#i love teyla so much

[sga-owns-my-soul]

For the character ask game: Teyla!

questions 3, 12, and 20 please ☺️

character ask game

ooh teyla my beloved!!!

3. Least favorite canon thing about this character?

honestly hate that they made teyla a mom. like don't get me wrong i love torren and the whole team protectiveness of him but idk i just. teyla does not feel like a Mom Character and i get why they did it but idk i just. idk it felt forced to me and i never loved that story arc (we were also ROBBED of learning more about her culture but that's a rant for another time)

12. What's a headcanon you have for this character?

this ties in heavily with my last point lmao but i think teyla didn't want to be a mother, and had no plans to, but because she literally just lost her people when she finds out she's pregnant, i really genuinely believe she made the decision to keep the baby simply out of a duty to her people. her child could very well have been the last athosian, and teyla has too much of a responsibility to her people- she puts their best interests above her own so often and i fully believe that's why she chose to keep the baby

20. Which other character is the ideal best friend for this character, the amount of screentime they share doesn't matter?

i'm fucking obsessed with her and rodney being absolute gossip queens, they know EVERYTHING that is going on in the city at all times and they drive ronon and john crazy on long jumper trips because they spend the entire time gossiping. they're so bitchy and judgemental together and i'm forever obsessed with them

[sassycordy]

every friend group should include stargate atlantis edition 🤞🏽

audio credits: littleredinmotion/ ib/rm: aeschylusfilms & softdecades

[halestrom]

John: Oh, hey, there you are. Been looking all over for you.

[lesbiandarvey]

STARGATE ATLANTIS (2004-2009); created by Brad Wright and Robert C. Cooper. Starring Torri Higginson, David Hewlett, Joe Flanigan, Rachel Luttrell, Jason Momoa, Rainbow Sun Francks, Paul McGillion and Amanda Tapping

for @tvarchive​’s television appreciation week, day 4: sci-fi

[orion-kenobi]

miscellaneous stargate atlantis thoughts! i've made it to 'the real world' episode and it's so good so far! unfortunately in an effort to go to sleep at a reasonable hour i had to stop watching halfway through but i'm really interested in seeing what's really going on. i'm very interested in how things with the replicators develop. to me the wraith as the Main Villains was getting kind of repetitive so it's nice to have something new. also if 'sateda' is any indication it seems like season 3 might give us a little more on our main characters. i really enjoy this show and it's a great reminder of why i love sci fi so much :)

[stargatelov3r]

some Teylabeth silliness in the snow <3

for the @yearoftheotpevent january prompts "snow" and "first kiss"

[sga-owns-my-soul]

@the-mushroom-faerie your tags are so accurate i'm gonna cry

Stargate Atlantis: The Long Goodbye

[periru3]

Better to Have Loved and Lost (Vidshow)

A vidshow for all the loves that were never meant to last (and maybe a few that shouldn't have even started to begin with). Made for VidUKon 2024.

Bad Blood (Never Ever), a Multi-Fandom fanvid by Fiercynn & Scribe We are never, ever, ever getting back together (like, ever).

Hate Me, an Interview with the Vampire fanvid by Killabeez I hate me for loving you.

Bottom of the River, a Due South fanvid by Scribe Hold my hand, ooh baby, it's a long way down to the bottom of the river.

Rolling in the Deep, an X-Men fanvid by Arefadedaway I can't help thinking, we could've had it all.

(I'm Not Calling You a) Liar, a Steven Universe fanvid by Butterfly I love you so much I'm gonna let you kill me.

The Lost Sky, a Xena: Warrior Princess fanvid by Ohvienna Why would you say those words to me if you could not follow through?

This Is Everything, a Star Trek fanvid by Morrigan291 No, I'm not aware of how I could possibly love you without aching.

When We're Dancing, an 11.22.63 fanvid by Periru3 Let's pretend this song won't end, and we never have to go home.

La Noyée, a Portrait of a Lady on Fire fanvid by Tafadhali Running along the shore, I call to you to come back.

Personal Jesus, a Fleabag fanvid by Findmeinthealps & Teyla Someone to hear your prayers, someone who cares.

No Children, a Community fanvid by Xandra You are coming down with me, hand in unlovable hand.

Lucky Me, a Buffy the Vampire Slayer fanvid by Milly And you're sad, and you're sorry. Let it all out. What are you waiting for?

Till the World Ends, a Titanic fanvid by Rhoboat If you feel it, let it happen, keep on dancing til the world ends.

