#i love her hair and makeup so much

[userslayer]

BUFFY THE VAMPIRE SLAYER — 1x04: “Teacher's pet.”.

[janeya]

glasses jane?

we have 2 !!

[spineless-lobster]

Some pyrrha art for the soul (her husband is here to pick her up)

[spararts]

Battling some art block with my dearest Shepard throughout all 3 games. Threw out those light colored armors the moment everything went down.

[imageingrunge]

they will never free my girl nina from that atrocious hair

[umbral-dominant]

[Art is done by my wife @hlkproductions, who's asked me/given permission to put it here!]

Selene Amatori, Dominant of Greagor (Seraph) the Eikon of 'Mind'. The unknowing twin to Dion Lesage, she held the markers of a Bearer at birth and was separated from him for a lifetime. It was only on her Eikon's awakening from the death/rebirth of the Phoenix that she awoke as a Dominant. Swarmed by cardinals and priests alike, the ten year old Branded held no words of her own, all those in power speaking to the public on her behalf - to parade 'the goddess' in their needs for sating display, her brand painted ivory whites each day. Her only true companions were her Light and Shadow; Dion her trusted friend and Aramis her eternal guardian. For the purpose of her own needs, the newly-made royal Anabella falsified the excommunication of Aramis, compelled the duty for Bahamut along the front lines, leaving Selene alone to the kindness of a poisoned apple; sending the young woman to her death in a lockbox within the water. It was only using her Eikon's power - at the cost of her own health and fortitude - that Selene saved herself, fighting to live despite all the ingrained teachings that told the once-Branded otherwise. Now considered dead to the world and mourned by that suffocating religion, she found her first taste of freedom alongside another ghost; Joshua Rosfield. His status as a Dominant serving to hear the Mind's Call for help from that stormy river; bringing her to learn the world with his travels.

[positively-patroclus]

i’m going to be so honest: these two and jirou are the whole reason i watch this silly little show

[ennw1]

the new little slips of emotion from chihiro ouughghghgh

[jackass-jones]

Can we talk about mitsuham I think we should talk about mitsuham yes I’d like that very much

Imagine Mitsuru her life has been planned out for her by a bunch of men her choices are not hers to make every move is political she is nothing but a tool forced to fight as a child never allowed to burden anyone with her feelings. Her life isn’t hers, it’s never been hers for a second, she exists to further the careers of the men around her. The first two friends she makes are both boys and she was in charge of leading them, using them just to further the Kirijo agenda. Genuine friendship did blossom between them, but things fell apart pretty quickly. Shinjiro can’t control Castor, something is seriously wrong with him, he kills someone, then he leaves and the Kirijos cover it up. Was it to protect him, or to protect themselves? Mitsuru certainly doesn’t know anymore but she’s lost a friend and can’t reach him again, he’s too traumatized by personas and Akihiko is still there but he’s always so stuck on Shinjiro and Mitsuru feels like she failed both of them. Just more men for her to let down by not being good enough

Then there’s Kotone. Sweet, strong, clumsy, talented Kotone. She’s so bubbly and friendly, but behind those warm smiles is horrible loneliness. Pain. But she’s never ever gonna let anyone see that. She busies herself by taking care of everyone else, listening to their problems and never burdening them with her own feelings. She can just fix everything and make everyone happy if she works herself hard enough. She just has this way about her, so reliable and so kind

And Mitsuru watches Kotone from above. Trusts her to be the leader, or maybe she just wanted to push a burden onto someone else for a change. Someone who’s able to take on burdens with a smile for fucks sake. And Kotone leads, seemingly effortlessly, and is able to recruit several members in a short time and achieve just so much more than Mitsuru could in her entire lifetime. Just, perfectly. Without even possessing any prior knowledge of the dark hour or personas. And she does this while being so emotional, so social, so weird, so fucking cute, it’s absolutely nauseating. This should be fine, right? It’s what Mitsuru’s always wanted, for someone else to ease her burden. And hell, it’s a woman too, a woman who’s perfectly capable of doing it all without a bunch of men helping her. It’s inspiring, isn’t it?

But there’s the pain. The envy. Kotone is perfect and she doesn’t even have to try. Mitsuru on the other hand has been shaving herself down to nothing just to be allowed a place. She makes the perfect grades and wears the beautiful clothes and applies the fucking makeup and is mature for her age and never speaks out or feels anything that could possibly make her be seen as a human, a filthy fucking human. So why does a woman as unashamed as Kotone get to have it all? And why is Mitsuru still here, still acting as the Kirijo tool, still doing whatever she possibly can to hurt herself to make a man feel better? Why isn’t she useful anywhere? It’s not fair

And then when she actually spends the time with Kotone she’s trying so hard to be that wise and mature figure she’s always been, trying so hard to force herself to smile through the pain, but she’s talking to someone who can see right through that shit cuz Kotone Shiomi invented lying through her teeth to make others feel better. It’s annoying really, how Kotone is supposed to be the childish one, yet it’s Mitsuru who can’t get it together and can’t seem to look into those bright eyes without breaking. And Kotone isn’t disgusted by what she sees, even though Mitsuru is being unreasonable and emotional and talking about wanting to run away and how much she hates her life and how she’s not only eating fast food but enjoying it, letting herself enjoy an indulgence that won’t make her pretty anymore. No, Kotone sees this and listens and encourages it and celebrates it, celebrates how utterly human Mitsuru is. She holds her hand and says "let me take on your burden". And it’s horrible, this kindness, Mitsuru hasn’t even broken all her bones to make Kotone happy, so why is she being so fucking nice? And then something breaks, and Kotone defends her. Stands up for her against a man. Lets herself once again take a hit to protect someone else. And it’s just too familiar, too much to fucking bear, and it pisses Mitsuru the fuck off. And she is able to tell a man to go fuck himself, because no one gets to fucking talk to this girl like she isn’t the most amazing person ever to exist. Not after everything she’s done, everything she still does, not after giving her all and never once asking for anything in return. And in standing up for Kotone, Mitsuru is able to stand up for herself for the first time in her life. And she looks at Kotone and says "let’s take on each other’s burdens"

Oh and also they watch a scary movie together and hold hands and ride a motorcycle and Mitsuru calls Kotone adorable I mean that’s pretty gay man

[f1owermoon]

yooo i haven't done any fun makeup in forever❗️❗️❗️❗️❗️❗️❗️

[allpromarlo]

sometimes i think about how misogynistic like 97% of fandoms on this fuckass app are and i just get mad all over again

[sexynetra]

I am on a mission to learn how to draw can you believe these are literally only 4 days apart I’m feeling so pussy pussy cunt cunt rn

[myreia]

Night never needs a shade but it requires to fade into the grin of twinkling stars where light is just a glint of scars

My Warrior of Light, Aureia Malathar, by @sunshinemage.

[dragons-and-yellow-roses]

Me: I should probably clean my room, unpack, find my laptop and finish the work tasks that were due yesterday

Also me: I think I'm going to hot glue flowers, vines, and ribbons to a basket instead :)

[m0e-ru]

i want T to do something to me the same way it did something to souji seta

[scarlethallow160]

emo pit fighter vi emo pit fighter vi emo pit fighter vi