#i love me some narrative foils

[ljf613]

Okay, but Galbatorix building an army of men who feel no pain while the Varden's ultimate weapon is a child who feels too much pain!!!

[orchid-n-petals]

So I've already shared parts of this on a discord server, but I have to scream about Ketheric Thorm on here as well. Obviously spoilers about the character under the cut! It's a long one.

The entirety of act 2 is about him, right? Jaheira, Shadowheart and numerous other NPCs shit on him for his fickle faith. First Selune, then Shar, then, as we meet him, Myrkul. You hear about his changes of faith on a whim, you hear that he's the person responsible for the shadow curse, he is painted as a villain, plain and simple.

You can figure it out pretty early on that Isobel was resurrected and that she is his daughter; the detail as well that he wants Isobel alive is so on the nose, it gives him away completely but there are still a few questions that remain unanswered, mainly about his faith.

And then you get to the mausoleum and the picture assembles; this entire tragedy, the death of hundreds if not thousands and the complete ruination of a landscape was all, ALL because you had this absolutely wrenched, heartbroken father who had lost everything and nobody answered his grief. He was left woefully alone, the Goddess whose daughter his daughter was involved with did nothing to save Isobel.

Imagine outliving your wife and your daughter. Imagine dedicating your life to fight the Lady of Loss, your Lady of Silver's enemy, and then be left so completely alone and in silence with your grief, with your loss. It's so, so poetic how and why he turned from Selune, and it's so understandable as well; he broke. His spirit completely broke. He couldn't deal with that void of having lost the only two important people in his life, seemingly undeservedly so. He was going mad with this and a lot of his ire was likely targeted at Aylin who, in his eye, represented Selune; she's literally her daughter, after all, and it was implied that even before the deaths of his family, he sort of saw Aylin courting Isobel as Selune taking his daughter from him, despite his service. This relationship was clearly not seen by him as a boon of "giving his daughter to the Moon-maiden".

His ways in the past clearly didn't spare him from tragedy and having to cope with it (which he clearly didn't, he snapped under the weight of his grief). He was clearly angry and unable to do anything, furious and helpless, which is a dangerous combination. A good part of his first change of heart must have been fuelled by a sense of revenge.

But then Shar didn't provide any balm to his aching heart either. If you read his letters in Grymforge and in act 2, he is so focused on enacting the will of Shar because he believes that healing lies in oblivion. Everything would be easier if he could just forget, if the damn world could just forget, if nothing was remembered because without Melodia and Isobel, nothing was worth remembering.

Then came Myrkul. Literally the only god who was not only able, but WILLING to give back his daughter to him. Imagine spending your all, EVERYTHING you have to serve two gods who would not give a single shit about the greatest suffering in your life. You were basically nothing, your loyalty didn't matter for shit, everything that was taken from you amounted to no recognition whatsoever: you should simply cope and seethe. Your grief will not simply go unanswered (which is not inherently antagonising) but ignored.

And then comes this supposedly evil entity who can alleviate your pain just like that, snap of a finger and it's a done deal.

I am so serious when I say that I believe Ketheric's main incentive was to extend Aylin's immortality to Isobel as well. You can read in her diary that she feels a taint after having came back, and there are things not even Selune can cleanse, but at this point, Ketheric doesn't care about Selune, vengeance is secondary if not tertiary, he's done that war during his Shar years and what did it give him? Literally nothing.

He doesn't even care about the fact that Isobel is still her cleric. He cares about the single most important fact: Isobel is back. Life is worth living again, there is something for him, and it was not Selune or Shar who gave it to him but Myrkul, and for this singular gift, he would raze the world for the Lord of Bones. Like people can clown on him for being disloyal but the man has the loyalty of a dog bonded to its owner.

He is powerful and is willing to go to insane lengths for crumbs. What is raising a single life for a god? Nothing. It has happened and it will happen again. But Ketheric will go to the ends of the earth to serve the single god who actually listened to him. The one god who didn't ignore him.

He knows that what he does is not the morally upright thing! He is so insanely self-aware that allying with Orin and Gortash and doing this entire plot with them only to then betray them is morally reprehensible at the best of times, he knows that people hate him, etc-etc. He was a Selunite at one point and he's not stupid. He just doesn't care; it could be literal Asmodeus and he wouldn't care as long as he got what he wanted, no matter the price.

