thank you thank you thank you thank you thank you. if you sent me a sweet word, i promise you, i read it (and probably cried lmao). i wouldn't be doing any of this without you. i will never ever deserve all the love that you have shown me. but for as long as you'll have me, i'd love to have a fun stupid horny time in this little corner of the internet. as a part of our community. what a fucking gift it is. 🫶

phew. okay, so- that was april and may. it's november. what the fuck happened?

i knew i wanted to properly take time to get my head on straight before i found my way back to writing. what i wasn't expecting was to 1. fall in love, 2. get a new job, and 3. move myself and my cat approximately 800 miles across the country... but yeah, since the end of may, those 3 things are exactly what i've been doing!

i won't talk too much about my partner here, because our relationship is important enough to me that i want to keep it largely private, but my god. he is the most incredible human. i can't tell you how much of what i wrote out as silly little daydreams in my fanfiction has somehow manifested itself into this very real human being (like, it's kinda crazy lmao 🙈). i'm grateful for him every single day. and what makes it even more special is that we met for the first time in person while i was traveling for yoongi's tour - yep! he saw me going through so much upheaval, and fell for me all the same. just another thing i will never fully believe i deserve. but goddamn do i feel luckyyyyy 🥰

and in addition to my amazing partner (and in part because of him but honestly i had plans to move before i had even met this man it just happened to work out okay 🙄) i have also finally managed to do what i've been planning for the last year and a half, which is move my ass out of the southern suburbs where i'd been for nearly a decade, and to a ✨walkable city that actually has public transit✨ - what a fucking dream. i may have only been here 8 days, and i may not have much more to my name than my cat, my TV, and my mattress, but i swear to god, i've never been this happy in my entire life.

so yeah. exhale. like i said, it's been quite the year.

now i do want to end this with a small caveat, which is to say, i can't make a promise as to how much i can *be* here (particularly not compared to how terminally online i used to be lmao). i spent a lot of time online because i was unhappy and feeling very stuck with where i was in life, and i needed escapism, bad. now, i've finally gotten to a place where i'm excited to go out of my house and do things, but i still want to make intentional time for tumblr as a form of connection and community, and writing as a form of creative expression. these things are really important to me!!! i just ask that you give me some grace if i'm a little slow on the uptake. i promise i'm still here 🥰

and writing is gonna happen!!! i can't say much more than that, because tbh i haven't so much as opened a google doc since april, but i've been itching to get back to it. maybe.... we might start off....... with some........... drabble requests??? 👀 we'll see we'll see we'll see hehe.

in any case, i think that's more than enough for now 🤪 oh how i've missed babbling to you all, the gay people in my phone. i hope you're well, and if ya feel so inclined, i'd love it if you'd send me a comment or a DM on what you've been up to in the many months it's been since we've spoke! what's new in your life? what are we manifesting??

talk so so soon, eeeeee~ i'm so happy to be back~ love you babes!!! 🤍

[trek-tracks]

hi.

I just wanted to say...I ended up landing back on your blog a while ago, following an ongoing TOS hyperfixation. it was the first time I'd looked at tumblr again in ages. and I happened to stumble across a post where you had left these tags--

and that, uh, absolutely floored me. like, when I say I didn't think anyone would notice I was gone, I don't mean that anyone did anything to make me think that--it's just, when you get a head full up with depression, it's real easy to convince yourself of things like that, you know? and you can do all kinds of positive thinking exercises to try to fight it, but actually having a concrete rebuttal come along and knock the whole narrative down is something else entirely.

it's a whole thing and I don't want to traumadump on you or anything. I just, uh, wanted to say thanks, I guess. also I now have a folder full of TOS text post memes saved, so thanks for that too.

I spent the past few days debating whether or not to answer this publicly, and please let me know if you'd rather I take it down. In the end, I think it's important that a) everyone knows I think you're awesome, and b) to send the message to everyone that more people care about you than you think. (Yes, you, reading this. I don't care what your brain says. You are important to people, even if you don't know it yet.)

I had no hope or expectation you would ever see those tags, and they are honest. You were one of my early friends on Tumblr, back when I was really seeing what this platform was all about. I loved your insights, I loved your jokes, and I always enjoyed our interactions. I saw that you were having a hard time, and I was definitely worried when you left. However, I didn't want to ask you to come back to a platform that was clearly draining to you, or be another expectation in a sea of expectations. I googled you a few times for my own peace of mind, but that's as far as it got. In this online world, sometimes it's hard to show we care without feeling awkward or overbearing.

Ultimately, though, the thing about this online world is that we also never completely disappear, especially if we interact with each other. Chains of posts and responses are snapshots of friendships, ephemera preserved in time. It's sad and fond and lovely all at once. Every once in a while, that past resurfaces, and we remember. Sometimes I wish we could know when someone is thinking about us, a little pinprick of warmth we could carry around, but maybe it'd get excessive and feel like heartburn.

I want anyone who follows this blog to know--if we're mutuals, or if you show up in my notifications every once in a while (because after my initial burst of following people I've become really remiss about adding mutuals, which is only a good thing because it would mean I'd spend even more time on Tumblr), I think about you, and I hope you're doing well. You matter.

When I say that I am thrilled that you're back and recovering, Rev, I mean it with my whole whole heart. It made my week. So often we don't get to read the next chapter of our online friends' lives, and thank you so much for updating us.