#i love laura so much

[fairymonk]

orym approaches predath-imogen with tears in his eyes

laura: I eat tears

[etoilesdeglace]

"That is an amazing D&D choice." (x)

[kyo-mei]

Twinsies

reference:

Liam and Laura laughing at Matt's brain fart in C3 E106

[happyheidi]

• 𝘛𝘩𝘦 𝘎𝘳𝘦𝘢𝘵 𝘋𝘪𝘴𝘨𝘶𝘪𝘴𝘪𝘯𝘨 𝘐𝘐 •

𝖻𝗒 𝖫𝖺𝗎𝗋𝖺 𝖡𝖾𝗇𝗌𝗈𝗇

[pocketgalaxies]

It feels good to be able to help. (for @overnighttosunflowers)

[ukulelekatie]

“Naive, provincial girl. Entirely too tightly wound. Such a cliché. I oughta know better…”

Happy 10th anniversary Carmilla 🖤

[passionpeachy]

I wish I could see more successful and underprivileged Mexican/latino artists to look up to. Feels like everyone who made it real big in the modern online art space are white people who grew up in the suburbs or with fairly stable upbringings that allows them to pour all their energy into their career. idk I just want reassurance I can one day have my own apartment without fighting for my life I guess

[criticalyasha]

The CR cast reacts to the brand new Critical Role opening featuring Bells Hells!

[jadequarze]

I'm laughing so much at dubbed Izutsumi screaming It's SO GOOD

Welcome to 'healer Marcille' club Izutsumi, you're officially in the group

[exhaustedalien]

here's a couple of sketchy Laura's!! 2 me she is short and beefy and hairy and dresses butch just like her dad!!

[mareastrorum]

The Raven Queen knows Aeor will do it again because she succeeded in killing a god.

Her god died at her hands because he didn't stop her. Because he didn't think she could do it. And he was wrong.

Glorious.

[beaujester]

my baby!!!

[maiooo-0]

My beautiful princess with a disorder

[jae-birde]

The Legend of Vox Machina, Season 3 Episode 2

This scene was absolutely beautiful

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of ��my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[lessthanimpressedlesbian]

I feel so vindicated knowing that we all read those many microexpressions correctly. Laura was really playing an anxious queer woman in love with her best friend so accurately that we couldn't help but pick up on all the little nuances.