He is probably the only one from the three of the chosen who has complete clarity over his situation, he almost sways (if you pass the check during his confrontation), he is not an inherently evil man blinded by power.

But he is inherently loyal to those deserving, and as of the story's standing, completely broken by his grief. In his eyes, at this point, the only one deserving loyalty is the one who actually listened to him. Isobel lives. It doesn't matter that she hates him, that his entire life has fallen apart, that literally nothing else that is good has come of it, because Isobel lives.

I don't think he regrets a single thing. His consciousness might tear at him at the end, but I believe he would do everything over again, exactly as he did, because in the end, his daughter was brought back. Because what would a grieving, broken parent give to bring back their child? Everything. Absolutely everything. And it's such a simply given answer, no second thoughts, no doubts.

Nobody can tell me that this man is fickle. Nobody. This man was willing to burn the world to the ground, create a Boudica destruction layer all by himself for the one single thing he wanted. For any God that would listen.

I don't know, I just have a lot of thoughts about his character.

[bohemianrocketman]

going back and forth from tumblr to twitter is literally whiplash-inducing, right now people on twitter are getting mad at the ofmd marketing for being too similar to good omens but tumblr is out here having a group cry sesh over both shows

[dragonji]

guys I cant keep lying by omission I do Have to say . it's not that I dont ship qyz with anyone its literally just that I do Nawt like seeing him with yy to be so honest with you

[allegoryofthebeast]

I am obsessed that Jedi: Survivor explores Cal more or less slipping into the dark side/dark behaviors and patterns and how leaning into emotion as a Jedi can make you significantly more powerful though also extremely reckless and aggressive - however a balance could perhaps be reached by Jedi with the patience and support to understand their darker emotions and how it could be beneficial or harmful given the situation. But they fr don’t. Every time something within that vein happens to Cal everyone is like damn… crazy. Anyway

[myrling-art]

I need people to understand how fundamentally important Essek Thelyss is for people like me.

But I am also not super comfortable flaunting my squishy emotions for everyone to see, so we'll be hiding them in the tags because we are so brave but also very soft.

FINAL POLL

Propaganda

Gilmore:

He's fabulous, he's powerful, he dueled the Cinder King and lived to tell the tale, he's fucking gorgeous, he had a really close relationship with Vox Machina that survived being rejected by Vax romantically, he held the barrier over Whitestone and smushed an assassin and over 30 years later he's still Glorious

Essek:

He's gay he's demi he's goth he's a war criminal he's got floaty magic he's got it all, folks

*picture has been changed for a second time. Stop complaining, please*

[xeemaee]

I went into dungeon meshi thinking “sure theres fan art of labru but its probably not based on much” then read it and Kabru spends like the entire thing focused on finding and observing and helping Laios. He’s so fascinated by him that he doesn’t know if he wants to befriend him or punch him at any moment. Kabru wants to put Laios in a jar just to observe what he’d do. Kabru loves humans the way Laios loves monsters. They’re narrative foils. Kabru goes from truly believing Laios is a bad guy to thinking he’s super weird to thinking “fuck I might have to kill this guy so he doesn’t do something stupid” to thinking Laios deserves to be the king. And then I see some people say that the only reason they’re shipped is bc we’re putting Laios with the first pretty man who shows up come on man give me a break.

[dcvina-claires]

even though renee isn’t in the books as much as some of the others, i’d argue that she’s on the same level as andrew and kevin in terms of importance, not necessarily because of her impact on the main plot but more because she symbolizes something these characters desperately need: hope. first of all, it has become increasingly obvious to me that she’s a narrative foil to neil. not only do they leave their sketchy pasts behind, change their names, and dye their hair, but their birth names (natalie, nathaniel) are incredibly similar. renee represents who neil would be if he actually processed his issues instead of running away from them (“i’m not proud of my past, but i’ll never heal if i hide it”). neil is so unsettled by renee because she’s the person who neil has been told for his entire life that it’s too dangerous to be. he dyes his hair to blend in. she dyes her hair to stand out. and she’s HAPPY. she’s not dead like neil’s been brainwashed to believe. then, of course, there’s her iconic friendship with andrew. i’m not going to say that she’s the only one who andrew likes, because we all know he’s very protective of his cousin, brother, and neil. however, renee is the only one who andrew never lashes out at. if renee hadn’t intervened when andrew was attacking allison, who knows what would’ve happened? finally, there’s her connection to jean. jean was denied color for years, surrounded by black and red, never thinking that he would escape. his first interaction with renee always stands out to me because for the first time, he’s left speechless. he sees renee and her rainbow hair and can do nothing but stare. how could he not fall in love with a girl who goes so directly against the rules of his abusers? and she gets him out of the nest. she’s the reason why he defies all the other drafts and stays alive. throughout the books, she grounds andrew, saves allison, and gives jean a reason to keep living. the events of all for the game and the sunshine court couldn’t have happened without renee. none of it could’ve. she was at the center of it all the whole time