Thank U, Next, a Crazy Ex-Girlfriend fanvid by Ultraviolet Catastrophe I'm so fucking grateful for my ex.

Would've Been You, a Multi-Fandom fanvid by BeatriceEagle You know the greatest loves of all time are over now.

A whole bunch of bonus vids - cut for time, or for duplicate songs, vidders, or fandoms:

Dante's Prayer, a Titanic fanvid by Thevetia & Morgandawn

Destroying Angels, a Yellowjackets fanvid by Tafadhali

Everything Stops, a Star Trek fanvid by BeatriceEagle

Exile, a Xena: Warrior Princess/Multi-Fandom fanvid by Ultraviolet Catastrophe

Let Me Live, a Multi-Fandom fanvid by BeatriceEagle

Mowgli's Road, a Brideshead Revisited fanvid by Obsessive24

Some Fantastic, a Buffy the Vampire Slayer fanvid by Laura Shapiro

Something Just Like This, a Game of Thrones fanvid by Sisabet

The World You Thought You Lived In, a Multi-Fandom fanvid by BeatriceEagle

This Is Everything, a Torchwood/Doctor Who fanvid by 24SE

Where Did You Sleep Last Night, a Yellowjackets fanvid by Ohvienna

Writing Notes, a Buffy the Vampire Slayer fanvid by Here's Luck

[sga-owns-my-soul]

yeah i can see it

where's that cop show scene where the one guy was like "if I run at the police chief he will catch me no matter what watch this" and the police chief was like "no no I've got a cup of coffee!!" and drops the cup of coffee to catch the guy

because that's Vala and Teal'c right there

[halestrom]

Ronon and Teyla deserve an award for dealing with John and Rodney on a regular basis.

[queerfables]

911 often makes me think about Stargate. It draws on a lot of the same ingredients that made those shows compelling to me, especially the found family team bonds in a setting of constant high stakes danger.

I have this half formed Stargate: Atlantis fusion idea that keeps floating around in my brain, where the 118 is a specialised extraction team whose primary mission is to provide support and rescue to other gate teams in distress. They become informally known as Gate Team 911, which Rodney snarks about since this is allegedly an international mission until John points out 911 is the emergency number in Canada too. And then Teyla wants them to explain exactly how emergency calls work and Elizabeth has to introduce her to Maddie Buckley in communications who actually used to be an emergency dispatcher, and who just so happens to be the sister of team 911's Evan Buckley.

I don't know I don't have much more than the basic concept but I love the idea of the 118 doing basically the same thing they do in this universe except now they're exploring the galaxy while they do it.

[sheppardsmckay]

Somebody sedate me please this episode hit too hard and too close to home and it’s giving me too many emotions that my Mer self cannot handle lol

And then we started crying.

Stargate-Atlantis S3: E14: the Tao of Rodney

This was a great episode! Laughing, crying, watching Rodney face his own mortality, and expressing his love for his people was perfect. Loved this one.

[stargatelov3r]

Teylabeth Week goes into its third round!

For everyone who is new to this or unsure what this is about, let me clear things up:

What is Teylabeth Week? Teylabeth week is a week during which we celebrate the ship of Teyla Emmagan/Elizabeth Weir more than usual, a week where we show our love and appreciation of this ship.

When is Teylabeth Week? Teylabeth Week 2024 will take place between June 3.-9.

How can I participate? There are many ways you can participate! By writing fanfic, making fanart, writing meta, editing, collaging, cosplaying, giffing, whatever seems right to you to celebrate this ship!

I don’t really write/make art/feel comfortable with sharing anything, can I still participate? Of course! This week lives through people who engage with the contributions! Go through the Teylabeth tag, engage with posts and fanart, comment on fics, the sort of things that keep fandoms alive!

Are there rules to the contributions? No rules! Everything is allowed! But please make sure that your contributions are tagged accordingly (ratings on ao3 as well as content warnings) so people can filter them out! Also, since this is Teylabeth week, the contributions should center around Teylabeth <3

Is there going to be a fic exchange? No, there isn’t.

Are there going to be prompts? Yes, indeed! You can find the prompts below.

Are the prompts binding? Absolutely not! They are meant as inspiration should you need it! You can do as many or as few prompts as you like, or none at all if your ideas are taking your elsewhere!

Is there going to be an ao3 collection? Yes! I will share the link in time!

Anything else I should know? Please tag your posts on social media with “Teylabeth Week 2024” so they can be found by everyone!

I still have questions, where can I direct them? To me! Simply sent me an ask or a message :)

Thank you so much for your help with coming up with these prompts @kira-nerys-rocks and L.

Happy creating!

Reblogs are super duper appreciated!

[mushroom-through-the-stargate]

sga headcanon time bc I can't sleep

Elizabeth does things differently. the sgc was, in a word, institutional. there were strict regulations that she very quickly realized would not work in the Pegasus galaxy. so she changed them slowly.

she noticed that most of the scientists would get caught up in what they were doing and work through their breaks and shift ends, so she set up intercom reminders for mealtimes and breaks. she heard some of the crew complaining about how uncomfortable the uniforms were, and frankly she didn't care much for them either, so she slowly made the rules more lax from letting people wear graphic tees under the jackets to comfortable shoes until eventually no one was wearing the uniforms. she allowed for adaptive reports, and recreational experiments, and sure why shouldn't the physicists turn that empty corridor into a bowling alley.

but, most importantly, she changed how they viewed her. with the SGC being a military operation, so many of her people worshipped at the alter of the chain of command. and you know what they say - it's lonely at the top. Elizabeth wanted them to treat her like an equal, a friend, one of them; to be able to come to her with anything. she wasn't some sovereign ruling over them from her glass office, she was a member of this expedition just like all of them. John, Rodney, Carson, and Teyla all treated her like a friend, and she loved that feeling so much she wanted the rest of them to treat her that way. and by making her office a safe place, it didn't take long for that to happen.

[dr-futbol-blog]

The Defiant One, Pt. 1

I've thought about where I would have placed 38 Minutes (S01E04) that seemed to fit ill so early in the season, and I think it would have made the most sense between the mid-season two-parter and The Defiant One (S01E12), discussed here.

The Genii siege visibly changes something between Sheppard and McKay, and we get to resolve that a little too fast in this episode that follows directly after. 38 Minutes has that strange almost-confession to Weir,* which would have made more sense here as Weir and Sheppard seem to grow closer at the end of The Eye (S01E11) although, I argue, it is precisely because Sheppard needed to create distance between himself and McKay that they did. He was using Weir to create distance, in effect hiding behind her, because Kolya figured out after like a minute of talking to Sheppard that McKay was the best way of getting to him. Sheppard was reminded of the fact that being important to him put McKay in mortal danger.

In 38 Minutes, we also have Sheppard's own near death experience and everyone working so very hard to save him, McKay worrying so much about him, the way that they look at each other, that something unspoken lingering between them, McKay's agitation over what ever Sheppard wanted to tell Weir; all of that would have made sense between these two episodes. The Iratus bug could have symbolized Sheppard's internal anguish: the way he's in agony at first and then the pain gets so bad that he gets numb and loses all feeling. It all would have made so much sense.

But regardless, we start the episode with a driving flying lesson (which, incidentally, also would have made the most sense following the events where both Sheppard and the other designated pilot were incapacitated at the same time). McKay received the ATA gene therapy and Sheppard is teaching him how to fly the puddle jumper. Where the previous episode ended with Sheppard very clearly wanting to create distance between them, here they are all cozy with each other again. Or s it seems.

Clearly, this is important. As mentioned previously, they need more pilots since there are few people with the ATA gene (two that we know have the real gene, a few others through gene therapy), and only a fraction of them know how to fly. It's important not only for the mission and taking the pressure off the commander having to do transport flights, it's also important for the team to have another person capable of doing it. And apparently neither Teyla nor Ford are able to do it (toward the end of the episode, they have a random soldier having to fly them over) which makes McKay not only the best choice but also the only one.

So whether he wanted to or not, what ever he was feeling inside, teaching Rodney how to fly the jumper was something that needed to be done. And here we are.

What Sheppard says is very interesting.

Granted, we don't know anything about his background at this point, often the way people talk to others reveals a lot about how they've been talked to in the past. It indicates that when ever he did something wrong as a child, he was corrected by snapping at him. My guy, you're in space. What could possibly happen if he lets go of the controls? You're going to veer off and crash into some more space?

It's also notable that he uses 'parents' instead of 'dad' or 'father' (both being that he is a guy and as dads are much more likely to be the one teaching kids how to drive; also, he himself was clearly taught by a driving instructor but teaching your kids how to drive is actually pretty common, it's a loving thing to do, and parents are supposed to be teaching their kids even in the case that they have an instructor, as kids learn by watching their parents whether they want it or not). So, you know. He has a mysterious past and a sad childhood, looks like.