[britcision]

Every single time Caleb talks about how the things he did were awful and irredeemable Astrid is internally screaming

Caleb failed on their graduation day

He made it through training, and yeah, did awful things

Astrid and Wulf passed that graduation, finished training, and spent 17 years in the real world doing the actual job

The parts too hard, too bloody, too dangerous, to trust to teenagers

Caleb knows Trent is awful and all of the terrible things he put children through, and every dreadful thing he is capable of, no question

But Astrid and Wulf, looking at him after the Mighty Nein? Not when he was in the Sanitarium, broken by Feeblemind, but a whole, complete person?

A wizard powerful enough to stand toe to toe with their master, and what did he do that they didn’t to get there?

He ate pastries. Wore bread as mittens. Made dick jokes and found love and forgiveness and people who may not understand, but who don’t care that they don’t understand and accept him anyway

People who looked at this sad, broken man with up to seven years of guilt and terrible deeds weighing him down (depending on when you think Trent started scourging ‘em, seemed young in the campaign but much later in the comic)

Knowing that they spent every one of the years he was in the Sanitarium and then after he escaped still under Trent’s thumb, still doing everything they’d done as kids and more, doing it with higher stakes, higher costs

And he talks about those childhood sins as unforgivable

He tells them that they too can be redeemed, as if nothing and no one could be worse than he was

But Astrid and Caleb are the same person

So you know she’s just as convinced that her sins were actually the worst, and there’s hope for anyone else but her

And she has the resume to back it up

And no matter how much she wishes she could have what he has, be free and redeem herself and maybe admit she shouldn’t have had to do any of it…

If Caleb doesn’t believe he can be redeemed, how could there be hope for her?

(And absolutely none of it will stop Jester Lavorre from scooping up another two formerly evil wizards and tucking them gently into her pocket and woobie-ing them to death with sprinkles and muffins and love)

look me in the eyeballs. astrid and caleb (imo wulf is a slightly different story but that's another post) are textually, canonically narrative foils. i think a better, less literary term-y way to put it is that they're variations on the same person. like. canonically. astrid is caleb if he didn't fail the training. caleb is astrid if she got out. they're like if you took one person and laid out two seperate options on how they would react to a major life-changing incident (hmm. i wonder what that might be in this context). astrid. caleb. they look at each other and see themselves. caleb is alright with this. astrid was holding on for her life for a little bit, trying not to lose her shit, because. he is who she would be if she was free and she figures that out during c2 yknow. caleb always knew that he was almost astrid so he just had to. like. look at this woman he loves dearly and fucking. wretchedly. and cope with the fact that 1. he loves her 2. she's awful 3. she could be so much better than she is 4. she's too far gone for that. but he's been coping for a long time, and she's not unreachable she's just. she's never gonna be him. meanwhile she has to grapple with the fact that she will never be as free as him- i don't know if she really wants to be, but he's proof that her life didn't need to go the way that it did and that's brutal. anyway. they're the same guy. it is so so important to consider that in relation to the dynamic they have going on. is this mic on

[dekusleftsock]

I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.

Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.

Himiko is a really interesting subversion of her trope for two reasons:

She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)

She’s not possessive. Like at all.

I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?

You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?

You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?

Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.

But Izuku… ohhhh Izuku…

He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.

Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.

So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.

Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.

I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.

So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.

A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.

[14dayswithyou]

no way you dropped the biggest river lore in the tags and moved on like it was nothing 😭 can i ask if this is still your intentions with him? bc it sounds like you changed your mind halfway 🤔

im ngl though i really enjoy how ren and river are similar and different to each other, but does that mean river would hurt his angel but leave our friends alone the same way ren would never hurt his angel but would unalive all of our friends? since they're suppose to be each other opposites. i really hope this makes sense 😬 my final question is what is ren doing on thursday? i want to go on a cute pier date again 🩷🌸

@secretkoa asked: and can i hear more about what unsent memory is suppose to be about or is that off limits? idk if i asked this in my previous question so ignore me if i did! thank yuo and remember to drink lots of water 🐸🌱

⌞♥⌝ For those who haven't seen the original post, I want to quickly clarify once more that while River was originally my OC, he's since been picked up and revamped by my friend Jesse/@unsentmemory!!

However, now that Jesse has stepped away from the yandere community, River's fate (and da fate of Unsent Memories) has kinda been put on the sidelines for the foreseeable future.

‼️ Massive Unsent Memories and River spoilers under the cut ‼️ CW for: mentions of gore, torture, mutilation, self-harm, etc.

With all of that being said, yes, Jesse's original intention for River was for him to be your standard "serial killer-turned-yandere once he accidentally catches feelings for his latest victim (Bunny)". The only main difference is that I originally planned for River to be a generic murderer first, whereas Jesse had him become a yandere right off the bat.

You also asked to know more about Unsent Memories, and I think giving a general synopsis(?) would be fine?? ^^ But basically... After getting involved in a car accident, Bunny wakes up with amnesia and gets tricked into thinking that this random guy — whom they've never met before — is their loving, supportive boyfriend named River. In turn, he convinces Bunny that staying in their shared home would be more beneficial than staying in the hospital as it might rekindle some old memories, he'd be able to take care of them, and it would be easier for them to recover at their own pace. But surprise!! River is actually a frequent patron at the Murderer Motel™ and now has trapped Bunny in his Torture Basement®!!! <3 He also maaaay or may not've been the one who hit them with Ren's car as well... ^^ Oopsie daisy hehe

And yeah!! Similar to what you've said, River was also supposed to share (somewhat of) a narrative foil with Ren!! I personally wanted them both to have similar, complimenting vibes with each other — all while having completely different/separate motives and incentives when it comes to the object of their affection. I'm glad to see it was conveyed well enough; even after Jesse's additions to River's characterisation :3 I know I already shared some examples in the previous tags, but I can share a few more:

Where Ren puts Angel's feelings and opinions above his own, River purposefully ignores Bunny's and does everything for his own personal benefit. Essentially, "I'm doing this for you" vs "I'm doing this for me".

While Ren would never dream about harming Angel in any capacity, he's perfectly happy to kidnap, extort, torture, and kill everyone else... In contrast to River, who's accustomed to torturing and brutalising others for his own twisted enjoyment and sees it as a way to show his interest in Bunny.

Kinda silly how Ren claims to be a freelance programmer (but is actually a hacker) and how River claims to work at a music shop (it's a coverup for his second torture chamber lmaoooo).

[CW: implications of SH] Ren is willing to go as far as mentally and physically hurting himself if Angel asks him to, whereas River is willing to physically mutilate Bunny if it means keeping them by his side. [end CW]

With that being said, you can assume that Ren is easily swayed by Angel's words, opinions, and emotions, whereas River can easily sway and manipulate Bunny due to his own feelings and emotions.

This is something I've actually mentioned before, but Ren always prefers things to be tidy, so he often cleans himself up after disposing of his victims. Compared to River, who casually wears the bloodstains with pride and blames it on getting a bit rough with someone else during a boxing match.

It's no secret that Ren is willing to change every aspect of himself to earn Angel's love, and River is willing to change his serial killer ways to return Bunny's love. Da power of friendship and repressed childhood memories gksdgjh T_T /silly

Ren pretends to be a Normal Guy© with tons of empathy to spare, whereas River pretends to be a Regular Person℗ with the heart of a himbo.

I could go on but you get da point lol

So, yeah!! This is essentially the vibes we had planned for River (and Unsent Memories) before Jesse stepped down /pos ^^ I feel like talking vaguely about UM is fine since River only has a small cameo in 14DWY — and I'm sure that if Jesse ever returns from war (/silly), they'll give River muuuuch more justice than I possibly can :3c

[busket]