Granted, McKay also seems to have had a pretty crappy childhood and, what's worse, seems to think it was all completely normal. We hear him reveal all manner of child abuse casually, here and there. It seems that they both were lonely and sad but for different reasons. McKay's immediate gut response "Snapping doesn't help!" is likewise telling, indicates that there was a lot of pressure put on him from a very young age.

Sheppard's use of the word 'parent' also creates distance between him and one or both of his parents. This man has been court-martialed, he has clearly been traumatized by something. He does not think he has anyone waiting for him back on earth. We know at this point that several people he served with have died, and that he blames himself for every one of these deaths. And he's not good at dealing with emotions, especially difficult ones. He says as much in Sateda (S03E04):

Sheppard: Look, Teyla. I'm not really good at, uh... Actually, I'm... I'm terrible at expressing... I don't know what you'd call it, uh... Teyla: Feelings? Sheppard: Yeah, sure,

He is terrible at expressing feelings. He especially has trouble verbalizing them.

When he is feeling difficult emotions, he uses self-soothing techniques (see the lip thing). One of these self-soothing techniques is creating distance between himself and the object of his emotion. So, instead of father he says parent (mom+dad) because he essentially uses the less significant, less painful thing (mom) to conceal the more significant, more painful thing (dad). Using the less significant object to create distance to the more difficult object forms like a barrier between him and an emotion he does not want to or can't face or deal with just then. Just like, in the previous episode, he used "Weir and McKay" instead of McKay. He was using the less significant, less important thing to mask the more significant, more important thing. It lessens the impact of the emotion attached to it. We see him do this a lot especially in connection to Rodney ("Even Rodney"). Again and again and again.

You can see him do the self-soothing lip thing before engaging McKay (like he's not sure he should say anything, like he wants to not have to say anything; he just can't help himself when it comes to this man):

Here, he is creating distance between himself and one or even both of his parents (and let's face it, it's probably the dad) but he's also, at the same time, creating distance between himself and McKay both by using the passive voice and lumping McKay into the category of kids. See previous episode as to why he desperately needs this distance between them.

But what he is actually saying here is that he is emotionally too close to McKay to be able to be an effective instructor to him. That's what he is saying. He's emotionally compromised. Now, whether you think his feelings are fatherly (he does not look at McKay the way a father looks at a son), friendly (he does not look at McKay the way a friend looks at a friend), collegial (he does not look at McKay the way he looks at Ford and Teyla), or whether you believe he thinks of himself as McKay's second uncle third removed, this is what he's saying in the scene. That he's too close to McKay to be able to teach him. He feels that he is too close to McKay.

It's possible that the whole reason as to why he's teaching McKay how to navigate the jumper is that it would allow him not to have to accompany him on these kinds of missions, harmless and scientific. If McKay knows how to fly a jumper, they would be able to spend less time together. Spending less time together would mean less emotion, would mean less pain, less of a chance for him to get McKay hurt or killed. This is foolish to think, of course, since absence has a tendency of making the heart grow fonder, as the saying goes. But we saw him start creating this distance between them at the end of The Eye (S1E10) and this is on par, is a logical continuation of that.

Humour, as it turns out, is another way of creating distance and coping with difficult emotions.

We are again reminded of the fact that McKay does not know not to keep it straight. Sheppard can do it in the air but not on land.

So, the thing is. As much as Sheppard wants to create distance between them, Mckay wants the opposite. He wants to connect with the Major. He's not making it easy for Sheppard. In this, he is defying him.

McKay tells Sheppard that he's touched by his sentiment. Keeps glancing at him. He refers to the puddle jumper, for all intents and purposes Sheppard's puddle jumper, as baby. He wants to see what this baby can do. Baby is a term of affection used most often by men to indicate that they see something or someone as soft and beautiful and needing to be taken care of in a gentle way. There is definitely something flirty in McKay using this term for Sheppard's puddle jumper.

But then Sheppard picks this up from McKay and also calls the jumper baby (yes, he's amused by the way McKay said it and ribbing on him, but picking up vocabulary from the object of your affection is yet another classic sign of attraction). They are taking care of the baby together. Parents, kids, babies. Freud probably would have a lot to say about the things they say and their subconscious desires.

Freud might also have something to say about Sheppard's fear that McKay is going to "snap the damn things off" if he doesn't ease up his grip on the control stick. But he doesn't want McKay to take his hands off them, either. He's instructing McKay on exactly how it likes to be held.

(We are also reminded of subconscious desires by the control display popping up, seeing how the puddle jumpers respond to Sheppard's mind; his desires.)