I understand personal preference and that some people just don't like ships with men, and that's ok! but I'm annoyed at the implication from some fans that labru has less depth as a relationship than farcille or any other wlw ship in dungeon meshi, and the idea that people are only shipping it as a joke, or because they're horny, or because they're misogynistic and don't want to look at female characters, etc etc. I've seen people call it like, "bloodlust obsession that turns to horniness" and it made me realize that the people who don't ship labru don't understand their dynamic at all. labru shippers didn't just pull this out of our asses lol

a lot of the story around kabru involves how he and laios are perfect opposites of eachother. NARRATIVE FOILS, if you will. everywhere kabru thrives (social interaction, charisma, the surface) laios completely fails. and everywhere that laios is most successful (in the dungeon against monsters) kabru keeps getting killed. not only that but their desires are mirrors of each other too: laios grew up bullied by humans and wanted to become a monster, kabru grew up dehumanized by his villagers and then the elves, so he wants to affirm his identity as a human being.

despite how kabru should be repulsed by laios due to his hatred of monsters, he's drawn to him instead. kabru spends the entire story trying to get to laios to talk to him and to get to know him. firstly he knows laios is closest to defeating the dungeon lord and needs to sus out if he's a good person, but he admits that he really wants to be friends with laios too, not just to determine his virtue but to see what value laios sees in monsters. he wants laios to share his interest in people, he wants laios to be interested in him back. kabru never had any true bloodlust or desire to kill laios, he was prepared to go that far if laios wasn't a good person, but once finding out that he has good intentions kabru spends all his energy trying to help laios instead. and when you consider that kabru spent his childhood believing he was half monster because of how he was ostracized in utaya, his curiosity about how laios could possibly love monsters feels so much more personal.

and for laios, he's not used to anyone taking an interest in him. people are constantly telling him he's weird, and the person he believed to be his best friend told him he couldn't stand him. he misses falin so dearly because she thinks he's the coolest man on earth, so meeting someone and being told "I hate monsters but I still want to know YOU" would have an impact on him, I think. in postcanon they become good friends, kabru becomes laios' right hand man to help him with more of the dicey social aspects of being a leader. laios asks him to stay by his side and help him, and kabru says "yeah, that's what I've been doing this whole time"

I wouldn't claim that a romantic relationship between them is CANON, but I wouldn't even say that about farcille either tbh (and I love farcille just as much so don't come for me lol) this isn't a comedy crackship that yaoi fans just made up. laios and kabru are really multi dimensional characters and they're made to reflect eachother in every way, even down to their physical design. so it's not out of nowhere that people ship them

[sir-ballister-boldheart]

Yo Goldenheart and Nimona nation, do i ever have good news for you!

Do you like homoerotic betrayals?

Do you like lovers best friends being torn apart upon finding themselves on the opposite sides of a war? Where each is burdened with the responsibilities from their chosen role?

Do you like couples where one half represents the oppressive regime and the other half embodies EVERYTHING the said oppressive regime hates? Where the one half, acting as a tool of violence and subjugation for the oppressive regime, has to HUNT DOWN and ARREST the other half who has sworn to attack the oppressive regime head on?

Do you like couples with opposing colour schemes? Where one half embodies a particular element and the other half embodies a contrasting element? Do you like couples who are each other's foils? DO YOU LIKE COUPLES WHO ARE THEMATIC PARALLELS TO EACH OTHER??

Do you like a story that's rich in symbolism? Rife with metaphors? A movie that you can rewatch again and again and STILL discover new stuff to lose your mind over?

Do you like a story where love shines brighter than the sun? Where love conquers all the hurt, anger, grief, heartbreak, generational trauma and violence? Where love heals? Where the sheer power of love changes the entire course of the narrative? Where love rewrites history itself?

Do you like movies that make you feel THE ENTIRE SPECTRUM of human emotions within its runtime?

Do you like gorgeous, jaw dropping cinematography? Do you like highly stylized action sequences?

Do you like banger music and a soundtrack that slaps HARD? Do you like a wonderful song and dance interlude in a movie as it shifts into the next act?

Do you like a character who is just the sweetest and the best and deserves everything that is good in the world and has BIG BROWN MASSIVE ADORABLE DOE EYES? And then proceeds to go through the literal WORST TIME ever?

Of course, you do! You like Nimona!

And ho boy, are you gonna LOVE RRR. Because this movie has got ALL of that and then some more. It's an epic, it's a war movie, it's a love story, it's highly symbolical, it's going to take your heart and rip it into two. And you will thank it for that.

Hmm, Enigma. But where can I watch it? 🤔

It's available on Netflix but only as the dubbed Hindi version. It's pretty good for a dub as the actors dubbed their characters themselves and the director oversaw the translation but! But! Listen! There is a magic in the original Telugu version and if you want to experience it, then thank @charcubed for this post where you can download the original Telugu version in crisp HD with English subtitles FOR FREE

There is a third option. You can stream it for free in Einthusan here. However, the quality of the Einthusan stream is not good, and if there is one movie that DESERVES to be watched in crisp HD quality? Trust me, it's RRR

So, what are you waiting for? Go watch it, RIGHT NOW. Seriously

[anneapocalypse]

On Wuk Lamat's Role in the Back Half of Dawntrail

(Note: You do not have to like Wuk Lamat, you do not have to like any character, that is your business; however this post is not an invitation to expound to me on why you hate her, so if you aren't open to discussing her positively, please move along.)

Wuk Lamat is vital to the back half of Dawntrail. Her presence in the story there is both narratively and thematically important and its lack would render her character arc incomplete.

For context, I have seen some comments that there should have been less Wuk Lamat in the back half of Dawntrail. I truly don't see how that would have been possible or made sense without throwing out most of what was set up in the first half, or simply writing an entirely different story. Regardless of whether you personally vibe with her, Wuk Lamat is the main character of Dawntrail; this is her story, and it's themes and narrative beats are inextricably interwoven with her character arc.

First of all, can you imagine what people (in-universe and out) would say about her if after the attack on her people and the appearance of the dome she just... stayed in Tuliyollal with Koana and let other people do all the work? She's the Vow of Resolve. Of course she's going to be at the forefront of the action. The whole point of her choosing Koana to rule with her in a new interpretation of the tradition of blessed siblings is that they have complementary strengths, and they have a benefit that blessed siblings don't: they can be in two places at once!

Second, a big part of Wuk Lamat's journey is learning about the cultures of Tural so that she can fairly preside over them all, and in Alexandria we get to see her bring that lesson to bear in a big way when she learns about the regulators and the processing of souls. She's rattled by it but pushes past that personal reaction to say, as the Dawnservant, "Please teach me of your history and culture so that I can understand the importance of this practice." In doing so she learns critical information about the situation. This is a culture so far removed from the Turali peoples Wuk Lamat knows, and they're also a separate kingdom not technically under her rule at all, but that doesn't actually change her response. She still reaches out with curiosity and compassion, always seeking to learn and understand.

As she comes to understand Alexandria's history, she also learns the context she'll need to understand Sphene when her true motivations are revealed later. Moreover, Sphene is a very clear foil for Wuk Lamat. The Dawnservant characterized by her love for her people and her desire for their peace and happiness vs. the Endless Queen whose love for her people has been twisted into something destructive and terrible.

And then there's the narrative beats about family, and particularly the loss of parents in different ways: Wuk Lamat earning the trust of her brother's abandoned son and taking him in as family, and her being there for Erenville as he struggles to come to terms with the death of a parent (something Wuk Lamat has also experienced very recently).

And that's to say nothing of how personal Zoraal Ja's betrayal is to Wuk Lamat; of course she has confront him personally. It couldn't be anyone else (except maybe Koana, and they both seem to agree that it should be her).

The Rite of Succession is not Wuk Lamat's whole character arc; it's only the first half. It's after Wuk Lamat comes into her own as Dawnservant alongside her brother that she truly shines. It is in the back half of the story, when the stakes are dramatically raised, that all the lessons she's learned in her journey will be tested, when the peace she seeks to preserve is so brutally disrupted. We get to see her struggle emotionally with the shock of that in Tuliyollal, then rise to the challenge of leadership. How she responds to all of that is her character. It is the culmination of everything the first half of the story has set up. This is still her story.

And personally, I think it's wonderful to see a female character not only featured so prominently in the story but getting so much character development and such a complete character arc.

[bluemoonscape]

Hear me out: Sua and Luka parallels.

In Ruler of My Heart, they're most directly compared and contrasted in this frame including both the real world and Mizi's perception. Here, they both look angelic, something other than human, greater than human due to their purity. They're framed by the moon, something only to be seen when shined on by another.

Both are treated in a manner that strikes the viewer as distinctly different from the other kids. They're all treated as less than human in different ways, but Sua and Luka are the ones specifically treated as dolls. Dolls to be played with, dolls to be moved limb by limb and joint by joint as its superior wishes. They're made to look perfect. They're made to look clean, so clean they look inhuman.