They are accompanied on the mission by two red shirts, random scientists we have never seen before but who we are to believe have worked with McKay previously and know him pretty well.

So, maybe it's because of the intense, borderline erotic look of concentration on McKay's face or his tone of voice, or what ever, Sheppard seems to start gravitating toward McKay. Even in front of two people he barely knows that work for the other man. Here, he turns back to look at Dr. Gaul, clearly amused by how different this scientist is from his scientist, but what he's doing at the same time is lean closer to Rodney:

He looks... turned on, frankly. And he sure as hell is not turned on by Dr. Gaul, sweating though he may be. The reason that he turned back to look at the nauseous scientist behind him might actually have been just to look away from the sex faces McKay is making while he's concentrating real hard.

Then he leans in even closer, to whisper conspiratorially to McKay. And McKay, well. He leans in, as well.

Sheppard: Why'd you choose this guy for the mission? McKay: Brendan's the one who discovered the Lagrange Point satellite was out here. Elizabeth felt he should see it for himself. Sheppard: Don't let go of the controls!

Sheppard snaps in a sudden jolt of panic. And it may not be McKay letting go of the controls that made him do it. It's that he mentioned Elizabeth, reminding him of why he needed to not be that close to Rodney. Just like McKay used Elizabeth's name (yelping "Elizabeth!" in near panic) when Sheppard was getting too close to him in his lab in The Storm (S01E09). They both seem to be using Weir as a... weir between them.

And again, as he will many, many times in the future, Sheppard needs to be touching something, needs to have his hands pressed against something, when he's near McKay:

Then they arrive at their destination and switch seats. They move seamlessly together, Sheppard needs only to mention his name and McKay does exactly what he wants, and is only too happy to oblige. We've seen this happen in movies between a man and a woman. It has never not been erotic (underlined by McKay's line "This thing is enormous!"):

Here, it's McKay that keeps glancing back and back at Sheppard as they're approaching the humongous ancient weapons platform. A weapons platform that should be a pretty interesting thing to look at, all things considered. But his eyes keep on being drawn back to Sheppard who, it should be noted, is wearing only a t-shirt.

Sheppard is trying not to look at McKay, catches himself several times before he does. He's not allowing himself to do it. That's until they come upon the wraith distress call from the planet below.

They look at each other. They communicate in words but they also communicate with their eyes. Suddenly, they are one mind again.

Continued in Pt. 2 (NB this episode focuses entirely on Sheppard and McKay so this is in 10 parts)

.* Actually Weir's whole "I didn't think so!" schtick would have made sense if it was about her knowing that Sheppard had been using her to create distance between himself and Rodney. Like she was telling him that she knows the half-hearted flirty smiles at the end of The Eye weren't really about her (same with the nurse right then) but were an attempt to build a defensive barrier between himself and the thought of losing someone important to him again. Because she knows.

Also, we would just have had a similar confession from Rodney where he was trying real hard to tell something to Weir and she wouldn't let him finish. Those almost confessions would mirror each other.

McKay: If this doesn't work... Weir: It will. McKay: I'm just saying, if it doesn't work... Weir: It will. McKay: I'm sure it will, but in the unlikely event that it doesn't, I... Weir: Rodney! Please.

---

Sheppard: Listen, uh, I'd like to say something while I still can. Weir: Don't! You're gonna get through this. Sheppard: If I was ... he wouldn't have let me go. Weir: Who wouldn't have let you go? Sheppard: The Wraith.

Sheppard: What I wanted to say was ... Weir: Save your strength, John, and tell me in person. Sheppard: This is important. Weir: I'm listening.

[lightthewaybackhome]

Spoils of War

"If you had hesitated for even a moment" - Teyla.

I do so very much love Sheppard. I love that he didn't hesitate. I love that he's already saved Teyla's child. I love that even while he was benching Teyla, because who wants to be the guy who puts a child in danger, he was still Teyla's friend, still cared about her, still gave her space to sort herself out. I love that Sheppard knew before Teyla knew that she wouldn't be able to be on the front line anymore. I love that he still views her as part of the team even if she's not able to do what she once did.

I also love that Teyla grows and changes. She actually changes as she wrestles with everything it means to become a mother. I love that she realizes that she was wrong, admits it, and sees that she has changed direction. I love that she was once someone who would put herself in danger for her friends and now she's a mom protecting her child. She has become such a deep and strong character.

Also, I love that Todd got his name and I love Lorne congratulating Teyla and telling her she'll be a great mom.