They're perfect narrative foils. Nigeh owns several pet humans who all have the same black hair, white bonnets and fluffy shirts. All girls, all a carbon copy of one another. Perhaps they're sisters, even? And if they're all sisters, there's no possible way they could have been born naturally.

This connects to the widely accepted theory of Luka being made in a lab, artificially rather than organically. They were quite possibly both born unnaturally and were raised to be just as unnatural. Both of them seem rather blank in Anakt Garden. Luka is very solemn and unanimated; the most alive he ever looks in Anakt Garden is at the scene of Hyunwoo's death after Luka presumably killed him. He may exist, but he is not alive. In a metaphorical sense, Luka's life is taken from him every day. His heart is literally under Heperu's constant control, to be stopped and started at will. He is a blank slate for Heperu to use for his own glory. The main change we see in him from his years in Anakt Garden to his time in Alien Stage is how he presents himself. In Anakt Garden, he's fairly meek and stoic. In Alien Stage, he's projecting the idol image the world wants to see from him, the one Heperu has conditioned him to display with nothing short of perfection. He is no more alive in Alien Stage than Anakt Garden simply because he's putting on an act. If anything, this lack of authenticity further deadens him.

Sua, though? Despite Sua's upbringing, she is alive when she and Mizi My Clematis together. She's quite possibly more alive than she's ever been. Just like Luka, she's been dressed in white, made to look like a doll, a blank slate, and yet she is anything but, and she proves it by quietly sacrificing herself for Mizi and (as another post put it) an insurance on Mizi's love. Sua could've ended up exactly like Luka. She could have been made to be the villain, the face of Alien Stage, the lifeless marionette. She could have been Luka, but she isn't. Why?

This scene. This scene is why.

I always took the pink tendrils reaching through the glass between them as a metaphor for Mizi's life and love pouring into Sua, putting life into her. Mizi is so vibrant, so alive, and she loves Sua, of all people. Lifeless, blank Sua, or so she thought. But Mizi saw the life in her. She saw her and she saw someone worth loving. Worth worshiping.

Sua was made alive the moment she saw Mizi. This is the moment her life began.

But then, why couldn't Hyuna's effect on Luka breathe life into him, too? Why couldn't Luka's arc diverge due to this love like Sua?

The thing is, Hyuna did make him feel alive. Just like Mizi, she was so full of life that it was impossible for him not to feel even a hint of something in her presence. Maybe she made him feel real, just for once in his life. Just for once.

But he warped Hyuna's love into something it wasn't.

He warped her love into something Hyuna had no intention of giving to anyone: Her life. Just once had to last, so he tried his hardest to hold onto her with a tight fist. When Hyunwoo threatened to come between Hyuna and Luka and take her life away from Luka, Luka, in some way, shape, or form, dealt with the threat. As I said, the most alive he ever looked in Anakt Garden was in the aftermath of Hyunwoo's death, and I believe this is because he thought he'd secured Hyuna's life for himself. Now my life is yours, and your life is mine.

It could've happened to Sua too, under different circumstances. Mizisua could've been just as twisted and toxic as Hyuluka. She could've fallen into the same mindset as Luka: Your life is mine.

She didn't. Instead, she had the awareness that Mizi wanted to give Sua her life, and she said no. With her death, she put Mizi's life back in her hands where it belonged and made her, as much as Mizi fought against it, live for herself. The difference in the way Sua sings Ruler of My Heart in her cover really highlights this. Opposite to Luka's cool, condescending control over the lyrics and the subject of the song, every word Sua sings is from her heart. Mizi is the ruler of her heart, and she does want to give everything to her out of pure, unconditional love.

Sua's love saved her. It elevated her not to something inhuman and unnatural (untouched by feeling) but to humanity.

Luka's love took whatever humanity he had left of him.

Sua is the moon under the sun's glow, and Luka is left in the dark.

[starcurtain]

Hello! Wanted to say that I’ve really enjoyed your analysis on Aventurine’s theming - and yea big agree that part of the charm of the guy is that he’s a weird paradox (he got everything one should technically want, and he also lost absolutely everything he cares about) - and also I like your comment that he is, as a character, actually pretty obnoxious (it’s an odd character charm point to me)

Also your post on the way he interacts with the ladies in the cast kinda reminded me - I know folks tend to focus in Ratio’s note but I ended up zoning in on his convo with Acheron more than anything else - because a lot of Penacony is Aven butting heads with other aeon-touched people (Acheron, Sunday) - but Acheron seems like a fun foil because she also has a pretty double-edged metaphysical blessing that is associated with losing everything she loved, but she ironically hasn’t given in to full meaninglessness.

I think one of Aventurine's defining character traits is that he "tests" everyone he encounters to judge whether they are trustworthy or whether they are a danger to him (I guarantee you, he has some kind of mental ranking scale for how likely people are to dislike or mistreat him), and I think his being obnoxious is actually a direct offshoot of this.

Kakavasha clearly was raised with manners; he knows how to be polite and to tone down his responses to social situations as appropriate, which means that, in every other scenario, he is actively choosing to be obnoxious, even in situations where it seemingly won't benefit him (like talking back to the slave master or being too forward when first meeting Sunday, for example) because it allows him to gauge exactly how others feel about him and exactly how much they will let him get away with.

People who play along are potential allies (Robin, the Trailblazer) and people who act grumpy but actually tolerate the obnoxiousness are safe (Ratio, Sparkle, most of the rest of the Express Crew), while people who respond poorly (Sunday, basically everyone else Aventurine dealt with in the past, etc.) are forced into showing their true colors. If minor obnoxious behaviors can provoke them, then it means their core response to Aventurine is likely to be one of dislike and disrespect. He's just forcing that response from them out into the light sooner, rather than later, by being obnoxious from the get-go.

(And, to a certain extent, I think he also just finds it fun to be a bit obnoxious. Like, he's free to say and do whatever he wants now--who is going to stop him from being a brat if that's what he feels like doing?)

But on to Acheron... Yes, I do think there are a lot of parallels between Acheron and Aventurine (came from a doomed people, lost everyone, both determined to hold out against nihility and live just for the sake of living, "blessed" by aeons), but I think narratively speaking, the story puts Acheron in a different position when her tale entangles with Aventurine's: the surrogate big sister role.

Acheron's a very good parallel to Aventurine's sister in numerous ways: First, she essentially sacrificed herself to defeat the evil threatening her people, but is ultimately unsuccessful, resulting in the permanent loss of all she knew.

This loss also resulted in Aventurine's sister actually dying, while Raiden Mei experienced a symbolic death, taking on the name "Acheron" to evoke the Underworld, getting a ghostly, bleached white form, and prowling the river of nihility like a wandering spirit of the dead.

Second, the philosophy Acheron espouses is nearly identical to Aventurine's sister. When even as a child Kakavasha was doubting the value and meaning of life, his sister was the one constantly reaffirming that life has meaning, despite its hardships, and that continuing to exist is the way to honor those who have sacrificed for you. Just as Aventurine's sister expresses that people must hold on to faith, Acheron reminds everyone she encounters to cling to the last bit of color and light in their lives.

This ends up being echoed by the role of guidance that she plays for Aventurine, with him both directly relying on her for his continued survival:

And turning to her in his moment of greatest emotional need:

(Sound familiar? It should. This is the exact same question Kakavasha once asked his sister.)

But there's also a very, very nice visual parallel that goes on with Acheron and Aventurine's sister: the dusk rain that accompanies her.

For Aventurine, the rain has complicated emotional connotations. For the Avgin, it was desperately needed, life-giving water, and thus was considered a direct blessing from Gaiathra. Rain on Aventurine's birthday was the sign of his being favored by the aeon, and yet it also rained on the day he lost everything and had to flee from the only home he had ever known (conveniently also his birthday, dude this guy's life sucks).

Meanwhile, the rain for Acheron is equally complex--rain can bring life, the renewal of barren, lifeless lands... But we also see the rain accompany Acheron through her worst loss, the final collapse of her planet:

It also is said to rain constantly within the shadow of nihility, a lightless gray that washes away all that people wish to cling to.

For both Acheron and Aventurine's sister, the rain accompanies the end of their "lives," the backdrop to their ultimate sacrifices.

Yet it is also in the rain that they both send Aventurine onward, escaping from the cage of his destiny into a "better" life. From beneath the shadow of the storm, they both bid him to go and not turn back, freeing him and permanently changing the course of his life.

The rain that took everything from both Aventurine's sister and Acheron is ultimately what saves him.

It's all a very tidy and well-written parallel.